Pan Wales OverviewENGLISH
Pan Wales OverviewENGLISH
Pan Wales OverviewENGLISH
There are probably few places in the world where a nation can consider the interpretation of its history, culture, landscape and historic environment as coherently as Wales
We love a good story in Wales and perhaps thats not surprising given our exciting, rich and diverse heritage and culture. Waless stories, and the means we use to convey them, have the potential to inspire people and enhance their lives. The Pan-Wales Heritage Interpretation Plan gives us a unique opportunity to take these stories and interpret them for the benefit of our own people and our visitors.
Many heritage sites across the country already celebrate elements of our heritage and history, but there is a lack of coordination and the physical and thematic links between places and sites are often missing. The pan-Wales approach is an opportunity to join up the pieces, so that people can follow stories between sites with the help of inspiring interpretation. We want audiences across Wales, local or visiting, to be met with creative, exciting, engaging and thought-provoking experiences which are fun too. The benefits of getting this right are far reaching socially, culturally and economically. Everyone involved in interpretation in Wales has a role to play in helping our country to reap these rewards.
Front cover: The Guard by John Merrill, Conwy Castle. Right: Strata Florida.
strong ministerial support, a review of Cadws own interpretation, the National Museum Wales aspiration to create a hub for Welsh history at the National History Museum, St Fagans, and the European Union funded Heritage Tourism Project which has helped kick-start capital investment in heritage interpretation. Against this backdrop, Cadw, the Welsh Governments historic environment service, is taking the lead in creating a heritage interpretation framework for the whole of the country, one which has people at its core. The aim is to shape the interpretation to focus on visitor-orientated implementation packages yet still give a national overarching narrative1. This country wide approach is so far unique to Wales.
The all-Wales approach is endorsed by the Minster for Housing, Regeneration and Heritage in his Historic Environment Strategy for Wales, which includes the following commitments: The Programme for Government has set objectives for the delivery of the Pan-Wales Heritage Interpretation Plan, the Heritage Tourism Project and the Heritage and Arts Framework and We want to ensure that heritage sites are accessible and enjoyable places both for visitors to Wales and for people who live in Wales. We will be imaginative in our approach using creativity as a principle of delivery. Developing new and broader audiences for the historic environment is a priority and we will develop new approaches to engaging and involving people in exploring and celebrating our history. The Historic Environment Strategy for Wales can be found at: www.cadw/ Historic Environment/Policy/Historic Environment Strategy
The challenge
Wales is a proud and complex nation, with a rich heritage that is unique yet intertwined with the fortunes of the rest of Britain. The concept of Wales as single entity dates to the thirteenth century though the borders have waxed and waned. But the story of the people who lived and worked here is much, much older, stretching back into prehistory at least a quarter of a million years. This is a story of peoples ingenuity, power struggles, politics and creativity; of a small nation that often punches above its weight on the global stage. The historic environment in Wales is at the core of our rich and diverse culture. Yet, for most people, the depth and signicance of the story our historic sites can hold is not always apparent or easy to grasp. This is the challenge currently facing Waless heritage industry how do we present complex stories and sites to audiences that know little about the place or its history? Moreover, how do
we make the stories accessible and relevant? If we get it right, packaging the story of Wales in a more attractive and meaningful way has the potential to: enhance local and national pride in our heritage assets; provide opportunities for people to learn something new; improve understanding and awareness of our rich stories; improve the visitor experience; positively reinforce Wales image; make Wales more competitive within the global tourism market; increase appreciation of the historic environment and so contribute towards its conservation. We can do this by coordinating and improving the interpretation of the story on a Waleswide basis.
Our historic environment has wide appeal. It attracts visitors from overseas, from throughout the UK and from local communities: Visiting heritage sites is the single most popular holiday activity for tourists in Wales heritage-based tourist attractions are often among peoples reasons for visiting Wales. We want to attract as broad a range of visitors as possible, representing all walks of life and all levels of interest. The family market is particularly important to heritage attractions, representing well over 50% of all visits to Cadw sites, for example. Providing more interpretation for children and family groups is a priority, not least because of the important role cultural activity can play in helping to address child poverty, which affects a third of all children living in Wales. Keith Towler, the Childrens Commissioner recently spoke about the ability
of culture to light a spark that can help children in poverty to develop both personally and professionally so that they have the confidence and capabilities to escape the poverty trap.2 So perhaps some of you are asking why worry about cultural participation? Well the quick answer is because it matters. Not only because children have a right to participate in cultural activities but also because there is growing evidence to suggest that cultural engagement supports better educational engagement and outcomes.3 Through the pan-Wales approach, the Welsh Government recognises and supports the role of the heritage sector in providing transformational chances for all children in Wales.
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http://www.walesonline.co.uk/news/wales-news/2012/07/18/museums-are-key-to-beating-child-poverty-says-keith-towler-91466-31414063/#ixzz213nbNbX9 Ibid
Cadws role
Cadw has been charged by the Welsh Government to provide support and leadership in delivering the Pan-Wales Heritage Interpretation Plan. This is reflected in Cadws priorities for 201216 which include promoting access to and appreciation of the stories tied up in historic places, engaging the public through interpretation and creativity.4 To inform the process, Cadw has held a number of conferences and ministerial events which brought partners together from the heritage, arts and tourism sectors. This collaboration and consultation will continue. The Heritage Tourism Project, which is being managed by Cadw, is providing financial support for interpretation and conservation projects. This complements other grant providers such as the Heritage Lottery Fund.
Caerphilly Castle.
To m
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Huw
Cadw apps.
Our country has millennias worth of stories to tell and crystallising these into recognisable story strands was the first step in delivering interpretation on an all-Wales basis. Following consultation, eight national, chronological and/or thematic story strands emerged: Origins, prehistory and Roman invasion and settlement. Spiritual and inspirational landscapes religious, spiritual and cultural inspiration from prehistory to the present day. Castles and princes of medieval Wales, including the native princes, Norman and Edwardian conquest, and the ght for Welsh independence.
The rise of the Welsh merchant and gentry, sixteenth to eighteenth centuries. The growth of towns, vernacular architecture and Welsh manor and town. Wales the rst industrial nation from earliest times to the present day. Defence of the realm, from the Napoleonic Wars to the Cold War. Maritime Wales. The rise of Wales and Welsh nationhood in the 20th and 21st centuries. This list is fairly comprehensive but is not exhaustive, and may be expanded in the future.
Figure 1
Story strands
Maritime Wales
Maritime Wales
Thematic plans
Princes of Deheubarth Princes of Gwynedd Lords of Southern Marches Princes and Lords of the Borderlands Castles and walled towns of Edward I Owain Glyndw r Defence of the realm (Pembrokeshire)
To be commissioned 2013
Site-specific plans
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Site-specic plans
but are instead equipped to fit in to the broader context of the overarching story strand. Each plan developed to date is available at: http://cadw.wales.gov.uk/interpretation/ interpretationplans/?lang=en
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Working together
Pan-Wales Heritage Interpretation involves a wide range of partners. Cadw, as lead body, has engaged with some contributors through consultation exercises, and a continuing programme of events will further encourage dialogue and joint working. Cadw continues to pursue actively an interface with the needs and requirements of other heritage providers and with tourism marketing strategies5. Mechanisms for doing this include: The Housing, Regeneration and Heritage Minister's Historic Environment Group a strategic forum of organisations with an interest in the historic environment. The Cultural Tourism Steering Group coordinated by Visit Wales and consisting of directors and ofcers from the main heritage agencies. The Heritage Tourism Project Steering Group drawn from a number of heritage,
tourism and third sector interests with a view on heritage tourism. Dialogue with local authority tourism departments, tourism organisations and destination partnerships. Dehongli Cymru a grouping of national and regional bodies committed to encouraging excellence in interpretation in Wales. Fostering the pan-Wales approach is a continuing process (see Delivering the way forward below). Cadw also raises the Pan-Wales Heritage Interpretation Plans profile through: Presentations at events and conferences, including Association of Heritage Interpretation and Dehongli Cymru, as well as articles in magazines such as Heritage in Wales. Events and support which actively encourage participation.
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digital projections have been used to light fireplaces, games-based mobile phone apps to encourage exploration of Conwys town walls. Monmouth is the first Wikipedia project in the world to interpret the whole town using QR codes and interactive touchscreens are becoming more common at heritage visitor attractions across Wales, such as the Copper Kingdom in Amlwch.
Conwy Castle.
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Interpretation
Community archaeology
G R OW I N G
Activity focus
Outcomes
so that they understand and care about the historic environment and our heritage
Strategic outcomes
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new interpretation projects. Of those, record what percentage have adopted the pan-Wales approach including use of the Follow the Story phrase, icons and associated straplines. Heritage Tourism Project funded interpretation is required to adopt the pan-Wales approach as a condition of the grant aid. The effectiveness of the pan-Wales approach on the visitors experience Undertake research including interviews/ questionnaires at locations where the pan-Wales approach has been adopted to see if the interpretation is attracting new audiences. Visitor reaction and understanding Research into what visitors take from our interpretation. This could be done in conjunction with bodies such as National Museum Wales who also wish to commission research in this area. This would be an opportunity to nd out if people got the concept and what they took away from it. The results of the evaluation would be shared with partners.
Denbigh Castle.
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Finally
For the pan-Wales approach to achieve its greatest impact, it needs buy-in from partners across Wales, from the public, private and voluntary sectors. It works at all scales and is just as relevant to community heritage projects as it is to Cadw and our 128 sites. This approach brings heritage and tourism providers together, allowing us to be part of a much greater whole all playing our roles in delivering the fascinating stories of Wales in inspirational and creative ways.
Further information
For further information contact: Dave Penberthy, Head of Interpretation, Cadw david.penberthy@wales.gsi.gov.uk
Cadw yw gwasanaeth amgylchedd hanesyddol Llywodraeth Cymru, yn gweithio i sicrhau amgylchedd hanesyddol hygyrch a ddiogelir yn dda i Gymru. www.cadw.cymru.gov.uk
Cadw is the Welsh Governments historic environment service working for an accessible and well-protected historic environment for Wales. www.cadw.wales.gov.uk
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3. Building Recruit/engage heritage interpretation champions across Wales awareness of who can advocate the pan-Wales approach. the pan-Wales Further engage potential partners to advocate the benefits of approach being involved. Influence decision makers in the public/third sector who will advocate the approach within their organisations. Talk to other heritage funders, e.g. Heritage Lottery Fund re guiding applicants towards the approach. Create links from web sites such as Interpret Wales and the Association for Heritage Interpretation. Undertake an active PR programme to celebrate interpretation achievements. 4. Measuring success Monitor: number of projects completed number of projects in the process of being implemented take up of the approach by partner organisations visitor numbers at sites Undertake formal interpretative evaluation at sites that have adopted the approach to see if it is making a positive difference to our visitors. Implement the actions identified in the Historic Environment Strategy for Wales, Headline Action Plan. Continue to roll out high-quality interpretation at Cadws 128 monuments which exemplifies the pan-Wales approach. Explore the role of the proposed National Museum of Waless hub at National History Museum as an exemplar of the pan-Wales approach.
5. Leading by example