Answer Key Cae
Answer Key Cae
Answer Key Cae
3
4
F: link between the fact that the writer cant reach much past my
knees and how difficult he is finding this and that belief that
the reader will think this sounds a bit feeble that the writer is
weak and incapable of doing the exercise well.
8 D: link between get there in D and a very particular, very extreme
kind of fitness before the gap; get there = achieve that kind
of fitness.
9 A: link between it had all started so well before the gap and the
first thing they did in the session, which was a piece of cake
(very easy) for the writer.
10 E: link between a few in E and the movements for building
strength in your back and arms on the chinning bar mentioned
before the gap.
11 G: link between the bar mentioned before the gap and Steve
jumping on to that bar at the beginning of G; link between
from one to another and the various bars mentioned in the
paragraph before the gap.
12 B: link between the one comforting piece of knowledge
mentioned in B and what that piece of knowledge was that the
writer will never suffer from an anatomical anomaly.
Part 3: Is the internet making us stupid?
13 C: Patricia Greenfield reviewed dozens of studies on how different
media technologies influence our cognitive abilities and looked
at the results of these studies as a whole.
14 B: The University experiment tested how well the students retained
the lectures content; an earlier experiment showed that the
more types of information are placed on a screen, the less people
can remember.
15 B: Greenfield concluded that growing use of screen-based media
had resulted in new weaknesses in higher-order cognitive
processes and listed several mental processes that have been
affected (abstract vocabulary, etc.).
16 C: It was expected that the people who did a lot of multitasking
would have gained some mental advantages from their
experience of multitasking but this was not true. In fact, they
werent even good at multitasking contrary to the belief that
people who do a lot of multitasking get good at it.
17 C: The writer says that the ill effects are permanent and the
structure of the brain is changed. He quotes someone who is
very worried about this and regards the long-term effect
as deadly.
18 D: The writer uses Ap Dijksterhuiss research to support his point
that not all distractions are bad if you are trying to solve a
problem, it can be better to stop thinking about it for a while
than to keep thinking about it all the time.
19 A: The cacophony of stimuli short-circuits both conscious and
unconscious thought, preventing our minds from thinking
either deeply or creatively and we stop being capable of
contemplation, reflection and introspection; unconscious
thought does not occur and our brains become simple signalprocessing units.
Part 4: The way we worked
20 B: Search your high street for a typewriter repairman and your
chances of a result at all are ribbon-thin.
21 D: The craze for buying newly available arts and crafts from Japan
was at its height in the second half of the nineteenth century.
22 A: Mention them to people and theyll look quizzical, Roberts says,
but next time they see you, theyll have started to spot them.
(them = the work done by sign-painters).
23 C: In 1888, thousands of matchgirls at the Bryant and May factory
in London famously went on strike to protest over conditions.
24 B: They serve septuagenarian retirees, technophobes, novelists
and people weaned on digital keyboards who see typewriters as
relics of a distant past.
25 D: When warned that someone might steal his techniques, he says
that no one wants to copy him or learn to do what he does.
26 C: Over subsequent decades, the long hours, tiny pay packets and
exposure to toxic chemicals were addressed.
27 A: His father told him these things will come back and the more
technology comes into it, the more youll be seen as a specialist
and his words showed a lot of foresight.
28 B: They repair typewriters by using the vast collection of spare parts
theyve accumulated over the years.
29 C: The majority of staff are still female; its still mainly female.
30 D: Shiny, affordable substitutes, like shellac, began to eat away
its aura cheaper alternative materials contributed to making
lacquerwork less appealing and popular.
31 A: As his trade is a rare one, people employ him in all sorts
of places.
32 B: It amazes us the price the old manual machines sell for on
the internet.
33 D: One magazine reprinted several slabs of an eighteenth century
manual on the subject as a how-to guide.
34 C: The industry largely relocated its production to other countries
where labour was cheaper.
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Part 2
Question 2 (contribution to a longer piece)
Style: Semi-formal, as this is a contribution to a prospectus. Use clear
paragraphs, and present your points clearly.
Content: You must include:
information about social and sporting activities available.
advice about the best ways of making new friends.
recommendations for useful and interesting activities to
take up.
You should include a conclusion rounding off your contribution.
Question 3 (competition entry)
Style: Semi-formal, but with colourful language that will interest
readers and persuade them that you should win the competition.
Use clear paragraphs, and finish with a conclusion giving reasons
why your entry should win.
Content: You must include:
your choice of DVD.
an outline of the story.
reasons why that DVD should be included in the set of the
best films of all time.
Question 4 (reference)
Style: Formal, avoiding colloquial expressions. You may use a letter
format, but remember to use a formal style. You must use clear
paragraphs, which could be one paragraph for each of the
content points below. You should have an introduction saying
how long you have known your friend, and a conclusion stating
whether you recommend your friend for the job, and why.
Content: Consider the skills identified for the job, especially dealing with
people and using communication skills. You must include the
following information about your friend:
personal qualities.
relevant work experience.
any other relevant skills or experience they may have.
Question 5a) (report)
Style: Semi-formal language. Your paragraphs must be clearly divided.
You can use headings, numbering or bullet points, but remember
to use a range of structures and formal language. As this is a
report on a book for a club, it might be better to write the report
as block text though headings would still be appropriate.
Content: You should:
outline the plot briefly.
describe any good features of the novel.
recommend it with reasons.
Question 5b) (essay)
Style: Formal or semi-formal. You should try to be objective because
you are presenting a point of view, giving your reasons and/
or providing evidence for your teacher. Use clear paragraphs,
one for each scene from the novel. Include an introduction that
introduces the novel, and a conclusion that summarises your
personal point of view.
Content: You should:
introduce the novel.
describe two dramatic scenes from the novel.
explain what you think makes them dramatic.
Conclude with your overall opinion of the novel.
11 C: The other words are not followed by the preposition from plus
noun phrase.
12 A: The other words are not used to describe a party.
Part 2: Choosing Binoculars
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
38
39
40
41
42
1
2
3
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Part 5
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Part 4
5
6
Arabic
21/twenty-one
(the) wind
shoulder(s)
smell
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12 (little) mice
13 feathers
14 bottle caps/tops
Part 3
15 B: And the production companys put together an impressive team
thats what really pushed me to do it actually.
16 D: I have no choice but to trust these guys, and Ive no complaints
so far.
17 C: me doing something interesting and active. Without that we
dont have a programme.
18 A: I think theyre missing the point.
19 D: As to whether theres a lost city down there, thats a bigger
question thatll take years to answer. But we may have moved a
step nearer answering that.
20 D: Now that scene couldve been cut but we thought itd be a
useful reminder of how archaeology usually works.
Part 4
21 B: sitting about in front of a screen. (I) never really felt fit.
22 F: it was the sort of people you had to work with. You needed a
bit of light relief, but nobody there could see the funny side of
my anecdotes.
23 H: it was having to do everything by yesterday that got me down.
24 E: We were all packed into this really small area.
25 A: Id no commitment to it anymore.
26 B: I really feel that the people who employ me are grateful thats
worth a lot to me.
27 C: when I suggest a new style to a client.
28 G: Im actually a bit better off as a nurse . because I had been
expecting a cut in my standard of living.
29 F: that makes me determined to do it as well as I can.
30 D: People look up to you when you say youre a plumber It
means you can do things they cant.
3
4
5
6
11 A: link between this at the beginning of A and the fact that the
migration route is endangered. The first sentence of A explains
why the migration route is endangered and A gives the results of
this. In This is why after the gap, This refers to the problems
caused for the butterflies.
12 E: link between these at the beginning of E and the four areas of
the reserve that are open to the public mentioned before
the gap.
Part 3: Take as much holiday time as you want
13 B: The main topic of the paragraph is how greatly the holiday policy
at Netflix differs from what normally happens with regard to
holidays in organisations and companies.
14 C: They said that the standard holiday policy was at odds with (did
not fit logically with, did not make sense with) how they really
did their jobs because sometimes they worked at home after
work and sometimes they took time off during the working day.
15 D: The company decided: We should focus on what people get
done, not how many hours or days are worked.
16 A: Rules, policies, regulations and stipulations are innovation killers
and people do their best work when they are unencumbered
by such things the rules, etc. stop them from doing their
best work.
17 B: One regard in which the situation is adult according to the
writer is that people who arent excellent or whose performance
is only adequate lose their jobs at the company they are
shown the door and given a generous severance package
(sacked but given money when they leave).
18 D: Nowadays, Results are what matter. How long it takes to
achieve the desired results and how these results are achieved
are less relevant.
19 A: If companies have lots of rules for the workforce because they
dont trust them (they assume bad faith they believe that
their employees are dishonest and not willing to do what is
required), the employees will try to break those rules or avoid
obeying them. If companies assume good faith, this encourages
employees to have the right attitude.
Part 4: Seeing through the fakes
20 E: Anyone can label a picture a fake or a copy.
21 F: museums and galleries constantly question, revise, reattribute
and re-date the works in their care.
22 C: All became clear when art historians did further research. The
research explained why the painting used a pigment that was
not available to artists until later.
23 F: the mistaken belief that museums have anything to gain by
hiding the true status of the art they own.
24 A: the study of any work of art begins with a question: is the work
by the artist to whom it is attributed?
25 E: The painting had under drawing in a hand comparable to
Raphaels when he sketched on paper and the pigments
and painting technique exactly match those the artist used in
other works.
26 B: how little was known about Melozzo 90 years ago, and how
little could be done in the conservation lab to determine the date
of pigments or wood panel.
27 D: X-rayed the picture and tested paint samples, before concluding
that it was a rare survival of a work by Uccello dating from the
early 1470s.
28 F: If they make a mistake, they acknowledge it
29 A: museum professionals and conservation scientists
30 E: infrared photographs that reveal the presence both of
major corrections
31 B: a costume historian pointed out the many anachronisms in
the clothing.
32 D: I well remember how distressing it was to read an article in
which the former director of the Metropolitan Museum of Art,
Thomas Hoving, declared that Uccellos lovely little canvas of
St George and the Dragon was forged.
33 B: Today, we find it incredible that anyone was ever fooled
34 C: The pigment viridian was newly developed in the 1820s and
made available only to selected customers at that time in Paris.
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D: Although the other words have a similar meaning, only the right
answer can be used in this context.
2 B: Only the right answer creates the correct phrasal verb.
3 D: The right answer is a strong collocation that is a commonly
used term.
4 A: Only the right answer creates a parallel meaning to like earlier
in the sentence.
5 C: Only the right answer can be followed by afield to create the
fixed expression.
6 D: Only the right answer can introduce this type of clause.
7 C: The other words cannot be preceded by the verb to be and
followed by the infinitive.
8 B: The other words do not follow the preposition by.
9 A: The other words are not followed by the preposition with.
10 B: The other words cannot be used after to get without an article.
11 B: Only the right answer creates the correct phrasal verb.
12 C: The other words do not collocate with advice.
Part 2: Early Stone Tools
13 make (verb) collocates with the noun use
14 than (preposition) links two parts of the comparison
15 after (adverb) time marker
16 back (preposition) phrasal verb
17 to (preposition) follows similar
18 which/that (relative pronoun) introduces a defining relative clause
19 As (adverb) part of fixed phrase
20 In (preposition) part of fixed phrase
21 may/might/could (modal verb) expresses a strong possibility
with well
22 What (determiner) part of cleft sentence
23 or (conjunction) sets up an alternative explanation with whether
24 by (preposition) comes before chance
25 way (noun) fixed linking expression
26 rather (adverb) part of fixed phrase used to introduce a contrast
27 when/whenever/once (adverb) time marker
Part 3: Marathon Dreams
28
29
30
31
32
33
34
35
36
37
Part 4
38
39
40
41
42
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Part 5
43 what makes some cars (determiner + verb)
44 has been widely blamed (passive + adverbial collocation)
45 strength of the wind (noun + verb)
46 wishes (that) she could/was able to/were able to (wish for regrets)
47 expected to turn out for /up for/ up to /up at (passive + phrasal verb)
48 my complete/total dissatisfaction (adjective + noun)
49 chances of tomorrows match being/chances that tomorrows match
will be (plural noun + preposition)
50 is ages since I have had (direct speech + syntax)
B: M: It was the prospect of shopping for new stuff I couldnt face!
F: Tell me about it!
A: Its heavily linked to wanting to be the centre of attention, to
clothes giving them a strong personal identity or whatever. Its
basically a way of showing off.
B: I had a cockiness, Id hear a hit record and think: I could
do that.
A: If after my first hit I thought Id made it, I was soon disabused
of that notion.
A: One time I danced in a culture show, and the dance director at
my school, she asked: Are you interested in really training? Like,
you seem to have talent.
C: So much so, that I was on the point of rebellion on more than
one occasion though Im happy to say that particular storm
never actually broke.
Communication Studies
marketing assistant
intimidated
Trainee Scheme
(live) interviews
journalism
news
flexibility
Part 3
15 C: It was pure chance that a friend asked me to design a set for a
student musical he was directing.
16 D: What you need to do is to put all the training in the background
and get some hands-on experience an apprenticeships great
for doing that, and I spent three years doing one.
17 C: Having an affinity with a play is pretty vital. If you dont care
about it, theres no point in doing it because youll never come
up with good ideas.
18 A: Actually, it helps me to keep coming up with new ideas if Im
constantly changing my focus from one show to another.
19 D: Thats a bigger question thatll take years to answer. But we may
have moved a step nearer answering that.
20 A: On stage, requires the type of thinking I love best I dont
get that buzz working on a movie, Im afraid.
Part 4
21 E: My wife said Id never make it, which only made me more
determined actually.
22 D: As a graduation gift, it was a lovely way of marking
the achievement.
23 B: My girlfriend wanted to go I went along with the idea for
her sake.
24 G: Like me, theyd mostly seen that chap on TV at the site and
decided to go too.
25 C: I was looking to do a bit of serious walking to see what I was
capable of.
26 C: For me the highpoint was how friendly the others were.
27 A: What made it for me was the actual design of the place.
28 B: What blew me away was looking out from the low walls of
the site over the mountains.
29 E: I hadnt expected the actual walk up to the site to be
so impressive.
30 G: Ill never forget the meal the night before the final ascent.
C: He says that as soon as I get home, hes going to go into the
woods and start tracking animals on his own because the course
was inspirational.
B: A rabbit pops up and scampers off and then they look at the
fresh print it has left.
D: Malcolm tells the writer that students can get despondent if
they think theyre falling behind feel very unhappy if they
believe they are making slower progress than the others.
A: Malcolm says the students are surprised at how well they do
and how quickly; Darren Moody builds his wall quickly and very
well but everyone else is close behind all the others do the
work almost as quickly as him.
A: He describes a tiny maze of corridors that are very crowded,
says its very hot and humid and describes the smell as
otherworldly (in this context, this means very bad because
it comes from a lot of peoples perspiration).
B: He has seen the way other people dance and is not impressed
(they are rather average); he is not too worried therefore
because he doesnt think it will be difficult for him (how hard
could it be? = it wont be very hard), and he thinks it wont be
as challenging as kickboxing or a triathlon.
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18 D: When she said I know it she was agreeing with him that,
because they were both photographers, they were only
interested in things they could see, their area of interest was
limited to surface (only what is visible).
19 B: She didnt want people in Ireland to think she was just another
daft (foolish, silly) American looking for her roots (she didnt
want people to think she was the same as so many other
Americans, who wanted to learn about their ancestors and feel a
connection with Ireland in the past).
Part 4: On the trail of Kit Man
20 B: discomfort, bad food and danger were seen as part of the
authentic outdoor experience.
21 D: this involves not only acquiring new clobber, but new jargon.
22 C: The whole idea of going into the wild is to get away from the
things that tie you in knots at home.
23 A: Worried about getting lost? Relax with a handheld GPS unit,
featuring 3D and aerial display, plus built-in compass and
barometric altimeter.
24 E: Many in the adventure business say gadgets have encouraged
thousands who would otherwise not have ventured into the
great outdoors.
25 B: Kit Man and his kind stand accused by the old-schoolers of
being interested only in reaching the summits of gadgetry.
26/27 A: bleeping.
D: ringing, beeping, clicking, whirring.
28 C: All this technology, I mean, it might look fantastic on paper, but
when theres a real problem, its almost certainly going to let
you down.
29 E: theres research from Germanys Institute for Biological
Cybernetics, which suggests that, left to their own devices,
humans are doomed to wander round in circles. People cannot
trust our own senses to find their way and avoid getting lost.
30 C: Whod want to be stranded out in the wild with a
gadget freak?
31/32 B: basic pioneering disciplines map-reading, camp-laying, First
Aid have declined, to be shakily replaced by the virtual skills
offered by technology.
C: people who depend on technology are woefully ill-prepared in
other ways. You still need to be able to read a map and do the
basic stuff.
33 A: At next months Outdoors Show in Birmingham, all this kit and
more will be on display for an audience which seemingly cant
get enough of it.
34 E: Evidence from the American market also suggests that
technology has had a positive environmental impact.
C:
B:
D:
A:
B:
D:
B:
D:
A:
B:
B:
C:
Part 2
Question 2 (letter)
Style: Informal, but not too colloquial. Use letter layout with clear
paragraphs.
Content: You should include information about:
accommodation available.
possibilities for sport.
13
14
15
16
17
18
19
230
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20
21
22
23
24
25
26
27
Part 4
38
39
40
41
42
Part 5
43
44
45
46
47
48
49
50
Part 3
15 D: I knew it wouldnt be a long-term thing for me.
16 B: went knocking on doors to try to sell our socks to retailers.
We had a lot slammed in our faces.
17 D: We really made a point of scrutinising our potential
retail partners.
18 A: Ive talked most team members into using their homes as testing
labs, some more enthusiastically than others.
19 A: We dont sell anything through it.
20 C: Focus on your strengths.
Part 4
21 G: I only really went along to the salsa group to keep my boyfriend
company.
22 E: acting skills I thought if I joined, itd be a chance to pick
some up.
23 H: Were doing golf this term; are you up for it or not?
24 C: I thought a club would be a way of getting in touch with
like-minded students on other courses.
25 A: So when a doctor I met at the hospital said they did Tai Chi at
lunchtimes there, why didnt I give it a try?
26 H: I couldve done with someone telling me how I was
doing actually.
27 F: I think everyone needs to be given something to get their
teeth into.
28 C: but I do find some of the people you meet there a bit superior.
29 B: I feel kind of duty bound to be there to make sure theres
always a match.
30 D: I just wish theyd run a session at the university.
C: F: I find that a tough one to answer, dont you? M: Its hardly
an easy thing to articulate.
2 C: Theres a difference between the actual experience and the
sanitised reality printed on the page. And thats what I want to
look into.
3 B: It wasnt easy at first and I soon discovered that I wasnt
really cut out to be an interviewer so I wasnt comfortable
in the role.
4 C: M: But it really depends on the party and the crowd youve
got to give them what they want.
F: No two sets are ever the same in that respect and thats the
beauty of it. Im all for being flexible.
5 B: I focused on cake-making there because its quite artistic, but
also scientific. I like that idea.
6 A: So Ive learnt to follow my instincts, and fortunately were
beginning to see a firm customer base emerging as a result.
Part 2: Computer game designer
7
8
9
10
11
12
13
14
developer
animation
book covers
user interfaces
Star City
narrative
difficulty level
dedication
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Content: Include:
a brief description of the plot.
a description of a strong female character.
a recommendation for including the book in the school
library with reasons.
1
2
Part 4
38
39
40
41
42
Part 5
43 matter how fast she runs: fixed phrase + inversion
44 not willing/unwilling to take the blame: lexical change + collocation
45 you do, you must not spend: fixed phrase + modal verb
46 was taken completely by surprise when: modified adjective to
modified verb collocation
47 overall responsibility for keeping: adjective to noun phrase
48 by no means uncommon: fixed phrase negative adjective
49 was not alone in feeling: fixed phrase + complement
50 advised Simon against: reported verb + preposition
5
6
face
light brown
mining
curious
threatened
(gentle) hum
grease
rugs
Part 3
15 A: I made some short films, and on the strength of that, some of
the staff suggested I went in that direction.
16 B: The fact that people I was at that school with are now making
their way in the film world is also testimony to its value.
17 A: I knew I wasnt. I wasnt prepared to squander time and money
doing something I hadnt yet got the experience and expertise to
carry off.
18 D: Ive always wanted to create characters with a bit more to them
than that: people with a depth that might allow an audience to
see a different side to their characters.
19 B: Theres a lot of things Id change if I were to make that
film again.
20 C: I have mixed feelings about the whole notion of being someone
to look up to, of being a role model.
Part 4
21 C: To keep within our tight budget.
22 F: a foot massage. then dozed off in the chair halfway
through.
23 B: We were so desperately tired that we got our heads down right
there on deck for some sleep.
24 D: I knew itd be a long night of dancing so I thought Id better
take a rest.
25 G: The last bus had already left and we were some distance from
the nearest town we just all fell asleep right there.
26 F: At least it made the night go quickly.
27 B: I woke up with a stiff neck, and the pain lasted several days.
28 H: A huge, smelly vessel moored up beside us.
29 C: They were quite sniffy and a bit embarrassed.
30 G: They told me people living there often did that at weekends,
so I felt good.
D: It is a word that has failed to make the grade it has been
considered but it does not pass the basic tests for inclusion and
is not deemed to have entered the language.
B: The writer means that it is impossible to be certain about when
the third edition will be published, and one reason for that is
that the internet has made it far more difficult to keep track of
changes in the language.
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3
4
5
6
E: link between Each one at the start of E and the sketches that
Kieron is doing.
8 G: link between the fact that Kieron correcting the writer about the
use of certain terminology is not typical of seven-year-old boys
and the fact that Kieron is not an average boy; link between his
precocious articulacy (knowledge of and ability with words that
would be expected of someone much older) in G and the fact
he gives an adult a lesson in terminology (before the gap); link
between Kieron actually can and does after the gap and my
seven-year-old could do better than that at the end of G.
9 B: link between Standard seven-year-old boy stuff there and
Kierons references to going to school and playing football,
which are typical of seven-year-old boys.
10 D: link between the melee (noisy mass of people and activity) in
D and the scene described before the gap (a room containing a
film crew making a film, family members and pets).
11 F: link between This at the start of F and Kieron creating sketches
based on those in the Seago book; link between it in takes it
back off me and the sketchbook he hands to the writer before
the gap.
12 C: link between this in aware of this and the reaction if Kieron
is still doing similar work when hes 28; link between having
none of it (not accepting it) and the idea that he may stop
doing art and take up other interests.
Part 3: The new management gurus
13 C: When Smart Swarms author wrote an article on the same
subject as his book some years ago, 30 million people read it
and the writer predicts that it will become the most talked
about in management circles.
14 A: Miller believes his book is the first time anyone has laid out
(demonstrated) the science behind a management theory.
15 C: The writer draws a parallel between bees who have to make a
decision and fast and managers who need to be able to
make the right decisions under huge amounts of pressure.
16 C: They need to encourage debate among a group of people and
get them to vote on which idea is best; they need to involve a
variety of people in their team and get them to take part in the
decision-making process.
17 D: Ants do what they think is required in the circumstances, and
the right number of ants do each different task. This system
works well and it can show managers that their own system of
hierarchy and bureaucracy is stopping employees from being
as effective as ants are (is getting in the way of getting the
work done).
18 C: they decided to keep their system of letting customers choose
where they sit because they discovered from studying ants that
assigned seating would only be faster by a few minutes.
19 B: The book is aimed at managers who are concerned (worried)
about surviving the next business cycle and who want to make
sure that their company can respond to challenges that you
cant anticipate (difficult situations in the future that cant
be predicted).
Part 4: The unstoppable spirit of inquiry
20 B: though it (the World Wide Web) impacts us all, scientists have
benefited especially
21 D: Whether it is the work of our Science Policy Centre, our journals,
our discussion meetings, our work in education or our public
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28
29
30
31
32
33
34
35
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Part 4
38
39
40
41
42
43
44
45
46
47
48
49
50
Part 1
1
2
3
4
1
2
3
4
5
6
7
8
9
10
11
12
Only the right answer creates the fixed expression with at.
The other words are not correct in this context.
Only the right answer fits grammatically in this sentence.
The other words dont collocate with job.
Only the right answer completes the fixed expression.
The other words dont create the fixed expression in context.
Only the right answer collocates with point.
The other words cannot be followed by the preposition in.
Only the right answer completes the compound noun with life.
The other words cannot be followed by the preposition with.
The other words dont express the idea of just in this context.
Only the right answer collocates with inspiration.
Part 5
C: I wasnt prepared for something written in the form of two firstperson blogs.
B: That was really quite a wake-up call for me, because I think I
may have been guilty of doing that.
A: Id say the thing that sets it apart is its multi-functionality.
B: Itd be a shame if she lost that edge. You know, if the
commercial imperative began to dictate the flow of creativity.
Weve seen that so many times before with designers.
A: Perhaps a CEO shouldnt be interfering in that stuff, but this
companys my baby, so I guess its inevitable.
B: The real challenge is trusting yourself to pick the moment to
go for it.
miserable
branches
(the) wind
privacy
(efficient) showers
boardwalk
medium
iceberg
Part 3
15 D: I look back and think: Why wasnt I training? I just played
games! But thats how it was!
16 A: After ice-hockey, I ran cross-country with moderate success,
and guys I met there put me onto rowing.
17 B: It was just bad luck really; so near and yet so far.
18 C: after about six months of arm-twisting, decided to make
the leap.
19 B: to put up with what I call the full-on suffer.
20 C: You dont have a lot of protection if you come off and hit the
ground. So I run and row as cross-training as much as I can.
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Part 4
13 C: The writer says that if you take the fun out of cooking, your
child might become a chef with a great future if cooking isnt
simply fun for children when they are learning it, its possible
that they might develop into successful chefs.
14 B: Her mother noticed that she was very interested in cooking
and gave her challenging tasks to do; she gives an example of
advice her mother gave her while she was doing a task to help
her do it better.
15 A: The writer says that there is a belief that parents should praise
their children all the time, telling them how clever and talented
they are, but there is evidence that this approach demotivates
children it has the opposite effect from the one intended.
16 D: There are adult men who think that a piece of fish should be
in the shape of a creature, in the same way that the food they
ate when they were children was put into the shapes of certain
things to amuse them. This is an example of the idea that all
food is nothing but fun, fun and more fun.
17 C: A chore is a task that requires effort and is not fun; the writer
says that because her mother made cooking a chore for her, she
has eaten a lot less convenience food than she would have eaten
if her mother had made cooking fun. Her point is that taking
cooking seriously has an influence on the kind of food you eat.
18 B: Nigella thinks the way she was taught to cook in her family as
a child was normal but the writer thinks the culinary regime
(the cooking system) in her family was not ordinary it wasnt
typical of most families. Nigella thinks it was fine but the writer
thinks it should have involved more fun.
19 B: The writer concludes that learning to cook for children should be
both serious and fun, but more serious than fun. Having talked
about her and Nigella learning to cook as children and discussed
the idea of food being fun, she talks about a book that she
believes has the right combination of seriousness and fun.
3
4
5
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C:
A:
B:
D:
A:
B:
D:
B:
B:
A:
D:
B:
Question 4 (proposal)
Style: Formal or semi-formal as this is for the organisers of a music
festival. You should present facts clearly. You can either use
paragraphs (one for each point) with or without headings, or
bullet points. Dont make bullet points too simple and dont use
them in every paragraph because you need to show a range
of language.
Content: You should:
suggest what might make the festival a success.
outline ways of staging the event.
recommend any extra facilities the town might need to
provide, including transport and accommodation.
Part 4
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Part 5
43
44
45
46
47
48
49
50
Part 1
1
national park
(the/a) period
tight
arm(s)
gloves
plastic
(their/the) knees
hair(-)dryer
Part 3
15
16
17
18
19
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Part 3
13 C: She had stacks of cassette recordings of herself reading the
news in a cool, assured voice and later she became a presenter
on CNN television, so at this time she was practising for the
career that she later had.
14 D: Lomba didnt know the answer and she gave him not only the
answer but also a lecture about the capital of Iceland (more
information he didnt know).
15 A: He replied in the negative (that he didnt know the answer) and
her response to this was to jump up gleefully (in a very happy
way) and get her sketchbook she was glad that he didnt know
the answer because she wanted to show him what the jacket
looked like.
16 D: At first he thought that the fathers taciturnity (he was quiet,
he didnt speak much) was because of moodiness (that he was
often in a bad mood, often feeling angry) but then he realised
that he had laughter kinks behind the eyes (his eyes showed
that he was amused), and that his lips were often moving, ready
to open because he wanted to smile or laugh.
17 B: When she called him dear and honey, he thought she was
talking to someone else, one of her children, not to him, because
he wasnt used to someone using those words for him.
18 A: She told Lomba that she wanted him to take care of Bola,
because Bola was impulsive and headstrong (he acted
without thinking, he did unwise things without considering
the consequences) and Lomba was quiet and level-headed
(sensible). In this way she wanted to follow the tradition of
finding a friend of opposite temperament for her child because
that friend would be a good influence on the child.
19 C: The whole extract is about what Lomba thought of each family
member and the powerful impressions each member made on
him; each person is described in turn and the effect each one
had on him is described. They are not compared, he doesnt
say he developed close relationships with each one quickly and
the extract is mainly about Lomba interacting with each family
member, not about how they interacted with each other.
Part 4: What lies beneath
20 C: It is easy to be captivated by intelligent, seemingly friendly sea
creatures such as dolphins, or even by the hunting prowess of
the more sinister sharks.
21 D: The Mediterranean has the largest number of invasive species
most of them having migrated through the Suez Canal from the
Red Sea.
22 B: a myriad range of creatures that could have slithered out of the
pages of science fiction.
23 D: As Mediterranean turtles lose their nesting sites to beach
developments, or die in fishing nets, and the vanishing
population of other large predators such as bluefish tuna are
fished out, their prey is doing what nature does best; filling a
void. Smaller, more numerous species like jellyfish are flourishing
and plugging the gap left by animals higher up the food chain.
Predators are disappearing and being replaced by creatures they
used to eat.
24 A: In total, the Census now estimates that there are more than
230,000 known marine species, but that this is probably less
than a quarter of what lives in the sea.
25 D: Hidden within the Marine Census results is a dark message.
Maps showing the density of large fish populations in tropical
waters reveal that numbers of many of the biggest open ocean
species have declined.
26 C: algae that look like a pair of pink stockings and octopuses that
look like ornaments of a certain kind.
27 D: it is unwise to talk as if the jellyfish have some kind of plan.
28 A: The truth is that at present much of what passes for scientific
facts about the sea and what lives in it are still based on
guesswork.
29 A: The Census contains the numbers of individual forms of life that
can be scientifically classified as species.
30 B: It is the creepy-crawlies that are out there in really big numbers.
Almost 40 percent of identified marine species are crustaceans
and molluscs creepy-crawlies is used as an informal term for
crustaceans and molluscs.
31 C: how would we begin to start naming the 20,000 types of
bacteria found in just one litre of seawater trawled from around
a Pacific seamount?
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1
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A: M: But actually Ive come round to thinking its the real strength
of the course, dont you agree? F: Undoubtedly. I mean, thats
why I went for it in the first place.
B: sophisticated software I still think its a shame we cant come
in and use it out of class time.
A: Im still looking for the ideal rucksack or carry-on actually.
B: I mean, without that and a lot of people you meet dont have
that would I ever have had the courage to do half the things
Ive done?
A: We got all these irate bloggers going overboard.
C: We were misquoted in the first piece written about it. It said
that I wanted to kill album artwork, which is just so far off
the mark.
without feet
scream
new moon
(a) cliff/cliffs
paper
(a) thunderstorm/thunderstorms
silent
youngest/younger sons
Part 3
15 A: But what really appeals to me about kayaking is that it calls
for several different skills to be used simultaneously.
16 C: But most importantly, when you first start kayaking, just
have fun.
17 D: there arent many competitions coming up, but (all the
trainings) worth it in the summer when the big ones
come around.
18 C: Id weigh up the risks and only have a go once I felt up
to the challenge.
19 B: but its tough doing the research yourself. As a beginner, Id
say get some insider tips from someone in the know.
20 A: My most valued are those where Im on a great trip, getting
to know new rivers and their surroundings with people I know
and like.
Part 4
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32
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34
35
36
37
21 F: But what made it perfect was all the ancient ruins in the area.
22 A: I was about to take it up professionally but then injured my leg
quite badly and had to drop the idea.
23 D: It was my big chance as it would get me exactly where Id
always wanted to go.
24 H: Id lived in the city all my life and had plenty of friends there but
we were all rushing around frantically as city-dwellers do.
25 B: if I wanted to top up my qualifications, meant going abroad.
26 F: Once there, I felt really driven to do well there was just this
new sense of optimism.
27 D: Their recommendations opened a number of doors for me once
my studies had finished.
28 C: Id never really seen myself as a movie buff before.
29 H: We could go anywhere where I could set up by myself. It was
exactly what we all needed.
30 A: made me feel I really belonged in the place.
Part 4
38 fallen: phrasal verb, collocation, collocation
39 due: specific meanings
40 strong: collocation, collocation, specific meaning
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