Pulp
Most bands hit the big time immediately and fade away, or they build a dedicated following and slowly climb their way to the top. Pulp didn't follow either route. For the first 12 years of their existence, the group languished in near total obscurity, releasing a handful of albums and singles in the 1980s to barely any attention. At the turn of the decade, the band began to gain an audience, sparking a remarkable turn of events that made them one of the most popular British groups of the '90s. By the time Pulp became famous, the band had gone through numerous different incarnations and changes in style, covering nearly every indie rock touchstone from post-punk to dance. Pulp's signature sound is a fusion of David Bowie and Roxy Music's glam rock, disco, new wave, acid house, Europop, and British indie rock. The group's cheap synthesizers and sweeping melodies reflect the lyrical obsessions of lead vocalist Jarvis Cocker, who alternates between sex and sharp, funny portraits of working-class misfits. Out of secondhand pop, Pulp fashioned a distinctive, stylish sound that made camp into something grand and glamorous that retained a palpable sense of gritty reality.
Jarvis Cocker formed Pulp in 1978, when he was 15 years old. Originally called Arabicus Pulp, the first lineup consisted of schoolmates of Cocker. After a year, the band's name was truncated to Pulp. While they were in school, the group performed a handful of gigs. They recorded a demo sometime in 1980 or 1981, giving the tape to John Peel at one of his traveling shows. Peel liked the tape and invited the band to appear on his show. Pulp had their first Peel Session in November 1981. Instead of leading to record deals and pop stardom, the band's appearance on Peel led nowhere. Discouraged by Pulp's lack of success, every member but Cocker left the group in 1982 to go to university. The following year, Cocker assembled a new lineup that featured eight members, including keyboardist Simon Hinkler, who would later join the Mission. In this incarnation, Pulp had distinct folk overtones, as well as new wave underpinnings. The group landed their first record contract, releasing their debut album, It, in 1984. The record didn't make much of an impact, and the band fell apart again.
After the second incarnation of Pulp disintegrated, Jarvis Cocker formed another version of the band, with guitarist/violinist Russell Senior, who became Cocker's first full-fledged collaborator. Cocker and Senior added drummer Magnus Doyle and bassist Peter Mansell to the group, as well as Tim Allcard, who did nothing but read poetry. Musically, Pulp backed away from the folky inclinations of It, adding keyboardist Candida Doyle in 1985, which led to a darker sound; shortly after her arrival, Allcard left the group. In 1985, Pulp released a series of singles on Fire Records. Just as their fortunes were looking up, Cocker became injured severely. As he was trying to impress a girl, he fell 30 feet out of a window, injuring his pelvis, foot, and wrist. For two months, he was confined to a wheelchair, but he performed concerts anyway.
Released in 1986, Pulp's second album, Freaks, was a dense, dark affair. Following its release, the band split during the filming of the video for "They Suffocate at Night." All of the members, except Cocker and Senior, left the group. For a year, the band was dormant, but Candida Doyle returned in 1987, with drummer Nick Banks and bassist Steven Havenhand joining shortly afterward. Havenhand was soon replaced by Anthony Genn, who was soon replaced by Steve Mackey. Although the group had a stable lineup, they weren't gaining much of a following. In 1988, Cocker moved to London with Mackey and began studying filmmaking at St. Martin's College. While he was studying, Pulp was offered the chance to record another album. The resulting album, Separations, was recorded in 1989 and reflected Cocker's newfound obsession with acid house, but it also boasted some full-fledged pop songs. Separations was released nearly three years after it was completed. Cocker was prepared to stake out a career in film when a single from the album, "My Legendary Girlfriend," was released. NME named the song Single of the Week in 1991, and Pulp's career suddenly took off.
In early 1992, Pulp left Fire Records for Gift, and began releasing a series of singles that consolidated the success of "My Legendary Girlfriend." In particular, "Babies" earned the band a great deal of attention and led to a contract with Island Records, their first major-label deal. Island released Pulpintro, a compilation of the Gift singles, as the band recorded their major-label debut, His 'n' Hers. Upon its spring 1994 release, the album earned positive reviews and became an unexpected success, reaching the British Top Ten; it was also nominated for the 1994 Mercury Award. For the rest of 1994 and the early part of 1995, Cocker suddenly became omnipresent on British television. These suave, humorous television appearances became legendary, making him somewhat of a national hero, as well as a sex symbol.
No matter how popular Jarvis Cocker had become, the band didn't break into the big time until they released "Common People." The single became a massive hit upon its May 1995 release, debuting at number two on the U.K. charts. In July, Pulp accepted a last-minute headlining slot at Glastonbury Festival when the Stone Roses had to cancel. Pulp's set was rapturously received, launching the band into superstar status in England and conveniently setting the stage for their forthcoming album, Different Class. During the recording of the album, guitarist Mark Webber -- the president of Pulp's fan club -- became a full-time member of the group. The first record to feature Webber was the double A-sided single, "Mis-Shapes" and "Sorted for E's & Wizz," which was released in August, two months before Different Class. The single became a number two hit, despite a major tabloid controversy over the lyrics to "Sorted."
Different Class arrived in late October to rave reviews throughout the British press. The album entered the charts at number one, going gold within its first week and platinum within the second. At the end of the year, the album topped many best-of-the-year lists. In February 1996, Different Class was released in the United States to positive reviews. The massive fame and attention that the album brought Pulp influenced the direction of their follow-up, 1998's world-weary, paranoid This Is Hardcore. The record's troubled sound and somewhat mixed reception led some to speculate whether or not the group would continue; the bandmembers took some time to pursue side projects such as DJing at various nightclubs and remixing tracks for artists like Black Box Recorder and Death in Vegas. Meanwhile, they continued to play live, performing at various festivals, including the Meltdown festival curated by Scott Walker. Walker proved such an inspiration for the group that Pulp hired him on as the producer of their new material after recording with Chris Thomas went unsatisfactorily. The resulting album, We Love Life -- its name inspired by the September 11 terrorist attacks -- was released in the fall of 2001 in the U.K. and in the spring of 2002 in the U.S. to critical acclaim.
In 2006, Cocker released a solo album entitled Jarvis. In 2022, Pulp unveiled plans for a major reunion tour in 2023. Bassist Steve Mackey, who informed the press he would not be taking part in the concerts, died on March 2, 2023, at the age of 56.
© Stephen Thomas Erlewine /TiVo
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Discography
49 album(s) • Sorted by Bestseller
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Different Class
Alternative & Indie - Released by Island on Jan. 1, 1995
The Qobuz Essential DiscographyAvailable in16-Bit/44.1 kHz Stereo -
Different Class (Deluxe Edition)
Alternative & Indie - Released by Island on Oct. 30, 1995
The Qobuz Essential DiscographyAvailable in16-Bit/44.1 kHz Stereo -
Countdown: 1992-1983
Pop - Released by Fire Records on Sep. 27, 1996
Available in16-Bit/44.1 kHz Stereo -
Separations (Remastered)
Rock - Released by Fire Records on Jun. 19, 1992
Available in16-Bit/44.1 kHz Stereo -
His N Hers
Pop - Released by UMC (Universal Music Catalogue) on Apr. 18, 1994
Available in16-Bit/44.1 kHz Stereo -
This Is Hardcore (Deluxe Edition)
Pop - Released by UMC (Universal Music Catalogue) on Mar. 30, 1998
Available in16-Bit/44.1 kHz Stereo -
Hits
Pop - Released by Universal-Island Records Ltd. on Jan. 1, 2002
Available in16-Bit/44.1 kHz Stereo -
This Is Hardcore
Rock - Released by Island Records on Jan. 1, 1998
Available in16-Bit/44.1 kHz Stereo -
It (Remastered)
Rock - Released by Fire Records on Apr. 18, 1983
Available in16-Bit/44.1 kHz Stereo -
We Love Life
Pop - Released by Universal-Island Records Ltd. on Jan. 1, 2001
Available in16-Bit/44.1 kHz Stereo -
Intro: The Gift Recordings
Pop - Released by Universal-Island Records Ltd. on Jan. 1, 1993
Available in16-Bit/44.1 kHz Stereo -
After You
Alternative & Indie - Released by Rough Trade on Jan. 28, 2013
Available in16-Bit/44.1 kHz Stereo -
Bad Cover Version EP
Alternative & Indie - Released by UMC (Universal Music Catalogue) on Apr. 15, 2002
Available in16-Bit/44.1 kHz Stereo -
Freaks (2012 Remastered)
Rock - Released by Fire Records on May 11, 1987
Available in16-Bit/44.1 kHz Stereo -
The Sisters EP
Alternative & Indie - Released by UMC (Universal Music Catalogue) on May 23, 1994
Available in16-Bit/44.1 kHz Stereo -
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They Suffocate at Night
Rock - Released by Fire Records on Jan. 16, 1987
Available in16-Bit/44.1 kHz Stereo -
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