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Medusa

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MEDUSA

The word ‘Medusa‛ means ‘sovereign female


wisdom‛. The most popular legend about
Medusa is that she was once a young and
beautiful woman, but that she was seduced by
the sea-god Poseidon in Athena‛s temple.
Athena was furious and turned her into a
monster with snakes for hair and the power to
turn everything she looked at to stone. The
Greek hero, Perseus, was given the task of
killing the Gorgon, Medusa and was helped by
Hermes, who gave him a pair of winged sandals,
and by Athena who guided him to the right
place and held up a polished shield so that he
could cut off Medusa‛s head without being
turned to stone by her gaze. On the way home
from his successful quest, he used the Gorgon‛s
head to rescue Andromache, a beautiful maiden,
from a sea monster.

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MEDUSA

A feminist reading of the mythology sees 
this myth as symbolising the suppression 
of the divine feminine by the rising 
patriarchal society of Classical Greece.  
Snakes have always played a dual role, 
both as representatives of evil and of 
healing.  Freud saw the myth as 
symbolising a fear of castration in the 
male, where snakes have a phallic 
image, and the innate fear of female 
sexuality finds expression in Perseus’ 
slaying of Medusa.

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MEDUSA
Language patterns in the poem

• word choices
• rhymes
• repetition

These all contribute to meaning in the poem

Focus on the following:


• violent/destructive words
• words to do with looking
• words to do with stone
• the use of the words 'I' and 'me'.

Look for repetition of these words and the WAYS


they are used throughout the poem

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MEDUSA
METAPHORS

One of the ways Duffy uses the story of


Medusa is to transform the Greek myth into
metaphor, describing the way in which the
"snakes" of jealousy destroy the 20th Century
Medusa's relationship with her "perfect
man".

Look at the example demonstrating this


technique.
Now fill in the sheet showing how Myth is
transformed into metaphor.

Compare your findings with a partner. Can


you find any alternative interpretations?

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MEDUSA
Greek Myth Quotation 20th Century 
Metaphor
The gods punished the  A suspicion, a doubt, a  In Duffy's poem, the 
mythological Medusa for her  jealousy grew in my  snakes are the jealous 
beauty/sexuality by turning  mind,which turned the hairs  thoughts poisoning the 
her hair into snakes. on my        head to filthy 
woman's mind. Not only 
snakes,as though my 
thoughts hissed and spat on 
do the snakes of jealousy 
my scalp. transform the way the 
woman sees the world, 
they also transform her 
relationship with the world  
in much the same way that 
the snakes change 
Medusa from a beautiful 
woman into one who is 
dangerous. So powerful 
are the suspicions that 
Duffy's Medusa is also 
changed physically.

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MEDUSA
INTERPRETING THE MYTH AND THE METAPHOR

Which of these interpretations do you agree with and


why? Find a quotation which supports your argument.

1. This is a poem about the destructive power of


jealousy.

2. This poem is about loss.

3. Through metaphor this poem explore the physical


effects of emotional distress.

4. This poem is about male and female attitudes


towards relationships.

5. This poem is about transformations.

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MEDUSA
The Medusa is another female figure whose power and tragedy are inextricably 
bound together. In Duffy's account her petrifying visage emerges from within a 
beautiful creature, a psychological distortion made manifest as a result of brooding 
upon 'A suspicion, a doubt, a jealousy', about masculine betrayal. Hence her 
inventing herself into not only the antithesis of beauty but the power that can turn 
everything she looks upon, even a buzzing bee, to stone. Characteristically, the 
"perfect man" comes "with a shield for a heart/ and a sword for a tongue" but as she 
draws him towards her there is an ironic ambiguity in her seduction: "Wasn't I 
beautiful?/Wasn't I fragrant and young?/ Look at me now." Look at me now and 
you too will be turned to stone, except that we readers know the end of the story 
and the stratagem of the shield as a mirror which will enable Perseus to avert her 
gaze and decapitate her. But "look at me now" is a sorrowing cliche of the once 
beautiful wound.

Jeffrey Wainwright: "Female Metamorphosis" in Strong Words

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