Understanding The 1VPP Composite Video Signal

One of the most complex waveforms in

electronics is the NTSC composite video
waveform. This signal includes many
different parts: video, horizontal and
vertical sync pulses, horizontal and vertical
blanking pulses, and special signals that
all combine into one waveform. This Tech
Tip is dedicated to understanding the
details of the composite video signal.
What Is The Composite Video
Signal?
The composite video waveform contains all
the information needed for the complete
CRT picture, line by line and field by field.
This signal is used in the picture tube to
reproduce the picture on the scanning
raster. Composite video consists of video
information plus the blanking and sync
pulses needed for synchronized re-
production.
In producing a picture on the CRT, the
raster is scanned twice, 262 1/2 lines for
each interlaced field, for a total of 525 lines
per frame (a complete picture). Not all 525
lines contain picture information, however.
A few horizontal lines of video at both the
top and the bottom of the screen are
blanked out, and some are used up in
vertical retrace as we will learn later.
Two Important characteristics of the
composite video signal are polarity and
amplitude. The video signal can have two
polarities:
1. A positive sync polarity, with the sync
pulses up, as shown in figure la,
2. A negative sync polarity, with the sync
pulses down" , as shown in figure 1b.
The signals in 1a and 1b both contain the
same pi cture i nformati on, the onl y
difference is the polarity. Negative sync
polarity is standard for the input or output
signals of video equipment such as TV
cameras, video control equipment, and
video ports on monitors and VCRs.
For either polarity, the white parts of the
video signal are opposite to those of the
sync pulses. The black parts of the video
are closer to the blanking and sync tip
levels, which are considered blacker than
black.
The standard input/output amplitude for
the video signal in the video equipment
mentioned above is 1 VPP into 75 ohms.
The requirements for the composite video
signal at the inputs for different CRTs,
however, varies from 30 to 150 VPP or
more for larger tubes.
In relation to time, the composite video
signal can be divided into two different
parts: the horizontal interval and the
vertical interval.
Horizontal Interval
The composite video signal, shown at the
horizontal rate in figure 2, consists of a
complex series of waveforms This series
of waveforms shown represents one line of
picture information which takes 63.5 sec
to occur (15,750 Hz).
At the extreme left is a horizontal blanking
pulse to cut off the beam of the picture tube
during the horizontal retrace period. After
one line of video is displayed, the CRT
scanning beam must be invisible while it
returns to the left side of the CRT. The
horizontal blanking pulse is inserted to
bring the video signal amplitude to the
black level so the retrace cannot be seen.
The entire horizontal blanking pedestal is
at the 75% level which, not coincidentally,
is just blacker than the level for black
video.
Riding on top of the blanking pedestal is a
horizontal sync pulse. The horizontal
sweep oscillator is reset by the leading
edge of the sync pulse. The peak-to-peak
voltage of the horizontal sync pulse
represents 25% of the total waveform
The back porch o f t h e blanking
pedestal provides time for the blanked
beam to return to the left side of the
Fig. 1: (a) Two horizontal lines of composite video with positive sync. (b) Same video
signal as (a), but with negative sync polarity.
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Fig. 2: Detail of one horizontal fine and sync (positive sync).
screen. During color transmission a 3.58
MHz sine wave color sync burst signal is
added to the back porch to frequency
and phase lock the picture color
information. Since the eight to 11 cycles of
color burst is symmetrical around the
back porch rather than placed on top of
it. the amplitude may appear to be less
than that of the sync pulse. This is not the
case, however, as both the horizontal sync
and the color burst must be 25% of the
total waveform amplitude.
The interval immediately following the
horizontal blanking pedestal represents
one line of video. The video area contains
the high-frequency amplitude variations;
these give the relative shading from black
to white, which the eye interprets as a
picture. Video is a constantly changing
voltage level unless the signal being
transmitted is consistent in nature (such as
a bar pattern).
Video levels vary from black to white as
shown in figure 2. White is at the 12.5%
level while black is just less than the 75%
blanking level. Any voltage between these
two points will be some shade of gray,
depending on the voltage level. Blanking
and sync pulses are continuous and
repetitious, but the video is always
changing in accordance with the image
being scanned.
For color television, the composite video
includes the 3.58 MHz chrominance
signal. As a comparison, figure 3 shows a
negative sync video signal with and
without color. The relative levels in figure
3a correspond to the relative brightness, or
luminance, values for the monochrome
information.
In figure 3b, the 3.58 MHz chrominance
signal is added to the video signal for the
color information. The specific colors in the
color signal are not evident because the
relative phase angles are not shown. The
main point here is that the difference
between monochrome and color television
is the 3.58 MHz chrominance signal. Note
that the luminance levels in figure 3a are
the same as the average levels for the
signal variations in figure 3b. This means
that without the color signal information,
the color bars in figure 3b would be
reproduced in monochrome as the white,
gray, and black bars in figure 3a.
Vertical Interval
After the CRT is filled with lines of video,
the scanning beam must return to the top
of the screen so it can start all over again.
This repositioning time, called the vertical
blanking interval, is composed of 21
horizontal lines which are not displayed
(see figure 4). This portion of the
composite video waveform is extremely
important since it contains timing pulses,
FCC regulated test signals, source
identification codes, reference signals, and
information regardmg caption availability
for the deaf during a broadcast,
The first six pulses, known as equalizing
pulses, synchronize video information in
fields one and two. These pulses occur at
twice the horizontal sync rate and assure
that vertical triggering occurs at the same
time for odd and even fields.
Next is the vertical sync pulse The
three-line-wide pulse tells the scanning
circuits to start over again at the top of the
CRT. It contains serrations at half-line
intervals so the vertical sync pulses for
successive fields are timed for odd-line
interlaced scanning.
Following the vertical sync is a group of six
more equalizing pulses. This second set of
pulses ensure field frequency regularity.
Fig. 3: Video signal with and without color. (a) Monochrome signal alone, for white, gray
and black picture information. (b) Same signal combined with the 3.58 MHz chrominance
signal for color information.
Fig. 4: Detail of the vertical blanking interval.
The scanning beam does not reset to the
top of the screen at the start of vertical
sync because the sync pulse must build up
a charge in a capacitor to trigger the
scanning circuits. Typically, vertical
flyback starts with the leading edge of the
third serration. This means the time of one
line passes during vertical sync before
vertical flyback starts. So, three lines
(equalizing pulses) + one line (vertical
sync charge time) equals four lines that are
blanked at the bottom of the picture. Also,
as the scanning beam retraces from bottom
to top of the raster, five complete invisible
horizontal lines are produced.
With four lines blanked at the bottom
before flyback and five lines blanked
during flyback, 12 lines remain of the total
21 during vertical blankmg. These 12
blanked lines are at the top of the raster at
the start of the vertical trace downward.
The FCC regulates these lines which
include special reference signals and
communication signals.
Test Signals In The Vertical
Blanking Interval
Most TV stations transmit special reference
signals during the vertical blanking
interval. The two most common signals are
the VITS (vertical interval test signal) and
VIRS (vertical interval reference signal).
VITS
The VITS are used by the networks to
assist in evaluation of various parameters
of their broadcast systems performance.
The VITS are transmitted during active
operation to ensure continuous quality and
accuracy in terms of color and distortion.
In regard to transmitter performance, the
quality of the VITS frequently determines if
a problem warrants a trip to the transmitter
site.
The VITS is typically located on line 17 and
18 during vertical blanking (see figure 4).
The type of test signal is determined by
individual networks or the FCC and
depends on transmitter operation, area
served, etc.
VIRS
The VIRS is used to establish the correct
values of chroma amplitude and phase,
luminance, and black setup levels. The
Fig. 5: The VIRS consists of a chroma reference, a luminance reference and a black
reference.
VIRS, transmitted on line 19 of the vertical
blanking interval (see figure 5), includes
special reference val ues for these
parameters.
Since it is part of the transmitted signal,
the VIRS is available at the TV receiver.
Circuits have been developed to detect the
VIRS reference, and automatically set the
receiver levels to the correct values.
Communications Signals In The
Vertical Blanking Interval
Fig. 6: National Television Systems Com-
Of the 21 lines in vertical blanking, the first mittee (NTSC) standards.
nine are for vertical sync and equalizing
pulses. Lines 17, 18, and 19 are normally
reserved for VITS and VIRS, although the One of the recent additions to the vertical
individual network may switch these blanking interval has been closed-caption
signals to different lines. The remaining information for the hearing-impaired. This
lines have become extremely useful for signal is digitally encoded for
special communications systems. superimposed captions that can be
displayed on the TV picture. A special
decoder at the TV sorts out the lines used
to carry data for the captions. Then the
data are processed to form alpha-numerical
symbols, which include numbers and
letters.
Another system similar to captions is the
transmission of a much larger quantity of
data words to permit reproduction of full
pages of alpha-numerical characters in text
form. Graphics with simple pictures or
graphs can be included.
Form 4053 Printed in U.S. A.