An Introduction To Chinese Culture
An Introduction To Chinese Culture
An Introduction To Chinese Culture
(9) (10)
10
None will rally,
Some will attack.
If there is no determination in the heart,
Disaster will befall.
(42 Increase)
11
Expelled.
Returned.
Burned.
Died.
Abandoned (30 Fire)
11 (12)
(12)
An egret sings in the shade
Its young harmonizing.
I have a good wine,
For you to share.
(61 Sincerity)
(13)
Thick clouds and no rain
From my west field cometh.
The duke went shooting,
And got the bird in a cave.
(62 Small Excess)
13
14 Refusing a fat plum,
The gentleman gains a carriage.
The common man loses his house.
(23 Loss)
15
The gentleman loosened the rope.
Good for him.
The common folks got the punishment.
(40 Letting Loose)
14 15
Questions for Chapter Two
Confucianism has left us a rich literary heritage known as the Four Books and Five Classics. Can you
name them?
What is the central doctrine of Confucius?
Whats the difference between Philosophical Taoism and Communal religious Taoism? What do you
know about folk religion Taoism?
Tell the development of Buddhism in Chinese history and main difference among the Buddhism schools.
Tell how I-Ching, Book of Changes came into being.
China possesses one of the world's major literary traditions. Its texts have been preserved for over 3,000
years. Reverence for the past has influenced the preservation of these cultural sources, and may have influenced
the invention of woodblock printing in the 9th century and moveable type printing in the 12th century.
A Summary of Chinese Literature
Ancient literature is a precious cultural heritage of China's several thousand years of civilization. The Book
of Songs, a collection of 305 folk ballads of the Western Zhou Dynasty and the Spring and Autumn period,
compiled in the sixth century B.C., is China's earliest anthology of poetry.
Qu Yuan of the Warring States Period, China's first great poet, write Li Sao (The Lament), and extended lyric
poem. The Book of Songs and Li Sao are regarded as classics in Chinese literary history. Later, different literary
styles developed in subsequent dynasties.
There were pre-Qin prose, magnificent Han fu (rhymed prose), and the Yuefu folk songs of the end of the
Han Dynasty. Records of the Historian, written by Sima Qian of the Han Dynasty, is respected as a model of
biographical literature, and The Peacock Flies to the Southeast represents the magnificent Yuefu folk songs. These
are all well known among the Chinese people.
The Wei and Jin Dynasties (220-420) were a great period for the production of poetry. The poems written by
Cao Cao, a statesman and man of letters of that time, and by his sons Cao Pi and Cai Zhi, are fervent and
vigorous. They are outstanding forerunners of the progressive literature of later generations. The Tang Dynasty
gave birth to a great number of men of letters. The Complete Tang Poems is an anthology of more than 50,000
poems.
Representative poets include Li Bai, Du Fu, and Bai Juyi, who are the pride of the Chinese people. The
Song Dynasty is well known for its ci (lyric). Song lyricists may be divided into two groups. The first, best
represented by Liu Yong and Li Qingzhao, is known as the "gentle school"; the second, the "bold and
unconstrained school," is best represented by Su Shi and Xin Qiji.
The most notable achievement of Yuan Dynasty literature was the Zaju, poetic drama set of music. Snow in
Midsummer by celebrated playwright Guan Hanqing and The Western Chamber written by another Zaju master,
Wang Shipu, are masterpieces of the ancient drama.
The Ming and Qing dynasties saw the development of the novel. The Three Kingdoms by Luo Guanzhong,
Outlaws of the Marsh by Shi Nai'an, Journey to the West by Wu Cheng'en, and A Dream of Red Mansions by Cao
Xueqin are the four masterpieces produced in this form during this period. They have been celebrated for
centuries for their rich historical and cultural connotations and unique style.
The new cultural movement that emerged in the 1920s was an anti-imperialist and anti-feudal movement.
Progressive writers, represented by Lu Xun, gave birth to modern Chinese literature. The most outstanding
representative works of this era are the novels The Diary of a Madman and The True Story of Ah Q by Lu Xun,
the poetry anthology The Goddesses by Guo Moruo, the novel Midnight by Mao Dun, the trilogy novels Family,
Spring and Autumn by Ba Jin, the novel Camel Xiangzi by Lao She, and the plays Thunderstorm and Sunrise by
Cao Yu.
The history of Chinese literature begins with the Shih Ching or Book of Songs, an anthology of 305 lyrics of
various types, compiled ca. 600 B. C. Most of the songs probably were composed and sung between 1000 and 700
B. C., mostly at Chou court ceremonies (and thus provide a cross-section of early-Chou culture). Some Sinologists
have suggested, however, that certain lyrics from the Book of Songs may represent much earlier work, dating from
the Shang dynasty (as early as ca. 1700 B. C.).
Whatever the work's true dates of composition, two important traditions account for the origin and survival
of the Book of Songs. The first, recorded by a Chinese historian from the first century B. C., maintains that
Confucius personally selected these 305 poems from an earlier collection of over three thousand. Choosing poems
which exemplified his ideas about statecraft and harmonious personal relations, Confucius arranged them in their
present order, revising the musical scores to which the songs were customarily sung.
Though current scholarship now discounts much of this tradition, we do know that Confucius cherished the
songs, urged his disciples to study them carefully, and frequently referred to them as he taught. This endorsement
by the Master himself helped the Book of Songs survive--even a book burning mandated by the first Ch'in
Emperor. In addition, when Confucian principles later became the dominant Chinese social doctrine, many
individual lyrics from the Book of Songs were glossed as political allegories that interpreted, commented on, and
satirized significant events in Chou history. Even simple lyrics of courtship and celebration were read as veiled
political/social commentaries; for centuries thereafter, the poems remained sacred and potent vehicles of protest.
The second tradition, related to the first, dates from the third century B. C. According to this story, the songs
were collected by court officials sent out among the people by the Chou ruler. By listening to their poems, the
King hoped to gauge accurately whether his subjects lived well and happily under his reign. It was from this
earlier compilation, the tradition asserts, that Confucius chose the 305 songs that make up the work we possess
today.
The Book of Songs was originally divided into three major sections:
I. feng -- "Airs of the States"
II. ya -- "Courtly Songs"
A. hsiao ya -- "Lesser Courtly Songs"
B. ta ya -- "Greater Courtly Songs"
III. sung -- "Hymns"
The adoption of the expressive techniques of fu (descriptive prose interspersed with verse), bi (metaphor) and
Xing (evocation) greatly reinforce its illustrative power.
Poems in Ya (ode and epics) and Song (hymns) were used by the ruling class for specific occasions. Although they
could not match the poems in "The Book of Songs" in their ideological content, they reflected some aspects of
social life and therefore also had certain social meaning.
The sayings of Confucius were remembered by his followers and were later compiled in a book of Analects
(sayings), perhaps having been expanded on in the meantime. Through them we discover Confucius' notions of
the virtues, i.e., the positive character traits, to which we should aspire. Foremost among these is Filial Piety, the
respect which children owe to parents--and by extension, wives owe to husbands, sisters to brothers, and everyone
to ancestors. When such virtue is cultivated in the home, it is supposed to carry over into one's relations in affairs
of state as well.
In the history of Chinese literature, the Jian'an poems were a transition from the early folksongs into
scholarly poetry. The poet Cao Cao (155-220) was a statesman, strategist and king of Wei. His verse, mostly of
tetrasyllabic lines, bears a rich political coloring and is brimming over with power and enterprise. He and two of
his sons (Cao Pi and Cao Zhi), being outstanding representatives of the Jian'an style, are termed the Three Caos in
the history of Chinese poetry. While carrying forward the tradition of realism of the Han Music-Institute songs
and of the " Nineteen Ancient Poems they had absorbed the good qualities of folk songs in their verse
composition and had spurred the development of the poetic form of pentasyllabic lines.
In A Short Song, one of his famous poems, which is believed to have been composed at banquet, the poet
expresses his ambition to unify the nation and his sincere yearning for talent by employing such artistic techniques
as simile, metaphor, metonymy and allusion.
A Short Song
Cao Cao
I wonder,o'er the cup and in the song,
Whether the human life is short or long?
Perchance it is just like the morning dew,
Of whose limited time much much is gone.
Though a mellow quality the songs impart,
Th' pent-up thought refuses to with me part.
It is only Du Kang that can appease
This anxiety-laden secret heart.
Oh, talent of th' land, whose robes are deep green,
How my yearning for your presence is keen!
Some of his masterpieces include Gazing Out Across the Ocean and Though the Tortoise Lives Long.
Li Bai (AD 7O1 -762), the most outstanding poet at the height of the Tang Dynasty, is one of the great
romantic poets after Qu Yuan. He was later called the "poetic genius" and Chinese poetry reached its efflorescence
in his time.
The poems of Du Fu (AD 712-77o), the exemplary realist poet inthe history of Chinese literature,
mirror the social outlook of the once prosperous Tang Dynasty in decline.
Bai Juyi(AD 772-846) was another outstanding realist poet after DuFu. He was the most prolific
poet among Tang Dynasty poets .
Poetry of the mid-Tang Dynasty built on the creative output of the height of the Tang Dynasty. Works of this
period mainly spoke of social turbulence and people's sufferings. Bai Juyi is eminent as a realist poet of this
period. He carried on and developed the realist tradition of The Book of Songs and the Yuefu folksongs of the Han
Dynasty, and inspired an outpouring of realist poetry in terms of literary theory and .
Apart from the most famous Li Bai and Du Fu, many other poets also made enduring contributions in this
period. These poets fall roughly into two categories: the landscape poets represented by Meng Haoran and Wang
Wei and the frontier poets represented by Gao Shi and Cen Shen. Wang Wei was skilled at depicting natural
scenery in five-character lines and was considered to be the most talented literate in Tang dynasty.
Major Fiction Writers & Their Works
Luo Guanzhong And The Romance of the Three Kingdoms
The Romance of the Three Kingdoms was written in the early Ming Dynasty It was based on folk legends,
storytelling scripts and dramas ......
Shi Nai'an And Outlaws of the Marsh
Outlaws of the Marsh was written in the early Ming Dynasty ......
Wu Chengen And Journey To The West
Journey to the West, the most brilliant Chinese mythological novel, came out in the middle of the Ming
Dynasty ......
Jin Ping Mei (The Golden Lotus)
Jin Ping Mei is the first novel composed entirely by a scholar It is thought to have been completed during Wan
Li's reign of the Ming Dynasty ......
Cao Xueqin And A Dream of Red Mansions
A Dream of Red Mansions was written in the latter half of the 18thcentury. It is not only a great Chinese novel but
also a gem of world literature ....
Chinese calligraphy (Brush calligraphy) is an art unique to Asian cultures. Shu (calligraphy), Hua (painting),
Qin (a string musical instrument), and Qi (a strategic board game) are the four basic skills and disciplines of the
Chinese literati.
By controlling the concentration of ink, the thickness and adsorptive of the paper, and the flexibility of the
brush, the artist is free to produce an infinite variety of styles and forms.
In contrast to western calligraphy, diffusing ink blots and dry brush strokes are viewed as a natural
impromptu expression rather than a fault. While western calligraphy often pursue font-like uniformity,
homogeneity of characters in one size is only a craft. To the artist, calligraphy is a mental exercise that coordinates
the mind and the body to choose the best styling in expressing the content of the passage. It is a most relaxing yet
highly disciplined exercise indeed for one's physical and spiritual well being. Historically, many calligraphy artists
were well-known for their longevity.
Regarded as the most abstract and sublime form of art in Chinese culture, "Shu Fa" (calligraphy) is often
thought to be most revealing of one's personality. During the imperial era, calligraphy was used as an important
criterion for selection of executives to the Imperial court. Unlike other visual art techniques, all calligraphy
strokes are permanent and incorrigible, demanding careful planning and confident execution. Such are the skills
required for an administrator / executive. While one has to conform to the defined structure of words, the
expression can be extremely creative. To exercise humanistic imagination and touch under the faceless laws and
regulations is also a virtue well appreciated.
None of Wang Shizis original works remain today. Some of his best writings were preserved on carved stone
tablets, Stone rubbings taken from them have been reproduced and reprinted widely; they have been studied by
generations of students and used as examples to learn and practice the art of calligraphy.
Traditional Chinese Brush Painting
An important part of the country's cultural heritage, the traditional Chinese painting is distinguished from
Western art in that it is executed on xuan paper (or silk) with the Chinese brush, Chinese ink and mineral and
vegetable pigments.
To attain proficiency in this branch of art calls for assiduous exercise, a good control of the brush, and a feel and
knowledge of the qualities of xuan paper and Chinese ink.
Chinese traditional painting is highly regarded throughout the world for its theory, expression, and techniques.
According to the means of expression, Chinese painting can be divided into two categories: the xieyi school (free
hand brushwork) and the gongbi school (detailed brushwork). The xieyi school is marked by exaggerated forms
and freehand brush work. The gongbi school is characterized by close attention to detail and fine brush work.
Xieyi, however, is the fundamental approach to Chinese painting. It constitutes an aesthetic theory which,
above all, emphasizes the sentiments. Even in ancient times, Chinese artists were unwilling to be restrained by
reality. A famous artist of the Jin Dynasty Gu Kaizhi (c. 345-406) was the first to put forward the theory of
"making the form show the spirit".
Chinese calligraphy and Chinese painting are closely related because lines are used in both. Chinese people
have turned simple lines into a highly-developed form of art. Lines are used not only to draw contours but to
express the artist's concepts and feelings. For different subjects and different purposes a variety of lines are used.
They may be straight or curved, hard or soft, thick or thin, pale or dark, and the ink may be dry or running. The
use of lines and strokes is one of the elements that give Chinese painting its unique qualities.
Traditional Chinese painting is a combination in the same picture of the arts of poetry, calligraphy, painting,
and seal engraving.
The origin, Development and Artistic Features of Quyi
Quyi is a general name for a variety of spoken and Sung arts. It became a special art form after under going a
long period of development and evolution from oral literature and songs. The origin of quyi goes way back in
China's long history. In ancient times, both story telling and comic performances containing aspects of quyi were
widespread among the common people, while the most talented artists performed songs, dances and comedy
routines, accompanied by the music of stringed instruments, in the palaces of the rulers and the mansions of the
nobility. By the Tang Dynasty (618-907), stories old and new flowed from story tellers' lips. Then tales from
Buddhist scriptures, which were very popular, were added and sung to the prevalent daqu and folk tunes. All this
gave impetus to the development of the storytelling and singing arts. From that time on, quyi as an independent art
form, took shape.
Research has shown that there are 4O0 forms of Quyi (popular in different parts of China. Each has its own
background, but they all have original folk features, a broad mass basis and similar artistic characteristics.
- Popular Tales and Storytelling
- Xiangsheng(Comic Dialogue)
- Kuaishu and Kuaiban
- Dagu and Gushu
- Suzhou Pingtan
- Beijing Opera
- Northeast Errenzhuan
- Yuequ,or Guangdong Melodies
- Sichuan Opera
- The Quyi of Ethnic Minority Groups in China
Questions for Chapter Three
What is the earliest collection of songs in the history of Chinese literature?
What is the most important work of Confucian literary heritage?
Who is the representative of Jian'an literature and Jian'an style?
What is China's first book on literary criticism?
What are the four great novels of Ming and Qing dynasties?
List more forms of traditional arts other than operas.
For centuries, China was the world's most advanced civilization, and the cultural center of East Asia, with an
impact lasting to the present day. China is also home to many of the great technical inventions in world history,
some of the greatest inventions in the world were by made by the Chinese.
Paper Making ()
The invention of paper greatly contributed to the spread and development of civilization. Before the invention of
paper, bones, tortoise shells, and bamboo slips were all used as writing surfaces, but as Chinese civilization
developed they proved themselves unsuitable because of their bulk and weight. Hemp fiber and silk were used to
make paper but the quality was far from satisfactory. Besides, these two materials could be better used for other
purposes so it was not practical to make paper from them.
is a Chinese idiom describing a learned man. The story behind it concerns a scholar named Hui
Shi who lived during the Warring States Period. He needed five carts to carry his books when he traveled around
teaching. Books at that time were made of wood or bamboo slips so they were heavy and occupied a lot of space.
Reading at the time needed not only brainwork but also physical strength.
In 105 A.D. Cai Lun, a eunuch during the Eastern Han Dynasty, invented paper from worn fishnet, bark and
cloth. These raw materials could be easily found at a much lower cost so large quantities of paper could be
produced.
The technique of paper making was exported to Korea in 384 A.D. A Korean Monk then took this skill with
him to Japan in 610 A.D.
During a war between the Tang Dynasty and the Arab Empire, the Arabs captured some Tang soldiers and
paper making workers. Thus, a paper factory was set up by the Arabs.
In the 11th Century the skill was carried to India when Chinese monks journeyed there in search of Buddhist
sutras.
Through the Arabs, Africans and Europeans then mastered the skill. The first paper factory in Europe was set
up in Spain. In the latter half of the 16th century, this skill was brought to America. By the 19th century, when
paper factories were set up in Australia, paper making had spread to the whole world.
Gunpowder
In Chinese, gunpowder is called huo yao, meaning flaming medicine. Unlike paper and printing, the birth of
gunpowder was quite accidental. It was first invented inadvertently by alchemists while attempting to make an
elixir of immorality. It was a mixture of sulphur, saltpeter, and charcoal. At the end of the Tang Dynasty,
gunpowder was being used in military affairs. During the Song and Yuan Dynasties, frequent wars spurred the
development of cannons, and fire-arrows shot from bamboo tubes.
In the 12th and 13th centuries, gunpowder spread to the Arab countries, then Greece, other European
countries, and finally all over the world.
Black powder is a type of gunpowder invented in the 9th century and was practically the only known
propellant and explosive until the middle of the 19th century. It has been superseded by more efficient explosives
such as smokeless powders and TNT. It is still manufactured today but primarily for use in fireworks, model
rocket engines, and reproductions of muzzleloading weapons.
Printing Technique
Inspired by engraved name seals, Chinese people invented fixed-type engraved printing around 600 A.D. The skill
played an important role in the Song Dynasty but its shortcomings were apparent. It was time-consuming to
engrave a model, not easy to store, and not easy to revise errors.
During the reign of Emperor Ren Zong of the Northern Song Dynasty, Bi Sheng invented moveable, reusable
clay type after numerous tests.
Single types were made and picked out for printing certain books. These types could be used again and again
for different books. Because of the large number of different characters in the Chinese written language, this
technique did not have a dramatic impact at the time. However, today, this typesetting technique is regarded as a
revolution in the industry. About 200 years later, this moveable-type technique spread to other countries and
advanced the development of world civilization.
Compass
During the Warring States period, a device called a Si Nan became the forerunner of the compass. A Si Nan was a
ladle-like magnet on a plate with the handle of the ladle pointing to the south. In the 11th century, tiny needles
made of magnetized steel were invented. One end of the needle points north while the other points south. The
compass was thus created. The compass greatly improved a ship's ability to navigate over long distances. It was
not until the beginning of the 14th century that compass was introduced to Europe from China.
The compass was for religious use. When a new houses was being built, the used it to see if the house was
faced in perfect harmony with nature (which meant they thought if you faced your house to magnetic north, you
and nature would get along).
The compass started out as a wooden circle with markings on it, and a magnetic spoon on top.
MEDICINE
Chinese had many natural remedies some of which included natural herbs and acupuncture.
The discovery of medicine in ancient China started more than 2,000 years ago. In Ancient China, the
Chinese's goal to make medicine was to make an elixir of life to make emperors immortal and help them live
eternally. Eventually, in their quest to make an elixir of life, they made series of medicines and remedies. That is
how China began the search for medicine.
About a century after the discovery of medicine, acupuncture was invented in China. Acupuncture is a
treatment, which doesn't involve any drugs. Needles are put in certain parts of the person's body. The Chinese
believed that if you put the needles in those specific spots, Yin and Yang would be balanced. When the forces
were balanced, it was believed to relieve your pain and you wouldn't get any diseases. That treatment was the
most commonly used one at the time.
About a century after the discovery of medicine, acupuncture was invented in China. Acupuncture is a
treatment, which doesn't involve any drugs. Needles are put in certain parts of the person's body. The Chinese
believed that if you put the needles in those specific spots, Yin and Yang would be balanced. When the forces
were balanced, it was believed to relieve your pain and you wouldn't get any diseases. That treatment was the
most commonly used one at the time.
Li Shizen was a famous pharmacologist noted in Chinese records, too. He traveled through China to
find every medical achievement there was. He then summarized them from his time, and he listed the 1,892 herbs
and listed the 11,000 prescriptions in a book. He also corrected mistakes in some medicine uses and he classified
all the herbs used in medicine.
Paper money
Chinese invented paper money at the end of the eighth or beginning of the ninth century AD. Its original
name was 'flying money' because it was so light and could blow out of one's hand. The first paper money was,
strictly speaking, a draft rather than real money. A merchant could deposit his cash in the capital, receiving a paper
certificate which he could then exchange for cash in the provinces.
When Marco Polo visited China, he was so impressed by paper money that he wrote a whole chapter about it,
describing everything about its manufacture and circulation. He described the manner in which it was issued:
All these pieces of paper are issued with as much solemnity and authority as if they were of pure gold or
silver; and on every piece a variety of officials, whose duty it is, have to write their names, and to put their seals.
And when all is duly prepared, the chief officer deputed by the Khan smears the Seal entrusted to him with
vermilion, and impresses it on the paper, so that the form of the Seal remains printed upon it in red; the Money is
then authentic.
Abacus
The abacus as we know it today, appeared (was chronicled) circa 1200 A.D. in China; in Chinese, it is called
suan-pan. On each rod, this classic Chinese abacus has 2 beads on the upper deck and 5 on the lower deck; such
an abacus is also referred to as a 2/5 abacus. The 2/5 style survived unchanged until about 1850 at which time the
1/5 (one bead on the top deck and five beads on the bottom deck) abacus appeared.
Abacus is a Latin word that has its origins in the Greek words abax or abakon (meaning "table" or "tablet")
which in turn, possibly originated from the Semitic word abq, meaning "sand" .
Chinese Seismograph
Designed with a machine called the Earthquake weathercock, which was a contraption that told them when
and where an earthquake would come. This machine looked like a giant six-foot bronze pot that had dragon heads
lining the top, and ivory frogs under each dragon.
Zhang Heng, (78 AD - 139 AD), was born in Nanyang, Henan Province. He was a famous man of letters and
scientist in the East Han Dynasty in the Chinese history. His works include Ode to the West Capital, Ode to the
East Capital and 22 pieces of other literary works. He became a court official in 111 AD and was assigned as the
court historian afterwards. He invented the armillary sphere and the seismograph.
Joseph Needham was born on 9 December 1900. He was the single child of a middle-class family of Scottish
ascent living in London. Joseph Needham started studying chemistry at Cambridge University (England),
although being more interested in biology. He had his bachelor degree in June 1921, his master's degree in January
1925 and his PhD in October 1925.
His interest for Chinese culture was initiated by a visit to China in 1937, which produced his big project
Science and Civilisation in China. He received the Award of the George Sarton Medal of the History of Science
Society in 1968, and the Award of the Bernal Prize of the Society for the Social Studies of Science in 1984.
In his old age, Needham suffered increasingly from Parkinson's disease. He peacefully died at his home in
Cambridge on the evening of 24 March 1995, at the age of 94.
The Science and Civilisation in China series is the work of Joseph Needham and an international team of
collaborators.
Joseph Needham (1900-1995)
Questions for Chapter Four
What are the four great inventions in ancient China?
Name three or four scientific and technological classics in ancient China.
Name other inventions you have known in the history of China.
The ancient system of Confucian education prepared young men for work in government offices. The
founders of the People's Republic in 1949 prioritized education and focused upon expanding access beyond the
privileged elite to the proletariat.
Imperial Examinations
The Imperial Examination System exerted a great and far-reaching influence on China's ancient bureaucratic
politics, education, cultural, society and historical process. The Imperial Examination System of China also
profoundly influenced ancient Eastern Asian and modern Western civil service examination system. in dynastic
China determined positions in the civil service based on merit and education, which promoted upward mobility
among the population for centuries.
The exams usually tested the knowledge of the Confucian classics but also, at different points in the Dynastic
history, would test the students ability to compose specific forms of poetry, calligraphy style and even painting
style
The degree types were as follows:
[shngyun] , also called Xiucai (), quasi-bachelor degree, administered at the local level each
year Anshou shngyun who ranked #1
[jrn] quasi-masters degree, administered at the provincial level every three years
Jieyuan jrn who ranked #1
[jnsh] () quasi-doctoral degree, administered in the capital every three years
(Jinshi jidi) Jinshi who ranked #1-#3
(Zhuangyuan), jnsh who ranked #1
(Bangyan ), jnsh who ranked #2
(Tanhua), jnsh who ranked #3
(Jinshi Chushen ) jnsh who ranked 2nd class
(Tong Jinshi Chushen ) jnsh who ranked 3rd class
Theoretically, any male adult in China, regardless of his wealth or social status, could become a high-ranking
government official by passing the test, although under some dynasties members of the merchant class were
excluded. In reality, since the process of studying for the examination tended to be time-consuming and costly
(private tutors had to be hired), most of the candidates came from the numerically small but relatively wealthy
land-owning gentry. However, there are numerous examples in Chinese history in which individuals moved from
a low social status to political prominence through success in imperial examination. Under some dynasties the
imperial examinations were abolished and official posts were simply sold, which increased corruption and reduced
morale.
The system was finally abolished in the last few years of Qing Dynasty. According to the historical record of
China, from the start of the Sui Dynasty (605) to its abolition near the end of the Qing Dynasty (1905), the
Imperial Examination System had lasted continuously for 1300 years.
Educational institutions in ancient China consisted of National University, Directorate of Education, and
private schools. Private academy was a new form of educational institution that came into existence in the Song
Dynasty.
Though private academies were often established jointly by the government and civilians, they were where
private teachers taught. They emerged because the study of Confucianism was very active in the Song Dynasty.
They provided rostrums for scholars to discuss and spread their doctrines.
Under the influence of Zen Buddhism, private academies paid attention to an enriched spiritual life and the
cultivation of character. They taught according to the students' aptitude, avoiding teaching for the sole purpose of
passing imperial examinations. Nevertheless, they overlooked the training of skill and technique since they
concentrated on Confucian classics. Private academies developed in the Yuan and were further promoted in Ming
Dynasty.
The flourishing of private academies since the Song Dynasty embodied the cultural spirit of China's feudal
society in its later period. They are an important heritage of China. Their free educational institution, teaching
method and academic atmosphere are drawing more and more attention from various factors at home and abroad
in the present information era which places such importance on knowledge and education.
Modern Education
With the end of the Cultural Revolution and the economic liberalization of China that erupted with its
opening to the outside world in 1979, China's education sector experienced a rapid and much needed rally of
reinvestment.
The last twenty-five years has seen phenomenal improvement to educational infrastructure, teacher training,
course curriculum, and State attitude to education planning. The desire for education continues to be high; higher
education is being pursued in ever greater volume and an increasing number of Mainland students are traveling
overseas for both secondary and university education.
China's education system is traditionally defined along four major lines: basic education; higher education;
adult education; and vocational education. Basic and higher education are considered part of the core education
system.
Education is compulsory between the ages of seven and fifteen which encompasses primary school and
junior middle schoolthis is commonly known as the nine-year compulsory education system. Following junior
middle school students have the option of continuing through senior middle school and to university or pursing
vocational schooling. Students are able to leave the education system at the end of junior middle school.
By the end of 2003 national attendance within the nine-year compulsory system had reached 90% of all
available students; almost reaching the State's goal.
Basic Education
Pre-school education
Primary school (5 or 6 years)
Junior middle school (3 years)
Senior middle school (3 years)
Higher Education
College (2 or 3 years)
Undergraduate (4-5 yars)
Master (2-3 years)
Doctor (3 -4 years)
Post-doctoral ( 2 or 3 years)
Vocational Education
Specialized secondary schools
Technical secondary schools
Vocational secondary school
High professional vocational school
Adult Education
Adult primary education
Adult secondary education
Higher education for adults
University Matriculation System
China's university entrance system has been revised repeatedly since the current system was re-established in
1977. The system encompasses three core aspects: examinations, enrolment management, and students' university
selection and application.
The system was overhauled in 1987 with the introduction of the 3+1 model; this was replaced with the 3+2
model in 1995 and the 3+X model in 1998. The models encompassed the following:
3+1 Model: Students would be tested in three basic subjects: mathematics, Chinese, and a Foreign Language
(generally English), plus one subject chosen from physics, chemistry, history, geography, biology, or politics. The
selection was dependent upon the university and course to which the student was applying.
3+2 Model: Examination expanded to encompass the three core subjects of the 3+1 model plus two
additional subjects based upon art or science focus. Art students would also take history and politics, while
science students would take physics and chemistry.
3+X Model: Examination includes the three core subjects of the 3+1 Model plus one chosen from physics,
chemistry, politics, geography, history, and biology. Universities can dictate which subject is required for entrance
evaluation.
English as a Second Language
While English as a second language (ESL) is a frequently used term for English language instruction in
English speaking countriesin China the more accurate term and philosophy that guides English instruction is
English as a foreign language (EFL).
To strength foreign language instruction the government has established foreign language schools. Students
in these schools spend upward of twelve hours per week in English classdouble that of ordinary middle school
students. Graduates of foreign language schools are expected to meet level nine.
While some schools claim to offer bilingual education in Chinese and English with carefully designed
curriculum that balances the two languages, there are few that have managed to come close.
The government's default position on the core educational provision (i.e. basic and higher education) is that it
should be supplied on a not-for-profit basis. In recent years, the private sector has begun to play an increasing role
in education and foreign educational institutions have been permitted a degree of market access. Nevertheless,
there is still an obligation for educational activities to be styled as not-for-profit.
Questions for Chapter Five
Tell the imperial examinations in the history.
Comment on the government funding on education.
What do you think of the University Matriculation System?
What do you think of English as a second language for non-English majors
Folk customs practiced in China are rich and diverse, as can be expected from a country with such an ancient
history and a large population made up of many different ethnic groups. The various folk practices have their
origins in tribal traditions, mythology, seasonal changes and their effects on agriculture, or historical events. The
customs include special feasts or ceremonies which require specific foods, clothes, or ornaments.
China is known as the home town of tea. People throughout the country drink tea daily. Wherever Chinese go,
the custom of drinking tea follows. The Chinese were the first to discover the tea leaf, and have drunk tea for
uncounted ages.
Because of the geographic location and climate, different places grow various kinds of tea. In general, there
are five kinds of tea classified according to different technique involved in the making of tea. They are Longjin of
Hangzhou, Wulong of Fujian, Jasmine tea, Black tea and compressed tea.
Tea is an indispensable part of the life of a Chinese. A Chinese saying identifies the seven basic daily
necessities as fuel, rice, oil, salt, soy sauce, vinegar, and tea. The custom of drinking tea is deeply ingrained in
almost every Chinese, and has been for over a thousand years. During the mid-T'ang Dynasty (618-907 A.D.), a
man named Lu Yu entered the Buddhist monkhood early in life, but returned when older to secular life. He was
later best known for summarizing the knowledge and experience of his predecessors and contemporaries into the
first compendium in the world on tea--the Tea Classic (ch'a Ching). This work helped to popularize the art of tea
drinking all across China, making avid tea drinkers of everyone from emperor and minister to street hawker and
soldier. Even the neighboring countries of Korea, Japan, and Southeast Asia came to adopt the tea drinking
custom.
In the early 17th century, the Dutch East India Company introduced Chinese tea for the first time to Europe.
By the mid-17th century, afternoon tea had become a standard ritual of the British nobility. It is interesting to note
that the two different pronunciations for "tea" most common in languages that borrowed the word from
Chinese-cha and tee-originate from different dialects of Chinese. Languages of countries that once imported the
leaves from the north of China, such as Turkey, Russia, and Japan, adopted some variation of the sound cha, such
as chay, chai, or chya. Countries on the southern maritime lines of China, such as Spain, Germany, and England,
borrowed the word in the forms of te, Tee, and tea respectively, based on the southern Chinese pronunciation.
The proportion of tea leaves to water also depends on the kind of tea leaves used. The teapot may be filled
from one-quarter to three-quarters full with tea leaves, depending mainly on how tightly curled the tea leaves are
as a result of the rolling and roasting processes. The teapot is then filled with water. Steeping time starts at one
minute, but varies from tea to tea. The time required for subsequent brews from the same leaves must be
proportionally lengthened. The best kind of teapot to use for most fermented teas is a purple clay ceramic pot. The
size of the pot should be in correct proportion to the size of the cups. Ideally, the cups should have white interiors,
to facilitate accurate assessment of the color of the tea.
People enamored of tea drinking also usually enjoy the beauty and feel of teapots. Small teapots are used to
steep tea in most homes in the Republic of China today. This particular method has been passed down to the
present day from the days of Ming Dynasty Emperor Shen Tsung in 16th century China, so it boasts a 400-year
history. The full aroma and sweetness of the tea can be brought out when using a small teapot to steep tea. During
the Ming (1368-1644) and Ch'ing (1644-1911) dynasties, the purple clay ceramic teapots of Yihsing, Kiangsu
were the most famous. Any pieces made by a master potter are sought after everywhere, and are worth their
weight in gold. While master potters in the Republic of China continue to produce traditional purple clay ceramic
teapots, they have also developed a number of creative new teapot designs which have received enthusiastic
public response. Collecting teapots has become a fashionable pastime.
Chinese Alcohol
Alcohol is part of Chinese folklore and in modern China alcohol still remains an important role in this
folklore, despite many social vicissitudes. It still appears in almost all social activities, the most common
occasions being birthday parties for seniors, wedding feasts and sacrifice ceremonies, where liquor must be the
main drink to show happiness or respect.
In ancient China, since alcohol was regarded as a sacred liquid it was only used when people made sacrificial
offerings to Heaven, Earth or significant ancestors. After the Zhou Dynasty, alcohol was deemed as one of the
Nine Rites and every Dynasty since, placed heavy emphasis on alcohol administration, setting up special
ministries to manage alcohol production and banqueting. Later, along with the development of zymotechnics
and brewery, alcohol became much more of an ordinary, everyday drink. Thus, many of the daily customs
involving alcohol evolved.
Classification: will give you an idea of Chinese alcohol family.
Alcohol and social activities: enables people of different cultural backgrounds to understand the Chinese
alcohol culture and folklore.
Drinking game (Jiuling): is a very traditional Chinese game. Learning the cultural facts of the game may
spark your interest for drinking in China. It is much more interesting than dicing.
Drinking vessels: made by the Chinese people across centuries, enable people to appreciate the exquisite
Chinese craftsmanship and acquire tips for drinking alcohol in China.
Food & Drink
The development and diversity of the delights of Chinese cuisine are also representative of China's long
history. With each dynasty new recipes were created until the art of food preparation reach its peak during the
Qing Dynasty (1644 - 1911). The dinner called Man Han Quan Xi that incorporates all the very best of Man and
Han Cuisine is held in high esteem involving as it does countless dishes, each with its own distinctive flavor and
appeal. This veritable banquet in its preparation and presentation typifies all of the culture and culinary arts that
have been perfected over centuries and is a comprehensive amalgam of taste, instruments, and manners.
The diversity of geography, climate, costumes and products have led to the evolution of what are called the
'Four Flavors' and 'Eight Cuisines' but as catering is a living art sub-classifications continue to increase.
Sichuan cuisine which is hot and spicy, is based on red chili pepper and garlic. Dishes include Gungbao
chicken, Mother Ma's bean curd, aborigine with garlic sauce, minced chicken with Gingko nuts, and fried prawns
with pepper sauce. Fried breads make a nice change from rice.
Cantonese food is richer and sweeter than that of other regions. Dishes consist of fried shrimp with
cashews, beef with oyster sauce, onion-marinated chicken and sweet-and-sour pork. Pastries include buns, sweet
paste or preserves, steamed dumplings stuffed with meat, deep-fried spring rolls and tarts.
Pekinese cuisine is more mild, combining roast or barbecued meat (often cooked at the table), flat
pancake wrappers and vegetables. Dishes include Peking duck, carp cooked three ways, chicken-in-paper, eels
with pepper sauce, steamed prawns, diced chicken in heavy sauce and ham marrow sauce.
Shanghai cuisine is mostly seafood with rich salty sauces. Dishes include ningpo (fried eel), shark's fin in
chicken, mushroom with crab meat, West Lake fish and shark's fin soup.
Mongolian cooking consists of two basic dishes of Huoguo ('firepot' - meat dipped in a sauce based on
sesame paste, shrimp oil, ginger juice and bean paste) and barbecue (various slices of meat and vegetables cooked
on an iron grill and eaten in a sesame bun).
1. Spring Festival
Date: The first day of a year in lunar calendar, usually between late Jan and early Feb
Place: National wide
Activities: fireworks display, visiting and greeting, lion and dragon dancing, holding temple fairs and many
other great folklore-inspection events.
Remark: Spring Festival is the most important event in China, known as the Chinese New Year. It is the first
day of a lunar year and usually lasts weeks. Before the event, houses are thoroughly cleaned. Everybody gets
haircut and purchase new clothes. People burn incense at home or in the temples to pay respects to ancestors and
ask Gods for good health, peace and luck in the coming year. Red lanterns are hung everywhere and red scrolls
with antithetical couplets are pasted at every gate. On New Year's-Eve, families have a reunion feast of Jiaozi
(dumplings) and Niangao (a kind sticky rice cake), and then stay up all through the night, talking about the past
and the future
2. Lantern Festival
Date: 15th of the first lunar month
Place: National wide
Activities: Lanterns expositions, garden parties, firework displays and folk dances.
Remark: The festival falls on the 15th day of the first lunar month. During the event, various types of delicate
and splendid lanterns are exhibited and red lantern can be seen all around. Every family eats yuanxiao (a kind rice
ball stuffed with beans, sugar or others sweet things), which is a symbol of family reunion, unity, affection and
happiness.
3. Qingming Festival (Pure Brightness)
Date: 12th of the 3rd lunar month, usually around April 4th or 5th.
Place: National wide
Activities: Cleaning ancestors' graves and holding memorial ceremonies, spring outing, and flying kites
Remark: It was said this festival was set to memorialize Jie zitui, a loyal man in the Spring and Autumn Period,
who helped his liege lord when his lord was in jeopardy, and later refused to accept position offer after his lord
restored his crown and power. Mr. Jie escaped to a mountain with his mother and died in the fire his lord set to try
to force him out to accept his position. In order to commemorate Mr. Jie, his lord set the day he died as original
Qingming Festival.
People will clean their ancestors' graves and make offerings to pay their respects. Spring outing and flying kites
are popular during the festival.
4. Dragon Boat Festival
Date: 5th day of the 5th lunar month
Place: National wide
Activities: Dragon Boat races and eating Tzungtzu (pyramid shaped rice wrapped in reed or bamboo leaves)
Remark: The Chinese Dragon Boat Festival is a significant holiday celebrated in China, and the one with the
longest history. During the event, dragon boat races are held. In thunderous drumbeats, racing teams sprint
forward to reach the finish end.
The boat races during the Dragon Boat Festival are traditional customs to attempt to rescue a patriotic poet, Chu
Yuan. Chu Yuan drowned himself on the fifth day of the fifth lunar month in 277 B.C because his king did not
take his advice and his state was conquered. People drove boats and throw bamboo leaves filled with cooked rice
into the water to feed fishes in order to save his body. Later the custom of eating Tzungtzu and rice dumplings
came into being.
5. Mid-Autumn Festival
Date: 15th of the 8th lunar month
Place: National wide
Activities: Dragon Boat racing, enjoying moonlight and eating moon cakes
Remark: Mid-Autumn festival is also known as the Moon Festival. People will eat moon cakes-pastries filled
with gooey sesame, red bean and walnut during the festival with family members under moonlight.
There are other traditional festivals which are becoming aware nowadays, such as the Double seventh Day and
the Double Ninth Day. The former is traditional Chinese Valentine's Day and is the day when a cowherd and his
wife, a weaving maid and Jade Emperor's daughter, meet in the heaven on the Magpie Bridge. The later used to be
the day when people climb onto high mountains and miss their family members.
Mongolian People' s Nadam Fair
The Nadam Fair is a traditional festival celebrated in the Inner Mongolia Autonomous Region in the 7th lunar
month. "Nadam" is the Mongolian word for "recreation" or "games"."
The Mongolians grow up on horseback and horses thus play an important part in their life. Horse racing vividly
expresses the Mongolian people's special way of life on the green grasslands. Before the race begins, an elderly
ma usually holds high a silver bowl of fresh milk and a Blue hada and chants something to bless the riders. This
eulogy before race is peculiar to the Mongolian people.
Wrestling is another important sports activity~ at the festival. The wrestler who wins the first prize gets a strip of
colorful cloth pinned on the chest. The brave Mongolian people, in this way, show their incomparable strength and
unwavering courage.
Archery, as the third of the "men's three events," provides people with a good chance to show their skill. Great
amusement is derived from this event.
Nadam is also a fair. The Mongolians, wearing their holiday best, come to attend the fair from all over Inner
Mongolia.
Corban
Corban, a festival celebrated by China's Muslims, falls on the l0th day of December in the Islamic calendar. There
are ten ethnic minorities whose religious faith is Islam. These ten peoples include the Hui, Uygur, Kazaks, Kirgiz,
Tajik, Tatars, Uzbek, Dongxiang, Salar, and Bonan.
"Corban" is an Arabic word for"sacrifice" or"dedication." The Chinese version for this word is ZaishengJie (the
festival of butchering animals), that is, the day to slaughter animals as an offering. Legend has it that Ibrahim, the
Prophet, on his way to Mecca for pilgrimage received in a dream an order from Allah that he should offer his son
Ismail to the God. But at the very moment Ibrahim was brandishing a sword to do so, Allah sent a special envoy to
bring him a sheep and inform him to sacrifice it instead of dedicating his son. Since then, this practice has been
continued and developed into today's Muslim Corban.
Questions for Chapter Six
Tell briefly about the history of tea planting in China.
Tell some stories about famous Chinese in history in connection with wine.
Which Chinese cuisine do you love best, and why?
Describe other Chinese traditional festivals or festivals of ethnic minority groups which are not
mentioned in the coursebook.
China isn't a countryit's a different world. Unless you have a couple of years and unlimited patience, it's best to
follow a loose itinerary here, such as following the Silk Road, sailing down the Yangzi River, or exploring the Dr
Seuss landscape of Guangxi Province.
From shop-till-you-drop metropolises to the epic grasslands of Inner Mongolia, China is a land of cultural and
geographic schisms. It's not that it has completely done away with its Maoist past - it's more that the yin of
revolutionary zeal is being balanced by the yang of economic pragmatism.
Jacques Shirac, president of France, once said: "One can't claim to have visited China unless one has seen these
terracotta warriors." Shirac predicted that the Qin terracotta warriors would become a major historical site to
attract overseas tourists to China. The number of tourists to Shaanxi in Northwest China has increased steadily in
the past 23 years since terracotta figurines were first discovered. Examples of such figurines have been displayed
on five continents, thus arousing keen interest in the terracotta warriors. A report in the United Evening News of
Singapore said that all leaders from other countries who visit Beijing find it a great pleasure to go to Xi'an, capital
of Shaanxi Province, and see the terracotta warriors.
During the Shang and Zhou dynasties (16th to 3rd centuries B.C.), slaves were buried alive with the slave-owners
and aristocrats when they died. The number of such slaves immolated depended on the status of the deceased.
More than 60 slaves were sacrificed when Duke Wu, the ruler of the State of Qin, died in 678 B.C. Later, 177
slaves were immolated when Duke Mu of the State of Qin died in 621 B.C. This practice aroused indignation
among the people of Qin. Duke Xian banned this practice when he ascended the throne of the State of Qin in 384
B.C. While still regarding slaves as chattels, the slave-owners had to replace burying slaves alive with using
figurines as funerary objects.
North Pole and South Pole are known as the two extremities of the earth. But some people call Tibet the world's
third extremity, considering its height above sea level. Lured by this observation, we embarked to a trip to this
mysterious land of snow-covered mountains.
In the past one hundred years, countless people made an attempt to go to Tibet through the ancient "Musk Road"
but many failed to reach the destination and some even died on the long and tortuous way. Thanks to the
construction efforts over the past decades, travel to Tibet is no longer considered a perilous undertaking.
The Three Gorge Dam is the largest dam in the world, as wide as the Golden Gate Bridge and twice as tall,
capable of generating 18 gigawatts of hydro-electric power.
Additional Questions about the project:
What are the highest dams in the U.S.?
Where is the highest dam in the world?
Which countries have the most hydro power?
The highest dam in the Unites States is located near Oroville, California. The Oroville Dam rises 754 feet (230
meters) and is more than a mile (1.6 km) wide. This dam was built in 1968, 22 years after the Hoover Dam. The
Hoover Dam, on the Nevada-Arizona border controls the Colorado river. It is 726 (221 meters) feet high and
stores 21.125 million acre-feet (2.6 million hectare-meters) of water in the 115 mile (192 km) long Lake Mead
reservoir, behind the dam.
The highest dam in the world is Nurek Dam on the Vakhsh River in Tadzikistan, a country in central Asia. This
dam is 984 feet (300 meters) tall!
Canada, United States, Russia, Brazil, followed by China and Norway
China has numerous exquisite traditional arts and crafts. Among the most famous are carving and metalwork,
embroidery and painting, ceramics and porcelain, and cloisonn (a kind of finish) enamel inlay. Bamboo furniture,
woven bamboo and grass objects, paper cuts, lanterns, kites, and toys are popular traditional craft items, while
Chinese jade and ivory ornaments, cloisonn, and embroidery are treasured by people all over the world.
Embroidery is a traditional craft that has flourished over the ages. China's four main styles of embroidery
developed in Suzhou (Jiangsu), Hunan Province (Central China), Sichuan Province (Southwestern China), and
Guangdong Province (South China).
An embroidery artist may use several dozen different stitches to portray flowers, people, animals, scenery, or any
number of meticulously designed patterns.