Aikido Study Guide

SHINJINKAI
The Japanese Martial Arts Society
Aikido Student Study Guide
(C) Copyright 2006 Shinjinkai, The Japanese Martial Arts Society. All rights reserved.
A: Taijutsu (Body Art) Fundamentals

1. Kamae (stances)
Shizentai - natural stance, standing naturally with feet shoulder width Hanmi no kamae - half-body stance Migi hanmi - right hanmi stance Hidari hanmi - left hanmi stance Ai hanmi - both persons assume an identical stance (i.e. both lead with the same foot) Gyaku hanmi - both persons assume differing stances Seiza - seated position, kneeling Agura no shisei - seated position, legs crossed
II. Ukemi (techniques of receiving and falling safely)

Mae ukemi - falling forward to slap Ushiro ukemi - falling backwards to slap Zenpo kaiten ukemi - forward rolling Ushiro kaiten ukemi - backward rolling Yoko ukemi - falling onto ones side, either directly or after turning over in the air
III. The Eight Tai Sabaki Ho (body movement exercises)

Irimi - entering 1. Omote- front 2. Ura - rear Tenkan - turning 3. Tai no henko - body turning 4. Ushiro tenkan - rearward turning Kaiten - rotary movements 5. Uchi - inside 6. Soto - outside Irimi Tenkan - entering and turning 7. Omote - front 8. Ura - rear
IV. Kogeki (attacks) commonly encountered in Aikido training

Note that these may be done in combination, giving rise to such names as katadori ganmentsuki: grasping a shoulder and thrust 1 ing to the face.
Grasping Attacks Eridori - grasping the collar Hijitori - grasping the elbow Kamidori - grasping the hair Katatedori - grasping a wrist or hand Katadori - grasping a shoulder Kubishime - chocking the neck Maetori - front tackle or bearhug Morotedori - grasping a forearm with two hands Munadori - grasping the chest (note: katadori and munadori are often used interchangeably) Ryohijitori - grasping both elbows Ryokatadori - grasping both shoulders (or lapels) Ryotedori - grasping both wrists or hands Sodedori - grasping a sleeve Grasping Attacks (rear) By adding the word Ushiro, rear, to any of the above, an attack from behind is denoted. For example, ushiro kubishime: choke from the rear; or ushiro katatedori kubishime, a combined grasp of one wrist and choke from the rear. Striking Ate - to hit or strike (general term) Atemi - to hit or strike the body (general term) Ganmentsuki - thrust or jab to the face Hiji-ate - elbow strike Hiza-ate - knee strike Keri - kick (general term) Maegeri - front kick Mawashigeri - roundhouse kick Munetsuki - thrust to the chest or torso Nukite - spear-hand thrust Shomenuchi - downward strike to the head Tai-atari - to strike with ones body Tegatana - hand-sword (general term for open hand chopping strikes) Tsuki - thrust (general term) Uchi - strike (general term) Ura-ken - striking with the back of the fist Ushirogeri - back kick
Yokogeri - side kick Yokomenuchi - strike to the side of the head or face Multiple Attackers Futaridori - two attackers Sannindori - three attackers Taningeiko - another word specifying multiple attackers Randori - Freestyle training against multiple attackers
V. Regarding Kata and Waza

Kata refers to forms handed down which impart certain principles of body/mind usage, as well as specific martial techniques. These techniques themselvees are called waza. Much of Aikido practice consists of kata practice, generally involving two persons, one of whom applies the technqiues (the tori or nage), and one who receives the techniques (the uke). Kata names are generally arrived at by specifying an attack, and the waza applied in response to that attack, for example Yokomenuchi Kotegaeshi: strike to the side of the head, wrist-turning. Additional words may be used to further specify ta katas form, for example omote (front version), ura (rear version), or the katas situation, for example suwari-waza (seated technique). Please be careful not to confuse kata and waza. Kata are pre-set, and very exacting. Kata practice requires cooperation and mutual communication to be successful. It leads ultimately to spontaneously applied free technique (jiyu-waza), which is less formalized and restricted, and to randori (literally, seizing chaos), in which attacker(s) and defender are completely free to apply any attack or technique they wish. The method of traditional Japanese martial art training is to reprogram and perfect ones body and mind through immersion in the kata, deeply grasping the principles and techniques which the kata transmit, and thus ultimately becoming free and unbound by any form. To attempt to perfect only specific techniques pulled from the kate, using gross phsyical power and speed, is a misunderstand ing: this will result ultimately in the complete loss of all martial skill once power and speed decrease with age. Categories of Aikido Waza Aikido techniques (waza), the actual techniques contained within the kata, may at times be categorized using the following terms: Atemi-Waza - striking techniques Hanmi-Handachi Waza - seated techniques, attacker is standing Henka-Waza - changing freely from one technique to another Jiyu-Waza - freestyle techniques Kaeshi-Waza - counter techniques
Kansetsu-Waza - joint locking techniques Katame-Waza - general grappling/Immobilization technique (includes kansetsu-waza, shime-waza and osae-waza) Kihon-Waza - basic or fundamental technique Nage-Waza - throwing techniques Osae-Waza - pinning techniques Oyo-Waza - advanced technique Renzoku-Waza - continuous techniques Shime-Waza - choking techniques Suwari-Waza - seated techniques Terms Used When Weapons Are Involved Buki-Waza - general term for weapons technique Jo-dori - seizing away the staff Kumijo - crossing staves Kumitachi - crossing swords Tachi-Waza - standing techniques Tanto-dori - seizing away the knife Ushiro-Waza - rear techniques Names of Some Specific Aikido Waza While this list is by no means comprehensive, it represents the fundamental waza most commonly practiced at Shinjinkai. Aikiotoshi - Harmonized-energy drop Ganseki Otoshi - Boulder drop Gokyo - fifth teaching Hijijime - elbow lock, may also be called rokkyo, or sixth teaching Hiza Osae - Pinning the knee Ikkyo - first teaching Iriminage- entering throw Jujinage - character ten throw Kabutogaeshi - Helmet-turning Kabuto Otoshi - Helmet-dropping Kaiten Nage - rotary or wheel throw Katagatame - shoulder immobilizing Kokyunage - timing throw (literally, breath throw) Koshinage - throwing uke over the koshi: lower back and hip Kotegaeshi - wrist-turning
Mae Otoshi - Forward drop Nikkyo - second teaching Sankyo - third teaching Shihonage - four-directions throw Shomenate - strike to the front of the head or face Sokumen Iriminage - side of the head-entering throw Sudori- Disappearing Sumiotoshi - Corner drop Tenchinage - Heaven-earth throw Udegaeshi - Arm turning Udegarami - arm-entangling Ushiro Otoshi - Rearward drop Yonkyo - fourth teaching Yubijime - finger lock
VI. Miscellaneous Training Glossary

The following are other Japanese terms that all Shinjinkai Aikido students should know: Dojo Fundamentals Budo/Bujutsu/Bugei - Martial way, martial technique or method, martial art Dojo - training hall; origin is from the Sanskrit bodhimandala: circle/place of enlightenment Joseki - upper seat: facing the shomen, this is the right side of the dojo Kamiza - literally, god-seat. Another name for the front of the dojo, where a shrine may be placed Shomen - front of the dojo Shimoseki - lower seat: facing the shomen, this is the left side of the dojo Shimoza - rear wall of the dojo Shugyo - denotes very deep physical and spiritual training, beyond the study of technique alone General Terms and Things Bokken - wooden sword (also, bokuto) Buki - general term for weapons Chudan - middle Dogi - (commonly, gi): training uniform Gedan - lower Hakama - baggy trousers, a traditional Japanese garment Hanmi no Kamae - half-body stance Happo/Hasso - eight directions
Hidari - left Irimi - to enter Jo - approx. four foot staff Jodan - upper Kamae - stance Kata - a training form designed to impart specific techniques and principles Keiko - general word for practice, implies grasping the essence of old things or situations Ken - sword Kogeki - attack training Mae - forward Migi - right Nage - to throw (also, another name for tori) Obi - belt Omote - front Seigan - a stance in which the point of ones sword is extended toward the opponents eyes Shiho - four directions Shizentai - natural stance Soto - outside Suburi - practice of individual strikes with a weapon Tai no henko - body turning exercise Taisabaki - body movement Taiso - warmup and conditioning exercises Tanto - knife Tenkan - to turn or spin Tori - person performing the waza within a kata Uchi - inside Uchi - to strike or hit Uke - to receive, the person receiving a waza Uke - to receive, a block (as of a strike) Ukemi - techniques of receiving waza, falling, rolling, etc. Ura - back, rear Ushiro - to the rear Waza - a specific technique Yoko - side Zengo - two directions Zenpo - to the front, forward Zori - sandals
Common Japanese Phrases Heard in the Dojo Shomen ni Rei - bow to the front Sensei (or sempai) ni Rei - bow to the teacher (or senior) Onegaishimasu - If you would be so kind Arigato Gozaimashita - Thank you very much Titles of People Kaiso - Founder: in Aikido, generally refers to Morihei Ueshiba Sensei Kaicho/Kancho - head of an organization (kai) or hall/house (kan) Dojo-cho - overall head of a dojo (often, but not always, the chief instructor) Sensei - teacher (chief instructor of a dojo, or persons designated by him/her as instructors) Sempai - someone senior to you in terms of date of entry into the dojo (not judged by rank) Shihan - model teacher, an honorary title Kohai - someone junior to you in terms of date of entry into the dojo (not judged by rank) Aikidoka - person who practices Aikido Shugyosho - someone undertaking shugyo Budoka, Bujutsuka - someone training in martial disciplines
Additional Terms/Notes:
B: Ken (Sword) Fundamentals

The Five Basic Kamae (stances)
Jodan no kamae - upper stance Chudan no Kamae - middle stance Gedan no kamae - lower stance Waki gamae - side stance, in which the length of ones sword is hidden Hasso no kamae - stance in which the sword is held to the side of ones head
Basic Suburi (solo cutting exercises)

Kiriotoshi - straight dropping cut, from head to hips Kesagiri - diagonal cut from shoulder to hip Kiriage - rising cut from hip to shoulder, or upwards to wrists/face Yokogiri - side/horizontal cut Tsuki - thrust, generally to solar plexus, neck or face Shomenuchi - downward cut to forehead Yokomenuchi - diagonal cut to temple
The Three Eights:

Eight Attacks Exercise Performing the following cuts in succession, for a total of eight attacks: Kesagiri, Kiriage and Yokogeri both right and left, Kirotoshi, and Tsuki. The order of the attacks may be varied. Happogiri (Eight Directions Cutting) A practice form in which Kiriotoshi and Tsuki are performed in the four cardinal directions, followed by the four ordinals (diagonals). Done two ways, using either a stepping motion or a sliding motion for each tsuki. Eight Count Suburi A longer practice form utlizing various cuts, which employs all the basic Aikido body movements
The Four Kirikaeshi (Cut Returning) Exercises:

Nagashi Uchi Suriotoshi Makiuchi Otoshi Suriage
The Three Kirotoshi (Dropping Cut) Exercises:

Jodan, Chudan, Gedan
C: Jo (short staff) Fundamentals

Basic Suburi (solo striking exercises)
Tsuki - thrust to solar plexus or neck Shomenuchi - downward strike to forehead Kesauchi or Yokomenuchi - diagonal strike to base of neck/shoulder, or to the temple
The 36 Jo Basics Kesa 1. Kesauchi 1 2. Kesauchi 2 3. Makiotoshi 1 & 2 4. Kaete Uchiotoshi 5. Junte uchiotoshi 6. Kaeshi uchiotoshi 1 & 2 7. Kaiten uchiotoshi 1 8. Kaiten uchiotoshi 2 9. Otoshizuki 1 10. Otoshizuki 2 11. Otoshizuki 3 12. Otoshizuki 4
Tsuki 1. Chokuzuki 2. Kaeshizuki 3. Haraizuki 4. Makiotoshi 5. Kaeshi uchiotoshi 1 6. Kaeshi uchiotoshi 2 7. Maki uchiotoshi 1 & 2 8. Kesauchi (jodan, chudan, gedan) 9. Otoshizuki 1 10. Otoshizuki 2 11. Kaiten uchiotoshi 1 & 2 12. Katateuchi
Shomen 1. Nagashiuchi 2. Kaeshi Harai uchiotoshi 3. Kaeshizuki 4. Makiotoshi 1 5. Makiotoshi 2 6. Jumonji suriotoshi 1 7. Jumonji suriotoshi 2 8. Otoshizuki 1 9. Otoshizuki 2 10. Otoshizuki 3 11. Kaiten uchiotoshi 1 & 2
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12. Kesauchi (jodan, chudan, gedan)

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SHINJINKAI

The Japanese Martial Arts Society

Aikido Student Study Guide

A: Taijutsu (Body Art) Fundamentals

II. Ukemi (techniques of receiving and falling safely)

III. The Eight Tai Sabaki Ho (body movement exercises)

IV. Kogeki (attacks) commonly encountered in Aikido training

V. Regarding Kata and Waza

VI. Miscellaneous Training Glossary

B: Ken (Sword) Fundamentals

Basic Suburi (solo cutting exercises)

The Three Eights:

The Four Kirikaeshi (Cut Returning) Exercises:

The Three Kirotoshi (Dropping Cut) Exercises:

C: Jo (short staff) Fundamentals

12. Kesauchi (jodan, chudan, gedan)

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