Tales Quotes

“I have stolen princesses back from sleeping barrow kings. I burned down the town of Trebon. I have spent the night with Felurian and left with both my sanity and my life. I was expelled from the University at a younger age than most people are allowed in. I tread paths by moonlight that others fear to speak of during day. I have talked to gods, loved women, and written songs that make the minstrels weep. You may have heard of me.”
― Patrick Rothfuss, The Name of the Wind

“Still, I wonder if we shall ever be put into songs or tales. We're in one, of course, but I mean: put into words, you know, told by the fireside, or read out of a great big book with red and black letters, years and years afterwards. And people will say: "Let's hear about Frodo and the Ring!" And they will say: "Yes, that's one of my favourite stories. Frodo was very brave, wasn't he, dad?" "Yes, my boy, the famousest of the hobbits, and that's saying a lot."
'It's saying a lot too much,' said Frodo, and he laughed, a long clear laugh from his heart. Such a sound had not been heard in those places since Sauron came to Middle-earth. To Sam suddenly it seemed as if all the stones were listening and the tall rocks leaning over them. But Frodo did not heed them; he laughed again. 'Why, Sam,' he said, 'to hear you somehow makes me as merry as if the story was already written. But you've left out one of the chief characters: Samwise the stouthearted. "I want to hear more about Sam, dad. Why didn't they put in more of his talk, dad? That's what I like, it makes me laugh. And Frodo wouldn't have got far without Sam, would he, dad?"'
'Now, Mr. Frodo,' said Sam, 'you shouldn't make fun. I was serious.'
'So was I,' said Frodo, 'and so I am.”
― J.R.R. Tolkien, The Two Towers

“Sharing tales of those we've lost is how we keep from really losing them.”
― Mitch Albom, For One More Day

“I love the night passionately. I love it as I love my country, or my mistress, with an instinctive, deep, and unshakeable love. I love it with all my senses: I love to see it, I love to breathe it in, I love to open my ears to its silence, I love my whole body to be caressed by its blackness. Skylarks sing in the sunshine, the blue sky, the warm air, in the fresh morning light. The owl flies by night, a dark shadow passing through the darkness; he hoots his sinister, quivering hoot, as though he delights in the intoxicating black immensity of space. ”
― Guy de Maupassant

“Don't the great tales never end?"
"No, they never end as tales," said Frodo. "But the people in them come, and go when their part's ended. Our part will end later – or sooner.”
― J.R.R. Tolkien, The Two Towers

“The grass always seems greener on the other side of the fence. Many politicians promise green, green grass by blending niceties with delusion and by using alluring confidence tricks. They voice attractive tales and tell things, people like to hear. But the post-factual grassland often appears to be parched and barren. ("The grass was greener over there")”
― Erik Pevernagie

“Finally, I’d say to anyone who wants to tell these tales, don’t be afraid to be superstitious. If you have a lucky pen, use it. If you speak with more force and wit when wearing one red sock and one blue one, dress like that. When I’m at work I’m highly superstitious. My own superstition has to do with the voice in which the story comes out. I believe that every story is attended by its own sprite, whose voice we embody when we tell the tale, and that we tell it more successfully if we approach the sprite with a certain degree of respect and courtesy. These sprites are both old and young, male and female, sentimental and cynical, sceptical and credulous, and so on, and what’s more, they’re completely amoral: like the air-spirits who helped Strong Hans escape from the cave, the story-sprites are willing to serve whoever has the ring, whoever is telling the tale. To the accusation that this is nonsense, that all you need to tell a story is a human imagination, I reply, ‘Of course, and this is the way my imagination works.”
― Philip Pullman, Fairy Tales from the Brothers Grimm: A New English Version

“I'll tell you a secret.

Old storytellers never die.

They disappear into their own story.”
― Vera Nazarian, The Perpetual Calendar of Inspiration

“Then a person has only one tale?”

No, some have two or three separate ones or more,” Fleet said. “Some people have many tales. Sometimes they are linked into one big tale, sometimes they are utterly distinct. Most people do not have one at all.”
― Chris Wooding, Poison

“Those places where sadness and misery abound are favoured settings for stories of ghosts and apparitions. Calcutta has countless such stories hidden in its darkness, stories that nobody wants to admit they believe but which nevertheless survive in the memory of generations as the only chronicle of the past. It is as if the people who inhabit the streets, inspired by some mysterious wisdom, relalise that the true history of Calcutta has always been written in the invisible tales of its spirits and unspoken curses.”
― Carlos Ruiz Zafón, The Midnight Palace

“Ci chiamano usurpatori, loro, che hanno usurpato ogni speranza per ciascuna generazione a venire, loro che tutto prendono senza nulla chiedere. Noi che abbiamo avuto l’ardire di strappar loro un pezzetto di terra per viverci in pace, loro che la terra la vogliono tutta per farci la guerra. Ci chiamano usurpatori, senza ricordare che i primi usurpatori sono loro, loro che hanno commesso il peccato maggiore, quel peccato che noi cerchiamo di accomodare. Loro hanno strappato la terra alla terra, l’hanno imbrigliata nelle cartine geografiche, stampata sugli stivali e sulle borse, hanno ucciso per mangiare e mangiato per uccidere, senza rispettare nulla che non fosse la loro fame di cibo e di morte. Noi non chiediamo niente, se non di vivere la vita che vogliamo, la vita che lassù non ci permettevano, perché non c’era abbastanza spazio per tutti. Entro il 2015 servivano settantamila dottori, tutti gli altri non servivano a niente. Un tempo, signori, non si era liberi, e si faceva quello che ti dicevano di fare. Adesso si è liberi, così dicono, ma quello che ti dicono lo devi fare lo stesso. Perché se non fai il dottore, allora fai la fame. Se non sei ingegnere, non lavori. Se non t’iscrivi nel ramo dell’industria, uno stipendio poi chi te lo dà. E sbranarsi e sventolare bandiere e strillare come scimmie per un boccone di pensione, quando sei troppo vecchio per gustartela, perché gli anni migliori della tua vita li hai passati a lavorare per loro. Vuoi fare l’insegnante – perché non prendi Farmacia? Vuoi essere archeologo – ma cercati un lavoretto buono. Vuoi scrivere – tanto, se non sei famoso, non ti pubblicano. E soffocare soffocare soffocare le ambizioni perché l’ambizione è peccato e non porta pane, l’ambizione è tempo perso, braccia sottratte alla produzione. E sempre un livore un livore nel petto a fare quel che è giusto fare, ma non quello che si vuol fare. Siamo morti in partenza perché volare basso ci uccide.”
― Chiara Pagliochini, Canto per ingannare l'attesa

“We took the path that led others nowhere and only we saw the light at the end of the tunnel. They warned us about the monsters we would encounter, the odds that we would meet. And they laughed when we got the scars while fighting the dragons on our way. When we came back out of the tunnel, holding the sword that they always craved for tightly in our hand. Bleeding and the sun shining on our face. We became the tales they wanted to be. We became the reflections of what they always wanted to see themselves through. We became the warriors they had always imagined of.”
― Akshay Vasu

“So, everything that’s happened, that’s just the way life is, and it’s never going to be the way you think you want it. I’m not embarrassed about my brother, but I just don’t want to relive it, because people ask, “Oh, where’s your brother, what’s he doing?” and I have to say I don’t know, I haven’t seen him in over 30 years.”
― Nicole Morris, Vanished: True Stories from Families of Australian Missing Persons

“Sometimes as a family we don’t like to talk about it because all this stuff is going through our heads about what could have happened to him. It upsets us because we didn’t want him to suffer. We just want to be told, you know, he died…”
― Nicole Morris, Vanished: True Stories from Families of Australian Missing Persons

“This is a wonderful joke to play upon a prisoner, to promise forgiveness.”
― Dicamillo, Kate

“Fiction gives us a reach into the lives of individuals that would otherwise be but a closed door. If we are gifted with a desire to tell tales, then we should tell them . . . if only to reach but a few.”
― James D. Maxon

“Tarot is always whispering to you. Tarot weaves truth, stories, secrets, and tales. All you need to do is slow down and listen.”
― Sasha Graham, Tarot Diva: Ignite Your Intuition Glamourize Your Life Unleash Your Fabulousity!

“In the North, fairytales and history were treated as one and the same because their stories and histories were all cursed. Some tales couldn't be written down without bursting in to flames, others couldn't leave the North, and many changed every time they were shared, becoming less and less real with every retelling. It was said that every Northern tale had started as true history, but over time, the Northern story curse had twisted all the tales until only bits of truth remained.

One of the stories Liana used to tell Evangeline was The Ballad of the Archer and the Fox, a romantic tale about a crafty peasant girl who could transform in to a fox and the young archer who loved her, but was cursed with the need to hunt her down and kill her.”
― Stephanie Garber, Once Upon a Broken Heart

“One Autumn night, in Sudbury town,
Across the meadows bare and brown,
The windows of the wayside inn
Gleamed red with fire-light through the leaves
Of woodbine, hanging from the eaves
Their crimson curtains rent and thin.”

“As ancient is this hostelry
As any in the land may be,
Built in the old Colonial day,
When men lived in a grander way,
With ampler hospitality;
A kind of old Hobgoblin Hall,
Now somewhat fallen to decay,
With weather-stains upon the wall,
And stairways worn, and crazy doors,
And creaking and uneven floors,
And chimneys huge, and tiled and tall.
A region of repose it seems,
A place of slumber and of dreams,
Remote among the wooded hills!
For there no noisy railway speeds,
Its torch-race scattering smoke and gleeds;
But noon and night, the panting teams
Stop under the great oaks, that throw
Tangles of light and shade below,
On roofs and doors and window-sills.
Across the road the barns display
Their lines of stalls, their mows of hay,
Through the wide doors the breezes blow,
The wattled cocks strut to and fro,
And, half effaced by rain and shine,
The Red Horse prances on the sign.
Round this old-fashioned, quaint abode
Deep silence reigned, save when a gust
Went rushing down the county road,
And skeletons of leaves, and dust,
A moment quickened by its breath,
Shuddered and danced their dance of death,
And through the ancient oaks o'erhead
Mysterious voices moaned and fled.
These are the tales those merry guests
Told to each other, well or ill;
Like summer birds that lift their crests
Above the borders of their nests
And twitter, and again are still.
These are the tales, or new or old,
In idle moments idly told;
Flowers of the field with petals thin,
Lilies that neither toil nor spin,
And tufts of wayside weeds and gorse
Hung in the parlor of the inn
Beneath the sign of the Red Horse.
Uprose the sun; and every guest,
Uprisen, was soon equipped and dressed
For journeying home and city-ward;
The old stage-coach was at the door,
With horses harnessed, long before
The sunshine reached the withered sward
Beneath the oaks, whose branches hoar
Murmured: "Farewell forevermore.
Where are they now? What lands and skies
Paint pictures in their friendly eyes?
What hope deludes, what promise cheers,
What pleasant voices fill their ears?
Two are beyond the salt sea waves,
And three already in their graves.
Perchance the living still may look
Into the pages of this book,
And see the days of long ago
Floating and fleeting to and fro,
As in the well-remembered brook
They saw the inverted landscape gleam,
And their own faces like a dream
Look up upon them from below.”
― Henry Wadsworth Longfellow "Tales of the Wayside Inn"

“Ben invented mathematical theories that even he didn't manage to remember and wrote such bizarre tales of adventure that he ended up destroying them a week after they were finished, embarrassed at the thought that he had penned them.”
― Carlos Ruiz Zafón, The Midnight Palace

“... torches on either side of it illuminated carvings that were equally intricate and far more inviting. Evangeline saw symbols from countless Northern tales and ballads: star-shaped keys and broken books, knights in armour, a crowned wolf's head, winged horses, bits of castles, arrows and foxes, and twining vines of harlequin lilies.”
― Stephanie Garber, Once Upon a Broken Heart

“Widespread legend is to think you are legend.”
― Tamerlan Kuzgov

“Widespread legend is to think you are a legend.”
― Tamerlan Kuzgov

“Widespread legend is to think you're a legend.”
― Tamerlan Kuzgov

“And he said...

...dead men tell tales that even scare the living.”
― Anthony T. Hincks

“I haven't spun any tales.' He paused. 'Yet.'

Casteel's eyes narrowed as he stood beside me. 'How about you keep spinning tales to a minimum?'

'But I've interested in spun tales,' I remarked.”
― Jennifer L. Armentrout, A Kingdom of Flesh and Fire

“It is said that a long time ago, a wolf stalked the sheep of shepherds on the outskirts of London. He was a strong wolf, with beautiful fur and soft, seductive speech. He had eaten many sheep from many sheepherders and boasted about it. However, he had never managed to eat any of Shepherd Jack's sheep, who was old and very careful, always keeping an eye on his flock, which was also not very large. Still, it was the best cared for herd in the Kingdom.
He was always well fed, cared for, groomed and disease-free. The wolf was very angry with the shepherd Jack, because he had once tried to eat a small sheep from the flock and the shepherd hit him hard on the head with his staff. On the wolf's face, a large scar reminded him of that incident. One day, seeing that some sheep had strayed away from the flock, the wolf thought: “well, I'm not going to attack them, since killing or two wouldn't satisfy me. I want the sheepherder.” His sheep approached and the wolf bent down and pretended to be afraid, and the sheep said to him: “what animal are you and why are you afraid, we are just sheep”. The wolf then said: “I'm afraid of sheep, once your shepherd, a very cruel man attacked me and hurt me and since then, even though I'm a wolf, I've only eaten grass”.
The sheep looked at him, with an expression of doubt, but kindness being the essential nature of the sheep, they believed him and said: “he can't be our Shepherd, he is very kind, he always takes care of us, he is always attentive to our us". The wolf then got up and looking at them said: “you are wrong, he just wants you to take your wool, don't you see that he is a tyrant who rules you, who takes you here and there, and you don't they can have a little fun, be free like me, walk through the forest, go wherever I want – he’s always with that cruel stick pulling them and taking them wherever he wants.” The sheep then listened carefully and returned to the flock. When they returned to the herd, the others said that they had spoken to a wolf, that it had not attacked them and that it had told them the story about the shepherd.
The next day, more sheep went to the boundary between the field and the forest and there they met the wolf, who told the same story, but this time sadder. They all raged against the sheepherder and said: “Friend wolf, you have been so kind to us and told us the truth, we had never thought about how the sheepherder oppresses us, tomorrow we will tell all the sheep what happened and we will run away from him.” And so it was, the next day, all the sheep went to the edge of the forest, something that the sheep shepherd found strange, having followed them. The wolf then said to them: “come with me into the forest, dear friends, I will show you how good it is to be free”.
And so, they all went into the forest, with the shepherd following them, watching them from afar. At one point, the sheep got lost and the shepherd shouted loudly and called them. They, however, hid from the sheep shepherd. The wolf, then, taking advantage of the mess, attacked the sheepherder first, like a bite in the jugular, killing him instantly. Afterwards, he had fun running after each of the sheep and killing them, without even eating the meat, for pure fun.
The last sheep, before being killed, said to the wolf: “you were so kind to us, why are you doing this? We never saw a smile from the sheepherder and you were so nice to us, we thought you were a friend.” The wolf then said to her: “sympathy is not synonymous with care or devotion. The sheepherder may never have given them a smile, but he cared just like you. I, on the other hand, feigned a short-lived sympathy and now I have managed to kill all of you and your foolish sheepherder.” Moral of the story: “Be careful what you put your trust in. The wolf will always like the sheep which it can attack and devour and will always hate the Shepherd.”
― Geverson Ampolini

“Madame Lorraine was a rich French woman who lived in an old mansion, which she inherited from her husband. The family had already had many possessions, however, they were ruined in the Revolution. For defending the monarchy, they lost their titles, lands and servants. Madame Lorraine's husband, the old Earl, died in the Reign of Terror, as did her children. The wife, however, had hidden the jewelry at the beginning of the revolution and had left in secret for Switzerland. After the restoration, she returned to France, but with few resources she had, she bought a house in Paris.
She complained of loneliness and adopted a little orphan, named Juliette, who she used as a servant. When the girl complained about being overworked, as she had to take care of the entire house alone, her stepmother told her: “your complaints hurt me, you see, I lost everything and I only have you, your mother didn't want you, but I I adopted you and took care of you and you don’t even appreciate that.” The girl, then, victim of emotional blackmail, got used to serving, without complaining. The problem is that every day more and more was demanded – the girl never reached perfection, said Madame Lorraine: “look at the silverware, look at the floor, look at the walls, you will never be able to get married”. However, Madame Lorraine did not tell the girl that perfection is never achieved: it is just a resource to dominate the poor in spirit, who see in the light of their own craft a hope of transcendence.
Another thing that Madame Lorraine had not taught the girl – even if the Revolution had taught humanity: that they were free. The girl then grew older and became an object of exploitation every day, her arms becoming weaker, her mind increasingly taken over by obedience. One day, the girl went to the market in the square, and hardly talked to anyone – Madame Lorraine told her that everyone wanted to abuse her and that she shouldn't trust anyone.
That day, however, she was exhausted and stopped at a farmer's stand selling tomatoes and said to her: “young man, what's your name, I always see you running around here and you never talk to anyone”. She decided to talk to him: “I'm the old widow's daughter, she says that everyone wants to exploit me, that I shouldn't trust strangers”. The salesman, already aware of the girl's situation from the stories that were circulating in the village, said to her: “Isn't it just the opposite, girl, maybe you haven't learned a lie all your life and now you're trying harder and harder to keep this lie as if it were the truth – see, God made everyone free.”
The girl then quickly returned to the house, but doubt had entered her heart and there she began to take root and grow. Until, one day, the old lady released the drop that would overflow her body and said to her: “Well, Juliette, you don't do anything right, look how my dresses are, you didn't sew them perfectly”. The girl then got up, looked the vixen in the eyes and said: “if it’s not good, do it yourself” and left. It is said that she married the farmer in the sale and, from that day on, she was the best wife in the world. Not because she did everything with great care, with an almost divine perfection, that she was modest or because she had freed herself from the shrew who exploited her, but simply because she recognized the value of freedom itself.”
― Geverson Ampolini

“Every grain of sand is a fragment of time, telling tales of the world's ancient history.”
― Aloo Denish Obiero

“As twilight's gentle fall descends, where shadows and wind play hide and seek, as day surrenders, the mountains whisper tales.”
― David Passarelli, Mountain poems: Musings on stone, forest, and snow