Figured Bass
Figured Bass
Figured Bass
Most Baroque music uses partially gured basses, where other gures are omitted as well. In such cases, a performer must refer to the other instrumental parts to determine the gure.
Table 1: Figured-Bass Symbols and Their Typical Realizations Figures No gures Tasto Solo 2 2 2 2 2 2+ 2 3 3 4 4 3
4 2
+ 4 2
Realization
8 5 3
Figures 5 / 5
5 3 5 4
+
Realization
8 1 5 Raise 5 2 -step 3 6 5 indicates dim. 5th 3 8 5 3 8 5 (Usu. 4 3) 4 (8) 6 3 (8) 1 6 (Raise 6 2 -step) 3 (8) 6 3 8 6 4 6 4 2 6 4 3 6 3 5 6 5 3 6 3 (parallel 3rds and 7 3 5 (8) (8) 7 6 (no 5) 3 3 7 8 4 3 2 (1) 9 5 3 9 5 3
0 (bass alone, upper voices silent) Upper voices stay stationary as bass moves
8 1 5 Raise 3 by a 2 -step (not necessarily a sharp) 3 8 1 5 Lower 3 by a 2 -step (not necessarily a at) 3 8 5 Make 3 natural regardless of key signature 3 6 4 2 6 1 4 Raise 2 by a 2 -step (not necessarily a sharp) 2 6 1 4 Lower 2 by a 2 -step (not necessarily a at) 2 6 4 Make 2 natural regardless of key signature 2 6 1 4 (Usu. dim. 7th chord) Raise 2 by 2 -step 2 7 8 4 5 (bass moves, upper voices hold) 2 3 8 5 3 8 5 (Usu. 4 3) 4 8 8 5 5 4 3 6 4 2 6 1 4 Raise 4 2 -step 2 6 4 3 8 5 3
6 \ or ` 6 6
6 3 6 4 6 4 2 6 4 3 6 5 6 5 3
6 6 6 7 7 6
7 4 2
6ths)
8 8 8 9 9 8 10 10 10
4 3
parallel 10ths
Figure 1: Joseph Joachim Quantz, Aettuoso di molto from Versuch einer Anweisung die Flte traversiere o zu spielen.