A Treatment
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About this ebook
Ann Shenfield
Ann Shenfield’s poetry has received various awards including the Judith Wright Poetry Prize for You Can Get Only So Close On Google Earth, which was also a finalist for the Queensland Premier’s Literary Awards. Her animated films have also received prizes and screened at numerous festivals including selection to the Official Competition at Berlin
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Book preview
A Treatment - Ann Shenfield
1.
A treatment
In 1938 in fascist Italy the man credited
with initiating electroconvulsive therapy
—Ugo Cerletti—observes pigs in an abattoir
being stunned before their slaughter
My mother is in pre-war Poland
the family haven’t yet fled to Russia
She still has all the hopes
and dreams of a nine-year-old
Meanwhile Ugo discerns that stunned
pigs appear less agitated
He surmises they accept their demise
more amenably when shocked
And he thinks, why not?
besides he’s already tried a version on dogs
Placing cables in their mouths and anuses
but this only leads to cardiac arrest
This is how some of it evolved
and me, a dog lover and vegetarian
Trying to piece together a mother
grieving her husband’s sudden heart failure
Later they will notice that shock
treatment messes with a person’s affect
How it no longer matches the emotions
think vacancy for tears, laughter for anguish
Though I worry, might this
also be true for pigs?
They diagnosed my mother’s guilt
and grief as depression
Then stunned her to a silence
the Italian died a year before her shocks
The Sorbonne gave him an honorary degree
my mother came home but didn’t properly return
Sophia does not hold up the world
like Atlas
she is only an appendage, a suffix to philo—
Incomplete in her own terms, almost wisdom
but without mythic status
Still, I know that wisdom walks
with frostbitten toes across tundras
To places with names that no longer exist
where at a border crossing she prevents a shooting
Let’s say this act saves the entire group
in that snowed-in Slavic nowhere
Only discoverable now in outdated maps
a story, part fairytale, or almost oral history
Except she never spoke of it, or of how
as an ex-school mistress she would accept
Whatever work was delegated
like at the factory peeling potatoes
While wisdom grieved a husband
before she would learn of the others
The twenty-four who tapered
into two—this mother and her child
Sophia does not hold up the world
though she sends food parcels
To her one surviving nephew in a gulag
—parcels that enable him to endure
If you save a life, you save the whole world
my people are fond of saying
Though I hesitate to mention Sophia’s plan
it was only that her child who’d become my mother
Was afraid of water, that they didn’t wave
or, that is, drown
Besides, in those circumstances
who wouldn’t consider suicidal ideation wise?
This world is always being held up by Atlas
even if Sophia, in Polish it’s Zofia, realises me
* written in response to Damon O’Brien’s Atlas Carried the World