ABRSM Piano Grade 1 Syllabus

Piano GRADE 1
2015 & 2016
SCALES AND BROKEN CHORDS*: see also p. 8

Scales
C, G, D, F majors
hands separately
A, D minors
(L.H. may, at candidates choice, be
(natural or harmonic or melodic at
played descending and ascending)
candidates choice)
Contrary-motion scale
C major
hands beginning on the key-note (unison)
Broken chords
C, G, F majors
hands separately, as pattern below:
A, D minors
V 68 .
2 octaves
1 octave
THREE PIECES: one chosen by the candidate from each of the three Lists, A, B and C:
LIST A
1 Clementi Arietta: Lesson 5 from Op. 42
2 Haydn Minuet in G: No. 2 from 12 Minuets, Hob. IX:3 Piano Exam Pieces 2015 & 2016, Grade 1 (ABRSM)
3 Trad. English The Lincolnshire Poacher, arr. Davies
4 Blow Hornpipe. Keynotes, Grades 12 (Faber)
5 L. Mozart Menuett in G. No. 4 from L. Mozart Notebook for Nannerl (Schott ED 9006)
6 Neefe Allegretto in C. No. 2 from Clavierstcke fr Anfnger (Piano Pieces for Beginners) (Schott ED 2572)
LIST B
1 Gurlitt Das Schaukelpferd (The Rocking Horse): from Technik und Melodie,
Op. 228, Vol. 1

Piano Exam Pieces 2015 & 2016,
2 Knut Nystedt Lvet faller (Falling Leaves): from Barnebilder
Grade 1 (ABRSM)
3 Trad. Catalan El cant dels ocells (The Song of the Birds), arr. Marshall
4
Gedike Heiteres Lied (Cheerful Song): No. 31 from 60 Easy Piano Pieces for Beginners, Op. 36, Vol. 2 (Peters EP
4702b)
5 Lajos Papp Waltz: No. 5 from 22 Little Piano Pieces (Editio Musica Budapest Z.13216)
6 Ponchielli Dance of the Hours (from La Gioconda), arr. Bullard. Pianoworks: A Night at the Theatre (OUP)
LIST C
1 Stephen Clarke The Giants Coming
Piano Exam Pieces 2015 & 2016, Grade 1
2 Stephen Duro Calypso Joe: No. 9 from Finger Jogging Boogie
(ABRSM)
3 Eben Na krmtku (Bird at the Feeding Box): No. 19 from Svet malch
4 Bartk Children at Play: No. 1 from For Children, Vol. 1 (Boosey & Hawkes)
5 Ornstein My, what a din the cuckoos are making! Keynotes, Grades 12 (Faber)
6 Kevin Wooding The House on the Hill. Spooky Piano Time (OUP)
SIGHT-READING*: a four-bar piece in 44 or 34, or a six-bar piece in 24, in C, G or F majors, A or D minors,

with each hand playing separately and in a five-finger position. Simple dynamics, note values, articulations
and occasional accidentals (within minor keys only) may be encountered. See also p. 9.
AURAL TESTS FOR THE GRADE*: see pp. 22 and 23
* Published by ABRSM (Scale requirements, Specimen Sight-Reading Tests, Specimen Aural Tests)
2014 by The Associated Board of the Royal Schools of Music
11
Aural Tests GRADE 1

A
To clap the pulse of a piece played by the examiner, and to identify whether it is in two time or
three time. The examiner will start playing the passage, and the candidate should join in as soon as
possible, clapping in time and giving a louder clap on the strong beats. The examiner will then ask
whether the music is in two time or three time. The candidate is not required to state the time signature.
To sing as echoes three phrases played by the examiner. The phrases will be two bars long, in a
major key, and within the range of tonicmediant. First the examiner will play the key-chord and the
starting note (the tonic) and then count in two bars. After the examiner has played each phrase, the
candidate should sing back the echo without a pause, keeping in time.
To identify where a change in pitch occurs during a phrase played by the examiner. The phrase will
be two bars long, in a major key, and the change will affect only one of the notes. First the examiner will
play the key-chord and the tonic and then count in two bars. The examiner will play the phrase twice,
making the change in the second playing, after which the candidate should state whether the change was
near the beginning or near the end. If necessary, the examiner will play both versions of the phrase again
(although this will affect the assessment).
To answer questions about two features of a piece played by the examiner. Before playing, the
examiner will tell the candidate which two features the questions will be about. The first will be:
dynamics (loud/quiet, or sudden/gradual changes); the second will be articulation (smooth/detached).
Aural Tests GRADE 2

A
To clap the pulse of a piece played by the examiner, and to identify whether it is in two time or
three time. The examiner will start playing the passage, and the candidate should join in as soon as
possible, clapping in time and giving a louder clap on the strong beats. The examiner will then ask
whether the music is in two time or three time. The candidate is not required to state the time signature.
To sing as echoes three phrases played by the examiner. The phrases will be two bars long, in a
major key, and within the range of tonicdominant. First the examiner will play the key-chord and the
starting note (the tonic) and then count in two bars. After the examiner has played each phrase, the
candidate should sing back the echo without a pause, keeping in time.
To identify a change in either pitch or rhythm during a phrase played by the examiner. The phrase
will be two bars long, in a major key. First the examiner will play the key-chord and the tonic and then
count in two bars. The examiner will play the phrase twice, making the change in the second playing,
after which the candidate should identify the change by describing it, or singing/clapping. If necessary,
the examiner will play both versions of the phrase again (although this will affect the assessment).
To answer questions about two features of a piece played by the examiner. Before playing, the
examiner will tell the candidate which two features the questions will be about. The first will be one of
the following: dynamics (loud/quiet, or sudden/gradual changes), articulation (smooth/detached); the
second will be tempo (becoming slower/faster, or staying the same).
23

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Piano GRADE 1

2015 & 2016

SCALES AND BROKEN CHORDS*: see also p. 8

Op. 228, Vol. 1

SIGHT-READING*: a four-bar piece in 44 or 34, or a six-bar piece in 24, in C, G or F majors, A or D minors,

Aural Tests GRADE 1

Aural Tests GRADE 2

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