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The Magazine

February 3, 2025

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Goings On

Goings On

Liza Minnelli’s Desire to Touch

Also: Merch love for L.A., the Australian comedian Sam Kissajukian’s “300 Paintings,” Heartbeat Opera’s innovative “Salome,” and more.
The Food Scene

Alex Stupak’s Seriously Playful Seafood Joint

At the Otter, the chef behind Empellón offers a fish-forward menu that performs tricks of the tongue.

The Talk of the Town

Benjamin Wallace-Wells on Trump’s return; traffic trackers; a celebrity soup party; extreme-sport graffiti; going Met to Met.

Comment

Trump’s Attempt to Redefine America

The effect of the President’s executive orders was to convey an open season, in which virtually nothing—including who gets to be an American citizen—is guaranteed.
Here To There Dept.

The College Kids Tracking Your Decongested Commute

Benjamin Moshes, a senior, and his brother, Joshua, a freshman, built the Web site that congestion-pricing watchers rely on during a family trip to Japan.
Collections Dept.

Kim Hastreiter, the Queen of Stuff

The co-founder of Paper magazine recounts Kim Kardashian’s famous photo shoot and serving Jackie Kennedy.
On Belay

How to Tag a Skyscraper, Six Hundred Feet Up

Two graffiti artists demonstrate, in midair, how their tags have ended up on taller and taller buildings. The secret? Rock-climbing training.
Blue Nile Dept.

The Met’s New Aida Visits the Other Met

The soprano Angel Blue, the star of the new production of Verdi’s ancient-Egypt spectacle, goes to the Temple of Dendur, crosstown, for the first time.

Reporting & Essays

Annals of Disaster

Inside the Fight Against a Los Angeles Inferno

A reporter embeds with wildland firefighters during one of the deadliest blazes in California history.
Onward and Upward with the Arts

The World-Changing Gaze of Celia Paul

Paul has spent nearly fifty years painting her family, her lovers, and herself in a single apartment. Each portrait reveals not just a person but the power of looking itself.
Letter from Damascus

A Witness in Assad’s Dungeons

Mazen al-Hamada fled Syria to reveal the regime’s crimes. Then, mysteriously, he went back.
Popular Chronicles

How the Capybara Won My Heart—and Almost Everyone Else’s

It’s not hard to understand why capys have a cultlike following on Instagram and TikTok. I fell for the giant rodent decades ago.

Shouts & Murmurs

Shouts & Murmurs

Production Notes on Amazon’s Melania Trump Documentary

Note 1: Use clip of her smiling, but crop out Putin and Chernobyl.

Fiction

Postscript

Remembering Jules Feiffer

A few of the late artist’s creations take a final bow.
Fiction

“A Visit from the Chief”

She’d seen enough movies to know that this was the moment when she needed to brandish the gun and threaten the man.

The Critics

A Critic at Large

What We Learn About Our World by Imagining Its End

Some fear we’ll be buried in brimstone; others expect to be extinguished by A.I. But is there comfort to be found in our apocalyptic visions?
Books

Briefly Noted

“Black in Blues,” “American Laughter, American Fury,” “My Darling Boy,” and “Too Soon.”
Books

The Insidious Charms of the Entrepreneurial Work Ethic

You’re passionate. Purpose-driven. Dreaming big, working hard, making it happen. And now they’ve got you where they want you.
Musical Events

L.A.’s New-Music Bastion

Monday Evening Concerts has showcased living composers for eight decades.
On Television

Tom Brady, Armchair Quarterback

In his new gig, the former player turned “N.F.L. on Fox” commentator is back to work, but is he any good?
The Theatre

Sanaz Toossi’s “English” Comes to Broadway

The Pulitzer Prize-winning play, set in an E.S.L. classroom in Iran, examines the internal displacements of learning a language.

Poems

Poems

“The Bay”

“How many stories among the stars.”
Poems

“Speaker”

“Nobody’s daughter. Nobody’s mother. Nobody’s bride.”

Cartoons

Puzzles & Games

Crossword

The Crossword: Monday, January 27, 2025

A challenging puzzle.
The Mail
Letters should be sent with the writer’s name, address, and daytime phone number via e-mail to themail@newyorker.com. Letters may be edited for length and clarity, and may be published in any medium. We regret that owing to the volume of correspondence we cannot reply to every letter.