Nobody Knows My Name Quotes

“The artistic image is not intended to represent the thing itself, but, rather, the reality of the force the thing contains.”
― James Baldwin, Nobody Knows My Name

“Any real change implies the breakup of the world as one has always known it, the loss of all that gave one an identity, the end of safety.”
― James Baldwin, Nobody Knows My Name

“Many have given up. They stay home and watch the TV screen, living on the earnings of their parents, cousins, bothers, or uncles, and only leave the house to go to the movies or to the nearest bar. "How're you making it?" on may ask, running into them along the block, or in the bar. "Oh, I'm TV-ing it"; with the saddest, sweetest, most shamefaced of smiles, and from a great distance. This distance one is compelled to respect; anyone who has traveled so far will not easily be dragged again into the world. There are further retreats, of course, than the TV screen or the bar. There are those who are simply sitting on their stoops, "stoned," animated for a moment only, and hideously, by the approach of someone who may lend them the money for a "fix." Or by the approach of someone from whom they can purchase it, one of the shrewd ones, on the way to prison or just coming out.”
― James Baldwin, Nobody Knows My Name

“Any real change implies the breakup of the world as one has always known it, the loss of all that gave one an identity, the end of safety. And at such a moment, unable to see and not daring to imagine what the future will now bring forth, one clings to what one knew, or dreamed that one possessed. Yet, it is only when a man is able, without bitterness or self-pity, to surrender a dream he has long possessed that he is set free - he has set himself free - for higher dreams, for greater privileges.”
― James Baldwin, Nobody Knows My Name

“Allegiance, after all, has to work two ways; and one can grow weary of an allegiance which is not reciprocal.”
― James Baldwin, Nobody Knows My Name

“No one is more dangerous than he who imagines himself pure in heart: for his purity, by definition, is unassailable.”
― James Baldwin, Nobody Knows My Name

“There is an illusion about America, a myth about America to which we are clinging which has nothing to do with the lives we lead and I don't believe that anybody in this country who has really thought about it or really almost anybody who has been brought up against it--and almost all of us have one way or another--this collision between one's image of oneself and what one actually is is always very painful and there are two things you can do about it, you can meet the collision head-on and try and become what you really are or you can retreat and try to remain what you thought you were, which is a fantasy, in which you will certainly perish.”
― James Baldwin, Nobody Knows My Name

“People are continually pointing out to me the wretchedness of white people in order to console me for the wretchedness of blacks. But an itemized account of the American failure does not console me and it should not console anyone else. That hundreds of thousands of white people are living, in effect, no better than the "niggers" is not a fact to be regarded with complacency. The social and moral bankruptcy suggested by this fact is of the bitterest, most terrifying kind.”
― James Baldwin, Nobody Knows My Name

“We do not trust educated people and rarely, alas, produce them, for we do not trust the independence of mind which alone makes a genuine education possible.”
― James Baldwin, Nobody Knows My Name

“There are few things under heaven more unnerving than the silent, accumulating contempt and hatred of a people.”
― James Baldwin, Nobody Knows My Name

“Though we do not wholly believe it yet, the interior life is a real life, and the intangible dreams of people have a tangible effect on the world.”
― James Baldwin, Nobody Knows My Name

“Anyone who has ever struggled with poverty knows how extremely expensive it is to be poor; and if one is a member of a captive population, economically speaking, one's feet have simply been placed on the treadmill forever.”
― James Baldwin, Nobody Knows My Name

“The young think that failure is the Siberian end of the line, banishment from all the living, and tend to do what I then did--which was to hide.”
― James Baldwin, Nobody Knows My Name

“Now I think there is a very good reason why the Negro in this country has been treated for such a long time in such a cruel way, and some of the reasons are economic and some of them are political. We have discussed these reasons without ever coming to any kind of resolution for a very long time. Some of them are social, and these reasons are somewhat more important because they have to do with our social panic, with our fear of losing status. This really amounts sometimes to a kind of social paranoia. One cannot afford to lose status on this peculiar ladder, for the prevailing notion of American life seems to involve a kind of rung-by-rung ascension to some hideously desirable state. If this is one’s concept of life, obviously one cannot afford to slip back one rung. When one slips, one slips back not a rung but back into chaos and no longer knows who he is. And this reason, this fear, suggests to me one of the real reasons for the status of the Negro in this country.”
― James Baldwin, Nobody Knows My Name

“the things that most white people imagine that they can salvage from the storm of life is really, in sum, their innocence. It was this commodity precisely which I had to get rid of at once, literally, on pain of death. I am afraid that most of the white people I have ever known impressed me as being in the grip of a weird nostalgia, dreaming of a vanished state of security and order, against which dream, unfailingly and unconsciously, they tested and very often lost their lives. It is a terrible thing to say, but I am afraid that for a very long time the troubles of white people failed to impress me as being real trouble. They put me in mind of children crying because the breast has been taken away. Time and love have modified my tough-boy lack of charity, but the attitude sketched above was my first attitude and I am sure that there is a great deal of it left.”
― James Baldwin, Nobody Knows My Name

“They are two sides of the same coin and the South will not change—cannot change—until the North changes. The country will not change until it re-examines itself and discovers what it really means by freedom. In the meantime, generations keep being born, bitterness is increased by incompetence, pride, and folly, and the world shrinks around us. It is a terrible, an inexorable, law that one cannot deny the humanity of another without diminishing one’s own: in the face of one’s victim, one sees oneself. Walk through the streets of Harlem and see what we, this nation, have become.”
― James Baldwin, Nobody Knows My Name

“The questions which one asks oneself begin, at last, to illuminate the world, and become one's key to the experience of others. One can only face in others what one can face in oneself. On this confrontation depends the measure of our wisdom and compassion. This energy is all that one finds in the rubble of vanished civilizations, and the only hope for ours.”
― James Baldwin, Nobody Knows My Name

“Europeans never had the remotest intention of raising Africans to the Western level, of sharing with them the instruments of physical, political or economic power. It was precisely their intention, their necessity, to keep the people they ruled in a state of cultural anarchy, that is, simply in a barbaric state. “The famous inferiority complex one is pleased to observe as a characteristic of the colonized is no accident but something very definitely desired and deliberately inculcated by the colonizer.”
― James Baldwin, Nobody Knows My Name

“In this endeavor to wed the vision of the Old World with that of the New, it is the writer, not the statesman, who is our strongest arm. Though we do not wholly believe it yet, the interior life is a real life, and the intangible dreams of people have a tangible effect on the world.”
― James Baldwin, Nobody Knows My Name

“Every society is really governed by hidden laws, by unspoken but profound assumptions on the part of the people, and ours is no exception.”
― James Baldwin, Nobody Knows My Name

“No one in the world -- in the entire world -- know more -- knows Americans better or, odd as this may sound, loves them more than the American Negro. This is because he has had to watch you, outwit you, deal with you, and bear you, and sometimes even bleed and die with you, ever since we got here, that is, since both of us, black and white, got here -- and this is a wedding. Whether I like it or not, or whether you like it or not, we are bound together forever. We are part of each other.”
― James Baldwin, Nobody Knows My Name

“What I find appalling—and really dangerous—is the American assumption that the Negro is so contented with his lot here that only the cynical agents of a foreign power can rouse him to protest. It is a notion which contains a gratuitous insult, implying, as it does, that Negroes can make no move unless they are manipulated. It forcibly suggests that the Southern attitude toward the Negro is also, essentially, the national attitude. When the South has trouble with its Negroes—when the Negroes refuse to remain in their “place”—it blames “outside” agitators and “Northern interference.” When the nation has trouble with the Northern Negro, it blames the Kremlin. And this, by no means incidentally, is a very dangerous thing to do. We thus give credit to the Communists for attitudes and victories which are not theirs. We make of them the champions of the oppressed, and they could not, of course, be more delighted.”
― James Baldwin, Nobody Knows My Name

“This equation has placed our cities among the most dangerous in the world and has placed our youth among the most empty and most bewildered. The situation of our youth is not mysterious. Children have never been very good at listening to their elders, but they have never failed to imitate them. They must, they have no other models. That is exactly what our children are doing. They are imitating our immorality, our disrespect for the pain of others.”
― James Baldwin, Nobody Knows My Name

“Men do not like to be protected, it emasculates them. This is what black men know, it is the reality they have lived with; it is what white men do not want to know. It is not a pretty thing to be a father and be ultimately dependent on the power and kindness of some other man for the well-being of your house.”
― James Baldwin, Nobody Knows My Name

“The projects in Harlem are hated. They are hated almost as much as policemen, and this is saying a great deal. And they are hated for the same reason: both reveal, unbearably, the real attitude of the white world, no matter how many liberal speeches are made, no matter how many lofty editorials are written, no matter how many civil-rights commissions are set up.”
― James Baldwin, Nobody Knows My Name

“ANY REAL CHANGE IMPLIES THE breakup of the world as one has always known it, the loss of all that gave one an identity, the end of safety. And at such a moment, unable to see and not daring to imagine what the future will now bring forth, one clings to what one knew, or thought one knew; to what one possessed or dreamed that one possessed. Yet, it is only when a man is able, without bitterness or self-pity, to surrender a dream he has long cherished or a privilege he has long possessed that he is set free—he has set himself free—for higher dreams, for greater privileges. All men have gone through this, go through it, each according to his degree, throughout their lives. It is one of the irreducible facts of life. And remembering this, especially since I am a Negro, affords me almost my only means of understanding what is happening in the minds and hearts of white Southerners today.”
― James Baldwin, Nobody Knows My Name

“All art is a kind of confession, more or less oblique. All artists, if they are to survive, are forced, at last, to tell the whole story, to vomit the anguish up. All of it, the literal and the fanciful.”
― James Baldwin, Nobody Knows My Name

“To be with God is really to be involved with some enormous, overwhelming desire, and joy, and power which you cannot control, which controls you. I conceive of my own life as a journey toward something I do not understand, which in the going toward, makes me better. I conceive of God, in fact, as a means of liberation and not a means to control others. Love does not begin and end the way we seem to think it does. Love is a battle, love is a war; love is a growing up. No one in the world—in the entire world—knows more—knows Americans better or, odd as this may sound, loves them more than the American Negro. This is because he has had to watch you, outwit you, deal with you, and bear you, and sometimes even bleed and die with you, ever since we got here, that is, since both of us, black and white, got here—and this is a wedding. Whether I like it or not, or whether you like it or not, we are bound together forever. We are part of each other. What is happening to every Negro in the country at any time is also happening to you. There is no way around this. I am suggesting that these walls—these artificial walls—which have been up so long to protect us from something we fear, must come down.”
― James Baldwin, Nobody Knows My Name

“What it comes to, finally, is that the nation has spent a large part of its time and energy looking away from one of the principal facts of its life. This failure to look reality in the face diminishes a nation as it diminishes a person, and it can only be described as unmanly. And in exactly the same way that the South imagines that it “knows” the Negro, the North imagines that it has set him free. Both camps are deluded. Human freedom is a complex, difficult—and private—thing. If we can liken life, for a moment, to a furnace, then freedom is the fire which burns away illusion. Any honest examination of the national life proves how far we are from the standard of human freedom with which we began. The recovery of this standard demands of everyone who loves this country a hard look at himself, for the greatest achievements must begin somewhere, and they always begin with the person. If we are not capable of this examination, we may yet become one of the most distinguished and monumental failures in the history of nations.”
― James Baldwin, Nobody Knows My Name

“NEGROES IN THE NORTH ARE right when they refer to the South as the Old Country. A Negro born in the North who finds himself in the South is in a position similar to that of the son of the Italian emigrant who finds himself in Italy, near the village where his father first saw the light of day. Both are in countries they have never seen, but which they cannot fail to recognize. The landscape has always been familiar; the speech is archaic, but it rings a bell; and so do the ways of the people, though their ways are not his ways. Everywhere he turns, the revenant finds himself reflected. He sees himself as he was before he was born, perhaps; or as the man he would have become, had he actually been born in this place.”
― James Baldwin, Nobody Knows My Name