A pharmacy-robbing dope fiend and his crew pop pills and evade the law.A pharmacy-robbing dope fiend and his crew pop pills and evade the law.A pharmacy-robbing dope fiend and his crew pop pills and evade the law.
- Awards
- 12 wins & 11 nominations
Storyline
Did you know
- TriviaMatt Dillon cited this film as his personal favorite, of all the films he has done.
- GoofsThe cut on Bob's head goes from bandaged to gone and then reappears bandaged when he is talking with the defrocked priest.
- Quotes
Bob: Well, to begin with, nobody, and I mean nobody, can talk a junkie out of using. You can talk to 'em for years but sooner or later they're gonna get ahold of something. Maybe it's not dope. Maybe it's booze, maybe it's glue, maybe it's gasoline. Maybe it's a gunshot to the head. But something. Something to relieve the pressures of their everyday life, like having to tie their shoes.
- Crazy creditsHome-video-style footage of the characters plays during almost the entire end credits.
- ConnectionsFeatured in Precious Images (1986)
- SoundtracksFor All We Know
Written by J. Fred Coots & Sam Lewis
Vocal Performance by Abbey Lincoln
Piano Accompaniment by Geri Allen
Used by permission of SBK Feist Catalong, Inc. and Cromwell Music, Inc.
Featured review
an unregarded masterpiece
This is a period picture that takes place in 1971, but there are no references to Vietnam, the flower power movement, Kent State or any other issues or events of the day. This is because the characters have nothing to do with that world. Bob's thoughts revolve around drugstores like planets around the sun. His family of dope thieves lives in almost total isolation. Even junkies who come to do business are admitted to their home with reluctance and then rudely sent on their way. Their only contact with the "other" world is its drugstores and its cops. They live in a world not ruled by the authorities, but by "the dark forces that lie hidden beneath the surface, the ones that some people call superstitions: howling banshees, black cats, hats on beds, dogs, the evil eye..." In his world, Bob's lunatic logic makes perfect sense and serves him as a guide for living better than any "sane" worldview.
When the crew goes "crossroading" to the tune of "the Israelites" we realize that they, too, are like children of a different god; wanderers whose only contact with others is hostile confrontation. They are either "attacking" drug stores or being attacked by ball-breaking cops.
Kelly Lynch, who plays Diane, said in an interview that, "The first take was terrible and Matt (Dillon) said he wouldn't support the film." It is not surprising that a film this ambitious should run into some snags. A great film like "DC" is a tightrope act. The best scenes in the film are also the riskiest; they would have fallen apart in the hands of lesser actors.
If you like the film you might get a kick out of the autobiographical novel on which it is based, by James Fogle, the original drugstore cowboy. At the time of the film's release (1989) Fogle had spent "thirty-five of his fifty-three years in prison on drug-related charges." I wonder what ever became of him.
When the crew goes "crossroading" to the tune of "the Israelites" we realize that they, too, are like children of a different god; wanderers whose only contact with others is hostile confrontation. They are either "attacking" drug stores or being attacked by ball-breaking cops.
Kelly Lynch, who plays Diane, said in an interview that, "The first take was terrible and Matt (Dillon) said he wouldn't support the film." It is not surprising that a film this ambitious should run into some snags. A great film like "DC" is a tightrope act. The best scenes in the film are also the riskiest; they would have fallen apart in the hands of lesser actors.
If you like the film you might get a kick out of the autobiographical novel on which it is based, by James Fogle, the original drugstore cowboy. At the time of the film's release (1989) Fogle had spent "thirty-five of his fifty-three years in prison on drug-related charges." I wonder what ever became of him.
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- meisterpuck
- Jan 19, 2001
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Details
Box office
- Budget
- $2,500,000 (estimated)
- Gross US & Canada
- $4,729,352
- Opening weekend US & Canada
- $25,805
- Oct 9, 1989
- Gross worldwide
- $4,729,626
- Runtime1 hour 41 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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