masculine identity
Recently Published Documents

How does secrecy shape narratives of militarized hegemonic masculinity? This article assesses a gap at the intersection between theories of masculinities and organizational secrecy. Supported by 15 interviews with current and former male workers of a covert section of an Israeli national security organization, it argues that secrecy is experienced as both an external hurdle and a central component to the way that men internalize masculinity. Unable to access social capital outside the security organization, the respondents of the study construct a social field inside it through which they can assert their masculinity. They do so by conceptualizing their jobs, themselves, and the organization through a prism of sacrificial warriorhood, and actively incorporate secrecy’s constraints into a narrative of “super-men”. This study thus examines secrecy in the context of a militarized environment, showing the experience of masculinity and a perceived lack of power-access among members of a dominant group.

<p><b>This thesis engages with Kazuo Ishiguro’s three novels, An Artist of the Floating World, The Remains of the Day, and The Unconsoled, as united by a common theme: the crisis of masculinity. These texts, written in succession from 1986 to 1995, are Ishiguro’s first uses of male character narrators. This thesis takes this fact as consequential for the meaning of the works, as well as for the idea of their interconnection.</b></p> <p>I link the obscured tragedies often identified in Ishiguro’s narrators to the conflicting obligations they feel between their sense of themselves as men and their suppressed emotional lives. This imbalance between the private and public life is presented as a key conflict in Ishiguro’s work, one accessed through identifying crises of masculinity. A crisis for Ishiguro is triggered by the realisation of the impossibility of balancing these two lives. Discussing how professional identity is tied to masculine identity, I analyse the way unreliability emerges from the overprioritising of work. I suggest that in this way identity performance is key to unreliable narration and that these narratives operate as a reorganisation of the narrators’ biographies along the logic of crisis.</p> <p>However, rather than suggesting that Ishiguro’s true interest is on masculine crises, this thesis makes the case that by looking at this series of novels as different explorations of crisis, something new is revealed about the more documented interests of Ishiguro’s experiment—memory, unreliability, history, and storytelling. Through this claim I seek to demonstrate how an overlooked aspect of Ishiguro’s early work offers a fresh approach to his overall project. I combine established narratological analysis of the novels with this alternative perspective on the early works to analyse the way the author expands the bounds of readerly awareness, as well as the capabilities of narrators. In doing so I draw a causal chain between masculine crises, self-conscious narration, and violations of realism.</p> <p>Each chapter explores the related ways Ishiguro carries his interest in crises of masculinity forward. The first, on An Artist of the Floating World, analyses the novel’s sense of being self-consciously organised from within, expanding on the connection between a crisis of masculinity and authorial dispositions. The following chapter on The Remains of the Day takes up narratological theories on the implied author, the narratee, mimesis, and unreliability to examine the extent to which narrators can be aware of their unreliable narration’s effects. The final chapter reads The Unconsoled as Ishiguro’s “masterwork” on the crisis of masculinity. The chapter explores the ways the text acts as a heightening of the prior crisis novels to get a better grasp of this unusual work.</p>

<p><b>This thesis engages with Kazuo Ishiguro’s three novels, An Artist of the Floating World, The Remains of the Day, and The Unconsoled, as united by a common theme: the crisis of masculinity. These texts, written in succession from 1986 to 1995, are Ishiguro’s first uses of male character narrators. This thesis takes this fact as consequential for the meaning of the works, as well as for the idea of their interconnection.</b></p> <p>I link the obscured tragedies often identified in Ishiguro’s narrators to the conflicting obligations they feel between their sense of themselves as men and their suppressed emotional lives. This imbalance between the private and public life is presented as a key conflict in Ishiguro’s work, one accessed through identifying crises of masculinity. A crisis for Ishiguro is triggered by the realisation of the impossibility of balancing these two lives. Discussing how professional identity is tied to masculine identity, I analyse the way unreliability emerges from the overprioritising of work. I suggest that in this way identity performance is key to unreliable narration and that these narratives operate as a reorganisation of the narrators’ biographies along the logic of crisis.</p> <p>However, rather than suggesting that Ishiguro’s true interest is on masculine crises, this thesis makes the case that by looking at this series of novels as different explorations of crisis, something new is revealed about the more documented interests of Ishiguro’s experiment—memory, unreliability, history, and storytelling. Through this claim I seek to demonstrate how an overlooked aspect of Ishiguro’s early work offers a fresh approach to his overall project. I combine established narratological analysis of the novels with this alternative perspective on the early works to analyse the way the author expands the bounds of readerly awareness, as well as the capabilities of narrators. In doing so I draw a causal chain between masculine crises, self-conscious narration, and violations of realism.</p> <p>Each chapter explores the related ways Ishiguro carries his interest in crises of masculinity forward. The first, on An Artist of the Floating World, analyses the novel’s sense of being self-consciously organised from within, expanding on the connection between a crisis of masculinity and authorial dispositions. The following chapter on The Remains of the Day takes up narratological theories on the implied author, the narratee, mimesis, and unreliability to examine the extent to which narrators can be aware of their unreliable narration’s effects. The final chapter reads The Unconsoled as Ishiguro’s “masterwork” on the crisis of masculinity. The chapter explores the ways the text acts as a heightening of the prior crisis novels to get a better grasp of this unusual work.</p>

The United States occupies a unique position among OECD countries because the US provides little policy support for working parents. Despite the resulting extreme time scarcity, US fathers perform similar amounts of child care as European fathers under more family-friendly policy conditions. Using recent national time use survey data, this paper examines whether time scarcity among American working parents, coupled with limited access to affordable child care and traditional masculine identity ideas, is associated with American fathers’ involvement in the daily care of their young children. Results show that fathers do one third of all care activities, contribute one third of the care time, and perform over one half of the 10 activities analyzed here daily. Multivariate analysis indicates that time scarcity, lack of alternative child care options, and traditional masculine identity affect the degree of fathers’ involvement in daily care activities with their under five year olds. Implications for the development of caring masculinities are discussed.

Formal rites of passage (ROP) processes are largely lacking within Western culture. This scarcity is seen to be detrimental to adolescent boys’ masculine identity formation. With schools bearing increased responsibility for the well-being of students, and as a way of addressing the apparent cultural deficiency, interest in school-based ROP programs has expanded. This scoping review adopted a systematic methodology to refine an initial accumulation of 708 articles. Nine key articles investigating the impact of school-based ROP programs for adolescent boys were examined. The ROP programs were analyzed according to rationale, design, and impact, with each program focusing on three major domains of impact—community, responsibility, and identity. The review found that adolescent boys’ participation in ROP programs may enhance community engagement, build responsible citizenship, and improve self-perception through the development of positive masculine identity.

‘A Portrait’ examines James Joyce’s A Portrait of the Artist as a Young Man (1916). In January of 1904, Joyce wrote an autobiographical essay entitled ‘A Portrait of the Artist’. The essay sketches a life, complete with religious disillusion, romantic love, and visits to brothels, which is recognizably the life of Stephen Dedalus. After the essay was rejected for publication, Joyce sat down and began a long autobiographical novel with the provisional title Stephen Hero. This draft would become A Portrait, which is constructed on a dialectic of masculine identity and female disidentification.

The article presents an interpretation of A dreambook for our time by Tadeusz Konwicki in the context of cultural studies of masculine identity. Referring to the research conducted by Eve Kosofsky Sedgwick, the author proves that ostentatious manifesting heterosexuality by the protagonists of Konwicki’s novel is the result of inability to define their identity within the masculine paradigm based on the soldier ethos.