Royal Irish Academy of Music: Ceol-Acadamh Ríoga Na Héireann 36 Westland Row, Dublin 2

ROYAL IRISH ACADEMY OF MUSIC
Ceol-Acadamh Ríoga na hÉireann
36 Westland Row, Dublin 2
Tel: 01-6325300 Fax: 01-6622798 Email: localcentre@riam.ie

Website: http://www.riam.ie Extranet: http://extranet.riam.ie
Syllabus for Woodwind, Brass and

Percussion Instruments
for Local Centres & Schools
2015-2018
REVISED FOUR-YEAR SYLLABUS
TEACHERS AND CANDIDATES ARE ADVISED TO CHECK

ALL RELEVANT SECTIONS CAREFULLY
Please note that where pieces are listed in the Syllabus, the publishers are given
mainly as an aid to locating material, and are merely suggestions; other
authoritative editions of the music will be equally acceptable.
RIAM Local Centre Woodwind, Brass & Percussion Syllabus 2015-2018
TABLE OF CONTENTS
Page
Foreword. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
User Guide. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Introduction. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Aural Tests (Elementary to Grade V). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Theory Requirements (Elementary to Grade V). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
Combined Aural / Theoretical Tests (Grade VI upwards). . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Recital Certificate Programme. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Descant & Treble Recorder. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
Recorder Ensemble. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Recorder Class Playing.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
Flute.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Oboe. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
Clarinet. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
Bassoon. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101
Alto Saxophone. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110
Soprano/Tenor Saxophone.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123
French Horn. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133
Trumpet, Cornet & Flugel Horn. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143
E flat Tenor Horn.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159
Trombone. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169
Baritone and Euphonium.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 179
Tuba. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191
Percussion. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205
Snare Drum . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 214
Chamber Music. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218
School Orchestras. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 219
Theory & Harmony W ritten Paper. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 221
Publishers & Suppliers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 226
Compilers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 232
1
Foreword
Foreword
As Ireland’s oldest music institution, the Royal Irish Academy of Music has been fostering
musical talent and cultivating a love and appreciation of music since 1848. Conscious of the
importance of developing a sense of music in everyone, the RIAM is dedicated to inclusivity –
music belongs to us all and should be nurtured at every age and every level.
Through the Local Centre Examination System, the Academy aims to offer a sense of structure
to the graded examinations, whereby all areas of technical development and musical awareness
are carefully measured to ensure that progress can be attained at each level. An extensive
range of repertoire is on offer for each instrument and at each grade in the hope that there is
something to suit everyone’s taste!
The purpose of the examination is to provide an opportunity for each candidate to be given a
fair and balanced assessment of their progress, where positive elements of the performance will
be rewarded, and weaker areas will be highlighted in a constructive manner.
For those who do not wish to take examinations, the syllabus can still be a useful tool to indicate
milestones, and guide the teacher/ student towards the gradual development of both technical
and musical skills.
W hether you choose to sit an examination or not, there is no shortcut to success: regular practice
is the only way to ensure steady progress, and will help to build confidence in everyone –
young and old!
The User Guide outlined over the following pages offers advice to candidates and teachers on
the various aspects of our examinations and recital certificate programmes, and will hopefully
provide some insight into the reasons for developing each area, as well as offering suggestions
on how to best to prepare for the examination itself.
Lorna Horan
Chairperson
Senior Examiners
2
User Guide for Local Centre Examinations
Useful tips to help prepare for your Examination

Each area of the examination serves a purpose, and plays an important role in developing a well
rounded musician. Listed below are a few useful tips, aimed at helping the teacher /candidate
to understand the reasons behind each area of the examination, and how to improve on those
areas.
Pieces
The first mission is to choose pieces to suit each candidate, and both student and teacher should
have input into this task. From the teacher’s perspective it is important to choose pieces that will
develop the technique of the student but will also show off the students’ ability to their best
advantage. From the student’s perspective it is important to choose pieces that they like, as this
will encourage more dedication at practice time!
The early stages of learning a piece are hugely important, and while note learning can be a slow
and arduous task it is essential to learn the correct notes and rhythm from the very start. Slow
and careful practice is strongly encouraged to begin, gradually building up the tempo over time.
Once the basics are in place, the musical detail can be introduced little by little. It should be
noted that some music editions do not offer much detail by way of dynamic markings or phrase
marks, but all music should have shape and colour to enhance the character of the work.
Always look at the composer and title of the piece – this will always give an indication of how
the piece should sound. Listening to a recording of the pieces will also inspire musical ideas!
It is important to practise playing the pieces through without stopping – it is not necessary to
restart the piece because of a small slip, and this can become a bad habit – always try to keep
going! It is a very good idea to play through the pieces for family or friends prior to the
examination, as this can really help to build confidence.
For instrumentalists and singers it is essential to practice with the accompanist, to be familiar
with the accompaniment part and all the entries.
Scales
Quite often students tend to underestimate the benefits of learning scales, and do not enjoy
practising them, but there are many reasons for practising scales, and huge advantages, for
example:
• They help to develop a sense of key
• They help to develop rhythmic patterns
• For all instrumentalists they help to develop finger fluency and co-ordination
• For string players they help to develop bow control and key patterns
• For singers and wind players they help to develop breath support and phrasing
Regular practice is advised – this does not mean that every scale has to be practised every day -
better to concentrate on a few scales at a time (select different keys each time you practise). The
examiner will be listening out for a fluent pace with clear rhythmic patterns, good tone and
articulation (where appropriate) and finger clarity throughout.
3
User Guide
Sight-Reading
Students tend to have a dread of sight-reading - an unfamiliar piece of music is placed on the
music stand and almost instantly the room is filled with a sense of panic! Like all other areas
of musical learning, this skill can be easily improved, and will help to develop a quick
understanding of rhythmic motifs, note patterns, key signatures, accidentals, and ultimately
will be an aid to faster learning.
To be successful at sight-reading does not necessarily mean a note-perfect account of a piece –

the aim of sight-reading is to give “an impression” of how the piece should sound. W ith this
in mind, the examiner will be listening for a sense of continuity. A cautious reading, where the
candidate pauses to ponder over the next notes can only result in a hesitant attempt, with no
real sense of how the notes fit into phrases, or how the phrases make up a piece of music.
Always look ahead and keep the piece moving along with a steady pulse for best results.
Again, this area can only improve with practice – a few bars every day will make all the
difference!
The Let’s Get Reading sight-reading books for piano are written by Jean Archibald and Marie
Moran and offer a step-by-step guide to learning how to sight-read well. These books are
available from Preliminary level to Senior Certificate, and are extremely useful books for both
teachers and students as a guide to successful sight-reading. They also include sample sight-
reading tests at the back of each book.
For other instrumentalists, we are working on sample sight-reading tests which will be available
on our website www.riam.ie – this is still work in progress but we hope to have some of the
main instruments completed in the near future.
Theory
Knowledge and understanding of theory will equip any candidate with the necessary tools to
display a well thought-out performance of their pieces. Notes, rests, rhythmic values, time
signatures and key signatures provide the “nuts and bolts” of basic learning; expression
markings allow us to lift the notes off the page and create colour and shape, adding character
and style to the music. If you do not understand the meaning of the theoretical details and
expression markings, this makes it rather difficult to portray in performance – this area is worth
five marks in the examination.
The publication Music Workout by Jean Archibald and Bernadette Marmion is a series of theory
workbooks based on the syllabus of the Local Centre examinations in Theory. Each workout
(Preparatory to Grade 8) includes detailed explanatory notes. This material also provides useful
preparation for the ‘reading’ elements of the Aural Tests programme (practical music
examinations).
The Theory Requirements listed on pages 14 and 15 should be studied carefully for each grade,
as there are some changes and advancements to this new syllabus. For example, candidates will
be encouraged to describe the character of the pieces performed (Grades II and III), and will be
asked to describe the style of the pieces performed (Grades IV and V).
4
Aural Tests
The key to developing a strong sense of musicianship is through listening. Having an
awareness of m elodic shape, rhythmic pattern and musical phrasing can undoubtedly lead to
a higher level of performance. W ith this in mind, the function of the Aural Tests is to establish
a stronger connection between listening and performing, to help candidates build on all aspects
of their musical learning.
These tests have been carefully constructed, to ensure a gradual development in ear training
from the earliest grades right through to Senior Certificate level. Up to Grade V, the Aural Tests
focus on four main areas: Listening, Memory, Rhythm and Sight-Singing. From Grade VI
onwards the requirements for Aural and Theory are combined. The full details for each grade
are listed from pages 10 to 13 in the syllabus.
For Sight-Singing, it is important to note that candidates are not assessed on the quality of their
voice. The aim of this test is to develop recognition of melodic pattern, shape, and intervals.
The RIAM Music W orkout series contain many sight-singing and clapping exercises which help
to develop musicianship alongside theoretical knowledge.
For candidates wishing to undertake the Senior Certificate, we have introduced an added
requirement: “candidates will be expected to demonstrate an understanding of the style of the pieces
performed; to discuss some of the technical demands presented in the chosen pieces, and their approach
to overcoming these difficulties”.
The aim of this exercise is to encourage candidates to reflect on the musical styles, form and
technical aspects of the pieces performed at this advanced level of study. Consequently, the
allocation of marks will be altered in this area:
Combined Aural/ Theoretical tests: a maximum of 10 marks
Viva Voce: a maximum of 5 marks
Full details are available on page 19 of the syllabus.
The day of the Examination

Even professional musicians will admit to suffering from nerves – it is only natural that
candidates (and quite often parents too!) feel anxious prior to their examination. Every
examiner has experienced nerves and can empathise with those feelings of tension and worry
– they will do their best to create a friendly atmosphere on the day, and ultimately get the best
possible performance from each candidate. Listed below are a few useful tips, to help things
run as smoothly as possible on the day:
At home...
Be sure to do a warm-up at home. This can be a good way to calm any nerves and focus the
concentration. W arm-up facilities are not provided at the examination centres. Before leaving
home, be sure to have everything you need: instrument, music stand (where appropriate), and
music (photocopies may only be used in the examination room when the original music is also
present!)
5
User Guide
Aim to arrive at the examination centre ten minutes early – this will give you time to take your
instrument out of its case, have your music ready and take your coat off before entering the
examination room. Use the extra minutes before the examination to settle your nerves. Try to
think positively, and remember that the examiner is on your side and wants you to do a good
job. If possible, try not to arrive too far in advance of the examination call time – waiting
around can be counterproductive!
In the examination room...

Make sure that you are comfortable before you begin check that the stool or music stand is at
the appropriate height for you, and do not be afraid to ask the examiner for help if you wish to
make any adjustments.
For instrumentalists, tune your instrument prior to entering the room, but also check your
tuning with the piano before you start to play. For wind/brass players, the examiner will be
happy to let you blow a few notes to clear the instrument prior to tuning with the piano.
You will be given the option of starting with scales or pieces, choose whatever suits you best.
(For piano examinations, choosing to play scales first can be a good way of getting used to an
instrument that is unfamiliar to you!) W here possible the examiner will listen to all three pieces
in their entirety, but do not worry if you are stopped during a piece – this is not a reflection on
your performance.
Timing allocated for each grade

Our examiners are trained to work quickly and efficiently. W hile taking the time to place each
candidate at ease at the start of the examination, it is also the responsibility of the examiner to
adhere to the allocated schedule as much as possible. The following is an outline of the time
allocated for each examination, though it should be noted that two extra minutes are added on
for string players and one extra minute is added on for wind/brass players to allow for tuning.
Elementary, Preliminary, Primary and Grade I 10 minutes

Grade II 12 minutes
Grade III 15 minutes
Grades IV and V 20 minutes
Grades VI, VII and VIII 30 minutes
Senior Certificate 45 minutes
Candidates with Special Needs are also allocated extra time.
The examination notification sent to candidates / applicants in the post will indicate a Call Time
– 10 minutes prior to the examination time. Candidates should aim to be ready to play from the
Call Time onwards. Our examiners do their best to adhere to the examining timetable, and aim
to ensure that examinations run on time. To a large degree, the pace of the examination is set
by the candidate – if they choose to play their scales and pieces at a rather slow pace this can
lengthen the overall examination time, candidates suffering from extreme nerves can also take
longer to get settled. W ith this in mind, we cannot guarantee that examinations will run on
schedule – we can only guarantee that every candidate will be given every opportunity to do
their best on the day.
6
Candidates with Special Needs

The term “Special Needs” covers an increasingly broad area, which the RIAM endeavours to
accommodate in every possible way. Naturally, every candidate has different needs, therefore
each person is given independent consideration.
W hen candidates are entered under Special Needs, the following are some of the provisions
available to facilitate individual requirements:
• extra time allocation for the examination

• enlarged or Braille sight-reading for visually impaired candidates
• specific order in which the candidate wishes to take the different areas of the
examination
• parent/carer to be present in the examination room
• the RIAM will also endeavour to accommodate other provisions specific to individual
needs
A Special Needs entry form must be completed and submitted at the time of application in
order to benefit from any of the required provisions. The form is available from the RIAM Local
Centre Office, or may be downloaded from www.riam.ie It should also be noted that the RIAM
does not offer any dispensation in the marking – every candidate is assessed on the same basis.
7
Introduction
Introduction
Dear Colleagues
The building of a syllabus is a very important and difficult job. Care must be taken that the
syllabus contains a cumulative course of study along with a sense of enjoyment. In this syllabus
which has been constructed by top professionals in the RIAM, there are many new innovations.
Melodic fragments occur in the earlier grades to replace scales for some instruments; these
melodic fragments are intended to be used as a warm up, thus encouraging their use on a daily
basis. The introduction of CD accompaniment is also new and is a very important development
as it not only incorporates new technology but, more importantly, gives the student a chance
to rehearse with their backing track at will. This will encourage much better ensemble playing
and, as technology improves, should give more flexibility of tempo in the future. In addition,
there will be new syllabi for Trombone Treble Clef and Tuba Treble Clef and a Trumpet/Cornet
syllabus. The requirements for Theory have also undergone further development and should
be studied carefully.
Having performed for many years as both Principal Flute with the National Symphony
Orchestra and laterally as a soloist, the need to perform is an integral part of my life. The use
of grade exams offers the student an opportunity to build on performance skills which in turn
will generate greater confidence, as well as providing an assessment of the student’s musical
development.
As there are many changes in the syllabus, I would encourage teachers to become very familiar
with the various requirements.
In the spirit of open learning, I look forward to meeting some of you during RIAM Local Centre
workshops that are planned for the future and may I remind you of the new RIAM Teaching
Network online presence.
Very best wishes
Bill Dowdall
Head of W oodwind, Brass and Percussion Faculty
RIAM
8
AURAL REQUIREMENTS AND THEORETICAL

QUESTIONS
REVISED FOR ALL PRACTICAL SUBJECTS
AURAL TESTS
From Elementary to Grade V this area is worth a maximum of 10 marks.
Candidates will be asked to perform the following tests:
Elementary Grade
Memory:
(a) Clap or tap from memory the rhythm of a short two-bar melody in 2/4 or 3/4 time.
The melody will begin on the first beat of the bar and the pulse will be given.
(b) Sing the precise pitch of a single note played twice by the examiner. Compass
Middle C - octave above.
Reading:
Clap a two-bar rhythm in 3/4 or 4/4 time.
Note values ±+°
Preliminary Grade
Aural Observation:
A piece will be played twice by the examiner. Comment whether the second playing was
louder/softer or faster/slower.
Memory:
Clap or tap from memory the rhythm of a short two-bar melody in 2/4 or 3/4 time played
three times. The melody will begin on the first beat of the bar and the pulse will be given.
Sing from memory a short melodic phrase within the first three notes of the major scale (d r
m) played three times. The pulse, tonic chord and starting note will be given before the first
playing.
Reading:
Clap a three-bar rhythm in 3/4 or 4/4 time.
Note values ±°+¬
9
Aural Requirements & Theoretical Questions 2015-2018
Primary Grade
Aural Observation:
Comment on the tempo (fast/slow or changing) and dynamic (loud/soft or changing) of the
piece played once by the examiner.
Memory:
(a) Clap or tap from memory the rhythm of a short two-bar melody in 3/4, 4/4 or 6/8
time played three times. The melody will begin on the first beat of the bar and the
pulse will be given.
(b) Sing from memory a short melodic phrase, within the range of a third in major keys
(d r m) played three times. The pulse, tonic chord and starting note will be given
before the first playing.
Reading:
Clap a four-bar rhythm in 3/4 or 4/4 time. Note values ± ° °. + ¬
Grade I
Aural Observation:
Comment on the tempo, dynamic and articulation (legato/staccato) of the piece played once
by the examiner. Italian terms may be used, but are not obligatory.
Memory:
(a) Clap or tap from memory on two further hearings the rhythm of a short phrase taken
from the treble part of the aural observation piece.
(b) Sing from memory a short melodic phrase, within the range of a fifth in major keys
(d r m f s) played three times. The pulse, tonic chord and starting note will be given
before the first playing. The melody will begin on the tonic.
Reading:
(a) Clap a four-bar rhythm in 3/4 or 4/4 time; note values ± ° °. ¬ and £ rest.
(b) Sing at sight a two-bar melody in 3/4 or 4/4 time. Key C major. Note values ±+°
Pitch d r m, moving by step only.
10
Grade II
Aural Observation:
(a) Comment on tempo, dynamic and articulation of the piece played once by the
examiner.
(b) Clap the pulse while the examiner plays the piece a second time.
Memory:
(a) Clap or tap from memory on one further hearing the rhythm of a short phrase taken
from the treble part of the aural observation piece.
(b) Sing from memory a short melodic phrase, within the range of a fifth, in major or
minor keys played three times. The pulse, tonic chord and starting note will be given
before the first playing. The melody will begin on the tonic.
Reading:
(a) Clap a four-bar rhythm in 3/4 or 4/4 time: note values Öµ ± ° °. ¬ and £ rest.
(b) Sing at sight a two-bar melody in 3/4 or 4/4 time
Note values ± ° + °.
Pitch d r m - s involving leaps of a third, d - m, m - s ascending and descending
Keys C, F and G majors
Grade III
Aural Observation:
(a) Comment on the dynamics/articulation of the piece played by the examiner.
(c) State the time (3/4 or 4/4 time) after second hearing.
Memory:
(a) Clap or tap from memory on one further hearing the rhythm of a phrase taken from
the treble part of the aural observation piece.
(b) Sing from memory a short melodic phrase, within the range of a fifth, in major and
minor keys played three times. The pulse, tonic chord and starting note will be given
before the first playing. The melody may or may not begin on the tonic.
Reading:
(a) Clap a four-bar rhythm in 3/4, 4/4 or 6/8 time. Note/rest values as in preceding grade
as well as ±. / Ö-µ / ± Ä in 6/8 time.
(b) Sing at sight a 4-bar melody in 3/4 or 4/4 time
Note values ± + ° + °. + ¬
Pitch d r m - s with leaps, d - m, m - s ascending and descending
Keys C, G, D and F majors
11
Grade IV
Aural Observation:
(a) Comment on the dynamics/articulation of the piece played once by the examiner
(Italian terms to be used).
(c) State the time (3/4 or 4/4 time) after second hearing.
Memory:
the treble or bass part of the aural observation piece.
(b) Sing from memory a short melodic phrase which may be in a major or minor key
played three times. The pulse, tonic chord and starting note will be given before the
first playing. The melody may or may not begin on the tonic.
Reading:
(a) Clap a four-bar rhythm in 3/4, 4/4 or 6/8 time. Note/rest values as in preceding
grade plus ±.+ Ä and ¶==» in 3/4 and 4/4, £ Ä and ¶====» in 6/8 time.
(b) Sing at sight a four-bar melody in 3/4 or 4/4 time
Note values ± ° °. + ¬
Pitch d r m - s l with leaps, d - m, d - s, m - s ascending and descending.
Keys C, G, D, and F majors
Grade V
Aural Observation:
(a) Comment on the dynamics/articulation of the piece played by the examiner (Italian
terms to be used).
(b) After another hearing (i) state the time (3/4, 4/4 or 6/8); (ii) state whether the key is
major or minor.
Memory:
the treble or bass part of the aural observation piece.
(b) Sing from memory a short melodic phrase which may be in a major or minor key
played three times. The pulse, tonic chord and starting note will be given before the
first playing. The melody may or may not begin on the tonic.
Reading:
(a) Clap a 4-bar rhythm in 3/4, 4/4 or 6/8 time. Note/rest values as in preceding grade
plus Ö é » /¶ »µ in 3/4 and 4/4 time and Ö.»µ / Öéêµ / Öé==» in 6/8 time.
(b) Sing at sight a 4-bar melody in 3/4 or 4/4 time
Note values Öµ ± ° °.+ ¬
Pitch d r m s l with leaps as in preceding grade, plus l̩ - d ascending and descending.
Keys C, G, D and F majors - melodies will begin and end on Doh.
12
THEORY REQUIREMENTS
This area is worth a maximum of 5 marks.

For grades Preliminary to V candidates presenting a certificate or result sheet verifying that
they have passed the Local Centre written Theory & Harmony paper for the same grade as,
or higher than, their practical examination will be exempt from the Theory tests and will be
awarded full marks for this section. Candidates will be asked to name and explain the
following in relation to the pieces performed:
Elementary Grade
Clefs, stave, bar lines, note values and expression markings.
Preliminary Grade
Clefs, stave, bar lines, simple time signatures, note values and expression markings.
Primary Grade
Clefs, stave, bar lines, simple time signatures and expression markings.
Grade I
Pitch names, time signatures, note values, expression markings and key signatures.
Grade II
Pitch names, time signatures, note values, expression marks and key signatures. In
addition, candidates will be asked to describe the character of any of the pieces performed
(eg lively, sorrowful, happy, dance-like, jazzy etc.)
Grade III
Time signatures, note values, expression markings and key signatures. As for Grade II,
candidates will be asked to describe the character of any of the pieces performed (eg lively,
sorrowful, happy, dance-like, jazzy etc.)
Grades IV
Time signatures, note values, expression markings, and key signatures. In addition
candidates will be expected to identify the relative major or minor of the keys of each piece
performed. Candidates will also be asked to describe the style of any of the pieces
performed: (eg baroque, classical, romantic, modern).
Grade V
Time signatures, note values, expression markings, key signatures and relative major or
minor of the keys of each piece performed. As for Grade IV, candidates will be asked to
describe the style of any of the pieces performed. In addition, candidates will also be asked
to identify the tonic and dominant of any of the keys in which the pieces are written (atonal
pieces do not apply).
13
COMBINED AURAL/THEORETICAL TESTS
For Grades VI to VIII candidates presenting a certificate or result sheet verifying that they
have passed the written Theory & Harmony paper for the same grade as, or higher than,
their practical examination will be exempt from the combined Aural/Theoretical Tests and
will be awarded the full fifteen marks for this section.
Senior Certificate candidates instead will be awarded the full ten marks in this section but
will be required to partake in the Viva Voce section of the examination which is worth a
maximum of five marks.
Grade VI
Aural/Visual Observation:
A short piece will be played twice by the examiner, a copy of which will be given to the
candidate. The candidate to answer questions as follows:
(a) (after first playing)

i Name the tonic key of the piece. Keys: C, G, D, F major. A , E, D minor.
Name the relative major/minor of the tonic.
ii Describe the time signature. Any signature using Ä ± ° or ±. beats.
iii Give technical names for specified notes (tonic, supertonic, etc)
(b) (after first or second playing)
i Point out places of melodic interest
ii From a list of suggested textures, choose the most appropriate to the piece (eg
chordal, two-part, etc).
(c) (after second playing)
Point out the position of obvious cadence points.
Memory:
(a) Clap or tap from memory the rhythm of the upper line of a short two-part phrase
using treble and bass clefs. The pulse will be given before the first playing. The test
will be played three times.
(b) Sing from memory a short melodic phrase. The pulse, tonic chord and starting note
will be given before the first playing. The test will be played three times.
Reading:
Sing at sight a four-bar melody in 3/4 or 4/4 time
Note values: Ä to ¬ including ±. Ä
Pitch: Full major scale extended to a fourth below the tonic (s̩ l̩ t̩ d r m f s l t dˈ)
Leaps between any notes of the tonic chord
14
Keys: Major keys up to two sharps and two flats

Melodies will begin on a note of the tonic chord and be within an octave
range. An upbeat may be included. For example:
Intervals:
(a) Sing any of the following melodic intervals as requested. The pitch of ‘doh’ will be
given: d - r̩ d - m̩ d - f̩ d - s̩ d - l̩ d - t̩ d - dˈ
(b) Respond to any of the following harmonic intervals from the same tonic. Major
second and third, Perfect fourth and fifth by (i) singing both notes and (ii) describing
the interval.
Grade VII
A short piece will be played by the examiner, a copy of which will be given to the candidate.
The candidate to answer questions as follows:
i Name the tonic key of the piece. Keys: Majors and minors to two sharps and
two flats.
ii Name the relative major/minor.
iii Name the dominant key.
i Point out melodic repetition and sequence.
ii Point out sections which are musically contrasting.
i Point out the position of a perfect or imperfect cadence.
ii Point out where the music modulates to the dominant or relative of the tonic.
Memory:
(a) Clap or tap from memory the rhythm of the lower line of a short two-part phrase
using treble and bass clefs. The pulse will be given before the first playing. The test
will be played three times.
(b) Sing from memory the upper line of a short two-part phrase (using treble and bass
clefs). The tonic chord and starting note will be sounded before each playing and the
pulse will be given. The test will be played three times.
Reading:
Sing at sight a four-bar melody in 3/4 or 4/4 time.
Note values: Ä to ¬
15
Pitch: Full minor scale m f si l t d r m f si lˈ (si always preceded and followed by l). Leaps
between adjacent notes of the minor tonic chord m - l - d - m - lˈ
Keys: A, E, D minor
Melodies will begin on the tonic (la) and be within an octave range. An upbeat may
be included. For example:
Intervals:
(a) Sing any of the following melodic intervals as requested. The pitch of ‘la’ will be
given: l - d (minor third) and l - f (minor sixth).
(b) Respond to any major and perfect interval from the same tonic by (i) singing both
notes and (ii) describing the interval.
Grade VIII
i Name the tonic key of the piece. Keys: Majors to three sharps and three flats
and minors to two sharps and two flats.
ii Name the relative of the tonic, the dominant and the sub-dominant keys.
i Identify whether the piece falls into two or three natural divisions.
ii Comment on similarities or differences between these divisions.
i Name the type of cadence at a specified bar (ie perfect, imperfect, plagal and
interrupted).
ii Identify modulation as being to the dominant or relative of the tonic in
specified bars.
Memory:
Sing from memory the lower line of a short two-part phrase using treble clef only. The tonic
chord and starting note will be sounded before each playing and the pulse will be given. The
test will be played three times.
16
Reading:
Sing at sight a four-bar melody in 3/4, 4/4 or 6/8 time.
Note values: Ä to ±
Pitch: Full major and melodic minor scales. Leaps in major keys to any notes of the
tonic chord. Leaps in minor keys between any notes of the tonic chord.
Keys: C, G, D, A, F, B flat majors. A, E and D minors.
Melodies will begin on a note of the tonic chord and be within an octave
range. An upbeat may be included. For example:
Intervals and Triads:

(a) Respond to any of the following: any major or perfect interval, minor third, minor
sixth by (i) singing both notes and (ii) describing the interval.
(b) Respond to major/minor triads in root position, first inversion and second inversion
by:
i singing the notes.
ii describing the type and position of the triad.
Senior Certificate
This area is worth a maximum of ten marks.
(a) i Comment on tonality ie name the tonic key and main modulations. Keys:
Majors to three sharps and three flats and minors to three sharps and three
flats.
or (Option chosen by examiner)
ii Identify and describe main cadential points.
(b) After a second playing

Comment on Texture or Structure (technical labels not necessary) or Style/Period
(option chosen by the examiner).
17
Memory:
(a) Sing from memory the lower line of a short two-part phrase using treble stave only.
The tonic chord and starting note will be sounded before each playing and the pulse
will be given. The test will be played three times.
Reading:
(a) Sing at sight a four-bar melody in 3/4, 4/4 or 6/8 time.
Note values: Ä to ¬
Pitch: Full major and melodic minor scales. Leaps in major keys to any note of the
tonic and dominant chords. Leaps in minor keys to any note of the tonic
chord.
Keys: Majors to three sharps and three flats, A, E, D, B minors.
Melodies can begin on any note and will be within an octave range. An upbeat may
be included. For example:
VIVA VOCE
This area is worth a maximum of five marks.
Technical Knowledge:
Candidates will be expected to explain or answer simple questions on the mechanism of
their instrument.
Candidates will be also be expected to demonstrate an understanding of the style of the

pieces performed, to discuss some of the technical demands presented in the chosen pieces,
and their approach to overcoming these difficulties.
18
RECITAL CERTIFICATE PROGRAMME
Aim of the Recital Certificate

A polished presentation is expected for the Recital Certificate Programme. Unlike the Grade
examinations, there is a much stronger emphasis on the candidates’ sense of performance and
ability to display a technically secure, well-rounded musical programme. This programme is
open to all disciplines contained within the current syllabus, including duet, chamber music and
ensemble groups.
The aim is to encourage candidates to understand the importance of:

• Choosing a suitable and creative programme
• Presenting a written programme of their chosen pieces
• Sense of communication with the audience / listener
• Pacing of the recital
• overall delivery of a polished programme with sense of performance
Categories
The Recital Certificate can be taken at three levels: Junior, Intermediate and Advanced. At each
level the Pass Mark is 70, indicating that the required standard of performance is higher than
expected at a grade exam. For each recital candidates will receive a result sheet as assessment
of their performance, and a certificate and medal will be awarded to successful performers.
Candidates who receive an overall mark between 70-79 will be awarded a Bronze medal.
Candidates who receive an overall mark between 80-89 will be awarded a Silver medal.
Candidates who receive an overall mark of 90 or above will be awarded a Gold Medal.
Junior Recital Certificate

Programme should equate to RIAM Grade II – III standard and should last between 5 – 10
minutes. At least two pieces (or movements of pieces) must be performed.
Intermediate Recital Certificate

Programme should equate to RIAM Grade V – VI standard and should last between 12 – 15
minutes. At least three pieces (or movements of pieces) must be performed.
Advanced Recital Certificate

Programme should equate to RIAM Grade VIII or higher standard and should last between 20
– 25 minutes. At least three pieces (or movements of pieces) must be performed.
Choosing A Programme
Exploring the repertoire for a given instrument and finding out areas of music that suit and
appeal to each student are very important aspects of musical development. The following are
some helpful hints when choosing a suitable programme:
• Candidates should aim to choose a programme that will display their imagination,
technical strengths and musical preferences.
19
Recital Certificate Programme 2015-2018
• W hile candidates may wish to include some material from the Local Centre Syllabus,
they are strongly encouraged to explore and include a wider range of repertoire in their
programme presentation.
• Candidates will be assessed on how well the performance engages the listener. The
programme should have musical contrast; for example variety of tempi, moods and /
or pieces from different eras. (It is not compulsory to choose pieces from different eras
but this can be a good way of creating contrast.)
• Try to choose music that is most appealing to the candidate as this will help create a
positive experience for both listener and performer. Examiners will assess the Overall
Impression and Choice of Programme. The candidate should enjoy performing the
chosen pieces, so that this is communicated to the audience.
• Candidates may wish to consider music from outside of the classical music genre such
as jazz or Irish traditional music. If a jazz piece is featured in the chosen programme,
the performer may like to include an improvisation.
• Good quality arrangements from film or popular music may be used.
• Candidates may wish to perform one of their own compositions.
• Over-use of repeats should be avoided; however Da Capo and Dal Segno should always
be played.
• Many instruments have good compilation albums available and these can be a useful
source of repertoire.
• Browsing in libraries or in music shops is a useful tool for all musicians, and looking for
a programme for the Recital Certificate will help to develop this useful habit.
• Simplified editions of classical repertoire should be avoided as candidates are
encouraged to perform the composer’s original text.
Grading of Pieces
In choosing a programme, it is important to keep in mind the required standard. W here a
candidate chooses a piece that is technically / musically easy for the suggested grade then the
programme should be balanced with pieces which are more difficult than the suggested grade.
On the Day of the Exam

Candidates must present a copy of the music to the examiner. Marks will be deducted for
failure to do so. Candidates must present a written programme to the examiner. Marks will be
deducted for failure to do so. The performer may also choose to announce each piece, though
this is not a requirement. Unlike a grade examination, the performer is in control of the pacing
of the examination and should commence playing at their own ease and continue their
programme without comment from the examiner. The original music for each piece must be
present in the examination room, however the candidate may choose to photocopy extra pages
to avoid awkward page-turns. The examiner will not be in a position to assist with page-turning
during the recital, but it is acceptable for candidates to invite their own page-turner to assist.
Marking of Recital Certificate Programmes

The Recital Certificate is marked under three areas: Technical Ability, Interpretation and Overall
Impression & Choice of Programme.
20
Technical Ability (30%)

Candidates will be assessed on their technical ability to play each piece. Examiners will be
listening for good clarity and accuracy in the fingerwork. An ability to produce a good tone is
also assessed here. For pianists, pedalling will be assessed. W here appropriate, intonation will
be expected to be secure. For vocalists, diction and pronunciation will be commented and
marked on.
Interpretation (30%)
Candidates general musicality and ability to portray form and phrasing will be assessed in this
section. Other aspects of this mark include dynamics, contrast in articulation and an ability to
set the mood of each piece will be taken into consideration. Stylistically appropriate playing
will be rewarded.
Overall Impression & Choice of Programme (40%)

The overall presentation (including the written programme) will be assessed here. The timing
of the performance is an important aspect of this mark – a programme that is considerably
under the minimum time will be penalised. The ability to communicate and engage with the
listener is assessed. The suitability of the programme to the candidate is taken into
consideration by the examiner – whether the performer showed off their best abilities, whether
moods and styles were captured and if there was a sense of flair and originality.
Communication between performer and accompanist plays an important role and will be
assessed. Facial expression, especially for vocalists, is an important aspect of the overall
impression.
Candidates will be penalised for performing a programme which is shorter than the minimum
permitted length, and they could be asked to discontinue a performance should they be
exceeding the maximum permitted time.
The duration of the submitted programme will be marked under the section entitled Overall
Impression & Choice of Programme.
Candidates are required to present a performance list and original music must be provided for
the examiner.
The Recital Programme will be marked as follows:
(a) Technical Ability 30%

(b) Interpretation 30%
(c) Overall Impression
& Choice of Programme 40%
Pass M ark 70%

21
Descant Recorder 2015-2018
DESCANT RECORDER
No marks will be awarded for incorrect music presented at examination. Candidates using
photocopies of music will be disqualified.
For Aural Requirements and Theoretical Questions please see pages 8 to 17.
Music requiring accompaniment will not be accepted unaccompanied.

Candidates requiring accompaniment must provide their own accompanist.
Full-sized versions of exercises are available to download from http://www.riam.ie.
Nota Bene
Candidates may continue with Descant Recorder only examinations until Grade VI or may take the
combined Descant and Treble Recorder examinations from Grades IV to VI. Grades VII to Senior
Certificate Grade must combine both descant and treble recorders.
PRIMARY GRADE
All scales to be played from memory, tongued, on descant recorder only.
Scales: D and G major to a fifth.

Arpeggios: Of the above keys for the ranges indicated.
Three pieces: Candidates m ust prepare three pieces: one piece with piano
accompaniment from each of list A and B and one unaccompanied piece
from list C.
Please note that the editions cited here are only suggestions; other authoritative
editions may be used by candidates if so desired.
Candidates must present a copy of their pieces for the examiner.
LIST A
D Hyde Doctor Bell Old MacDonald’s Recorder book 1 (Boosey & Hawkes)
P Wastall Saint Margarita’s Lullaby Old MacDonald’s Recorder book 1 (Boosey &
Hawkes)
F Dinn No 1: Rocking Song Tuneful Tunes for my Recorder: 16 Simple Pieces for
Descant Recorder & Piano (Schott ED 10468)
J Pitts Indian W arrior Recorder from the Beginning book 1 (Music Sales EJ10000)
Traditional The Moon W alk Old MacDonald’s Recorder book 1 (Boosey & Hawkes)
A Haughton Flower Dance (no repeats) Fun Club Descant Recorder grade 0-1 (Kevin
Mayhew)
Beethoven Theme from Ninth Symphony Winners Galore by Peter Lawrance
(Brass Wind Publications)
22
LIST B
J Hawkins Parents Never Listen Old MacDonald’s Recorder book 1 (Boosey &
Hawkes)
F Dinn No 3: W altz Tuneful Tunes for My Recorder: 16 Simple Pieces for Descant
Recorder & Piano (Schott ed 10468)
W Bergmann Austrian Ländler First Repertoire for Descant Recorder by Sally Adams
(Faber Music)
J Pitts Falsgrave March Recorder from the Beginning, Tune book 1 (Music Sales
Ltd EJ10000)
Traditional The Tutting Song Old MacDonald’s Recorder book 1 (Boosey & Hawkes)
A Haughton Lullaby Fun Club Descant Recorder Grade 0-1 (Kevin Mayhew)
S Watts Movie Buster or Mellow Out Razzamajazz Recorder Book 1 (Kevin
Mayhew)
LIST C
K M ayhew No 9: Little John (no repeats) Fun Recorder 6 (Kevin Mayhew)
B Bonsor No 1: Once I loved a Maiden Fair Play Country Dances (Faber Music)
Purfleet No 24: Say, Mother, where is John? Recorder World Method for Recorder
book 1 (de Haske 1043537)
Purfleet No 33: Little Chinese Boy Recorder World Method for Recorder book 1 (de
Haske 1043537)
N Dezaire A Lady from Roosendaal Funtime Favourites: 26 Easy Pieces (de Haske)
A Diabelli A Little Piece Old MacDonald’s Recorder book 1 (Boosey & Hawkes)
Carol Blyton Poor Fly Recorder from the Beginning Tune book 2 by John Pitts
(EJA Publications/Music Sales)
F Dinn No 8: The Huntsmans Horn (to be played without accompaniment)
Tuneful Tunes for My Recorder: 16 Simple Pieces for Descant Recorder
(Schott ED 10468)
Sight-reading: A piece with four bars in simple time in the key of G major to be
played on descant recorder. Crotchets, quavers, minims, dotted
minims and semibreves.
23
DESCANT RECORDER
GRADE I
Scales: D and G major, one octave.

Melodic Exercise: (Full-sized version available on A4 for download on www.riam.ie)
For legato and staccato tonguing (not from memory)
Three pieces: Candidates must prepare three pieces: one piece with piano
accompaniment from each of list A and B and one unaccompanied
piece from list C.
Please note that the editions cited here are only suggestions; other
authoritative editions may be used by candidates if so desired.
LIST A
Beethoven Allegretto (no repeats) Classical Themes: Solo Stars for Descant
Recorder ed J Sebba & D Moses (A & C Black)
C Gervais A Stately Dance Old MacDonald’s Recorder book 1 (Boosey & Hawkes)
J Hawkins Two Tom Cats Old MacDonald’s Recorder book 2 (Boosey & Hawkes)
A Haughton Hot Potato Fun Club Descant Recorder grade 0-1 (Kevin Mayhew)
A Haughton Budgie Fun Club Descant Recorder Grade 0-1 (Kevin Mayhew)
W Bergmann Pony Trot First Repertoire for Descant Recorder by Sally Adams
(Faber Music)
F Dinn No 9: Clog Dance Tuneful Tunes for My Recorder: 16 Simple Pieces for
S Watts Tea with the Tumblers Red Hot Recorder Tutor Bk 1 (Kevin Mayhew)
24
LIST B
Schumann Soldier’s March Romantic Themes: Solo Stars for Descant Recorder arr
J Sebba & M Takoushian (A & C Black)
C Gurlitt A Little Piece Old MacDonald’s Recorder book 2 (Boosey & Hawkes)
J Hawkins Song of the Cumberbunce Old MacDonald’s Recorder book 1 (Boosey &
Hawkes)
G F Handel Gavotte (no repeats) First Repertoire for Descant Recorder by Sally
Adams (Faber Music)
A Haughton One Step at a Time Fun Club Descant Recorder grade 0-1 (Kevin Mayhew)
P Wedgwood Spiderman Rock Really Easy Jazzin’ About for Descant Recorder (Faber
Music)
F Dinn No 10: Dame Tartine Tuneful Tunes for My Recorder: 16 Simple Pieces for
Traditional Polka First Repertoire for Descant Recorder by Sally Adams (Faber Music)
A Haughton Insects Fun Club Descant Recorder Grade 0-1 (Kevin Mayhew)
S Watts Dublin Dan Red Hot Recorder Tutor book 1 (Kevin Mayhew)
LIST C
Traditional The Dawning of the Day or Star of the County Down 30 Irish Tunes for
Easy Recorder arr Ellen Cranitch (Waltons WM1084)
P Wastall Skill Time Old MacDonald’s Recorder book 1 (page 40) (Boosey & Hawkes)
J Pitts The Grand Old Duke of York Recorder from the Beginning Tune book 1
(Music Sales Ltd EJ10000)
B Bonsor No 3: Ham House or Cherry Garden Play Country Dances (Faber Music)
K M ayhew No 14: There’s a Hole in my Bucket Fun Recorder 6 (Kevin Mayhew)
Traditional A Study for C sharp Old MacDonald’s Recorder book 2 (Boosey & Hawkes)
Boismortier Echoes (top lines only) Old MacDonald’s Recorder book 2 (Boosey &
Hawkes)
Chedeville A Country Dance (top lines only) Old MacDonald’s Recorder book 1
(Boosey & Hawkes)
F Dinn No 13: Ramenes tes Moutons (with repeat)(to be played without
piano accompaniment) Tuneful Tunes for My Recorder: 16 Simple Pieces
for Descant Recorder (Schott ED 10468)
Sight-reading: A piece up to eight bars in simple time to be played on descant

recorder. Major keys up to two sharps.
Crotchets, quavers, minims, dotted minims, semibreves; crotchet
rests, slurs and staccato.
25
DESCANT RECORDER
GRADE II

Minor scales in harmonic or melodic form.
Scales: C and F major, one octave

D minor, one octave.
piece from list C.
LIST A
M ozart Andante Grazioso (no repeats) Classical Themes: Solo Stars arr J Sebba &
D Moses (A & C Black)
Vivaldi Spring Easy Winners arr Peter Lawrance (Brass Wind Publications)
J Hawkins Rock Face Old MacDonald’s Recorder book 2 (Boosey & Hawkes)
A Haughton The Race Fun Club Descant Recorder grade 0-1 (Kevin Mayhew)
J Pitts Tambourin ( Rameau) Recorder from the Beginning book 3 (Music Sales
Ltd)
F Dinn No 11: La Peche des Moules Tuneful Tunes for My Recorder: 16 Simple
Pieces for Descant Recorder & Piano (Schott ED 10468)
Paisible Minuet First Repertoire for Descant Recorder by Sally Adams (Faber Music)
J Haydn A Round in Three Parts Old MacDonald’s book 2 (Boosey & Hawkes)
Bryan Kelly No 7: Song (ii) Globe Theatre Suite for Descant Recorder and Piano (Stainer
& Bell)
B Bonsor No 2: The Musical Box The Really Easy Recorder Book (Faber Music)
P Wedgwood Periwinkle W altz Really Easy Jazzin’ About for Descant Recorder (Faber
Music)
26
LIST B
Boccherini Minuet (no repeats) Classical Themes: Solo Stars arranged by J Sebba &
D Moses (A & C Black)
Smetana Die Moldau Romantic Themes: Solo Stars arr Sebba & M Takoushian
(A & C Black)
Anon Heyduck Dance Recorder Music for Beginners (Editio Musica Budapest/
Faber Music)
B Bonsor No 3: Cantilena The Really Easy Recorder Book (Faber Music)
A Haughton Bo’s Boogie Fun Club Descant Recorder Grade 0-1 (Kevin Mayhew)
P Wedgewood Monty (the mystery cat) First Repertoire for Descant Recorder by Sally
Adams (Faber Music)
J Paisible Minuet First Repertoire for Descant Recorder by Sally Adams (Faber
Music)
F Dinn No 12: The Pony Ride (with repeat) Tuneful Tunes for My Recorder:
16 Simple Pieces for Descant Recorder & Piano (Schott ED 10468)
J Trombey Eye Level Old MacDonald’s book 2 (Boosey & Hawkes)
P Wedgwood Dreaming Really Easy Jazzin’ About for Descant Recorder (Faber Music)
LIST C
B Bonsor No 9: St Catherine Play Country Dances (Faber Music)
Traditional The Cliffs of Doneen 30 Irish Tunes for Easy Recorder arr Ellen Cranitch
(Waltons WM1084)
Traditional No 1: Cockles and Mussels (no repeat) Fun Recorder 6 (Kevin Mayhew)
A Campra Fanfare (top lines only) Old MacDonald’s Recorder Book 2
(Boosey & Hawkes)
Sally Adams Hot Coffee at the Silver Spoon Corral First Repertoire for Descant
Recorder by Sally Adams (Faber Music)
F Dinn No 14 & 15: Christmas Carol & Summer Song (to be played without
piano accompaniment) Tuneful Tunes for My Recorder: 16 Simple Pieces
for Descant Recorder (Schott ED 10468)
Gewin Fetzen No 4: 50 Graded Studies for Descant Recorder edited by Sally Adams & Paul
Harris (Faber Music)
Keith R Cole A Study for High F Old MacDonald’s Recorder book 2 (Boosey & Hawkes)
Chedeville Tambourin (top lines only) Old MacDonald’s book 2 (Boosey & Hawkes)
S Watts Study in Green Fresh Air (Kevin Mayhew)
Traditional Donnybrook Fair (available free download on www.riam.ie Cara Awards
Traditional Repertoire Céim 2)

recorder. Major keys up to two sharps and one flat.
Crotchets, quavers, minims, dotted minims, semibreves; crotchet and
quaver rests, slurs and staccato.
27
DESCANT RECORDER
GRADE III
All scales to be played from memory, tongued and slurred on descant recorder only.
Minor scales in harmonic or melodic form.
Scales: C and D major to a twelfth

G and F major, one octave
E and A minor, one octave
piece from list C.
LIST A
Clementi Rondo (with repeats) Classical Themes: Solo Stars arr J Sebba & D Moses
(A & C Black)
R Schumann No 10: The Merry Peasant The Really Easy Recorder Book by Brian
Bonsor (Faber Music)
Beethoven German Dance (with repeats) Old MacDonald’s Recorder book 2
(Boosey & Hawkes)
J S Bach Minuet Recorder Music for Beginners (Editio Musica Budapest 27888/
Faber Music Distribution)
Paul Harris Sunny Spells First Repertoire for Descant Recorder by Sally Adams
(Faber Music)
J Hook Rondo Old MacDonald’s Recorder Book 2 (Boosey & Hawkes)
P Wedgwood W illow Really Easy Jazzin’ About (Faber Music)
P Wedgwood Kingfisher Really Easy Jazzin’ About (Faber Music)
S Watts W altz for One Day Fresh Air (Kevin Mayhew)
28
LIST B
Tchaikovsky Introduction Romantic Themes: Solo Stars arr J Sebba & M Takoushian
(A & C Black)
B Bonsor No 8: The Merry Go Round The Really Easy Recorder Book by Brian
Bonsor (Faber Music)
Dlugoraj Cantio Polonica Recorder Music for Beginners (Editio Musica Budapest/
Faber Music Distribution)
S Watts Goings on Razzamajazz Repertoire (Kevin Mayhew)
Russell-Smith Lumpy Custard Blues Easy Blue Recorder (Universal Edition)
Arlen & Harburg Somewhere Over the Rainbow All Jazzed Up (Brass Wind Publications)
Piano Accompaniment available
H Berens The Cheerful Soldier First Repertoire for Descant Recorder by Sally
Adams (Faber Music)
Farkas Scherzino Recorder Music for Beginners (Editio Musica Budapest/
Faber Music)
Beethoven Ecossaise Old MacDonald’s Recorder book 2 (Boosey & Hawkes)
P Wedgwood Sasha Really Easy Jazzin’ About (Faber Music)
S Watts Sailing Free Fresh Air (Kevin Mayhew)
LIST C
B Bonsor No 13: Spanish Jig Play Country Dances (Faber Music)
B Bonsor No 18: The Mock Match Play Country Dances (Faber Music)
Traditional The Rakes of Mallow 30 Irish Tunes for Easy Recorder arr by Ellen
Cranitch(Waltons WM1084)
D da Costa Thumbs up! First Repertoire for Descant Recorder by Sally Adams
(Faber Music)
Charpentier Fanfare (top lines only) Old MacDonald’s Recorder book 2 (Boosey &
Hawkes)
Traditional No 5: Greensleeves (no repeat) Fun Recorder 6 (Kevin Mayhew)
M Camidge A Merry Tune Old MacDonald’s Recorder book 2 (Boosey & Hawkes)
Boismortier A Dotty Duo (top lines only and with repeats) Old MacDonald’s
Recorder Book 1 (Boosey & Hawkes)
Paul Harris No 10: Rumsey’s Round or In The Turtle Soup 50 Graded Studies for
Descant Recorder by Sally Adams & Paul Harris (Faber Music)
S Watts Study in Yellow Fresh Air (Kevin Mayhew)
Traditional As I W ent Out Upon the Ice (available free download on www.riam.ie Cara
Awards Traditional Repertoire Céim 2)

recorder. Major keys up to two sharps and one flat.
Crotchets, dotted crotchets, quavers, minims, dotted minims,
semibreves; crochet, minim and quaver rests, slurs and staccato.
29
Recorder 2015-2018
RECORDER
GRADE IV
This examination may be played on descant recorder only. Treble recorder choices are included in
Lists B & C if a candidate wishes to combine the two instruments.
All scales to be played from memory, tongued and slurred on descant recorder only. Minor scales in
harmonic or melodic form.
Scales: C major to a twelfth

B flat, E and A major, one octave
D, A and B minor, one octave
piece from list C.
LIST A DESCANT
A Charlton No 2: Lock the Door (with repeats) Traditional Irish Dances
(Provincetown Bookshop Editions PBE no 28)
J Hook Sonatina Old MacDonald’s Recorder book 2 (Boosey & Hawkes)
Anon English Folksong ‘W atkins Ale’ (both lines) Recorder Music for
Beginners (Editio Musica Budapest/Faber Music Distribution)
S Watts Café du Festival Razzamajazz Repertoire (Kevin Mayhew)
J Haydn Partie:III Finale (no repeats) First Repertoire for Descant Recorder by
Sally Adams (Faber Music)
R Schumann The Merry Peasant The Really Easy Recorder Book by Brian Bonsor
(Faber Music)
Bryan Kelly No 3: Air Globe Theatre Suite for Descant Recorder (Stainer & Bell)
N M arshall No 3: Prince Rupert’s March A Playford Garland (Forsyth Bros)
P Tchaikovsky No 12: Sweet Dreams The Really Easy Recorder Book by Brian Bonsor
(Faber Music)
30
LIST B DESCANT OR TREBLE

M oszkowski Spanish Dance (for descant recorder) Romantic themes: Solo Stars ed
J Sebba & M Takoushian (A & C Black)
B Bonsor No 7: Caribbean (for descant recorder) (with repeat) The Really Easy
Recorder Book by Brian Bonsor (Faber Music)
S Watts Secret Saz (for descant recorder) Razzamajazz Repertoire (Kevin Mayhew)
G Russell-Smith W arm and Cosy (for descant recorder) Easy Blue Recorder (UE12354)
P Conte At Sunset First Repertoire for Descant Recorder by Sally Adams
(Faber Music)
S Joplin The Entertainer (for descant recorder) Winners Galore (accompaniment
available) (Peter Lawrence Brass Wind Publications)
Bryan Kelly No 2: Bransle Globe Theatre Suite for Descant Recorder (Stainer & Bell)
D Gordon Boogaloo Bunny (for descant recorder) Concert Repertoire for Recorder
by Sally Adams (Faber Music)
Telemann Andante from Partita 1 (for treble recorder) Concert Repertoire for
N M arshall No 2 Irish Lamentation (for treble recorder) A Playford Garland
(Forsyth Bros)
LIST C DESCANT OR TREBLE

B Bonsor No 34: The New Bourrée or The Indian Quenn (with repeats) (for
descant recorder) Play Country Dances (Faber Music)
Traditional The Coulin (for descant recorder) 30 Irish Tunes for Easy Recorder
arranged by Ellen Cranitch (Waltons WM1084)
Traditional Brian Boru’s March (for descant recorder)110 Ireland’s Best Slow Airs
(Waltons WM1311)
Traditional Off to California (available free download on www.riam.ie Cara Awards
Traditional Repertoire Céim 3 or Apples in W inter (for descant recorder)
The Irish Tin Whistle Book ed C McKenna (Waltons)
D da Costa Jumping Jacks First Repertoire for Descant Recorder by Sally Adams
(Faber Music)
A Diabelli A Study for High E Flat (with repeats) (for descant recorder) Old
MacDonald’s Recorder book 2 (Boosey & Hawkes)
G Fetzen No 21: 50 Graded Studies for Descant Recorder by Sally Adams & Paul
G P Telemann Pastourelle (without repeats)(for treble recorder solo) Concert
Repertoire for Recorder by Sally Adams (Faber Music)
Bergmann Hornpipe (for treble recorder solo) Concert Repertoire for Recorder by
J S Bach No 1 (only) from Two Minuets (for treble recorder solo) Concert
Repertoire for Recorder by Sally Adams (Faber Music)
Sight-reading: A piece up to eight bars in simple time or 6/8 time to be played on

descant recorder. Major and minor keys up to two sharps and two
flats. Crotchets, dotted crotchets, quavers, minims, dotted minims,
semibreves; crotchet, minim and quaver rests, slurs and staccato.
31
Recorder 2015-2018
RECORDER
GRADE V
This examination may be played on descant recorder only. Treble recorder choices are included in list
B & C if a candidate wishes to combine the two instruments.
harmonic or melodic form.
Scales: C major, two octaves

D and F major to a twelfth
B flat, E flat and A major, one octave
F sharp, G and C minor, one octave
piece from list C

32
LIST A DESCANT
Anon Allemande (both lines) Recorder Music for Beginners (Editio Musica
Budapest /Faber Music Distribution)
W Babell Concerto in D minor op 3 no 3: first movement, Adagio
(Universal Edition UE17122)
A Heberle Concerto in G major: third movement, Tempo di Menuetto (no
repeats) (Wilhelm Hansen 29869/Music Sales)
J Haydn Partie:1 Pastorale (no repeats) First Repertoire for Descant
A Vivaldi Sonata in G Major (RV59): first movement, Largo (Preludio) ED 12279
Jonathan M errett No 2: Song Three Descant Recorder Pieces (Broadbent & Dunn)
Sally Adams Finnbar’s Fancy Concert Repertoire for Recorder by Sally Adams (Faber
Music)
J Baston Concerto No 5 in C Major: third movement, Presto (OFB 1045)
G Russell-Smith Ragtime Razzle Jazzy Recorder 1 (UE 18828)

W A M ozart Menuet (with repeats) (for descant recorder) Celebrated Classics by TS
Walker (Schott ED 10350)
B Bonsor No 5: W altz for Mo (for descant recorder) Jazzy Recorder 2 (UE19364)
S Watts W hen Paddy met Bella (for descant recorder) Razzamajazz Repertoire
(Kevin Mayhew)
G Russell-Smith No 5: Blue for a Girl (for descant recorder) Jazzy Recorder 1 (UE18828)
A Jensen Hungarian Melody (with repeat) First Repertoire for Descant Recorder by
N Bennett Moody Judy First Repertoire for Descant Recorder by Sally Adams (Faber
Music)
Sally Adams Pigeon Toe Waltz (for descant recorder) Concert Repertoire for Recorder
Bryan Kelly No 4: Jig Globe Theatre Suite for Descant Recorder (Stainer & Bell)
N M arshall No 4: Spring Garden (for treble recorder) A Playford Garland (Forsyth
Bros)
B M arcello Sonata in D Minor op 2 no 2: first movement Adagio (for treble
recorder) (Bärenreiter HM 151)
Jim Parker Soldier Soldier (for treble recorder) The Music of Jim Parker (Brass Wind
Publications)
J Sturte No 11: Lady Banning’s Almand (for treble recorder) The Renaissance
Recorder (Boosey & Hawkes 10525)
Schumann Romance (for treble recorder) Concert Repertoire for Recorder by Sally
Adams (Faber Music)
33
Recorder 2015-2018

B Bonsor No 36: The Mask or Hey to the Camp (with repeats) (for descant
recorder) Play Country Dances (Faber Music)
Traditional Tabhair dom do lámh (for descant recorder) 30 Irish Tunes for Easy
Recorder arr Ellen Cranitch (Waltons WM1084)
Traditional Lord Inchiquin (for descant recorder) 110 Ireland’s Best Slow Airs
(Waltons WM1311)
S Watts Coffee Bean Carnival! First Repertoire for Descant Recorder by
D da Costa Monday Blues (for descant recorder) Concert Repertoire for Recorder by
Sally Adams
Gustav Hinke No 24: 50 Graded Studies for Descant Recorder by Sally Adams & Paul
W Popp Study No 4 Treble Recorder Studies book 2 by Doris da Costa & Sally
Adams (Cranmer)
G P Telemann Fantasia 7: second movement, Presto 12 Fantasias for Solo Treble
Recorder(Bärenreiter 6440)
Gariboldi No 42: 150 Classical Studies for Treble Recorder (UE33029)
Sight-reading: A piece up to eight bars in simple time or 6/8 time to be played on

descant recorder. Major and minor keys up to two sharps and two
flats.
Crotchets, dotted crotchets, quavers, semiquavers, minims, dotted
minims, semibreves; crotchet, minim and quaver rests, slurs, staccato
and accidentals.
34
RECORDER
GRADE VI
This examination may be played on descant recorder only. Treble recorder choices are included in list
B & C if a candidate wishes to combine the two instruments.
harmonic and melodic form, unless specified otherwise.
Scales: C major, two octaves

D and E major to a twelfth
B flat and A major, one octave
E melodic (only) minor (to a twelfth)
C sharp, G sharp and F minor, one octave
Arpeggios: Of the above keys for the ranges indicated
Chromatic scales: on G and D, one octave
Dominant seventh: In the keys of A and C, one octave
G sharp minor exercise
piece from list C.

35
Recorder 2015-2018
LIST A DESCANT
J S Bach Chorale from Cantata 147 Celebrated Classics by T S Walker
(Schott ED 10350)
G P Telemann Partita 2 in G major TW V 41-G2: first and third movements
(Siciliana and Aria 2) (with repeats) Little Chamber Music: 6 Partitas
(Bärenreiter HM47)
W Babell Concerto in D minor op 3 no 3: third movement, Adagio (with
repeats) (UE17122)
R W oodcock Concerto no 2: first movement, Allegro (Faber Music F0204A)
D Scarlatti Sonata in G major K322: first movement, Allegro (with repeats)
D Scarlatti Sonatas arr Andrew Robinson (Dolce 267)
J Turner No 4: Pastorale Six Bagatelles for Descant Recorder (Forsyth Bros)
Pepusch Sonata in G major: first movement, Adagio (ED 11703)
J Baston Concerto no 5 in C major: first movement, Allegro (OFB 1045)
Jonathan M errett No 1: Promenade Three Descant Recorder Pieces (Broadbent & Dunn)
Alan Bullard Coffee and Croissants Recipes (Forsyth Bros)
B Bonsor No 3: Serenata (for descant recorder) Jazzy Recorder 2 (UE19364)

G Russell-Smith No 4: A Little Latin (for descant recorder) Jazzy Recorder 1 (UE18828)
J Turner No 6: Caccia Six Bagatelles for Descant Recorder (Forsyth Bros)
B Burrows Movement 3 Allegro moderato Suite for Descant Recorder
(Schott 10471)
A Bullard No 2: Barbecue Blues Recipes for Descant Recorder and Piano
(Forsyth Bros)
P Martin Gwenny Variations (for descant recorder) (CMC 3103)
J Turner No 1: Fanfare Six Bagatelles for Descant Recorder (Forsyth Bros)
Pepusch Sonata in G major: second movement, Allegro (for descant recorder)
(ED 11703)
B Bonsor Nice ‘N” Easy (for descant recorder) Jazzy Recorder 2 (UE19364)
Beethoven Capriccio (for treble recorder) Concert Repertoire for Recorder
Douglas Steele Song (for treble recorder) Recital Pieces volume 2 edited by
John Turner (Forsyth Bros)
W A M ozart To Chloe (for treble recorder) Concert Repertoire for Recorder by Sally
Adams (Faber Music)
B M arcello Sonata in D minor op 2 no 2: second movement, Allegro (for treble
recorder) (Bärenreiter HM 151)
J Parker House of Cards (for treble recorder) The Music of Jim Parker
(Brass Wind Publications 1322)
36

B Bonsor No 52: The Hole in the Wall (with repeats) and no 53: Blackheath
(with repeats) (for descant recorder) Play Country Dances (Faber Music)
Carolan Carolan’s Concerto (for descant recorder) 110 Ireland’s Best Slow Airs
(WaltonsWM1311)
P de Vois No 10: Fantasia The Gods’ Flute-Heaven for Descant Recorder
(Earlham Press EP1010/de Haske)
Traditional No 94: The Snowy Breasted Pearl and No 96: Planxty Browne (for
descant recorder) 110 Ireland’s Best Slow Airs (Waltons WM1311)
Paul Harris No 34: A little more, a little less: 50 Graded Studies for Descant Recorder
by Sally Adams & Paul Harris (Faber Music)
Doris da Costa Yes, but no (for descant recorder) Concert Repertoire for Recorder by
Doris da Costa Study no 5: Treble Recorder Studies book 2 by Doris da Costa & Sally
Adams (Cranmer)
G P Telemann Fantasia no 9: first movement, Affettuoso 12 Solo Fantasias for
Treble Recorder (Bärenreiter 6440)
J L Tulou No 103: 150 Classical Studies for Treble Recorder (UE 33029)
Sight-reading: A short piece of suitable difficulty to be played on descant recorder.

Major and minor keys up to two sharps and two flats.
37
Descant & Treble Recorder 2015-2018
DESCANT AND TREBLE RECORDER

GRADE VII
Grades VII through to Senior Certificate are combined descant & treble recorder examinations. List A is
for descant recorder and piano. List B is for treble recorder and piano. List C is for solo descant or solo
treble recorder. Scales and sight-reading are on treble recorder.
All scales to be played from memory, tongued and slurred on treble recorder only.
Minor scales in harmonic and melodic form.
Scales: F major (two octaves)

B flat major (to a twelfth)
D and A flat majors (one octave)
F minor (two octaves)
G and C minor (to a twelfth)
Chromatic scales: on G, one octave.
Dominant seventh: in the keys of B flat and G, one octave
Diminished seventh: on G, one octave
W hole tone scale: on F, one octave.
accompaniment from each of list A (descant recorder) and B (treble
recorder) and one unaccompanied piece (descant or treble recorder)
from list C.

38
LIST A DESCANT
Pergolesi Concerto in F major: third movement, Allegro spirituoso (with
repeats) edited by Jeane Dolmetsch (Peacock Press P34)
G P Telemann Partita 1 in B flat TW V 41:B1: first and second movements (Con
Affetto and Aria 1) (with repeats) Little Chambern Music: 6 Partitas
(Bärenreiter HM 47)
Sammartini Concerto in F major: second movement, Siciliano (Schott OFB 1021)
D Scarlatti Sonata in Dm K89: first movement Allegro (with repeats)
D Scarlatti Sonatas arr Andrew Robinson (Dolce 267)
A Bullard No 3: Mexican Hat Box Hat Box (Forsyth Bros)
A Bullard No 3: Prawn Paella Recipes for Descant Recorder and Piano (Forsyth Bros)
M Uccellini Sonata Sesta op 5 (LPM CS11)
A Vivaldi Sonata in G major (RV59): fourth movement, Allegro (ED 12279)
de Caix de Suite in G: second movement, La Christine ed Dolmetsch
Hervelois (Schott ED10016)
B Bonsor Reverie Jazzy Recorder 2 (UE19364)
C M Edmunds Sonatina (Schott 10042)
LIST B TREBLE
J S Bach Sonata in F major BW V 1031: first movement, Allegro moderato
(Nova NM263/Spartan Press)
B M arcello Sonata in E minor op 2 no 4: first movement, Adagio (with repeats)
(Bärenreiter Hortus Musicus 142)
G F Handel Sonata in F major HW V 369: second movement, Allegro (with
repeats) Complete Sonatas (Bärenreiter BA 4259)
P Phalese No 13: The Leaves be Green The Renaissance Recorder (for treble
recorder) (Boosey & Hawkes 10525)
J Parker Eel Pie Island The Music of Jim Parker for treble and piano
(Brass Wind Publications 1322)
J Golland No 2: Blues (for treble and piano) New World Dances (Forsyth Bros)
Colin Hand Sonata Piccola op 63: first movement, Preludio (Lindis Edition)
R Newsome A Song from Norway Recital Pieces Volume 3 edited by J Turner
(Forsyth Bros)
B M arcello Sonata in D minor op 2 no 2: fourth movement, Allegro (Bärenreiter
HM151)
39

J van Nordt No 3: Petit Branle 1 The Gods’ Flute-Heaven (for descant recorder)
Frans Blatt No 42 (with repeats) 50 Graded Studies for Descant Recorder by
Sally Adams & Paul Harris (Faber Music)
G P Telemann Fantasia no 3: second movement, Allegro (with repeats) 12
Solo Fantasias for Treble Recorder (Bärenreiter 6440)
Frederick No 9: 40 Studies for the treble solo (Sikorski NR318)
The Great
G Gariboldi No 43: 150 Classical Studies for Treble Recorder (UE 33029)
H M Linde No 8: Modern Exercises for the Treble Recorder (Schott ED 4797)
Sally Adams Study No 9: Tyrol Tune Treble Recorder Studies book 2 by da Costa
& Sally Adams (Cramer Music)
Sight-reading: A short piece of suitable difficulty to be played on treble recorder.

Major and minor keys up to three sharps and three flats.
40

GRADE VIII
Grades VII through to Senior Certificate are combined descant & treble recorder examinations. List A is
for descant recorder and piano. List B is for treble recorder and piano. List C is for solo descant or solo
treble recorder. Scales and sight-reading are on treble recorder.
All scales to be played from memory, tongued and slurred on treble recorder only. Minor scales in
harmonic and melodic form.
Scales: F and A flat major (two octaves)

G, B flat, A and C (to a twelfth)
B major (one octave)
A, C, G sharp and F sharp minor (to a twelfth)

Chromatic scales: on F, two octaves.
Dominant sevenths: in the keys of B flat and C, two octaves
Diminished sevenths: on F and G, two octaves
W hole tone scale: on G, one octave
from list C.
LIST A DESCANT
Fontana Sonata Terza 6 Sonatas vol 2 (EM2110)
N M atteis Suite in D major: first & third movements, Preludio & Air and
Variation (UE12571)
A M arcello Concerto in D minor for Oboe (to be played on descant
recorder): first movement, Andante & Spiccato (Musica Rara MR1891A)
D Scarlatti Sonata in D minor K77: first movement Moderato & Cantabile
(with repeats) D Scarlatti Sonatas arr by Andrew Robinson (Dolce 267)
G P Telemann Partita 4 TW V 41-g2: movements 3, 4 & 5 (Aria 2, Aria 3 and Aria 4)
(with repeats) Little Chamber Music: 6 Partitas (Bärenreiter HM 47)
A Vivaldi Sonata in G major (RV59): second movement, Allegro ma non Presto
(with repeats) (ED 12279)
A Bullard No 5: Fish and Chips Recipes for Descant Recorder and Piano (Forsyth
Bros)
J Golland No 1: Ragtime New World Dances (Forsyth Bros)
A Bullard No 5: Deerstalker’s Jig Hat Box (Forsyth Bros)
41
LIST B TREBLE
J S Bach Sonata in F major BW V 1031: third movement, Allegro (Nova NM263
Spartan Press)
Veracini Sonata Quinta: second movement, Allegro Veracini 12 Sonatas book 2
(Edition Peters Nr 4965b)
G F Handel Sonata in D minor HW V 367a: second movement, Vivace (with
repeats) Complete Sonatas (Bärenreiter BA 4259)
G P Telemann Sonata in D minor: second movement, Presto (with repeats) Two
Sonatas TWV 41 (Peters P4551)
J Parker The Midsomer Murders and The House of Elliott The Music of Jim
Parker (for treble recorder) (Brass Wind Publications)
Y Bowen Sonatina op 121: second movement, Andante tranquillo
(Emerson E113)
M oszkowski Spanish Dance op 12 no 1: Allegro Brioso (PWM edition, for
Flute, but is suitable for treble recorder with last eight bars to be
played without 8ve sign)
Colin Hand Sonata Piccola op 63: second movement, Cantilena (Lindis Edition)
J Gardiner W altz for Jock Recital Pieces vol 3 ed J Turner (Forsyth Bros)
Robin M ilford Sonatina in F: third movement, Vivo (Peacock Press P117)

J van Eyck Prins Robberts Masco for Descant Recorder Der Fluyten Lust-Hof
vol 2 (Amadeus BP 705)
P de Vois No 13: Je ne puis éviter The Gods’ Flute-Heaven (for descant solo)
G P Telemann Fantasia no 10: first movement A Tempo Giusto (no repeats) 12 Solo
Fantasias for Treble Recorder (Bärenreiter BA 6440)
Frederick No 22: 40 Studies for the Treble Solo (Sikorski NR318)
The Great
W Popp No 76: 150 Classical Studies for Treble Recorder (UE 33029)
H M Linde No 4: Modern Exercises for the Treble Recorder (Schott ED4797)
Sally Adams Study No 20 Treble Recorder Studies book 2 by Doros da Costa & Sally
Adams (Cramer Music)

Major and minor keys up to three sharps and three flats.
42

SENIOR CERTIFICATE
Grades VII through to Senior Certificate are combined descant & treble recorder exams. List A is for
descant recorder and piano. List B is for treble recorder and piano. List C is for solo descant or solo treble
recorder. Scales and sight-reading are on treble recorder.
All scales to be played from memory, tongued and slurred on treble recorder only. Minor scales in
harmonic and melodic form.
Scales: A, C, B flat and F sharp major, to a twelfth

F and A flat major, two octaves
F sharp, G, A and C minor, to a twelfth
F minor, two octaves.
Chromatic scales: on all keys one octave. On F, two octaves.
Dominant sevenths: in the keys of D flat and E, one octave.

In the keys of B flat and C, two octaves.
Diminished seventh: on F and G, two octaves.
W hole tone scale: on F, two octaves.
from list C.

43
LIST A DESCANT
Castello Sonata Prima (OFB 141)
Cima Sonata in G minor Two Sonatas (London Pro Musica CS 8)
D Bigaglia Sonata in A minor (complete) (OFB 3)
Sammartini Concerto in F: first movement, Allegro (Schott OFB 1021)
Pergolesi Concerto in F major: first movement, Spirituoso (ed Jeanne Dolmetsch)
(Peacock Press P34)
M de la Barre Suite no 9 in G major: third movement, Chaconne (Dowani
DOW 01501)
G P Telemann Partita no 5 in E minor TVW 4l-e1: movements 1, 2, 3 & 4 (Andante,
Aria 1, Aria 2 & Aria 3) (with repeats) Little Chamber Music: 6 Partitas
(Bärenreiter HM 47)
A Bullard No 2: Breton Beret - Valse Melancolique Hat Box (Forsyth Bros)
A Heberle Concerto in G major: first movement, Allegro moderato (Wilhelm
Hansen 29869/Music Sales)
M ichael Ball Danserye Op 21: No 2 and No 5, Miss Carroll’s Corant and Sir Keith’s
Fancy (Forsyth Bros)
LIST B TREBLE
Gluck The Dance of the Blessed Spirits arr Edgar Hunt Concert Collection
(ED 7213)
Vivaldi Concerto in A minor RV 108: first movement, Allegro (Dowani 02511)
J S Bach Sonata in F major BW V 1035: fourth movement, Allegro assai
(with repeats) (Dowani 2512)
Handel Sonata in C major HW V 365: first and second movements, Largetto
and Allegro Complete Sonatas (Bärenreiter BA 4259)
G P Telemann Sonata in D minor: third and fourth movements, Grave and Allegro
(with repeats) Two Sonatas TWV 41 (Peters P4551)
D Ortiz No 24: Recercada segunda sopre O felice occhi miei and
No 25: Recercada quinta The Renaissance Recorder (for treble
recorder) (Boosey & Hawkes 10525)
N M atteis Ground After The Scotch Humour (DOL 602)
Y Bowen Sonatina opus 121: first movement, Moderato e semplice
(Emerson Edition E113)
Colin Hand Sonata Piccola Op 63: third movement, Burlesca (Lindis Edition)
D Duberry Mrs Harris in Paris (Peacock Press PJT 013)
44
LIST C DESCANT OR TREBLE SOLO

J van Eyck Engels Nachtegaeltje (for descant recorder) Der Fluyten Lust-Hof
vol 1 (Amadeus BP 704)
A Heberle Sonate Brillante for solo descant: first movement, Adagio
(Wilhelm Hansen 29869/Music Sales)
J van Nordt No 1: Preludium The Gods’ Flute-Heaven (for descant solo)
F Dinn Study no 12: Dexterity Studies for the Descant Recorder (Lengnick)
J S Bach Partita in C minor (BW V 1013): third movement, Sarabanda (for treble
recorder) (Barenreiter BA 6432)
G P Telemann Fantasia no 1: complete (for treble recorder) 12 Solo Fantasias
(Bärenreiter 6440)
C P E Bach Sonata in C minor W q 132: first movement (for treble recorder)
(BA 8079)
Hugo/W underlich No 79: 150 Classical Studies for Treble Recorder (UE 33029)
H M Linde No 11: Modern Exercises for the Treble Recorder (Schott ED 4797)
Fillipo Ruge Study No 25: Capriccio Treble Recorder Studies book 2 by Doris da
Costa & Sally Adams (Cramer Music)
G F Handel Study No 31 Treble Recorder Studies book 2 by Doris da Costa &
Sally Adams (Cramer Music)

Major and minor keys up to four sharps and four flats.
45
Recorder Ensemble 2015-2018
RECORDER ENSEMBLE
This syllabus is designed for group recorder playing, a very enjoyable part of making music
for recorder players. The syllabus can be used for ensembles using one or more to a part.
W here multiple players are performing on each part, a conductor may be used during the
examination.
Please note that the editions cited here are only suggestions; other authoritative editions may be used
by candidates if so desired.
TWO-PART RECORDER ENSEMBLE

JUNIOR GRADE
Candidates must prepare any two pieces from the following list.
The instrumentation may vary between the two pieces, ie one piece may be for two descants
(SS) and another for descant and treble (S,Tr) etc. This syllabus is suitable for ensembles
using one or more to a part. Where multiple players are performing on each part, a
conductor may be used during the examination.
Throughout the recorder ensemble syllabus the following abbreviations will be used:
S=descant; A=treble; T=tenor; B=bass (ie where SS is written the piece is for two descants).
J Pitts Any one of the following pieces for SS:

W ay down South, Les Bouffons, Irish Lullaby, Ode to Joy,
Banks of the Ohio, Fais dodo, Now all the forests Duets from the
Beginning book 1 (Chester CH61213 /Music Sales)
P Wastall Any one of the following pieces for SS:

The Magic Mobile, W hen the Saints go Marching In, The
Caterpillars’ Clog Dance Old MacDonald’s Recorder book 1
(Boosey & Hawkes)
M usic M edals Any one of the following pieces for SS:

Series Up and down the Stairs, The Chinese Dragon Dreams Bronze
Recorder Ensemble Pieces (ABRSM)
E Coulthard Any one or two of the following pieces for SS:

Two Turtle Doves, Canoe Song Recorder Wizard Recital Pieces
(Chester Music/Music Sales)
E Cranitch The Connemara Cradle Song 30 Irish Tunes for Easy Recorder
(Waltons Ltd)
46
Sarah W atts Any one, two or three pieces for SS: Razzamajazz Duets and Trios
(Kevin Mayhew)
E Coulthard Any one, two or three pieces: The Best Recorder Duet Book Ever
(Chester CH61695)
Sarah W atts Any one, two or three pieces for SS: Red Hot Recorder Duets book 1
(Kevin Mayhew 3612030) or book 2 (Kevin Mayhew 3612096)
Own Choice A suitable piece for two-part ensemble

MIDDLE GRADE
Candidates must prepare any two pieces from the following list.
The instrumentation may vary between the two pieces ie one piece may be for two descants
(SS) and another for descant and treble (S,Tr) etc.
This syllabus is suitable for ensembles using one or more to a part. W here multiple players
are performing on each part, a conductor may be used during the examination.
Throughout the recorder chamber syllabus the following abbreviations will be used:
J van Eyck Any one of the following pieces for SS:

No 82 Engels liedt, no 83 More Palatino Der fluyten Lust-hof
book 2 edited by Thiemo Wind (New Vellekoop Edition XYZ1021/ Spartan
Press)
P Wastall Any one of the following pieces for SS:

Tambourin, Fanfare Old MacDonald’s Recorder book 2 (Boosey & Hawkes)
P Wastall & Any one of the following pieces for SS:

K R Cole La Cucaracha, The Mexican Hat Dance (without piano
accompaniment) Old MacDonald’s Barn Dance Book (Boosey & Hawkes)

Czech Polka, Ragtime, Arima Samba (to be played without
accompaniment) Duets from the Beginning book 2 (Chester CH 252/Music
Sales)
47

Tango La Pampa, Ye Banks and Braes, Gavotte (Handel)
(to be played without accompaniment)
Recorder Duets from the Beginning Book 1 (Chester CH 61213/
Music Sales)
K M ayhew Any one or two of the following pieces for SS:

Hallelujah Chorus, Mango W alk Double Act: Descant Recorder
(Kevin Mayhew)
M usic M edals Any one or two of the following pieces for SS: or SA:
Series Lazy Afternoon, Trot to Town on a Pinto Pony, The Pendulum
Swings Bronze Recorder Ensemble Pieces (ABRSM)
E Cranitch Any one of the following pieces for SS:

The Spinning W heel, The Last Rose of Summer 30 Irish Tunes
for Easy Recorder (Waltons Ltd)
W A M ozart Any one, two or three movements for SS:

Selected Pieces from the Magic Flute for two recorders (UE 18741)
B Bonsor Any one, two or three pieces for SS:

Easy Jazzy Recorder Duets (UE16586)
Davey Any one, two or three pieces for SS, SA, AA:
Duets for Recorders vol 1 and vol 2 arr Davey (Davey Music
Publications 201) (Davey Music Publications 202)
Own Choice A suitable piece for two-part ensemble

SENIOR GRADE
Candidates must prepare any two pieces from the following list. The instrumentation may
vary between the two pieces ie one piece may be for SS and another for AA etc.
Throughout the recorder chamber syllabus the following abbreviations will be used;
48
J van Eyck Any one of the following pieces for SS:

No 81 Phillis Schoon Herderinne (Theme & modo 2)
no 85 Prince Robberts Masco (Theme & modo 2)
no 84 Amarilli Mia Bella Der Fluyten Lust-hof book 2
edited by Thiemo Wind (New Vellekoop Edition XYZ1021/Spartan Press)
G P Telemann Any one or two movements for AA from the following:

Six Sonatas for Two Treble Recorders book 1
(Amadeus BP 2426/Schott)
G P Telemann Any one, two or three movements for AA Six Sonatas in Canon
(Schott OFB 98)
E Krahmer Any one, two or three pieces for SS:

Original Pieces opus 25 for two descant recorders (Dolce 703)
James Rae Any one, two or three pieces for AA:

Jazzy Recorder Duets (UE 21395)
M Tippett Any one or two of the following pieces for SA:

No 2 Allegro molto, no 4 Allegro moderato,
Four Inventions for Descant and Treble Recorders (Schott OFB 1007)
Own Choice A suitable piece for 2 part ensemble
THREE-PART RECORDER ENSEMBLE

JUNIOR GRADE
vary between the two pieces ie one piece may be for SSS and another for SSA etc.

49
R W inters ‘Au Clair de la Lune’ for SSS Ross Winters Recorder Pack:
traditional (Nova Music NM 323/Spartan Press)
R Butz Any one or two pieces for SSS: Classic Hits (Schott ED 8758)
M usic M edal Any one or two pieces for SSS: Running for the Bus, Hoedown,
Series Copycat Bronze Recorder Ensemble Pieces (ABRSM)
J Pitts Any one or two of the following pieces for SSA:

La Donne E Mobile, Go Down, Moses, Rondo ( Mozart)
Recorder Trios from the Beginning (Chester CH 61422/
Music Sales)
Sarah W atts Any one, two or three pieces:

Razzamajazz Duets and Trios for recorder (Kevin Mayhew 570241064)
H M ancini Moon River for SAT (M130)
Traditional Greensleeves SAT (M125)
W Byrd A Pavan for the Earl of Salisbury SAT (M159)
Own Choice A suitable piece for three-part ensemble

MIDDLE GRADE
vary between the two pieces ie one piece may be for SSS and another for SSA etc.

50
P Wastall Any one or two of the following pieces for SSS:

A Round in Three Parts by J Haydn (with repeats),
Swiss Clock by Benjamin Britten Old MacDonald’s Recorder book 2
(Boosey & Hawkes)
M usic M edal Any one or two pieces for SSS: Green flag, Gavotte
Series Bronze Recorder Ensemble Pieces (ABRSM)
P Lawrence Any one of the following for SSA/T (excluding Easy Descant Part)
Parade,Chitty Chitty Bang Bang Winners Galore for Recorder Trio book 5
(Cat No 1611 Brass Wind Publications)
J Sebba / Tambourin ( Gossec) - excluding Part 1(no piano accompaniment)

David Moses (SSS or any combination using printable parts from CD - Rom)
Recorder Magic Classical Stars The A & C Black Recorder Series ( A &
C Publications)

SENIOR GRADE
Candidates must prepare any two pieces from the following list. W here applicable two
pieces may be chosen from the same book or from different books. The instrumentation may
vary between the two pieces ie one piece may be for AAA and another for SAT etc.
Quantz Any movement or two contrasting movements for AAA:

Zwei Trios for Three Alto Recorders (Amadeus BP 481/Schott)
C P E Bach Any movement or two contrasting movements for AAA:

Trio in B flat major for three treble recorders (Amadeus BP 2323/Schott)
J M attheson Any one, two or three movements for AAA:

Eight Sonatas ed Giesbert (Bärenreiter BA 6406)
51
G P Telemann Any one, two or three movements for AAA:

Three Sonatas (Amadeus BP 650)
P Hindemith Any movement or two contrasting movements for SAA:

Trio for Recorders from Ploner Musiktag (Edition Schott 10094)
J Pitts Any one or two of the following pieces for SAT:

American Patrol, Calypso Carnival, Scott Joplin in Concert
Recorder Trios from the Beginning (Chester Music CH61422/Music Sales)
FOUR-PART RECORDER ENSEMBLE

JUNIOR GRADE
vary between the two pieces ie one piece may be for SATB or SSAA etc.
Schott Any one or two of the following pieces for SATB:

No 3, no 14, no 24 The Schott Recorder Consort Anthology vol 4 Dance
Music (Schott ED 12390)
S Rosenberg Any one or two of the following pieces for combinations of SATB:
No 32, no 34, no 40 The Recorder Consort book 1 (Boosey & Hawkes)
C Simpson Ayre Seven Consorts from the Dolmetsch Collection for SAAB
(Schott ED 11541)
J Sebba / Any one or two of the following pieces (SSSS or other

David Moses combinations printable from the accompanying CD - Rom)
Haydn - The Surprise (no piano accompaniment)
W eber - Huntsman's Chorus (no piano accompaniment)
Recorder Magic Classical Stars The A & C Black Recorder Series
( A & C Publications)
Own Choice A suitable piece for four-part ensemble

52

MIDDLE GRADE
pieces may be chosen from the same book or from different books. The instrumentation may
vary between the two pieces ie one piece may be for SATB or SAAT etc.
S Rosenberg Any one or two pieces for combinations of SATB:

No 39, no 40, no 41 The Recorder Book: 44 pieces for Recorder
Consort (Schott ED 11380)
Schott Any one or two pieces for combinations of SAAT from Nine
Sixteenth Century Dances for Four Recorders (Schott ED 12157)
J Sebba / Any one or two of the following pieces (SSSS or other

D M oses David Moses combinations printable from the accompanying
CD - Rom)
Gossec - Tambourin (no piano accompaniment)

Clementi - Rondo (no piano accompaniment)
Gluck - Che faro senza Euridice ( no piano accompaniment)
Recorder Magic Classical Stars. The A & C Black Recorder Series
(A & C Publications)
Own Choice A suitable piece for four-part ensemble

53

SENIOR GRADE
pieces may be chosen from the same book or the two pieces can be from different books. The
instrumentation may vary between the two pieces ie one piece may be for SATB or SAAT
etc.
G Frescobaldi Canzona for SAAT (Schott ED 11578)
G Frescobaldi Canzona on Ruggiero SATB (UE14026)
W Byrd Sellenger’s Round for SATB, arr Bergmann (Schott ED 11522)
Handel Any one, two or three movements from Concerto Grosso op 6 no 3

SATB arr Dom Gregory Murray (Oriel Library)
Scott Joplin The Entertainer for SATB (Nova Music NM 321/Spartan Press)
arr H Brunner American Patrol for SATB (Universal Edition UE 30224)
S Rosenberg No 42: Sun Song by Peter Sculthorpe for SATB. The Recorder
Book: 44 Pieces for Recorder Consort (Schott ED 11380)
G P Telemann Any one, two or three movements from Concerto for Four Alto Recorders
(AAAA) Dolce (DOL 305)
W Byrd Carman’s Whistle AATB (Oriel Library)
W Byrd Lord Willobies W elcome Home SATB (Oriel Library)
Own Choice A suitable piece for four part ensemble

54
RECORDER CLASS PLAYING

The following syllabus is for groups of four recorders or more. Preparatory and Junior
Grade are in unison and Middle Grade is either in unison or two part. All pieces are for
descant recorder but sopranino, treble and tenor recorders may also be used if the range of
the piece suits.

PREPARATORY GRADE
Groups must prepare any two contrasting pieces from the following list. Two pieces may be
chosen from the same book or different books. Some of the pieces are requested to be played
once or twice, otherwise play repeats, da capos etc, as written on the music.
M Hobsbawn Any one or two of the following pieces: In the W ood, Brave W arriors,
Snake Dance (all to be played twice) Me and My Recorder part 2
(Faber Music)
P Wastall Any one or two of the following pieces: Merrily, Go and tell Aunt
Nancy, A Little Piece by F Duvernoy (all to be played twice) Old
MacDonald’s Recorder book 1 (Boosey & Hawkes)
J Pitts Any one or two of the following pieces: Over the Sea to Skye, Fais
Dodo Recorder from the Beginning new edition book 2 (Music Sales
Order No EJ10007)
M Thompson Any one or two of the following pieces: Scarborough Fair, W ooden
Heart, Can – Can The Chester First Recorder Book of Popular Tunes
E Coulthard Any one or two of the following pieces: Robin Hood, The Pied
Piper of Hamelin, The Loch Ness Monster Recorder Wizard Recital
Pieces (Chester Music/Music Sales)
Sarah W atts Any one or two of the following pieces:

Movie Buster. Mellow out. Razzmajazz Recorder book 1 (Kevin Mayhew)
55
Recorder Class Playing 2015-2018
JUNIOR GRADE
chosen from the same book or different books. Some of the pieces are requested to be
played once or twice, otherwise play repeats, da capos etc, as written on the music.
P Wastall Any one or two of the following pieces: Old MacDonald, A Round in
Three Parts by Haydn
Old MacDonald’s Recorder book 2 (Boosey & Hawkes)
J Pitts Any one or two of the following pieces: Manx Lullaby, Vilikins and
his Dinah Recorder from the Beginning new edition book 2 (Music Sales
EJ10007)
M Thompson Any one or two of the following pieces: She’ll be coming round
the Mountain, Nellie the Elephant The Chester First Recorder Book of
Popular Tunes (Chester Music/Music Sales)
E Cranitch Any one or two of the following pieces: The Dawning of the Day,
The Rakes of Mallow, The Foggy Dew 30 Irish Tunes for Easy Recorder
(Walton)

W ater Lillies
W estern Hoe Down
Morning Mist
Looking up
Razzmajazz book 2 (Kevin Mayhew)

Tea with the Tumblers
Dublin Dan
Deep Swing
Shrimp on Tour
Red Hot Recorder Tutor book 1 (Kevin Mayhew)
Ellen Cranitch Any one or two of the following pieces:

The Dawning of the day
Cockles and Mussels
The Star of the County Down
30 Irish Tunes for Easy Recorder (Waltons)
56
MIDDLE GRADE
chosen from the same book or different books. Some of the pieces are requested to be played
once or twice, otherwise play repeats, da capos etc as written on the music. This syllabus has
solo and duet pieces. Groups may prepare two solo pieces or two duets or a combination of
both.
P Wastall Any one or two of the following pieces: Eye Level by Jack
Trombey, Sonatina by James Hook Old MacDonald’s Recorder book 2
(Boosey & Hawkes)
P Wastall Any one or two of the following duets. The Mexican Hat Dance,
& K R Cole Daisy Bell’s Cake W alk, Line Dance: The Lord of the Dance
Old MacDonald’s Barn Dance Book for Recorder (Boosey & Hawkes)
J Pitts Any one or two of the following duets: W aikaremoana,

Chiapanecas. Around the World Recorder from the Beginning
E Cranitch Any one or two of the following duets: The Sally Gardens, The Last
Rose of Summer, The Spinning W heel 30 Irish Tunes for Easy Recorder
(Walton)
57
Flute 2015-2018
FLUTE
No marks will be awarded for incorrect music presented at examination.
Candidates using photocopies of music will be disqualified.
Please note in Grades I to IV inclusive items on List B may be played with CD

accompaniment where published. CD player equipment must be supplied by the entrant.
• All Scales and Arpeggios to be played from memory with breath where indicated
(otherwise play scale in one breath)
• All linear scales to be played legato, legato tonguing and staccato.
• Additional articulations in Grades VII and VIII apply to linear scales only and not to
chromatic scales or arpeggios.
• Minor scales of two octaves or more in Grades V to VIII must be played in harmonic
and melodic forms.
• Scales and arpeggios of two octaves in Grades II, III and IV, may be played by
starting and ending in the middle register at the candidate’s choice.
• The melodic exercises are intended to develop a sound technique in scale playing.
They should be used as warm-up exercises and will form an obligatory part of the
grade examinations. These exercises are to be performed from memory at the start of
the examination.
• Please note that the editions cited here are only suggestions; other authoritative
editions may be used by candidates if so desired.
• Candidates must present a copy of their pieces for the examiner.

58
GRADE I
Scales and Arpeggios may be tongued or slurred at the candidate’s choice. Breathing marks,
where indicated, apply to all scales of a similar kind.
Scales & Arpeggios: F, G major (one octave)

E minor (harmonic or melodic) - compass one octave
Melodic Exercise:
This exercise is intended to develop a sound technique in scale playing. It should be used as
a warm-up exercise and will form an obligatory part of the grade examination. These
exercises are to be performed from memory at the start of the examination.
Three pieces: Candidates must prepare three pieces, one from each list A, B and C.

59
Flute 2015-2018
LIST A
S Adams Aria from Sally Adams Flute Basics Repertoire (Faber Music)
Praetorius Spagnoletta First Repertoire for Flute arr Adams and Morley
(Faber Music)
Saint-Saëns The Elephant All Sorts: grades 1-3 (Faber Music)
Schubert No 25: German Dance Beginners Book for the Flute book 1
ed Wye (piano part published separately) (Novello)
Trad All Night, All Day Easy Winners (Brass Wind Publications)
Trad No 23: Swedish Folk Song Beginners Book for the Flute book 1 ed W ye
(piano part published separately) (Novello)
Russian folk melody Russian Dance Winners Galore (Brass Wind Publications)
LIST B
Boswell Little Donkey Winners Galore (Brass Wind Publications)
Deane No 5: May Bells Spring Leaves (CMC)
Haughton The Secret Garden Fun Club Flute grade 0-1(Mayhew)
Haughton Budgie Fun Club Flute grade 0-1 (Mayhew)
Haughton Lullaby Fun Club Flute grade 0-1 (Mayhew)
Hensen/Pottle Muppet Show: Opening Winners Galore (Brass Wind Publications)
Jerome Kern A Fine Romance Easy Winners (Brass Wind Publications)
J Rae Chill! All Sorts: grades 1-3 (Faber Music)
Tchaikovsky March Slav Winners Galore (Brass Wind Publications)
P W edgewood Crystal Spring or Tangerine Really Easy Jazzin’ About (Faber Music)
LIST C
Anon Andante Amabile Sally Adams Flute Basics Repertoire (Faber Music)
Beethoven Theme from the Ninth Symphony Winners Galore (Brass Wind
Publications)
Demersseman No 5: The Flute Player’s Companion vol 1 ed Blakeman
(Chester/Music Sales)
Harris/Garnier No 5 or no 6: 76 Graded Studies book 1 (Faber Music)
Köhler No 5: 125 Easy Classical Studies (Universal Edition 16042)
P McCartney Mull of Kintyre Easy Winners (Brass Wind Publications)
Nicholson No 6: 63 Easy Melodic Studies (Pan PEM34/Spartan Press)
Popp No 12: 125 Easy Classical Studies (Universal Edition 16042)
J Rae No 30: Jazz Flute Studies (Faber Music)
J Rae No 1: In the W ings 40 Modern Studies (Universal Edition)
Stadler Divertimento (top line) Sally Adams Flute Basics Repertoire (Faber Music)
Trad Shepherd’s Hey Easy Winners (Brass Wind Publications)
D Gallagher Melodix Trifecta ed W Dowdall (Arabella Score Publications)
Sight-reading: A short piece in simple time up to eight bars long. In the keys of C, G
or F major using crochets, quavers, minims, dotted minims and
semibreves. Also crochet or quaver rests.
60
GRADE II
All Scales and Arpeggios to be played from memory. Breathing marks, where indicated,
apply to all scales of a similar kind.
Scales and Arpeggios to be tongued and slurred. Minors may be harmonic or melodic at
candidate’s choice.
Scales & Arpeggios: F, G major - compass a twelfth (as in examples below)

E minor - compass a twelfth
Chromatic Scale: starting on C - compass a fifth.
Melodic Exercise:
61
Flute 2015-2018
LIST A
Gervaise No 42: Branle Beginners Book for the Flute book 1 ed W ye (piano
part published separately) (Novello)
Gossec Tambourin Easy Winners (Brass Wind Publications)
Handel Minuet from Il pastor fido First Repertoire for Flute arr Adams and
Morley (Faber Music)
Trad/arr Fleming The Spinning W heel The Irish Fluter (Mayhew)
Trad arr Reade Oh Soldier, Soldier Going Solo (Faber Music)
M ozart arr Reade Papageno Going Solo (Faber Music)
Haydn St Antoni Chorale Sally Adams Flute Basics Repertoire (Faber Music)
Schubert No 64: Rosamunde Beginners Book for the Flute part 1 ed W ye
(piano part published separately)(Novello)
Vivaldi W inter from 4 Seasons Winners Galore (Brass Wind Publications)
Vivaldi Sicilienne no 62 Beginners Book for the Flute book 1 ed W ye (piano
part published separately) (Novello)
LIST B
Albert/Gast Feelings from Latin Connections (Brass Wind Publications)
arr Ramskill
H Blake W alking in the Air from The Snowman First Repertoire for Flute arr
Adams and Morley (Faber Music)
Deane No 4: April Rain or no 3: Out like a Lamb Spring Leaves (CMC)
E John arr Hart Song for Guy All Jazzed Up (Brass Wind Publications)
Grieg Morning Winners Galore (Brass Wind Publications)
Haughton Creatures of the Night Fun Club Flute: grade 2-3 (Mayhew)
Haughton Barney’s Boogie Fun Club Flute: grade 2-3 (Mayhew)
Haughton Honk your Horn! Fun Club Flute grade 0-1 (Mayhew)
Norman James Bond Theme Easy Winners (Brass Wind Publications)
Sedaka/Greenfield Is this the way to Amarillo? from Sally Adams Flute Basics
Repertoire (Faber Music)
P Wedgewood Easy Tiger or Hot Chilli or Keep Truckin’ After Hours (Faber Music)
J W illiams Hedwig’s Theme from Harry Potter and the Philosopher’s Stone
Sally Adams Flute Basics Repertoire (Faber Music)
62
LIST C
Trad Afton W ater Sally Adams Flute Basics Repertoire (Faber Music)
S Adams The Tweet Shop Twitter Sally Adams Flute Basics Repertoire (Faber
Music)
J Rae No 36 or no 37 Jazz Flute Studies (Faber Music)
J Rae No 10: Short Waltz 40 Modern Studies (Universal Edition)
Köhler No 13 and 17 from 76 Graded Studies book 1(Faber Music)
Köhler No 22 or 23: 125 Easy Classical Studies (Universal Edition 16042)
Berbiguier/Popp No 17 and no 19 from 63 Easy Melodic Studies (Pan PEM34/Spartan
Press)
Popp No 31: 125 Easy Classical Studies (Universal Edition 16042)
D Gallagher Lullaby Trifecta ed W Dowdall (Arabella Score Publications)
Sight-reading: A short piece in simple time up to ten bars long. In the keys of C, G, D
or F major using crochets, quavers, minims, dotted minims,
semibreves. Also crochet or quaver rests.
GRADE III
Scales & Arpeggios: D and F major - compass two octaves

D and E minor - compass two octaves
Chromatic Scale: starting on F - compass one octave

63
Flute 2015-2018
Melodic Exercises:
LIST A
J S Bach Sonata in C BW V 1033: fourth and fifth movements (Minuets I and
II) (Bärenreiter)
Handel Sonata in F major HW V 369: third movement: Siliciana (Bärenreiter BA
4225)
M ercadente Andante alla Siciliana from Flute Concerto First Repertoire for Flute
arr Adams and Morley (Faber Music)
L M ozart Andante All Sorts: grades 1-3 (Faber Music)
Somis Tambourin All Sorts: grades 1-3 (Faber Music)
Trad/arr Laurence The Irish W asherwoman Winners Galore (Brass Wind Publications)
Trad/arr Fleming The Last Rose of Summer or The Bard of Armagh The Irish Fluter
(Mayhew)
64
LIST B
Desmond arr Hart Song for Guy All Jazzed Up (Brass Wind Publications)
Fanculli/Nisa Guaglione Latin Connections (Brass Wind Publications)
arr Ramskill
Haughton Celtic Dance Fun Club Flute 2-3 (Mayhew)
Prokofiev Romeo and Juliet Russian Romance (Hunt HE52/Spartan Press)
Ravel Sleeping Beauty’s Pavane Five Easy Pieces by Ravel
(PanPEM71/Spartan Press)
Saint-Saëns Fossils from Carnival of the Animals Sally Adams Flute Basics
Repertoire (Faber Music)
P Wedgewood Call It a Day or Remember W hen After Hours (Faber Music)
LIST C
S Adams Murphy O’Reilly’s Jig Sally Adams Flute Basics Repertoire
(Faber Music)
S Adams Andante Cantabile Sally Adams Flute Basics Repertoire
(Faber Music)
Anon No 20 and no 25: 76 Graded Studies book 1 (Faber Music)
Berbiguier No 21 and no 23: 63 Easy Melodic Studies (Pan/Spartan Press)
Gariboldi No 27: 76 Graded Studies book 1 (Faber Music)
Gariboldi No 6 from 100 Classical Studies (Universal Edition) 12992
Demersseman/ No 10 or no 12 or no 25: The Flute Player’s Companion, vol 1 ed
Leplus Blakeman (Chester/Music Sales)
Gariboldi No 15: Progressive Jazz Studies for Flute no 42 and 44 (FaberMusic)
J Rae No 11: Cloud Nine from 40 Modern Studies (Universal Edition)
Soussmann No 36 or no 37: 125 Easy Classical Studies (Universal Edition 16042)
Tulou No 47: 63 Easy Melodic Studies (Pan PEM34/Spartan Press)
Sight-reading: A short piece in 3/4, 4/4 or 6/8 time up to twelve bars long. In the keys
of C, G, F major or E, G minor. Using crochets, quavers, minims,
dotted minims and semibreves .Also crochet or quaver rests.
GRADE IV
Scales & Arpeggios: G, F and E flat majors - compass two octaves

D, F and G minors - compass two octaves
Chromatic Scale: starting on G - compass a twelfth
Dominant sevenths: in the key of G - compass two octaves

65
Flute 2015-2018
Melodic Exercise:
LIST A
J S Bach Siciliano from Sonata in Eb Major BW V 1031 (Bärenreiter)
Geminiani Sonata in E minor: second movement, largo (with ornaments on
repeat) (Bärenreiter HM 178)
Handel Sonata in E minor HW V 379, second movement, Andante (Bärenreiter
BA 4225)
Handel Sonata in G minor HW V 360, fourth movement, Presto (Bärenreiter
BA 4225)
Roseingrave Sonata in A minor, third movement, Largo (Faber Music)
Trad/arr Fleming Three reels The Irish fluter (Mayhew)
Trad/arr Fleming Three more jigs The Irish fluter (Mayhew)
66
LIST B
Adler/Ross Hernando’s Hideaway Latin Connections (Brass Wind Publications)
arr Ramskill
C Davis Beatrix from Unbeaten Tracks (Faber Music)
Fauré Berceuse from Fauré Flute Album (Novello)
Ramskill Caramba from Latin Connections (Brass Wind Publications)
Reger Romance from First Repertoire for Flute arr Adams and Morley (Faber
Music)
Rodrigues La Cumparsita from Play Latin (Faber Music)
Sainte/Nitzsche/ Up where we belong Sally Adams Flute Basics Repertoire (Faber Music)
Jennings
von Suppé Light Cavalry Overture Sally Adams Flute Basics Repertoire (FaberMusic)
P Wedgewood The Friends or Falling or Summer Nights from After Hours (Faber
Music)
LIST C
Andersen Moderato Sally Adams Flute Basics Repertoire (Faber Music)
Drouet No 56: 76 Graded Studies book 2 (Faber Music)
Gariboldi No 37: 76 Graded Studies book 1 (Faber Music)
Tulou No 15: 100 Classical Studies (Univeral Edition 12992)
Nicholson No 59: 76 Graded Studies book 2 (Faber Music)
Popp No 81 and no 82: 125 Easy Classical Studies (UE16042)
Popp/Tromlitz No 52 and no 76: 125 Easy Classical Studies (UE16042)
J Rae No 53: Jazz Flute Studies (Faber Music)
J Rae No 12: W alkabout 40 Modern Studies (Universal Edition)
D Gallagher Vedunia Trifecta ed W Dowdall (Arabella Score Publications)
Sight-reading: A short piece of suitable difficulty.
GRADE V
All Scales and Arpeggios to be played from memory. Scales and Arpeggios to be tongued
and slurred. Minor scales of two octaves or more must be played in harmonic and melodic
forms. Breathing marks, where indicated, apply to all scales of a similar kind.
Scales & Arpeggios: A flat, E, G, C major - compass two octaves

F, F sharp, G sharp, C minor (both forms) - compass two octaves
Chromatic Scale: starting on F and G - compass two octaves
Dominant sevenths: in the keys of F and C - compass two octaves

Diminished sevenths: starting on E - compass two octaves
67
Flute 2015-2018
Melodic Exercises:
LIST A
J S Bach Sonata in A major BW V 1032: second movement, Largo e dolce
(Bärenreiter BA 4402)
J S Bach Sonata in G minor BWV 1020: second movement, Adagio (Bärenreiter)
J S Bach Sonata in E minor BWV 1034: first movement (Bärenreiter)
Geminiani Sonata in E minor: fourth movement (Bärenreiter HM 178)
Handel Sonata in E minor HW V 375 first movement (Barenreiter BA 4225)
Handel Sonata in F major HW V 369: second movement, Allegro (Bärenreiter
BA 4225)
Roseingrave Sonata in A minor: first movement: Adagio (Faber Music)
68
LIST B
Debussy The Little Shepherd or Golliwog’s Cakewalk 8 Selected Pieces
(Universal UE18018)
Dorus/Reber Feuillet d’Album or Rêverie (Pan Pem 51)
Fauré Pavane or Sicilliene Fauré Flute Album (Novello/Music Sales)
Ravel W altz Five Easy Pieces by Ravel (Pan/Spartan Press)
Trad Mexican Hat Dance Play Latin (Faber Music)
Tchaikovsky Hungarian Dance Russian Romance (Hunt HE52/SpartanPress)
P Wedgewood Sliding Doors or Come Dance with Me After Hours (Faber Music)
LIST C
Drouet No 53: 76 Graded Studies book 1 (Faber Music)
Gariboldi No 26: 100 Classical Studies (Universal Edition 12992)
Köhler No 54: 76 Graded Studies book 1 (Faber Music)
Köhler No 34: The Flute Player’s Companion, vol 1 ed Blakeman (Chester/Music
Sales)
Köhler No 1: 25 Romantic Études (Amadeus/Schott)
Demersseman No 27: The Flute Player’s Companion vol 2 ed Blakeman (Chester/Music
Sales)
Popp No 85 and no 86: 125 Easy Classical Studies (UE 16042)
Rae No 58 and no 61: Jazz flute studies (Faber Music)
Rae No 14: Short Cut 40 Modern Studies (Universal Edition)
D Gallagher Aritarule Tango Trifecta ed W Dowdall (Arabella Score Publications)
Sight-reading: A short piece in simple or compound time up to twelve bars long.

In major or minor keys up to three flats and four sharps. Using
crochets, quavers, semiquavers, minims, dotted minims and
semibreves. In compound time, use of dotted quaver. Also crochet or
quaver rests. Use of ties.
GRADE VI
All Scales and Arpeggios to be played from memory. Scales and Arpeggios to be tongued
and slurred. Minor scales of two octaves or more must be played in harmonic and melodic
forms. Breathing marks, where indicated, apply to all scales of a similar kind.
Scales & Arpeggios: A, A flat, D flat major - compass two octaves

F sharp, C sharp, E flat minor (both forms) - compass two octaves
Chromatic Scale: starting on C, F sharp and A - compass two octaves

W holetone Scale: starting on E flat - compass two octaves
Dominant sevenths: in the keys of B flat, A & A flat - compass two

octaves
Diminished sevenths: starting on E flat, F and G - compass two
octaves
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Flute 2015-2018
Melodic Exercises:
LIST A
C P E Bach Sonata in G major: second and third movements: Allegro and
Tempo di Minuett (with variations) (Bärenreiter HM 71)
J S Bach Sonata in C BW V 1033: first movement, Andante - Presto (Bärenreiter)
Handel Sonata in E minor HW V 375 second movement: Allegro (Bärenreiter
BA 4225)
M ozart Andante in C from 3 Masterpieces (Pan ) or Flute Favourites vol 1
(de Haske/Fentone)
M ozart Concerto in D K314: second movement: Andante without cadenza
(Bärenreiter or Peters)
M ozart Concerto in C for flute and harp K 299 (arr for flute and piano):
second movement, Andantino (Bärenreiter)
Rabboni Sonata no 10 in D minor Sonatas vol 1 (Mayhew)
Roseingrave Sonata in A minor: second and fourth movements: Allegro and Vivace
(Faber Music)
70
LIST B
Chopin/Rossini Theme and variations 1 and 2 from Variations on a Theme of Rossini
(IMC)
Debussy Clair de Lune or La Fille aux Cheveux de Lin 8 Selected Pieces
(Universal Edition UE 18018)
C Gunning W altz for Aggie Unbeaten Tracks (Faber Music)
Ravel Piece en forme de Habañera (Leduc/UMP)
Roussel Tityre Joueurs de Flûte (Durand/UMP)
Taffanel Allegretto grazioso or Allegretto scherzando (Pan Pem 50)
LIST C
J S Bach Sarabande from Partita in A minor BW V 1013 (Barenreiter BA 5187)
Berbiguier No 63: 76 Graded Studies, book 2 (Faber Music)
Drouet No 72 or no 73: 100 Classical Studies (Universal Edition 12992)
Köhler No 28 or no 31: 100 Classical Studies (Universal Edition 12992)
Köhler No 6: The Flute Player’s Companion vol 2 ed Blakeman (Chester/Music
Sales) or
No 16: 25 Romantic Études (Amadeus/Schott)
Köhler No 13: 25 Romantic Études (Amadeus/Schott)
P Martin Two pieces for Solo Flûte (CMC)
J Rae No 31: Ringing the changes 40 Modern Studies (Universal Edition)
Telemann No 62 76 Graded Studies book 2 (Faber Music)
D Gallagher Chocolate Con Churros Trifecta ed W Dowdall (Arabella Score
Publications)
Sight-reading: A short piece of suitable difficulty in major or minor keys up to three

flats and four sharps.
GRADE VII
All Scales and Arpeggios to be played from memory. All linear scales to be played legato,
legato tonguing and staccato. Additional articulations apply to linear scales only and not to
chromatic scales or arpeggios. Minor scales of two octaves or more must be played in
harmonic and melodic forms. Breathing marks, where indicated, apply to all scales of a
similar kind.
Scales & Arpeggios: B flat, F sharp, D flat major - compass two octaves
B flat, A, G sharp minor (both forms) - compass two octaves
Chromatic Scale: starting on any note - compass two octaves

W holetone Scale: starting on D, E flat - compass two octaves
Dominant sevenths: in the keys of D, D flat, F sharp, G, A, A flat -

compass two octaves
Diminished sevenths: starting on A flat, B flat, C, C sharp - compass
two octaves
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Flute 2015-2018
Melodic Exercises:
LIST A
C P E Bach Sonata in E minor, first and second movements: Adagio and
Allegro (Bärenreiter HM 71)
J S Bach Sonata in A major BW V 1032: movement no 3 Allegro (Bärenreiter)
J S Bach Sonata in G minor BWV 1020: movement no 1 or no 3 Allegro
(Bärenreiter)
Handel Sonata in G major HW V 363b, first and second movements: Adagio
and Allegro (Bärenreiter BA 4225)
M ozart Rondo in D, KV Anh 184 (Universal Edition UE 17296)
M ozart Concerto in G K 313: second movement, Adagio ma non tanto, with
cadenza (Bärenreiter/Dowani)
M ozart Concerto in C for flute and harp K 299 arr for flute and piano: third
movement, Allegro (Bärenreiter/Dowani)
Piccolo
Vivaldi Concerto in A minor (slow movement) (Ricordi)
72
LIST B
Hindemith Sonata: second movement, Sehr Langsam (Schott)
Fauré Morceau de Concours (Bourne/Universal-MDS)
Henze Sonatina, second movement, Andantino (Schott)
M atthews Little Pavane or Pieces of Seven Unbeaten Tracks (Faber Music)
Poulenc Sonata movement 2 Cantilena (Chester/Music Sales)
Rabboni Sonata no 6 in F (Mayhew)
Roussel Pan from Jouers de Flute (Durand/UMP)
Piccolo
Tomasi Le Tombeau de Mireille: introduction and variations 1, 2 and 4 (Leduc)
M usgrave Piccolo Play: first and second movements (Novello)
LIST C
Berbiguier No 51 or no 53 or no 56: 100 Classical Studies(Universal Edition 12992)
Bohm No 74: 76 Graded Studies book 2 (Faber Music)
Köhler No 30: The Flute Player’s Companion vol 2 ed Blakeman (Chester/Music
Sales)
or
No 14: Romantic Études (Amadeus/Schott)
Köhler No 12: Romantic Études (Amadeus/Schott)
Debussy Syrinx (Chester/Music Sales or Peters or Jobert/UMP)
Donjon No 69: 76 Graded Studies book 2 (Faber Music)
Rae No 36: Hard Rock Blues 40 Modern Studies (Universal Edition)
PO Ferroud Jade from 3 Pieces (Salabert/UMP)
D Gallagher Bees and Butterflies Trifecta ed W Dowdall (Arabella Score Publications)
Sight-reading: A short piece of suitable difficulty in major or minor keys up to four

flats and five sharps.
GRADE VIII
All Scales and Arpeggios to be played from memory. All linear scales to be played legato,
legato tonguing and staccato. Additional articulations apply to linear scales only and not to
chromatic scales or arpeggios. Breathing marks, where indicated, apply to all scales of a
similar kind.
Minor scales of two octaves or more must be played in harmonic and melodic forms.
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Flute 2015-2018
Scales & Arpeggios: All keys major and minor (both forms) with additional
articulations: compass two octaves.
C major, C minor (both forms) - compass three octaves.
Chromatic Scale: starting on C (compass three octaves) and any other

note (compass two octaves).
W holetone Scale: starting on C sharp and F sharp - compass two

octaves.
Dominant sevenths: In the key of F (compass three octaves) and all

other keys (compass two octaves).
Diminished sevenths: starting on C (compass three octaves) and any

other note (compass two octaves).
Melodic Exercise:
74
LIST A
J S Bach Sonata in E major BW V 1035: movements no 4 Siciliano and Allegro
Assai (Bärenreiter)
J S Bach Sonata in E minor BWV 1034: movements no 2, Allegro (Bärenreiter)
M ozart Concerto in G K 313 movements 1 or 3 Allegro maestoso or Rondo
without cadenza (Bärenreiter/Dowani)
M ozart Concerto in D K 314: first movement or third movement, Allegro
aperto or Rondo, without cadenza first movement piano introduction
may be cut (Bärenreiter/Dowani)
M ozart Concerto in C for flute and harp K 299 arr for flute and piano: first
movement, Allegro without cadenza (Bärenreiter/Dowani)
Rabboni Sonata no 7 in F (Mayhew)
Piccolo
Vivaldi Concerto in C major op 44:11: first or second movements (Ricordi)
LIST B
Debussy l’Après-midi d’un Faune (Jobert/UMP)
Burton Sonatina: third movement, Allegro giocoso (Carl Fischer/Boosey &
Hawkes)
Henze Sonatina: first movement, Moderato allegro molto or third movement,
Presto (Schott)
Hindemith Sonata: first movement, heiter bewegt or third movement (Schott)
Poulenc Sonata: first movement or third movement, Allegro malinconico or
Presto giocoso (Chester/Music Sales)
F Trainer Outside Lines Unbeaten Tracks (Faber Music)
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Flute 2015-2018
Piccolo
M M ower Sonata: third movement (Itchy Fingers Publications)
P Proust Les Quatre Éléments: first and second movements ed Combre
LIST C
J S Bach Bourée Anglais from Partita in A minor BWV 1013 (Bärenreiter)
C P E Bach Solo sonata in A minor: second movement, Allegro (Bärenreiter)
Gariboldi No 86 or no 88: 100 Classical Studies (Universal Edition 12992)
Drouet No 82: 100 Classical Studies (Universal Edition 12992)
Honegger Danse de la Chèvre (Salabert/UMP)
Köhler No 23 or no 19: 25 Romantic Études (Amadeus/Schott)
Paganini/Herman No 32: The Flute Player’s Companion vol 2 ed Blakeman
J Rae No 39: Over the limit and No 40: Patterns 40 Modern Studies (Universal
Edition)
P O Ferroud Bergere Captive from 3 Pieces (Salabert/UMP)
Rivier Oiseaux Tendres (Salabert/UMP)
D Gallagher Trifecta or Yearn Song Trifecta ed W Dowdall (Arabella Score
Publications)
Sight-reading: A short piece of suitable difficulty in major or minor keys up to four

flats and four sharps.
SENIOR CERTIFICATE
Scales & Arpeggios: All legato, legato tongued and staccato to be played from memory.
Breathing marks, where indicated, apply to all scales of a similar kind.
Scales: All keys major and minor (harmonic and melodic): compass two
octaves
C major, C minor (harmonic and melodic): compass three octaves
Additional articulations apply to diatonic linear scales only and

not to scales in thirds, arpeggios, wholetone scales or chromatic
scales.
Chromatic Scale: starting on C compass three octaves
Arpeggios: In the above keys for the range indicated

Chord on the Augmented Fifth:
Starting on C (eg C-E-G sharp-C)
Starting on F sharp (eg Fsharp-A sharp-D-Fsharp) compass two octaves
W holetone Scales: starting on C sharp, F sharp, G sharp and B compass

two octaves
76
Scales in thirds: D, E, F, G, A flat, A, B flat major compass two octaves

C, D, E, F, A minor compass two octaves
Dominant seventh: in the key of F compass three octaves and any other
key compass two octaves
Diminished seventh: starting on C, compass three octaves and any other

note compass two octaves
Three pieces: Candidates must prepare three pieces, one from each List A, B,and C.
LIST A
C P E Bach Hamburger Sonata in G Major (W ot. 133): complete (Schott FTR 1)
J S Bach Sonata in A Major (BW V 1032): complete (Bärenreiter BA 5198)
J S Bach Sonata in E Major (BW V 1035) (Bärenreiter BA 5198)
Doppler Hungarian Pastoral Fantasy (Chester/Music Sales)
M ozart Concerto in G K.313: movement no 3 with cadenza (Bärenreiter/
Peters/Novello)
LIST B
C Griffes Poem (Schirmer)
Chaminade Concertino Music by French Composers (Schirmer) or separately
(Enoch/UMP)
M ilhaud Sonatina: complete (Durand/UMP)
Poulenc Sonata: movement no 3 (Chester/Music Sales)
H Harty In Ireland (Boosey & Hawkes)
Schulhoff Sonata: complete (Chester/Music Sales)
W idor Suite: complete (Heugel/UMP)
LIST C (all unaccompanied)

C P E Bach Solo Sonata in A minor: first movement (Zimmermann or Bärenreiter )
J S Bach Solo Partita in A minor: first movement (Breitkopf) or (Bärenreiter)
Bozza Image (Leduc/UMP)
J Buckley No 1 or no 3 from 3 Pieces for Solo Flute (CMC)
D Joly Improvisation (Leduc/UMP)
R Panufnik The Conversation of Prayer, from Flute Project (Universal Edition)
Ferroud Toan-Yan, from 3 pieces (Salabert/UMP)
Ravel Daphnis and Chloe Orchestral Extracts (Trinity College)
Stamitz Capriccio-sonata in A (Breitkopf)
Telemann Fantasia No 3 or No 6 from 12 Fantasias (Barenreiter)
K Zgraya No 1 or no 2 or no 3 from 3 Virtuoso Flamenco Studies (Schott ED 8425)

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Oboe 2015-2018
OBOE
Music requiring accompaniment will not be accepted unaccompanied. Candidates requiring

accompaniment must provide their own accompanist.
GRADE I
Scales: From memory both tongued and legato.

F, G major and D minor (one octave).
Scales in the above keys in melodic or harmonic form at
Arpeggios: The common chords of the above keys for the range indicated.
Three pieces: Candidates must prepare three pieces: one from each List A, B and C.
LIST A
Traditional Polish Folk Tune First Book of Oboe Solos arr Craxton & Richardson (Faber
Music)
Richardson Sad Song First Book of Oboe Solos arr Craxton & Richardson (Faber Music)
T M orley Go from My W indow Go First Book of Oboe Solos arr Craxton &
Richardson (Faber Music)
Trad Scottish Kelvin Grove 22 Traditional Tunes for Oboe arrRamsay (Fentone F485A-401)
Grieg Peasant Song First Book of Oboe Solos arr Craxton & Richardson (Faber
Music)
LIST B
Richardson March First Book of Oboe Solos arr Craxton & Richardson (Faber Music)
Richardson Melancholy Tale First Book of Oboe Solos arr Craxton & Richardson (Faber
Music)
Sarah W atts Morning in Moscow or Banana Tango Razzamajazz for Oboe (Kevin
Mayhew)
M Chandler Magyar no 3 Three Dance Studies (Nova NM298/Spartan Press)
V Gray Evening Song Oboe Music to Enjoy ed Francis & Grant (Boosey & Hawkes)
V Gray Pendulum Oboe Music to Enjoy ed Francis & Grant (Boosey & Hawkes)
78
LIST C
R East No 2 (page 1) Technical Exercises for Oboe (Schott 11233/MDS)
P Harris Study no 3 80 Graded Studies for Oboe book 1 ed Davies & Harris (Faber
Music)
Hinke No 1 or no 2: Elementary Method (Peters P2418)
GRADE II

F, G majors and D, A and E minors (one octave). C major (two octaves).
Scales in the above keys in melodic or harmonic form at candidate’s
choice.
Arpeggios: The common chords of the above keys for the range indicated.
LIST A
G F Handel No 8: Aria Oboe Music for Beginners ed Szeszler (Editio Musica/Boosey &
Hawkes)
G F Handel No 9: Menuett Oboe Music for Beginners ed Szeszler (Editio
Musica/Boosey & Hawkes)
G Jacob No 2 or no 3: Ten Little Studies for Oboe and Piano (OUP)
J S Bach Vom Himmel Hoch da komm ich her First Book of Oboe Solos arr
Richardson (Faber Music)
J J Rousseau Rêverie Oboe Music to Enjoy ed Francis & Grant (Boosey & Hawkes)
Trad Scottish Skye Boat Song 22Traditional Tunes for Oboe arr Ramsay (Fentone
F485A-401)
LIST B
Terry Gilkyson The Bare Necessities (from The Jungle Book) Winner Scores All for Oboe
arr Lawrance (Brass Wind)
Delius No 6: Serenade (from Hassan) First Repertoire Pieces for Oboe ed Wastall
(Boosey & Hawkes)
M Rose Dance of the Scarecrows The Really Easy Oboe Book (Faber Music)
V Gray Stick Dance Oboe Music to Enjoy ed Francis & Grant (Boosey & Hawkes)
V Gray Green Fields Oboe Music to Enjoy ed Francis & Grant (Boosey & Hawkes)
V Gray Syncopation Oboe Music to Enjoy ed Francis & Grant (Boosey & Hawkes)
M Jacques No 3: Hoe Down no 3 Sounds Good for Oboe (ABRSM)
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Oboe 2015-2018
LIST C
Brod No 16: Study in C 80 Graded Studies for Oboe book 1 ed Davies & Harris
(Faber Music)
P Harris No 10 (page 4) or no 11 (page 5): 80 Graded Studies for Oboe book 1 ed
Davies & Harris (Faber Music)
Hinke No 2 (page 6) or no 4 (page 8): Elementary M ethod for Oboe (Peters P2418)
Graham Salter The Satin Gown 35 Melodic studies for Oboe (Emerson E413)
GRADE III

B flat major (start an octave above lowest tonic note).
E, A, G minor (one octave).
D, F major (to a twelfth). C major (two octaves).
Scales in the above keys in melodic or harmonic form at the

Arpeggios: Common chords of the above keys for range indicated.
LIST A
Corelli Prelude or Gavotte Concerto arr Barbirolli (Boosey & Hawkes)
Loeillet No 4: Largo First Repertoire Pieces for Oboe ed Wastall (Boosey &
Hawkes)
Gluck Aria ( from Orfeo ed Euridice) Winner Scores All for Oboe (Brass Wind)
J S Bach No 6: Gavotte Oboe Music for Beginners ed Szeszler (Editio Musica /
Boosey & Hawkes)
LIST B
Trad W elsh The Ash Grove 22 Traditional Tunes for Oboe arr Ramsay (Fentone
F485-401)
Grieg No 2: Four Pieces arr Blake (Chester Music/Music Sales)
M Rose Idyll Miscellany for Oboe book 1 (ABRSMd)
M Rose March Miscellany for Oboe book 1 (ABRSM)
M Rose Burlesque Miscellany for Oboe book 1 (ABRSM)
80
LIST C
Hinke No 5 (page 8) or no 13 (page 10) or no 3 (page 19): Elementary Method
(Peters P2418)
Langey No 23: Study in A minor 80 Graded Studies for Oboe book 1 ed Davies
& Harris (Faber Music)
M Rose Calypso Miscellany for Oboe book 1 (ABRSM)
Schubert No 14: Moment Musicale Melodies for Pleasure arr Hunt (Pan
Educational Music PEM38/Spartan Press)
Graham Salter Gnome from 35 Melodic studies for Oboe (Emerson E413)
GRADE IV

A major (one octave).
G major, F major, G minor, F sharp minor (to a twelfth).
C major, D and E flat majors (two octaves).
B minor (one octave) (starting an octave above lowest tonic note).
C and D minors (two octaves). E minor (to a twelfth).
Scales in the above keys (minors in melodic or harmonic form at
candidate’s choice).
Arpeggios: Common chords of the above keys in range indicated

Chromatic scales: starting on C (two octaves)
Dominant sevenths: in the key of G (two octaves)
LIST A
M ozart No 8: Theme La ci darem la mano Second Book of Oboe solos arr Craxton
& Richardson (Faber Music)
Gluck Ballet (from Orfeo) Airs and Dances arr Blood (Gonzaga)
Handel No 4: Siciliano Nine Short Pieces from Three Centuries arr Thackray
(OUP)
Vivaldi No 5: Largo Nine Short Pieces from Three Centuries arr Thackray (OUP)
M ozart Turkish Rondo (from Piano Sonata in A) Classic Experience Collection
for Oboe arr Lanning (Cramer)
Telemann Suite in G minor TW V41:g4: seventh movement, Irlandoise
(Bärenreiter)
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Oboe 2015-2018
LIST B
C Frank No 9: Andantino First Repertoire Pieces for Oboe ed Wastall
(Boosey & Hawkes)
G Jacob No 6 and no 8: Ten Little Studies for Oboe and Piano (OUP)
E German Pastorale no 12 First Repertoire Pieces for Oboe ed W astall (Boosey &
Hawkes)
E Satie Gymnopedie no 13 First Repertoire Pieces for Oboe ed Wastall (Boosey &
Hawkes)
G Slater No 6 (Slow Minuet) or no 9 (The Hunt) 35 Melodic Studies for Oboe
(Emerson)
Grieg No 8: W altz Going Solo: Oboe arr Francis & Grant (Faber Music)
arr M ayer Sailor’s Hornpipe (Alfred Music)
LIST C
Hinke No 5 (page 27) or no 6 (page 27) Elementary Method for Oboe
(Peters P2418)
P Harris No 29: Study in D minor 80 Graded Studies for Oboe book 1 ed Harris &
Davies (Faber Music)
Rossini No 22: Aria from The Barber of Seville Melodies for Pleasure arr Hunt
(Pan Educational Music PEM38/Spartan Press)
Philip Sparke One-part Invention no 36 from Skilful Studies for Oboe (Anglo Music
AMP 095-401)
GRADE V

F sharp minor, A major, A flat major, F minor and A minor (to a
twelfth). E major, D major, E flat major (compass two octaves).
B minor and C sharp minor, compass two octaves. E minor to a
twelfth.
Scales in the above keys (minors in melodic or harmonic form

at candidate’s choice)
Arpeggios: Common chords of the above keys in range indicated.
Chromatic scales: starting on D and E flat (two octaves).
Diminished sevenths: starting on B (two octaves).
Dominant sevenths: in keys of E flat, F and G (two octaves).

82
LIST A
Telemann Partita no 2 in G: Arias no 2 (Allegro) and no 4 (Affetuoso)
(Schott ED 10950)
Corelli Concerto: first and second movements (Preludio and Allemanda)
arr Barbirolli (Boosey & Hawkes)
Handel Rondo from Air and Rondo (Chester Music/Music Sales)
G Sammartini Sonata in G: first or fourth movements (Chester Music/Music Sales)
Geminiani Sonata in E minor: first and fourth movements (Bärenreiter HM 178)
Pergolesi Concerto, arr Barbirolli: first and second movements or third and
fourth movements (Boosey & Hawkes)
J S Bach Jesu Joy of Man's Desiring Sounds Classical for Oboe arr Sparke (Anglo
Music AMP 361-400)
LIST B
G Jacob Interludes no 2 (Scherzetto) and no 4 (Air) (Emerson)
M Nicholas Rhapsody from Rhapsody and Melody (Chester Music/Music Sales)
S Joplin The Entertainer Great Tunes vol 1 (Nova Music/Spartan Press)
Brightmore Quickie (Emerson)
Cui Orientale, from Kaleydoskop Time Pieces for Oboe vol 2 arr Denley
ABRSMd)
R Kershaw Red Hot Polka or Tango for Two Have Oboe Will Travel (Phylloscopus
PP 475)
LIST C
Hinke No 20 (page 13) or no 18 (page 12) Elementary Method for Oboe (Peters
P2418)
J Davies & No 40 (page 19) or no 42 (page 20) 80 Graded Studies for
P Harris Oboe book 1 ed Davies & Harris (Faber Music)
J S Bach No 89: Aria from Cantata Difficult Passages from J S Bach ed Rothwell
(Boosey & Hawkes)
G Salter Après-Ski W altz 35 Melodic Studies for Oboe (Emerson E413)

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Oboe 2015-2018
GRADE VI

F sharp major, A flat major, G minor, A flat minor (to the twelfth).
B flat major, B major, D flat major, E major, F major (two octaves).
C sharp minor, E flat minor (two octaves)
Scales in the above keys (minors in both melodic and harmonic

forms).
Arpeggios: Common chords of the above keys in range indicated.
Chromatic scales: starting on B flat, C, E (two octaves).
Dominant sevenths: In the keys of E, F and A (two octaves).
Diminished sevenths: Starting on B flat and C (two octaves).
LIST A
J S Bach Adagio (Sinfonia from Cantata 156) (Chester Music/Music Sales)
J S Bach Solo (from the Easter Oratorio) Time Pieces for Oboe vol 2 arr Denley
(ABRSM)
A M arcello Concerto in D minor: first movement (Schott OBB 32/MDS)
G F Handel Concerto no 1 in B flat major: movements no 2 and no 3 or
movements no 3 and no 4 (Boosey &Hawkes)
G Telemann Partita no 2 in G major: Arias no 5 and no 6 (Schott)
Albinoni Oboe Concerto in C op 7 no 12: first movement (Peters Edition)
LIST B
Bartók Three Hungarian Folksongs (complete with repeats) arr Szeszler
(Boosey & Hawkes)
F Reizenstein Sonatina: first movement (Lengnick)
Debussy The Little Shepherd arr Lanning (Fentone/de Haske)
G Jacob Seven Bagatelles: any two movements (unaccompanied) (OUP)
Field Nocturne arr Rothwell (Chester/Music Sales
C Nielsen Romanze: no 1 from Two Fantasy Pieces (Hansen WH30736)
84
LIST C
Ferling Study no 11 48 exercises op 41 (Universal Edition UE 17514)
Brod Study in D minor no 51 80 Graded Studies for Oboe book 2 ed Davies and
J S Bach No 49: Aria from Cantata no 140 Difficult Passages from J S Bach
ed Rothwell (Boosey & Hawkes)
M ike M ower Tectonic Groove The Good-Tempered Oboe (Itchy Fingers
Publications 058)
GRADE VII
Scales: From memory to be played slurred, legato, tongued and staccato in

the following keys:
F sharp, G, A flat, A major, F sharp, G, A flat, A minors
(to the twelfth).
All other keys major and minor (two octaves).
Minor scales in both melodic and harmonic form.
Arpeggios: Common chords of the above keys in range indicated
Chromatic scales: starting on any note between F sharp - A

(a twelfth)
Any other note (two octaves).
Dominant sevenths: in keys of E flat, E, F, F sharp (two octaves)
Diminished sevenths: starting on D flat, B, C (two octaves).

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Oboe 2015-2018
LIST A
G F Handel Concerto no 3 in G minor: first and second movements (Boosey &
Hawkes)
J S Bach Sonata in G minor BWV 1020: any one movement (Bärenreiter BA
8170)
Haydn Concerto in C: second movement (Breitkopf & Härtel)
Telemann Sonata in A minor: first and second movements (Schott)
Telemann Concerto in C minor: first and second movements or third and fourth
movements (Sikorski no 788/Mus T)
Vivaldi Concerto in A minor RV463: first and second movements (Musica-
Rara/Kalmus/MDS)
Albinoni Concerto in B flat op 7 no 3: first and second movements (Boosey &
Hawkes)
Bellini Concerto in E flat: first movement (Ricordi)
LIST B
Harty Chansonette: no 2 from Three Miniatures (Stainer & Bell)
Schumann Romance no 1 from Three Romances op 94 (Peters P2387)
C Nielsen No 1 or no 2 from 2 Fantasiestücke/Fantasy Pieces (Hansen/Chester
Music/Music Sales)
Donnizetti Sonata (complete) (Peters no 5919)
Cimarosa Concerto arr Benjamin: first and second movements or third and
fourth movements (Boosey & Hawkes)
B Britten Six Metamorphoses after Ovid: no 1 Pan (unaccompanied) (Boosey &
Hawkes)
Ravel Piece en forme de habanera arr Gillet (Leduc AL 24861)
M Dring Italian Dance (Faber Music)
LIST C
J S Bach No 62: Aria from Christmas Oratorio Difficult Passages from the Works
of J S Bach (Boosey & Hawkes)
Ferling No 4 in D minor 18 Exercises for Oboe op 12 (Universal Edition UE 17518)
Ferling No 8 or no 11 or no 18 or no 38: 48 Exercises op 31 (Universal Edition
UE 17514)
G Jacob No 7: Galop Seven Bagatelles for Oboe (OUP)
Telemann Fantasia no 5 in C: second movement Twelve Fantasias for Solo Flute
(Bärenreiter BA 2971)

86
GRADE VIII
Scales & Arpeggios: From memory to be played slurred, legato, tongued and
staccato in the following keys:
G, B flat, A major, A flat minor, A minor (to the twelfth).
All other keys major and minor (two octaves).
Minor scales in both melodic and harmonic forms.
Chromatic scales: starting on any note between B flat and F

(two octaves)
W holetone scales: starting on C and C sharp (two octaves)
Scale in Thirds: C major (two octaves)
Arpeggios: The common chords of the above keys, in the range indicated.
Dominant sevenths: in keys of C, D flat, D (one octave)

all other keys (two octaves)
Diminished sevenths: starting on any note A flat – F sharp,

two octaves.
LIST A
Albinoni Concerto in D minor op 9 no 2: first and second movements (IMC
1025/Kalmus/MDS)
M ozart Concerto in C K314: first movement (with cadenza) (Bärenreiter 4856a)
M ozart Oboe Quartet K 370 trans Hodgson: first movement (Peters EP 7077)
C P E Bach Sonata in G minor: first and second movements or third and fourth
movements (Breitkopf & Härtel/Schott)
Haydn Concerto in C: first movement (OUP or Breitkopf & Härtel 5349)
Vivaldi Sonata in C minor RV 53: first and second movements (Schott)
Telemann Sonata in A minor (complete) Getreue Musikmeister (Bärenreiter HM7)
M arcello Concerto in D minor: second and third movements (J S Bach's
ornaments) (Musica Rara MR1891A)
G F Handel Sonata in G minor: first and second movements or third and fourth
movements (Peters Edition)
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LIST B
B Britten Six Metamorphoses after Ovid for Oboe Solo op 49: any two
contrasting movements (unaccompanied) (Boosey & Hawkes)
C Saint-Saëns Sonata op 166: any one movement (Durand/UMP)
Poulenc Sonata: any one movement (Chester Music/Music Sales)
G Grovlez Sarabande et Allegro (Leduc/UMP)
M Arnold Sonatina: first and second movements (Lengnick)
Hindemith Sonata: first movement (Schott)
LIST C
Ferling No 31 and no 34 or no 40: 48 Studies op 31 (Universal Edition UE 17514)
J S Bach No 27: Aria (from Cantata no 79) Difficult Passages from the Works of
J S Bach (Boosey & Hawkes)
J S Bach No 13: Aria (from Cantata no 32) Difficult Passages from the Works of
J S Bach (Boosey & Hawkes)
Telemann Fantasia no 8 in E minor: first and second movements (Bärenreiter
BA 2971)
SENIOR CERTIFICATE
Scales & All major and minor scales up to top F sharp, tongued and legato in
varied articulation to be played from memory
Arpeggios: W hole tone and chromatic scales up to top F.

Scales in thirds up to top D.
LIST A
Any complete Sonata by Handel, Telemann, Vivaldi, Poulenc or Saint-Saëns.
LIST B
Any complete Concerto by Bellini, Albinoni, Marcello, Vivaldi or Bach.
LIST C
An unaccompanied piece of appropriate standard.

88
CLARINET

GRADE I
Scales: G major and F major (one octave) legato.

A minor, melodic or harmonic (one octave) legato.
Arpeggios: Of above scales, legato.
LIST A
Trad Hatikvah First Book of Clarinet solos (Faber Music)
Trad Song of the Volga Boatman First Book of Clarinet Solos (Faber Music)
M ozart Minuet Clarinet All Sorts Grades 1-3 (Trinity Repertoire Library)
Chamberlain Touchstone Step It Up! Grades 1-3 (Faber Music)
Anon Coventry Carol First Repertoire for Clarinet and Piano arr Harris
and Johnson (Faber Music)
Bennet Jazz Music for Beetles Jazz Club Grades 1-2 (IMP)
LIST B
Laurence Birdie Song Winners Galore Clarinet, Easy (Brass Wind Publications)
W atts Humdinger Hoedown Fresh Air Clarinet grades 1-3 (Kevin Mayhew)
W atts Precious Times Fresh Air Clarinet grades 1-3 (Kevin Mayhew)
Haughton Honk your Horn Fun Club Clarinet grade 0-1 (Kevin Mayhew)
Haughton Hot Potato Fun Club Clarinet grade 0-1 (Kevin Mayhew)
Norton Crumbs! The Microjazz Clarinet Collection book 1 (Boosey
& Hawkes)
Norton Seriously Now The Microjazz Clarinet Collection book 1 (Boosey
& Hawkes)
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LIST C
W agner Bridal March Winners Galore Clarinet, Easy (Brass Wind Publications)
W atts Study in Red Fresh Air Clarinet, grades 1-3, (Kevin Mayhew)
Lyons The Pink Panther Take Up the Clarinet (Chester/Music Sales)
W astall German Dance Learn As You Play the Clarinet (Boosey & Hawkes)
Demnitz No 2: 50 Classical Studies for Clarinet ed Weston (de Haske/Fentone)
W atts Goings On Razzamajazz Repertoire (Mayhew)
Haughton One Step at a Time Fun Club Clarinet 0-1 (Mayhew)
Sight-reading: A short piece up to eight bars in simple time. No sharps or flats.

Crotchets, minims, dotted minims and semibreves.
GRADE II
Scales: C major, B flat major, A major (one octave) legato.

G minor, E minor, melodic or harmonic (at candiate's choice)
(one octave) legato.
Arpeggios: Of above scales (one octave) legato.
LIST A
Briccialdi Carnival of Venice Clarinet All Sorts Grades 1-3 (Faber)
Folk Shepherd’s Hey First Book of Clarinet Solos (Faber Music)
Kullack W itches’ Dance First Repertoire for Clarinet and Piano (Faber Music)
Porter Night and Day First Repertoire for Clarinet and Piano (Faber Music)
W einberger Sonatine for Clarinet and Piano: first movement (Music Minus One)
to be played with CD accompaniment or unaccompanied
LIST B
W atts Café du Festival Razzamajazz Repertoire (Kevin Mayhew)
W atts Shrimps Ahoy Fresh Air Clarinet grades 1-3 (Kevin Mayhew)
Couperin The Little Nothing Clarinet All Sorts Grades 1-3 (Faber)
Haughton Riffs Fun Club Clarinet grades 1-2 (Kevin Mayhew)
Harvey Star Quality Repertoire Explorer Rae (UE)
W einer 1952 A-B-C Time Pieces for Clarinet volume 1 (ABRSM)
90
LIST C
Hanna Flintstones Theme Winners Galore Clarinet Easy (Brass Wind Publications)
Trad The Girl I Left Behind Me Take Up the Clarinet book 1 (Chester Music)
Soussmann No 19 Allegretto Studies for Clarinet, ed Perenyi (Editio Musica Budapest)
Rae Bygone Blues Blue Clarinet (Univeral Edition)
Spohr No 3: Andante Studies for Clarinet ed Perenyi (Editio Musica Budapest)
W atts Study in Blue Fresh Air Clarinet grades 1-3 (Kevin Mayhew)
Bennet Dougal and the Blue Cat Jazz Club Grades 1-2 (IMP)
Demnitz No 2 50 Classical Studies for Clarinet ed Weston (de Haske/Fentone)
Sight-reading: A short piece up to eight bars in simple time.

Major keys of C and G and minor key of D.
Crotchets, quavers, minims, dotted minims and semibreves.
GRADE III
Scales: G major, F major, A major (two octaves) legato.

D major (one octave) legato.
A minor, G minor, E minor, melodic or harmonic (at candidate's choice),
(two octaves) legato.
Arpeggios: Of above scales, same range, legato.
LIST A
Trad arr Rae Scotland the Brave Repertoire Explorer Clarinet (Universal Edition)
Fibich Poeme Clarinet Fancies arr Stuart (Boston Music Company)
M ozart No 24 Trio First book of Clarinet Solos (Faber Music)
Brahms No 22 Andante First Book of Clarinet Solos (Faber Music)
Finzi No 3 (Carol) 5 Bagatelles (Boosey & Hawkes)
Prokofiev Troika, Amazing Solos Clarinet and Keyboard arr Harrison (Boosey
& Hawkes)
Verdi The Force of Destiny Concert Repertoire for Clarinet and Piano (Faber
Music)
Chamberlain Jig Along Step It Up! Grades 1-3 (Faber Music)
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LIST B
Gade First movement Andantino Con Moto, Fantasistykker op 43
(Edition W Hansen)
Trad arr Rae Hava Nagila Repertoire Explorer Clarinet (Univeral Edition)
Trad The Kerry Dance What Else Can I Play? Grade III (Faber)
Trad Greensleeves, Clarinet Fancies arr Stuart (Boston Music Company)
Harris No 8: Carousel Summer Sketches (Boosey & Hawkes)
Norto Serious-minded The Microjazz Clarinet Collection book 1 (Boosey & Hawkes)
W atts Skatastrophy Fresh Air Clarinet grades 1-3 (Kevin Mayhew)
Gershwin I Got Rhythm, Concert Repertoire for Clarinet and Piano (Faber Music)
Chamberlain King of the Swing Step It Up! Grades 1-3 (Faber Music)
LIST C
Haydn You’d be Surprised What Else Can I Play? Grade III Book (IMP)
Dvořák Humoresque Clarinet All Sorts Grades 1-3 (Faber Music)
W atts In Cognito Razzamajazz Repertoire Clarinet (Kevin Mayhew)
Köhler No 20 Andantino Studies for Clarinet ed Perenyi (Editio Musica Budapest)
Klosé No 10 Allegretto Grazioso 50 Classical Studies for Clarinet ed Weston
(de Haske/Fentone)
Gorb Cat W alk Up Front Clarinet Very Easy - Easy (Brass wind Publication)
(with or without Piano)
Sight-reading: A short piece up to eight bars in simple time.

Major keys up to two sharps and one flat.
Crotchets, dotted crotchets, quavers, dotted quavers, semiquavers,
minims, dotted minims and semibreves.
GRADE IV
Scales & Arpeggios: C major, B flat major, D major (two octaves) tongued and slurred.
E major (one octave) tongued and slurred.
F sharp minor, B minor, D minor, melodic or harmonic,
(two octaves) tongued and slurred.
F minor, melodic or harmonic (one octave) tongued and slurred.
Chromatic scale: on C (one octave) tongued and slurred.

92
LIST A
Reade Summer Victorian Kitchen Garden Suite (Weinberger)
Vinter First Movement, Alla Canzonetta, Concertino (Clarinet and Piano) (Boosey
& Hawkes)
Tchaikovsky March of the wooden soldiers (1878) Time Pieces for Clarinet vol 1
(ABRSM)
Telemann Gigue Clarinet Music for Beginners book 2 (Editio Musica Budapest)
Firth Mumbo-Jumbo Play Clarinet with Andy Firth book 2 (Boosey & Hawkes)
Trad Ushkadara Woodwind World Clarinet book 3 (Trinity College London)
Lyons Sonata (Clarinet and Piano) third movement, Interlude (Useful Music)
LIST B
Finzi No 4 Forlana 5 Bagatelles (Boosey & Hawkes)
Gade No 2 Allegro Vivace Fantasistykker op 43 (Edition W Hansen)
Ferguson Burlesque Four Short Pieces (Boosey & Hawkes)
Gorb Side Street Blues Up Front Clarinet Very Easy-Easy (Brass Wind
Publication)
Norton Show-stopper The Microjazz Clarinet Collection book 1 (Boosey & Hawkes)
Cowles Rocking Brontasaurus Dancing Dinosaurs (de Haske/Fentone)
Trad Bulgar from Odessa The Klezmer Clarinet arr Edward Huws Jones (Boosey
& Hawkes)
M andel The Shadow of Your Smile Jazzed Up Too Intermediate arr Ledbury (Brass
Wind Publications)
LIST C
Gariboldi No 40 Andantino Studies for Clarinet ed Perenyi (Editio Musica Budapest)
Lazarus No 34 Allegretto Studies for Clarinet ed Perenyi (Editio Musica Budapest)
Vanderhagen No 46 Andantino 80 Graded Studies for Clarinet book 1 (Faber Music)
Lefevre No 16 50 Classical Studies for Clarinet ed Weston (de Haske/Fentone)
M uczynski No 9 1967 Fable Time Pieces for Clarinet volume 3 (ABRSM) (with or
without Piano)
Bock Fiddler on the Roof All Jazzed Up Clarinet (Brass Wind Publications)
Sight-reading: A short piece up to eight bars in simple time and 6/8 time.
Major keys up to two sharps and two flats.
Minor keys up to one sharp.
minims, dotted minims and semibreves. Accidentals and ties.
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Clarinet 2015-2018
GRADE V
Scales & Arpeggios: : E flat major, E major, A flat major, C sharp major (two octaves)
tongued and slurred.
F minor, A flat minor, C minor, melodic and harmonic (two octaves)
Chromatic scales: on C and G (two octaves) tongued and slurred.
Dominant sevenths: on G and A (two octaves) tongued and slurred.
LIST A
Lefèvre Sonata no 2 in G minor, third movement Five Sonatas ed Harris
& Davies (OUP)
Vinter Third movement, Scherzo, Concertino (Clarinet and Piano)(Boosey &
Hawkes)
Reade Prelude Victorian Kitchen Garden Suite (Weinberger)
Liadov Pastorale Clarinet Music for Beginners book 2 (Editio Musica Budapest)
Gade Fourth movement Allegro Molto Vivace Fantasistykke op 43 (Edition
W Hansen)
Vanhal Sonata in B flat Major: first movement Allegro Moderato (IMC no 2217)
Schumann Zart und mit Ausdruck no 1 Fantasiestucke op 73 (G Henle)
LIST B
Koffmann Swinging Shepherd Blues Jazzed Up Too, Intermediate arr Ledbury
Trad Freylechs from W arsaw and Little Galitsian Dance The Klezmer Clarinet
(Boosey & Hawkes)
Debussy La Fille aux Cheveux de Lin Clarinet Album (Univeral Edition)
Templeton Bach Goes to Town Concert Repertoire for Clarinet with Piano arr Harris and
Johnson (Faber Music)
Arnold Sonatine: second movement (Lengnick)
Lyons Sonata (Clarinet and Piano): first movement (Useful Music)
94
LIST C
Gariboldi No 70 Allegretto Studies for Clarinet, ed Perenyi (Editio Musica Budapest)
Demnitz No 52 Moderato 80 Graded Studies for Clarinet book 2 (Faber Music)
W iedemann No 64 Romance 80 Graded Studies for Clarinet book 2 (Faber Music)
Demnitz No 17 Andante con Moto 50 Classical Studies for Clarinet ed Weston
(de Haske/Fentone)
Stravinsky No 1 Three Pieces for Clarinet (Chester Music/Music Sales)
Ledbury Liquorice Stick All Jazzed Up Clarinet (Brass Wind Publications)
Sight-reading: A short piece up to eight bars in simple time and 6/8 time.
Minor keys up to one sharp.
minims, dotted minims and semibreves
Accidentals and ties.
GRADE VI
Scales: F sharp major (one octave) tongued and slurred.

A flat major, A major, B flat major (two octaves and a fifth) tongued and
slurred.
E flat minor, melodic and harmonic (two octaves) tongued and slurred.
E, F, G and A minor, melodic and harmonic (two octaves and a fifth)
Arpeggios: Of the above scales, same range.
Chromatic scales: on F and B flat (two octaves) tongued and slurred.
Dominant sevenths: on C and D (two octaves) tongued and slurred.

95
Clarinet 2015-2018
LIST A
Schumann No 1 Romances op 94 (Henle)
Finzi No 1 Prelude 5 Bagatelles (Boosey & Hawkes)
M ozart Concerto KV 622: second movement, Adagio (Bärenreiter)
Poulenc Sonata: Second Movement (Chester Music/Music Sales)
Schumann No 1 Fantasiestücke op 73 (Peters, Henle or Wiener Urtext)
Hurlstone No 4 Croon Song Four Characteristic Pieces (Emerson)
Stanford No 1 Three intermezzi op 13 (Chester Music/Music Sales)
Brahms No 2 Sonata op 120 E flat major: second movement (Peters Edition or Henle
or Wiener Urtext)
LIST B
Lefevre No 5 Sonata, Allegro Non Troppo first movement 5 Sonatas Clarinet and
Piano (OUP)
Liadov Pastorale Clarinet music for beginners vol 2 (Editio Musica Budapest)
Reinecke No 1 Allegretto Fantasiestucke op 22 (Emerson)
Firth The Penguin Rag Play Clarinet with Andy Firth book 2 (Boosey & Hawkes)
M ilhaud Scaramouche for Clarinet and Piano: second movement, moderato
(Salabert/UMP)
Reade No 1 Suite from the Victorian Kitchen Garden: Prelude (Weinberger)
Lutoslawski No 2 Dance Preludes (Chester Music/Music Sales)
LIST C
Albinoni No 116 Allegro Studies for Clarinet ed Perenyi (Editio Musica Budapest)
Bourgeois No 1: Andante con moto, Fantasy pieces for solo Clarinet (Brass Wind
Publications)
Baermann No 26: Tarantella 50 Classical Studies for Clarinet ed W eston
(de Haske/Fentone)
Polatschek No 1: Allegro leggiero Advanced Studies for Clarinet (Schirmer/Music Sales)
M üller No 4: E minor 30 Studies for Clarinet (Ricordi/UMP)
Sight-reading: A short piece up to ten bars in simple time and 6/8 time.
Major keys up to three sharps and three flats.
Crotchets, dotted crotchets, quavers, dotted quavers,
semiquavers, minims, dotted minims and semibreves.
Accidentals and ties.
96
GRADE VII
Scales & Arpeggios: E major, G major, F major (two octaves and a fifth) tongued and slurred.
F sharp major, B major (two octaves) tongued and slurred.
E minor, F minor (three octaves) melodic and harmonic, tongued and
slurred.
B flat minor, C sharp minor, D minor (two octaves) melodic and
harmonic, tongued and slurred.
Chromatic scales: on D and E (two octaves) tongued and slurred.
Dominant sevenths: on E, F, and B flat (two octaves) tongued and

slurred.
Diminished seventh: G (two octaves) tongued and slurred.
LIST A
Reinecke Sonata “Undine” op 167 (clarinet and piano): first movement,
Allegro (IMC 1790, transcribed Kirkbride)
Reger Sonata in A flat major op 49 no 1: first movement, Allegro affanato
(Universal Edition)
Schumann No 3 Fantasy Pieces (Fantasiestücke) op 73 (Henle)
Saint-Saëns Sonata in E flat, op 167: Allegretto, first movement (Durand)
Brahms Sonata op 120 no 1 in F minor: first movement (Wiener Urtext)
Stanford Sonata op 129: second movement, Caoine (Stainer & Bell)
Reizenstein Sonatina: first movement (Boosey & Hawkes)
LIST B
Hurlstone No 4 Scherzo Four Characteristic Pieces (Emerson)
Lutoslawski No 5 Dance Preludes (Chester Music/Music Sales)
Poulenc Sonata: second movement (Chester Music /Music Sales)
Grovlez Sarabande and Allegro (Leduc/Music Sales)
Pierné Canzonetta op 19 (Leduc/UMP)
Richardson Roundelay (Emerson)
W illiams Victor’s Tale (Hal Leonard, Cherry Lane)
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Clarinet 2015-2018
LIST C
Stravinsky No 3: Three Pieces for Solo Clarinet (Chester Music/Music Sales)
Grafe No 136 Andante Studies for Clarinet ed Perenyi (Editio Musica Budapest)
Polatschek No 18: Allegro moderato Advanced Studies for the Clarinet
(Schirmer/Music Sales)
Bourgeois No 2: Allegro vivace Fantasy Pieces for Solo Clarinet (Brass Wind
Publications)
M üller No 68: Allegro vivo 80 Graded Studies for Clarinet book 2 (Faber Music)

Major and minor keys up to two sharps.
GRADE VIII
Scales: E major, F major, F sharp major, G major (three octaves) tongued and
slurred.
A flat major, A major, C sharp major (two octaves and a fifth) tongued
and slurred.
E minor, F minor, F sharp minor, G minor, melodic and harmonic (three
octaves) tongued and slurred.
A flat minor, A minor, B minor, C minor, melodic and harmonic (two
octaves and a fifth) tongued and slurred
C major, G major, thirds (two octaves) legato
E minor, A minor, thirds (two octaves) harmonic or melodic, legato
Arpeggios: As scales, same range, tongued and slurred.
Chromatic scales: F (three octaves) tongued and slurred.

A flat, E flat (two octaves) tongued and slurred.
Dominant sevenths: on B, C sharp, E flat (two octaves) tongued and

slurred.
Diminished sevenths: E (three octaves)

F, A (two octaves) tongued and slurred.
W hole tone scale: E (three octaves) tongued and slurred.

98
LIST A
Poulenc Sonata, first movement, Allegro Tristamente (Chester Music)
Burgmüller Duo op 15 (Simrock/Boosey & Hawkes)
M ozart Concerto KV 622: first movement or third movement (Bärenreiter)
Stanford Three intermezzi op 13 (complete) (Chester Music/Music Sales)
Saint-Saëns Sonata op 167: fourth movement (Durand)
Carlos Guastavino Sonata for Clarinet and Piano: second and third movements (Melos de
Ricordi Americana ISBN 987-1126-90-5)
Castelnuovo- Sonata: first movement (Ricordi)
Tedesco
Lyons Sonata (Clarint and Piano) second movement (Useful Music)
LIST B
Brahms Sonata in E flat, op 120 no 2: first movement (Henle)
M ilhaud Scaramouche: third movement, Brazileira (Salabert)
Finzi No 5 Five Bagatelles (Boosey & Hawkes)
M artinu Sonatina (Leduc)
M ilhaud Sonatine: first and third movements (Durand)
Arnold Sonatina: first movement (Lengnick)
Bax Sonata: second movement (Studio Music)
Kovacs Hommage a M de Falla unaccompanied, Hommages (Edition Darok)
LIST C
Stravinsky No 2 Three Pieces Clarinet Solo (Chester Music)
Harvey No 1, I Got Rhythm Three Etudes on Themes of Gershwin (Emerson)
Polatschek No 5: Allegro molto Advanced Studies for the Clarinet
M uller No 158 Allegro Studies for Clarinet ed Perenyi
(Editio Musica Budapest) (30 Studies Muller, Ricordi)
Rose No 77: Allegretto 80 Graded Studies for Clarinet book 2 (Faber Music)
Arnold Fantasy for B flat Clarinet op 87 (Faber Music)
Bourgeois No 3: Lento con fuoco Fantasy Pieces for Solo Clarinet (Brass Wind
Publications)
Sight-reading: A short piece up to thirteen bars in simple time or compound time.

Major keys up to three sharps. Minor keys up to two flats.
minims, dotted minims and semibreves
Accidentals and ties. Changes of time signature.
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Clarinet 2015-2018
SENIOR CERTIFICATE
Scales: All major and minor (melodic and harmonic) scales and arpeggios to the
range of instrument, tongued and slurred.
Arpeggios: As scales, same range, tongued and slurred.
Thirds: F major (three octaves).

D major, B flat major (two octaves).
D minor, B minor, G minor (two octaves) harmonic or melodic.
All thirds tongued and slurred.
Chromatic scales: E, F, F sharp, and G (three octaves)

Dominant sevenths: on E, F, F sharp, and G (three octaves)
Diminished sevenths: E, F, F sharp (three octaves)
W hole tone scales: F and F sharp (three octaves)
LIST A
Debussy Première Rhapsodie (Durand)
W idor Introduction and Rondo op 72 (Heugel)
M ozart Concerto KV 622: third movement (Bärenreiter)
W eber Concerto no 2 in E flat op 73: third movement (Peters Edition)
Ireland Fantasy Sonata (Boosey & Hawkes)
Castelnuovo- Sonata op 128: third and fourth movements (Ricordi)
Tedesco
LIST B
Dubois Sonata Brève (solo clarinet): third and fourth movements (Leduc)
Szalowski Sonatina (complete) (Chester Music/Music Sales)
M ilhaud Scaramouche: second and third movements (Salabert)
M cCabe Three Pieces for Clarinet & Piano (complete) (Novello/Music Sales)
LIST C
Cage Sonata for Clarinet (Peters Edition)
Stravinsky Three pieces for Clarinet Solo (Complete) (Chester Music)
Chagrin Improvisation (complete) (Stainer & Bell)
O’Leary Partita: Monologues and Interludes for Solo Clarinet (CMC)
Harvey Three études on themes of Gershwin: clarinet solo (complete) (Emerson)
100
Sight-reading: A short piece up to thirteen bars in simple time or compound time.

W ithout key signature.
Accidentals, ties and trills. Changes of time signature.
101
Bassoon 2015-2018
BASSOON

Scales: All scales have a starting note between:
Arpeggios: All arpeggios span the same number of octaves as the scales indicated
for each specific grade.
GRADE I
Scales: Tongued and slurred. C major, F major (one octave).
Arpeggios: The above keys, tongued and slurred.
LIST A
Hilling & Bergman Ostinato no 1 First Book of Bassoon Solos (Faber Music)
Hilling & Bergman Yugoslav Dance no 2 First Book of Bassoon Solos (Faber Music)
Hilling & Bergman Czech Dance no 4 First Book of Bassoon Solos (Faber Music)
Sheen Rondo no 3 The Really Easy Bassoon Book (Faber Music)
Sheen Duet no 2 The Really Easy Bassoon Book (Faber Music)
102
LIST B
W astall Allemande (page 17) Learn As You Play Bassoon (Boosey & Hawkes)
John Burness Four Easy Pieces (any two) (Paterson)
Czerny arr Barratt Rise And Shine Bravo! Bassoon (Boosey & Hawkes/MDS)
Carol Barratt In The Limelight Bravo! Bassoon (Boosey & Hawkes/MDS)
arr Barratt
LIST C
Anon No 12 (Czech Folk Tune) 90 Easy Bassoon Studies (Emerson)
GRADE II
Scales: Tongued and slurred. C major, F major (one octave)

G major (one octave). A minor (harmonic) (one octave)
Arpeggios: Of the above keys, tongued and slurred.
LIST A
Greig arr Sheen In The Hall of The Mountain King (from Peer Gynt) No 2 From Going
Solo-Bassoon (Faber Music)
J S Bach Prelude no 25 First Book of Bassoon Solos arr Hilling & Bergmann (Faber
Music)
Sheen No 4: The Dancing Lesson The Really Easy Bassoon book 1 (Faber Music)
Boismortier Rigaudon (from Suite op 40) Learn as You Play Bassoon (Boosey &
arr W astall Hawkes)
LIST B
L Hilling & No 3: Polka First Book of Bassoon Solos (Faber Music)
W Bergman No 5: Barcarolle First Book of Bassoon Solos (Faber Music)
Pam W edgwood Riding Out W est Really Easy Jazzin' About For Bassoon (FaberMusic)
Pam W egwood Easy Tiger Really Easy Jazzi' About For Bassoon (Faber Music)
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Bassoon 2015-2018
LIST C
Chris Allen No 7 Progressive Studies for Bassoon (Spartan Press)
GRADE III
Scales: Tongued and slurred. C major, F major, G major (two octaves)

A minor (harmonic) (one octave)
LIST A
Sheen No 5: Dulcian The Really Easy Bassoon book 1 (Faber Music)
Sheen No 6: Russian Folksong The Really Easy Bassoon book 1 (Faber Music)
Galliard Sonata no 5: movement no 3 (Hinrichsen/Peters Edition)
Pam W edgwood Hot Chilli Really Easy Jazzin' About for Bassoon (Faber Music)
LIST B
F Baines Introduction and Hornpipe (Schott)
P Wastall Cellerman’s Song Learn as you Play Bassoon (Boosey & Hawkes)
P Wastall Quick Dance Learn as you Play Bassoon (Boosey & Hawkes)
W eissenborn Arioso: Arioso and Humoreske op 9 (ABRSM)
LIST C
G Jacob L’Après-midi d’un Dinosaur Four Sketches (Emerson)

104
GRADE IV
Scales : Tongued and slurred. C major, F major, G major, D major and B flat
major (two octaves).
A minor, C minor and D minor: all harmonic (two octaves).
Chromatic scales: starting on B flat and C (two octaves).
LIST A
W eissenborn Humoreske (IMC/Kalmus) or (ABRSM)
Galliard Sonata no 1 in A minor: fourth movement Hornpipe a L'inglese (Peters
Edition)
Galliard Sonata no 1 in A minor second movement Spiritoso e Staccato a Tempo
Moderato (Peters Edition)
Sol B Cohen Dance Grotesque For Bassoon (Belwin/ Maecenos)
LIST B
M ilde No 6 or no 7 or no 8 Bassoon Solos vol I (ed W aterhouse) (Chester
Music/Music Sales)
Schumann The Merry Peasant (page 55) Learn as you Play Bassoon (Boosey &
Hawkes)
Gordon Jacob Polka Four Sketches For Bassoon and Piano (Emerson)
Gordon Jacob A Little W altz Four Sketches For Bassoon and Piano (Emerson)
LIST C
Concone Study no 7 The Singing Bassoon, ed Emerson (Emerson)
Concone Study no 11 The Singing Bassoon ed Emerson (Emerson)

105
Bassoon 2015-2018
GRADE V
Scales: Tongued and slurred. C major, F major, G major, D major, B major, E flat
major, E major, A major (two octaves).
B flat major (three octaves).
B minor, C minor, D minor, E minor, F minor, G minor, A minor:
all harmonic (all two octaves).
Arpeggios: In above keys, tongued and slurred.
Chromatic scales: starting on B flat (three octaves).
LIST A
Hindemith Sonata: movement no 1 (Schott)
Galliard Sonata no 5: first movement, Adagio (Hinrichsen/Peters)
Beethoven Bagatelle op 119 no 1 Time Pieces for Bassoon vol 2 arr Denley (ARBSM)
Galliard Sonata No 5: fourth movement (Hinrichsen/Peters)
LIST B
Francis Baines- Introduction and Hornpipe (Schott)
Vivaldi Concerto in E minor for Bassoon (RV484 FV111 no 6): second movement
Andante (IMC)
Telemann Sonata in F minor for Bassoon: fourth movement Vivace (Amadeus BP
665/MDS)
Galliard Sonata no 4 in E minor: second movement, Allemanda A Tempo Giusto
(Hinrichsen/Peters)
LIST C
J Burness No 1 and no 3 Variations for Solo Bassoon (Paterson/Music Sales)
J S Bach Cello Suite no 1: Menuetto 1 (Peters Edition)

106
GRADE VI
Scales: Tongued and slurred. C sharp major, D major, E flat major, E major,
F major, F sharp major, G major, G sharp major, A major: (two octaves).
B flat major, B major and C major: (three octaves).

B flat minor, D minor, E minor, F minor, F sharp minor, G minor and
A minor: harmonic and melodic (two octaves).
B minor and C minor: harmonic and melodic (three octaves).
Arpeggios: In the above keys, tongued and slurred.
Chromatic scales: starting on B flat, B and C (three octaves).
LIST A
Telemann Sonata in F minor: movement no 1, Andante cantabile (IMC)
Galliard Sonata no 5: second movement, Allegro espiritoso (Hinrichsen/Peters)
A Ridout Caliban Caliban and Ariel For Solo Bassoon (Studio Music)
Fauré Piece for Bassoon trans Oubradous (Leduc)
LIST B
Tansman Sonatine: second movement, Aria (Eschig)
M ozart Concerto B flat, K 191: second movement Andante ma adagio (Peters
Edition)
Hindemith Sonata: third movement, Marsch (Schott)
Telemann Sonata in F minor: second movement, Allegro (IMC)
LIST C
J S Bach No 1 Bourrée Cello Suite no 3 (Peters Edition)
Concone No 31 The Singing Bassoon ed Emerson (Emerson)

107
Bassoon 2015-2018
GRADE VII
Scales: Tongued and slurred. E flat major, E major, F major, F sharp major,
G major, G sharp major and A major: (two octaves).
B flat major, B major, C major, C sharp major and D major:
(three octaves).
D minor, C sharp minor, E flat minor, E minor, F minor, F sharp

minor, G minor, G sharp minor and A minor: harmonic and melodic
(two octaves).
B flat minor, B minor, C minor, harmonic and melodic (three octaves)

Chromatic scales: starting on B flat, B, C, C sharp and D: (three octaves).
Diminished seventh: starting on C (three octaves)
Dominant sevenths: in the keys of: A, B flat, C, D: (two octaves)
E flat, E and F: (three octaves)
LIST A
M ozart Concerto B flat K 191: third movement, Rondo (Peters Edition)
J Ibert/Oubradous Le Petit Âne Blanc (Leduc)
Saint Saëns Sonata op 168: first movement, Allegro Moderato (Durand)
Fraser Trainer Song for Connie Unbeaten Tracks-Bassoon ed Orford (FaberMusic)
LIST B
W eber Concerto in F op 75: second movement, Adagio (IMC)
Saint-Saëns Sonata op 168: third movement, Molto adagio and Allegro moderato
(Durand)
Hindemith Sonata: second movement, Langsam (Schott)
A Ridout Ariel Caliban and Ariel for Solo Bassoon (Studio Music)
LIST C
J S Bach Courante Cello Suite no 1 (Peters Edition)
M ilde No 1 Concert Studies op 26 vol 1 (IMC/MDS)

108
GRADE VIII
Scales: Tongued and slurred. B flat major, B major, C major, C sharp major
and D major: (three octaves).
B flat minor, B minor, C minor, C sharp minor and D minor:
harmonic and melodic (three octaves)
All other keys (two octaves). All minor keys, both harmonic and
melodic.
Chromatic scales: starting on B flat, B, C, C sharp, and D:

(three octaves)
Diminished sevenths: starting on B flat, B and C: (three octaves)

Dominant sevenths: in the keys of E flat, E, F, F sharp and G:
(three octaves). All other keys (two octaves).
LIST A
W eber Concerto in F op 75: first movement, Allegro ma non troppo (IMC)
M ozart Concerto in B flat K 191: first movement, Allegro (Peters Edition)
Gordon Jacob Concerto: first movement, Allegro (Stainer & Bell)
Gordon Jacob Concerto: third movement, Allegro giocoso (Stainer & Bell)
LIST B
Saint-Saëns Sonate in G op 168: second movement, Allegro scherzando (Durand)
Elgar Romance op 62 (Novello/Music Sales)
Vivaldi Concerto in G (RV492 FViii No 29): first movement, Allegro non molto
(Accolade Musikverlag 2006 K/Emerson)
Tansmann Sonatine: first movement, Allegro con moto (Eschig)
LIST C
J S Bach Praeludium Cello Suite no 2 (Peters Edition)
M ilde No 40 Concert Studies op 26 vol 2 (IMC)
M ilde No 31 Concert Studies op 26 vol 2 (IMC)

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Bassoon 2015-2018
SENIOR CERTIFICATE
Scales: All scales, arpeggios, dominant and diminished sevenths and

chromatic, as for Grade VIII, and in addition:
Scales in thirds: In the following keys as in the example below: B flat major, B major,
C sharp major and D major: (three octaves)
B flat minor, B minor, C minor, C sharp minor and D minor: (three
octaves).
All other scales major and minor (two octaves).
Two pieces: Candidates must prepare one work from each List A and B.
LIST A
Jacob Concerto (Stainer & Bell)
J Kinsella Dialogue for Bassoon & Piano (CMC)
W eber Concerto in F op 75 (IMC 3006/Kalmus)
W eber Andante E Rondo Ongarese for Bassoon and Piano (IMC)
M ozart Concerto in B flat for Bassoon and Piano (Peters Edition)
LIST B
Saint-Saëns Sonata op 168 (Peters Edition)
Tansman Sonatine (Eschig)
M alcolm Arnold Fantasy for Solo Bassoon (Faber Music)
Hindemith Sonata (Schott)
Elgar Romance op 62 (Novello/ Music Sales)

110
ALTO SAXOPHONE


Please note that candidates may where necessary use manuscript transpositions of their
parts, or alternatively, they should ensure that the piano accompaniments are suitably
transposed.
Scales and arpeggios to be played tongued and slurred.
GRADE I
Scales & Arpeggios: D and F major (one octave)

D minor (one octave).
melodic or harmonic form at candidate’s choice
Three Pieces: Candidates must prepare three pieces, one from each List A, B and C.
LIST A
Traditional Amazing Grace or Morning has Broken no1 or no 3 from Easy Pieces for
Alto Saxophone arr De Smet (Pan Educational Music PEM 89/Spartan Press)
Grétry Air from Richard Coeur de Lion Learn as you Play Saxophone arr W astall
(Boosey & Hawkes)
Glazunov Theme and Variations First Repertoire for Alto Saxophone arr Harris and
Calland (Faber Music)
Haydn Minuet (from ‘12 German Dances’ Hob.IX/10) Time Pieces for E flat
Saxophone vol 1 (ABRSM)
Harris Dance Time The Really Easy Saxophone Book (Faber Music)
Bizet Toreador’s Song Ten Easy Tunes (Fentone F 462)
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Alto Saxophone 2015-2018
LIST B
Harris Midnight Air First Repertoire for Alto Saxophone (Faber Music)
Cowles Tri-time Learn as you Play Saxophone arr Wastall (Boosey & Hawkes)
Hyde Soliloquy Learn as you Play Saxophone arr Wastall (Boosey & Hawkes)
Lyons Rock Steady New Alto Sax Solos book 1 (Useful Music/Spartan Press)
Gershwin Love W alked In Easy Gershwin for Saxophone arr Harris (OUP N5579)
P Harris Seascape First Repertoire for Alto Saxophone arr Harris and Calland (Faber
Music)
LIST C
Harris No 4 or no 8: 80 Graded Studies for Saxophone book 1 (Faber 510477)
Garnier No 8 80 Graded Studies for Saxophone book 1 arr Davies & Harris (Faber
Music)
Evans Sax-Appeal (page 25) Learn as you Play Saxophone arr W astall (Boosey &
Hawkes)
W ilson Muldhara The Seven Chakra for Solo Saxophone (Camden Music)
Anon Sweet Nightingale Starters for Saxophone arr Lewin (ABRSM)
Gariboldi No 3: Easy Classical Studies for Saxophone arr Harle (Universal Edition
UE 17770)
J Rae Passin’ Through: no 2 from Easy Jazzy Saxophone (E flat/B flat edition:
Universal 16578/MDS)
Sight-reading: A piece up to eight bars in simple time in C, G or F major.

GRADE II
Scales & Arpeggios: C, D, G and B flat majors starting octave above lowest note (one
octave).
E, A and G minors (one octave) (minors in melodic or harmonic form at
candidate’s choice).

112
LIST A
J S Bach Minuet in G Take Ten for Alto Saxophone (Universal Edition UE)
Handel Trio from W ater Music First Repertoire for Alto Saxophone (Faber Music)
Tchaikovsky Theme from Symphony no 5 First Book of Saxophone Solos (Faber 512224)
Satie Gymnopédie no 3: no 7 Satie Saxophone Album arr Rae (Universal Edition)
Bart Food, Glorious Food First Repertoire for Alto Saxophone arr Harris and
Calland (Faber Music)
LIST B
Calland Toucan Tango First Repertoire for Alto Saxophone arr Harris and Calland
(Faber Music)
R Cole Granite Learn as you Play Saxophone arr Wastall (Boosey & Hawkes)
W astall Midnight in Tobago Learn as you Play Saxophone arr Wastall (Boosey &
Hawkes)
Lyons W heels within W heels New Alto Sax Solos book 1 (Useful Music/Spartan
Press)
Gershwin Love is here to stay Gershwin for Saxophone arr Harris (OUP)
Satie Prélude (from ‘Jack in the Box’) Time Pieces for E flat Saxophone vol 1 arr
Denley (ABRSM)
LIST C
Baermann Study no 15 or no 17: 80 Graded Studies for Saxophone (Hampton)
Anon Rock Hard Starters for Saxophone arr Lewin (ABRSM)
Popp No 10 or no 24: Easy Classical Studies for Saxophone arr Harle
(Universal UE17770)
Chedeville Gavotte (page 33) Learn as you play Saxophone arr W astall
(Boosey & Hawkes)
J Rae Passin’ Easy Jazzy Saxophone (E flat/B flat edition: Universal 16578/MDS)
Sight-reading: A piece up to eight bars in simple time.

Major keys up to two sharps and three flats.
Crotchets, quavers, minims, dotted minims and, semibreves.
113
GRADE III
Scales & Arpeggios: F, A majors (a twelfth), C major D major (two octaves),

A minor one octave (upper octave),
D minor (two octaves), G minor (a twelfth).
(minors in melodic or harmonic form at candidate’s choice)
Chromatic scales: starting on D, one octave.
LIST A
Fauré Pavane Ten Easy Tunes for Saxophone & Piano arr Cowles (Fentone F462)
M Rose Cabaret Song A Miscellany for Saxophone book 1 (ABRSM)
Schubert No 3: Serenade First Repertoire Pieces for Alto Saxophone ed Wastall (Boosey
& Hawkes)
P Harris Showtime First Repertoire for Alto Saxophone arr Harris and Calland (Faber
Music)
W eill September Song (from ‘Knickerbocker Holiday’) Take Another Ten,
arr Rae (E flat/B flat edition: Universal 21170/MDS)
Haydn Serenade Classical Album for Saxophone arr Harle (Universal Edition
UE 17772)
LIST B
Bernstein America Making the Grade - grade 3 (Chester Music/Music Sales)
Handel Bourée Classical Album for Saxophone (Universal UE 17772)
M ussorgsky Promenade (from ‘Pictures at an Exhibition’) First Repertoire for Alto
Saxophone arr Harris (Faber Music)
Hazell Ho-hoe-down Up Front Album for Saxophone (Brass Wind Publications)
Norton Latin Microjazz Collection 2 for Alto Saxophone (Boosey & Hawkes)
LIST C
Garnier No 21: 80 Graded Studies for Saxophone book 1 arr Davies & Harris (Faber
Music)
Handel Bourrée Twenty-two Unaccompanied Pieces for Saxophone arr Lewin
(ABRSM)
Lewin Bermuda Breeze Starters for Saxophone arr Lewin (ABRSM)
C Cowles Slightly Latin: no 2 from ‘Finger Bobbins’ for unaccompanied saxophone
(Studio Music)
Fenwick The Flower among them All no 47 (with repeats) Amazing Studies for
Saxophone (Boosey & Hawkes)

Major keys up to two sharps and three flats.
Crotchets, dotted crotchets, quavers, minims, dotted minims and
semibreves.
114
GRADE IV
Scales & Arpeggios: A major (one octave). C, B flat, E flat majors (two octaves).
C and D minors (two octaves). F sharp, G minors (twelfth).
Chromatic scales: starting on C & D (two octaves).
Dominant sevenths: in key of C (one octave).
Minors in melodic or harmonic form at candidate’s choice.
LIST A
Traditional The Harmonious Blacksmith Ten Easy Tunes for Saxophone & Piano arr
Cowles (Fentone F462)
J S Bach Musette First Repertoire Pieces for Alto Saxophone (Boosey & Hawkes)
Grieg Solveig's Song Classical Solos (Alto edition) arr Both (Schott)
M ozart Menuetto e Trio (from Symphony no 25 K 183) Time Pieces for E flat
Saxophone vol 2 (ABRSM)
Ferguson Petit Jeu First Repertoire Pieces for Alto Saxophone arr W astall (Boosey &
Hawkes 7145)
Handel Siciliana and Allegro Take Ten for Alto Saxophone (Universal Edition UE
18836)
LIST B
Debussy Le Petit Nègre Debussy Saxophone Album arr Rae (Universal Edition)
Debussy Jimbo’s Lullaby Debussy Saxophone Album arr Rae (Universal Edition)
W eill Tango-Ballade (from ‘The Threepenny Opera’) Time Pieces for E Flat
Saxophone vol 2 arr Denley (ABRSM)
Shostakovich Romance from The Gadfly (Fentone F690)
Street Cruisin’ Streets Ahead (Saxtet 008)
Bernstein Somewhere Leonard Bernstein for Alto Saxophone (Boosey & Hawkes)
115
LIST C
C Cowles Dixie: no 6 from ‘Finger Bobbins’ for unaccompanied saxophone
(Studio Music)
Langey No 30: 80 Graded Studies for Saxophone book 1 arr Davies & Harris
(Faber 510477)
Gariboldi Study no 11 Amazing Studies for Saxophone (Boosey & Hawkes)
Gariboldi Study No 31 80 Graded Studies for Saxophone book 1 (Faber Music)
Rae No 4: Twenty Modern Studies for Solo Saxophone (Universal Edition)
Gariboldi No 42: Easy Classical Studies for Saxophone arr Harle (Universal Edition
UE 17770)
Sight-reading: A piece up to eight bars in simple time or 6/8 time.

Minor keys up to two sharps and two flats.
semibreves.
GRADE V
Scales & Arpeggios: B flat, E flat, and E majors (two octaves). A flat, A majors (a twelfth).
C and C sharp, D and E minors (two octaves). F and A minors (twelfth).
Chromatic scales: starting on D (two octaves)
Dominant sevenths: in the keys of B flat and G (two octaves)
Diminished sevenths: starting on C sharp and D (two octaves).
Minors in melodic or harmonic form at candidate’s choice.

116
LIST A
Debussy The Little Shepherd Debussy Saxophone Album arr Rae (Universal Edition
UE 1777)
Albéniz Tango op 165 no 2 arr Staber (Schott)
M ussorgsky The Old Castle no 2 Alto Saxophone Solos vol 1 ed Harvey (Chester
Music/Music Sales)
Bizet Overture from L'Arlésienne no 1 Alto Saxophone Solos vol 1 ed Harvey
Elgar Salut d’Amour arr Staber (Schott BSS33750)
LIST B
M Ellerby Elegy for ‘Checkpoint Charlie’ for Alto Saxophone (Studio Music)
Prokofiev Kijé's Wedding Lieutenant Kijé Suite arr Maganini (Schauer)
Kodály The Battle and Defeat of Napoleon no 4 Alto Saxophone Solos vol 1 ed
Harvey (Chester Music/Music Sales)
G M Rodriguez La Cumparsita No 5 Play Latin for Alto Saxophone arr Gout and Calland
(Faber Music)
Desmond Take Five Take Ten for E flat Saxophone and Piano arr Rae (Universal Edition
UE 18836)
LIST C
G Lewin Coast Road Twenty-two Unaccompanied Pieces for Saxophone arr Lewin
(ABRSM)
Andy Scott China Doll no 2 Apollo Saxophone Quartet Series: Solo Saxophone book 1
(Astute Music)
W ilson Vishuddha The Seven Chakra for Solo Saxophone (Camden CM239)
Rae No 3: Groove it! Twenty Modern Studies for Solo Saxophone
(Universal Edition/UEL 18820)
Lewin Golden Sands or Hawk gets Bird Twenty-two Unaccompanied Pieces for
Saxophone arr Lewin (ABRSM)
Harris (ed) No 37 or No 42: 80 Graded Studies for Saxophone book 1 (Faber
Music 510477)
Sight-reading: A piece up to eight bars in simple time or compound time.

Major keys up to four sharps and three flats.
semibreves. Accidentals included.
117
GRADE VI
Scales & Arpeggios: B flat, B, D and F sharp majors (two octaves)

G and A flat majors (twelfth)
B, D and E minors (two octaves). G and G sharp minors (twelfth)
Chromatic scales: starting on C flat (two octaves)
Dominant sevenths: in the keys of C, B flat and E flat (two octaves)
Diminished sevenths: starting on B and B flat (two octaves)
Minors in both melodic and harmonic forms.
LIST A
Debussy Arabesque no 1 or Golliwogg’s Cake W alk Claude Debussy Saxophone
Album (Universal Edition UE 1777)
Rachmaninov Vocalise John Harle’s Saxophone Album arr Harle (Boosey & Hawkes 6597)
J Balogh Gipsy Songs (with quasi cadenza) The Light Touch, for Alto Saxophone book
2 ed Lewin (Stainer & Bell)
Vaughan Dance of Job’s Comforters Saxophone Solos vol 2 arr Harvey
W illiams (Chester Music CH55121/Music Sales)
M ozart Minuet Solos for the Alto Saxophone Player arr Teal (Schirmer/Music Sales
GS 33058)
LIST B
Binge Concerto: movement no 2: Romance (Weinberger)
Satie Prelude from Jack-in-the-Box no 1 Satie Saxophone Album arr Rae
(Universal/UE 18508)
P Maurice La Boumiano: no 3 from ‘Tableaux de Provence’ for alto saxophone
(Lemoine)
Ravel Pièce en forme de Habañera (E flat edition) arr Viard (Leduc AL17680)
Rae Situation Comedy Take Ten for E flat Saxophone and Piano (Universal Edition
UE18836)
118
LIST C
Gariboldi No 65: Easy Classical Studies for Saxophone arr Harle (Universal Edition)
Rae Helix or Latin Jive Twenty Modern Studies for Solo Saxophone (Universal
Edition/UEL 18820)
Redpath Emerald Engine no 6 Saxophone Solos book 1 (Astute am 308-48)
G Lewin Hawk gets Bird 22 Unaccompanied Pieces for Saxophone arr Lewin
(ABRSM)
Ferling No 18: 48 Études d’après Ferling (Leduc/UMP AL20402)
Harris No 60: 80 Graded Studies for Saxophone book 2 arr Harris (Faber Music
509525)
Sight-reading: A short piece of suitable difficulty. Major and minor keys up to three
sharps and three flats.
GRADE VII
Scales & Arpeggios: B, B flat, C, D, E flat, F sharp and C sharp majors (two octaves)
A flat, G, majors (twelfth)
B, B flat, C,and F minors (two octaves)
A, F sharp and G sharp minors (twelfth)
Chromatic scales: starting on B flat (up to high F or F sharp).
Dominant sevenths: in keys of B flat and A flat (two octaves).

D major in thirds (two octaves)

119
LIST A
P Maurice No 1 Farandoulo di Chatouno or no 4 Dis Alyscamps l’amo souspire:
from ‘Tableaux de Provence’ for Alto Saxophone (Lemoine)
Vinci Adagio and Allegro John Harle’s Saxophone Album (Boosey & Hawkes 6597)
Handel Allegro, Largo and Final from op 1 no 12 arr Mule (Leduc)
Haydn Gypsy Rondo Solos for the Alto Saxophone Player arr Teal
(Schirmer/Music Sales GS33058)
Bozza Aria for Alto Saxophone (Leduc)
Bach Sonata no 6: second and third movements Allegro & Siciliano arr Mule
(Leduc)
LIST B
Debussy Danse Bohémienne Claude Debussy Saxophone Album (Universal Edition
UE 1777)
Binge Concerto for Alto Saxophone: first movement (Weinberger)
P Woods Sonata: movement no 2 (Kendor/Music Sales)
M ilhaud Scaramouche: movement no 2 (Salabert)
Singelée Solo de Concert op 74 Singelée Deux Pièces de Concert for Alto Saxophone
(Lemoine/IMP)
Paul Carr Habanera Four Comedy Dances E flat edition (Kendor Music/Music Sales)
R R Bennett Three Piece Suite for Alto Saxophone and Piano: first movement or third
movement (Novello)
LIST C
Ferling 48 études ed Mule: no 8 (Allegro moderato con fuoco) or no 18 (Vivace)
(Leduc)
W ilson Monody for Solo Saxophone (Camden CM 099)
Rae Inside-out Twenty Modern Studies for Solo Saxophone (Universal Edition/
UEL 18820)
Beethoven Village Dance (page 78) Playing the Saxophone book 2 arr Londeix (Lemoine)
J S Bach Suite no 1, second movement: Allemande (Lemoine)
Buckland Brazilian W alk no 15 Saxophone Solos book 1 (Astute AM 308-48)
Sight-reading: A short piece of suitable difficulty. Major and minor keys up to three
sharps and four flats.
120
GRADE VIII
Scales & Arpeggios: F sharp, G, A flat and A majors (twelfth)

F sharp, G, G sharp and A minors (twelfth)
All other keys, major and m inor harmonic and m elodic (two octaves or
full compass at the candidate’s discretion).
Chromatic scales: Low B flat to high F sharp

E flat, E, F, Fsharp (two octaves)
Dominant sevenths: F sharp, G, A flat and A (one octave)

and all other keys (two octaves)
Diminished sevenths: starting on B flat, B and C (two octaves)

E flat and B flat majors in thirds (two octaves)
W hole tone scales: starting on C and C sharp (two octaves)
LIST A
M ilhaud Vif Scaramouche for Alto Saxophone (Salabert)
Ridout Concertino for alto saxophone (Emerson E145)
R R Bennett Samba Triste no 1 Three Piece Suite for Alto Saxophone
(Novello/Music Sales)
Bach Sonata in G minor BWV 1020: movements no 2 and no 3 arr Harle
(Universal Edition/UE 17774)
Grovlez Pierre Max Sarabande et Allegro (Leduc)
Dubois A l’Espagnole no 1 of Pièces Caractéristiques en forme de suite op 77
(Leduc)
B Heiden Sonata for E flat Saxophone first movement Allegro (Schott ed
11195/MDS)
121
LIST B
Françaix Five Exotic Dances: movements 1 and 3 and 5 (Schott)
Jolivet Fantaisie-Impromptu (Leduc)
Rendell Rock Study Saxophone Selection, alto (GSMD 85021)
P Maurice Lou Cabridan: no 5 from ‘Tableaux de Provence’ for alto saxophone
(Lemoine)
Schulhoff Hot-Sonate for Alto Saxophone: first and second movements (Schott
ED 7739/MDS)
Guilhaud First Concertino, trans Voxman: complete (E flat edition: Rubank/
Studio Music)
LIST C
Lacour Study no 48 and no 49 50 Études Façiles et Progressives vol 2 (Billaudot)
Bach No 80 Easy Classical Studies for Saxophone arr Harle (Universal Edition)
J W ilson Sahasrara The Seven Chakra for Solo Saxophone (Camden CM 239)
I W ilson I Sleep at W aking, for Solo Saxophone (Camden Music CM 135/
Spartan Press)
Debussy Syrinx arr Londeix (Jobert)
Ferling No 20 or no 26: 48 études d’après Ferling arr Mule (Leduc AL20402)
Sight-reading: A short piece of suitable difficulty. Major or minor keys up to four sharps
and four flats.
SENIOR CERTIFICATE
Scales & Arpeggios: F sharp, G, A flat and A majors (full compass)

F sharp, G, G sharp, and A minors (full compass)
All other keys, major and minor (full compass)
Chromatic scales: starting on any note (full compass)
Dominant sevenths: in all keys (full compass)
Diminished sevenths: starting on any note B flat – F (full compass)
B major in thirds (full compass)
B minor in thirds (melodic and harmonic) (full compass)
W hole tone scales: starting on B and B flat (full compass)

122
LIST A
H Gal Suite for Alto Saxophone (Richard Schauer)
Tomasi Introduction et Danse (Leduc)
Bozza Fantasie Italienne (Leduc)
Bach Sonata in G minor: any two contrasting movements arr Harle (Universal
Edition UE 17774)
Leclair Adagio, Allemande et Gigue (Les Classiques du Saxophone no 104) arr Mule
(Leduc)
Richardson Three Pieces op 22 (Emerson)
Jolivet Fantasie-impromptu (Leduc)
Tcherepnin Sonatine Sportive (Leduc)
LIST B
K O’Connell Sonata for Saxophone and Piano: first movement (CMC)
M ilhaud Scaramouche: third movement (Salabert)
Heiden Sonata in E Flat: first movement (Schott)
Harbison Say It! or The Pope’s W ay Twenty Authentic Bebop Jazz Solos (Abersold
SU011)
B Heiden Sonata for E flat Saxophone: first movement, Allegro (Schott
ED 11195/MDS)
Françaix Cinq Danses Exotiques for Alto Saxophone: any three dances
(Schott ED 4745/MDS)
LIST C
J Buckley Arabesque (John Buckley Publications)
Rae Cyclone Twenty Modern Studies for Solo Saxophone (Universal Edition)
Bach Cello Suite no 1: any two from Prelude, Allemande and Courante
arr Londeix (Lemoine)
Dubois Gigue from Suite Française (Leduc)
Ferling 48 Études ed Mule: no 36 (Scherzo) or no 40 (Allegretto) (Leduc)
Parker Parker’s Mood Charlie Parker Omnibook (B flat or E flat edition)
(Atlantic/Music Sales (B flat) AM3067 (E flat) AM27376)
Rendell Ballad Improvisation Saxophone selection (GSMD 85021)
Sight-reading: A short piece of suitable difficulty. Major or minor keys up to four sharps
and four flats.
123
Soprano & Tenor Saxophone 2015-2018
SOPRANO/TENOR SAXOPHONE


Please note that candidates may where necessary use manuscript transpositions of their parts,
or alternatively, they should ensure that the piano accompaniments are suitably transposed.
All scales and arpeggios to be played tongued and legato.
GRADE I
Scales & Arpeggios: F and G major (one octave) A minor (one octave).
LIST A
Grétry Air from Richard Coeur de Lion Learn as you Play Saxophone arr Wastall
(Boosey & Hawkes)
Haydn Allemande no 1 Classical Album (tenor edition) arr Harle (Universal
Edition)
LIST B
Cowles Tri Time Learn as you Play Saxophone arr Wastall (Boosey & Hawkes 6379)
Hyde Soliloquy Learn as you Play Saxophone arr Wastall (Boosey & Hawkes
6379)
Lyons Rock Steady New Tenor Sax Solos book 1 (Useful Music U9/Spartan Press)
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LIST C
Anon Dakota Hymn (page 17) Playing the Saxophone book 1 arr Londeix
(Lemoine)
Anon Blue Bird (page 21) Playing the Saxophone book 1 arr Londeix (Lemoine)
Anon Sweet Nightingale Starters for Saxophone arr Lewin (ABRSM)
Sight-reading: A piece up to eight bars in simple time in C, G or F major.

GRADE II
Scales & Arpeggios: D and E flat majors (one octave). D and E minors (one octave)
(minors in melodic or harmonic form at candidate’s choice).
LIST A
Haydn Minuet no 12 Classical Album arr Harle (Universal Edition)
Tchaikovsky Old French Song no 5 Classical Album arr Harle (Universal Edition)
Schubert Impromptu arr Londeix (Leduc)
LIST B
R Cole Granite Learn as you Play Saxophone arr Wastall (Boosey & Hawkes)
W astall Midnight in Tobago Learn as you Play Saxophone arr Wastall (Boosey &
Hawkes)
Lyons W heels within W heels New Tenor Sax Solos book 1 (Useful Music/
Spartan Press)
LIST C
M onteverdi Prologue to Orfeo Playing the Saxophone book 2 arr Londeix (page11)
(Lemoine)
Lewin Rock Hard Starters for Saxophone arr Lewin (ABRSM)

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GRADE III
Scales & Arpeggios: B flat major one octave (upper octave). F, G majors (a twelfth)
D major (two octaves), B minor one octave (upper octave)
D minor (two octaves)
Chromatic scales: starting on G, one octave.
LIST A
Ilyinsky No 1: Berceuse First Repertoire Pieces for Tenor Saxophone ed Wastall (Boosey
& Hawkes)
Schubert No 3: Serenade First Repertoire Pieces for Tenor Saxophone ed Wastall
(Boosey & Hawkes)
Offenbach Barcarolle Classical Saxophone Solos (tenor edition) arr Both (Schott)
LIST B
Harris Foxtrot First Repertoire Pieces for Tenor Saxophone ed Wastall (Boosey &
Hawkes)
Lyons Soft Song or Moon Rock New Tenor Sax Solos book 1 (Useful Music/
Spartan Press)
Anon The Londonderry Air Classical Saxophone Solos arr Both (Schott)
LIST C
Anon Japanese Traditional Song (page 12) Allemande (page 28) Playing
the Saxophone book 2 arr Londeix (Lemoine)
Handel Bourrée 22 Unaccompanied Pieces for Saxophone arr Lewin (ABRSM)
Lewin Bermuda Breeze Starters for Saxophone arr Lewin (ABRSM)

semibreves.
126
GRADE IV
Scales & Arpeggios: A major (one octave). C, E flat majors (two octaves)
C minor (two octaves). F sharp, G minors (twelfth)
Chromatic scales: starting on C & D (two octaves)
Dominant seventh: in key of C (one octave).
minors in melodic or harmonic form at candidate’s choice.
LIST A
Bach No 4: Musette First Repertoire Pieces for Tenor Saxophone ed Wastall (Boosey
& Hawkes)
Grieg Solveig's Song Classical Solos arr Both (Schott)
M ozart Minuet and Trio no 7 Classical Album arr Harle (Universal Edition)
LIST B
Benjamin Jamaican Rhumba Learn as you Play Saxophone arr W astall (Boosey &
Hawkes)
M altby Heather on the Hill no 2 First Repertoire Pieces for Ttenor Saxophone
ed Wastall (Boosey & Hawkes)
Blemant Petit Jeu First Repertoire Pieces for Tenor Saxophone ed Wastall (Boosey &
Hawkes)
LIST C
Lewin Coast Road 22 Unaccompanied Pieces arr Lewin (ABRSM)
Rae No 1: Turnabout 20 M odern Studies for Solo Saxophone (Universal Edition)
Anon Scottish Melody Playing the Saxophone book 2 arr Londeix (page34)
(Lemoine)

semibreves.
127
GRADE V
Scales & Arpeggios: E major (two octaves). A flat, A majors (twelfth)

B, C sharp majors, D and E minors (two octaves)
F minor (twelfth)
Chromatic scales: starting on B and E (two octaves)
Dominant sevenths: in keys of F and G (two octaves)
Diminished seventh: starting on C (two octaves)
LIST A
Bach Cello Suite no 3 Bourées no 1 and no 2, no 1 Solos for the Tenor Saxophone
Player ed Teal (Schirmer/Music Sales)
Dvořák Lament no 5 Solos for the Tenor Saxophone Player ed Teal (Schirmer/
Music Sales)
Telemann Aria Classical Saxophone Solos arr Both (Schott)
LIST B
R Cole Hooligan Strain First Repertoire Pieces for Tenor Saxophone ed Wastall
(Boosey & Hawkes)
Prokofiev Kijé's Wedding Lieutenant Kijé Suite arr Maganini (Schauer)
Granados Andaluza, Playera, no 4 Tenor Saxophone Solos vol 1 ed Harvey (Chester
Music/Music Sales)
LIST C
Rae No 3: Groove it! 20 Modern Studies for Solo Saxophone (Universal Edition)
Lewin Golden Sands or Hawk Gets Bird 22 Unaccompanied Pieces for Saxophone
arr Lewin (ABRSM)
Bach Bourrées no 1 and no 2 (page 40) Playing the Saxophone book 2 arr Londeix
(Lemoine)

semibreves. Accidentals included.
128
GRADE VI
Scales & Arpeggios: B flat, B, D and F majors (two octaves). G and A flat majors
(two octaves)
B, D and E minors (two octaves) G, G sharp minors (twelfth)
Chromatic scales: starting on B flat (two octaves)
Dominant sevenths: in the keys of B, B flat and E flat (two octaves)
Diminished Sevenths: starting on B and B flat (two octaves)
(minors in both melodic and harmonic forms)
LIST A
Fiocco No 6: Arioso Tenor Saxophone Solos vol 2 ed Harvey (Chester Music/
Music Sales)
M endelssohn No 9: Song without W ords Solos for the Tenor Saxophone Player ed Teal
Handel Sonata in G minor: movement no 4 trans Londeix (Lemoine)
LIST B
Ravel Bolero no 1 Tenor Saxophone Solos vol 2 ed Harvey (Chester Music/
Music Sales)
M oszkowski No 10: Spanish Dance op 12 no 2 Solos for the Tenor Saxophone Player
ed Teal (Schirmer/Music Sales)
Cowles Bala Breeze and Bala Bounce from Three Sketches of Bala no 4 Tenor
Saxophone Solos vol 2 ed Harvey (Chester Music/Music Sales)
LIST C
J Balogh Gipsy Songs (with quasi cadenza) The Light Touch for Alto Saxophone
book 2 ed Lewin (Stainer & Bell)
Rae No 7: Helix 20 Modern Studies for Solo Saxophone (Universal Edition)
Lange Vintage Dance 22 Unaccompanied Pieces for Saxophone arr Lewin (ABRSM)

129
GRADE VII
Scales & Arpeggios: B, B flat, C, D, E flat, F and C sharp majors (two octaves).
A flat, G and F sharp majors (twelfth)
B, B flat, C, and F minors (two octaves).
A, F sharp and G sharp minors (twelfth).
Chromatic scales: starting on B flat (up to high F).
Dominant sevenths: in keys of B flat and A flat (two octaves)
C major in thirds (two octaves)
LIST A
Singelée Fourth Solo de Concert (Molenaar/Phoenix Music)
Ravel Pièce en forme de Habañera trans Viard (Leduc)
LIST B
Harvey No 5: Rue Maurice-Bertaux Tenor Saxophone Solos vol 2 ed Harvey
Saint-Saëns Allegro Appasionato op 43 no 11 Solos for the Tenor Saxophone Player
ed Teal (Schirmer/Music Sales)
Villa-Lobos Fantasia: movement no 2 (Péer-Southern)
LIST C
Rae Inside-Out 20 Modern Studies for Solo Saxophone (Universal Edition)
Beethoven Village Dance (page 78) Playing the Saxophone book 2 arr Londeix (Lemoine)
Bach Cantata no 1 (page 83) Playing the Saxophone book 2 arr Londeix (Lemoine)

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GRADE VIII
Scales & Arpeggios: F sharp, G, A flat and A majors (twelfth).

F sharp, G, G sharp and A minors (twelfth)
All other keys, major and minor harmonic and melodic (two octaves
or full compass at the candidate’s discretion)
Chromatic scales: low B flat to high F sharp, E flat, E, F, F sharp

(two octaves)
Dominant sevenths: F sharp, G, A flat and A (one octave) and

all other keys (two octaves)
Diminished sevenths: starting on B flat, B and C (two octaves)
E flat and B flat majors in thirds (two octaves)
W hole tone scales: starting on C and C sharp (two octaves)
Three Pieces: Candidates must prepare three pieces, one from each List A B and C.
LIST A
P Max Dubois Vieille Chanson and Rondinade for tenor saxophone (Billaudot)
M arcello Concerto in C minor arr Joosen (Molenaar/Phoenix Music)
Bach Sonata in G minor BWV 1020: movements no 2 and no 3 arr Harle
(Universal Edition)
LIST B
Tuthill Sonata op 56: movements no 2 and no 3 (Southern Music)
Schmitt Songe de Coppelius (Lemoine)
Albeniz Mallorca (Music Sales)
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LIST C
Bach Cello Suite no 1: Minuets no 1 and no 2 and Gigue (no repeats)
arr Londeix (Lemoine)
M ozart Country Dances (page 89) Playing the Saxophone book 2 arr Londeix
(Lemoine)
Rae No 19: Side-W inder 20 Modern Studies for Solo Saxophone (Universal
Edition)
SENIOR CERTIFICATE
Scales & Arpeggios: F sharp - A major; F sharp - A minor (twelfth)
All other keys, major and minor (two octaves)
Chromatic scales: starting on B flat (two and a half octaves)

F sharp - A (twelfth) and any other note (two octaves)
Dominant sevenths: in the keys of B, C, D flat and D (one octave)

and all other keys (two octaves)
Diminished sevenths: starting on any note B flat – F (two octaves).
B major in thirds (two octaves).

B minor in thirds (two octaves).
(minors in both melodic and harmonic forms including B minor in thirds)
Three Pieces: Candidates must prepare three pieces, one from each List A B and C.

132
LIST A
Bach Sonata in G minor, BW V 1020 arr Harle (Universal Edition)
Handel Sonata in G minor op 1 no 6 trans Londeix (Leduc)
Guilhaud First Concertino trans Voxman (Rubank/Studio)
LIST B
Anderson Sonata no 1 (Southern Music Company)
Villa-Lobos Fantasia: movement no 1 (Péer-Southern)
M artin Ballade for Tenor Trombone/Sax (Universal/UE 11250)
LIST C
Rae No 20: Cyclone 20 Modern Studies for Solo Saxophone (Universal Edition)
A Bullard Scherzando Sax: no 56 from Sixty for Sax (ABRSM)
Ferling 48 Études ed Mule: no 36 (Scherzo) or no 40 (Allegretto) (Leduc)
T M ashima Rhapsody New Concert Studies for Saxophone (De Haske)

133
French Horn 2015-2018
FRENCH HORN

All scales and arpeggios to be played from memory, tongued and slurred.
GRADE I
Scales & Arpeggios: C major; A minor harmonic, one octave.
LIST A
Gregson Little Minuet Nine Miniatures for Horn (Brass Wind Publications)
Premru W imbledon W altz Up Front Album for French Horn grade 1 (Brass Wind
Publications)
Lawrance W aits and Measures Six Modern Pieces for French Horn (Brass Wind
Publications)
JS Bach Choral Pièces Classiques pour Cor (Billaudot)
Ridgeon Call my Bluff Nine Miniatures for French Horn (Brass Wind Publications)
Charpentier Te Deum Pièces Classiques pour Cor (Billaudot)
LIST B
Bourgeois Cornucopia Up Front Album for French Horn book 1 (Brass Wind
Publications)
Lully No 3: Menuet Pièces Classiques pour Cor (Billaudot)
Lawrance Amber Six Modern Pieces for Horn (Brass Wind Publications)
Gregson Lullaby Nine Miniatures for French Horn (Brass Wind Publications)
Handel No 11: Aria Pièces Classiques pour Cor (Billaudot)
Ridgeon Hide and Seek Nine Miniatures for French Horn (Brass Wind Publications)
134
LIST C
Gregson No 4 or no 5 or no 6: 20 Supplementary Tunes for Beginner Brass
Horner No 13 or no 24 or no 32: Primary Studies for Horn (Elkan-Vogel)
M iller No 3 or no 4 or no 11: Simple Studies for Beginner Brass (Faber Music)
Endresen No 1 or no 2: Supplementary Studies for Horn (Rubank/Studio Music)
Sight-reading: A short piece up to eight bars in simple time in C major.

Crotchets, minims, dotted minims and semibreves; crotchet rests.
GRADE II
Scales & Arpeggios: B flat major (one octave); G minor harmonic (one octave)
LIST A
Carse A Little Serenade Two Easy Pieces for Horn (Stainer & Bell)
Lawrance Occasional Fanfare Six Modern Pieces for Horn (Brass Wind Publications)
Ridgeon Prelude and March Nine Miniatures for Horn (Brass Wind Publications)
Butterworth Roland Up Front Album for Horn in F grade 2 (Brass Wind Publications)
Telemann 10 Menuet Pièces Classiques pour Cor (Billaudot)
Le Couppey Study in A Minor An Intermediate Horn Book (Allegro Music Archive
Reprint)
LIST B
Brightmore Sad Story Three Easy Solos (Emerson 149)
Lawrance Sun Dance Six Modern Pieces for Horn (Brass Wind Publications)
W oolfenden Space Patrol Up Front Album for Horn grade 2 (Brass Wind Publications)
Ridgeon Restless or W ishful Thinking Nine Miniatures for Horn in F (Brass Wind
Publications)
Handel Marche de Josue Pièces Classiques pour Cor (Billaudot)
LIST C
Gregson No 7 or no 9 or no 11: 20 Supplementary Tunes for Beginner Brass (Brass
Wind Publications)
Horner No 30 or no 35 or no 37: Primary Studies for Horn in F (Elkan-Vogel)
Endresen No 3 or no 4: Supplementary Studies for French Horn (Rubank/Studio Music)
Sight-reading: A short piece up to eight bars in simple time in C, G or F major.

Crotchets, quavers, minims, dotted minims and semibreves; crotchet
rests.
135
GRADE III
Scales & Arpeggios: D major (one octave); B minor harmonic (one octave)
LIST A
Gregson Folk Song Nine Miniatures for Horn in F (Brass Wind Publications)
Horovitz Sherwood Fancy Up Front Album for Horn in F grade 2 (Brass Wind
Publications)
Carse Scherzino Two Easy Pieces for Horn (Stainer & Bell)
Lawrance Carillon In Concert, for F horn (Brass Wind Publications)
J S Bach Prelude An Intermediate Horn Book (Allegro Music Archive Reprint)
Haydn No 14: Choral de Saint Antoine Pièces Classiques pour Cor (Billaudot)
LIST B
Hanmer No 1: Prelude Suite for Horn (Emerson)
Lawrance Homage In Concert, for Horn (Brass Wind Publications)
Purcell Air de Trompette Pièces Classiques pour Cor (Billaudot)
Ridgeon Introduction and Dance Nine Miniatures for Horn in F (Brass Wind
Publications)
Carr Foot it Featly Up Front Album for Horn in F grade 2 (Brass Wind
Publications)
Beethoven Hymne à la Joie (Ode to Joy) Pièces Classiques pour Cor (Billaudot)
LIST C
Wind Publications)
Horner No 40 or no 47 or no 48: Primary Studies for French Horn (Elkan-Vogel)
Endresen No 5 or no 6: Supplementary Studies for Horn (Rubank/Studio Music)
Sight-reading: A short piece up to ten bars in simple time.

Major keys up to one sharp and two flats / D minor.
semibreves. Crotchet, quaver and minim rests.
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GRADE IV
Scales & Arpeggios: G, A flat major (twelfth). E and F minors harmonic and melodic
(one octave)
Chromatic scale: starting on C or G (one octave)
LIST A
Brightmore Morning Ride Three Easy Solos (Emerson 149)
Haydn No 7: Minuetto Classical Album for Horn (Boosey & Hawkes)
Parker Penguin Parade Top Line for Horn in F (Brass Wind Publications)
Clementi Sonatina An Intermediate Horn Book (Allegro Music Archive Reprint)
M ozart Concerto no 3 K 447: second movement (any edition)
Ball Ceridwen’s Air Top Line for Horn in F (Brass Wind Publications)
LIST B
Auclert Lied pour Cor et Piano (Leduc)
Beethoven No 9: Theme Classical Album for Horn (Boosey & Hawkes)
Gregson Habañera Nine Miniatures for Horn (Brass Wind Publications)
Hanmer Suite for Horn: no 4: Finale (Emerson)
Lawrance Reflections In Concert, for Horn (Brass Wind Publications)
Carr Ghost of Fountains Abbey Top Line for Horn (Brass Wind Publications)
LIST C
Horner No 62 or no 60 or no 69: Primary Studies for French Horn (Elkan-Vogel)
Endresen No 7 or no 12 or no 17: Supplementary Studies for French Horn
(Rubank/Studio Music)
Gregson No 15 or no 19: 20 supplementary Tunes for Beginner Brass (Brass Wind
Publications)
M Alphonse No 5 or no 10 or no 22: 200 New Studies book 1 (Leduc)
Sight-reading: A short piece up to ten bars in simple time including 3/8 time.
Major keys up to two sharps and two flats / D minor.
Crotchets, dotted crotchets, dotted quavers, quavers, minims, dotted
minims and semibreves; crotchet, quaver and minim rests.
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GRADE V
Scales & Arpeggios: E flat, F majors (two octaves) C, D minors harmonic and melodic
(one octave)
Chromatic scales: starting on F(two octaves)
Dominant sevenths: in the keys of E flat, C (one octave)
Transposition study: as listed below.
LIST A
Ledbury Fanfare Prelude Cornucopia: Six Pieces for Horn in F (Brass Wind
Publications)
Parker Blue Train Top Line Album for Horn in F (Brass Wind Publications)
Boieldieu Solo pour Cor (Billaudot)
M ozart Concerto no 3 K 447: third movement (any edition)
J S Bach No 3: Sarabande Classical Album for Horn (Boosey & Hawkes)
Saint-Saëns Romance op 36 (Durand)
Lawrance Carnival In Concert, for Horn in F (Brass Wind Publications)
LIST B
F Strauss Horn Concerto op 8: second movement (Universal Edition)
Damase Berceuse op 19 (Leduc)
Diabelli No 6: Rondo An Intermediate Horn Book (Allegro Music Archive Reprint)
Lawrance Fanfare and Response In concert, for Horn in F (Brass Wind Publications)
Ridout First movement Concertino for Horn (Emerson)
Schumann No 10: Larghetto and Allegretto Classical Album for Horn (Boosey &
Hawkes)
Ball Chase Top Line for Horn in F (Brass Wind Publications)
LIST C
Horner No 82 or no 88 or no 90: Primary Studies for Horn (Elkan-Vogel)
Endresen No 21 or no 26 or no 29: Supplementary Studies (Rubank/Studio Music)
Kopprasch No 6 or no 8 or no 10: 60 Studies for Horn book 1 (IMC)
M Alphonse No 14 or no 36 or no 37: 200 New Studies for Horn book 1 (Leduc)
138
Transposition: Horn in E flat

Gregson: No 4: Hungarian Dance, or no 6: Chloe’s Tune Supplementary
Tunes for Beginner Brass (Brass Wind Publications)
Sight-reading: A short piece up to ten bars in simple time or 6/8 time.

Major keys up to two sharps and two flats / C minor.
Crotchets, dotted crotchets, dotted quavers, quavers, semiquavers,
Crotchet, quaver and minim rests. Triplets and syncopation.
GRADE VI
Scales & Arpeggios: A, E majors (two octaves), B major (a twelfth), F sharp, C sharp,
G sharp minors harmonic and melodic (two octaves)
Chromatic scales: starting on F sharp (two octaves)

Dominant sevenths: in the keys of A flat, A (two octaves)
Diminished sevenths: starting on G (two octaves)
LIST A
M ozart Horn concerto no 3 K 447: first movement (any edition)
M ozart Concert rondo in E flat K 371 (any edition)
Dunhill Cornucopia: first and second movements (Boosey & Hawkes)
Bozza En Irlande (Leduc)
Telemann Concerto in D: third movement, Allegro (Schirmer/Music Sales)
R Strauss Andante, op posth (Boosey & Hawkes)
M M cAuliffe W himsicality (OCMP Ireland)
LIST B
Saint-Saëns Morceau de concert, op 94: first movement (Durand)
Cooke Rondo in B flat (Schott)
Karl-M atys Koncertstück no 2 op 24: first and second or second and third
movements (Pizka Ed D-85551)
W oolfenden W ar Dance Horn dances (Brass Wind Publications)
Ridout Concertino for horn: third movement (Emerson)
Dunhill Cornucopia: second and third movements (Boosey & Hawkes)
F Strauss Romance, from Les Adieux (any edition)
139
LIST C
Kopprasch No 12 or no 15 or no 16: 60 studies book 1 (IMC)
M Alphonse No 1 or no 3 or no 6: 200 new studies book 3 (Leduc)
N Clarke Processional or Russian Picture Featuring rhythm (Brass Wind Publications)
Transposition: Horn in C
Gregson: No 7 March or No 10 Gavotte Supplementary Tunes forBeginner Brass (Brass
Wind Publications)
Sight-reading: A short piece of suitable difficulty. Major keys up to two sharps and two
flats / minor keys up to two flats.
GRADE VII
Scales & Arpeggios: D flat, F sharp major (two octaves)

B flat, D sharp minors, harmonic and melodic (two octaves)
Chromatic scales: starting on F sharp (two octaves)

Dominant sevenths: in keys of A flat, A (two octaves)
Diminished sevenths: starting on F, A flat (two octaves)
LIST A
M ozart Concerto no 2 K 417: second and third movements (any edition)
M ozart Concerto no 1 in D K 412: complete (any edition)
Beethoven Sonata op 17: first movement (Boosey & Hawkes)
L-E Larsson Concertino op 45: first movement (Gehrmans)
Glière Romance op 35 Four Pieces for Horn (Pizka SCO43)
Abbott Alla caccia (Arcadia/Weinberger)
Haydn Concerto no 2 in D: first movement (Boosey & Hawkes)
LIST B
Glazunov Rêverie op 27 (Peters Edition)
F Strauss Nocturno op 7 (Universal Edition)
F Strauss Theme and Variations op 13: second and third movements (Zimmermann)
Nielsen Canto Serioso (Hansen/Music Sales)
W oolfenden Spanish Dance Horn Dances (Brass Wind Publications)
Hindemith Sonata for Horn: first movement (Schott)
R Strauss Concerto no 1 in E flat op 11: second movement (Universal Edition)
140
LIST C
Kopprasch No 19 or no 21 or no 27: 60 Studies book 1 (IMC)
Gallay No 13 or no 15 or no 17: 39 Preludes op 27 (Leduc)
Transpositions: Kopprasch: no 10 (horn in E); no 17 (horn in D)

60 Studies book 1 (IMC)
Sight-reading: A short piece of suitable difficulty. Major keys up to four sharps and two
flats / minor keys up to two flats and three sharps.
GRADE VIII
Scales & Arpeggios: A, B flat, B majors (three octaves)

(minor scales in both melodic and harmonic forms)
Chromatic scales: starting on any note (two octaves)

W hole tone scales: starting on B flat and C (two octaves)
Dominant sevenths: in any key (two octaves)
Diminished sevenths: starting on F sharp, B flat (two octaves)
Transposition Study: as listed below.
LIST A
Beethoven Sonata op 17: third Movement (Schott)
M ozart Concerto No 4 in E flat K 495: first movement (any edition)
M ozart Horn Quintet in E flat K 407: first movement (any edition)
Rosetti (Rösler) Concerto in E flat: third movement (IMC)
Saint-Saëns Romance op 67 (Hamelle-Leduc)
F Strauss Concerto op 8: third Movement (Universal Edition)
Chabrier Larghetto (Billaudot)
LIST B
Stich-Punto Concerto no 5 in F: third movement (Pizka Edition)
Busser Pièce en re op 39 (Leduc)
R Strauss Concerto no 1 in Eb op 11: first movement (Universal Edition)
Saint-Saëns Morceau de Concert: second and third movements (Durand)
Hindemith Sonata for Horn: third movement (Schott)
F Strauss Introduction, Theme and Variations (Schott)
W oolfenden Sword Dance Horn Dances (Brass Wind Publications)
141
LIST C
Gallay No 16 or no 18 or no 22: 39 Preludes op 27 (Leduc)
Transposition: Kopprasch: Horn in B flat basso, no 21, 60 Studies for Horn book 1 (IMC)
M Alphonse: Horn in G alto, no 46, 200 New Studies book 1 (Leduc)
Sight-reading: A short piece of suitable difficulty. Major keys up to four sharps and two
flats / minor keys up to two flats and three sharps / twelve tone (atonal).
SENIOR CERTIFICATE
Scales & Arpeggios: All scales major and minor, dominant and diminished sevenths.
Chromatic and whole tone scales as per Grade VIII.
Transposition Study: as listed below.
LIST A
M ozart Horn quintet in E flat K 407: second and third movements (any edition)
M ozart Concerto no 2 in E flat K 417: first movement (any edition)
Haydn Concerto no 1 in D: first and second or second and third movement
(Boosey & Hawkes)
Stich-Punto Concerto no 5 in F major: first movement (H Pizka)
Rosetti (Rösler) Concerto in E flat: first movement (IMC)
F Strauss Concerto op 8: first movement (Universal Edition)
LIST B
Dukas Vilanelle (Durand)
Bozza En Forêt (Leduc)
Vinter Hunter’s Moon (Boosey & Hawkes)
Kinsella Dialogue for Horn and Piano (CMC)
Poulenc Elegie (Chester/Music Sales)
R Strauss Third Movement Rondo Concerto in E flat op 11 (Universal Edition)
Hindemith Concerto for Horn: first and second movements (Schott 4024)
142
LIST C
M Alphonse Any study from 200 New Studies book 4 (Leduc)
Kopprasch Any study from 60 Studies book 2 (IMC)
Gallay Any study from 12 Études for Horn op 57 (IMC)
Bourgeois Any study from Fantasy Pieces (Brass Wind Publications)
Transposition: Horn in: E flat, C, E, D, B flat basso (under sight-reading)

143
Trumpet, Cornet & Flugel Horn 2015-2018
TRUMPET, CORNET & FLUGELHORN


Unaccompanied pieces are marked with an asterisk (*)
GRADE I
Scales & Arpeggios: B flat, C and G majors (lower octave) A harmonic minor, compass
one octave, tongued and slurred.
LIST A
A Butterworth Sumani Keynotes: Album for Trumpet (Brass Wind Publications)
Bernstein One Hand, One Heart Easy Winners (Brass Wind Publications)
Gregson No 1: Prelude Ten Miniatures for Trumpet (Brass Wind Publications)
Crosse Intrada Up Front Album for Trumpet grade 1 (Brass Wind Publications)
Runswick Offshore Up Front Album for Trumpet grade 1 (Brass Wind Publications)
*Gregson No 3: Little Minuet 20 Supplementary Tunes for Beginner Brass (Brass Wind
Publications)
*Gregson No 4: Hungarian dance 20 Supplementary Tunes for Beginner Brass (Brass
Wind Publications)
Handel Minuet (from W ater Music) Time pieces for Trumpet vol 1 Harris & Wallace
(ABRSM)
Teleman Allegretto (from Fantasia No 4) Time pieces for Trumpet vol 1 Harris &
Wallace (ABRSM)
Susato La Mourisque Winner Scores All (Brass Wind Publications 0138TC)
Tchaikovsky Dance of the Mirlitons Winner Scores All (Brass Wind Publications 0138TC)
144
LIST B
E Gregson No 2: Ostinato Ten Miniatures for Trumpet (Brass Wind Publications)
G Cohan Give My Regards To Broadway Easy Winners (Brass Wind
Publications)
D Coombes Trumpet out W est Keynotes: Album for Trumpet (Brass Wind
Publications)
E Gregson Dance Up Front Album for Trumpet grade 1 (Brass Wind
Publications)
Bourgeois Elastic Frog Up Front Album for Trumpet grade 1 (Brass Wind
Publications)
Premru Linzer Lullaby Up Front Album for Trumpet grade 1 (Brass Wind
Publications)
*Gregson No 5: Mark’s Tune 20 Supplementary Tunes for Beginner Brass (Brass
Wind Publications)
Bernstein One Hand, One Heart (from West Side Story) Easy Winners for Treble
Brass (Brass Wind Publications 0124TC) NB Piano accompaniment sold
separately
Spiritual (anon) All Night, All Day page 7 Easy Winners (Brass Wind Publications
0124TC)
LIST C
Endresen No 1 or no 2: Supplementary Studies for Trumpet (Rubank/Studio
Music)
J Arban No 11 or no 12 (page 13): Cornet Method (Boosey & Hawkes)
Philip Sparke Marching Home no 7 or Tickertape Parade Skilful Studies for Trumpet,
Cornet, Flugelhorn or Tenor Horn Anglo Music (AMP) 098-401
Philip Sparke Modal Melody Starter Solos for Trumpet (Anglo Music AMP 153-400)
Sight-reading: A short piece up to eight bars in simple time in C major.

Crotchets, minims, dotted minims and semibreves; crotchet rests.
145
GRADE II
Scales & Arpeggios: D and A majors

D and E harmonic minors
Compass one octave, all tongued and slurred.
LIST A
*Davis Tiny Minuet Polished Brass (Brass Wind Publications)
*Davis Jumping Jack Rap Polished Brass (Brass Wind Publications)
Purcell No 1: Trumpet Tune Old English Trumpet Tunes book 1 (OUP)
Gregson No 5: Lullaby Ten Miniatures for Trumpet (Brass Wind Publications)
Gregson Rhythmic Dance Ten Miniatures for Trumpet (Brass Wind Publications)
Ramskill Music Hall Song Keynotes: Album for Trumpet (Brass Wind
Publications)
M ozart Aria from "The Marriage of Figaro" Winners Galore (Brass Wind
Publications)
Smetana Vltava from 'Ma Vlast' Winners Galore (Brass Wind Publications)
J S Bach O Jesulein Süss no 16 First Book of Trumpet Solos arr Wallace & Miller
(Faber Music)
Clarke Minuet no 10 First Book of Trumpet Solos arr Wallace & Miller (Faber Music)
M ozart Aria Winner Scores All (Brass Wind Publications 0138TC)
LIST B
Gregson No 3: Gopak Ten Miniatures for Trumpet (Brass Wind Publications)
Purcell No 2: Trumpet Air Old English Trumpet Tunes book 1 (OUP)
W oolfenden Valse Triste Up Front Album for Trumpet book 2 (Brass Wind Publications)
Tracey Sassy Up Front Album for Trumpet book 2 (Brass Wind Publications)
*Davis Beefy Bongo Polished Brass (Brass Wind Publications)
*Davis Geared up Polished Brass (Brass Wind Publications)
Di Capua O Solo Mio All Jazzed Up (Brass Wind Publications)
Daly Postman Pat Winners Galore (Brass Wind Publications)
Gilbert & Sullivan March from 'The Pirates of Penzance' Winners Galore (Brass Wind
Publications)
Bart W here is Love page 14 Easy Winners for Treble Brass (Brass Wind
Publications 0124TC)
Gilkyson The Bare Necessities Winner Scores All for Treble Brass (Brass Wind
Publications 0138TC)
Pam W edgwood Easy Tiger or Buttercup Really Easy Jazzin About for Trumpet (Faber Music)
146
LIST C
Endresen No 3 or no 4 or no 5: Supplementary Studies for Trumpet (Rubank/Studio
Music)
*Gregson No 7: March 20 Supplementary Tunes for Beginner Brass (Brass Wind
Publications)
*Gregson No 8: Lullaby 20 Supplementary Tunes for Beginner Brass (Brass Wind
Publications)
*Gregson No 10: Gavotte 20 Supplementary Tunes for Beginner Brass (Brass Wind
Publications)
Philip Sparke Norwegian Mood no 8 or Cowboy Carol or Tom’s Tune Skilful Studies for
Trumpet Cornet, Flugelhorn or Tenor Horn Anglo Music (AMP) 098401
James Rae Study no 31 or 33 Jazz Trumpet Studies (Faber Music)
J Arban No 13 (page 26) Tempo di Marica Cornet Method (Boosey & Hawkes)
Sight-reading: A short piece up to eight bars in simple time. Major keys up to one
sharp and one flat. Crotchets, quavers, minims, dotted minims and
semibreves; Crotchet rests.
GRADE III
Scales & Arpeggios: E flat and F major (one octave).

G and B flat major (twelfth).
B and G harmonic minor (one octave)
Chromatic scale beginning on C (one octave)
All of the above tongued and slurred.

LIST A
*Davis Shake, Quiver and Quake Polished Brass (Brass Wind Publications)
Handel No 3: Scipio March Old English Trumpet Tunes book 1 (OUP)
Clarke No 7: A Trumpet Minuet Old English Trumpet Tunes book 1 (OUP)
P Harris No 2: Berceuse Six Miniatures for Trumpet (Ricordi)
Gregson No 6: Minuet Ten Miniatures for Trumpet (Brass Wind Publications)
Horovitz On parade Up front album for trumpet book 2 (Brass Wind Publications)
C W Smith Something Else All Jazzed Up (Brass Wind Publications)
D Coombes Trumpet in Traffic Keynotes: Album for Trumpet (Brass Wind
Publications)
Vivaldi Spring from The Four Seasons Easy Winners (Brass Wind Publications)
Gluck Che Faro Great Winners for Treble Brass (Brass Wind Publications 0132)
Trad English Greensleeves no 8 from Skilful Solos for Trumpet, Cornet, Flugelhorn or Tenor
Horn (arr Sparke) Anglo Music (AMP\0 191-400)
147
LIST B
*Davis Itchy Scratchy Polished Brass (Brass Wind Publications)
Handel No 4: March Old English Trumpet Tunes book 1 (OUP)
P Harris No 1: Fanfare Six Miniatures for Trumpet (Ricordi/UMP)
P Harris No 5: Serenade Six Miniatures for Trumpet (Ricordi/UMP)
Gregson No 7: Slightly Slavic Ten Miniatures for Trumpet (Brass Wind
Publications)
Butterworth Processional Fanfare Up Front Album for Trumpet book 2 (Brass
Wind Publications)
Andersson Super Trouper Easy Winners (Brass Wind Publications)
Norman James Bond Theme Easy Winners (Brass Wind Publications)
Holst Jupiter from The Planets Easy Winners (Brass Wind Publications)
Josef Karai Game of Tag no 16 from Cornet (Trumpet) Music for Beginners arr Borst
& Bogár (Editio Musica Budapest Z.6627)
LIST C
Endresen No 6 or no 8 or no 10: Supplementary Studies for Trumpet (Rubank/Studio
Music)
*Gregson no 11: Moto Perpetuo 20 Supplementary Tunes for Beginner Brass (Brass
Wind Publications)
*Gregson no 13: Pop Song 20 Supplementary Tunes for Beginner Brass (Brass Wind
Publications)
*Gregson No 14: Justin’s March 20 Supplementary Tunes for Beginner Brass (Brass
Wind Publications)
*Gregson no 15: Bulgarian Dance 20 Supplementary Tunes for Beginner Brass (Brass
Wind Publications)
Philip Sparke Rondino or Classical Theme no 22 or 24 from Skilful Studies for
Trumpet, Cornet, Flugelhorn or Tenor Horn (AMP 098-401)
James Rae Study no 37 or 43 from Jazz Trumpet Studies (Faber Music)
J Arban No 16 or no 17 (page 14) Cornet Method (Boosey & Hawkes)
Sight-reading: A short piece up to sixteen bars in simple time.

semibreves; crotchet and minim rests.
148
GRADE IV
Scales & Arpeggios: G major (two octaves). B flat major (twelfth), E and A flat major
(one octave)
C harmonic minor (twelfth), B harmonic minor (twelfth)

A melodic minor (two octaves)
Chromatic scales: beginning on C (twelfth) and G (two octaves)
Dominant sevenths: in the key of F (one octave)
All the above tongued and slurred.
LIST A
*Davis Karaoke Kick Start Polished Brass (Brass Wind Publications)
*Davis Tap Dance Polished Brass (Brass Wind Publications)
Greene No 10: Trumpet Tune Old English Trumpet Tunes vol 1 (OUP)
Bach No 7: Marche Play Solo Trumpet (Faber Music)
Purcell The Queen’s Dolour (a farewell) The Wonderful World of Purcell (Kevin
Mayhew)
Handel No 6: Minuet and Trio Old English Trumpet Tunes vol 1 (OUP)
Gregson No 9: March Triste Ten Miniatures for Trumpet (Brass Wind
Publications)
Gregson No 10: Scherzo Ten Miniatures for Trumpet (Brass Wind
Publications)
Harris No 3: March Six Miniatures for Trumpet (Ricordi)
*Gregson No 17: Folk Song 20 Supplementary Tunes for Beginner Brass
*Gregson No 19: Fanfare 20 Supplementary Tunes for Beginner Brass (Brass
Wind Publications)
Gorb Hora A Tango to Bali (Brass Wind Publications)
Gregson Serenade Cameos for Trumpet (Brass Wind Publications)
Pinkard Sweet Georgia Brown All Jazzed Up (Brass Wind Publications)
149
LIST B
*Davis Horn of W onder Polished Brass (Brass Wind Publications)
*Davis Flamenco Flirt Polished Brass (Brass Wind Publications)
Purcell No 12: Sonata for Trumpet and Strings Old English Trumpet Tunes vol 1
(OUP)
Hummel No 8: Indian Rondo Play Solo Trumpet (Faber Music)
Gregson No 8: Folk Dance Ten Miniatures for Trumpet (Brass Wind Publications)
Farnaby No 16: Giles Farnaby's Dreame Play Solo Trumpet (Faber Music)
Harris No 6: Dance Six Miniatures for Trumpet (Ricordi)
Purcell Fairest Isle from ‘King Arthur’ The Wonderful World of Purcell (Kevin
Mayhew)
Gorb Oussoul A Tango to Bali (Brass Wind Publications)
Gorb Kalevala A Tango to Bali (Brass Wind Publications)
*Gregson No 18: Habañera and Ragtime 20 Supplementary Tunes for Beginner Brass
Gregson Intrada Cameos for Trumpet (Brass Wind Publications)
Bernstein Cool from Great Winners for Treble Brass (Brass Wind Publications 0132)
LIST C
Endersen No 8 or no 11 or no 12 or no 13: Supplementary Studies for Trumpet
Bourgeois No 1 or no 2 or no 3 or no 4: Ace of Trumpets (Brass Wind Publications)
Clarke W eldon Featuring Rhythm: for Treble Brass (Brass Wind Publications)
Philip Sparke Shepherd’s Song or Ursa Minor 33 or 35 from Skilful Studies for
Trumpet, Cornet, Flugelhorn or Tenor Horn (AMP 098-401)
James Rae Study no 44 or 48 from Jazz Trumpet Studies (Faber Music)
J Arban No 19 (page 24) Cornet Method (Boosey & Hawkes)
Sight-reading: A short piece up to sixteen bars in simple time.

semibreves; crotchet, quaver and minim rests.
GRADE V
Scales & Arpeggios: B flat, A flat and A major (two octaves) E flat major (twelfth)
D minor, harmonic and melodic (twelfth)
G and A minor, harmonic and melodic (two octaves)
Chromatic scales: starting on A and A flat (two octaves)
Dominant sevenths: in the keys of C and D (two octaves)

Diminished sevenths: starting on C (one octave)

150
LIST A
*Davis Tango Tease Polished Brass (Brass Wind Publications)
* Davis Hornpipe Polished Brass (Brass Wind Publications)
Purcell Trumpet Tune and Air The Wonderful World of Purcell (Kevin Mayhew)
Purcell No 8: Trumpet Tune Old English Trumpet Tunes book 1 (OUP)
Clarke No 9: The Prince of Denmark’s March Old English Trumpet Tunes book
1 (OUP)
Greene No 10: Trumpet Tune Old English Trumpet Tunes book 1 (OUP)
Haydn Trumpet Concerto in E flat: Andante, second movement (Boosey &
Hawkes)
Gorb Huapango A Tango to Bali (Brass Wind Publications)
Gorb Chikona A Tango to Bali (Brass Wind Publications)
K W eill Mack the Knife Big Chillers (Brass Wind Publications)
A C Jobim One Note Samba Big Chillers (Brass Wind Publications)
Blow No 2 Air Trumpet Tunes from The Age of Purcell (ChesterMusic)
J S Bach Aria (Bist du Bei Mir) arr Fitzgerald Classic Festival Solos Trumpet vol 2
(Alfred- Belwin EL03887) Piano Separate (EL03888)
LIST B
*Davis Hit The Sack Polished Brass (Brass Wind Publications)
*Davis Head Down Hoody Polished Brass (Brass Wind Publications)
Purcell A Ground (in Gamut) The Wonderful World of Purcell (Kevin Mayhew)
Purcell Dido's Lament The Wonderful World of Purcell (Kevin Mayhew)
Handel Concertino for Trumpet and Strings: movement no 1 arr Benoy (OUP)
Gregson Canon Dance Cameos for Trumpet (Brass W ind Publications)
Gregson Alla Marcia Cameos for trumpet (Brass Wind Publications)
A Gorb Gagaku A Tango to Bali (Brass Wind Publications)
Hupfeld As Time Goes By Big Chillers (Brass Wind Publications)
Shearing Lullaby of Birdland Big Chillers (Brass Wind Publications)
Clarke No 6 Corant Trumpet Tunes from The Age of Purcell (Chester Music)
Saint-Saëns Softly Awakes my Heart from Samson and Delilah (NB ending at tempo 1)
arr Sparke for Cornet or Trumpet (Studio Music)
Hansen Andante con espressione second movement from Sonata for Cornet op
18 (Hansen WH 13213)
151
LIST C
Endresen No 15 or no 17 or no 18 or no 21: Supplementary Studies for Trumpet
Hering No 11 or no 28: Forty Progressive Studies for Trumpet (Boosey & Hawkes)
Bourgeois No 5 or no 6 or no 7: Ace of Trumpets (Brass Wind Publications)
Clarke Cossack Dance Featuring Rhythm: for Treble Brass (Brass Wind
Publications)
J Arban Andante con spirito in E flat no 9 page 106 Cornet Method (Boosey &
Hawkes)
James Rae Study no 61 from Jazz Trumpet Studies (Faber Music)
Sight-reading: A short piece up to sixteen bars in simple time or 6/8 time.

Major keys up to three sharps and three flats. Crotchets, dotted
crotchets, quavers, dotted quavers, semiquavers, minims, dotted
minims and semibreves. Crotchet, quaver and minim rests.
GRADE VI
Scales & C, B, A flat and F sharp major (two octaves)

Arpeggios: F sharp, B and C minor (harmonic and melodic) (two octaves)
Chromatic scales: starting on F sharp, B and B flat (two octaves)

Dominant sevenths: in the key of E flat, E and F (two octaves)
Diminished sevenths: starting on F sharp, B flat and B (two octaves)
LIST A
Stanley No 11: Trumpet Voluntary Old English Trumpet Tunes book 1 (OUP)
Purcell Hark! The Echoing Air from ‘The Fairy Queen’ The Wonderful World of
Purcell (Kevin Mayhew)
Purcell Trumpet Overture from The Indian Queen The Wonderful World of
Purcell (Kevin Mayhew)
Boyce No 13: Trumpet Voluntary Old English Trumpet Tunes book 1 (OUP)
W allace No 18: The Moose is Loose Play Solo Trumpet (Faber Music)
Proust Orientales (Leduc)
Porter Night and Day Big Chillers (Brass Wind Publications)
W arren Chattanooga Choo-Choo Big Chillers (Brass Wind Publications)
Fauré Romance W ithout W ords Divertissement (Brass Wind Publications)
Chabrier Themes from Espana Absolutely Trumpet (Brass Wind Publications)
Haydn Andante second movement Trumpet Concerto in E flat HobVIIe/1 (Henle
HN 456) or (Universal HM 223 B flat/E flat edition)
152
LIST B
Bernstein Rondo for Lifey (Boosey & Hawkes)
Gregson Dance Macabre Cameos for Trumpet (Brass Wind Publications)
Gregson Paean Cameos for Trumpet (Brass Wind Publications)
Gregson Song with Variation Cameos for Trumpet (Brass Wind Publications)
Gorb Tango Argentino A Tango to Bali (Brass Wind Publications)
Gorb Gamelan A Tango to Bali (Brass Wind Publications)
W aller Ain’t Misbehavin’ Big Chillers (Brass Wind Publications)
Ledbury Revelation Big Chillers (Brass Wind Publications)
Delibes Passepied Divertissement (Brass Wind Publications)
Handel Let The Bright Seraphim Absolutely Trumpet (Brass Wind Publications)
Dvořák Rusalka’s Song to the Moor from Rusalka Available in Album: Shepherd’s
Song arr Wilson (Winwood Music 0084)
Tchaikovsky No 17: Chanson Napolitaine Play Solo Trumpet (Faber Music)
LIST C
Hering No 31 or no 40: Forty Progressive Studies for Trumpet (Boosey & Hawkes)
Clarke Castletown Featuring Rhythm: for Treble Brass (Brass Wind Publications)
Clarke Fanfare Featuring Rhythm: for Treble Brass (Brass Wind Publications)
J Arban Andantino in B flat no 9 page 117 from Cornet Method (Boosey &
Hawkes)
Vizzutti Rain Forest or Space from Explorations for Trumpet(de Haske DHP
1023183-400)

Crotchet, quaver and minim rests.
or
to transpose a piece up to sixteen bars in simple time for Trumpet in

C.
semibreves; crotchet and minim rests.
153
GRADE VII
Scales & Arpeggios: F sharp, A flat, B and C major (two octaves)

E and D flat major (twelfth)
C sharp and E flat minor (harmonic and melodic) (twelfth)
G, A and B flat minor (harmonic and melodic) (two octaves)
Chromatic scales: on C (two octaves)

Dominant sevenths: in the keys of D flat, E and F (two octaves)
Diminished sevenths: On A (two octaves)
LIST A
Donato Prelude and Allegro (Leduc)
Gibbons Suite for Trumpet (first and any other movement) (Stainer & Bell)
Eröd No 8: Enjoying Life Contemporary Music for Trumpet (Boosey & Hawkes)
Bernstein No 6: Red, W hite, and Blues Contemporary Music for Trumpet (Boosey &
Hawkes)
M ontbrun Scherzo (Leduc)
*Bourgeois No 1: Allegro Vivace Fantasy Pieces (Brass Wind Publications)
*Bourgeois No 5: Allegro Vivace Fantasy Pieces (Brass Wind Publications)
Hummel Andante second movement Concerto for Trumpet (Kevin Mayhew: B flat/
E flat Edition) or (Boosey & Hawkes B flat edition)
Boyce Trumpet Voluntary no 13 from Old English Trumpet Tunes book 1 arr
Lawton (OUP)
John Golland Ballade for Cornet op 72 no 1 (Studio Music)
Neruda Concerto for Trumpet and Strings: second movement (Musica Rara
MR 1817a/Brass Wind Publications) or (Breitkopf )
LIST B
M artinu Sonatina (Leduc)
Baudrier Suite (Leduc)
Telemann Sonata in C minor (Billaudot)
Aroutiounian Aria and Scherzo (Leduc)
Sanders Square-Dance (Stainer & Bell)
Archibald Gopak from Russian Roulette (Brass Wind Publications)
Hansen Allegro con Anima third movement form Sonata for Cornet op 18 (Hansen
WH 13213)
Gabaye Boutade (Leduc AL21761 B flat/C edition)
154
LIST C
Hering No 37 or no 38: Forty Progressive Studies (Boosey & Hawkes)
Clarke Russian Picture Featuring Rhythm: for Treble Brass (Brass Wind
Publications)
Allen Vizzutti Funk from 20 Dances for Trumpet (de Haske, Hal Leonard)

Crotchet, quaver and minim rests. May include time signature changes.
or
to transpose a piece up to sixteen bars in simple time for Trumpet in C

or A. Major keys up to three sharps and three flats.
semibreves; crotchet, quaver and minim rests.
GRADE VIII
Scales & Arpeggios: All major and minor keys, harmonic and melodic, tongued and
slurred.
Beginning on low F sharp – low C (compass two octaves)

Beginning low C sharp – F natural (compass a twelfth)
Chromatic scales: starting on F sharp, A, B and C (two octaves)

Dominant sevenths: in the keys of C, D flat, E and F( two octaves)
Diminished sevenths: starting on A flat, A, B and C (two octaves)
All of the above tongued and slurred.

155
LIST A
Haydn Trumpet Concerto in E flat: movements no 1 or no 3 (Boosey & Hawkes)
Hummel Trumpet Concerto: movements no 1or no 3 (Boosey & Hawkes)
F Peeters Sonata: movements no 1 and no 2 or movements no 2 and no 3 (Peters
Edition)
Copland No 2: Quiet City Contemporary Music for Trumpet (Boosey & Hawkes)
M Davies No 4: Sonatina for Solo Trumpet Contemporary Music for Trumpet
(Boosey & Hawkes)
Ibert Impromptu (Leduc)
Laue Trumpet Concerto in F: movements no 1 (Brass Wind Publications)
J S Bach Mighty Lord and King All Glorious from Christmas Oratorio Handel and
Bach Arias for D or E b Trumpet or Soprano Cornet arr Cranmer (ABRSM D/
E flat edition)
Handel Overture, Aire (Menuetto) and March (Bourée) Suite in D (Musica Rara
MR 1225 B flat/D edition)
Neruda First or third movement Trumpet Concerto in E flat (Musica Rara MR1817a)
or (Brass Wind Publications: B flat/E flat edition)
Eric Ball W oodland Song for Flugelhorn or Cornet (with cadenza) (G & M Brand)
LIST B
Busser Variations op 53 (Leduc)
Busser Andante et Scherzo op 44 (Leduc)
W right Concerto in B flat: movement no 1 or no 2 (Studio Music)
Françaix Prelude and Sarabande from Prelude, Sarabande et Gigue (Eschig)
*Bourgeois No 3: Presto Fantasy Pieces (Brass Wind Publications)
*Bourgeois No 4: Slow Waltz Fantasy Pieces (Brass Wind Publications)
Goedicke Concert Étude (Belwin-Mills)
Thumé Fantaise for Cornet or Trumpet (Leduc AL22754)
Bellstedt Napoli (arr Brand G & M Brand) or available in the album Shepherd’s Song
arr Wilson (Winwood Music 0084)
Himes Concertino for Flugelhorn & Brass Bank first movement Rondo Burlesca
(Studio Music)
Hindemith Sonata for Trumpet and Piano: first movement (Schott ed 3643)
LIST C
S Smith No 4 or no 5: A book of studies for trumpet (OUP) only available as
authorized photocopy
S Hering No 37 or no 38: Forty progressive studies for trumpet (Boosey & Hawkes)
Bourgeois No 15 or no 16 or no 17: Ace of trumpets (Brass Wind Publications)
J S Bach Study no 6 in D minor or No 7 in E flat from The Well-Tempered Player
(Winwood RMPC 0015)
Herbert L Clarke Allegro Moderato in C or Allegro Misterioso in B flat minor no 1 or 4 from
Characteristic Studies for the Cornet (Carl Fisher)
J Arban Study no 1, 2 or 10 Fourteen Studies Cornet Method (Boosey & Hawkes)
W alter Smith Study no 1 or 2 from Top Tones for Trumpet (Carl Fischer)
156

Crotchets, dotted crotchets, quavers, dotted quavers,
semiquavers, minims, dotted minims and semibreves.
or
to transpose a piece up to sixteen bars in simple time for Trumpet in

C, A or D.
157
SENIOR CERTIFICATE
Scales & Arpeggios: All major and minor keys, harmonic and melodic, tongued and
slurred.
Chromatic scales: starting on F sharp, G, A flat, B, B flat and C (two

octaves)
Diminished sevenths: starting on F sharp, G, A flat, B, B flat, and C

(two octaves)
Dominant sevenths: in the keys of B, C, C sharp, D, E flat and F (two

octaves)
LIST A
J Haydn Trumpet Concerto in E flat: movements no 1 and no 2 or movements
no 2 and no 3 (Boosey & Hawkes)
Hindemith Sonata (Schott)
Hummel Trumpet Concerto in E flat: movements no 1 and no 2 or movements
no 2 and no 3 (Boosey & Hawkes)
D W right Cornet Concerto in B flat (Studio Music)
Neruda Trumpet Concerto movements no 1 and no 2 or movements no 2 and
no 3 (Breitkopf MR 1817)
Peeters Sonata for Trumpet and Piano movements no 1 and no 2 or
movements no 2 and no 3 (Peters Edition)
Proctor The Huffle (Brass Wind Publications)
Stevens Sonata movements no 1 and no 2 or movements no 2 and no 3
(Peters Edition)
Laue Trumpet Concerto in F: (Brass Wind Publications)
Sparke Song and Dance (Studio Music)
Purcell Sonata no 1 in D (Robert King Music/IMC 2089)
Albinoni Concerto in B flat for Trumpet and Orchestra JeanThilde orchestra
reconstruction Maurice André Collection (Gérard Bilaudot Éditeur)
158
LIST B
Enesco Légende (Enoch & Cie)
M Davies Sonatina for Solo Trumpet Contemporary Music for Trumpet (Boosey &
Hawkes)
Bozza Caprice no 1 op 47 (Leduc)
Bozza Rustiques (Alphonse Leduc)
M Arnold Fantasy (Faber Music)
Fiala Divertimento in D (Faber Music)
Laue Trumpet Concerto in F: movements no 1 and no 2 or movements
no 2 and no 3
W eber Variations in F (Faber Music)
Balay Andante et Allegro (Leduc)
Goedicke Konzert-Etude op 45 EMR 6032
Golland Ballade op 72 no 1 (Studio Music)
Barat Fantasie in E b for Cornet/Trumpet & Piano (Leduc AL 21913)
LIST C
J Arban Any one of the fourteen studies from the Cornet Method (Boosey &
Hawkes) also available in Method for Cornet (Carl Fischer)
Bourgeois No 18 or no 19 Ace of Trumpets (Brass Wind Publications)
Vizzutti Any Study from Advanced Etudes for Trumpet The Brass Press (editions BIM)
W alter M Smith Any Study from Top Tones for the Trumpeter, 30 Modern Etudes (Carl Fisher)
Theo Charlier Study 1, 2. 3 or 4 from Trente-six Etudes Transcendantes pour Trompette
Cornet. A Pistons ou Buble B b Nouvelle édition (Ēditions M usicales Alphonse
Leduc).
Sight-reading: (i) A suitable piece up to sixteen bars in simple time or 6/8 time.
Major keys up to four sharps and four flats.
Crotchets, dotted crotchets, quavers, dotted quavers, semiquavers
(ii) To transpose a piece up to sixteen bars in simple time for Trumpet

in A, C or D.Transpose for trumpet in C, A or D
159
E Flat Tenor Horn 2015-2018
E FLAT TENOR HORN


Please note that candidates may where necessary use manuscript transpositions of their
parts,or alternatively, they should ensure that the pianoforte accompaniments are suitably
transposed.
GRADE I
Scales & Arpeggios: C major (one octave)

A minor, harmonic (one octave)
Minor scales in melodic or harmonic form at candidate’s choice
LIST A
Handel Minuet in C The Really Easy Tenor Horn Book (Faber Music)
Pearson Moto Perpetuo The Really Easy Tenor Horn Book (Faber Music)
Schubert German Dance Bravo! E Flat Tenor Horn (Boosey & Hawkes)
Haydn Minuet Bravo! E Flat Tenor Horn (Boosey & Hawkes)
Gregson Berceuse Up Front Album for E Flat Horn book 1 (Brass Wind Publications)
Premru Chelsea Chase Up Front Album for E Flat Horn book 1 (Brass Wind
Publications)
Lawrance No 1: W aits and Measures Six Modern Pieces for E flat horn (Brass Wind
Publications)
Ridgeon Three Playmates: any movement Nine Miniatures for E flat horn (Brass
Wind Publications)
160
LIST B
Bourgeois Little Yellow Idol Up Front Album for E Flat Horn book 1 (Brass Wind
Publications)
Crosse Lullaby Up Front Album for E Flat Horn book 1 (Brass Wind Publications)
Pearson Russian Dance The Really Easy Tenor Horn book (Faber Music)
Pearson Mobilmente The Really Easy Tenor Horn book (Faber Music)
Pearson Lament The Really Easy Tenor Horn book (Faber Music)
Lawrance No 4: Amber Six Modern Pieces for E Flat Horn (Brass Wind Publications)
Ridgeon A Moody Trio (any movement) Nine Miniatures for E Flat Horn (Brass
Wind Publications)
LIST C
Endresen No 1 or no 2: Supplementary Studies for Trumpet (Rubank)
Gregson No 4 or no 5 or no 6: 20 Supplementary Tunes for Beginner Brass
W iggins No 24 or no 33 or no 42: First Tunes and Studies for Trumpet (OUP)
GRADE II
Scales & Arpeggios: B flat, D majors (one octave); G, B minors (one octave)
LIST A
W oolfenden Lonely Steppes Up Front Album E Flat Horn book 2 (Brass Wind
Publications)
Carr W inter Graces Up Front Album E Flat Horn book 2 (Brass Wind Publications)
Schubert Andantino Horn Solos vol 1 E Flat edition (Chester Music)
Couperin Le Petit Rien The Really Easy Tenor Horn book (Faber Music)
Pearson Leap Frog The Really Easy Tenor Horn book (Faber Music)
Pearson Seven Up The Really Easy Tenor Horn book (Faber Music)
Gregson No 3: Little Minuet Nine Miniatures for E Flat Horn (Brass Wind
Publications)
Gregson Lullaby Nine Miniatures for E Flat Horn (Brass Wind Publications)
Gregson Folk Song Nine Miniatures for E Flat Horn (Brass Wind Publications)
161
LIST B
Lawrance Burlesque Six Modern Pieces for E Flat Horn (Brass Wind Publications)
Lawrance Sun Dance Six Modern Pieces for E Flat Horn (Brass Wind Publications)
W iggins Just Strolling Around The Tenor Horn Player’s Debut (Brass Wind
Publications)
W allace The Grinnermarch Going Solo E Flat Horn (Brass Wind Publications)
W allace Doomsville Surrey Going Solo E Flat Horn (Brass Wind Publications)
Clarke Out of Step March Bravo! E Flat Tenor Horn (Boosey & Hawkes)
Clarke The Duke of Gloucester Bravo! E Flat Tenor Horn (Boosey & Hawkes)
LIST C
Wind Publications)
GRADE III
Scales & Arpeggios: G, A majors (twelfth) E flat major (one octave)

C, E minors (one octave)
LIST A
Lawrance Carillon or Homage In Concert E Flat Horn (Brass Wind Publications)
Brightmore Sad Story Three Easy Solos (Emerson)
Schubert The Trout Going Solo Tenor Horn (Faber Music)
Pearson Basse Dance Going Solo Tenor Horn (Faber Music)
Barratt Harvest Time Bravo! E Flat Tenor Horn (Boosey & Hawkes)
Horovitz Reverie-Valse Up Front Album for E Flat Tenor Horn book 2 (Brass Wind
Publications)
W iggins Ebb Tide Tritons: Eight Easy Pieces for E Flat Horn (Fentone)
162
LIST B
Ridgeon No 4: Prelude and March Nine Miniatures for E Flat Horn (Brass Wind
Publications)
Ridgeon No 7: Introduction and Dance Nine Miniatures for E Flat Horn (Brass Wind
Publications)
Butterworth Nordic Song Up Front Album for E Flat Horn book 2 (Brass Wind
Publications)
Brightmore Morning Ride Three Easy Solos for E Flat Horn (Emerson Edition)
Brightmore German Folk Song Three Easy Solos for E Flat Horn (Emerson Edition)
Pearson Sunset Strip Going Solo Tenor Horn (Faber Music)
Ifor James Reflections Horn Solos vol 1 (E Flat edition Chester Music)
LIST C
Wind Publications)
M iller No 8 or no 9 or no 11 Simple Studies for Beginner Brass (Brass Wind
Publications)
GRADE IV
Scales & Arpeggios: F major (one octave) A flat, B flat majors (twelfth)
D, F minor (one octave)
Chromatic scale starting on F (one octave)
LIST A
Gregson No 9: Habañera and Ragtime Nine Miniatures for E Flat Horn (Brass Wind
Publications)
M endelssohn Nocturne Horn Solos book 1 arr Campbell (F edition, Faber Music)
W iggins Oxford Blues or Night Rider Tritons: Eight Easy Pieces for E Flat Horn
(Fentone)
W allace Cassata Siciliana Going Solo Tenor Horn (Faber Music)
Ball Ceridwen’s Air Top Line Album for Horn in E Flat (Brass Wind Publications)
Gluck Che Farò Boosey’s Tenor Horn Album no 2 (Boosey & Hawkes)
163
LIST B
Lawrance Reflections or Elegy In Concert: E Flat Horn (Brass Wind Publications)
Carr Ghosts of Fountains Abbey Top Line Album for Horn in E Flat (Brass Wind
Publications)
W iggins W heeler Dealer or Bumble’s Boogie Embryo Brass for E Flat Horn (Brass
Wind Publications)
Pearson No 11: Valivid Going Solo Tenor Horn (Faber Music)
Fauré Après un Rêve arr W ilson (E flat edition: Winwood Music)
Bourgeois Three Legged Horn A Horn-ting We Will Go for Tenor Horn (Brass Wind
Publications)
LIST C
Endresen No 7 or no 12 or no 17: Supplementary Studies for Trumpet (Rubank)
Hering No 16 or no 17: Forty Progressive Études for Trumpet (Carl Fischer)
M iller No 1 or no 4: Progressive Études for Trumpet (Faber Music)
GRADE V
Scales & Arpeggios: E major (one octave) D major (twelfth)

G major (two octaves)
G, A minors (two octaves)
Chromatic scale starting on C (twelfth)
Dominant seventh in the key of C (two octaves)
LIST A
Bourgeois A Drowsy Moment A Horn-ting We Will Go for Tenor Horn (Brass Wind
Publications)
Ball Mountain Melody (Smith & Co)
M ozart Horn Concerto no 3 in E flat K447: second movement, Romance (any
edition)
Lawrance Fanfare and Response In concert: E flat Horn (Brass Wind Publications)
Pearson No 9: Pastoral Echoes Going Solo Tenor Horn (Faber Music)
Parker Blues Train Top Line Album for Horn in E Flat (Brass Wind Publications)
Sain-Saëns The Swan Carnival of the Animals arr Hanmer (Studio Music)
G W ood Clowns (Brand Publications/Smith)
164
LIST B
Ledbury Fanfare Prelude Cornucopia (Brass Wind Publications)
Ball Chase Top Line Album for Horn in E Flat (Brass Wind Publications)
Pearson Tenor-Hornpipe Going Solo Tenor Horn (FaberMusic)
G L Watt Romance in E flat or Nightingale O Nightingale Russian Folk Song Tenor
Horn Album (Boosey & Hawkes)
Lawrance Carnival In Concert: E Flat Horn (Brass Wind Publications)
Donizetti Aria O Mio Fernando Tenor Horn Solo Album book 2 (Boosey & Hawkes)
LIST C
Endresen No 21 or no 29 or no 32: Supplementary Studies for Trumpet (Rubank)
Hering No 27 or no 29 or no 30: 40 Progressive Études for Trumpet (Carl Fischer)
GRADE VI
Scales & Arpeggios: D flat, B majors (twelfth) F sharp major (two octaves)
B flat, G sharp minors (twelfth)
Chromatic scales starting on G and A flat (two octaves)

Dominant seventh in the key of D (two octaves)
Diminished sevenths starting on G (two octaves)
Minor scales in both melodic and harmonic form.
LIST A
Ledbury Folk Dance or Bagatelle Cornucopia: E flat horn (Brass Wind Publications)
M ozart Horn Concerto no 3 K 447: first movement (any E flat edition)
Rosetti Concerto in E flat for horn: second movement, Romance (IMC)
Kelly Concert Suite E flat: second and fourth movements (Smith & Co)
Telemann Siciliana arr Green Classic SH (Brass Wind Publications)
Heat Air and Rondo (G & M Brand/Smith)
165
LIST B
Bourgeois Fugal Mood A Horn-ting We Will Go for Tenor Horn (Brass Wind
Publications)
M cAuliffe W himsicality: E flat edition (O’Carroll Publicaitons)
Bloom Give me the Simple Life O Solo Mio: E flat edition (Brass Wind Publications)
Donizetti Una Furtiva Lacrima Tenor Horn Album. book 2 (Boosey & Hawkes)
Brightmore Barcarolle or Pastorale Four Peaceful Pieces (Emerson)
LIST C
Hering No 35 or no 36 or no 37: 40 Progressive Études for Trumpet (Carl Fischer)
Kopprasch No 12 or no 15 or no 16: 60 Studies for Horn. book 1 (IMC)
Smith No 1 or no 2 A Book of Studies for Trumpet (page 12) (OUP)
GRADE VII
Scales & Arpeggios: C, D, D flat majors (a twelfth)

C, C sharp, D minors harmonic and melodic (two octaves)
Dominant sevenths in the key of E flat (two octaves)

Diminished sevenths starting on Bb (two octaves)
Chromatic starting on A (two octaves)
LIST A
Albinoni Adagio O Solo Mio: E Flat Horn (Brass Wind Publications)
Rosetti Horn Concerto in E flat: third movement, Rondo (IMC)
M ozart Horn Concerto no 4, K 495 in E flat: third movement , Rondo (any E flat
edition)
Boyce Symphony no 4: first movement O Solo Mio: E flat (Brass Wind
Publications)
M ozart Horn Quintet K 407 in E flat: first movement (any E flat edition)
Rossini Cavatine from The Barber of Seville or Hary Janos It’s a Classic for E Flat
Horn (Boosey & Hawkes)
166
LIST B
Arnold Concerto for Horn E flat: second movement (Lengnick)
Hindemith Sonata for E flat Horn (1943): first movement (Schott Ed 4365)
Hanmer Cavatina and Allegro (E flat edition)(Smith & Co)
Sparke Capriccio E flat Edition (Smith & Co)
Newsome The Carousel (Studio Music)
LIST C
Smith No 4 or no 5 Studies for Trumpet pages 15 and 16 (OUP)
Kopprasch No 19 or no 21 or no 27: Sixty Studies for Trumpet book 1 (IMC)
M Alphonse No 13 or no 16 or no 17: 200 Studies for Horn book 3 (Leduc)
GRADE VIII
Scales & Arpeggios: D flat, D, E flat, E, F m ajors; C sharp D, E flat E, F m inors harmonic and
melodic (a twelfth)
All other keys, major and minor two octaves
Dominant sevenths in the keys of C, D flat, D, E flat, E, F
Diminished sevenths starting on A flat, A B flat, (two octaves)
Chromatic scale; starting on F sharp, G, C (two octaves)
LIST A
M ozart Horn Quintet in E flat K 407: third movement, Rondo (any edition)
Handel Handel’s Hornpipe arr Reader (Studio Music)
Rosetti Horn Concerto in E flat: first movement (IMC)
Ball September Fantasy (Richardson Ltd/Boosey& Hawkes)
Kneale Variations on a W elsh theme (Smith & Co)
Graham Episode (Rosehill)
167
LIST B
Eaves Rhapsody for E flat Cornet (G & M Brand)
Hindemith Sonata for alto horn (1943): third movement (Schott ED 4635)
W iggins Rhapsody for tenor horn (Kirklees)
Newsome Sylvia (Studio Music)
Bourgeois Bubble in the Tube A Horn-ting We Will Go for Tenor Horn (Brass/Wind
Publications)
M onti Czardas It’s a Classic (Brass Wind Publications)
LIST C
Smith No 6 or no 8 Studies for Trumpet pages 18 to /20 (OUP)
Kopprasch No 28 or no 29 or no 30: Sixty Studies for Trumpet book 1 (IMC)
M Alphonse No 18 or no 19: 200 Studies for Horn book 3 (Leduc)

168
SENIOR CERTIFICATE
Scales & Arpeggios: D flat, D, E flat ,E, F majors; C sharp, D E flat, E, F minors harmonic and
melodic (twelfth)
Dominant sevenths in the keys of C, D flat, D, E flat, E, F
Diminished sevenths starting on A flat, A, B flat (two octaves)
Chromatic scale: starting on F sharp, A flat, C (two octaves)
LIST A
Haydn Gypsy Rondo arr Green It’s a Classic (Brass Wind Publications)
Hummel Concerto for E flat trumpet: first or third movement (Universal Edition)
M ozart Horn concerto no 2 K 417: first movement (any E flat edition)
Bellini Concerto for horn in E flat (E flat edition) (Studio Music)
M ozart Horn concerto no 4 K495: first movement (any E flat edition)
Allison/Rimmer Silver Threads amongst the Gold (Richardson Ltd)
LIST B
Sparke Masquerade (Studio Music)
W iggins Cornucopia (Kirklees Music)
W ood Concertino (Brand/Smith & Co)
Clews Partita for E flat horn: finale/brillante (Paterson/Music Sales)
R Strauss Horn concerto no 2: third movement, Rondo (Boosey & Hawkes)
Snell Four Bagatelles (Studio Music)
LIST C
Kopprasch Any study from Sixty Studies for Trumpet book 2 (IMC)
Bourgeois Any study from Fantasy Pieces (Brass Wind Publications)
M Alphonse Any study from 200 Studies for Horn book 4 (Leduc)
Gallay Any study from 12 Études for Horn op 57 (IMC)

169
Trombone 2015-2018
TROMBONE

GRADE I
Scales & Arpeggios: B flat major (one octave)
LIST A
A Gout Solemn Fanfare The Really Easy Trombone Book (Faber Music) ?/&
Anon Easter Hymn The Really Easy Trombone Book (Faber Music) ?/&
Diabelli The Joker The Magic Trombone arr Hare (Boosey & Hawkes) ?/&
Henry VIII Helas Madame The Magic Trombone arr Hare (Boosey & Hawkes) ? / &
Susato La Morisque Winner scores all arr Lawrance (Brass Wind Publications)
?/&
LIST B
I Carr Summer Daze Up Front Album for Trombone book 1 (Brass Wind
Publications) ? / &
Horovitz Merlin’s Tower Up Front Album for Trombone book 1 (Brass Wind
Publications) ? / &
Grieg No 6: Ase’s death The Really Easy Trombone Book (Faber Music) ?/&
Lawrance Irish Melody Winner scores all (Brass Wind Publications) ?/&
Humperdinck Evening Prayer Winner scores all arr Lawrance (Brass Wind Publications)
?/&
LIST C
Bourgeois No 1: Splinters of Bone (Brass Wind Publications) ?/&
Edney Little Suite: Intrada or Gavotte or Minuet Melodic Studies book 1 (Brass
Wind Publications – Up Front Series) ? / &

170
GRADE II
Scales & Arpeggios: A flat, C major and C minor (one octave).

Minor scale in melodic or harmonic at candidate’s choice.
LIST A
Grieg Heroic Song The Really Easy Trombone Book (Faber Music) ?/&
N Hare Variations on ‘Go from my window’ The Magic Trombone arr Hare
(Boosey & Hawkes) ? / &
J S Bach O Sacred Head Sore W ounded Going Solo arr Alan Gout (Faber Music)
?/&
Fitzenhagen Air Slave First Book of Trombone Solos by Peter Goodwin & Leslie Pearson
(Faber Music) ? / &
Tchaikovsky Cappricco Italien Winner Scores All arr Lawrance (Brass Wind
Publications) ? / &
LIST B
R Ramskill No 5: Cockles and Mussels ‘All Jazzed Up’ for Trombone (Brass Wind
Publications) ? / &
S Tracey Sundance Up Front Album for Trombone book 1 (Brass Wind Publications)
?/&
Bartók Slovakian Folk Tune The Magic Trombone arr Hare (Boosey & Hawkes)
?/&
Runswick Moon Valley Up Front Album for Trombone book 2 (Brass Wind
Publications) ? / &
Carr Summer Daze Up Front Album for Trombone book 1 (Brass Wind
Publications) ? / &
Tchaikovsky Dance of the Mirlitons Winner Scores All arr Lawrance (Brass Wind
Publications) ? / &
LIST C
D Bourgeois No 3 or no 4: Splinters of Bone (Brass Wind Publications) ?/&
Gregson No 2: Little Dance Twenty Supplementary Tunes for Beginner Brass (Brass
Wind Publications)
Endresen No 2 or No 4 Supplementary Studies for Trombone (Rubank) ?

171
Trombone 2015-2018
GRADE III
Scales & Arpeggios: D, E flat major, D minor (one octave)

A flat major (a twelfth)
Chromatic scales: starting on C (one octave)
Minor scale in melodic or harmonic at candidate’s choice.
LIST A
G Bessonet Comme un Air d’Opéra (Billandot)
Saint-Saëns Royal March of the Lion The Magic Trombone arr Hare (Boosey &
Hawkes) ? / &
M onteverdi Ave Maris Stella (from 1610 Vespers) The Magic Trombone (Boosey &
Hawkes) ? / &
Haydn Rondino Slide Show for Trombone arr Mowat (Brass Wind Publications)
?/&
Sibelius Finlandia Slide Show for Trombone arr Mowat (Brass Wind Publications)
?/&
LIST B
R Ramskill No 4: Chicago Sunset ‘All Jazzed Up’ for Trombone (Brass Wind
Publications) ? / &
A Gout Rough and Ready Rag no 9 Going Solo: Trombone (Faber Music) ?/&
L Pearson No 12: Rag Trade First Book of Trombone Solos arr Goodwin & Pearson
(Faber Music)
A Hutt No 1: Moods Four Simple Pieces for Trombone (ABRSM)
A Gout No Circus Clowns Going Solo for Trombone (Faber Music) ? / &
LIST C
Gregson No 16: Folk Song Twenty Supplementary Tunes for Beginner Brass (Brass
Wind Publications) ? / &
Edney No 15: Gavotte Shall W e Dance Melodic Studies for Trombone (Brass
Endresen No 8: Supplementary Studies for Trombone (Rubank/Studio Music) ?
M ark Nightingale No 2 Click Here Jazz @etudes (Warwick Music) ?/&

172
GRADE IV
Scales & Arpeggios: D flat major and E minor (one octave)

G major, A flat major, B flat major and G minor (a twelfth)
Chromatic starting on E flat (one octave)

(minor scale in melodic or harmonic form at candidate’s choice)
LIST A
Brahms W altz no 7 op 39 no 15 Trombone Solos vol 1 arr Iveson (Chester/Music
Sales) ? / &
W arlock Basse dance (Capriol Suite) Slide Show for Trombone arr Mowat (Brass
W eber No 16: W altz First Book of Trombone Solos arr Goodwin & Pearson
(Faber Music) ? / &
Gottschalk No 1: Hail Columbia Second Book of Trombone Solos arr Goodwin
& Pearson (Faber Music) ? / &
W A M ozart Agnus Dei Time Pieces for Trombone vol 2 (ABRSM) ?/&
LIST B
Anon Go down Moses A Little Light Music for Trombone arr Iveson
(Brass Wind Publications) ?/&
A Hutt No 2: Sad Song Four Simple Pieces for Trombone (ABRSM)

R Ramskill No 8: Calypso ‘All Jazzed up’ for Trombone (Brass Wind Publications) ?/&
Delius No 8: Serenade from ‘Hassan’ Going Solo: Trombone arr Gout

(Faber Music) ? / &
M onty Norman James Bond Theme East Winners arr Lawrance (Brass Wind Publications)
?/&
LIST C
Edney No 22: Ragtime Melodic Studies for Trombone book 2 (Brass Wind
Publications – Up Front Series) ? / &
Clarke Polish Dance Featuring Rhythm (Brass Wind Publications) ik/?
Endresen No 9 or no 16: Supplementary Studies for Trombone (Rubank/Studio

Music) ?
M ark Nightingale No 13 Minor Modern Jazz @etudes (Warwick Music) ?/&

173
Trombone 2015-2018
GRADE V
Scales & Arpeggios: C major, D flat major, D major and C minor (a twelfth)
F major, F sharp major, A flat major, F minor and A minor
(two octaves)
Chromatic scales: starting on F (two octaves)

Dominant sevenths: in the key of B flat (two octaves)
(minor scales in melodic or harmonic form at candidate’s choice)
LIST A
Telemann Sonata in F minor no 12 Second Book of Trombone Solos arr Goodwin &
Pearson (Faber Music) ? / &
Handel No 5: Lo, See the Conquering Hero Trombone Solos vol 1 arr Iveson
(Chester/Music Sales) ? / &
J S Bach March Bach for Trombone arr Mowat (Brass Wind Publications) ?/&
J E Galliard Sonata no 1: movement no 2 (Hinrichsen/Peters) ?
Fauré No 15: Sicilienne Going Solo: Trombone by Alan Gout (Faber Music) ?/&
M owat Giles Farnaby’s Dreame and His Humour Slide Show for Trombone arr
C Mowat (Brass Wind Publications) ? / &
LIST B
Jacob Danse à la Russe New Pieces for Trombone (ABRSM) ?/&
G Bessonnet Récitatif et Petit Allegro (Billaudot) ?
Anon Swing low Sweet Chariot A Little Light Music for Trombone arr Iveson
(Brass Wind Publications) ? / &
Gershwin I got rhythm A Little Light Music for Trombone arr Iveson (Brass Wind
Publications) ? / &
Proctor Bone Shaker On your Metal (Brass Wind Publications) ?/&
Shostakovich W altz Time Pieces for Trombone (ABRSM) ?/&
LIST C
Kopprasch No 3: Sixty Studies for Trombone book 1 (IMC 1544/Kalmus) ?
D Bourgeois No 5: Bone of Contention (Brass Wind Publications) ?/&
Clarke W eldon Featuring Rhythm (Brass Wind Publications) IK/?

D S Reinhardt No 4: Selection of Concone Studies for Trombone (Elkan-Vogel) ?
M ark Nightingale No 19 Broadband Bossa Jazz@etudes (Warwick Music) ?/&

174
GRADE VI
Scales & Arpeggios: B major, C major: B minor, C sharp minor (twelfth)

G major, E major, E, F sharp, G sharp, B flat minor (two octaves)
Chromatic scales: starting on E and G (two octaves)

Dominant sevenths: in keys of A and C (two octaves)
Diminished sevenths: starting on F (two octaves)
(minor scales to be known in both melodic and harmonic forms)
LIST A
Bach Prelude in A flat Bach for Trombone arr Mowat (Brass Wind Publications)
?/&
Bach Anglaise, from French Suite no 3 Bach for Trombone arr Mowat (Brass
Haydn Cello Concerto: Adagio First Solos for the Trombone Player (Schirmer) ?
Rimsky-Korsakov Trombone Concerto: movement no 2 (with cadenza)

(Boosey & Hawkes) ? (Brass Wind Publications) ? / &
Galliard Sonata no 2: third and fourth movements, Alla siciliana and Spiritoso
e allegro (Peters Edition) ?
Bach No 7 Arioso Solos for the Trombone Player (Schirmer) ?
LIST B
Jacob Sonata: movement no 1 (Emerson) ?
C M owat Bone Idyll Slide Show for Trombone arr Mowat (Brass Wind Publications)
?/&
Gershwin Bess, you is My W oman Centre Stage for Trombone arr Iveson (Brass
A Ridout Sonata for Solo Trombone: movement no 3 (Emerson) ?
P Max Dubois Cortège (Leduc) IK/?

Jim Parker Bone Shaker Jazzed up too for Trombone (Brass Wind Publications) ? / &
LIST C
Kopprasch No 14 or no 22: Sixty Studies for Trombone vol 1 (IMC 1544/Kalmus) ?
D Bourgeois No 10: Bone of Contention (Brass Wind Publications) ?/&
D S Reinhardt No 9: Selection of Concone Studies for Trombone (Elkan-Vogel) ?/&
Bordères No 35 or no 38: Spécial Syncopes (Billaudot) ?
D Bourgeois No 4 Fantasy Pieces (Brass Wind Publications) ? / &

175
Trombone 2015-2018
GRADE VII
Scales & Arpeggios: B major, C major, D flat major, D major, E flat major,
B minor, C minor, C sharp minor, D minor, E flat minor:
melodic and harmonic (twelfth)
All other keys, major and minors: melodic and harmonic (two octaves)
Chromatic scales: starting on any note E up to B flat (two octaves)
W hole tone scale: starting on B flat (two octaves)
Dominant sevenths: in the keys of D flat and E flat (two octaves)

Diminished sevenths: starting on G and A (two octaves)
LIST A
J S Bach Prelude in A flat Bach for Trombone arr Mowat (Brass Wind Publications)
?/&
J E Galliard Sonata no 3 (Hinrichsen/Peters Edition) ?
B M arcello Sonata no 3 in A minor: movements no 1 and no 2 (Editions Marc Reift

EMR 2032M) ? / &
J S Bach Courante, from Cello Suite no 1 arr Lafossé (Leduc)
Rimsky-Korsakov Trombone Concerto: movement no 1 (Boosey & Hawkes) ?
(Brass Wind Publication) ?/&
L M ozart First movement: Allegro from Serenade for Trombone arr Clack (Winwood
Music 0212) lk / &
Caldara Sonata in D : Adagio or Allegro: first or second movement arr Bucher
& Schnorr (Editions Marc Reift EMR 321) ? / &
LIST B
Serocki Sonatina: movement no 1 (Moeck)
Gregson Divertimento: movements no 2 and no 3 (Studio Music)
J Berghmans La Femme à Barbe (Leduc)
Anon The Ash Grove Trombone Solos vol 1 arr Iveson (Chester Music) ? / &
J Horovitz Adams Blues (Novello/Music Sales)
A Ridout Sonata for Solo Trombone: movement no 1 (Emerson) ?
Parker Dances with Bears Jazzed up too (Brass Wind Publications) ?/&
J Curnon Fantasy for Trombone (Winwood Music 0136P) ? / &

176
LIST C
Bordères No 40 or no 41: Spécial Syncopes (Billaudot)
Kopprasch No 36 or no 43: 60 Studies for Trombone vol 1 (IMC 1544/Kalmus)
D Bourgeois No 12: Bone of Contention (Brass Wind Publications) ? / &
D Bourgeois No 2 Fantasy Pieces (Brass Wind Publications) ? / &
D S Reinhardt No 10: Selection of Concone Studies for Trombone (Elkan-Vogel)
M ark Nightingale Scart Stomp or Burn, Burn, Burn: no 23 or 25 from Jazz @etudes for
Trombone (Warwick Music) ? / &
GRADE VIII
Scales & Arpeggios: B major, C major, D flat major, D major, E flat major (a twelfth)
B minor, C minor, C sharp minor, D minor, E flat minor (a twelfth)
melodic and harmonic
All minor keys, melodic and harmonic
Chromatic scales: starting on any note from E – D (two octaves)
(If B flat/F Trombone from Low C, Low D flat, D three octaves)

W hole tone scales: starting on F, G, A flat, A and B flat (two octaves)
Dominant sevenths: in the keys of A, B flat, B, C, D flat, D and E flat
(two octaves)
Diminished sevenths: starting on F, G, A flat, A and B flat

177
Trombone 2015-2018
LIST A
Bozza Hommage à Bach (Leduc) ?
J Barat Andante and Allegro (Leduc) ?
Guilmant Morceau Symphonique (Schott 10484/Editions Marc Reift EMR

2006/Brass Wind Publications) ? / &
Saint-Saëns Cavatine op 144 (Durand/Brass Wind Publications) ?
W eber Romance (Alfred Music K04566/Brass Wind Publications/Editions Marc

Reift) ? / &
Rimsky-Korsakov Trombone concerto (Complete) (Boosey & Hawkes or Brass Wind
Publications) ? / &
LIST B
Hindemith Sonata (1941): movements no 3 and no 4 (Swashbucklers’ Song and
Allegro Moderato maestoso) (Schott 3673/MDS)
G Victory Centaur (Vanderbeek and Imrie Ltd) ?
Bernstein Elegy for Mippy II (Boosey & Hawkes)
L-E Larson Concertino for Trombone (Gehrmans)
J Casterede Sonatina for Trombone (Alphonsus Leduc) ? / II K
Saint-Saëns Cavatina op 144 (Brass Wind Publications ?/&
Rob Wiffin Blue Jeans (Studio Music) ?/&
LIST C
Bordères No 48 or no 50: Spécial Syncopes (Billaudot)
Kopprasch No 37 or no 42: Sixty Selected Studies for Trombone vol 2 (Kalmus/IMC
1544) ?
D Bourgeois No 4 or no 11: Bone of Contention (Brass Wind Publications) ? / &
D S Reinhardt No 12 or no 15: Selection of Concone Studies for Trombone (Elkan-Vogel)
D Bourgeois No 6 or no 7: Fantasy Pieces for Trombone (Brass Wind Publications) ? / &

178
SENIOR CERTIFICATE
Scales & Arpeggios: As per Grade VIII.
Programme: Compile a balanced programme of between twenty-five and thirty

minutes taking at least one piece from each list.
LIST A
Grafe Concerto (Benji/June Emerson)
Alschausky Concerto no 1 (in B flat) (EM June Emerson)
David Concertino in E flat op 4 (IMC 2008/Kalmus)
Serocki Sonatina (complete) (Moeck)
LIST B
L Grondahl Concerto for Trombone (Chester/Music Sales)
Dutilleux Choral, Cadance & Fugato (Leduc)
Paur Trombonetta (Panton/MDS)
Busser Cantabile et Scherzando (Leduc)
LIST C
M onti Csardas (Richard Schauer)
M ancini The Pink Panther arr Frackenpohl (Kendor/Music Sales)
M Arnold Fantasy for Unaccompanied Trombone (Faber Music)
A Pryor The Blue Bells of Scotland (Fisc B6320/June Emerson)

179
Baritone & Euphonium 2015-2018
BARITONE & EUPHONIUM


Most of the listed repertoire is available in both treble and bass clefs (please check with
publisher). If necessary parts may be transcribed to the alternative clef.
GRADE I
Scales & Arpeggios: Scales & Arpeggios tongued and slurred at candidate's choice.
Candidates to prepare either bass clef or treble clef requirements.
Bass Clef B flat major one octave
Treble Clef C major one octave
LIST A
Grieg arr Lawrance Morning Winners Galore (Brass Wind Publications)
(piano accompaniment sold separately)
A Butterworth Lydian Tune Up Front Album for Trombone book 1 (Brass Wind
Publications)
G W oolfenden The Dragon Throne Up Front Album for Trombone book 1 (Brass
Wind Publications)
LIST B
I Carr Summer Daze Up Front Album for Trombone book 1 (Brass Wind
Publications)
J Horovitz Merlin’s Tower Up Front Album for Trombone book 1 (Brass Wind
Publications)
arr Lawrance Birdie Song from Winners galore (Brass Wind Publications)
180
LIST C
M Nightingale A Small Step Easy Jazzy ̓tudes (euphonium): no 1 (Warwick Music)
M Nightingale Fiesta Siesta Easy Jazzy ̓tudes (euphonium): no 2 (Warwick Music)
E Gregson Step by Step or Little Minuet (no 1 or no 3) 20 Supplementary
Tunes for Beginner Brass (Brass Wind Publications)
J Edney Hymnus, from Melodic Studies for Trombone book 1 (Brass Wind - Up Front
Series)
Sight-reading: A short piece up to sixteen bars in simple time in B flat in either treble or
bass clef at candidate’s choice.
Crotchets,minims, dotted minims and semibreves.
Crotchet, minim and semibreve rests. Range of a sixth.
GRADE II
Scales & Arpeggios: Scales & Arpeggios tongued and slurred as required.
Bass Clef B flat, C majors one octave

C, G harmonic minors one octave
Treble Clef C, D majors one octave

A, D harmonic minors one octave
LIST A
Bach arr Gout O Sacred Head Sore Wounded Going Solo-trombone or Euphonium (Faber
Music)
G Crosse Elegy Up Front Album for Trombone book 2 (Brass Wind Publications)
E Gregson Processional Up Front Album for Trombone book 2 (Brass Wind Publications)
arr Lawrance Aria (from Marriage of Figaro) Winners galore (Brass Wind Publications)
LIST B
R Premru W andsworth W alk Up Front Album for Trombone book 2 (Brass Wind
Publications)
D Runswick Moon Valley Up Front Album for Trombone book 2 (Brass Wind Publications)
G Carr W istful W altz Top Line Album for Trombone (Brass Wind Publications)
arr Lawrance Blackadder Theme Winners galore (Brass Wind Publications)
181
LIST C
M Nightingale No 4: Ready, Aim, Fire! Easy Jazzy ̓tudes (euphonium) (Warwick Music)
M Nightingale No 5: Big Mama Easy Jazzy ̓tudes (euphonium) (Warwick Music)
E Gregson Pop Song or Justin’s March (no 13 or no 14) 20 Supplementary Tunes for
Beginner Brass (Brass Wind Publications)
J Edney Slow Melody, from Melodic Studies for Trombone, book 1 (Brass W ind
Publications - Up Front Series)
Sight-reading: A short piece of up to sixteen bars in simple time in B flat in either

treble or bass clef at candidate’s choice.
Crotchet, minim and semibreve rests. Range of a sixth with more
crotchet movement.
GRADE III
Bass Clef C, D, E flat majors one octave

C, D harmonic minors one octave
Treble Clef D, E, F majors one octave

D, E harmonic minors one octave
LIST A
Joplin arr Lawrance Easy W inners Easy Winners (Brass Wind Publications)
(piano accompaniment sold separately)
Dvořák arr Lawrance Theme from New World Symphony Easy Winners (Brass Wind
Publications) (piano accompaniment sold separately)
J Robert Air Noble (bass clef) (Billaudot
arr Lawrance Reverie from Winner scores all (Brass Wind Publications)
LIST B
G Jacob No 3: Four Little Pieces (Emerson)
Anon The Lark in the Clear Air (treble clef) Siebert`s Young Soloist vol 1
(Studio Music)
B Johnson Drink to Me Only (treble clef) Siebert`s Young Soloist vol 1 (Studio
Music)
A Gout Rough & Ready Rag no 9 Going Solo-trombone or euphonium (Faber
Music)
arr Lawrance America from Winner scores all (Brass Wind Publications)
182
LIST C
E Gregson No 17: Folk Song (treble clef) 20 Supplementary Tunes for Beginner Brass
M Nightingale No 10: Ermie`s Blues: Easy Jazzy ̓tudes (euphonium) (Warwick Music)
M Nightingale No 13: Easy Jazzy ̓tudes (euphonium) (Warwick Music)
E Gregson Moto Perpetuo No 11 from 20 Supplementary tunes for beginner (Brass Wind
Publications)
Sight-reading: A short piece up to sixteen bars in simple time in B flat in either treble
or bass clef at candidate’s choice.
Crotchet, minim and semibreve rests. Range of an octave.
GRADE IV
Scales & Scales & Arpeggios tongued and slurred as required.

Arpeggios: Candidates to prepare either bass clef or treble clef requirements.
Bass Clef A flat, B flat, C majors a twelfth

A, B flat harmonic minors a twelfth
Chromatic scale: on B flat one octave

Dominant seventh: on B flat one octave
Treble Clef B flat, C, D majors a twelfth

B, C harmonic minors a twelfth
Chromatic scale: on C one octave

Dominant seventh: on C one octave
LIST A
Byrd, arr Iveson Earl of Salisbury’s Pavane Trombone Solos vol 1 (Chester Music)
M ussorgsky The Old Castle Going Solo: Trombone or Euphonium (Faber Music)
arr Gout
Delius Serenade, from Going Solo: for Trombone or Euphonium (Faber Music)
P Fievet Rondo (treble clef version for cornet or trumpet) (Combre)
183
LIST B
G Jacob No 1 or 2 or 4: Four Little Pieces (treble clef)(Emerson)
P Lawrance Aubade or Dance (no 2 or no 3) Badinage (Brass Wind Publications)
G W ood Lullaby (Brand Publications/Smith & Co)
LIST C
Kopprasch No 3: Sixty Studies for Trombone vol 1 (IMC/Schott)
E Gregson Romanian Dance (bass clef) from Dance Suite 20 Supplementary Tunes for
Beginner Brass (Brass Wind Publications)
E Gregson No 19: Fanfare (treble clef) 20 Supplementary Tunes for Beginner Brass
M Nightingale No 15: Blues for Big-Ears Easy Jazzy ̓tudes (euphonium) (Warwick Music)
Jock M cKenzie Rumba or Rock Music Makes the World go around (Con Moto)
Sight-reading: A short piece of up to sixteen bars in simple time in B flat in either

treble or bass clef at candidate’s choice.
Crotchet, minim and semibreve rests. Range of an octave with quaver
passages.
GRADE V
Minor scales both harmonic and melodic forms.
Bass Clef D flat, D majors a twelfth

B, D minors a twelfth
F, F sharp majors two octaves
F minor two octaves
Chromatic scale: on F two octaves
Dominant seventh: on B flat, C a twelfth
Treble Clef E flat, E majors a twelfth

C sharp, E minors a twelfth
A flat, G majors two octaves
G minor two octaves
Chromatic scale: on G two octaves

Dominant seventh: on C, D a twelfth
184
LIST A
Gluck arr Hanmer Air from Orpheus and Euridice (treble clef) (Studio Music)
Purcell arr Iveson I Attempt from Love’s Sickness Trombone Solos vol 1 (Chester Music)
W oodforde-Finden Kashmiri Song arr Childs & W ilby (Rosehill Music/Winwood Music)
W agner arr W right O Star of Eve Three Operatic Arias (treble clef) (Brand Publications)
LIST B
P Catelinet Legend (ABRSM)
G W ood Aubade (treble clef) (R Smith/Brand Publications)
E Young Cantilena & English Tune Five Pieces for B flat instruments
(R Smith/Brand Publications)
J Emerson Summer Suite: any one movement (Emerson)
LIST C
Reinhardt No 7: Concone Studies for Trombone (Elkan-Vogel)
Reinhardt No 8: Concone Studies for Trombone (Elkan-Vogel)
Kopprasch No 8: Sixty Studies for Trombone (IMC/Schott)
M Nightingale No 16: Hillbilly Easy Jazzy ̓tudes (euphonium)(Warwick Music)
Jock M cKenzie Fling from Music Makes the World go around (Con Moto)
Sight-reading: A short piece up to sixteen bars in simple time in B flat in either treble
or bass clef at candidate’s choice.
semibreves. Crotchet, quaver, minim and semibreve rests.
Range over an octave with quaver passages and dotted rhythms.
185
GRADE VI
Bass Clef A, B majors a twelfth

C sharp, E flat minors a twelfth
E, G majors two octaves
A flat, B flat, F sharp minors two octaves
Chromatic scale: on G two octaves
Dominant seventh:
in key of C sharp two octaves
Diminished seventh: on B flat a twelfth
Treble Clef B, C sharp majors a twelfth

E flat, F minors a twelfth
A, F sharp majors two octaves
B flat, C, A flat minors two octaves
Chromatic scale: on A two octaves
Dominant seventh: in key of E flat two octaves
Diminished seventh: on C a twelfth
LIST A
W agner arr W right Sigmund’s Love Song Three Operatic Arias (Brand Publications)
W agner arr W right W alter’s Prize Song Three Operatic Arias (Brand Publications)
Anon arr Iveson No 6: Londonderry Air Trombone Solos vol 1 (Chester Music)
Brahms arr Iveson No 7: W altz Trombone Solos vol 1 (Chester Music)
Schubert Serenade (Studio Music)
arr W ilkinson
186
LIST B
P Lawrance Andante and Badinage (no 5 and no 6) Badinage (Brass Wind
Publications)
E Young Sonata: second movement (Brand Publications/Smith & Co)
R Sanders Square-Dance (Stainer & Bell)
H Cole The Hammersmith Gallop (Schott 10238)
Keith Amos Sonata in the Old Style first movement (CMA Publications)
LIST C
Reinhardt No 9: Concone Studies for Trombone (Elkan Vogel)
A Green Study no 5 (p 30) Euphonium Eurhythmics (Warwick Music)
M Nightingale No 9: Suntan Samba Tipping the Scales (Warwick Music)
Allen Vizzutti Cowboy Dance from 20 Dances for euphonium (De Haske Hal Leonard)
Jock M cKenzie Mazurka or Jota from Rhythms of Life (Con Moto)
Sight-reading: A short piece up to sixteen bars in simple time in treble or bass clef at
In B flat or any major key up to two sharps.

semibreves. Crotchet, quaver, minim and semibreve rests.
Range over an octave with quaver passages, dotted rhythms and triplets.
GRADE VII
Bass Clef E, F sharp, G, A flat, A majors / minors

Chromatic scales: on E, B flat
Dominant sevenths: in keys of A, B
Diminished sevenths: on F sharp, G
All the above, compass two octaves.
Treble Clef F sharp, A flat, A, B flat, B majors / minors

Chromatic scales: on F sharp, C
Dominant sevenths: in keys of B, D flat
Diminished sevenths: on A flat, A.
All the above, compass two octaves

187
LIST A
Elgar Idylle op 4 no 1 (Winwood Music)
trans W ilson
Fauré arr Green Vocalise (Warwick Music)
Vaughan W illiams Tuba Concerto: second movement (separate treble clef part) (OUP)
B M arcello Sonata no 1 in F: second movement (first repeat only). Bass clef edition
(IMC 1978) or treble clef edition (Editions Marc Reift/Mus T)
Raymond Parfrey Marching Tune from Three Tunes (Harlequin Music)
LIST B
E Young Euphonium Suite: movements 1 and 2 (Brand Publications/Smith)
P Sparke Aubade (treble clef) (Studio Music)
J Horovitz Euphonium Concerto: second movement (treble clef) (Novello / Music
Sales)
R Newton Baritone Aria (Editions Marc Reift/Mus T)
Raymond Parfrey Off Beat Tune from Three Tunes (Harlequin Music)
LIST C
Reinhardt No 12: Concone Studies for Trombone (Elkan Vogel)
M Nightingale No 8: Barking Mad Tipping the Scales (Warwick Music)
Allen Vizzutti Funk from 20 Dances for euphonium (De Haske Hal Leonard)
Derek Bourgeois Fantasy Pieces No 3 (Brass Wind Publications)
Jock M cKenzie Dixieland from Rhythms of life (Con Moto)
Sight-reading: A short piece of up to sixteen bars in either treble or bass clef at

candidate’s choice. Major or minor key.

minims and semibreves. Crotchet, quaver, minim and semibreve rests.
Range over an octave with quaver passages, dotted rhythms and triplets.
Staccato and legato articulations.
188
GRADE VIII
Bass Clef C sharp, D, E flat, F sharp, A majors / minors

Chromatic scales: on F sharp, A
W hole tone scale: on B flat
Dominant sevenths: in keys of E, F sharp, A flat
Diminished sevenths: on E, F, F sharp
For instruments without fourth valve the underlined are compass a

twelfth. Otherwise all compass two octaves.
Treble Clef E flat, E, F, F sharp, A flat, B majors / minors

Chromatic scales: on G sharp, B
W hole tone scale: on C
Dominant sevenths: in keys of F sharp, A flat, B flat
Diminished sevenths: on F sharp, G, A flat.

LIST A
B M arcello Sonata no 1 in F: movements 1 and 2 or 1 and 4 (no repeats).
Bass clef edition (IMC 1978) or
treble clef edition (Editions Marc Reift/Mus T)
Bach Suite no 1: movements 5, 6 and 7 Bach Cello Suites for Trombone
arr Lafosse (Bass Clef) (Leduc)
Bizet ed W ilson Flower Song from Carmen Softly, as I leave you (Treble clef)
(W inwood Music)
W eber arr Siebert Rondo Giocoso Bassoon concerto (Treble clef) (Studio Music)
Elgar trans W ilson Romance op 62 (Treble clef) (Winwood Music)
W eber arr Siebert Rondo Giocoso Bassoon concerto (Treble clef) (Studio Music)
Keith Amos Sonata in the Old Style movements 2 and 5 (CMA Publications)
189
LIST B
E Young Euphonium Sonata: first movement (Brand Publications/Smith &
Co)
J Horovitz Euphonium Concerto: first or third movement (treble clef)
(Novello/Music Sales)
P Sparke Fantasy (treble clef) (Brand Publications/Smith & Co)
P Sparke Rhapsody for B flat baritone (Treble clef) (Studio Music)
W Hartley Sonata Euphonica (Tenuto Publications)
LIST C
Reinhardt No 14: Concone studies for trombone (Elkan Vogel)
M Nightingale The Flat Finisher and You Made it! Tipping the scales (Warwick
Music)
Allen Vizzutti Polka 20 Dances for euphonium (De Haske Hal Leonard)
Jock M cKenzie Syrto or Rock Rhythms of life (Con Moto)
Sight-reading: A short piece up to sixteen bars in simple or compound time with

changes of time signature in major or minor key in either treble or
bass clef at candidate’s choice.
minims and semibreves. Crotchet, quaver, minim and semibreve rests
Range over an octave with quaver passages, dotted rhythms and
triplets. Staccato and legato articulations.
190
SENIOR CERTIFICATE
Bass Clef C sharp, E flat, E, F sharp majors / minors

W hole tone scale: on F
Dominant sevenths: in keys of E, F sharp, A flat
Treble Clef E flat, F, F sharp, A flat majors / minors

W hole tone scale: on G
Dominant sevenths: in keys of F sharp, A flat, B flat
Diminished sevenths: on F sharp, G, A flat.

LIST A
B M arcello Sonata no 1 in F: complete (no repeats) Bass clef edition
(IMC 1978) or treble clef edition (Editions Marc Reift/Mus T)
Bach arr Lafosse Suite no 1: movements 5, 6 and 7 Bach Cello Suites for Trombone
(Bass clef) (Leduc)
Elgar trans W ilson Romance op 62 (treble clef) (Winwood Music)
LIST B
E Young Euphonium Sonata: third movement (Brand Publications/Smith)
J Horovitz Euphonium Concerto: third movement (Novello Music Sales)
A Butterworth Partita for Euphonium (treble clef) (Comus Edition)
W Hartley Sonata Euphonica (Tenuto Publications)
LISTC
Reinhardt No 14: Concone Studies for Trombone (Elkan Vogel/UMP)
M Bitsch No 7: 15 Rhythmical Studies for Trombone (Bass clef) (Leduc/UMP)
D Bourgeois Fantasy Pieces nos 8 and 9 Derek Bourgrois (Brass Wind Publications)
Sight-reading: A short piece of suitable difficulty. Treble or bass clef at candidate’s

choice.
191
Tuba 2015-2018
TUBA

GRADE I
Scales & Arpeggios: Scales and arpeggios tongued and slurred as required.
Candidates to prepare either Bass Clef or Treble Clef
requirements for their tuba.
Bass Clef E flat tuba - E flat major

Bass Clef F tuba - F major
Bass Clef B flat tuba - B flat major
Bass Clef C tuba - C major
Treble Clef All tubas - C major
The above compass of one octave.
LIST A
A Butterworth Trauerwalzer Up Front Album for E flat tuba book 1 (Brass Wind
Publications)
G W oolfenden Pagan Dance Up Front Album for E flat tuba book 1 (Brass Wind
Publications)
arr Lawrance Russian Dance Winners Galore for Tuba (easy) (Brass W ind Publications)
(unaccompanied)
arr Lawrance Can-can Winners galore for tuba (easy) (Brass Wind Publications)
LIST B
J Horovitz Calypso Up Front Album for Tuba (Brass Wind Publications)
S Tracey Needwood Up Front Album for Tuba (Brass Wind Publications)
J Ridgeon Hide and Seek Nine Miniatures for E flat Tuba (John Ridgeon Brass Wind
Series, Belwin Mills Music Ltd)
J Ridgeon Call my Bluff Nine Miniatures for E flat Tuba (John Ridgeon Brass
Wind Series, Belwin Mills Music Ltd)
192
LIST C
S Johnson No 1 Tuba Ceremony: Tuneful Tuba (Brass Wind Publications)
J M iller No 3: Simple Studies for Beginner Brass (Faber Music)
M Nightingale A Small Step or Fiesta Siesta Easy Jazzy ‘tudes (Tuba)(Warwick Music)
Sight-reading: A short piece of suitable difficulty (clef of candidate’s choice).
GRADE II
Candidates to prepare either Bass Clef or Treble Clef
requirements for their tuba.
Bass Clef E flat tuba - E flat, F majors

C, F harmonic minors
Bass Clef F tuba - F, G majors
D, G harmonic minors
Bass Clef B flat tuba - B flat, C majors
C, G harmonic minors
Bass Clef C tuba - C, D majors
A, D harmonic minors
Treble Clef All Tubas - C, D majors
A, D harmonic minors
The above compass of one octave.
LIST A
E Gregson Little Scherzo Up Front Album book 2 (Brass Wind Publications)
D Runswick Slinkenpoop Up Front Album book 2 (Brass Wind Publications)
Smetana Vltava Winners Galore for Tuba (easy) (Brass Wind Publications)
(unaccompanied)
Trad Portsmouth Winners Galore for Tuba (easy) (Brass Wind Publications)
LIST B
G Crosse The Macho and the Minor Up Front Album book 2 (Brass Wind Publications)
R Premu South Bank Stroll Up Front Album book 2 (Brass Wind Publications)
E Gregson Lullaby Nine Miniatures for E flat tuba (John Ridgeon Brass Wind Series,
Belwin Mills Music Ltd)
193
Tuba 2015-2018
LIST C
S Johnson No 4: Tuba Tango Tuneful Tuba (Brass Wind Publications)
J M iller No 13: Simple Studies for Beginner Brass (Faber Music)
M Nightingale Ready, Aim, Fire! or Big Mama Easy Jazzy ̓tudes (Tuba)(Warwick Music)
GRADE III
Candidates to prepare either Bass Clef or Treble Clef requirements for
their tuba.
Bass Clef E flat tuba - A flat, F, G majors

F, G harmonic minors
Bass Clef F tuba - A, B flat, G majors
A, G harmonic minors
Bass Clef B flat tuba - C, D, E flat majors
D, E harmonic minors
Bass Clef C tuba - D, E, F majors
Treble Clef All tubas - D, E, F majors
All above compass one octave.
LIST A
R Hamner No 3: Cantabile Tuba Tunes (Emerson E36)
Trad The Ash Grove Winners Galore for Tuba (easy) (Brass Wind Publications)
M endelssohn Nocturne Winners Galore for Tuba (easy)(Brass Wind Publications)
(unaccompanied)
G Jacob No 5 In Folksong Style Six Tuba Pieces (Emerson)
LIST B
G Jacob No 3: Minuet Six Tuba Pieces (Emerson E118)
Berlioz No 2: Sanctus Fletcher: Tuba Solos vol 1 (Chester Music)
J Ridgeon No 4(2): March Nine Miniatures for E flat Tuba (John Ridgeon Brass Wind
Series, Belwin Mills Music Ltd)
E Gregson No 3 Little minuet Nine miniatures for E flat tuba (John Ridgeon Brass
194
LIST C
Blazhevich No 4: 70 Studies vol 1 (Robert King Music)
M M cDonald Grade 3 Study for Tuba Studies for Tuba grades 3-8 (ABRSM)
M Nightingale Ermie’s Blues or Skipping Easy Jazzy ̓tudes (tuba)(Warwick Music)
GRADE IV
their tuba.
Bass Clef E flat tuba - D flat, E flat, F majors (twelfth)

D, E flat harmonic minors (twelfth)
Chromatic scale: on E flat (one octave)
Dominant seventh: on E flat (one octave)
Bass Clef F tuba - E flat, F, G majors (twelfth)
E, F harmonic minors (twelfth)
Chromatic scale: on F (one octave)
Dominant seventh: on F (one octave)
Bass Clef B flat tuba - A flat, B flat, C majors (twelfth)
A, B flat harmonic minors (twelfth)
Chromatic scale: on B flat (one octave)
Dominant seventh: on B flat (one octave)
Bass Clef C tuba - B flat, C, D majors (twelfth)
B, C harmonic minors (twelfth)
Chromatic scale: on C (one octave)
Dominant seventh: on C (one octave)
Treble Clef All tubas - B flat, C, D majors (twelfth)

B, C harmonic minors (twelfth)
Chromatic scale: on C (one octave)
Dominant seventh: on C (one octave)
195
Tuba 2015-2018
LIST A
J S Bach Gavotte (Belwin/ Alfred Music)
Handel Bourrée (Music Sales)
Saint-Saëns The Elephant Winners Galore for Tuba (easy)(Brass Wind Publications)
(unaccompanied)
Lully Gavotte First Solos for the Tuba Player arr Wekselblatt (G Schirmer)
LIST B
R Hamner No 2: Staccato Tuba Tunes (Emerson)
G Jacob No 1: Restful Prelude Six tuba pieces (Emerson)
J Ridgeon No 7: Introduction and Dance Nine Miniatures for E flat Tuba (John
Ridgeon Brass Wind Series, Belwin Mills Ltd)
H M ancini Pink Panther All Jazzed up: for Tuba (Brass Wind Publications)
E Gregson No 8 Folksong Nine Miniatures for E flat Tuba (John Ridgeon Brass
LIST C
Blazhevich No 3: 70 Studies vol 1 (Robert King Music)
G W arrack Grade 4 Study Studies for Tuba grades 3-8 (ABRSM)
Bordogni No 2: 43 bel canto Studies for Tuba (Robert King Music)
D Bourgeois W istful Per tuba ad astra (Brass Wind Publications)

196
GRADE V
Minor scales in both harmonic and melodic forms.
their tuba.
Bass Clef Eb tuba - Fsharp, G, majors (twelfth)

E, G minors (twelfth)
B flat, B majors (two octaves)
B flat minor (two octaves)
Chromatic scale: on B flat (two octaves)
Dominant sevenths on Eflat, F (twelfth)
Bass Clef F tuba - A flat, A majors (twelfth)
A, F sharp minors (twelfth)
C, D flat majors (two octaves)
C minor (two octaves)
Chromatic scale: on C (two octaves)
Dominant sevenths : on F, G (twelfth)
Bass Clef B flat tuba - D flat, D majors (twelfth)
B, D minors (twelfth)
F, F sharp majors (two octaves)
Chromatic scale: on F (two octaves)
Dominant sevenths on B flat, C (twelfth)
Bass Clef C tuba - E flat, E majors (twelfth)
C sharp, E minors (twelfh)
A flat, G majors (two octaves)
G minor (two octaves)
Chromatic scale on G (two octaves)
Dominant sevenths: on C, D (twelfth)
Treble Clef All tubas - E flat, E majors (twelfth)
C sharp, E minors (twelfth)
A flat, G majors (two octaves)
G minor (two octaves)
Chromatic scale: on G (two octaves)
Dominant sevenths on C, D (twelfth)
197
Tuba 2015-2018
LIST A
Telemann Prelude and Allegretto (Southern Music Co)
A Ameller Hauterive, op 185 (coll Belle Provence) (Leduc)
P Catelinet Legend (ABRSM)
Grieg In the Hall of the Mountain King First solos for the tuba player arr
Wekselblatt (G Schirmer)
LIST B
E Gregson No 9: Habañera and Ragtime Nine Miniatures for E flat
Tuba (John Ridgeon Brass Wind Series, Belwin Mills)
A Frackenpohl Concertino: movement no 1 (Robert King)
G Jacob No 4: Hungarian Six Tuba Pieces (Emerson)
G Jacob Mazurka Tuba Suite (Boosey & Hawkes)
LIST C
Blazhevich No 9: Seventy Studies vol 1(Robert King/)
D Bourgeois Pompous or Joyful. Per tuba ad astra (Brass Wind Publications)
Bordogni No 4: 43 bel canto Studies for Tuba (Robert King)
M M cDonald Grade 5 study for Tuba Studies for Tuba grades 3-8 (Associated
Board)

198
GRADE VI
their tuba.
Bass Clef E flat tuba - D, E majors (twelfth)

F sharp, G sharp minors (twelfth)
A, C majors (two octaves)
B, C sharp, E flat minors (two octaves)
Chromatic scale: on C (two octaves)
Dominant seventh: key of F sharp (two octaves)
Diminished seventh: on E flat (twelfth)
Bass Clef F tuba - E, F sharp majors (twelfth)
B flat, G sharp minors (twelfth)
B, D majors (two octaves)
C sharp, E flat, F minors (two octaves)
Chromatic scale: on D (two octaves)
Dominant seventh : key of A flat (two octaves)
Diminished seventh: on F (twelfth)
Bass Clef B flat tuba - A, B majors (twelfth)

C sharp, E flat minors (twelfth)
E, G majors (two octaves)
A flat, B flat, Fsharp minors (two octaves)
Chromatic scale: on G (two octaves)
Dominant seventh: key of C sharp (two octaves)
Diminished seventh on B flat (twelfth)
Bass Clef C tuba - B, C sharp majors (twelfth)
E flat, F minor (twelfth)
A, F sharp majors (two octaves)
B flat, C, A flat minors (two octaves)
Chromatic scale: on A (two octaves)
Dominant seventh: key of E flat (two octaves)
Diminished seventh: on C (twelfth)
Treble Clef All tubas - B, C sharp majors (twelfth)
E flat, F minor (twelfth)
A, F sharp majors (two octaves)
B flat, C, A flat minors (two octaves)
Chromatic scale: on A (two octaves)
Dominant seventh: key of E flat (two octaves)
Diminished seventh: on C (twelfth)
199
Tuba 2015-2018
LIST A
W Hartley Suite for unaccompanied tuba: movements 3 and 4 (Elkan-Vogel)
R Newsome Bass in the Ballroom (no repeats) (Studio Music Co)
A Frackenpohl Concertino: movements 2 and 3 (Robert King/UMP)
G Jacob Hornpipe Tuba Suite (Boosey & Hawkes)
J B Arban The Carnival of Venice First Solos for the Tuba Player arr Wekselblatt
(G Schirmer)
LIST B
A W ilder Effie Goes Folk Dancing Effie Suite (Margun Music)
Eccles Sonate: first movement, Largo (no repeat) (Gerard Billaudot
Editeur)
Burnet Tuthill Fantasia for Tuba (Ensemble Publications)
Vivaldi arr Swanson Allegro (Belwin Mills/Maecenas)
A Richardson In the Lowlands (William Elkin)
LIST C
Bordogni No 6: 43 bel canto Studies for Tuba (Robert king/UMP)
A Green Study no 5 (p 30) Tuba Eurhythmics (Warwick Music)
D Bourgeois Happy or Downcast Per tuba Ad Astra (Brass Wind Publications)
Blazhevich No 8: Seventy studies vol 1(Robert King)

200
GRADE VII
their tuba.
Bass Clef E flat tuba - A, B, C, C sharp, D majors / minors

Chromatic scales: on A, E flat
Dominant sevenths: keys of D, E
Diminished sevenths: on B, C
Bass Clef F tuba - B, C sharp, D, E flat, E majors / minors
Chromatic scales: on B, F
Dominant sevenths: keys of E, F sharp
Diminished sevenths: on C sharp, D
Bass Clef B flat tuba - E, F sharp, G, A flat, A
majors / minors
Chromatic scales: on E, B flat
Dominant sevenths: keys of A, B
Diminished sevenths: on F sharp, G
Bass Clef C tuba - F sharp, A flat, A, B flat, B majors / minors
Dominant sevenths: keys of B, D flat
Diminished sevenths: on A flat, A
Treble Clef All tubas - F sharp, A flat, A, B flat, B majors / minors
Dominant sevenths: keys of B, D flat
Diminished sevenths: on A flat, A.
All of the above, compass two octaves.
LIST A
W Hartley Suite for unaccompanied tuba: movements 1, 2 and 4 (ElkanVogel)
P Hindemith Sonata: first movement (Schott ED 4636)
E Bozza Thème Varié (Leduc/UMP)
M Hogg Sonatina (Ensemble Publications)
J Glass Sonatina: movements 3 and 4 (Emerson)
A Ridout Concertino (any two movements) (Emerson)
201
Tuba 2015-2018
LIST B
Senaillé Introduction and Allegro spiritoso (Peters H-853)
arr Catelinet
Capuzzi Andante and Rondo (Peters H-1474)
arr Catelinet
Vaughan W illiams Concerto: second movement, Romanza (OUP)
Eccles Sonate: movements 3 and 2 (no repeat) (Gerard Billaudot Editeur)
A W ilder Sonata for Tuba: first movement (Mentor Music/Emerson)
LIST C
Blazhevich No 19: Seventy Studies vol 1 (Robert King)
D Bourgeois No 1: Allegro moderato Fantasy Pieces for Tuba (Brass Wind Publications)
D Bourgeois No 4: Commodo Fantasy Pieces for Tuba (Brass Wind Publications)
A Green Study no 11 (p 37) Tuba Eurhythmics (Warwick Music)
GRADE VIII
their tuba.
Bass Clef E flat tuba - F sharp, G, A flat, A, B, D majors / minors

Chromatic scales: on B, D
W hole tone scale: on E flat
Dominant sevenths: keys of A, B, D flat
Diminished sevenths: on A, B flat, B
Bass Clef F tuba - A flat, A, B flat, B, C sharp, E majors / minors
Chromatic scales: on C sharp, E
Dominant sevenths: keys of B, C sharp, E flat
Diminished sevenths: on B, C, C sharp
Bass Clef B flat tuba - C sharp, D, E flat, E, F sharp, A
majors / minors
W hole tone scale on B flat
Dominant sevenths: keys of E, F sharp, A flat
Bass Clef C tuba - E flat, E, F, F sharp, A flat, B majors / minors
Dominant sevenths: keys of F sharp, A flat, B flat
Diminished sevenths: on F sharp, G, A flat
202
Treble Clef All tubas - E flat, E, F, F sharp, A flat, B majors / minors

Diminished sevenths: on Fsharp, G, A flat
LIST A
R M uczynski Impromptus for Tuba (unaccompanied):movements 1,2 and 5 (Schirmer)
M Arnold Fantasy for Tuba op 102 (unaccompanied) (Faber Music)
J Glass Sonatina: movements 1, 2 and 3 (Emerson)
L Salzedo Sonata: movements 2 and 3 (Chester Music)
R Newton Capriccio (Cut from sixth bar of K to R) (Rosehill M usic/Winwood Music)
A W ilder Suite no 1 for Tuba (“Effie suite”): movements 1, 2 and 4 (Margun
Music/Music Sales)
LIST B
P Hindemith Sonata: third movement (Schott ED 4636)
Vaughan W illiams Concerto: first movement (OUP)
E Gregson Concerto: first movement (Novello)
J Horovitz Concerto: first movement (Studio Music)
J Golland Concerto third movement (Mostyn Music)
LIST C
D Bourgeois No 6: Allegro moderato Fantasy pieces for tuba (Brass Wind Publications)

203
Tuba 2015-2018
SENIOR CERTIFICATE
their tuba.
Bass Clef Eb tuba - F sharp, A flat, A, B majors / minors

Chromatic scales: on B, D
W hole tone scale: on B flat
Dominant sevenths: keys of A, B, D flat
Diminished sevenths: on A, B flat, B
Bass Clef F tuba - A flat, B flat, B, C sharp majors / minors
Chromatic scales: on C sharp, E
Dominant sevenths: keys of B, C sharp, E flat
Diminished sevenths: on B, C, C sharp
Bass Clef B flat tuba - C sharp, E flat, E, F sharp majors / minors
Dominant sevenths: keys of E, F sharp, A flat
Bass Clef C tuba - E flat, F, F sharp, A flat majors / minors
Treble Clef All tubas - E flat, F, F sharp, A flat majors / minors
204
LIST A
M Arnold Fantasy for Tuba op 102 (unaccompanied) (Faber Music)
J Glass Sonatina (Emerson)
L Salzedo Sonata: movements 1, 2 and 3 (Chester Music)
R Newton Capriccio (Rosehill Music/Winwood Music)
A W ilder Suite no 1 for Tuba (“Effie suite”): any four movements (Margun
Music/Music Sales)
Eccles adpt Lelong Sonate (no repeats) (Billaudot)
LIST B
P Hindemith Sonata: third movement (Schott ED 4636)
Vaughan W illiams Concerto: first movement (OUP)
E Gregson Concerto: third movement (Novello)
J Horovitz Concerto: first movement (Studio Music)
J Golland Concerto: first movement (Mostyn Music)
LIST C
R M uczynski Impromptus for Tuba: movement 1 (Schirmer/Music Sales)
R M uczynski Impromptus for Tuba: movement 5 (Schirmer/Music Sales)

205
Percussion 2015-2018
PERCUSSION
MARKING SYSTEM
Snare Drum [and Hand Percussion, Grade V upwards] = 25

(including Rudiments)
Tuned Percussion (including Scales & Arpeggios) = 25
Timpani (including Tuning & Technical) = 25
Sight-reading = 10
Aural Tests = 10
Theory = 5
Grades VI to VIII:
Combined Aural/Theoretical Tests = 15
Senior Certificate:
Viva Voce = 5
Snare Drum Grades 1 - 8

Modern School for Snare Drum by Morris Goldenberg (Chappell Music Co/IMP)
Grades 2 - Senior Certificate
The Rudimental Cookbook by Edward Freytag (Row-Loff Productions)
Grades 6 - 8
Portraits in Rhythm by Anthony J Cirone (Alfred Publishing Co)
Senior Certificate
Douze Études pour Caisse-Claire by Jacques Delécluse (Alphonse Leduc)
Tuned Modern School for Xylophone, Marimba, Vibraphone by Morris Goldenberg
Percussion (Chappell Music Co/IMP)
Marimba Études (Brian Willson Publishing)
Timpani Grades 1 - 8
Fundamental Method for Timpani by Mitchell Peters (Alfred Publishing Co)
Senior Certificate
Eight Pieces for Timpani by Elliot Carter (Peters Edition)
206
GRADE I
A copy of the music being performed must be presented to the examiner.
LIST A: SNARE DRUM
M Goldenberg Page 6 Modern School for Snare Drum (Chapell Music Co/IMP)
Rudiments: (To be played from memory). Single stroke roll, Double stroke roll (open
double strokes, not bounced or buzzed)
Paradiddles and Flam (hand to hand).
LIST B: TUNED PERCUSSION
Scales & Arpeggios: C, G, F, B flat major, two octaves, right and left hand lead.
M Goldenberg Page 9, exercises 1, 2 and 3 or exercises 1, 2 and 3 Modern School for

Xylophone, Marimba, Vibraphone (Chapell Music Co/IMP)
LIST C: TIMPANI
M Peters Étude no 1 (page 130) or Étude no 2 (page 131) Fundamental Method for
Timpani (Alfred Publishing Co)
Tuning & Technical: Tune two timpani to given notes and elementary muffling exercises
(pages 62 and 63) Fundamental Method for Timpani (Alfred Publishing Co)
Sight-reading: A piece of suitable difficulty on either Snare Drum, Tuned Percussion or

Timpani.
GRADE II
LIST A: SNARE DRUM
M Goldenberg Page 10, 11, 12 or 13 Modern School for Snare Drum (Chapell Music Co/IMP)
or
Freytag Solo no 1 page 27 The Rudimental Cookbook (Row-Loff Productions)
Rudiments: (To be played from memory) 5 stroke roll, 7 stroke roll, 9 stroke roll.
Drags hand to hand, Flam tap.
207
Scales & Arpeggios: D, E flat major; A, E, D, G, harmonic minor.

Two octaves, right and left hand lead.
M Goldenberg Page 14: exercises 8, 9,10 and 11 Modern School for Xylophone, Marimba,
Vibraphone (IMP/Music Sales)
LIST C: TIMPANI
Tuning & Technical: Tune one drum to a given note. Tune a second drum to either a perfect
fourth or fifth above the given note as requested. Tune two timpani to a
perfect fourth or fifth from a given “A” and play staccato warm up
exercises page 81 (M Peters) and roll warm up patterns pages 90 and 91
(M Peters) Fundamental Method for Timpani (Alfred Publishing Co)

Timpani.
GRADE III
LIST A: SNARE DRUM
M Goldenberg Page 16, 17 or 25 Modern School for Snare Drum (Chapell Music Co/IMP)
or
Rudiments: (To be played from memory). Double stroke, roll, open (or doubled) and
bounced (or buzzed) 10 stroke roll, Single Drag tap, Double Paradiddle.
Single Ratamacue and 4 stroke Ruff (hand to hand).
Scales & Arpeggios: A and A flat major

A, E, B, D, G, C, harmonic and melodic minor
Two octaves right and left hand lead
M Goldenberg Page 27: no 1 and no 2 or page 28 no 3 Modern School for Xylophone,

Marimba, Vibraphone (IMP/Music Sales)
208
LIST C: TIMPANI
M Peters Étude no 14 (page 141) or Étude for dynamic control of the roll (page 119)
Fundamental Method for Timpani (Alfred Publishing Co)
Tuning & Technical: Tune one drum to a given note. Tune a second drum to either a major
third, perfect fourth or fifth above the given note or a major second
below and Roll (single stroke) p<f>p and various dynamics (ie p, mf, etc).
Tune two timpani to a major second, third, perfect fourth or fifth from
a given “A” and any dynamic control exercises from pages 115 to 118
(M Peters) and fp roll Fundamental M ethod for Timpani (Alfred Publishing
Co).

Timpani.
GRADE IV
LIST A: SNARE DRUM

M Goldenberg Page 44 Modern School for Snare Drum (Chapell Music Co/IMP)
or
Freytag Solo no 9 pages 36 and 37 The Rudimental Cookbook (Row-Loff Productions)
Rudiments: (To be played from memory) 11 stroke roll, Flam paradiddle, Double
drag tap, Flam accent, Double ratamacue, Triple paradiddle.

Scales & Arpeggios: E flat and D flat major
F sharp and F harmonic and melodic minor.
M Goldenberg Page 53 exercise in 9/8 rhythm or page 55 “Marcia” Modern School for
Xylophone, Marimba, Vibraphone (IMP/Music Sales)
LIST C: TIMPANI
M Peters Étude no 24 (page 149) or Étude no 28 (page 153) or Étude no 30 (page
155) Fundamental Method for Timpani (Alfred Publishing Co)
Tuning & Technical: Tune two timpani to any interval from a given “A” and cross sticking
exercises pages 98 and 99 (M Peters) Fundamental Method for Timpani
(Alfred Publishing Co)
Roll: pp<ff>pp and various dynamics, muffling notes fp roll

Timpani.
209
GRADE V
LIST A: SNARE DRUM AND HAND PERCUSSION
M Goldenberg Page 28 Modern School for Snare Drum (IMP/Music Sales)

or
A J Cirone Page 3 no 1, Page 7 no 5 or Page 29 no 27 Portraits in Rhythm (Alfred
Publishing Co)
or
Freytag Solo no 10 pages 38 and 39 The Rudimental Cookbook (Row-Loff Productions)
Rudiments: (To be played from memory) 13 stroke roll, Flam a cue, Drag paradiddle
no 1. Paradiddle-Diddle.
Percussion: Tambourine: Shake rolls, thumb rolls, simple rhythms at various

dynamics.
Scales & Arpeggios: B and G flat major; C sharp and B flat harmonic and melodic minor
M Goldenberg Page 60 no I and no II or Page 61 no III and no IV

Modern School for Xylophone, Marimba, Vibraphone (IMP/Music Sales)
LIST C: TIMPANI
Tuning & Technical: Tune three timpani, to a major or minor triad from a given “A” and three
drum warm up exercises nos 1 to 18 (pages 171 to 173) (M Peters)
Sight-reading: Three pieces of suitable difficulty on Snare Drum, Tuned Percussion and
Timpani.
210
GRADE VI
or
A J Cirone Page 25 no 23 or Page 28 no 26 Portraits in Rhythm (Alfred Publishing Co)
or
Rudiments: (To be played from memory) 15 stroke Roll, Single Flammed Mill,
Triple ratamacue, Drag paradiddle no 2, Lesson “25".
Percussion: Triangle: rolls (stand and hand held) rolls at various dynamics,<>, simple
rhythms as requested.
M Goldenberg Page 64 no V or Page 65 no VI Modern School for Xylophone, Marimba,

Scales & Arpeggios: F sharp and C flat major; G sharp and E flat harmonic and melodic
minor, two octaves, right and left hand lead.
LIST C: TIMPANI
M Peters Étude no 47 (page 178-179) or Étude no 49 (page 181) Fundamental Method

for Timpani (Alfred Publishing Co)
Tuning & From a given "A", tune three drums to any notes and all three Technical:
drum warm up exercises nos 1 to 13 (pages 170 and 171) (M Peters)
Fundamental Method for Timpani (Alfred Publishing Co) as requested by the
examiner. If only two drums are available, tune two drums to any
interval between a minor second and an octave as requested by the
examiner.
Timpani.
211
GRADE VII
or
A J Cirone Page 36 no 33 or pages 34 and 35 no 32 Portraits in Rhythm (Alfred

Publishing Co)
or
Rudiments: 17 Stroke Roll, Triple Stroke Roll, 6 Stroke Roll, Flam Paradiddle-Diddle,
PataFlaFla
Percussion: Cymbals (hand held): crashes at various dynamics as requested.
Scales & Arpeggios: All major and harmonic and melodic minor scales and arpeggios
(two octaves) right and left hand lead.
All major and minor scales (crotchet = 80). Scale notes in semi-
quavers.
M Goldenberg Page 66 no VII or Page 67 no VIII Modern School for Xylophone, Marimba,
LIST C: TIMPANI
Tuning & Technical: From a given "A", tune four drums to any notes as requested by the
examiner and four drum warm up exercises (pages 188 to 190) (M Peters)
Timpani.
212
GRADE VIII
A J Cirone Page 39 no 36 or page 41 no 38 or page 42 no 39 or page 45 no 42 Portraits

in Rhythm (Alfred Publishing Co)
or
Freytag Solo no 17 pages 52 to 55 The Rudimental Cookbook (Row-Loff Productions)
Rudiments: All previous rudiments from memory as Grade VII.
Percussion: Cymbals: Crashes at various dynamics as requested.

Tambourine: Shake rolls, thumb rolls, simple rhythms at various
dynamics.
Triangle: Rolls at various dynamics, <>, simple rhythms as requested.
LIST B: TUNED PERCUSSION (two pieces)
(two octaves) right and left hand lead.
Scale notes in semi-quavers.
All major and minor scales (crotchet = 80 in semi quavers) and block
chords in root, first and second inversion (holding four mallets).
M Goldenberg Page 74 no XVI or Page 76 no XVIII Modern School for Xylophone, Marimba,
and (holding four mallets)
Brian W illson Étude no 1 Marimba Études (Brian Willson Publishing)
available from Steve W eiss Music at http://www.steveweissmusic.com
LIST C: TIMPANI
M Peters Étude no 60 (page 196) or Étude no 61 (page 197) Fundamental

Method for Timpani (Alfred Publishing Co)
Tuning & Technical: From a given "A", tune four drums to any notes as requested by
the examiner and be prepared to change the tuning to four different
notes from the original tuning and four warm up exercises page 187 (M
Peters) Fundamental Method for Timpani (Alfred Publishing Co)
Timpani.
213
SENIOR CERTIFICATE
J Delécluse Page 2 no 2 or page 3 no 3 Douze Études pour Caisse-Claire (Alphonse

Leduc)
or
Rudiments: All previous rudiments from memory as Grade VIII.
Percussion: Cymbals: Crashes at dynamic levels as requested.

Tambourine: Shake rolls, thumb rolls, rhythms as requested.
Triangle: Rolls at various dynamics, <>, rhythms as requested.
(two octaves) left and right hand lead.
Scale notes in semi-quavers.
All m ajor and m inor scales (crotchet = 100) scale notes in semi-quavers.
M Goldenberg Pages 94 - 96 Bach’s Violin Concerto in A minor, first movement

and
Brian W illson Étude no 2 or no 3 Marimba Études (Brian Willson Publishing)
LIST C: TIMPANI
E Carter Any one of the Eight Solos Eight Pieces for Timpani
Tuning & Technical: From a given "A", tune four drums to any notes as requested by the
examiner and be prepared to change the tuning to four different notes
from the original tuning and any of the technical exercises from previous
grades (M Peter) Fundamental Method for Timpani (Alfred Publishing Co)
Timpani.
214
SNARE DRUM
The new category of Grades I to VIII in Snare Drum follows in part the studies in the Snare
Drum section of the Percussion syllabus Grade I to VIII. In the Percussion syllabus the snare
drum section basically follows a progression of classically-based studies with the 26 standard
percussion rudiments gradually introduced as technical exercises.
In the new Snare Drum syllabus these ‘classical studies’ are basically retained (and extended)
and a second category of rudimental studies (solos) are added.
In addition, the snare drum rudiments are introduced more quickly to run concurrently with
these rudimental solos and new more advanced ‘hybrid’ and PAS rudiments are introduced
together with the 26 standard rudiments.
Books: Morris Goldenberg Modern School for Snare Drum (Alfred Publishing Co)
Anthony J Cirone Portraits in Rhythm (Alfred Publishing Co)
Edward Freytag The Rudimental Cookbook (Row-Loff Productions)
(Senior Certificate) Jacques Delécluse Douze Études pour Caisse-Claire (Alphonse Leduc)
Note: All twenty-six standard, fourteen AS and hybrid rudiments are found in
The Rudimental Cookbook and are to be played in that format.
Rolls: Long held orchestral (ie buzz) and military (double) rolls at various
dynamics and from pp=ff>pp
Rudiments: All rudiments from memory. All rudiments to be played open-closed-

open (ie slow-fast-slow) and at various tempos as requested by the
examiner.
MARKING SYSTEM
Study 1 = 20
Study 2 = 20
Study 3 = 20
Rudiments = 15
Sight-reading = 10
Aural Tests = 10
Theory = 5
Grades VI to VIII:
Senior Certificate:
Viva Voce = 5
215
Snare Drum 2015-2018

GRADE I
Three Studies:
Goldenberg Study no 1 in 2/4 page 6 and study no 2 in 4/4 page 7 Modern School for
Snare Drum (Alfred Publishing)
Rudiments: (To be played from memory). Single paradiddle, double paradiddle,

triple paradiddle, flams (hand to hand) and double stroke roll.
GRADE II
Three Studies:
Goldenberg Study no 2 in 4/4 page 11 and study no 1 in 3/8 page 12 Modern School for
Rudiments: (To be played from memory). Nine stroke roll, seventeen stroke roll, flam
tap, flam accent and drag (hand to hand).
GRADE III
Three Studies:
Goldenberg Study no 8 in 10/8 page 17 and study no 1 in 2/4 page 24 Modern School
for Snare Drum (Alfred Publishing)
Rudiments: (To be played from memory). Five stroke roll, seven stroke roll, swiss
triplet, single ratamacue, flamacue and single stroke roll.
216
GRADE IV
Three Studies:
Goldenberg Study no 3 in 4/4 (page 26) and roll exercise (page 44) Modern School for
Freytag Solo no 8 (pages 34 and 35) or Solo no 9 (pages 36 and 37) The Rudimental
Cookbook (Row-Loff Productions)
Rudiments: (To be played from memory). Ruff, single stroke seven, single stroke
four,
thirteen stroke roll, six stroke roll and double ratamacue.
GRADE V
Three Studies:
Goldenberg Page 46 or page 47 Modern School for Snare Drum (Alfred Publishing)
Cirone Study no 1 page 3 Portraits in Rhythm (Alfred Publishing)
Freytag Solo no 10 (pages 38 and 39) or Solo no 11 (pages 40 and 41) The
Rudimental Cookbook (Row-Loff Productions)
Rudiments: (To be played from memory). Fifteen stroke roll, single stroke seven, six
stroke roll, triple ratamacue, single drag tap and drag single stroke seven.
GRADE VI
Three Studies:
Goldenberg Page 50 Modern School for Snare Drum (Alfred Publishing)

Freytag Solo no 13 (pages 44 and 45) or Solo no 14 (pages 46 and 47) The
Rudimental Cookbook (Row-Loff Productions)
Rudiments: (To be played from memory). Double drag tap, ten stroke roll,
pataflafla, flam paradiddle, flam triple stroke roll, drag paradiddle and
drag paradiddle no 1.
217
Snare Drum 2015-2018
GRADE VII
Three Studies:
Goldenberg Study in 7/4 page 65 Modern School for Snare Drum (Alfred Publishing)
Freytag Solo no 15 page 48 or Solo no 16 page 50 The Rudimental Cookbook (Row-
Loff Productions)
Rudiments: (To be played from memory). Flam drag, flam double paradiddle eleven
stroke roll, flam paradiddle-diddle, lesson ‘no 25', drag single stroke
seven.
GRADE VIII
Three Studies:
Goldenberg Study no 36 page 39 or study no 39 page 42

Cirone Study no 42 page 45 Portraits in Rhythm by Anthony J Cirone (Alfred
Publishing)
Freytag Solo no 16 pages 50 and 51or Solo no 17 pages 52 to 55 The Rudimental
Cookbook (Row-Loff Productions)
Rudiments: (To be played from memory). Shirley Murphy, single hand flam flam, roll
combination and all previous rudiments from Grades I to VII.
SENIOR CERTIFICATE
Four Studies:
Cirone Study no 43 page 46 and study no 48 page 52 Portraits in Rhythm by

Anthony J Cirone (Alfred Publishing)
Delécluse Page 2 no 2 or page 3 no 3 Douze Études pour Caisse-Claire (Alphonse

Leduc)
Rudiments: (To be played from memory). Cheese, cheese flam accent, triple
pataflafla,
inverted flam tap, flam long double stroke roll and all previous
rudiments from Grades I to VIII.
218
CHAMBER MUSIC
Junior Grade
A performance of own choice repertoire not to exceed 10 minutes
The ensemble may consist of a minimum of two players to a maximum of nine players (solo
instrument with piano accompaniment and piano duets excluded).
The ensemble must be unconducted.
Grade I to Grade III standard expected.
A copy (in score form) of the music to be performed must be provided for the Examiner.
Middle Grade
Grade IV to Grade VI standard expected.
Senior Grade
Grade VII and above standard expected.
219
School Orchestras 2015-2018
SCHOOL ORCHESTRAS
The syllabus below should be used to help applicants decide which examination they wish to
enter for based on their own self assessment and degree of difficulty of the
repertoire.
Junior Grade Orchestra
Entries must include a representation of all the string instruments with the possible use of third
Violins instead of Viola. W here wind instruments are not available it is
permissible to have their cues played in other areas.
All copies of m usic are published by Goodmusic Publishing under the Goodmusic Orchestral
Series and by Boosey & Hawkes under the Hawkes School Series. The following
lists are guidelines of the standard of repertoire required.
Applicants must present three pieces for examination. Applicants may select their programme
from the following list. Alternatively candidates may submit a programme with
one/two or three own choice pieces, or a combination of own
choice/recommended repertoire. W here own choice pieces are being selected
titles of the works and composers must be presented along with copies of the
scores on the day of the examination.
From Concert Pieces 1 Boosey & Hawkes Young Orchestra Series
M ozart No 1 March
Haydn No 2 Menuetto
Handel No 4 Menuet
Cruger No 6 Now Thank W e All Our God
From Concert Pieces 2 Boosey & Hawkes Young Orchestra Series

Gluck No 1 Entry of the Priests
Boyce No 4 Gavot
arr Stone No 6 Praise To The Lord
Traditional No 8 Shortnin’ Bread
Beethoven (arr Benoy) Hymn to Joy from Symphony no 9

(Goodmusic Publishing)
Graham Frewer Buoyant Bobby’s all at Sea

Graham Frewer Hey Little Bull

220
Senior Grade Orchestra
Entries must include a representation of all the string instruments with the possible use of third
Violins instead of Viola. W here wind instruments are not available it is permissible to have
their cues played in other areas.
All copies of m usic are published by Goodmusic Publishing under the Goodmusic Orchestral
Series and by Boosey & Hawkes under the Hawkes School Series.
The following lists are guidelines of the standard of repertoire required.
Applicants must present three pieces for examination. Applicants may select their programme
from the following list. Alternatively candidates may submit a programme with one/two or
three own choice pieces, or a combination of own choice/recommended repertoire. W here own
choice pieces are being selected titles of the works and composers must be presented along
with copies of the scores on the day of the examination.
Tchaikovsky Marche Slave (Goodmusic Publishing)
Delibes (arr Benoy) Suite Le Roi s’amuse (Goodmusic Publishing)
arr Benoy A Boyce Suite (any movement)

M endelssohn (arr R M ayes) Dance of the Clowns, from A Midsummer

Night’s Dream (Goodmusic Publishing)
Hummel (arr Benoy) Slow air and Rondo (Goodmusic Publishing)
Purcell (arr W estcott) Three Pieces from ‘The Fairy Queen’

Grieg In The Hall of the Mountain King, from Peer Gynt

Suite (Goodmusic Publishing)
Offenbach (arr W icken) The Can-Can (Goodmusic Publishing)
Rimsky-Korsakov, Nikolay Dance of the tumblers from Snow Maiden

arranged Sandra Dackow Tempo Press
Tchaikovsky, Peter Ilich Trepak from The Nutcracker (Tempo Press)
M ozart, W olfgang Amadeus Sleigh Ride : German dance no 3, KV 605

arranged Sandra Dackow (Ludwig Music)
Nikolai Rimsky-Korsakov Capriccio Espagnol

arranged by Richard M eyer (Highland/Etling)
221
Theory & Harmony 2015-2018
THEORY AND HARMONY

Past papers will be supplied on application to the RIAM Local Centre Examinations’ Office or available
to download from RIAM Teaching Network at URL: teachingnetwork.riam.ie.
A series of music theory workbooks entitled Music W orkout is available from music stockists.
PREPARATORY GRADE
1 Note values of Semibreve, Minim, dotted minim and crotchet. Rest values of semibreve,
minim and crotchet.
2 Time Signatures: The top number only of 2/4, 3/4 and 4/4.
3 Stave: W riting and naming notes on the stave only in Treble (G) and Bass (F) clefs.
4 Observation of the above elements in relation to a melody written in either the Treble
or the Bass clef.
GRADE I
1 Note values of semibreve, minim, dotted minim, crotchet, dotted crotchet and quaver.
Rest values of semibreve, minim and crotchet.
2 Time Signatures: 2/4, 3/4, 4/4 C.
3 Stave: Treble (G) and Bass (F) clefs to one ledger line above and below the stave.
4 The writing and use of sharp and flat signs.
5 Scales: Major scales of C and G in both clefs.
To be familiar with the relevant Tonic Solfa names and to understand the positioning
of the tones and semitones and the use of key signature.
6 Observation of the above elements in answering simple questions about a melody
including some terms and signs.
GRADE II
1 Note values of semibreve to semiquaver inclusive. Dotted notes and tied notes.
Rest values of semibreve to quaver inclusive.
2 Grouping of notes and rests in 2/4, 3/4, 4/4 times.
3 Stave: Notes to the second space above and below treble and bass staves.
4 The writing and use of sharp, flat and natural signs.
5 Scales: Major scales, key signatures and tonic triads of C, G, D and F and their
application in recognising the key of a piece, adding accidentals instead of key signature
and using relevant tonic solfa.
6 Observation of the above elements in answering simple questions about a melody
including more terms and signs.
GRADE III
1 Note values of semibreve to semiquaver including quaver triplets.
Rest values of semibreve to semiquaver.
2 Times Signatures: Simple Duple 2/4, 2/2, ¢
Simple Triple 3/4, 3/2, 3/8
Simple Quadruple 4/4, 4/2,
and grouping of notes and rests in these times.
3 Stave: Notes to two ledger lines above and below treble and bass staves. Transcribing
from treble to bass or vice versa at the same pitch.
4 Scales and Intervals: Major scales, key signatures and tonic triads of keys up to two
sharps and two flats. Intervals formed from the tonic of these major keys.
222
Minor scales, key signatures and tonic triads of A, E and D to be familiar with the
relevant tonic solfa names and to understand the positioning of tones and semitones.
Harmonic or melodic form may be used at the candidate's choice.
5 Composition: To compose the final two bars of a simple four bar melody of which the
opening two bars are given. The m elody will be in the treble clef, in the key of C, G or
F and in 2/4 or 3/4 time.
6 Observation: To answer simple questions about a melody appropriate to the grade.
GRADE IV
1 Note and rest values semibreve to demisemiquaver including crotchet, quaver and
semiquaver triplets, and triplet note groups using rests.
2 Time signatures: All simple time signatures. Compound time signatures of 6/8, 9/8 and
12/8 and the grouping of notes and rests in all these times.
3 Stave: Notes beyond two ledger lines above and below treble and bass
staves.Transposing a melody up or down one octave between treble and bass staves.
4 Scales and Intervals: Scales, key signatures and tonic triads of major keys up to four
sharps and four flats and of minor keys up to two sharps and two flats with both the
harmonic and melodic form of minor scales and the relevant tonic solfa. Intervals
formed from the tonic of these major and harmonic minor scales.
5 Composition: To compose the final two bars of a four-bar melody of which the opening
two bars are given. The melody will be in the treble clef and in the major keys of C, G,
D, F or in the minor key of A and in
2/4, 3/4, or 4/4 time. Phrasing and a tempo mark should be added to the completed
melody.
6 Observation: To answer questions about a short musical extract appropriate to the
grade.
GRADE V
1 Note and rest values semibreve to demisemiquaver including irregular divisions ie
duplets, quintuplets and septuplets. Double dotted notes.
2 Time Signatures: All simple and compound times and the grouping of notes and rests
in these times.
3 Clefs: The addition of the Alto (C) clef.
Transcribing a melody written in treble or bass clef to the alto clef at the same pitch.
4 Keys: Scales and key signatures of major keys up to five sharps and flats and both forms
of minor scales up to four sharps and flats. The construction of the chromatic scale.
Enharmonic notes including double sharps and double flats. Technical names for the
notes of the diatonic scale.
Tonic triads of the above keys in root position, first inversion and second inversion.
5 Intervals and Transposition: Intervals not greater than an octave formed between any
two notes of the above major and minor scales to include augmented and diminished
intervals. Transposing a melody either up or down by any of the following intervals:
major second, major or minor third, perfect fourth or fifth. The melody will be in a major
key, using only treble or bass clef and will contain no chromatic notes.
6 Composition: To compose an answering four bars to a given four-bar melody in major
or minor keys up to two sharps and flats and in 2/4, 3/4, 4/4 or 6/8 time. Marks of tempo,
phrasing and expression to be added to the completed melody. W riting a rhythm to
words using 2/4, 3/4 and 4/4 times.
7 Instruments of the orchestra to include orchestral families, clefs used by individual
instruments and their basic method of tone production.
223
8 Observation: questions on a musical extract to test the general understanding and

application of points appropriate to the grade.
GRADE VI
1 Time Signatures: All simple and compound times and the irregular time signatures of
5/4, 5/8, 7/4, 7/8.
2 Clefs: The addition of the Tenor (C) clef.
Transposing a melody up or down one octave between any of the four clefs.
3 Keys: Scales, key signatures and tonic triads with their inversions of major keys up to
seven sharps and flats and both forms of minor keys up to five sharps and flats.
4 Intervals and Transposition: All intervals (not greater than an octave) and the inversion
of intervals.
Transposing a melody either up or down by any of the following intervals: Major
second, major or minor third, perfect fourth or fifth. The melody will be in a major or
minor key, using only treble or bass clef and will include some chromatic notes.
5 Triads and four part chords:
a) The construction of major, minor, diminished and augmented triads in root
position on any note.
b) The writing of the following triads in keys appropriate to the grade:
i tonic triads in root position, first inversion and second inversion
ii subdominant and dominant triads in root position only
c) Arranging the primary triads (tonic, subdominant and dominant) as four part
chords (root position) for SATB.
d) The writing in open score (using treble and bass clefs) of a passage for SATB
written in short score or vice versa.
e) The identification of the primary chords (root position) in an extract scored for
piano, voices or string quartet.
6 Composition: To compose a melody from a given opening to make a total of eight bars.
Marks of tempo, phrasing and expression to be added to the completed melody. W riting
a rhythm to words using 2/4, 3/4, 4/4 and 6/8 times.
7 Observation: General questions on a musical extract to include the identification of
ornaments.
8 History and instrumental knowledge:
A general knowledge of the Baroque period to include style, forms, main composers and
their standard works.
Terms indicating special effects on instruments and transposing instruments.
GRADE VII
1 Keys, intervals and transposition: Scales and key signatures of all keys major and minor.
All simple and compound intervals. Transposition of a melody by any interval in any
of the four clefs.
2 Melodic composition: Using a given opening to compose a twelve-bar melody which
should include a modulation to the dominant key or to the relative major or minor key.
Marks of tempo, phrasing and expression to be included or (at the candidate's choice)
the setting of words for solo voice.
3 Harmony: Using the following resources:-

Major keys C, G, D and F - chords I, ii, IV, V, vi
Minor keys A, E and D - chords i, iv, V, VI
224
in root position with unaccented passing and auxiliary notes.

a) To select suitable chords to harmonise cadential points in a given melody
(indicate by roman numerals) and also to write the appropriate root notes in the
bass.
b) To add inner parts in Perfect, Imperfect, Plagal and Interrupted cadences for
SATB in which the soprano and bass are given.
c) To write a melody above a given progression of chords. The bass line will be
complete and the opening of the melody given.
4 Harmonic Analysis: In a given extract for piano or voices in any major or minor key to
identify chords of the tonic, supertonic, subdominant, dominant and submediant, in
root position and first inversion. The cadential 6/4 on the dominant. The dominant
seventh chord in root position. Unaccented passing and auxiliary notes.
5 History and instrumental knowledge: A general knowledge of the classical period to
include style, forms, main composers and their standard works.
General questions on an orchestral extract to include abbreviated and foreign names of
instruments.
GRADE VIII
1 M elodic composition: Using a given opening to compose a sixteen-bar melody which
should include some modulation to any closely related key. Marks of tempo, phrasing
and expression to be included.
or (at the candidate's choice) the setting of words for solo voice.
2 Harmony: Using the following resources:
All major and minor chords in root position and first inversion. Diminished chords in
first inversion.
The use of the second inversion as cadential and passing decoration. Dominant seventh
chord in root position. Unaccented passing and auxiliary notes.
a) To indicate suitable chords to harmonise a folk song style melody (indicate by
roman numerals) and also to write the notes which will form the bass line.
b) To add inner parts in a passage for SATB in which the soprano and bass are
given and to show chord analysis.
c) To create a simple two part texture by completing the treble over a given bass.
3 Harmonic analysis: In a given extract for piano or voices to identify the above elements
and in addition to recognise basic modulation, dominant seventh chord in all positions
and the use of suspensions and accented passing notes.
4 History and instrumental knowledge: A general knowledge of the Romantic period to
include style, forms, main composers and their standard works. General instrumental
questions.
225
SENIOR CERTIFICATE
1 Harmony: Using resources as in Grade VIII (2) with the addition of harmonisation of the
melodic minor. Dominant seventh in all positions. Accented passing notes and
suspensions. Modulation to the dominant and relative of the tonic.
To indicate suitable chords to harmonise a folk song style melody
(indicate by roman numerals) and also to write the notes which will form
the bass line.
To add inner parts in a passage for SATB in which the soprano and bass
are given and to show chord analysis.
2 Harmonic analysis: In a given extract for piano or voices to identify the above elements
and in addition to recognise chromatic passing notes, appoggiaturas, supertonic
seventh, diminished seventh chords and modulations to related keys.
3 Counterpoint: The writing of simple two-part counterpoint by adding another melody
above or below a given melody.
4 History: A general knowledge of the Impressionist and Modern periods to include
style, forms, main composers and their standard works.
5 Musical perception: General questions on an orchestral extract to include rudiments,
ornaments, harmonic structure and instruments.
226
OBTAINING MUSIC
Most of the music set on the syllabus should be available easily from local music retailers, who
may also order in materials not in stock. In the event of difficulty obtaining items, Irish, UK
and international publishers are listed below. Educational Music Services is an Irish retailer
specialising in wind music. June Emerson offers a similar service in the UK. The Contemporary
Music Centre (Ireland) is an information agency for all matters related to contemporary Irish
composers, as well as supplying copies of pieces by these composers.
MUSIC RETAILERS – IRELAND
Educational Music Services 22 Mountjoy Square, Dublin 1 Tel: 01-8742310

Fax: 01-8725292 Email: emsltd@eircom.net Web: www.emsmusic.ie
M cCullough Pigott 11 South W illiam Street, Dublin 2 Tel: 01-6773138
Opus II 131 Oliver Plunkett Street, Cork, Tel: (021) 4279611; 5 St Augustine Street Galway,
Tel: (091) 500300; Email: sales@opus2.ie ; Web: www.opus2.ie
Ryan (Paul) M usic 4 Eustace Street, Temple Bar, Dublin 2 Tel: 01-6798571
Email: info@paulryanmusic.com Web: www.paulryanmusic.com
W altons 2-5 North Frederick Street, Dublin 1 69; Tel: 01-8747805 Fax: 01-8786065 South
Great Georges Street, Dublin Tel: 01-4750661 Web: www.waltons.ie
Email: info@waltonsmusic.ie
MUSIC PUBLISHERS, ASSOCIATIONS, LIBRARIES & AGENCIES
A & C Black see under Black (A & C)

ABRSM see under Associated Board
Accodale Musikverlag Web: www.accolade.de
Aebersold, Web: www.aebersold.com ; Publications available from Paul Ryan M usic (above)
Alfred Publishing Web: www.alfred.com ; available from Faber Music
Allegro M usic 43 The Hop Pocket Craft Centre, New House Farm, Bishops Frome,
W orcestershire, W R6 5BT, UK Tel: +44-1885-490375 Web: www.allegro.co.uk
Amadeus, Web: www.amadeus.ch ; see also Schott
Anglo Music available from de Haske
Associated Board 24 Portland Place, London WC1B 1LU, United Kingdom
Tel: +44-20-76365400 Fax: +44-20-74678833. Web: www.abrsm.org
Astute M usic Ltd PO Box 195, Sandbach, Cheshire, CW11 5AW, England.
Fax: +44-01270 750 113 . Web: www.astute-music.com
Banks M usic Publications The Granary, W altham Court, Hovingham, York YO62 4NN, UK
Tel: +44-1653-628545; Fax: +44-1653-627214; Web: www.banksmusicpublications.co.uk
Bärenreiter Ltd Burnt Mill, Elizabeth W ay, Harlow, Essex CM20 2HX UK
Tel: +44-1279-828930 Fax: +44-1279-828931 Web: www.baerenreiter.com
Belfast Public Library Royal Avenue, Belfast BT1 IEA, Northern Ireland,
Tel: +44-28-90243233; web: www.ni-libraries.net
Billaudot (Gérard) Web: www.billaudot.com/en
Black (A & C) 36 Soho Square, London, W 1D 3QY Tel: +44-20-77580200;
Web www.acblack.com
227
Publishers & Suppliers 2015-2018
Boosey and Hawkes, Aldwych House, 71-91 Aldwych, London W C2B 4HN, U K
Tel: +44-20-705472000 Fax: +44-20-70547290. Web: www.boosey.com
Breitkopf & Härtel web: www.breitkopf.com
Bosworth & Co Ltd available from Music Sales web: www.musicroom.com
Bourne Publishing web: www.bournemusic.com available from Schott
Brand (G M ) Publications available from Smith (R)
Brass W ind Publications 4 St Mary's Road, Manton, Oakham, Leicester LE15 8SU, England -
Tel: +44-1572 -737409 / 737210 Fax: +44-1572- 737409 Web: www.brasswindpublications.co.uk
Broadbent & Dunn 66 Nursery La, Dover CT16 3EX, United Kingdom. Tel: +44 1304 825604.
Web: www.broadbent-dunn.com
Buckley (John) Publications 4 Ayrefield Grove, Malahide Road, Dublin 13, Ireland
Email: jbuck@indigo.ie
Camden M usic, Web: www.camdenmusic.com; also available from Spartan Press;
Chester M usic available from Music Sales Web: www.musicroom.com
CMC - Contemporary M usic Centre 19 Fishamble Street, Dublin 8 Tel: 01-6731922
Fax: 01-6489100 Web: www.cmc.ie Email: info@cmc.ie
CMA Publications Web: www.cma-publications.co.uk
Combre Web: www.editions-combre.com . See also Lemoine
Comus Edition Leach Cottage, Heirs House Lane, Colne, Lancashire, BB8 9TA, UK
Web: www.comusedition.com
Con M oto Publications, 8 Milvil Court, Milvil Road, Gosport, PO13 9LY, Hamsphire, UK
Tel: +44-23-92550700
Cork City M usic Library, Grand Parade, Cork Tel: 021-4277110 Web: http://libcat.corkcity.ie
Cramer M usic 23 Garrick Street, London W C2E 9AX Tel:-+44-20-72401612;
Fax: +44-20-72402639
Davey M usic 53 Warwick Court, Beaconsfield, Bucks HP2P2 Tel: +44-1494-680680;
see also under Music Exchange
de Haske M usic Fleming Road, Earltrees, Corby, Northants NN17 2SN, UK
Tel: +44-1536-260981 Fax: +44-20-8401075 Web: www.dehaske.com
de Haske – Hal Leonard PO Box 70152, London, W C1A 9FU, Tel: +44-207 395 0382
Fax: +44-207 900 1812 Email sales@dehaske.co.uk
Darok Web: www.editiondarok.de. Available from Studio Music and Emerson
Dolce LPM, P.O. Box 97, Hebden Bridge, HX7 8UZ, England Tel: +44 -1422 847051
Fax: +44 -1422 847764. Web: www.dolce-edition.com
Dowani Web: www.dowani.com
Dublin City Libraries M usic Library, Central Library, ILAC Centre, Henry Street, Dublin 1
Tel: 01-8734333 Web catalogue: http://libcat.dublincity.ie
Durand available from de Haske; see also www.durand-salabert-eschig.com
Earlham Press available from de Haske
EM B – Editio M usica Budapest, available from Faber Music
Emerson (June) W ind W indmill Farm, High Street, Ampleforth, Yorkshire YO62 4HF, UK -
Tel+44-1439-788324 E-mail : sales@juneemerson.co.uk Web: www.juneemerson.co.uk
Enoch Web: www.editions-enoch.com
Eschig Eschig (Max) available from de Haske – Hal Leonard see also www.durand-salabert-
eschig.com
Faber M usic Ltd 3 Queen Square, London W C1N 3AU, UK Tel: +44-20-72787436
Fax: -171-2783817 Web: www.fabermusic.com
Fischer (Carl) available from Boosey and Hawkes
Fentone see under de Haske
Forsyth Brothers 126-128 Deansgate, Manchester MS 2GR, U K Tel: +44-161-8343281
228
Fax: +44-161-8340630. Web: www.forsyths.co.uk

Gehrmans M usikförlag www.gehrmans.se
Goodmusic, PO Box 100, Tewkesbury GL20 7YQ UK Tel: +44 1684 773883
Fax: +44 1684 773884
Web: www.goodmusicpublishing.co.uk
GSM D – Guildhall /Trinity Publications web: www.trinitycollege.co.uk/shop
Hansen available from Music Sales
Heugel available from Leduc
Henle (G.) Verlag available from Schott; also from Music Sales
Hofmeister, Büttnerstrasse 10, D-04103 Leipzig, Tel: +49-341-9600750
Email: info@hofmeistermusikverlag.com Web: www.friedrich-hofmeister.de
Hunt Edition available from Spartan Press
IMC – International M usic Company Web: www.internationalmusicco.com ; available from
Schott
Itchy Fingers Web: www.ithcyfingers.co.uk
Jobert available from Lemoine
King (Robert) Web: www.rkingmusic.com
Kirklees M usic Web: www.kirkleesmusic.co.uk
Leduc available from Music Sales; see also www.alphonseleduc.com
Lemoine (Henry) 27 bvd Beaumarchais, F-75004 Paris, France. Web: www.henry-lemoine.com
Lengnick 20 Fulham Broadway, London SW 6 1AH Tel: +44-20-78355380; Fax: 020-78355384;
M DS see under Schott/Universal
M ayhew (Kevin) Limited Buxhall, Stowmarket, Suffolk, IP14 3DJ, UK -Tel: +44-845-3881634;
Web: www.kevinmayhew.com
M aecenas M usic Ltd P.O. Box 629, Godstone, RH9 8WQ, UK Tel: +44-1342-893963
Fax: +44-1342-893977; Web: www.maecenasmusic.co.uk
M ercier Press Unit 3b, Oak House, Bessboro Road, Blackrock, Cork. Tel: 021-4614700;
Fax: 021-4614802; Web: www.mercierpress.ie
M oeck Verlag Postfach 3131 29231 Celle, Germany Tel: +49-5141-88530 Fax: +49-5141-88534.
Web: www.moeck.com
M ostyn M usic Web: www.mostynmusic.com
M usic Exchange Ltd Claverton Road, W ythenshawe, Manchester M23 9ZA, UK
Tel: +44-161-9461234 Fax: 061-9461195 Web: www.music-exchange.co.uk
M usic M inus One Web: http://musicminusone.com
M usic Publishers’ Association (UK) 6 th Floor, British Music House, 26 Berners Street,
London W 1T 3LR, UK Tel: +44-20-75800126; Web: www.mpaonline.org.uk
M usic Sales Ltd 14-15 Berners Street, London W1T 3LJ, UK Tel: +44-20-76127400
Web: www.musicroom.com
M usica Rara Web: www.musicarara.com
M us T 3 Quernmore Road, London, N4 4QT Email: info@music-trading.co.uk
Web: www.music-trading.co.uk
Novello & Co. Ltd available from Music Sales
OCMP – O’Carroll M usic Productions Web: www.ocmpireland.com
Oriel Library Cathy Gaskell, 32 The Burgage, Market Drayton, Shropshire TF9 1EG, UK
Orpheus M usic Editions web: www.orpheusmusic.com.au
OUP – Oxford University Press W alton Street, OXFORD OX2 6DP, UK Tel: +44-1865-556767
Web: www.oup.co.uk
OUP Archive Reprints see under Allegro Music
PEM – Pan Educational M usic available from Spartan Press
Paterson available from Music Sales
229
Peacock Press Scout Bottom Farm, Mytholmroyd, Hebden Bridge, W est Yorkshire HX7 5JS
United Kingdom Tel: +44-1422-882751. Web: www.recordermusicmail.co.uk;
Email: info@recordermail.co.uk
Peer-Southern Web: www.peermusic.com
Peters Edition Ltd 10-12 Baches Street, London N1 6DN , UK Tel: +44-20-75534009
Fax: +44-20-75534021 Web: www.edition-peters.com
Phoenix M usic Bryn Golau, Saron, Denbigh, North W ales LL16 4TH Tel: +44-1745-550317
Fax: +44-1745-550560 Web: www.phoenix-music.com
Phylloscopus Web: www.phylloscopus.co.uk
Pizka (Hans) D-85541, Kircheim, Germany Web: www.pizka.de
Pro M usica available from Schott
Provincetown Bookshop Editions available from Orpheus Music
PW M – Polskie W ydawnictwo M uzyczne web: www.pwm.com.pl; available from Schott
Reift (M arc) Editions Web: www.reift.ch
Ricordi (G) & Co available from Schott
Rosehill available from W inwood
Row-Loff Productions available Southern Percussion; Web: www.rowloff.com
Rubank available from Studio Music
Salabert available from de Haske; see also www.durand-salabert-eschig.com
Saxtet Publications 63 Witherford W ay, Selly Oak, Birmingham, B29 4AJ, United Kingdom.
Tel/Fax: +44- 121-4722122. Web: www.saxtetpublications.com
Schauer (Richard) available from Boosey & Hawkes
Schirmer available frrom Music Sales
Schott/Universal Edition 48 Gt Marlborough Street, London W 1V 2BN, UK
Tel: +44-20-74375203/1246 Fax: 0171-4376115 Web: www.schott-music.co.uk or
www.universaledition.com
Sikorski available from Boosey & Hawkes
Smith (R) 66-78 Denington Road, W ellingborough, Northants, NN8 2QH
Tel: +44-1933-445440; Fax: +44- 1933-44544. Web: www.rsmith.co.uk
Southern Percussion Elmwood, The Drive, Rayleigh, Essex, SS6 8XQ, United Kingdom
Tel: +44- 1702-522101 Fax: +44- 1702- 521031. Email: sales@southerpercussion.co.uk
Web: www.southernpercussion.co.uk
Spartan Press Strathmashie House, Laggan Bridge PH20 1BU, Scotland Tel: +44-1528-544770
Fax: +44-1528-544771 Web: www.spartanpress.co.uk
Stainer & Bell PO Box 110, Victoria House, 23 Gruneisen Road, London N3 1DZ, UK
Tel: +44-20-83433303 Fax: +44-20-83433024. Web: www.stainer.co.uk
Studio M usic Co PO Box 19292, London NW 10 9W P, England Tel: +44-20-88300110
Fax: +44-20-84516470 Web: www.studio-music.co.uk
Tenuto Publications web: www.tritone-tenuto.com
Trinity College London web: www.trinitycollege.co.uk/shop; also available from Faber Music
UE - Universal Edition available from Schott/Universal Web: www.universaledition.com
Useful M usic available from Spartan Press
W altons 2-5 North Frederick Street, Dublin 1 69; Tel: 01-8747805 Fax: 01-8786065 South
Great Georges Street, Dublin Tel: 01-4750661 Web: www.waltonsmusic.com
Email: info@waltonsmusic.ie
W arwick M usic 1 Broomfield Road, Coventry, CV5 6JW , England Tel: +44-8080-927942
Fax: +44-24-76712550. Web: www.warwickmusic.com
W einberger (Josef) 12-14 Mortimer street, London W 1T 3JJ, England. Tel: +44-20-75802827;
Fax: +44-20-74369616. Web: www.josef-weinberger.co.uk
230
W edderburn M usic PO Box 32, Greystones, Co. W icklow Tel: 01-2876370

Email: smburn@eircom.net
W iener Urtext available from Schott/Universal
W inwood M usic Unit 7 Fieldside Farm, Quainton, Bucks. HP22 4DQ, England Tel: +44-1296-
655777 Fax: +44-1296-655778. Web: www.winwoodmusic.com
W illson (Brian) Publishing 1710 Avenue H, Brooklyn NY 11230, United States Email:
brianwillson@optonline.net
W ise available from Music Sales
W right & Round Elmbridge Court, Cheltenham Rd E, Gloucester GL3 1JZ, United Kingdom
Tel: +44 1452 523438
XYZ Publications available from Spartan Press
Zimmermann M usikverlag Web: www.musikverlag-zimmermann.de/en/
STOCKISTS - LOCAL CENTRE MUSIC

Anthem M usic, 59 Main Street, Portlaoise, Co Laois Tel: 057-8662188
Book Haven Units 3/10, Block 4, Ashbourne Business Park, Ashbourne,
Co Meath Tel: 01-8352621
Bookworm, 5 Liberty Square, Thurles, Co Tipperary Tel: 0504-22257
Broderick’s M usic W arehouse, New Building Lane, Kilkenny, Co Kilkenny Tel: 056-7765401
The Book Centre, Main Street, Ballybofey, Co Donegal Tel: 074-9132384
John J Collins, Castle Street, Castlebar, Co Mayo Tel: 094-9028668
Denniston’s, Centenary Square, Longford Town, Co Longford Tel: 043-3346345
DK M usic, 16 St John Street, Kilkenny, Co Kilkenny Tel: 056-7774100
Educational Music Services Ltd, 22 Mountjoy Square East, Dublin 1 Tel: 01-8742310
Essaness, Kieran Street, Kilkenny Tel: 056-7765693
Everest M usic, Unit 2, Raven Hall, Dublin Road, Bray, Co W icklow Tel: 01-2861933
Henderson Pianos, 11 Bishop Street, The Diamond, Derry Tel: 048-71365791
It M usic, The Depot, Chapel Street, Kiltimagh, Co Mayo. Tel: 094-9374883
KNB M usic, Unit 1 & 2 Acol House, The Square, Maynooth, Co Kildare Tel: 01-6293320
M etro M usic, Unit 19 Rathfarnham Shopping Centre, D 16 Tel: 01-4931322
M instrel M usic, Peter Street, W exford Town, Co W exford Tel: 053-9144105
M onaghan M usic & Piano Centre, Tullaghan, Ballinode, Co Monaghan Tel: 047-89232
M usicman, 3 The Plaza, College Street, Cavan Town, Co Cavan Tel: 049-4332131
M cCullough Pigott, 11 South W illiam Street, Dublin 2 Tel: 01-6773138
Opus II, 131 Oliver Plunkett Street, Cork Tel: 021-4279611
Opus II, 4 High Street, Galway Tel: 091-500300
Opening M inds, Unit 2, Block 4, Ashbourne Business Park, Ashbourne, Co Meath Tel:
01-8353411
231
Polymath Books, 1-2 Courthouse Lane, Tralee, Co Kerry Tel: 066-7125035
P Powell & Sons, The Four Corners, W illiam Street, Galway Tel: 091-562295
Premier M usic Store, 58 O’Connell Street, Clonmel, Co Tipperary Tel: 052-6129811
Pro M usica, Jem Music House, 20 Oliver Plunkett Street, Cork Tel: 021-4271659
The Record Room, The Grosvenor House, Grattan Street, Sligo Town. Tel: 071-9143748
The Learning Lab@Ryans, 34 Oliver Plunkett Street, Mullingar, Co W estmeath
Tel: 044-9342497
D R Ryan, 20 Bank Place, Tipperary Town, Co Tipperary Tel: 062:51128
Soundfactory, Upper Irishtown, Athlone, Co Westmeath Tel: 090-6478983
Soundshop Ireland Ltd, Unit 11 East Coast Business Park, Matthews Lane, Drogheda,
Co Louth Tel: 041-9831078
Salmons Department Store, Main Street, Ballinasloe, Co Galway Tel: 090-9642120
Savins M usic Centre Limited, 111 O'Connell Street, Limerick Tel: 061-414095
Trax M usic Store Ltd, W hitemill Road, W exford, Co W exford Tel: 053-9146896
Tuam Bookshop & Office Supplies, Vicar Street, Tuam, Co Galway Tel: 093-28907
Variety Sounds, 7 College Street, Killarney, Co Kerry Tel: 064-6635755
W altons, 2-5 North Frederick Street, Dublin 1 Tel: 01-8747805
W altons, 69 South Great Georges Street, Dublin 2 Tel: 01-4750661
W ard’s M usic Shop, Castle Street, Donegal Town, Co Donegal Tel: 074-9721313
232
List of Compilers
Descant & Treble Recorder M s Aedín Halpin, member of W BP Faculty *

Recorder Chamber Music M s Hilda M ilner, member of WBP Faculty
Recorder Class Playing M s Hilda M ilner, member of WBP Faculty
Flute Prof W illiam Dowdall, Head of RIAM W BP Faculty
Oboe M r M atthew M anning, member of W BP Faculty
Clarinet M r John Finucane, member of W BP Faculty
Bassoon M r M ichael Jones, member of W BP Faculty
Saxophone M r Kevin Hanafin, member of W BP Faculty
French Horn M r Victor M alirsh, member of W BP Faculty
Trumpet Prof James Cavanagh, member of W BP Faculty
Cornet & Flugel Horn M r Colm Byrne, member of W BP Faculty
E Flat Tenor Horn M r Victor M alirsh, member of W BP Faculty
Trombone M r Seán Fleming, member of W BP Faculty
Baritone & Euphonium M r Francis M agee, member of W BP Faculty
Tuba M r Francis M agee, member of W BP Faculty
Percussion & Snare Drum M r Richard O’Donnell, member of W BP Faculty
Chamber Music M s Elizabeth Csibi, member of RIAM Strings Faculty
School Orchestra Prof James Cavanagh, member of W BP Faculty
Aural Requirements Prof Orla M cDonagh (Head of RIAM Musicianship)
M s Jean Archibald & M s Marie Moran (members of
Musicianship Faculty) and M rs Bernadette M armion
(composer)
Theory & Harmony Prof Orla M cDonagh (Head of RIAM Musicianship)
M s Jean Archibald & M s Marie Moran (members of
RIAM Musicianship Faculty) and M rs Bernadette
M armion (composer)
Music Examples M r Jonathan Nangle, member of Musicianship Faculty,
Prof W illiam Dowdall and Prof Réamonn Keary, Head
of RIAM Keyboard Faculty and M r Fergus O’Carroll,
member of W BP Faculty
Proof-reading M s Sarah Dowdall (Consultant) and M s Hilda M ilner
(member of WBP Faculty)
Publishers & Suppliers M r Philip Shields, Music Librarian RIAM
Project Coordinator M s Theresa Doyle, Local Centre Manager
Administration Local Centre Examinations’ Office
* RIAM Woodwind, Brass & Percussion Faculty

Royal Irish Academy of Music: Ceol-Acadamh Ríoga Na Héireann 36 Westland Row, Dublin 2

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ROYAL IRISH ACADEMY OF MUSIC

Ceol-Acadamh Ríoga na hÉireann

36 Westland Row, Dublin 2

Tel: 01-6325300 Fax: 01-6622798 Email: localcentre@riam.ie

Syllabus for Woodwind, Brass and

for Local Centres & Schools

REVISED FOUR-YEAR SYLLABUS

TEACHERS AND CANDIDATES ARE ADVISED TO CHECK

RIAM Local Centre Woodwind, Brass & Percussion Syllabus 2015-2018

User Guide for Local Centre Examinations

Useful tips to help prepare for your Examination

To be successful at sight-reading does not necessarily mean a note-perfect account of a piece –

RIAM Local Centre Woodwind, Brass & Percussion Syllabus 2015-2018

The day of the Examination

In the examination room...

Timing allocated for each grade

Elementary, Preliminary, Primary and Grade I 10 minutes

RIAM Local Centre Woodwind, Brass & Percussion Syllabus 2015-2018

Candidates with Special Needs

• extra time allocation for the examination

Very best wishes

RIAM Local Centre Woodwind, Brass & Percussion Syllabus 2015-2018

AURAL REQUIREMENTS AND THEORETICAL

REVISED FOR ALL PRACTICAL SUBJECTS

From Elementary to Grade V this area is worth a maximum of 10 marks.

Candidates will be asked to perform the following tests:

Aural Requirements & Theoretical Questions 2015-2018

RIAM Local Centre Woodwind, Brass & Percussion Syllabus 2015-2018

Aural Requirements & Theoretical Questions 2015-2018

RIAM Local Centre Woodwind, Brass & Percussion Syllabus 2015-2018

This area is worth a maximum of 5 marks.

Aural Requirements & Theoretical Questions 2015-2018

COMBINED AURAL/THEORETICAL TESTS

(a) (after first playing)

RIAM Local Centre Woodwind, Brass & Percussion Syllabus 2015-2018

Keys: Major keys up to two sharps and two flats

Aural Requirements & Theoretical Questions 2015-2018

RIAM Local Centre Woodwind, Brass & Percussion Syllabus 2015-2018

Intervals and Triads:

This area is worth a maximum of ten marks.

(b) After a second playing

Aural Requirements & Theoretical Questions 2015-2018

This area is worth a maximum of five marks.

Candidates will be also be expected to demonstrate an understanding of the style of the

RIAM Local Centre Woodwind, Brass & Percussion Syllabus 2015-2018

RECITAL CERTIFICATE PROGRAMME

Aim of the Recital Certificate

The aim is to encourage candidates to understand the importance of:

Junior Recital Certificate

Intermediate Recital Certificate

Advanced Recital Certificate

Recital Certificate Programme 2015-2018

On the Day of the Exam

Marking of Recital Certificate Programmes

RIAM Local Centre Woodwind, Brass & Percussion Syllabus 2015-2018

Technical Ability (30%)

Overall Impression & Choice of Programme (40%)

The Recital Programme will be marked as follows: