Location via proxy:   [ UP ]  
[Report a bug]   [Manage cookies]                
Everand Logo

Welcome to Everand!

  • Discover millions of ebooks, audiobooks, and so much more with a free trial

    From $11.99/month after trial. Cancel anytime.

    The art of speaking the english language
    The art of speaking the english language
    The art of speaking the english language
    Ebook93 pages1 hour

    The art of speaking the english language

    By Sherwin Cody

    ()

    Read preview

    About this ebook

    Unlock the Power of Effective Communication with 'The Art of Speaking the English Language' by Sherwin Cody. In today's world, effective communication is a vital skill. 'The Art of Speaking the English Language' by Sherwin Cody is your timeless guide to mastering the art of eloquent and persuasive speech. Whether you're a student looking to improve your speaking abilities or a professional aiming to command a room, this book is your invaluable resource.

    Sherwin Cody, a distinguished expert in language and communication, offers you a comprehensive approach to refining your spoken English. Inside these pages, you will discover:
    • Proven techniques to enhance your pronunciation and diction.
    • Strategies for developing clarity, confidence, and charisma in your speech.
    • Tips on effective conversation, public speaking, and vocal expression.
    • Practical exercises and guidance for self-improvement.
    This book's timeless wisdom transcends generations, and its principles remain highly relevant in today's fast-paced, competitive world. Whether you aspire to excel in public speaking, negotiations, or everyday interactions, 'The Art of Speaking the English Language' equips you with the tools to leave a lasting impression.

    Enhance your communication skills, captivate your audience, and make a lasting impact with the guidance of this classic work. Sherwin Cody's insights will empower you to communicate more effectively, both personally and professionally. This is your opportunity to take your verbal prowess to new heights.
    LanguageEnglish
    PublisherCervantes Digital
    Release dateMay 20, 2023
    ISBN9791222411422
    The art of speaking the english language

    Related to The art of speaking the english language

    Related ebooks

    Language Arts & Discipline For You

    View More
    View More

    Related podcast episodes

    Related articles

    • UNLIMITED

      Cryptic Classroom #4: Charades

      Oct 28, 2021

      Cryptic Classroom #4: Charades
      3 min read

    • UNLIMITED

      How Tech Firms Are Using China's Social Media Addiction To Teach English

      Mar 14, 2018

      On a recent winter day in Beijing, Ren Li crawls into bed at 3am, worn out after a long day of taking care of her three-month-old daughter. Despite her exhaustion, she is up promptly at 7 in the morning. But the first thing the doctor, 38, reaches fo

      3 min read

    • UNLIMITED

      How To Talk Proper

      Mar 9, 2022

      How To Talk Proper
      3 min read

    • UNLIMITED

      5 Strategies

      Dec 16, 2020

      Use an Acknowledgement Sheet as a visual record of your child’s reading achievements. Sit down with your child when you are both relaxed. Ask them about their goals, for example it might be to read a particular series of books, or to read a chapter b

      4 min read

    • UNLIMITED

      STOP THE goo-goo, ga-ga

      Mar 19, 2020

      STOP THE goo-goo, ga-ga
      3 min read

    • UNLIMITED

      Call & response

      Sep 15, 2021

      Call & response
      2 min read

    • UNLIMITED

      Vowel Play

      Dec 7, 2020

      Vowel Play
      2 min read

    • UNLIMITED

      Ideas To Help Polish Your Writing

      Aug 3, 2023

      For many people, ‘Give me a vowel’ will bring up an instant reference to the TV programme Countdown. In the context of the game show, vowels and consonants were linked to letters of the alphabet, with A-E-I-O-U being vowels and the other 21 letters c

      3 min read

    • UNLIMITED

      How to Create Stories That Children Can Actually Read

      Oct 9, 2023

      If I learned one thing as a young writer, it was that kids can read a book as long as it uses short words. It’s what I was taught by more seasoned editors and what I have applied to the hundreds of early reader books I’ve written and edited over the

      5 min read

    • UNLIMITED

      Is the Chinese Language a Superstition Machine?: How ambiguity in language can create unique taboos.

      Jan 5, 2017

      Every year, more than a billion people around the world celebrate Chinese New Year and engage in a subtle linguistic dance with luck. You can think of it as a set of holiday rituals that resemble a courtship. To lure good fortune into their lives, th

      9 min read

    • UNLIMITED

      Is the Chinese Language a Superstition Machine?

      Apr 12, 2018

      Every year, more than a billion people around the world celebrate Chinese New Year and engage in a subtle linguistic dance with luck. You can think of it as a set of holiday rituals that resemble a courtship. To lure good fortune into their lives, th

      9 min read

    • UNLIMITED

      Which Language?

      Jan 31, 2022

      Which Language?
      3 min read

    • UNLIMITED

      Word Play

      Apr 2, 2022

      Word Play
      6 min read

    • UNLIMITED

      The Music Of Language

      Jun 19, 2019

      Words can make magic. Skillfully put together into sentences, words can transfer ideas and images from a writer’s mind into the minds of readers—that, by itself, is powerful verbal magic. When we exploit the musical characteristics of language, we ca

      6 min read

    • UNLIMITED

      Piano Teacher Help Desk

      Nov 18, 2022

      Piano Teacher Help Desk
      2 min read

    • UNLIMITED

      Finding Your Teacher’s Voice

      Sep 15, 2022

      Finding Your Teacher’s Voice
      5 min read

    • UNLIMITED

      Cursive Handwriting and Other Education Myths: Teaching cursive handwriting doesn’t have nearly the value we think it does.

      Sep 8, 2016

      A recent newcomer at one of the home-education groups my family attends explained that one of the frustrations that led her to take her son out of the school system was that he wasn’t being allowed to write stories. It’s something he loves to do, and

      12 min read

    • UNLIMITED

      This Simple Structure Unites All Human Languages

      Sep 19, 2019

      Take a deep breath. As you breathe in, your lungs fill with air. The air is carried through every part of your lungs by tubes. These tubes are organized in a particular way. They branch off, one into the left lung, one into the right. The tubes fill

      9 min read

    Related categories

    Reviews for The art of speaking the english language

    0 ratings

    0 ratings0 reviews

    What did you think?

    Tap to rate

    Review must be at least 10 words

      Book preview

      The art of speaking the english language - Sherwin Cody

      INTRODUCTION. THE STUDY OF SPELLING.

      The mastery of English spelling is a serious under-taking. In the first place, we must actually memorize from one to three thousand words which are spelled in more or less irregular ways. The best that can be done with these words is to classify them as much as possible and suggest methods of association which will aid the memory. But after all, the drudgery of memorizing must be gone through with.

      Again, those words called homonyms, which are pronounced alike but spelled differently, can be studied only in connection with their meaning, since the meaning and grammatical use in the sentence is our only key to their form. So we have to go considerably beyond the mere mechanical association of letters.

      Besides the two or three thousand common irregular words, the dictionary contains something over two hundred thousand other words. Of course no one of us can possibly have occasion to use all of those words; but at the same time, every one of us may sooner or later have occasion to use any one of them. As we cannot tell before hand what ones we shall need, we should be prepared to write any or all of them upon occasion. Of course we may refer to the dictionary; but this is not always, or indeed very often, possible. It would obviously be of immense advantage to us if we could find a key to the spelling of these numerous but infrequently used words.

      The first duty of the instructor in spelling should be to provide such a key. We would suppose, off-hand, that the three hundred thousand school-teachers in the United States would do this immediately and without suggestion——certainly that the writers of school-books would. But many things have stood in the way. It is only within a few years, comparatively speaking, that our language has become at all fixed in its spelling. Noah Webster did a great deal to establish principles, and bring the spelling of as many words as possible to conform with these principles and with such analogies as seemed fairly well established. But other dictionary-makers have set up their ideas against his, and we have a conflict of authorities. If for any reason one finds himself spelling a word differently from the world about him, he begins to say, Well, that is the spelling given in Worcester, or the Century, or the Standard, or the new Oxford. So the word authority looms big on the horizon; and we think so much about authority, and about different authorities, that we forget to look for principles, as Mr. Webster would have us do.

      Another reason for neglecting rules and principles is that the lists of exceptions are often so formidable that we get discouraged and exclaim, If nine tenths of the words I use every day are exceptions to the rules, what is the use of the rules anyway! Well, the words which constitute that other tenth will aggregate in actual numbers far more than the common words which form the chief part of everyday speech, and as they are selected at random from a vastly larger number, the only possible way to master them is by acquiring principles, consciously or unconsciously, which will serve as a key to them. Some people have the faculty of unconsciously formulating principles from their everyday observations, but it is a slow process, and many never acquire it unless it is taught them.

      The spelling problem is not to learn how to spell nine tenths of our words correctly. Nearly all of us can and do accomplish that. The good speller must spell nine hundred and ninety-nine one thousandths of his word correctly, which is quite another matter. Some of us go even one figure higher.

      Our first task is clearly to commit the common irregular words to memory. How may we do that most easily? It is a huge task at best, but every pound of life energy which we can save in doing it is so much gained for higher efforts. We should strive to economize effort in this just as the manufacturer tries to economize in the cost of making his goods.

      In this particular matter, it seems to the present writer that makers of modern spelling-books have committed a great blunder in mixing indiscriminately regular words with irregular, and common words with uncommon. Clearly we should memorize first the words we use most often, and then take up those which we use less frequently. But the superintendent of the Evanston schools has reported that out of one hundred first-reader words which he gave to his grammar classes as a spelling test, some were misspelled by all but sixteen per cent{.} of the pupils. And yet these same pupils were studying busily away on categories, concatenation, and amphibious. The spelling-book makers feel that they must put hard words into their spellers. Their books are little more than lists of words, and any one can make lists of common, easy words. A spelling-book filled with common easy words would not seem to be worth the price paid for it. Pupils and teachers must get their money's worth, even if they never learn to spell. Of course the teachers are expected to furnish drills themselves on the common, easy words; but unfortunately they take their cue from the spelling-book, each day merely assigning to the class the next page. They haven't time to select, and no one could consistently expect them to do otherwise than as they do do.

      To meet this difficulty, the author of this book has prepared a version of the story of Robinson Crusoe which contains a large proportion of the common words which offer difficulty in spelling. Unluckily it is not easy to produce classic English when one is writing under the necessity of using a vocabulary previously selected. However, if we concentrate our attention on the word-forms, we are not likely to be much injured by the ungraceful sentence-forms. This story is not long, but it should be dictated to every school class, beginning in the fourth grade, until every pupil can spell every word correctly. A high percentage is not enough, as in the case of some other studies. Any pupil who misses a single word in any exercise should be marked zero.

      But even if one can spell correctly every word in this story, he may still not be a good speller, for there are thousands of other words to be spelled, many of which are not and never will be found in any spelling-book. The chief object of a course of study in spelling is to acquire two habits, the habit of observing articulate sounds, and the habit of observing word-forms in reading.

      1. Train the Ear. Until the habit of observing articulate sounds carefully has been acquired, the niceties of pronunciation are beyond the student's reach, and equally the niceties of spelling are beyond his reach, too. In ordinary speaking, many vowels and even some consonants are slurred and obscured. If the ear is not trained to exactness, this habit of slurring introduces many inaccuracies. Even in careful speaking, many obscure sounds are so nearly alike that only a finely trained ear can detect any difference. Who of us notices any difference between er in pardoner and or in honor? Careful speakers do not pass over the latter syllable quite so hastily as over the former, but only the most finely trained ear will detect any difference even in the pronunciation of the most finely trained voice.

      In the lower grades in the schools the ear may be trained by giving separate utterance to

      Enjoying the preview?
      Page 1 of 1