Special Notes Xii
Special Notes Xii
M. Hamel
- presents his character with sympathy and respect.
- Has a logical mind and can analysis problems and deduce the reasons.
- Knows the emotional hold of a language over its users.
- Good communicator and explains everything patiently.
- Traditional school master: kept his terrible ruler under his arms., could hear
the tapping of the ruler on the table, students were dreaded of their master.
- Hard task master: always maintained decorum and discipline in the class.
- Order from Berlin: Transformed him, become extra soft and gentle towards
his students, Didn’t scold his students or use his scale. He was in the best of
dress in honour of the last lesson.
- Highly respected by the villagers: worked for 40 years in the same school,
elders came to pay their respect to such a grand teacher.
- Loved France and French people form the core of his heart: French
language……Asked people to guard it among themselves. When he heard the
sound of the trumpet…mounted on the chair…
Linguistic chauvinism:
- Means an aggressive and unreasonable belief that your own language is better
than all others, or excessive or prejudiced support for one’s own language.
- L.C. is having an absurdly extravagant pride in ones own language. Eg.
Germany of Bismarck reflected that pride when it imposed German language
on the dominantly French population of Alsace and Lorraine.
Village people :
Writer expresses the national shame: Children condemned to poverty and a life of
exploitation. In this bleak world the author finds stories of resilience and fortitude.
First story unveils the utter destitute of rag pickers of Seemapuri. Rag picking children go
about barefoot and can be seen smudging heaps of garbage.
Second story deals with the unenviable lot of the bangle makers of Firozabad. Bangle
makers are poor, illiterate. They believe fatalistically that they were born that way
because it was their fate.
Writer analysis the grinding poverty and tradition which condemn these children to a life
of exploitation . These children are denied the opportunity of schooling and forced into
labour early in life.
10,000 of them.
Came from Bangladesh in 1971.
Live in structures of mud, roofs of tin and tarpaulin Lali Mathew M.A.M.Ed
Devoid of sewage, drainage… Sheesh Mahal Apartment
30 years got only a ration card…. Shalimar Bagh Delhi
Food is more important than survival
Garbage: gold for them, provide daily bread and roof.
You never see the poor in this town. By day they toil, working cranes and earthmovers,
squirreling deep into the hot sand to lay foundations of chrome. By night they are
banished to bleak labour camps at the outskirts of the city….
All that glitters is not gold. Appearance can be deceptive. The beauty of the glass bangles
contrast with the misery of the people. This paradox is the basis of their lives.
Beauty of bangles:
-Symbolizes suhaag of Indian woman.
-Stands for auspiciousness in marriage.
-colour is fascinating- paddy green….
-Bangles have the colours of rainbow.
DEEP WATER
THEME / CENRTRAL IDEA / TITLE
• Universal theme: A belief that the essential goodness in a human being can be
awakened through understanding and love.
• Story is set amidst the mines of Sweden, rich in iron ore.
• The story is told in a fairy tale manner.
• The metaphor serves to highlight the human predicament. Material benefits are
traps that most human beings are prone to fall into. Human beings do have
tendency to redeem themselves form dishonest ways as does the peddler at the
end of the story.
• The peddler is tempted by the 30 Kronor - steals the money – afraid of being
caught - moves into a forest - kind sympathetic treatment given by Edla helps
him get himself free from the rattrap of the world.
• Love and understanding can transform even a depraved soul.
• Ending pays tribute to the goodness and humanity exhibited through Miss Edla …
inspire the readers to do noble acts.
METAPHOR OF THE RATTRAP
UNEXPECTED REACTIONS:
SUBTLE HUMOUR
• Humour is a redeeming features as far as the element of seriousness is concerned
in the story.
• His idea of entire world to be like a rat trap really entertaining.
• In spite of his sad, monotonous life pulled on by begging thievery and pedlary, he
feels pleased at this smartness.
• After denying the hospitality of the ironmaster, he laughs himself when the master
blacksmith urges him to stay on.
• His sleeping with one eye open is not lass laughter provoking
• At the dinner the peddler’s offer to be redressed in his ragas and be off is
humorous enough and again thumping on the table with his fist and describing
the world to be a rattrap are full of humour
• Leaving aside the dignity of a captain , the peddler comparing himself with a rat
is so funny
• The plot has been unraveled in a manner that at once captures the reader’s
attention.
• The episode of crofter and the thief committed by the peddler is full of
immense interest and suspense.
• The fluctuating fortune of the peddler is full of suspense
• The metaphoric description of the world to be a rat trap is purely
philosophical and appeals to logic from every angle. It focuses on the
weakness of the human nature – greed.
• The sea change in the peddler’s thinking and behaviour is not less striking. It
also lays stress on a psychological-philosophical truth that no human being is
born wicked. It is only the circumstances that forces one to be bad. More over
love , compassion and due care being the worst back to the best.
• The story is an eye opener. Dotted with humourous situation, it unveils some
facts that are universally true and ends leaving the reader in highly reflective
form of mind
INDIGO
CHAMPARAN EPISODE: TURNING POINT IN GANDHI’S LIFE
CHARACTER OF GANDHI
MAKE UP DEPARTMENT
OFFICE BOY
• Wasn’t exactly a boy, he was in his early forties
• Entered the studios to become a star actor, screen writer, director or lyric writer.
• At present – had to do make up for the crowed
• Felt dissatisfied and disillusioned.
• Considered make up department fit only for the barbers and perverts.
• Frustrated that his liter5ary talent was being allowed to go waste.
• Was a bit of a poet.
• Got good education and had an encouraging opening in films.
• Did not advance an inch form his position as office boy.
• Typical specimen representing the youth turned by glitter and glamour of films,
struggling hard to make a name , then doomed to frustration.
Lali Mathew M.A. M.Ed. Lalimathew @ ymail.com 9810312549
INTERVIEW
INTRODUCTION