Medusa
Medusa
Medusa
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A feminist reading of the mythology sees
this myth as symbolising the suppression
of the divine feminine by the rising
patriarchal society of Classical Greece.
Snakes have always played a dual role,
both as representatives of evil and of
healing. Freud saw the myth as
symbolising a fear of castration in the
male, where snakes have a phallic
image, and the innate fear of female
sexuality finds expression in Perseus’
slaying of Medusa.
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Language patterns in the poem
• word choices
• rhymes
• repetition
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METAPHORS
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Greek Myth Quotation 20th Century
Metaphor
The gods punished the A suspicion, a doubt, a In Duffy's poem, the
mythological Medusa for her jealousy grew in my snakes are the jealous
beauty/sexuality by turning mind,which turned the hairs thoughts poisoning the
her hair into snakes. on my head to filthy
woman's mind. Not only
snakes,as though my
thoughts hissed and spat on
do the snakes of jealousy
my scalp. transform the way the
woman sees the world,
they also transform her
relationship with the world
in much the same way that
the snakes change
Medusa from a beautiful
woman into one who is
dangerous. So powerful
are the suspicions that
Duffy's Medusa is also
changed physically.
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INTERPRETING THE MYTH AND THE METAPHOR
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The Medusa is another female figure whose power and tragedy are inextricably
bound together. In Duffy's account her petrifying visage emerges from within a
beautiful creature, a psychological distortion made manifest as a result of brooding
upon 'A suspicion, a doubt, a jealousy', about masculine betrayal. Hence her
inventing herself into not only the antithesis of beauty but the power that can turn
everything she looks upon, even a buzzing bee, to stone. Characteristically, the
"perfect man" comes "with a shield for a heart/ and a sword for a tongue" but as she
draws him towards her there is an ironic ambiguity in her seduction: "Wasn't I
beautiful?/Wasn't I fragrant and young?/ Look at me now." Look at me now and
you too will be turned to stone, except that we readers know the end of the story
and the stratagem of the shield as a mirror which will enable Perseus to avert her
gaze and decapitate her. But "look at me now" is a sorrowing cliche of the once
beautiful wound.
Jeffrey Wainwright: "Female Metamorphosis" in Strong Words
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