Gatsbyreadingschedule
Gatsbyreadingschedule
Gatsbyreadingschedule
Reading*
3/29
3/31
3/30
4/1
4/4
4/6
4/5
4/7
4/8
4/12
4/11
4/13
4/14
4/15
4/18
4/20
4/19
4/21
4/22
4/25
4/28
4/29
5/2
5/3
5/4-5/9
5/11-5/26
By 5/26
Debrief Paper 2
Gatsby Intro/Ch 1
in class
MOCK PAPER 1
Ch. 1-3 discussion in
class
Ch. 4-5 (Journal)
Debrief Paper 1
Ch. 6-7 (Journal)
Ch. 8-9 (Journal)
Discuss final
project
Lit Crits (HW from
4/12 & 4/13)
Novel Synthesis
(Paper 2) Group
Presentation Work
Day
Novel Synthesis Paper
2 Presentations &
Discussions
Remaining
Presentations
Review Day 1
Senior Survey
Review Games
Paper 1!
Paper 2!
Text to Film Analysis:
TGG
Project-Based
Assessment
College Prep Seminars
End-of-Course Eval.
REQUIRED! MAJOR
GRADE!
F. Scott Fitzgerald
F. Scott Fitzgerald's life is a tragic example of both sides of the American Dream - the joys
of young love, wealth and success, and the tragedies associated with excess and failure.
Named for another famous American, a distant cousin who authored the Star Spangled
Banner, Fitzgerald was born in St. Paul Minnesota on September 24, 1896. The son of a
failed wicker furniture salesman (Edward Fitzgerald) and an Irish immigrant with a large
inheritance (Mary "Mollie" McQuillan), Fitzgerald grew up in a solidly Catholic and upper
middle class environment.
Fitzgerald started writing at an early age. His high school newspaper published his detective
stories, encouraging him to pursue writing more enthusiastically than academics. He
dropped out of Princeton University to join the army and continued to pursue his obsession,
writing magazine articles and even musical lyrics.
At 21 years of age, he submitted his first novel for publication and Charles Scribner's Sons
rejected it, but with words of encouragement. Beginning a pattern of constant revising that
would characterize his writing style for the rest of his career, Fitzgerald decided to rewrite
"The Romantic Egoist" and resubmit it for publication. Meanwhile, fate, in the form of the
U.S. army, stationed him near Montgomery, Alabama in 1918, where he met and fell in
love with an 18-year-old Southern belle - Zelda Sayre. Scribners rejected his novel for a
second time, and so Fitzgerald turned to advertising as a steady source of income.
Unfortunately, his paltry salary was not enough to convince Zelda to marry him, and tired
of waiting for him to make his fortune, she broke their engagement in 1919. Happily,
Scribners finally accepted the novel after Fitzgerald rewrote it for the third time as "This
Side of Paradise", and published it a year later. Fitzgerald, suddenly a rich and famous
author, married Zelda a week after its publication.
In between writing novels, Fitzgerald was quite prolific as a magazine story writer. The
Saturday Evening Post in particular served as a showcase for his short works of fiction,
most of which revolved around a new breed of American woman - the young, free-thinking,
independent "flapper" of the Roaring Twenties.
The Fitzgeralds enjoyed fame and fortune, and his novels reflected their lifestyle, describing
in semi-autobiographical fiction the privileged lives of wealthy, aspiring socialites.
Fitzgerald wrote his second novel - "The Beautiful and the Damned" a year after they were
married. Three years later, after the birth of their first and only child, Scottie, Fitzgerald
completed his best-known work: "The Great Gatsby."
The extravagant living made possible by such success, however, took its toll. Constantly
globe-trotting (living at various times in several different cities in Italy, France,
Switzerland, and eight of the United States), the Fitzgeralds tried in vain to escape or at
least seek respite from Scott's alcoholism and Zelda's mental illness.
Zelda suffered several breakdowns in both her physical and mental health, and sought
treatment in and out of clinics from 1930 until her death (due to a fire at Highland Hospital
in North Carolina in 1948). Zelda's mental illness, the subject of Fitzgerald's fourth novel,
"Tender is the Night," had a debilitating effect on Scott's writing. He described his own
"crack-up" in an essay that he wrote in 1936, hopelessly in debt, unable to write, nearly
estranged from his wife and daughter, and incapacitated by excessive drinking and poor
physical health.
Things were looking up for Fitzgerald near the end of his life - he won a contract in 1937 to
write for Metro-Goldwyn-Mayer in Hollywood and fell in love with Sheilah Graham, a
movie columnist. He had started writing again - scripts, short-stories, and the first draft of a
new novel about Hollywood - when he suffered a heart attack and died in 1940 at the age of
44, a failure in his own mind. Most commonly recognized only as an extravagant drunk,
who epitomized the excesses of the Jazz Age, Fitzgerald's work did not earn the credibility
and recognition it holds today until years after his death.
Biography from PBS
Essential Questions
To what extent does Gatsbys wealth, and all the luxuries that it provides, affect
his ability to achieve what he desires? How do other characters attitudes toward
wealth affect what happens throughout the narrative? Can class status be
changed?
How does the historical context of when a text was written, or the historical
setting of the narrative, affect current readers interpretations? To what extent is
Fitzgeralds message sustained or lost to present-day audiences?
To what extent are characters disillusioned, or unsatisfied with their lives (e.g.,
their relationships, employment, social status, wealth, families, personal
histories, etc.)?
How is The Great Gatsby a commentary on the decay of social and moral values
that came about in the 1920's?
How does Fitzgerald use symbolism to communicate the novel's major themes?
How does irony in The Great Gatsby serve to critique the American dream?
What do the two worlds, the Midwest and the East, represent for Nick and for
Gatsby?
How does Great Gatsby represent the feeling of the American Dream decaying
during the 1920's?
Despite saying Gatsby is a corrupt person, why does Nick hold on to the notion
that Gatsby is a beautiful person?
How does the structure affect the novel (linear, circular, flashbacks, etc.)?
How does the novel both capture the essence of an era, yet remain timeless?