Plague Ship Quotes

“Deep, choking sobs that sounded like his soul was being torn apart. He clutched at his father and Max took his in his arms. "I am so sorry dad." Kyle sobbed. "And I forgive you because that is what fahters do" said Max”
― Clive Cussler and Jack Du Brul, Plague Ship [A Novel Of The Oregon Files]

“Hitting the first molecules of the upper atmosphere created friction that merely warmed the rod. The lower it fell, the more the heat built, until the entire length of the rod glowed red then yellow, and, finally, a brilliant white.”
― Clive Cussler, Plague Ship

“No, seriously," Mark continued. "Once you've been involved for a while, do your charity work in some third world toilet, they start letting you in on some of the bigger secrets to Responsivism, and how the knowledge will save you." "Go on," Juan said to indulge him. Murph might be flakey, but he had a topflight mind.

"Ever heard of 'brane theory?" He'd already talked with Eric about it so only Stone didn't return a blank stare. "It's right up there with string theory as a way of unifying all four forces in the universe, something Einstein couldn't do. In a nutshell, it says our four-dimensional universe is a single membrane, and that there are others existing in higher orders of space. These are so close to ours that zero-point matter and energy can pass between them and that gravitation forces in our universe can leak out. It's all cutting-edge stuff."

"I'll take your word for it," Cabrillo said.

"Anyway, "brane theory started to get traction among theoreti cal physicists in the mid-nineties, and Lydell Cooper glommed on to it, too. He took it a step further, though. It wasn't just quantum particles passing in and out of our universe. He believed that an intelligence from another 'brane was affecting people here in our dimension. This intelligence, he said, shaped our day-to-day lives in ways we couldn't sense. It was the cause of all our suffering. Just before his death, Cooper started to teach techniques to limit this influence, ways to protect ourselves from the alien power."

"And people bought this crap?" Max asked, sinking deeper into depression over his son.

"Oh yeah. Think about it from their side for a second. It's not a believer's fault that he is unlucky or depressed or just plain stupid. His life is being messed with across dimensional membranes It's an alien influence that cost you that promotion or prevented you from dating the girl of your dreams. It's a cosmic force holding you back, not your own ineptitude. If you believe that, then you don't have to take responsibility for your life. And we all know nobody takes responsibility for himself anymore. Responsivism gives you a ready-made excuse for your poor life choices.”
― Clive Cussler, Plague Ship

“She was regarding her face in the mirror. She again had the allure that so captivated movie audiences. Gone were the ravages of last night's excess. Kevin had restored her face's artful mix of innocence and sex appeal. The sadness in her eyes was hers alone.”
― Clive Cussler, Plague Ship

“Reminds me of that urban legend about hearing voices in the white noise of a television tuned to a station that's off the air”
― Clive Cussler, Plague Ship

“Juan walked onto the bridge wing, the wind ruffling his light cotton shirt. He could taste the distant desert in the back of his throat as he drew a deep breath. Though drawn to the sea since he was a boy, the desert also held a similar fascination. Like the ocean, it was an element that was both inhospitable and indifferent, and yet, since time immemorial, men have ventured across it both for profit and exploration. Had he been born in a different time and a different place, Cabrillo could see himself leading camel caravans across the trackless Sahara or through Saudi Arabia’s Rub’ al-Khali, the Great Empty Quarter. It was the mystery of what lay beyond the next wave, or the next dune, that drew him.”
― Clive Cussler, Plague Ship

“The ship was charging hard northward, having cut through the choke point of Bab el Mandeb, or the Gate of Tears, that separated Yemen from the African nation of Djibouti. They were in the Red Sea, and Cabrillo had already called in enough favors with Atlas Marine Services, the Egyptian company that ran the Suez Canal, to see that his ship would be part of the next morning’s only northbound convoy. It would take eleven hours to transit the one hundred and one miles from Suez to Port Said, but once they were clear their final destination was only a day away. With the number of vessels heading into and out of the Suez Canal, the shipping lanes in the Red Sea were heavily congested. So as not to arouse undue suspicion from passing ships, Juan had posted a watch on the bridge, even though the Oregon was being piloted from the Op Center belowdecks. He was on the bridge now, overseeing preparations for taking on a canal pilot in the morning. Sandstorms raged in the western sky over Africa. The sun setting through burnt sienna clouds cast the bridge in an otherworldly glow. The temperature remained near eighty degrees, and wouldn’t get much cooler when the sun did finally settle over the horizon. “What”
― Clive Cussler, Plague Ship

“THE TERM POSH originated during the time of the British Raj in India, when passengers booking ships to their imperial postings in Bombay or Delhi asked for portside cabins on the way to India and for starboard cabins on the return to England. This way, their rooms were always on the shaded side of the ship. Booking agents shortened “Port Out, Starboard Home” to POSH, and a new word entered the English language.”
― Clive Cussler, Plague Ship

“You guys treat me like an equal. When I was designing weapons systems, these macho generals would strut around, looking at us like we were insects or something they had to scrape off the bottom of their shoe. Sure, they liked the toys we gave them, but they detested us for being able to deliver. It was like high school all over again, in the cafeteria, with the military guys sitting by themselves like a bunch of jocks and the rest of us hanging around the fringe, hoping to get noticed. Kinda pathetic, really.”
― Clive Cussler, Plague Ship

“Despite his size, Lincoln moved through the jungle with the easy grace of a predatory cat, finding the tiniest openings between the dense vegetation so as not to disturb anything. His feet seemed to barely brush the loamy ground. He was so stealthy that the background symphony of insects and bird cries never dropped in volume or rose in alarm.”
― Clive Cussler, Plague Ship

“The headache was a result of being drugged. And then the other horror hit him like a slap to the face, and he involuntarily gasped. He was in a van, driving away from their hotel. Kovac had given him only enough narcotic to make him compliant, like a drunk who needs to be led away from a party.”
― Clive Cussler, Plague Ship

“The headache was a result of being drugged. And then the other horror hit him like a slap to the face, and he involuntarily gasped. He was in avian, driving away from their hotel. Kovac had given him only enough narcotic to make him compliant, like a drunk who needs to be led away from a party.”
― Clive Cussler, Plague Ship

“There were traces of wrinkles around the eyes and mouth, but they seemed to have been smoothed out surgically. For what Jenner charged for his deprogramming services, he could afford the best plastic surgeons in the world, but his face had that startled, deer-caught-in-the-headlights expression so common with inferior cosmetic work.

It was an incongruity of little importance, but Max was still surprised”
― Clive Cussler, Plague Ship

“I had a case once where a woman had been going to Responsivist meetings for only two weeks when her husband became concerned and hired me. She ended up leaving him and is now the secretary to the director of their Greek retreat where you rescued your son. Pattie Ogdenburg. Funny how you remember the names of your failures but never those of your successes.”

Max and Eddie nodded in unison. They had shared many of each together.”
― Clive Cussler, Plague Ship

“Cabrillo use an old stock-car driver's trick, weaving the jeep to slosh the gasoline in the tank. It seemed to work because the engine purred.”
― Clive Cussler, Plague Ship

“Ten minutes later, Cabrillo was sprawled across his bed, sleeping so soundly that, for the first time in a long time, he didn't need the mouth guard to keep him from grinding his teeth.”
― Clive Cussler, Plague Ship

“If this was a level of security provided by Corinth's finest company, he considered making a career change, to Greek cat burglar.”
― Clive Cussler, Plague Ship

“It's just, I don't know, painful and embarrassing all at the same time. This is my son we're talk ing about, and I can't help but feel I've let him down. If I'd been a better father, he wouldn't have drifted into something so dangerous."

No one knew what to say for a second. Uncharacteristically, it was Eric Stone who broke the silence. So versed in technical mat ters, it was easy to overlook his human side. "Max, I grew up in an abusive home. My father was a drunk who beat my mother and me every night he had enough money for a bottle of vodka. It was about the worst situation you could imagine and yet I turned out okay. Your home life is only a part of who you be come. You being a larger part of your son's life might have changed things or it might not have. There's no way of knowing, and if you can't know for certain there's no need for useless spec ulation. Kyle is who he is because he chose to be that way. You weren't around for your daughter either, and she's a successful accountant."

"Lawyer," Max said absently. "And she did it all on her own."

"If you don't feel you can take responsibility for her success, then you have no right to take responsibility for Kyle's failings." Max let the statement hang, before finally asking, "How old are you?"

Stone seemed embarrassed by the question. "Twenty-seven." "Son, you are wise beyond your years. Thank you.”
― Clive Cussler, Plague Ship

“He was lying on his side, and the water pressed against his face forced him to turn his head and try to raise himself a couple of inches without losing track of where he was cutting the suit.

His new position was too awkward to allow him to work efficiently, so he took a deep breath and lay flat again, torquing the blade around his calf, to keep cutting away the trapped suit mate rial. His lungs screamed for air, but he ignored his body's needs, working with preternatural calm despite the danger. He tried yanking himself free, but the tough plastic cloth wouldn't tear. He tried again with the same results. Now he had to breathe, so he heaved himself upright to clear his helmet of water, but there was too much pressure. The helmet wouldn't drain.

Cabrillo's lungs convulsed, allowing a trickle of bubbles to es cape his lips. It was like suppressing a cough, and the correspond ing pain in his chest was an unnecessary reminder that his brain was starving for oxygen. He was already becoming light-headed. He pulled savagely at the suit and felt it tear slightly, but it wouldn't give completely. Juan tried to force himself to calm down, but survival instincts were overwhelming any sense of logic.”
― Clive Cussler, Plague Ship

“A moment later, a grossly overweight man wearing a sweat-stained officer’s shirt appeared at the head of the gangway. He nodded to a subaltern, and the boarding stairs began to descend.

As they drew nearer, Ghami saw captain’s epaulets on the man’s shoulders and sourly wondered how a man of such rank could let himself go so badly. The Norego’s master carried a heavy gut that sagged ten inches over his belt. Under his white cap, his hair was greasy black with gray streaks, and his face was covered with stubble. He could only imagine where the owners of such a decrepit ship would find such a man to command her.”
― Clive Cussler, Plague Ship

“The interior spaces aboard the Norego were as dilapidated as her outside. The floors were chipped linoleum, the walls bare metal with large swatches of peeled paint, and the fluorescent lights mounted to the ceilings buzzed loudly. Several of them flickered at erratic intervals, casting the narrow corridor in stark shadow.

Esteban led Ghami and Khatahani up a tight companionway with a loose railing and onto another short corridor. He opened the door to his office and gestured for the men to enter. The captain’s cabin could be seen through an open door on the opposite side of the office. The bed was unmade, and the sheets that spilled onto the floor were stained. A single dresser stood bolted to the wall, and the mirror above it had a jagged crack running from corner to corner.

The office was a rectangular room with a single porthole so rimed with salt that only murky light came through. The walls were adorned with paintings of sad-eyed clowns done in garish colors on black velvet. Another door led to a tiny bathroom that was filthier than a public washroom in a Tehran slum. So many cigarettes had been smoked in the office that the stale smell seemed to coat everything, including the back of Ghami’s mouth. A lifelong smoker himself, even the Iranian naval officer was disgusted.”
― Clive Cussler, Plague Ship

“Though not much of a swimmer herself, Hux knew the four basic strokes. Freestyle was the speed stroke, breast was for en durance, the backstroke was a quirk of the body's buoyancy in motion, and the butterfly was the power stroke.”
― Clive Cussler, Plague Ship