arabic literature
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The purpose of this study was to validate one of the most frequently used tools for assessing anxiety associated with foreign languages. The researcher translated it into Arabic because there was no Arabic literature on such an instrument. To achieve the goal, a committee approach was followed (Brislin, 1980) to ensure the validity of the translation. A sample of 102 students was purposefully selected from International Islamic University Malaysia. The instrument consists of 33 items to measure communication apprehension, test anxiety, and fear of negative evaluation. A Principal Component Analysis (PCA) was run to validate the instrument; initially, the PCA produced ten-factor solutions, accounting for 71% of the total variance explained. However, the last nine factors had only two or three loadings each, and they had cross-loading as well. Therefore, only one factor was used in the final, which accounted for 51% of the total variance. The researcher took this factor due to its importance for the Arabic literature, which is also in need of a valid instrument to measure communication apprehension. Due to the lack of convergent validity in the other items, the researcher suggests validating the original instrument.

The East, with its ontological history, is full of religions, and the spirituality of the eastern mind is evident in its love for the literature of proverbs and wisdom that it was able to formulate, and its sanctification of the word is only due to its magical impact on himself; It is his consolation for his painful reality! It deals with its concepts and religious and worldly matters, and that he did not digest Greek philosophy until after the writers presented it with short sentences with wise meanings from the sayings of its philosophers! It is known that wisdom and proverbs are advice, guidance, advice and exhortation, expressing a subjective experience, length of contemplation and insight into life matters, and they often have moral dimensions and that they are suitable for all human societies in a time and place. The concept of culture is so complex that it includes all human aspects. Speaking about the impact of Greek culture on Arab culture or even the presence of multiple connections, it stems from the phenomenon of influence and influence. Greek philosophy was mixed with Islamic thought and culture in the Abbasid era in general, and Arabic literature in general. In particular, it became one of the tools of expression, and the Greek philosophical culture penetrated into the Arab culture (its terms, concepts and sayings of its philosophers) until it spread in its three types: pure philosophical culture, literary philosophy, and philosophical literature. Islamic Society As the names of Greek philosophers gained popularity among members of society in all its classes! The research focused on the issue of the impact of Muslim writers on the dissemination of Greek philosophical culture in the Abbasid era, taking from Abu Hayyan al-Tawhidi (d. 414 AH / 1023 AD) as a model; Although al-Tawhidi was not unique in mixing literature with philosophy; But it is a typical example of the writers of the Abbasid era who were influenced by Greek philosophy and whose literary culture was mixed with Greek philosophy. Greek philosophy has spread among members of the Islamic community by publishing the wisdom, proverbs and sayings of Greek philosophers and scientists. The research was divided into three sections that dealt with the first topic: the relationship between literature and philosophy, while the second topic: the reasons for monotheistic influence on Greek philosophy, and the third topic: it follows the impact of Greek philosophy with the works of monotheism.

AbstractThis chapter offers a discussion of three texts by bicultural Egyptian writers: Waguih Ghali’s Beer in the Snooker Club (1964), Radwa Ashour’s Specters (1999), and Miral al-Tahawy’s Brooklyn Heights (2010). The three works are read via an autofictional lens, with focus on Ghali’s autofictional identity, Ashour’s autofictional threads, and al-Tahawy’s autofictionalizing experience. The study suggests that autofictionality can be identified in the texts in terms of genre as well as technique, demonstrating the potential of the autofictional as a literary strategy in negotiating identity, memory, and experience in the writing of Egyptian literature. Our reading of the three texts testifies to the affordance of an autofictional lens in reading Arabic literature and allows new insights into writing at the intersection of reality and the imagination.

Kahlil Gibran is one of the most important writers of modern Arabic literature and one of the most successful poets of English in the twentieth century. He is undoubtedly a pioneer among Arab poets and novelists writing in English and the most important figure in the Émigré literary movement. His world-wide popularity is due in large part to his universal spiritual message of love and compassion. This study, focusing on both his Arabic and English works, seeks to explore the various contextual aspects that affect all of Gibran’s works since his birth in Mount Lebanon.  It also presents a critical overview of all his works for readers and critics that seek a deeper appreciation and a more comprehensive understanding of this literary genius. The study highlights the spiritual element which serves as the link that unifies his Arabic and English works and propels them to enduring literary and popular success across cultures. Keywords: Kahlil Gibran, Āmigré Literature, Diaspora Writers, Spirituality, Perennialism.            Abstrak Kahlil Gibran merupakan salah seorang penulis yang tersohor dalam kesusasteraan Arab moden dan salah seorang penyair Inggeris yang berjaya pada abad kedua puluh. Kredibiliti beliau tidak diragukan kerana beliau merupakan perintis dalam kalangan penyair dan novelis Arab yang menulis dalam bahasa Inggeris dan tokoh terpenting dalam gerakan sastera Émigré. Sebahagian besar popularitinya di seluruh dunia adalah disebabkan oleh mesej rohani universal cinta dan belas kasihannya. Kajian ini difokuskan kepada kedua-dua karya Arab dan Inggerisnya untuk meneroka pelbagai aspek kontekstual yang mempengaruhi semua karya Gibran sejak kelahirannya di Gunung Lubnan. Kajian ini juga memberikan gambaran keseluruhan yang kritis mengenai semua karya beliau kepada pembaca dan pengkritik yang mencari penghayatan yang lebih mendalam dan pemahaman yang lebih komprehensif tentang kehebatan sastera ini. Kajian ini juga mengenengahkan unsur kerohanian yang berfungsi sebagai penghubung yang menyatukan hasil karya Arab dan Inggerisnya dan mendorong mereka kepada kejayaan sastera dan popular yang berkekalan di seluruh budaya. Kata Kunci: Kahlil Gibran, Sastera Āmigré, Penulis Diaspora, Kerohanian, Perenialisme.

الملخصهذا البحث يرصد دراسة مناجيات البروفيسور زكريا إدريس أوبو حسين، دراسة أسلوبية، للوقوف على قدرة الكاتب في رسم المشاهد المختلفة في حالات النفس الإنسانية، والكشف عن مستويات المناجيات النصية، والتقديم لدلالات ما خلف النص بوصفه نصاً أدبياً خاضعاً للقراءة والتأويل. وقد تناولت الدراسة كتب مناجاته في مستوياتها الصوتية والتركيبية والدلالية محاولة لإجراء الدراسة الأسلوبية عند كل مستوى، فقد أورد البروفيسور الاستعارات والتشبيهات والكنايات بشكل تفاعلي مع الجو الملائم لكل مناجاة، وأهمية هذا البحث تظهر في قلة أمثاله في المكتبات التي تستقري مثل هذه النصوص الإسلامية الشريفة، والتي تستحق لفت النظر. وتم تقسيم الدراسة إلى أربعة مباحث، سبقهم ملخص، ومقدمة، وفي الخاتمة تم تسجيل أهم النتائج فضلا عن المصادر والمراجع، والله المستعان. AbstractProfessor Zakariyau Idrees Oboh Oseni, is one of the prominent figures of Arabic and Islamic literature in Nigeria, working with University of Ilorin in Nigeria as an exemplary teacher, a writer and even a Critical critic. His poetic talent, literary ability, linguistic wealth, knowledge of the Noble Qur’an and the Prophet’s Sunnah, made him succeed in the Art of Munajat, and succeed as a sincere scholar who raises the nation a high-level education. This Research aims to study the Munajat (Monologues) of Professor Zakariyau Idrees Oboh Oseni as a stylistic study, to determine the writer›s ability to draw different scenes in cases of the human soul, to reveal the levels of textual Monologues, and to present the implications of what is behind the text as a literary text subject to reading and interpretation. The Study dealt with his Monologue books in their phonetic, structural and semantic levels, an attempt to conduct a stylistic study at each level. This approach includes a set of principles and procedures that aid the study of the text as a scientific study, through method analysis. The research is divided into three sections, preceded by a summary, followed by a conclusion.

This study aims to find out the intricacies of philosophical realism (al-Mażhab al-Wāqi’ī) and its influence on modern Arabic literature. It is undeniable that literary genre that grew up in the west have had a great influence on the development of literature in the world, including Arabic. This research was a literature review that used a qualitative descriptive method by examining and reviewing several related literature. The result showed that realism emerged as a response to the romanticism philosophy which tends to the subjectivity of writers and the depiction of objects that are full of imagination. Furthermore, the western realism has also influenced modern Arabic literature, both poetry and prose. Realism made Arabic poets aware that love poems were no longer relevant to the reality of the people who were in the midst of crisis due to colonialism. Writers began to invigorate the principles of statehood, nationality, and humanity. However, the adoption of western realism, in some aspects, is contrary to Islamic values. This philosophy directs literature towards materialism, atheism, fulfillment of physical needs, and so on.

As an integral part of Arab society since the pre-Islamic period, Jews participated in the making of Arabic literature. We know of prominent Jewish poets such as al-Samawʾal ibn ʿᾹdiyāʾ in the sixth century A.D. and Ibrāhīm ibn Sahl in al-Andalus in the thirteenth century. During the first half of the twentieth century, Arabic literature in fuṣḥā (standard Arabic) written by Jews witnessed a great revival, especially in Iraq and Egypt, but this revival was cut short as a casualty of Zionism and Arab nationalism and the conflict between them. We are currently witnessing the demise of Arabic literature written by Jews; the Arabic language among Jews will probably remain mostly a tool of the military establishment and the intelligence systems as encapsulated in the dictum 'know your enemy' instead of being a medium for coexistence and knowing the Other. The article concentrates on the literary activities of one of the most talented Iraqi-Jewish authors, Shalom Darwīsh (1913-1997), whose promising anticipated literary future in Arabic literature encountered a deadlock following the aforementioned exclusion of Jews from 'Arabness'.