basic constituent
Recently Published Documents

This chapter considers two contemporary versions of The Rite of Spring: Xavier Le Roy’s Le Sacre du Printemps and Jérôme Bel’s self-titled production. Because there is relatively extensive documentation of Nijinsky’s original choreography for the Rite, so-called reconstructions are widely known and available. But Le Roy and Bel seek to reimagine the ballet completely. Le Roy loosely “conducts” the score as it is piped out of speakers placed among the audience, thus inverting the traditional spatial and artistic dimensions of theatrical space. Bel drastically denudes his Rite, with naked dancers, a nearly bare stage, and a flimsy monophonic rendition of the gargantuan score. He embarks on a subcutaneous exploration of a dance performance to discover its most basic constituent parts. In reworking the ballet’s “original” materials, these artists expose some basic assumptions about music and dance as media, both as performance acts and as objects of study.

In this paper, we introduce a relative [Formula: see text]-wave to construct the doubly-charm axialvector diquark operator, then take the doubly-charm axialvector (anti-)diquark operator as the basic constituent to construct the scalar and tensor tetraquark currents to study the scalar, axialvector and tensor fully-charm tetraquark states with the QCD sum rules. We observe that the ground state [Formula: see text]-type tetraquark states and the first radial excited states of the [Formula: see text]-type tetraquark states have almost degenerated masses, where the [Formula: see text] and [Formula: see text] stand for the diquark operators with and without the relative [Formula: see text]-wave, respectively, the broad structure above the [Formula: see text] threshold maybe consist of several diquark–antidiquark-type fully-charm tetraquark states.

Objective. The aim of this research was a comparative analysis of culture beliefs about Russia’s, Eastern and Western civilizations among the youth of Moscow City. Background. Civilization identity is the a basic constituent in forming of individual’s image of the world. Understanding and acceptance of civilization’s cultural particularities helps to save personal and social identity’s stability. But understanding of differences from other civilizations and comparison with them is no less important. Study design. The study examined the relationship between the various components of the cultural representations of civilizations. The presence and nature of the relationship was checked through correlation, qualitative and content analysis. Participants. 200 people (43% of men, 57% of women) from 18 to 2 years old, students of creative universities in Moscow, studying under the training programs for future media workers. Measurements. The study was carried out by the method of questioning, including the associative method, the method of unfinished sentences, closed and open questions. Results. The research’s results proved the hypothesis that culture beliefs of Russia’s youth are qualitatively different for each of the presented civilizations. Besides, the research discovered differences related to gender. Russia’s and Eastern civilizations turned out to be the closest for male according to the research’s results, and for female — Russia’s and Western civilizations respectively. Conclusions. There is a qualitative difference between the cultural ideas of Russian, Western and Eastern civilizations among Russian youth.

The study focuses on the multimodal discourse of the superhero Batman which is viewed as both a corpus of texts about Batman and a process of their development in various media, such as comics, animation, film, video games. Since the launch of the 1930s’ comics, the discourse has been incessantly developing, getting more and more intertwined with technology and new technology-based arts and industries. The evolution of the discourse can also be accounted for by the changing needs of the audience, as well as the shifts in the audience itself. At present, Batman discourse is comprised of a vast number of media texts, which intersect and influence each other. Each of these presents a new interpretation of the myth, based on the reesthetisization of basic constituent codes. The research aims to cover some aspects that define Batman as a cultural phenomenon of today, such as Batman as part of contemporary mythology and its relatability to the contemporary historical context, authorship in both the multimodal discourse and its media subdiscourses, intertextual and interdiscursive transformations.

Wordsworth’s Preface to Lyrical Ballads, with Pastoral and Other Poems (1802) is both a revolutionary manifesto and a kind of foundational text in the context of the canon of Romantic poetry because of its normative analysis on the nature of poetry and its basic constituent parts although when compared to the systematic approaches in the twentieth century literary theory, Wordsworth does not present an autonomous critical method capable of providing universally valid principles in evaluation of the text. This paper mainly aims to discuss Wordsworth’s contribution to canon of literary criticism on the theoretical level by giving concrete examples from Preface to Lyrical Ballads, with Pastoral and Other Poems (1802) as well as scrutinizing Wordsworth’s definition of poetry and the poet, his ideas on the origin of poetry, the subject matter of poetry, and the language of poetry respectively in order to show that it is revolutionary in terms of prescribing some principles in evaluation of a literary work.    

Abstract Passivization has been characterized as a strictly morphological phenomenon. Some definitions of passivization even require the passive construction to exhibit special verbal morphology. Increasingly, however, there have been descriptions of languages that have “morphology-free” passive constructions. This paper presents data from Ulwa, a Papuan language of the Sepik region of Papua New Guinea, which forms its passive constructions through a syntactic operation. Specifically, passives are formed through the inversion of subject and predicate. Whereas the canonical transitive active sentence in Ulwa has the basic constituent order SOV, the corresponding passive sentence has the order VS, where the S of the passive corresponds to the O of the active. Agent arguments are optional; when they do appear in passive constructions, they are marked as obliques. The Ulwa data support claims that it is possible for passivization to be a syntactic phenomenon that operates on the level of the clause.

Before we move forward from our previous chapters’ exploration of the importance of the microbiology of food from its many different angles to start to focus on how we process food to, among other effects, control that microbiology, we need to consider one more basic constituent of food. This is because, even after several earlier chapters in which the key functions of proteins, sugars, lipids, and other rather high-profile food constituents were discussed, we have yet to discuss explicitly the one that is perhaps the most significant of all. It was mentioned many times of course, lurking in the background like a supporting character actor in a movie who doesn’t dominate the foreground activity but is a key part of the scene. This magically powerful ingredient is water, yes water, that represents the majority of most food products, and without which most of their properties and characteristics would not exist. We have seen already how water can appear in food in many guises, depending on whether it deigns to interact with the other constituents present, leading to apparent logical surprises like the fact that a melon (a solid?) has actually more water per gram of its weight than milk (a liquid?), just because in one case the water is absorbed and robbed of its innate fluidity, while in the other no such restrictions apply. Besides influencing texture in a completely fundamental way, though, water influences behavior of just about every other molecule in food, from the structure of a protein (and hence the texture we perceive) to the suspension of oil droplets in the many food products that are emulsions. As well as this, almost all the dynamic changes we encounter in food, for better or for worse, depend on water. Microbes require water to live, as we can see when we preserve food by removing it (in drying), or else denying it more subtly by adding substances such as sugar or salt, which can suck the very water out of bacterial cells like molecular vampires.

The word Malahara or Malhama is derived from unani system of medicine. Yogaratnakara mentioned this first by the name of Malahara Kalpana. It derives its name as it removes Mala (residue etc.) from Vrana (wounds), Vidradhi (abscess) etc. This is similar to ointments in modern pharmaceutics. Malahara Kalpana is the ointment preparation which has Siktha Taila (bees wax and oil mixture) or Ghrita, as the basic constituent. The other ingredients may include herbal, metal, or mineral contents depending upon the usage. Malahara has a property like Snehana (oelation), cleansing, Ropana (healing), Lekhana (scaraping), and Varnya (beautifying), depending on the drugs used in the preparation. Rasa Tarangani a Rasa Shastra treatise of 20th century by Acharya Sadananda Sharma has enumerated various types of Malahara Kalpana taking mainly Siktha Taila as a base. Though this Kalpana holds firm roots in treating diseases the mention and explanation of this particular topic is scattered in this treatise. Hence the present article is an attempt to elucidate and unfold the Malahara Kalpana of Rasatarangani.

This chapter discusses the evolution of oxygen-producing organisms by considering the evolution and assembly of its basic constituent parts. It focuses on the following key questions: (1) What is the evolutionary history of chlorophyll? (2) What are the evolutionary histories of photosystem I and photosystem II (PSII)? (3) What is the origin of the oxygen-evolving complex in PSII? And finally, (4) what is the evolutionary history of Rubisco? In addressing these, the chapter seeks to understand the complex path leading to the evolution of oxygenic photosynthesis on Earth. This event was one of the major transforming events in the history of life. With no oxygenic photosynthesis, there would be no oxygen in the atmosphere; there would also be no plants, no animals, and nobody to tell this story.