2014 Spring/Summer Clockworks
2014 Spring/Summer Clockworks
2014 Spring/Summer Clockworks
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2 Events Calendar
3 From the President
5 College Briefs
17 On Air: WGDR Briefs
20 Alumni Portfolio
22 Class Notes
30 Faculty/Staff Notes
33 In Memoriam
33 In Remembrance:
Prof. Calvin Hicks
34 Goddard in
the World
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4 CLOCKWORKS SPRING | SUMMER 2014
Goddard Launches Fundraising
Effort for Haybarn Theatre
A
PRIL KICKED OFF fundraising efforts for the
Haybarn Theatre renovation, with a $30,000
Cultural Facilities Grant from the Vermont Arts
Council, and matching grant support. On April 5,
singer-songwriters Anas Mitchell and Kris Gruen
(BA RUP 97) performed a Haybarn Theatre beneft
concert to raise money for LED theater lighting, a permanent
sound system, assisted listening devices, ADA accessible
bathrooms, and other improvements.
Phase 1 renovations start this May, with Phase 2 and 3
continuing through 2015. Stay tuned for a second fundraiser in
August; watch for updates at facebook.com/Haybarntheatre.
Join us in giving to the Haybarn Theatre Renovation Fund.
Visit goddard.edu/haybarn or contact Meg Hammond
(802.322.1685, meg.hammond@goddard.edu).
Grant Winner Announced for 2014
L
AST YEAR, Goddard created a Sustainability Entrepreneurs
Grant to award $2,500 annually to a student in any program
whose business proposal promises to most effectively promote
sustainable living, social equity, climate change adaptation,
and ecological protection. Cynthia Tina, a
level six student in the BA in Sustainability
program, is the winner of this years grant
for her work with Next Global Ecovillage
Network, or NextGEN (nextgenna.org).
NextGEN is a global alliance of
ecovillage ambassadors and sustainability
educators who connect young people with
the ecovillage movement and empower
them to build sustainable communities.
Goddard would like to offer thanks to Jerry Greenfeld,
Elizabeth Skarie and Concept 2 for supporting this grant.
2014 Sustaining
Donor Challenge
A
FRIEND of the college
has pledged $20,000 if
we get 100 new sustaining
donors to give $20 per month
by May 1. We need 60 donors
to meet that challenge!
Alumni participation is a
critical factor that foundations
and other funders consider.
Your giving will help us
leverage other gifts.
Make your donation online at
goddard.edu/giving, or use the
envelope in this magazine.
New Interim
Academic Dean
S
TEVEN JAMES, former
MA in Psychology &
Counseling Program Director,
has been appointed as interim
academic dean and chief
academic offcer. In addition
to his experience at Goddard,
James also brings a depth
and breadth of experience
from his consulting and
foundation work.
James replaces Jackie
Hayes, who served as the
chief academic offcer for
the past year and recently
returned to the ranks of
the MFAIA faculty.
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college briefs
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Vermont Arts Council presents
$30,000 for the renovation.
From left, Alex Aldrich,
executive director of the VAC;
Janet Ancel, Vermont Rep.,
Calais; Meg Hammond, Goddard
events manager; and Gerard
Holmes (BA GV 89), senior
development offcer.
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Calling All
Artists
P
LEASE SEND
IN your artwork
to be considered for
Goddard Colleges
annual holiday card.
Submit up to three
digital jpeg samples to
art@goddard.edu.
Please include the
title of the piece, the
medium, the year it
was made, plus your
name, degree program
and graduation year.
your art
here
CLOCKWORKS SPRING | SUMMER 2014 5
|
college briefs
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Alumnas Daughter
Gives Back
I
N NOVEMBER, Janis Ian,
Grammy winner and
daughter of the late Pearl
Fink (BA 80), held the second
annual Prose for Pearl
auction, a fundraiser for the
Pearl Foundation, which
supports the Pearl Fund
Scholarship at Goddard. The
auction featured donations
from George R. R. Martin, Neil
Gaiman, Pat Conroy, and a host
of notable authors, and 100%
of the profts were donated to
the foundation.
Janis also released a book of
her own The Tiny Mouse, her
frst childrens book.
Conferences Attract Goddard Alumni, Faculty and Staff
EDU Hosts Dual Language Conference
T
HE 4TH ANNUAL Dual Language
Conference, held at the EDU Seattle
residency in early February, attracted over
150 attendees in support of scholarships for
Goddards education students.
Language, Culture, and Identity, brought
together more than sixteen language groups
and presenters such as Professor Tasleem
Quasim from Shoreline Community College and
Colonel Wallace Sterling, Chief of the Moore
Town Maroons of Jamaica.
Special thanks to the hardworking group
of over thirty volunteers that made up the
planning committee. The next conference,
The Bilingual Education: Special Education
Interface, is scheduled for Jan. 31, 2015.
College Staffs Table at AWP Conference
G
ODDARD showed its colors at the Associa-
tion of Writers and Writing Programs (AWP)
annual conference, held in Seattle in February.
The college staffed an exhibit throughout the
four-day event, with students, alumni and fac-
ulty meeting and greeting attendees. Pictured in
the photo above, from left: MFAW student Mat-
thew Swihart; BFAW student Amy Cain; Senior
Admissions Counselor David De Lucca; Outreach
Coordinator Samantha Kolber; and Director of
Admissions Gariot Louima.
Goddard Leases
Building to New
High School
L
AST SEPTEMBER, Goddard
leased the Stokes building
in Plainfeld to the Central
Vermont High School Initiative
(CVHSI). The CVHSI was
founded in 2011 by a group
of parents and educators;
the school uses the principles
of Waldorf education to
offer alternative educational
opportunities for high school
students in Central Vermont.
This partnership is a
harmonious combination
of Goddards mission, local
community resources, and an
initiative of Goddards fve-
year strategic plan to diversify
revenue and the use of campus.
Stokes Building
BFA Students Launch Online Literary Journal
D
UENDE is the new, national, online
literary journal produced by students
of the BFA in Creative Writing program.
It takes its name from Federico Garca
Lorcas 1933 Theory and Play of the
Duende. The journal seeks authenticity and
soulfulness, earthiness and expressiveness.
Material submitted for the frst issue will
run through May 15.
Submit your prose, poetry, hybrid work and
literary collaborations to duendeliterary.org.
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6 CLOCKWORKS SPRING | SUMMER 2014
Tommie Smith (MA G-C 74), Olympian and
lifelong activist, receives Goddard Colleges
Presidential Award for Activism.
Stand
Victory
BY DUSTIN BYERLY
(BA RUP 01)
After receiving their medals at the 1968 Summer Olympic
Games in Mexico City, Americans Tommie Smith (center)
and John Carlos raise their fsts in a gesture of support
for human rights and African American pride.
CLOCKWORKS SPRING | SUMMER 2014 7
As Smith and Carlos took their
places on the podium, draped in
their Olympic medals, they lowered
their heads and raised their clenched
fsts covered in black leather gloves
in a historic stand for human rights,
liberation and solidarity. This
courageous act of resistance propelled
Tommie Smith into the spotlight as a
human rights spokesman, activist and
symbol of African American pride.
As a founding member of the
Olympic Project for Human Rights,
Smith had originally advocated
for a boycott of the 1968 Games as
a stance against apartheid, racial
segregation and racism in American
athletics. When the proposed boycott
ended in impasse due to the lack of
consensus among the athletes, Smith
decided to make his own statement.
My mind had been made up
that I was going to make a stand on
one of the most prominent podiums
in the world, he said. But I had to
get on the podium in order to do so.
That was the motivation that drove
me to train hard and win.
It was my victory and I stood for
human rights and equality. I stood to
draw attention to the fact that we black
athletes had been asked to represent a
country that didnt treat us as equals.
Misunderstood as a black power
salute at the time, the gesture brought
great hardship to both athletes. Smith
received death threats to himself
and his family and was permanently
banned from the Olympics, never to
race again. And although he is the
only person in the history of track
and feld to hold eleven world records
simultaneously, he has yet to be inducted
into the U.S. Olympic Hall of Fame.
Following the games of the 19th
Olympiad, Smith played professional
football under the legendary Paul
Brown with the Cincinnati Bengals for
three years. He went on to become an
assistant professor of physical education
at Oberlin College in Northeast Ohio,
where he taught sports sociology,
coached track and feld, football, and
basketball, and served as assistant
athletic director to Jack Scott.
It was Scott who encouraged Smith
to pursue his graduate degree and
suggested that he look at Goddard
College, which at that time had a
program in Cambridge, Mass. Jack told
me that he thought it was necessary for
a person with my ideas and my ideals to
go further, said Smith. I couldnt go in
mainstream America and get the degree
I thought was necessary and push my
ideas forward because I would be taught
something. No, I wanted to teach them.
Smith enrolled and was accepted
into the Goddard Cambridge Graduate
Program for Social Change in 1971. He
graduated with his masters in 1974.
The program, created in 1970, was a
collaboration between Goddard and
the Cambridge Policy Studies Institute
that provided training and certifcation
for those interested in combining the
theory and practice of social change.
My time at Goddard was an
unforgettable educational odyssey,
said Smith. I was able to bring all
of my previous academic and life
experience together, and develop my
understanding of the impact of racism
on all aspects of the human experience.
Smith used the platform he gained
from his notoriety to advocate for
racial justice and to improve the lives
of countless youth and young adults.
He spent decades as an educator and
coach, and continues in his retirement
to be a speaker, trainer, and champion
T
HERE ARE FEW IMAGES that capture and preserve the essence
of an entire movement and moment in time better than the
photographs of Tommie Smith, John Carlos and Peter Norman
at the 1968 Summer Olympic Games in Mexico City. Tommie Smith had
just won the gold medal for the United States in the 200-meter race,
with a world record time of 19.83 seconds; Australias Peter Norman
fnished second; and Smiths teammate, John Carlos, placed third.
Smith receives his award from
former president Barbara Vacarr.
Competing at San Jose
State University.
8 CLOCKWORKS SPRING | SUMMER 2014
for at-risk youth. In 2004, he established
The Tommie Smith Youth Initiative
to combat childhood obesity.
Smith has received numerous awards
and is recognized for his work both on
and of the feld. He was inducted into
the National Track & Field Hall of Fame
(1978), the California Black Sports Hall of
Fame (1996), and the Texas Black Sports
Hall of Fame (2012), to name a few. He
also received an Honorary Doctorate
from San Jose State (2005), the Trumpet
Award (2007), the Peace Abby Courage
of Conscience Award (2008), and the
Arthur Ashe Courage Award (2008).
His lifetime commitment to
education, activism and public service
prompted Goddard to ofer him the 3rd
Annual Presidential Award for Activism.
Smith received the award from
former president Barbara Vacarr at the
bachelor of arts commencement on
Oct. 6, 2013. Speaking in the Haybarn
Theatre to a full house of students, staf,
faculty, family and local community
members, Vacarr described Smiths
iconic gesture in 1968 as a cry for
freedom in support of human rights.
Tommie Smiths presence at
graduation was exhilarating and
authentically Goddard. He embraced
and shook hands with every graduating
student as he made his way through
the human tunnel of graduates to
his seat. As Smith took the podium
to deliver his acceptance speech, the
entire room stood up and erupted into
thunderous applause, and a row of
students lined the upper level of the
Haybarn with their heads bowed and
fsts raised in the air in recognition
of Dr. Tommie Smiths life and work.
Smith raised his clenched fst in return.
Phyllis Brown, program director
of the Undergraduate Program, was
deeply moved by the event. Brown, who
grew up in an all-white community,
remembered Smiths victory stand and
the impact it had on her as young girl.
The day after, when my class was told
to stand to do the pledgeI put my fst
up in solidarity and to show that I was
aware, that I was part of the struggle for
Civil Rights. Brown had been sent to
the principals ofce; her punishment:
to copy the pledge of allegiance 100
times with her left hand (she is right-
handed). Tommie Smiths stand on that
podium holds personal and profound
meaning for me, said Brown. It
heavily infuenced my life of activism,
community service and fghting against
racism and all forms of oppression.
Refecting on that historic moment
in 1968, Smith said in his acceptance
speech, The soul of a man was used
as a beacon to shed optimum light
on a sober situation and a struggle
for lawful, communal parityAnd
the beat goes on. Smith urged the
graduating class to trust themselves
and to take what they had learned at
Goddard into their communities. No
bird soars too high if he soars with his
own wings, he said, quoting William
Blake. Never forget that, he said.
Students were moved by Tommies
speech. The opportunity to share
my graduation with the humble, yet
powerful, words of Tommie Smith,
said Seneca Kristjonsdottir (IBA 13) of
Golden, Colo., solidifed in me further
an inspiration to pursue genuine work.
Smith, who had never attended a
residency in Vermont, was blown away
by his experience in Plainfeld. I was
surprised at the size, the history of it,
and the knowledge, respect and love
the people showed. The most exciting
thing about it was the academics: these
were some of the smartest people I had
ever metI think it is because their
souls are invested in their own truth.
His advice for young activists:
You have to understand your
program, whatever it is, will have
to be a diversifed program, and
that it will require sacrifce, and
that sacrifce is going to grow
Always consider how your work, or
program, is going to help others.
CW
My time at Goddard was an unforgettable
educational odyssey. TOMMIE SMI TH (MA G-C 74)
Speaking to a packed
Haybarn Theatre.
Reliving his famous gesture.
CLOCKWORKS SPRING | SUMMER 2014 9
BY PEG TASSEY (BA RUP ' 79-' 81)
I
N THE 1970S AT GODDARD,
clothing was optional. As a
photography student hired to
photograph for Goddards catalogue,
the only restriction I was given was,
No dogs and no naked people!
Thankfully, in 2013, when I curated the
Rural Revolution photography exhibit for
Goddards 150th Anniversary, there were
no such restrictions.
After seeing my old darkroom buddy
David Sinrichs gorgeous old photos
posted on Facebook, I thought it would
be fun to get a few of our classmates
together and show our work from the
late 70s in a small exhibit. The idea
grew into an exhibit spanning the
whole decade, and after searching for
six months for Goddard photography
grads willing to crawl through their
attics and send their 40-year-old prints
to me, I ended up working with 27
alums and 800 incredible photos.
These are not just snapshots of
Goddardthese are photos taken by
art students who were learning to
see the world through their cameras,
taken in a remarkable decade at the
most progressive and radical school
of the day. The teachers Jef Weiss,
John Mahoney, Dicran Derderian, and
Andrew Kline were amazing. The
photography program had made up
one-third of the student body, and
the work I received blew me away.
Curating the images wasnt easy.
There are photos of Black Sabbath in
The Haybarn Theatre; Allen Ginsberg
in the cafeteria; Meredith Monk in the
felds. There are silver tinged shots of
innocent yet serious faces; pinhole shots
of glowing gravestones. There are self-
portraits as students discovered who
they were in a way that looks so diferent
from todays constant fow of selfes.
And, of course, there are naked photos:
group shots, portraits, and even the
AN INSIDERS LOOK AT THE
Rural Revolution
Exhibition
A Showing of Photography
from Goddard Art Students
& Faculty from the 1970s
See more photos and artists bios at goddard.edu/rural-revolution.
!
Stephanie McMahon
by Jon Cornell (RUP 71-74)
Reflections
10 CLOCKWORKS SPRING | SUMMER 2014
veggie dorm shots replete with produce.
Naked seemed and looked diferent
in the 70s at Goddard. Naked seemed
political, rebellious, celebratory. We felt
safe, we felt strong, we felt we could
speak out and make a diference. You
can see it in the fully clothed subjects
faces as well. We knew we were involved
in something special. We were inspired,
and these 19-year-old photography
students caught the way we felt on flm.
With the help of Archivist David
Hal and Associate Director of
Advancement and Alumni Afairs
Dustin Byerly, Rural Revolution became
a reality: 300 mostly black and white
photos covered the walls of the beautiful
Martin Manor, with a 20-foot-high
slideshow presented on the night of
the opening reception Oct. 19 in the
Haybarn Theatre, while cellist Indigo
Ruth-Davis played a piece written for
the occasion. When I looked out into
the audience of Goddard alums and
the wider community, I saw tears.
People were moved by the work these
young people had produced, and
moved, it seemed, by a time that we
all remember to be an important part
of our lives and our worldview.
I am so grateful to these alums
for allowing me to show their vintage
photos and their very personal memories
in this exhibit. Most continue to make
art and show in museums and galleries
around the world. I feel honored and
privileged to have worked with them.
CW
MAKING AN EXHIBITION Clockwise from top left: Cate Caldwell, by David
Sinrich (RUP 79-81); Amy, by Susan Bein (RUP 70-74); Self Portrait Age 20, by
Karen O Hearn (RUP 76-79); Self Portrait, by Jonathan Sharlin (RUP 69-72); Allen
Ginsberg, by Neal Warshaw (RUP 70-73); Self Portrait, by Peg Tassey (RUP 79-81).
These are not just
snapshots of Goddard.
These are photos
taken by art students
who were learning to
see the world through
their cameras, taken in
a remarkable decade
at the most progressive
and radical school
of the day.
PEG TASSEY (BA RUP ' 79-' 81)
CLOCKWORKS SPRING | SUMMER 2014 11
with Scott Tournet
(BA RUP 01)
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I
recently spoke with Goddard alumnus and musician Scott Tournet
(BA RUP 01) about his experience at Goddard, his musical career
as lead guitarist of Grace Potter and the Nocturnals, and his
new solo project, Ver La Luz. Scott and I both attended Goddard at
the same time and graduated in the same class in December of 2001.
Dustin Byerly: Scott, can you tell us
a little bit about your background?
Scott Tournet: I was born in a
very progressive college town in
Williamstown, Massachusetts. My
family moved to Chester, Vermont,
when I was ten years old and lived
on a large piece of land without
electricity until I was about sixteen.
DB: How did you get into music?
ST: I originally started playing music
when I was eighteen at Castleton State
College. It was quite informal at frst, but
then something took hold, and all of a
sudden it became my identity. I just lived
and breathed music. It was everything.
DB: How did you fnd Goddard College?
ST: Well, the traditional education model
wasnt working for me so I began looking
for something diferent; thats when I
discovered Goddard. I have to admit,
I was a little scared when I came to
look at it. It was a very diferent world.
Every person seemed to be such an
individual. After visiting the campus I
decided to make a move and went for it.
DB: What did you study at Goddard?
ST: I completely focused on music.
It was an amazing opportunity for
someone like me who wasnt cut
out for the more traditional music
programs. I just studied what I wanted
to which was kind of awesome.
DB: Did your Goddard education help
you in your career?
ST: Oh yeah, absolutely. I am very
proud. I went to school for music, paid
for it myself, went out and immediately
got a job in my chosen feld.
DB: You were a founding member
of Grace Potter and the Nocturnals.
How did that come to be?
ST: Up until then I had my band at
Goddard called The Big Huge, but
our momentum was stalling. My
girlfriend at the time was going to St.
Lawrence University in upstate New
York, and I left Vermont to be with
her. Thats where I met Grace (and
drummer Matt Burr), and everything
just started to come together. After
about a year and a half we all moved
back to Vermont and lived on Graces
parents property in Waitsfeld while
we played whatever gig we could get.
DB: When was the moment you realized
you had made it as a musician?
ST: The frst big moment, for me, was
when we were doing a residency at
Nectars in Burlington, Vt. The frst week
there was only a handful of people there
but one of them was a journalist from
The Burlington Free Press who wrote a
great article about the band. This was in
the dead of winter and the next week we
were peeking our heads out the door at
the back of the club and there was a line
around the block! We were so excited. It
took a long time but we went from selling
out Nectars to headlining and performing
at Bonnaroo, Lollapalooza, Red Rocks,
Fuji Rock in Japan, Rock in Rio in Brazil,
and playing to huge sold out stadiums.
We also established a music festival
in Burlington called Grand Point North,
and I almost get more excited about that
than I do about the bigger shows. It has
really grown over the years. We bring in
national acts but we also have a stage for
local acts and invite local vendors to set
up during the festival in order to keep
the Vermont spirit of the festival alive.
DB: Tell us about your new solo album.
ST: Ver La Luz, which means see the
light in Spanish, is an album I wrote
and recorded in San Diego. It carries
a more hopeful and positive message
than my past work. Musically it is less
guitar-driven and more lyric based.
It confronts topics like mortality,
loss, struggle and the like, but it does
so with an optimistic undertone.
DB: Are you working on any new projects?
ST: We fnished a decade as a band, and
we were touring so hard for so long, to
the point where none of us had personal
lives, that we decided last September
to take it down a notch for a year, to
appreciate that there are other things
in life. Its been a welcome break. I am
building a small studio, playing drums,
and learning to play the pedal steel
guitar. More importantly though I'm
reconnecting with family and friends
and leading a more balanced life.
DB: How do you feel about Goddard today?
ST: Im happy its here. Whether it is a
residential or a low-residency program,
the self-directed educational philosophy
is very powerful for certain people. It
fts a lot of us who otherwise wouldnt
have a home in the educational system.
DB: Looking back, what does your
Goddard education mean to you?
ST: It opened up doors. Thats the main
thing. Beyond even music. I was exposed
to so many diferent ways of thinking and
living. This massive world just opened up.
Goddard just opened up everything.
CW
BY DUSTIN BYERLY (BA RUP 01)
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CLOCKWORKS SPRING | SUMMER 2014 13
Theres more to this dedicated crew than books. The library staff has been
busy establishing a new blog, updating borrowing policies, and providing
access to free citation tools and a satellite librarian. Read on to meet the
people behind all these good works. BY SAMANTHA KOLBER, MFAW 14
1 Paula Tamburello, Materials
Access & Acquisitions Librarian
Paula has worked at Goddard since
2007. She has her BA in Anthropology
from SUNY Geneseo, and her MLS
from SUNY Bufalo. She enjoys
helping students and faculty with
research and connecting them
to the resources they need.
Paula has a passion for books, as
you might expect, and folk music.
I am an old folkie from way back!
She has three grown children and
celebrates 30 years of marriage with
her lawyer/musician husband. Her
daughter, Claire Green (MA EDU
13), graduated from Goddard.
2 Clara Bruns, Director
of Information Access
Clara believes that open access to
information needs to be balanced
with copyright and right to privacy
concerning personal data. She began
her career at Goddard many years
ago as a cataloger. She is a single
parent of two teenage girls, which
is both challenging and a joy.
Life is a balancing act, says Clara.
She seeks to strike a balance between
job responsibilities and home life,
available resources and demands,
exercising control with the need for
letting go. I sometimes catch myself
wishing that all problems would
go away, but then I realize that life in
nirvana would be boring, she says.
3 Helen Linda, Library Systems
& Technical Services Librarian
When Helens not in a library, she can
be found driving around the state on
Vermont 251 Club quests, doing her part
to keep the Sunset Drive-In open and
thriving, and generally adhering to the
bumper sticker slogan Keep Vermont
Weird. She knits and writes, and recently
taught herself to make jam and fermented
veggies. She is a longtime labor movement
enthusiast, and shes delighted to work in
a unionized workplace for the frst time.
Helen has worked at Goddard for six
years and is always cooking up new ideas.
She drafted and began administering
Satellite Librarian last fall, and its a huge
success. This spring, she started teaching
the new student orientation workshop,
Learn Your Library: Tour, Tools, Tips,
and shes thoroughly enjoying being out
from the back-end of the Pratt Center.
Ive met so many students and
faculty for the frst time, says Helen.
Its wonderful!
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Welcome
TO THE ELIOT D. PRATT LIBRARY!
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