What Is Perception
What Is Perception
Perception is our sensory experience of the world around us and involves both the recognition of environmental stimuli
and actions in response to these stimuli. Through the perceptual process, we gain information about properties and
elements of the environment that are critical to our survival. Perception not only creates our experience of the world
around us; it allows us to act within our environment.
The Percep tu al Pr ocess
The perceptual process is a sequence of steps that begins with the environment and leads to our perception of a stimulus
and an action in response to the stimulus.
The En vir onmen ta l Sti mulus
The world is full of stimuli that can attract our attention through various senses. The en vir onmen ta l stimu lus is
everything in our environment that has the potential to be perceived.
As shown in the previous graphic, thinking is considered the highest perceptual process. Thinking is defined as the
process occuring when an individual is solving problems. Forgus and Melamed's definition of perception links thinking,
learning and perception.
This idea of perception as being composed of learning, memory and thinking helps to explain the development of an
individual's higher concepts such as language and mathematics, which affect the individual's ability to further perceive
their environment. For example, a baby's perception of the world is initially limited to physical stimuli such as touch, light
and sound. These stimuli help the baby learn to process items about their surroundings, which in turn lead to higher
thought as the baby continues to develop through childhood and into adulthood.
Com po nents o f Percep ti on are R ela te d
It is important to understand that each process is not independent of the others in this model. All three components
(learning, memory, thought) are subsets of perception. Information extraction cannot occur without these building blocks.
It is also important to understand that this model is a two-way model. As learning leads to thinking, further thought
reinforces learning. Perception is cyclical.
There are several factors that can influence one's perception, which are listed by Severin and Tankard (1997), Scott and
Brydon (1997) and Rice (1993). These factors are both external and internal. These are what draw attention to a subject.
A discussion of each factor follows.
Exter nal F actors on Per cept ion
• Bac kgr oun d
Background provides the backdrop upon which humans make perceptions. For instance, in the figure to the right, it
may be difficult at first to see the word sly because the background is different from what one typically expects.
Backgrounds can also include noisy rooms or smoky air.
• Ex tensi ty
Extensity refers to an item's size. People generally notice larger items over smaller objects. Given the same color or
presentation, a larger item will be seen before a proportionately smaller item.
• In tensi ty
Intensity concerns how high above the required threshold level of perception a stimulus is. For instance, a more
vividly colored photograph tends to draw attention over a muted portrait. According to Weber's Law, a stimulus must
at least reach the just noticeable difference in intensity before the individual will perceive a change. (Rice 1993)
• Concre teness
Abstract ideas are more difficult to understand than concrete examples. Concrete ideas explain concepts better and
generally receive more perceptual attention than abstract ideas by reducing complexity.
• Cont ras t
Underlined typeface draws attention because of contrast; it is different than the text surrounding it. As defined by
Rice, contrast "can create apparent intensity of stimulus without utilizing size, loudness or colour." Contrast is different
only when considered in its context.
• Novelty
What is not typical draws attention. Differences in what is considered unusual can complicate this influence on
perception. However, all humans notice what is not expected over the mundane.
• Repet it io n
Although repetition may also dull one's senses, in its initial stages repetition draws attention by repeating the
stimulus. So long as that stimulus is not regularly expected, it may increase the odds for perception.
• Vel oc ity
Motion tends to draw attention over stationary objects. Perceived movement may be actual or--in the case of art or
photography--simulated.
• Cond it io ned S timul i
Certain stimuli are ingrained into human attention. Examples of these are telephone and doorbell rings, sirens and
flashing lights. Even though these stimuli are often repeated, they do not lose their effects because humans have
become so attuned to them.
In tern al F act or s on P erce pt ion
• Mot iv at io n
Exhaustion makes humans more aware of the need for rest. Hunger alerts the desire for food. Any time a person is
motivated by an internal stimulus, they are more likely to perceive items related to that stimulus.
• In terest
People in the market for a new vehicle are more likely to notice automobile advertisements. When an individual's
interest is high for a specific item, that item is more likely to be perceived.
• Need
Need similarly draws attention to those items which are needed. Gasoline is necessary for driving, so when the fuel in
a vehicle is low the driver naturally notices gas stations.
• Assu mp ti ons
Human assumptions can sometimes affect perception. Severin and Tankard give the following example:
[The monocular distorted room] is constructed so that the rear wall is a trapezoid, with the vertical distance up and
down the left edge of the wall longer than the vertical distance up and down the right edge of the wall. The rear wall
is positioned at an angle so that the left edge is farther back than the right edge. This angle is carefully selected so
that the room will appear to be an ordinary rectangular room to an observer looking through a small hole at the front
of the room. If two people walk into the room and stand in the rear corners, something interesting happens. The one
on the right appears to a viewer looking through the hole to be very large because he or she is closer to the viewer
and fills most of the distance from the floor to the ceiling. The one on the left appears to be very small because he or
she is farther away and fills less of the distance from the floor to the ceiling. This illusion occurs because the mind of
the viewer is assuming that the rear wall is parallel to the front wall of the room. This assumption is based on prior
experience with other rooms that looked similar.
The Con cep t o f Selec tiv e Percep ti on
Now that a baseline understanding of perception has been set out, the concept of selective perception can be explored. It
may first be beneficial to provide a definition of selective perception. Selective perception occurs when two different
individuals perceive a stimulus in different ways. For example, George W. Bush may be perceived by one person to be a
conservative Republican, but be perceived by another as a moderate Republican.
According to Assael, selective perception operates at two levels: a higher and a lower. In the case of a high-level case of
selective perception humans selectively choose or expose themselves to information that confirms previous beliefs or
helps them make informed choices. Low-level selective perception occurs when humans block out information to avoid
overload. (1992)
Selective perception serves at least two purposes.
1. Perce pt ua l vigi la nce leads individuals to the information they need or desire. Humans are constantly bombarded
by information from millions of internal and external sources per day. Selective perception allows the individual to sort
through the sensory data--either consciously or subconsciously--in order to choose the most relevant information.
This is crucial to low-level processes.
2. Perce pt ua l de fense helps individuals avoid cognitive dissonance by highlighting information that is contrary to
firmly-held beliefs and may be rejected. In the case of politics, this explains why most registered Democrats and
Republicans tend to vote for candidates within their party: they reduce cognitive dissonance by rejecting messages
from the opposition, even though those messages may be truthful.
Just as perception is a superset to learning, memory and thought, selective perception is a superset to various other
components.
The various elements of selective perception are:
• selective exposure
• selective attention
• selective comprehension
• selective retention
Sele ct iv e exp osure
Selective exposure is a result of deliberate human selection of input. Research shows that individuals have a
predisposition towards certain stimuli in which they are interested or partial to. In fact, this reinforces the idea of selective
perception.
A study conducted by Bradley Greenberg showed a statistical significance between exposure to numerous media and
individuals who believed they were on the winning side of an election. Those who believed they were on the losing side of
the election responded that they were exposed to fewer media. It may be inferred that the "winners" were reinforcing
their beliefs by pursuing more media information, while the "losers" were avoiding cognitive dissonance by exposing
themselves to less mass communication. (1965)
Sele ct iv e a tten ti on
Selective attention provides awareness of supportive information and avoidance of information that is perceived
negatively. It does so by selecting the elements from a situation that will be allowed to exert an influence on the
perceiver, and focusing attention on those elements. (Silverman 1970) Selective attention is a low-level aspect of selective
perception.
Sele ct iv e c om prehensio n
This element of selective perception interprets information so that it confirms previously held beliefs and attitudes.
Selective comprehension is a high-level aspect of selective perception.
Sele ct iv e reten ti on
This is the memory aspect of selective perception. It is through this mechanism that information selected in the previous
steps is stored for later retrieval. Generally this information is given preference to information that does not fall in line
with previously held beliefs and attitudes.
Sum ma ry
It is important to understand that consumers will not perceive the same message from all marketing communications.
Therefore, the study of selective perception is important in order to make each message reinforce positive images in
current users' minds. Understanding selective perception is useful in the following ways.
• Reinf or cin g Curren t Percep ti ons
Studies of perception clearly indicate that there is a cyclical process involved in perception. A product that reinforces
positive images in a consumer's mind makes the continued assumption of that position easier. Likewise, a product
that does not reinforce positive marketing messages well (i.e., a poor product) creates dissonance in the consumer's
mind and risks being perceived in a poorer light than competitors. The stimulus (good or bad) leads to learning,
thinking and memory concerning the product. This is the consumer's perception of the product.
• Buil ding Br an d Ima ge
One key issue is how to maintain and/or develop the brand image in the consumer's mind when they may selectively
choose not to perceive a certain marketer's product. Many answers to this problem may be found in the various
factors influencing perception. Also, the product must reinforce the desired perception in the consumer's mind.
• Com munic at in g to Targe t M ark ets
Assael (1992) writes that marketers should clearly mention their products benefits in advertising if the target is well-
defined. The selective perception principle behind this belief is perceptual vigilance. The clearly-defined target market
will already be looking for information regarding the marketer's product, so it is important to include the information
in which that target market is interested.
• Ch oo sing Messa ge Type
Selective perception may explain some advertiser's seemingly ambiguous marketing communications. These are the
advertisements that cause people to say, "What does 'Wassup' have to do with beer?" Ambiguous messages allow the
consumer to perceive the message in their own way to reinforce their already-held beliefs about that product. On the
other hand, unambiguous advertisements will either have a positive or negative influence; there is no leeway for
interpretation. Therefore, one group of consumers who have a positive image of Budweiser will be able to identify
with certain aspects of the Wassup commercials in a way that reinforces their perception of the product, and an
entirely different group of consumers--who also have a positive image, but not necessarily the same image--will
identify with different aspects of the commercials to reinforce their beliefs. (Assael 1992)
It is hoped that this discussion will improve the understanding of the process of selective perception, both in the author's
mind as well as any reader's mind. Selective perception is a well-documented psychological phenomenon and should be
understood by the professional advertiser.
Perce pt io n Intr odu ct ion
In order to receive information from the environment we are equipped with sense organs eg eye, ear, nose. Each sense
organ is part of a sensory system which receives sensory inputs and transmits sensory information to the brain.
A particular problem for psychologists is to explain the process by which the physical energy received by sense organs
forms the basis of perceptual experience. Sensory inputs are somehow converted into perceptions of desks and
computers, flowers and buildings, cars and planes; into sights, sounds, smells, taste and touch experiences.
A major theoretical issue on which psychologists are divided is the extent to which perception relies directly on the
information present in the stimulus. Some argue that perceptual processes are not direct, but depend on the perceiver's
expectations and previous knowledge as well as the information available in the stimulus itself. This controversy is
discussed with respect to Gibs on (1966) who has proposed a direct theory of perception which is a 'bottom-up' theory,
and Greg ory (1970) who has proposed a constructivist (indirect) theory of perception which is a 'topdown' theory.
Psychologists distinguish between two types of processes in perception: bottom-up processing and top-down processing.
Bottom- up pr ocess ing is also known as data-driven processing, because perception begins with the stimulus itself.
Processing is carried out in one direction from the retina to the visual cortex, with each successive stage in the visual
pathway carrying out ever more complex analysis of the input.
Top -do wn pro cessin g refers to the use of contextual information in pattern recognition. For example, understanding
difficult handwriting is easier when reading complete sentences than when reading single and isolated words. This is
because the meaning of the surrounding words provide a context to aid understanding.
Wha t is P ers on ali ty?
Almost everyday we describe and assess the personalities of the people around us. Whether we realize it or not, these
daily musings on how and why people behave as they do are similar to what personality psychologists do.
While our informal assessments of personality tend to focus more on individuals, personality psychologists instead use
conceptions of personality that can apply to everyone. Personality research has led to the development of a number of
theories that help explain how and why certain personality traits develop.
“Personality is the supreme realization of the innate idiosyncrasy of a living being. It is an act of high courage flung in the
face of life, the absolute affirmation of all that constitutes the individual, the most successful adaptation to the universal
condition of existence coupled with the greatest possible freedom for self-determination.”
- Carl Gustav Jung, 1934
Com po nents o f Perso na li ty
While there are many different theories of personality, the first step is to understand exactly what is meant by the term
personality. A brief definition would be that personality is made up the characteristic patterns of thoughts, feelings, and
behaviors that make a person unique.
In addition to this, personality arises from within the individual and remains fairly consistent throughout life.