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Smonk: A Novel
Smonk: A Novel
Smonk: A Novel
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Smonk: A Novel

Rating: 3.5 out of 5 stars

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“Fast-paced and unrelentingly violent . . . readers looking for a strange and savage tale can’t go wrong” with this western from an Edgar Award–winning author (Publishers Weekly).

From the New York Times–bestselling author of Hell at the Breech and Crooked Letter, Crooked Letter, a historical thriller in turns hilarious, bawdy and terrifying.

It’s 1911 and the townsfolk of Old Texas, Alabama, have had enough. Every Saturday night for a year, E. O. Smonk has been destroying property, killing livestock, seducing women, cheating and beating men, all from behind the twin barrels of his Winchester 45-70 caliber over-and-under rifle. Syphilitic, consumptive, gouty, and goitered—an expert with explosives and knives—Smonk hates horses, goats, and the Irish, and it’s high time he was stopped. But capturing old Smonk won’t be easy—and putting him on trial could have shocking and disastrous consequences, considering the terrible secret the citizens of Old Texas are hiding.

Praise for Tom Franklin:

“I’m reminded, by the evocative strength of the prose and the relentlessness of the imagination, of William Faulkner.” —Philip Roth

“It’s as if the author kidnapped Raymond Carver’s characters and set them loose in the Deep South.” —The New York Times Book Review
LanguageEnglish
Release dateOct 13, 2009
ISBN9780061842627
Smonk: A Novel
Author

Tom Franklin

Tom Franklin is the New York Times bestselling author of Crooked Letter, Crooked Letter, which won the Los Angeles Times Book Prize and the Crime Writers' Association's Gold Dagger Award. His previous works include Poachers, Hell at the Breech, and Smonk. He teaches in the University of Mississippi's MFA program.

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Rating: 3.6018518703703704 out of 5 stars
3.5/5

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  • Rating: 4 out of 5 stars
    4/5
    It is a testament to pressing matters that I finished this two days ago and truly didn't find the space to put it to wraps. Smonk worried me. Several times I feared I would injure myself laughing. I was also worried that members of an unnamed disease cult would butcher me. Tom Franklin has a sense of pitch which astonishes me. No doubt his craven Christian is named Portis for obvious reasons. I liked that touch.

    Enclosed in the back of the novel was a receipt. I treasure such discoveries. This instance provided a delightful portal. The receipt was from a bookstore in Chicago where I bought this novel nearly five years ago to the day (from today). We were in town to see our friends and that evening we were going to see Manu Chao. The humidity was hellish. I spotted this store, begged apologies and ran within. It is is strange that it took me five years to meet Mr. E.O. Smonk. I am glad that I did.
  • Rating: 4 out of 5 stars
    4/5
    this is definitely one of the best westerns I've ever read. it's engaging, action packed, and weird! it's like unforgiven meets battle royale
  • Rating: 4 out of 5 stars
    4/5
    Rating: 3.9* of fiveThe Book Description: It's 1911 and the secluded southwestern Alabama town of Old Texas has been besieged by a scabrous and malevolent character called E. O. Smonk. Syphilitic, consumptive, gouty and goitered, Smonk is also an expert with explosives and knives. He abhors horses, goats and the Irish. Every Saturday night for a year he's been riding his mule into Old Texas, destroying property, killing livestock, seducing women, cheating and beating men all from behind the twin barrels of his Winchester 45-70 caliber over and under rifle. At last the desperate citizens of the town, themselves harboring a terrible secret, put Smonk on trial, with disastrous and shocking results. Thus begins the highly anticipated new novel from Tom Franklin, acclaimed author of Hell at the Breech and Poachers.Smonk is also the story of Evavangeline, a fifteen-year-old prostitute quick to pull a trigger or cork. A case of mistaken identity plunges her into the wild sugarcane country between the Alabama and Tombigbee rivers, land suffering from the worst drought in a hundred years and plagued by rabies. Pursued by a posse of unlikely vigilantes, Evavangeline boats upriver and then wends through the dust and ruined crops, forced along the way to confront her own clouded past. She eventually stumbles upon Old Texas, where she is fated to E. O. Smonk and the townspeople in a way she could never imagine.In turns hilarious, violent, bawdy and terrifying, Smonk creates its own category: It's a southern, not a western, peopled with corrupt judges and assassins, a cuckolded blacksmith, Christian deputies, widows, War veterans, whores, witches, madmen and zombies. By the time the smoke has cleared, the mystery of Smonk will be revealed, the survivors changed forever. My Review: Oh! Oh, I see...THIS is what y'all were on about when y'all were carryin' on over Franklin's writing. It surely to hell couldn't've been that crooked mess. That was painful.Eugene Oregon Smonk is as horrible a character as Ignatius Reilly. He's as gross, as grotesque, as cruel, and as massively hilariously vile. Smonk suffers from gout, so he's already ten yards ahead of everybody else in the book in my good graces. He's got terminal consumption, too. (I don't have that.) He's bowlegged, he hates horses, he detests people. He's murdered and raped and generally been as much like Attila as a modern man can be.Evavangeline is fifteen, a whore, and mean as a butt-fucked polecat. She doesn't know what “thank you” means, she's got no idea what impulse control is, and she expresses her displeasure with johns who don't pay up (I refuse to reach for the cheap joke inherent in “stiff her”) in most-often fatal ways.And these, laddies and gentlewomen, are our heroes.Yeup. This book, it's as much fun to read as a William S. Burroughs novel edited by Roger Corman. It's got energy. It's got no time for sacred, for nice, for sweet. It's got no place for normal, for kindly, for restrained. (Unless you mean “tied up for sex.”) It is, in short, a book for the boisterous and the bawdy, not the timorous and the tidy.I totally get the Franklin thing now. That crookedy crapola? That's nothing much, it's no doubt what happened when some longfaced Puritan somewhere started biting Franklin behind the ear after this book came out. He should slap her into next Sunday and go back to Smonking. This genre-busting carnival of louche and salacious and violent living is far far far more interesting and better written.
  • Rating: 5 out of 5 stars
    5/5
    How to do justice to this weird and wonderful book in a review? It is profane, funny, and engrossing from start to finish. This is a book where life has a very low value, indeed. The author deftly weaves together the story of a teenage prostitute, a con-turned-Bailiff, a Northerner and his so-called Christian Deputies, the Bailiff's son, and of course, the title character, Mr. E.O. Smonk, a really bad guy who may nevertheless have his reasons.The book reads more like a Western than anything else, despite being set in Alabama in 1911. (It is a sort of remote part of Alabama, to be sure.) But I don't think any landscape like the one Franklin presents has ever existed--this book's setting pretty much stands alone, and at the center of the mystery is the town of Old Texas (which is also a real place in Alabama). Franklin maneuvers his cast of characters through this landscape and a series of encounters with each other and various other oddballs and misfits. He almost overdoes it, especially in the book's great revelation--but somehow it all works. If you aren't easily offended by graphic descriptions of just about everything, this is a book you must read.But don't read it if you have anything against glass eyes and their travels.
  • Rating: 5 out of 5 stars
    5/5
    I learned of this book from author Alden Bell when reading an interview with him for my review of his book The Reapers are the Angels. He listed this as one of his favorite books, and I said at that time that after reading the synopsis for Smonk, I could see where he got his inspiration for his character Temple of The Reapers are the Angels.This book is a rip-roaring ride! I had mentioned to my friends early on that this book was the most vile and obscene book I’d ever read, and yet the most entertaining. The author is unapologetic in his approach, seeming to set aside all sensibilities and censor. Brash and unadulterated, this story is totally in your face, almost daring you to be offended.Smonk is portrayed as a pretty despicable character, and is easily disliked from the beginning.Evavangeline, on the other hand, while tough and unforgiving, and a 14-year-old prostitute on the run, is portrayed with a certain vulnerability. I found myself hoping for her redemption.One thing I did have difficulty with was the lack of quotations used in dialogue, initially making it difficult to tell the conversations apart from the narration. But I got used to this pretty quickly, so it didn’t take away from my enjoyment.This is my first book by Tom Franklin, and I look forward to reading more of his work. I think Hell at the Breach may be next on my list.Final word: Pick up this book, sit back with a drink, cover your ears and brace your sensibilities. You’re in for the ride of a lifetime!
  • Rating: 2 out of 5 stars
    2/5
    A real disappointment after reading, "Crooked Letter, Crooked Letter". Smonk just wasn't my kind of book.
  • Rating: 1 out of 5 stars
    1/5
    Tom Franklin's debut story collection Poachers earned him rave reviews from the likes of Philip Roth and Richard Ford, as well as a 2001 Guggenheim Fellowship. His first novel Hell at the Breech followed in 2003 and was both well received and highly entertaining: a darkly riveting Southern Gothic western that Franklin based on true events that occurred in south Alabama during the 1890s. The book worked exceedingly well on several levels, was finely plotted, wonderfully worded and paced, and promised even better things to come from this obviously talented writer.Then in 2006 came the unfortunate Smonk, or as the title page of Franklin's 3rd book fully endows, Smonk, or Widow Town, Being the Scabrous Adventures of E.O. Smonk & of the Whore Evavangeline, in Clarke County, Alabama, Early in the Last Century.... Besides being a sadly inefficient plot summary, this extended title alerts the reader that he's now squarely in the realm of the "picaresque", a rightfully maligned sub-genre of prose fiction, which Wikipedia defines as "usually satirical and depicting in realistic and often humorous detail the adventures of a roguish hero of low social class who lives by his or her wits in a corrupt society".In Smonk Franklin attempts to adhere to these maxims, but he pushes all his characters and situations so far over-the-top that they seem to exist without any relation to reality, or possess any shred of even latent humanity, with incidents of murder, rape, random savagery, and/or acts of incest swiftly following one another in such casual, and at times, dizzying debauchery that the tone of Franklin's story is effectively shattered: satire's out the window, right along with any breath of honest humor except lame 'gallows' irony, appropriate more for the abatoir or charnel house. So dulling is the repetitive violence and blood porn in Smonk that the reader loses cause with the whole misconceived mess, and wishes that Smonk and his vile company would somehow just quietly go away. But they don't, and long before the preposterous denouement exposing the laughable 'mystery' of Widow Town and of Evavangeline's parentage, this particular reader had lost all interest and longed for the release offered by the last page of this great stinker of a novel.

Book preview

Smonk - Tom Franklin

1

THE TRIAL

IT WAS THE EVE OF THE EVE OF HIS DEATH BY MURDER AND THERE was harmonica music on the air when E. O. Smonk rode the disputed mule over the railroad tracks and up the hill to the hotel where his trial would be. It was October the first of that year. It had been dry and dusty for six weeks and five days. The crops were dead. It was Saturday. Ten after three o’clock in the afternoon according to the shadows of the bottles on the bottle tree.

Amid the row of long nickering horsefaces at the rail Smonk slid off the mule into the sand and spat away his cigar stub and stood glaring among the animal shoulders at his full height of five and a quarter foot. He told a filthy blond boy holding a balloon to watch the mule, which had an English saddle on its back and an embroidered blanket from Bruges Belgium underneath. In a sheath stitched to the saddle stood the polished butt of the Winchester rifle with which, not half an hour earlier, Smonk had dispatched four of an Irishman’s goats in their pen because the only thing he abhorred more than an Irish was an Irish goat. By way of brand the mule had a fresh .22 bullet hole through its left ear, same as Smonk’s cows and pigs and hound dog did, even his cat.

That mule gits away, he told the boy, I’ll brand ye balloon.

He struck a match with his thumbnail and lit another cigar. He noted there were no men on the porches, downstair or up, and slid the rifle from its sock and snicked the safety off. He backhanded dust from a mare’s flank to get her the hell out of his way (they say he wouldn’t walk behind a horse) and clumped up the steps into the balcony’s shade and limped across the hotel porch, the planks groaning under his boots. The boy watched him: his immense dwarf shape, shoulders of a grizzly bear, that bushel basket of a head low and cocked, as if he was trying to determine the sex of something. His hands were wide as shovels and his fingers so long he could palm a man’s skull but his lower half was smaller, thin horseshoe legs and little feet in their brand-new calf opera boots the color of chocolate, loose denim britches tucked in the tops. He wore a clean pressed white shirt and ruffled collar, suspenders, a black string tie with a pair of dice on the end and a tan duck coat. He was uncovered as usual—hats made his head sweat—and he wore the blue-lensed eyeglasses prescribed for sufferers of syphilis, which accounted him in its numbers. On a lanyard around his neck hung a whiskey gourd stoppered with a syrup cork.

He coughed.

Along with the Winchester he carried an ivory-handled walking cane with a sword concealed in the shaft and a derringer in the handle. He had four or five revolvers in various places within his clothing and cartridges clicking in his coat pockets and a knife in his boot. There were several bullet scars in his right shoulder and one in each forearm and another in his left foot. There were a dozen buckshot pocks peppered over the hairy knoll of his back and the trail of a knife scored across his belly. His left eye was gone a few years now, replaced by a white glass ball two sizes small. He had a goiter under his beard. He had gout, he had the clap, blood-sugar, neuralgia and ague. Malaria. The silk handkerchief balled in his pants pocket was blooded from the advanced consumption the doctor had just informed him he had.

You’ll die from it, the doctor had said.

When? asked Smonk.

One of these days.

At the hotel door, he paused to collect his wind and glanced down behind him. Except for the boy slouching against a post with his balloon, an aired-up sheep stomach, there were no children to be seen, a more childless place you’d never find. Throughout town the whorish old biddies were pulling in shutters and closing doors, others hurrying across the street shadowed beneath their parasols, but every one of them peeping back over their shoulders to catch a gander at Smonk.

He pretended to tip a hat.

Then he noticed them—the two slickers standing across the road beside a buckboard wagon covered in a tarp. They were setting up the tripod legs of their camera and wore dandy-looking suits and shiny derbies.

Smonk, who could read lips, saw one say, There he is.

Inside the hotel the bailiff, who’d been blowing the harmonica, put it away and straightened his posture when he saw who it was coming and cleared his throat and announced it was no guns allowed in a courtroom.

This ain’t a courtroom, Smonk said.

It is today by God, said the bailiff.

Smonk glanced out behind him as if he might leave, the hell with the farce of justice once and for all. But instead he handed the rifle over, barrels first, and as he laid one heavy revolver and then another on the whiskey keg the bailiff had for a desk, he looked down at the gaunt barefaced Scot in his overalls and bicycle cap pulled low, sitting on a wooden crate, the sideboard behind him jumbled with firearms deposited by those already inside.

Smonk studied the bailiff. I seen ye before.

Maybe ye did, the man said. Maybe I used to work as ye agent till ye sacked me from service and my wife run off after ye and cast me in such doldrums me and my boy Willie come up losing ever thing we had—land, house, barn, corn crib, still, crick. Ever blessed thing. Open up ye coat and show me inside there.

Smonk did. You lucky I didn’t kill ye.

The bailiff pointed the rifle. That ’n too.

The one-eye licked his long red tongue over his lips and put his cigar in his teeth and unworked from his waistband a forty-one caliber Colt Navy pistol and laid it on the wood between them.

Keep these instruments safe, fellow. Maybe I’ll tip ye a penny for looking after em good.

I wouldn’t accept no tip penny from you, Mister Smonk, if it was the last penny minted in this land.

Smonk had coughed. Do what.

I said if it was to happen a copper blight over this whole county and a penny was selling for a dollar and a half and I hadn’t eat a bite of food in a month and my boy was starving, I wouldn’t take no penny from you. Not even if ye paid me a whole nother penny to take it.

But Smonk had turned away.

Angry harmonica notes preceded him as he twisted his shoulders to fit the door and stepped into the hot, smoky diningroom, cigar ash dusted down his tie like beard dander. The eating tables had been shoved against the walls and stacked surface to surface, the legs of the ones on top in the air like dead livestock. Justice of the Peace Elmer Tate and the lawyer and the banker and two or three farmers and the liveryman and that doctor from before checking his watch and Hobbs the undertaker, all deacons, looked at him. The talking had hushed, the men quiet as chairs. The nine ball flashing its number across the billiard table in the corner didn’t make its hole and ticked off the seven and stopped dead on the felt.

Smonk leaned against the wall, it gave a little. He coughed into his handkerchief and dabbed his lips and stuffed the cloth into his pocket, the conversation and game of billiards picking back up.

For a moment nothing happened except the quip of a mockingbird from outside and Smonk unstoppering his gourd. Then the door opened at the opposite end of the room and into the light walked the circuit judge, a Democrat, Mason and former army officer equally renowned for his drinking and his muttonchops. He acknowledged no other man as he excused his way through them and stepped onto the wooden dais erected for this occasion and seated himself behind the table set up for him, a glass of water there and a notepad, quill and ink bottle. He wore a black suit and hat like a preacher and for a gavel used the butt end of a new Smith & Wesson Schofield .45.

Order now, order, he called, removing his hat. Be seated, gentlemen. He screwed his monocle in.

Ever body set down, called the bailiff. And git ye got-dern cover off.

The men snatched off their hats and scuffed into chairs. In the rear of the room, Smonk kept standing. He ashed his cigar. For once he wished he wore a hat so he could leave it on. A sombrero, say.

Let’s see. The judge cleared his throat. First on the docket here is the people of Old Texas Alabama versus Eugene Oregon Smonk.

Not first, the defendant growled. The whole docket. Today I’m yer whole fucking docket.

Anger charged the diningroom: the state flag in the corner seemed to quiver though the air between the men was as still as the inside of a rock. From somewhere out beyond the dusty desiccated sugarcane came the high parched yap of a mad-dog.

Afternoon, gentlemen. Smonk grinned. Judge.

He pulled his shoulders off the wall and hung his cane on his arm and puffed his cigar and stopped up his gourd. But he’d only made two steps toward his table when he paused and raised his head.

Something was different.

Somehow, the red-headed farmer glaring at him was not the same farmer Smonk had beaten with a coiled whip. The town clerk was not the same town clerk he had slapped down in the street, whose face he’d ground in the mud and money purse taken. Somehow that one there wasn’t the banker he’d swindled out of seventy-five acres of bottomland including a creek. That one was not the liveryman whose daughter he’d won at rook and taken in the feed room in the back. Hobbs the undertaker was another undertaker entirely and Tate yonder wasn’t the same spineless justice of the peace Smonk had been blackmailing near a year. They were all other faces, all other men.

He didn’t know them. He didn’t know them.

The bailiff wasn’t a bailiff now but another man altogether. They were scuffling to their feet in a mob as the judge banged his pistol so hard the ink bottle jumped off.

Order! he called. God damn it, I said order!

But there was no order left.

Instead there were fire pokers and riding crops. An ash shovel. There were bricks and unlooped belts and letter openers and knots of kindling. An iron pump handle. A broken window’s flashing knives. One soaked noose, cue sticks, table legs with nails crooked as fangs, the picks and pikes of splintered chairs.

The men advanced on Smonk with leery sidesteps. He ducked the hurled eight ball which smashed a window. He dropped his cigar to the floor and didn’t bother to toe it out and it lay smoking between his boots. He took off his glasses and folded them away into his breast pocket, in no hurry despite the men closing in behind their weapons, so close the ones in front could see his red teeth.

Get him, said somebody in the corner.

But Smonk raised the prongs of his fingers and his assailants froze. He leaned back, haled a long tug of air and held it, as if he might say some truth they needed to hear.

They waited for him to speak.

Instead he coughed, blood smattering those faces closest. And in the same moment each fellow in the room tall enough to see witnessed Eugene Oregon Smonk’s eye uncork from his head into the air.

For an instant it glinted in a ray of light through the window, then McKissick the bailiff caught it like a marble.

He opened his palm and grinned.

When he looked up Smonk had a derringer in one hand and sword in the other and he was backing toward the sideboard where all those lined-up rifles and pistols lay gleaming.

Well have at it, he yelled, you hongry bitches.

Meanwhile, the sun had shied behind a cloud. The horses along the rail outside were bland and peaceful, many with their eyes shut. Even the flies had landed. Across the street, the two photographers stood on either side of their wagon cracking their knuckles and glancing up the deserted street and down it.

The blond boy had tied his balloon in the raw hole in the mule’s ear and was climbing into the saddle. He wiggled his behind. The stirrups, adjusted for Smonk, hung too far down so he didn’t use them, even as the mule backed up on its own and faced east.

When the first shot came from inside, the photographers let fall their tripod and leapt into the wagon and flung away a green tarp to reveal a 1908 Model Hiram Maxim water-cooled machine gun bolted to its metal jackstand. One man checked the lock while the other twirled vises and tightened the petcock valve.

I heard he killed his own momma, he said.

For starters, said the other.

The blond boy slapped the mule across its withers and gigged it with his bare heels. Let’s git to that orphanage, he said, saluting the machine gunners as they waited, one slowly returning the salute. The mule began to walk, and then trot, the bailiff’s son not looking back despite the storm of gunfire, the balloon bobbing above them like a thought the mule was having, empty of history.

2

THE TOMBIGBEE

TWO WEEKS EARLIER, IN THE STATE OF LOUISIANA, THERE HAPPENED a scrawny fifteen year old girl burnt brown by the sun and whoring town to town unaware there were other options for a girl. Evavangeline was her name, the only one she knew. There was about ninety pounds’ worth of her, and say five feet, plain, petite and slightly buck-toothed. She had jags of red hair cut short by her own hand because it was cooler that way and she bore a large red scar on the side of her neck. More often than not she’d be mistaken for a boy and recently had been chased out of Shreveport for sodomy and romanticisms with a member of his own gender.

A group of well-uniformed Christian Deputies had burst in upon the hot upstairs hotel room where the two were transacting their business in the fashion of dogs, and Evavangeline had sprung from the bed as if ejaculated. She’d crashed unpaid out the window, clutching an armload of men’s clothing before her privates.

The deputies fell upon her co-fornicator and dragged him naked and hollering down rough pine steps and through the muddy street and strung him up by his wrists and administered him a whipping. He bellowed at each lick and cried for them to run fetch her—

It warn’t no her you pervert, said the Christian Deputy horsewhipping him.

I swar it was, cried the man. She were a gal! A gal I say!

They were behind the jail, a crowd gathering to watch. People pointing that the man being whipped still bore his member in the strategic position.

I sucked on her titties! the beaten man cried. The whip snapped mud off his shoulders. Wee tomboys I’ll grant ye, but teats sure as the world! I swar!

If that had been a woman, chided the tall, long-chinned head Christian Deputy, blushing aback his white stallion, then we’d have no reason to chase her, now, would we? Perhaps a dress violation. Or you could file a charge of robbery, if you want us to interrupt your whooping so you can fill out the paperwork and list each stolen garment.

I do! the recipient of the beating cried. A sock! he cried. A real old union suit! A hank of rope!

He continued to bawl out the names of garments, his flagpole ever faithful.

Is they even such a thang as a dress violation in this jurisprudence, boss? asked Ambrose, the deputies’ second-in-command, a short, stocky Negro who could read. His shirt sleeves and pants cuffs were rolled to accommodate his shorter limbs and his ascot had bunched at his chin. Look, he said and gestured at the scene around them. Dirty, diseased creatures of indiscriminate gender slogging through the mud wore rags, newspapers, sack cloths, loin cloths, croaker sacks, animal skins and corn shucks. Some were naked and hairy as apes.

Go, find out, said Walton, for that was the head Christian Deputy’s Christian name. Seek and ye shall find. Ask and it shall be given unto you.

Ah. Re-search, said Ambrose.

A bodice damn ye, cried the man being beaten. A red lacy garter!

You have to search for it first, before you can prefix it with re, haven’t you? asked Walton.

You’d thank so, said his ebony-skinned lieutenant. But what I heard now’s they demarcating it re-search. They do that once in a while. Ever few years. Change a word or come up with a new one altogether. It don’t make a shit normally—

Deputy Ambrose, warned his leader. You cuss again, I’ll have your badge.

A week later the gal Evavangeline stood in a boardinghouse bedroom in Mobile Alabama stark naked, frowning at her cactus of a body. Her titties barely qualified for the word. Old checker-playing geezers along the waterfront had better humps. And that goddamn scar Ned had give her! Big as a damn half-dollar piece! She spat into her palm, thinking to try and scrub it off. But she didn’t. It wouldn’t come off no matter how much she scratched at it and the truth was she liked it for a reminder of him. When it itched she thought Ned might be trying to tell her something. Or just saying hello. I’m out here somewheres.

In the mirror she thumped her nipples, which made them rise. She wondered about getting knocked up because she knew it made your titties grow. What she didn’t know was if they shrank back after you had the kid. Seemed like maybe they’d stay full as long as the kid sucked on them. The stickler was that she didn’t want a damn youngun to tote along, just some bigger titties. Maybe after she got the kid she could ditch it and find her a customer who’d suck the milk. There had to be men would go for that. Main thing she knew after all these years of being alive was that men existed with every possible appetite.

She gazed at her belly and wondered how a girl got knocked up. She was as skinny as a skeleton and no matter how much she ate she couldn’t put on no fat. But you got fat when you got knocked up. Maybe it was a pill you bought or something you shot. She bet a doctor could tell her.

The morning suffered on and she snuck down the drainpipe of the boardinghouse without paying the lady and found a window table at a dive overlooking the bay and sipped dark rum and slowly ate the cork and listened to the hurdy-gurdy and smoked hash mixed with tobacco as endless boats bobbed past and crows and seagulls dipped in the breeze. She ordered another rum. She saw a man get mugged on the wharf. She dozed for a while and woke thinking how much she loved money. She saw a shark attack a small dinghy. She visited the privy and on her return saw a pair of rats fornicating under the piano stool. The mugged man still lying where he’d fallen on the boards.

Inside, the smoke was so thick it was like sitting in a low cave. No one who entered displayed the stylings of a doctor, though what that might have been she had no clue. She hoped it would be self-telling. A black bag maybe. One of those contraptions on the head. If somebody were to get shot, she mused, a doc would likely appear.

She ordered another rum.

The place stank of fish

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