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    The Crossing - C - Bob Berg - in The Shadows

    Uploaded by

    Ann Christin Næss
    This document contains musical notation for "The Crossing" performed by Bob Berg on tenor saxophone. It is transcribed using symbols representing notes, rhythms, dynamics, and other musical elements. The piece consists of multiple sections that transition between melodic themes played by the saxophone soloist. It builds in intensity through exchanges between the saxophone and other instruments before resolving at the end.

    Copyright:

    Attribution Non-Commercial (BY-NC)
    Download as PDF, TXT or read online from Scribd

    The Crossing - C - Bob Berg - in The Shadows

    Uploaded by

    Ann Christin Næss
    476 views5 pages
    This document contains musical notation for "The Crossing" performed by Bob Berg on tenor saxophone. It is transcribed using symbols representing notes, rhythms, dynamics, and other musical elements. The piece consists of multiple sections that transition between melodic themes played by the saxophone soloist. It builds in intensity through exchanges between the saxophone and other instruments before resolving at the end.

    Original Title

    The Crossing_C_Bob Berg_In the Shadows

    Copyright

    © Attribution Non-Commercial (BY-NC)

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    PDF, TXT or read online from Scribd

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    This document contains musical notation for "The Crossing" performed by Bob Berg on tenor saxophone. It is transcribed using symbols representing notes, rhythms, dynamics, and other musical elements. The piece consists of multiple sections that transition between melodic themes played by the saxophone soloist. It builds in intensity through exchanges between the saxophone and other instruments before resolving at the end.

    Copyright:

    Attribution Non-Commercial (BY-NC)
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    476 views5 pages

    The Crossing - C - Bob Berg - in The Shadows

    Uploaded by

    Ann Christin Næss
    This document contains musical notation for "The Crossing" performed by Bob Berg on tenor saxophone. It is transcribed using symbols representing notes, rhythms, dynamics, and other musical elements. The piece consists of multiple sections that transition between melodic themes played by the saxophone soloist. It builds in intensity through exchanges between the saxophone and other instruments before resolving at the end.

    Copyright:

    Attribution Non-Commercial (BY-NC)
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 5
    At a glance
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    The document is a musical transcription that details the saxophone and guitar parts of the song 'The Crossing' by Bob Berg. It provides information on the timing and notes played for each instrument.

    The transcription is for the song 'The Crossing' by Bob Berg from the album 'In The Shadows'.

    The transcription notes the saxophone and guitar parts.

    CD: In The Shadows, 1990 The Crossing Bob Berg Tenor Saxophone

    C Voice

                 
     
       

     
    Intro 8
      

     

              

      
              
    6
      
         

       
      
          
      
     
    10
                
     
    3

                          
        

    14
        

     

    3 3


                    
    18
         

      

    22                    
        

                                    
    26
      
           

     
                                          
       
    29
          

      
          
        
    32 Guitar Solo
     
            

    Transcribed by Ann Christin Næss


           
          
    2
      
    Saxophone
    35
       
          

          
                        
    39    
     
    3 3 3

                                  
    3
    43
       
         
    3 3 3 3 3

                       
       
    
    47

          
    3 3 3 3 3 3

                  
                         
    50
    
     

           
    53
                
               

             
    55
                  

           
         
       
    57

                   


    Play .... ..... ....            
       
    60

        
    3 3

                   
    63
          
                
      
       

          
             
    65
       
           
    3 3
    3

      
    69

                            
           
        
       

    72
            
          
     3 3

          

      
    76


             
        
     
    3

    
    79

              
     

                         
       
    82
                    
              

           
           
    85
                 

                          
               
    88
    
      

     
                      
    90

    3

      
            
    94
            

     
                     
     
            
    98

          

        
      
                     
    102
          
      
    3 3
                   
    4
          
          
    106
       
      

    3

                     
           

    110



         

     
     
                 
    114

     
    3

                           
    117
           

                      
    120
                 
       

    122                   
            
             

     

                     
     
         
    124
      
           

     

                  
     
    126

            

                                 
    128

    130
               
      
                     
    
            
                  
    132

           
                                     
    5

      
     
    134
      

        

     
                      
    137
           
           

       
     
          
       
    139    
             

    141         
                
          

    143        play .... ...... ...... ....


       
    3

    145
                                 
         

         
                
    147
    
             

      
      
    3   
    149
              
        
    3 3 3
            
           
     
    152

           
    154
                        

       
         
                   
    3 Etc. fade out
    156

       

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