Indonesian Lampshade Export

Indonesian Decorative Lighting
Handbook of Commodity Profile

Indonesian Lighting :
Enlighten the World
Is developed as part of national efforts to create mutual

beneficial economic cooperation and partnership between
Indonesia and world communities.
Published in 2010 by :
Trade Research and Development Agency

Ministry of Trade, Republic of Indonesia
Cetakan Pertama
Introduction
The Trade Research and Development Agency is making continuous attempt to collect, analyze and
present information on various products manufactured in Indonesia through printed media, and at this
point, we proudly present information on the lighting industry and product of Indonesia.
This product profile gives picturesque information about lighting and products as well as creative
industry of Indonesia. The Lighting traders and lighting designers dedicate their expertise and craftsmanship for the lighting trade development. Their works and creativities have contributed and given big
influence to the industry in the country.
The reader will enjoy reading the historical development of Indonesian Lighting, starting from the traditional mining activities in several provinces. More interestingly, the reader will have imaginary journey
to different provinces around the country and get the knowledge on Indonesian Lighting.
Besides, it will give a picture on Indonesian Lighting products produced by the potential national
manufacturers, ranging from small and medium sizes. The industries have been developing and would
be boosted up to enter international markets. Supporting data will be presented to figure out Lighting
product development.
We hope that the readers will find this book informative and enjoyable.
Head of Trade Research and Development Agency (TREDA)
Minister of Trade
Republic of Indonesia
Message
Blessed with variety of culture, Indonesia has transformed to be a country full of imagination.
Everything starts from an idea or concept in mind then translate it into something and it is all about
Indonesian craftsmen. Light can transform moods. Indoor lighting complements different moods,
feelings and every-day shades, practically telling the art of living. Indonesia is a country full of color
and style, from traditional to modern. This is the advantage of this beautiful country where so many
inspirations can come across from everywhere in our lives.
With shades of light, the ambience can change from special to occasional and even extravagant,
and create magic with special effects. Using decorative lighting is another way of enhancing the
beauty and character of the house. The skill of Indonesian craftsmen is undoubtable.They all are great
people who creates great art work. Lamp is not an ordinary lamp because the craftsmen creates is
beautifully into a masterpiece. Some get it hereditary as part of the culture from our ancestor. Some
get it as the effect of business development. Whatever it is, it still originally made by Indonesian craftsmen.
Mari Elka Pangestu
CONTENTS
1
3
17
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25
LIGHT CREATES MOOD

INDONESIAN DECORATIVE LIGHTING TRUE WORKS OF ART
CENTER OF DECORATIVE LIGHTING INDUSTRY
GOVERNMENT & THE DECORATIVE LIGHTING INDUSTRY
INDONESIAN LIGHTING IN WORLD TRADE
Why do we need light? Why do we want light?

Aside from the obvious answer that 80% of the information we
have is acquired through the eyes, our sense of sight is essential
because it can influence our heart, our minds, and our souls
better than our other senses.
People look up to the sky and see that great ball of light called the sun. Ancient
people worshiped it as the giver of life, the controller of fate and the power that
cast evils away. They worshiped around sacred fires at temples. And they bring a
small piece of fire to their home to give them warmth and a feeling of security in
the dark, cold nights that came to befell them. But even after the days turned hot
and our meals were cooked, people still kept a bit of fire in the form of torches or
candles or lamps to keep our surrounding bright and built windows and openings
in our walls and roofs to bring natural lights in. Our relationship to light has grown
beyond the basic physical needs of seeing and heating, but also involve our feelings,
our aesthetics, our minds, our dreams, our existence.
And in this modern age, an entire industry has developed to provide us with
more than just a simple ray of light, but a whole experience that take us to a different level of existence. The lighting industry of today is amazing in its ability to
combine nature, creativity and technology to the human experience. Indonesia,
long famous for its natural resources and creative people, is ideal for this industry
to develop.
And as the pages in this book shows ...... that industry has developed. And the
lighting experience that comes with it is magical.
INDONESIAN DECORATIVE LIGHTING
Creativity of Indonesian craftsmen is undeniable. Indonesia is a country that has many tribes
and ethnicities. Each of them has unique features like language, culture, environment, and
way of life that translate to different style of art
and crafts. With the help of modern technology
Natural materials are frequently used in the making
and with the rise of international trade, the world
of creative lighting products in Indonesia. Its earth is rich
can finally have access to Indonesian decorative
with metal ores, stones and minerals. Wood, fibers, shells,

feathers, and all sorts of organic materials are plentiful.
lighting products.
And yet, this wealth of resource does not lead to wasteful

production, because Indonesian craftsmen are ingenious
in their way of processing ordinary waste to become luxury items.
Bamboo
Bamboo can easily be found in Indonesia, and there-
fore one of the most common Indonesian handicrafts is

made from bamboo. Many beautiful home furnishing is
made from high quality bamboo, including lamps. Although originally traditional and rural in style, many of
the products that reach the homes of the higher class
of societies have more modern design. These bamboo
lamps can be found in Jakarta, Bogor, Yogyakarta, Kediri,
Jombang and many other places in Indonesia.
Coconut Petals
The palm tree is an icon of a tropical island paradise. And naturally, palm trees
can be found all over Indonesia. Many lower income villagers use coconut bract or
spathe for cooking fuel, but in the creative hands of the Indonesian craftsmen, they
become good raw material for decorative lamp. One of these lamps is known as
mancung lamp. Mancung refer to this covering of the coconut flowers. It is not
clear who is the first craftsmen who created these mancung lamps, but now they
can be found in many coastal cities where palm trees is available, such as in Pecuk
Village of Tulungagung, East Java or in Bantul, Yogyakarta.
Rattan
Rattan is always enticing to explore, a natural material that the tropics and sub-
tropics countries are familiar with. As the worlds largest source of raw rattan materials, Indonesians have for a long time use rattan for various purposes. Most modern
usage, though, is for furniture, including lamps that are both useful and fascinatingly beautiful. Natural rattan is flexible enough to bend and weave, yet strong and
durable, and the most important of all, it can be fashionably combined with other
materials, such as leather, iron, sea-grass, water hyacinth, and many more. Creativity
in design has brought forth high-quality products.
Seashell Lamps
Whole seashells or parts of sea shells have been used as jewelry or as other
forms of adornment since prehistoric times. The vast oceans and beaches that surround Indonesia is an inspiration for many craftsmen to create beauty from this
great blue world.
Small pieces of colored and iridescent shell have been used to create mosaics
and inlays. Large numbers of whole seashells, arranged to form patterns. Each sea
shell lamp is uniquely handcrafted. All the seashells are individually hand placed by
the craftsmen making no two lamps exactly alike. A love for the sea was the compelling drive for the design of this creation.
Initially the shell width is selected, then cleaned, then

put into the oven and given a mixture of certain chemicals
that are hard shells become soft and easily shaped and
cut to the desired pattern. At the finishing stage, the shells
will be given a layer (coating), so it looked shiny and hard.
The sea shells are thoroughly cleaned and sprayed to
deepen their natural beauty and luster. The union of art
and beauty make seashell lamps exclusive artworks that
will enhance any home. Big manufacturing companies focused on making product from sea shells can be found in
Cirebon and Sulawesi.
Copper and Brass Lamps
Copper and brass are the two metals suitable and interesting to
make various handicrafts like the vase, hanging lamps, wall hangings and so on. Colors and durable materials make people
more like copper and brass handicrafts than other materials. Various creations can be made with copper and brass
materials.
Copper is one of the few metals to occur naturally as an
un-compounded mineral. Copper is 100% recyclable without
any loss of quality whether in a raw state or contained in
a manufactured product. Copper was known to some of the oldest
civilizations on record, and has a history of use that is at least 10,000
years old.
Boyolali District of Central Java is very famous for its brass and copper
handicrafts. The production center is located in Cepogo, a village known for
its craft as well as being a district for handicraft tourism. There are many galleries displaying handicrafts of brass and copper. Home-based manufacturing
industries such as Asta Kriya, Metal Furnicraft, AA Art Gallery and many others have
their workshops here. Their skills are outstanding and their product is magnificent.
Their lineage can be traced back a few centuries to the early days of Mataram Kingdom in southern Central Java.
Brass handicraft-making process is quite long and through several stages of
processes as well. In producing good quality of copper handicraft, we need a good
quality of coating in the finishing process or commonly called finishing clear coating. Copper lamp is a low maintenance lamp, it doesnt need further treatment, it
will remain the same time after time.
Art Glass Lamps
Studio glass or glass sculpture is the modern use of glass as an artistic medium
to produce sculptures or two-dimensional artworks. As a decorative and functional medium, glass was extensively developed in Egypt and Assyria, brought to
the fore by the Romans (who spread glassblowing, invented by the Phoenicians),
and includes among its greatest triumphs European cathedral stained glass windows. The glass objects created are intended to make a sculptural or decorative
statement.
There are many ways to create and decorate a piece of art from glass. Specific
approaches include working glass at room temperature cold working, stained glass,
working glass in a torch flame (lampworking), glass bead making, glass casting, glass
fusing, and, most notably, glass blowing. To disguise the intense electric light, lampshades were used in colored glass.
Company that produces art glass lamp can be found easily in Bali. One of the
companies that focus in making glass lamp is Kiky Ragil and Aurabali, establishes in
Denpasar. Bali the company has been engaged in providing amazing glass lamps for
domestic and international market. Kiky concentrates in making floor lamp only, while
Aurabali creates more variety of art glass lamps. Aurabalis products are ranging from
candle holder, table lamp, floor lamp and many more. In addition to Bali, producer of
art glass lamp can also be found in Yogyakarta and Surabaya.
There are 6 types of art glass based on how this beautiful artwork is done:
Blown Glass
Blown glass, where a glassblower works at a furnace full of molten glass using metal rods and hand tools to blow and shape almost any form of glass, is one of the older
and more popular ways to work. Most large hollow pieces are made this way, and it
allows the artist to be improvisational as they create their work as it is very hands on.
Flame-worked glass
Another type is flame-worked glass, which uses torches and kilns in its production. The artist generally works
at a bench using rods and tubes of glass, shaping with hand tools to create their work. Many
forms can be achieved this way with little investment into money and space. Though the art
is somewhat limited in size, a greater level of detail
can be achieved with this technique.
Cast glass
Cast
Generally the artist
glass can be done at the furnace, at the torch or in a kiln.

makes a mold out of refractory, sand, or plaster and silica
which can be filled with either clear glass or colored or patterned glass, depending
on the techniques and effects desired. Large scale sculpture is usually created this
way. Commonly used for under-cabinet lighting or future lights installation in modern
house.
Slumped glass
Slumped glass and fused glass is similar to cast glass, but it is not done at as
high a temperature. Usually the glass is only heated enough to impress a shape or
a texture onto the piece, or to stick several pieces of glass together without glue.
Stained glass
With stained glass the artist cuts the glass into specific patterns to make their
artwork which are stuck together using lead came and solder. They can also use hot
techniques in a kiln to create texture, patterns, or change the overall shape of the
glass. Stained glass can be used for glass lantern just like the Middle East type of
lantern.
Etched glass
Etched glass is created by dipping glass that has an acid resistant pattern applied to its surface into an acid solution. Also an artist can engrave it by hand using
wheels. Sandblasting can create a similar effect.
Paper Lantern
People may call it lantern, art lamp or maybe paper
lot of potential art product, which can be developed us-
lamp, but as an interior and exterior decoration lantern
ing local resources. And the result is beautiful, stylish and
is essential to fulfill the intention of romantic and exotic
extraordinary design of paper lanterns.
atmosphere. Tiang Jaler is one of the existing companies

that focus in making paper lantern. They produce hand-
Paper lanterns are common in China and Japan, and
crafted goods with the best material to made high qual-
similarly, in Chinatowns, where they are often hung out-
ity lamps for customers. Tiang Jaler was founded in year
side of businesses to attract attention. In Japan the tradi-
2002 in Bandung, West Java. Bandung is one of the ex-
tional styles include bonbori and chochin and there is a
otic Old City and center of fashion in Indonesia where the
special style of lettering called chochin moji used to write
talented, creative and innovative young people gathered.
on them. Paper lanterns come in various shapes and sizes,
Tiang Jaler is one of the young communities that see a
as well as various methods of construction. The simplest
form is simply a paper bag with a candle placed inside, although more complicated
lanterns consist of a collapsible bamboo or metal frame of hoops, covered with
tough paper.
In Indonesia there are some home industries in that focus in making paper lantern, their product has very good quality and has been used in special ornament in
5 stars hotel and exported to major Asian countries. The most famous paper lantern
industries located in Jl. Ir. H. Juanda, Malang, East Java. There are plenty of shops
and workshops in this area working on paper lantern. This is the production center
of lantern craft. In this production center there were once the giant lantern or the
biggest lantern ever made in Indonesia. It proves that they ready to compete in
international market to make any kind of paper lantern in various shapes and sizes.
Paper lanterns can be classified into 5 distinct classes:
1.
The Babys Bottom is the miniature class, often used in modern times with
Christmas lights.
2.
The second class is the Rolling Paper, the tall, cylindrical lanterns often associated with restaurants and bars.
3.
The third class is the Tomato Light also known as Big Red; the classic round
mid-size lantern.
4.
The fourth class is the Crystal Magic; the variously-shaped geometric lamps
constructed of many square and triangular panes.
5.
The last is known as Buddhas Gastronomy; the large and extra large lanterns
used to decorate temples and for show at festivals.
Ceramic & Stone Lantern
Ceramic lantern is another creative pottery product. It is very easy to make and,
therefore, easily found in every city in Indonesia. This type of lantern is usually for
outdoor decorative purpose. Ceramic lantern is another option of buying stone lantern. Lantern made from stone (batu candi) is usually expensive and another choice
is buying the ceramic lantern. Both of them give natural impression. Home industry
that makes this ceramic lantern can be seen along the Magelang-Yogyakarta route
or Bantul and Sleman, to be specific.
Alabaster is a natural stone which has special characteristics of being transparent. Alabaster is widely known for its beautiful markings and its uniqueness, as well
as issuing a very romantic soft illumination. Not many people know that Indonesia
also has beautiful alabaster. Alabaster is more commonly known as onyx. Yellowish alabaster is primarily chosen for their beautiful markings and translucency. The
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stone is handpicked and then cut to size before it is shaped and polished. The center
of the cylinder is then milled out from the bottom so that the cylinder walls are thin
enough to become translucent. This process is done so that a bulb may be placed
inside the stone allowing the alabaster to be illuminated when desired.
Related to its making, alabaster is more expensive than ordinary glass-made
lamps. However, the price of alabaster is accompanied with the state of art design,
offering matchless value in each alabaster and satisfaction for its beauty. There is
one company that focus in making decorative lamp using alabaster, the name of
company is the same with the stone; it is Alabaster Lighting and located in Bali.
Crystal Lamps
Crystal lamp is identical with chandelier type of lamp. From the 15th centu-
ry, more complex forms of chandeliers based on ring or crown designs began to
become popular decorative features, found in palaces and homes of the nobility,
clergy and merchant class. Neoclassical motifs became an increasingly common
element, mostly in cast metals but also in carved and gilded wood. Developments in
glassmaking in the 18th century allowed the cheaper production of lead crystal. The
light-scattering properties of this highly refractive glass quickly became a popular
addition to the form, leading to the crystal chandelier.
Like it is stated before that crystal lamp first used in Europe, crystal lamp in Indonesia was once introduced by the Dutch long time ago. Only certain companies produce crystal lamp because the market is niche and the price itself is quite expensive.
Alabaster Lighting from Bali differentiate themselves with other lamp producers in
term of design and the quality of the products. In addition to producing onyx lamp,
it also produces crystal lamp. Each product is carefully designed so it is unique, exclusive and not a mass product.
Fiberglass Lamp
Fiberglass (also called glass fiber) is a material made from extremely fine fibers
of glass. It is used as a reinforcing agent for many polymer products; the resulting composite material, properly known as fiber-reinforced polymer (FRP) or glassreinforced plastic (GRP), is called fiberglass in popular usage. Fiberglass lamp can
be found in many lamp manufactures in Indonesia, it has become common material
for lamp.
Glassmakers throughout history have experimented with glass fibers, but mass
manufacture of fiberglass was only made possible with the invention of finer ma-
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chine tooling. What is commonly known as fiberglass today, however, was invented in 1938 by Russell Games Slayter of Owens-Corning as a material to be used as
insulation. It is marketed under the trade name Fiberglass, which has become a genericized trademark. A somewhat similar, but more expensive technology used for
applications requiring very high strength and low weight is the use of carbon fiber.
Glass-reinforced plastic (GRP) is a composite material or fiber-reinforced plastic
made of a plastic reinforced by fine glass fibers. Like graphite-reinforced plastic,
the composite material is commonly referred to by the name of its reinforcing
fibers (fiberglass). Thermosetting plastics are normally used for GRP production
most often unsaturated polyester, but vinyl ester or epoxy are also used. Traditionally, styrene monomer was used as a reactive diluent in the resin formulation giving
the resin a characteristic odor. More recently alternatives have been developed.
The glass can be in the form of a chopped strand mat (CSM) or a woven fabric. Uses
for regular fiberglass include many type of decorative lighting.
In Indonesia there are plenty of home industries making decorative lamp using
fiberglass (either fiberglass or GRP) but usually instead of using fiberglass alone
the craftsmen combine it with other materials like sea shells, stones etc. Fiberglass
lamp from Indonesia is well received in countries in North America, Eastern Europe,
Asia, and Western Europe.
Resin
Resin is a hydrocarbon secretion of many plants, particularly coniferous trees. It is valued for its chemical properties
and associated uses, such as the production of varnishes, adhesives, and food glazing agents; as an important source of
raw materials for organic synthesis; and as constituents of incense and perfume. In perfumery such products are often
termed ambered, based on fossilized resins being the source of the gemstone
amber. Resins are also a material in nail polish.
The hard transparent resins, such as the copals, dammars, mastic and sandarac, are principally used for varnishes and cement, while the softer odoriferous
oleo-resins (frankincense, elemi, turpentine, copaiba) and gum resins containing
essential oils) are more largely used for therapeutic purposes and incense. Resin in
the form of rosin is applied to the bows of stringed instruments (e.g. violin, etc), because of its quality for adding friction to the hair. Ballet dancers may apply crushed
rosin to their shoes to increase grip on a slippery floor.
Unique quality lamp & wall decoration made from resin are available in various
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shape such as ball, egg, bottle, square, cylinder, silhouette, oval, half oval, pyramid,
animal & others.
Lampshade
Lampshade
A lampshade is a fixture that covers the light bulb on a lamp to diffuse the light
it emits. Conical, cylindrical and other forms on floor-, desk- or table top-mounted
as well as suspended lamp models are the most common and are made in a wide
range of materials. The term can also apply to the glass hung under many designs of
ceiling lamp. Beyond its practical purpose, significant emphasis is also usually given
to its decorative and aesthetic features.
In the late 17th-century in Paris the first public lanterns made their appearance
in the centre of the streets. They lit the road during the night. In 1763, the rverbres
made their appearance. The first public oil lamps in Milan, financed by revenues
from a lottery, date from 1785. These were lanterns containing an oil lamp with
a number of wicks. A semi-spherical reflector above the flame projected the light
downwards, while another reflector, slightly concave and near the flame, served to
direct the light latterly.
Lampshade used in floor lamp or table lamp can be classified in two type:
1.
Fabrics; such as silk or cotton. This type of lampshade need to be washed in

periodical time
2.
Non fabrics; can be cast glass, resin, bamboo or other natural material.
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Wrought Iron Chandeliers
Wrought iron is an iron alloy with a very low carbon content in comparison
to steel, and has fibrous inclusions, known as slag. This is what gives it a grain
resembling wood, which is visible when it is etched or bent to the point of failure.
Wrought iron is tough, malleable, ductile and easily welded. Historically, it was
known as commercially pure iron, however it no longer qualifies because current
standards for commercially pure iron require a carbon content of less than 0.008
wt%.
Before the development of effective methods of steelmaking and the availability of large quantities of steel, wrought iron was the most common form of malleable iron. Wrought iron has been used for many centuries, and is the iron that
is referred to throughout Western history. The other form of iron, cast iron, was not
introduced into Western Europe until the 15th century; even then, due to its brittleness, it could only be used for a limited number of purposes. Throughout much
of the Middle Ages iron was produced by the direct reduction of ore in manually
operated bloomeries, although waterpower had begun to be employed by 1104.
One application is furniture. It is also used to make home decor items such as
bakers racks, wine racks, pot racks, etageres, table bases, desks, gates, beds, candle
holders, curtain rods, and not forget lighting product. Premium quality wrought
iron lamp is manufactured in Boyolali, Central java.
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CENTER OF DECORATIVE LIGHTING
The national economy of Indonesia faced hard times in a decade ago. The impact
of a worldwide recession contributed to a drop in the countrys foreign exchange
reserve. The handicrafts-based sector of small-scale industry continued to expand,
including lighting product created by home industries. This may be due in part to
the fact that the handicraft-based sector is particularly important to the poor as a
supplemental source of income generation.
With 80% of the population in rural areas engaged in the agricultural sector,
small-scale enterprises are ideally suited to supplement income and employment at
the household level. Small-scale enterprises do not require a high level of education
or complex technology. They are labor-intensive and do not depend on large capital
investments. Because of these advantages, about 75% of the present labor force is
absorbed by small-scale household industries. The government has recognized the
importance of the small-scale sector and since the mid-1970s has promoted a number of innovative schemes to encourage further development of this sector.
Most of the traditional villages in Indonesia are a handicraft center, which is a
special attraction to bring tourists from abroad. Many of handicrafts domestic production, as well as decorative lighting product has led Indonesian craftsmen skilled
in making handicrafts, but the problems that arise until now is marketing techniques.
Indonesian craftsmen still lost in terms of marketing and how to run good marketing
techniques in order to compete with products from other crafts.
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Art is believed as an aspect that can give human being psychological satisfaction
and materials. This is the fact that where the area have developed art there have better
life standard and more communicative in the sense of diversity relation. Small-scale
enterprises can be vulnerable to the whims of the market, particularly when they are
specialized and only produce one product or work with one type of raw material.
Craftsmen need to be able to adapt to changes and diversify their activities to meet
changing market demands. Lamp crafts or lighting home industry in Indonesia is able
to do this by recognizing new demands and implementing new designs to meet them.
But the most favored artists are of the carving, painting, gold and silver, and batik.
Some of them built their small shops or art galleries to host the guest during their
visit to their village. With the assistant of tour agencies the artists could fully expose
their works both at their place of work or through etalages belong to the big shops
or private collectors. It was really a promising stage for Balinese, Javanese, Kalimantan and even Asmat artisans. One can see various Indonesian ethnic arts being
exposed at the places frequently visited by the tourists. The artists from central Java
for example got a great favor from the development of Bali which could expose
their works such as batik, garments, woodworks, gold and silver works, basketry,
and others.
Riau Islands
Riau Islands (Kepulauan Riau) is an archipelagic province that has been blessed
with full of Gods compassion. It is located near the Straits of Malacca, one of the busiest
waterways in the world with huge shipping activities, and borders directly with Singapore
and Malaysia, two important business hubs of the Asia Pacific. One of the islands in the
province is Batam. It has special development zone status and one of the countrys most
industrious regions. Riau Islands also has unlimited investment potential in trade and industry, mining, tourism, agriculture, livestock breeding, and aquaculture. And as tables in
the next section shows, Riau Islands has significant amount of export of lighting products.
DKI Jakarta
The national capital of Jakarta is the most industrious and developed area in the country and enjoy high standard of living. It can also be said that Jakarta is the main gate to the
outside world. The city is the home of various media enterprises, galleries, trade promotion centers and exhibition halls, shopping malls and distribution centers, small and large
companies, large numbers of affluent residents, and also of many creative talents, such as
industrial designers, artists, architects, interior designers and movie makers that can add
positively to the lighting industry. They are the consumers as well as the middle-men in
the trade of decorative lighting products. They are also the brain behind various product
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designs and commercial venture that drives the industry.

As the table in later section will show, Jakarta exports millions of dollars worth of goods annually.
West Java
Surrounding Jakarta is the Province of West Java, a
populous and a highly developed region. It has a large
number of manufacturing operations, universities and
research institutes, and well developed infrastructure. Its
large factories are efficient and world-class, but its small
and medium business sector is also a source of pride and
economic power, as the following story will show.
Sugih Mukti Cooperative (Koperasi Sugih Mukti /KSM)
is a producer of decorative lighting products. Its history cant be separated from Kamaludins role as founder
and chairman of the cooperative management since its
establishment. Kamaludin is a pioneer of decorative light
handicraft in the area around Babakan Ciparay, Bandung.
The year between 1967 and 1978 were difficult times for
him. As a worker, his income is barely enough for food
Good management and creative designs led to growth.
and basic necessities. The situation encouraged him to
In April 1987, KSM won an award from the BID (Business
improve living standards.
Initiative Direction / International Gold Star for Quality)

from Madrid, Spain. In October 1987, Indonesian Ministry
Finally in 1978, armed with steel determination and a
of Industry further support them by taking the group to
set of useful experience, Kamaludin try to make decora-
participate in study visits to Japan. KSMs achievement is
tive lights on his own and sell them to neighbors. Some
recognized by the Upakarti Award from the State. And in
of those neighbors got attracted and decided to bring
1991, KSM was formally appointed as business partners
those products to the entire city of Bandung, selling them
for small industries and artisans in iron working.
from door to door. In 1979, orders began to flow in. Kamaludin recruits local people, particularly orphans, creating
Another decorative lighting product in West Java is
small enterprises. Seeing Kamaludins success, neighbors
gentur lantern. Gentur lanterns are made of hand-crafted
were inspired to study and try to make decorative lighting
brass with colored glass. They are colorful and uniquely
product. Then on August 31, 1981, the craftsmen agreed
designed, distinctive and elegant. The lanterns have been
to form a cooperative named Sugih Mukti with Mr Ka-
exported abroad in large quantities. Gentur lantern is
maludin as the head. Members not only come from the
quite famous as a folk craft in Cianjur. The manufactur-
local village, but also from the regions like Cipatat and
ers are located in the Village District of Warungkondang
Ciwidey, etc. KSM first export was to the Netherlands in
Jambudipa or about 7 km with a distance of 20-minute
1987 in one full container.
journey from the City of Cianjur.
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Central Java
North of Yogyakarta is the Province of Central Java. The province is many times larger
and populous than Yogyakarta and also has the capacity to produce world-class decorative lighting products. Although less visited by tourists or ordinary business travelers,
Central Java is also the location of Surakarta, the cousin and, at times, rival court, to the
Yogyakarta Sultanate. Similar to the case of Yogyakarta, this heritage is carried over to the
modern age as industrious and creative characters of its people.
Production centers are more dispersed and specialized in Central Java. Boyolali, in its
southern part, for example, is strong in handcrafted brass, copper and metal-workings.
While northern coastal district of Jepara is world famous with its furniture and brilliant
wood-carvings. The City of Solo, the seat of the Surakarta Kings, is a hub of creativity and
also of many factories. The provincial capital of Semarang is a cosmopolitan and modern
city that also serves as a commercial hub for the whole province. Through Tanjung Mas
port in Semarang, ships bring goods to many parts of Indonesia and the world.
Yogjakarta
Yogyakarta is a city and province with outstanding
themselves from maker of goods for the imperial and so-
historical and cultural heritage. For many centuries Yog-
cial elites to the manufacturer of goods for the world of
yakarta or the region around it (in southern Central Java)
international commerce. Today, there are plenty of manu-
was the cultural and imperial centre of the Javanese, in-
facturers of a variety of floor lamps and table lamps in the
cluding the Kingdom of Mataram, the last of those great
area. Materials used include natural ones like bamboo,
kingdoms. The magnificent Budhist temple Borobudur
wood, banana stem, and fibers or processed materials like
and other ancient temples and structures are located in
paper, metal and plastic. Most of the designs incorporate
this area. Even now the kraton (the sultans palace) exists
traditional styles, but with modifications to suit interna-
in its real functions as a cultural and political center, as
tional tastes. Quality-wise, the craftsmen still maintain
well as point of interest of many tourists and scholars.
their proud heritage as trusted suppliers to royal households. Their workshops and galleries are located within
Just like any other imperial center, Yogyakarta is rich

with artisans and designers. They managed to transform
20
the City of Yogyakarta or the nearby districts of Bantul,

Sleman, etc.
Kalimantan
Biggest Total Export Value From Kalimantan
HS
Description
Province

in US$ (Thousands)
Export
Destination
Total Export Value

2004-2009
South Kalimantan
Japan
174,313
East Kalimantan
Malaysia
137,482
9405109000
Oth chandeliers&oth elec ceiling /
wall light.fittng,exc.of apublic spac.light
9405109000
9405109000
South Kalimantan
South Korea
16,320
9405501900
Oth. non elect. lamps&flighting fittings
West Kalimantan
Japan
13,688
Source : BPS-Statistics of Indonesia
Bali
Bali is mostly famous as a tourist heaven because of
ing products reside in Gianyar district, while galleries and
its scenic landscape, unique cultural heritage, hospitality
shops are spread in every corner of the island, especially
of its inhabitants, and good quality of life. The interaction
its southern part where most of the hotels and resorts are
of its millions skillful populace and the various visitors has
located. Tourists and business travelers passing through
create a remarkable business environment. Many artists
the island can find all sorts of beautiful lamps and lan-
and craftsmen have come to Bali to live and work. With
terns. If one would want to order in bulk or need a specific
ideas, skills and opportunities, Bali becomes a leader in
technical requirement or prefer to purchase a one of a
decorative lighting products.
kind design, highly creative designers and efficient contract manufacturing operations are easily accessible. They
Most workshops and craftsmen of decorative light-
can provide clients with the best solution.
21
The government is working to boost Indonesias

creative industries by supporting both promotion
and financial facilitation to improve the sectors contribution to the national economy.
Financial Support
It recognized the critical role that small-scale industries play in providing widespread
employment and generating income as studies showed that 75% of the total labour force
was employed in this sector. To back up these policy decisions a number of credit facilities and support institutions were created to help craftsmen and entrepreneurs start up
small-scale manufacturing units. Among these are:
1.
The government facilitates creative industries access to financing through partnerships with financial institutions. It is proven by Rp.15.5 trillion provided from five
state-own banks for small and medium enterprises including those in lighting small
medium enterprise, not to forget that this effort supported by State-Owned Enterprises Minister
2.
The Kredit Investasi Kecil or Small Investment Credit policy which aims at helping
small-scale or household industries to obtain credit from the The duration of the
credit is 10 years including a 4-year grace period
3.
Along with the Small Investment Credit, a permanent working capital credit fund
Kredit Modal Kerja Permanent was also made available for the sector. The duration of the credit is three years including a one year grace period. This fund aims at
providing small-scale firms with working capital to expand their production as well
as their income.
4.
Government provided funds approximately Rp16 trillion for the National Program
for Society Empowerment or Program Nasional Pemberdayaan Masyarakat Mandiri
(PNPM Mandiri) in 2010. PNPM soft loans to help Indonesians run a new business
or develop their current business. This program began in 2004 and is still running.
22
Promotion Support
Indonesian Minister of Trade Mari Elka Pangestu said that the government would help small
and medium enterprises (SMEs) of the creative industry by supporting the promotion of, expanding market access for and promoting improvements in the quality of creative products.
Among these are:
1.
A number of regional institutions were established such as the Unit Pelaksanaan Teknis
(UPT) such as Technical Assistance Unit in Jepara, with the intention of extending training
and technology to craftsmen.
2.
National Council of Handicraft Industries was set up. The Chairman of the Council at the
national level is the Vice-Presidents wife. This council has branches in the provinces. At
the provincial level the board is headed by the Governors wife. The Boards tasks are as
follows:
a.
to improve the skill of crafts persons;
b.
to develop regional handicraft potential;
c.
to give guidance to the small-scale entrepreneurs in order to improve the marketing

techniques and the quality of the products;
d.
to advertise handicraft goods;
e.
to promote the creativity and skill of crafts-persons in the production of handicraft

goods; and,
f.
to accommodate the exchange of ideas and information among craftspersons as

well as between the traders and the government regarding the problems they face
3.
The development of the Jakarta International Handicraft Trade Fair also known as INACRAFT, constitutes one of the supporting factors of the development of the Indonesian
handicraft Industry. The industry has contributed 30 % to the growth of national economy.
Moreover, INACRAFT has been recognized to be a national representative platform for
promoting and launching a product, especially handicraft. INACRAFT has been held every
year in the month of April since 1999 2009
4.
ITPC, shorts for Indonesian Trade Promotion Center is a non profit Government Organization under the supervision of the National Agency for Export Development (NAFED). Both
institutions are part of the global trade network abroad supervised by the Indonesian
Ministry of Trade, with a common goal to enhance the export of Indonesian products
throughout the world. Facing the rapid growth of the global economy, especially in a very
competitive environment, ITPC is expected to bridge and connect the potential traders
between countries.
23
24
INDONESIAN LIGHTING
Exporting to the World
Marketing opportunities Indonesian lighting products in overseas markets is still
quite large. World product trends that re-use of natural materials has given Indonesia
great chance to win the market because most of Indonesian products using environmentally friendly materials.
World biggest demand of lighting product still concentrated in Electric table, desk,
bedside or floor-standing lamps (HS 940520) followed by Chandeliers & Other Electric
Ceiling or Wall Lighting Fittings (HS 940510). The summary can be seen from the table
below.
Top Categories of Lighting Export based on Harmonized Systems (HS)

HS
Description

9405209090
Other electric table, desk
9405109000
Other chandeliers & other electronic ceiling/wall lighting fitting, exc.of a public spac.light
9405919000
Parts of glass of other lamps
9405509012
Lamp shades of textile materials
9405509012
Oil lamps of other base metal, or of wood
9405509013
Oil lamps of plastic, stone, ceramic,- glass
9405405000
Street lamps/lanterns
9405509019
Other oil lamp of plastic
9405929000
Parts of plastics for other lamps
9405509011
Oil lamps of brass, used for religious rites
9405501900
Other non electronic Lamps & lighting fittings
9405406000
Other exterior lighting, other than street lamps/lanterns
9405300000
Lighting sets of a kind used for christmas trees
9405501100
Non electronic lamps & lighting fittings - of brass, for religious rites
9405914000
Glass globes and chimneys for other lamps
9405209010
Electric table of spotlights
25
Indonesia Exit Point to International Market

Indonesia is an archipelago where two-thirds of its territory is water and is located at a strategic location at the intersection of world trade routes. Therefore, the role of ports in supporting economic growth
and social mobility and trade in this region is very large. Ports are important factors for the government in
managing the countrys economy.
The international airports in large cities also provide their own advantage in world trade. It makes the
trading activity faster and reaches more countries and cities in the world for its export destination. Though
Indonesia has many production centers spotted in many cities. Most of them are concentrated in 5 provinces as the exit point to International market.
DKI Jakarta
Major Country of Export Destination from Jakarta

in US$ (Thousands)
donesia has been famous for
No. Country of Export

Destination
its trading activity. Established
Japan
51,241
USA
13,799
Singapore
6,072
Hong Kong
3,194
port for the Kingdom of Sun-
China
2,347
da. It was formerly known
Vietnam
2,319
Saudi Arabia
1,321
UAE
1,320
Jakarta as the capital of In-
in the 4th century, the city became an important trading
as Sunda Kelapa (397
Export Value
2004-2009
Germany
1,181
1527), Jayakarta (15271619),
10
Australia
1,015
Batavia (16191942), and Dja-
11
Malaysia
590
12
Philipines
541
13
Thailand
471
14
Taiwan
371
13
Sweden
364
city until today is because it
14
Maldives
327
has Indonesia largest interna-
15
India
316
16
Netherland
316
17
Nepal
290
18
France
277
19
Pakistan
271
20
United Kingdom
240
21
Italy
235
22
Panama
202
23
Austria
181
24
Spain
177
25
Kenya
Other Countries

TOTAL
karta (19421972). One of the

reasons for Jakarta remains as
the most important trading
tional port and airport.
26
177
1,813
90,968
Figure 1 Export Value to Japan from Jakarta in 2004-2009

Export to Japan
in US$ (Thousands)
No.
HS
Description
Total Value
9405209090
Oth. elect. table, desk
64,480
9405300000
17,637
9405109000
Oth chandeliers&oth elec ceiling/wall light.fittng,exc.of apublic spac.light
5,828
9405405000
1,996
9405991000
Lampshades of textile materials
314
9405929000
179
9405919000
175
9405501900
118
9405509019
103
10
9405406000
55
Japan is the major client for Jakarta with more than 50% of all the value exported.
The value peaked in 2007. Although demand from Japan decreased in 2008, the total
export value in 2008 was increasing. This is because in 2008 there are new demands
coming from Nepal, Thailand, Malaysia and other countries.
Export from Jakarta

in US$ (Thousands)
18.000.000
16.767
16.565
15.318
Value in USD
14.800
14.195
14.000.000
13.324
10.000.000
2004
2005
2006
2007
2008
2009
27
Japan demand was decreasing in 2008 but the total export value in 2008 is increasing. This is because in 2008 thereare new demand coming from Nepal, Thailand, Malaysia and other countries. The number has been ordered by those countries are not
significant compare to Japan but it contributes a lot increasing the number of export
value from Jakarta.
Indonesia may lost Japan but hopefully with more effort Indonesia can acquired
more buyer from other country.
Lighting Category by Harmonize System (HS) Exported from Jakarta

in US$ (Thousands)
No. HS
Description
9405209090
64,480
9405300000
17,637
9405109000
5,828
9405405000
1,996
9405991000
314
9405929000
179
9405919000
175
9405501900
118
9405509019
103
10
9405406000
Source: BPS-Statistics Indonesia
28
Total Value
55
Riau
Island
The biggest buyer from Riau Islands

is Singapore. This is unsurprisingly because Singapore is the nearest country from Riau Islands. Unlike other exit
points, the major products exported
from Riau Island is Street Lamp or Lantern (HS 9405405000) followed by Parts
Major Country of Export

Destination from Kepulauan Riau
of Glass for Other Lamps

(HS 9405919000). This two products
in US$ (Thousands)
are mostly mass manufactured product..
No. Country

Export Destination
Export Value
2004-2009
Singapore
15,942
USA
8,462
Japan
1,498
Mexico
491
UAE
439
United Kingdom
414
Spain
347
Australia
324
Canada
226
10 France
224
11
Other Countries
607
TOTAL
28,974
Top Ten Category of Lighting Export from Riau Islands (2004-2009)

in US$ (Thousands)
No. HS
Description

Export Value
2004-2009
9405405000
13,919
9405919000
10,307
9405929000
9405209090
533
9405509019
527
9405109000
127
9405991000
97
9405501900
46
9405406000
22
10
9405300000
3,378
29
Central Java
In Central Java, the main port is Semarang, the provincial capital of Semarang has
one of Indonesias main port. Semarang
and Solo (another major city) has international airports. Similar with Riau Islands,
street lamp and lantern is the mainstay
from Central Java.
Major Export Destination from Central

Java in 2004-2009
in US$ (Thousands)
No. Country Export

Destination
1
2
3
4
5
6

Export Value
2004-2009
Belgium
Japan
Italy
USA
Germany
Other Countries
TOTAL
2,193
1,946
221
161
114
732
5,367
Top Ten Category of Lighting Export from Central Java (2004-2009)

in US$ (Thousands)
No. HS
Description

Export Value
2004-2009
9405405000
2,205
9405109000
1,625
9405501900
9405209090
511
9405501100
Non elect. lamps&flighting fittings - of brass, for religius rites
247
9405509012
Oil lamps of other base metal,or of wood
110
9405919000
97
9405991000
37
9405509013
Oil lamps of plast, stone, ceramic,- glass
13
10
9405509011
Oil lamps of brass, used for relig.rites
30
515
31
East Java
Major Export Destination from East Java
(2004-2009)
in US$ (Thousands)
No. Country Export

Destination
Export Value
2004-2009
Singapore
610
USA
570
France
543
Germany
363
Australia
241
Netherland
240
Hong Kong
237
Philipines
233
United Kingdom
United Kingdom
6%
206
10 Japan
Other Countries
TOTAL
USA
France
Germany
Hong Kong
7%
USA
17%
Netherland
7%
1,442
Singapore
Singapore
18%
Philipines
7%
185
11
Japan
5%
Philipine
Germany
10%
United Kingdom
France
16%
Japan
Top Ten Category of Lighting Export from East Java (2004-2009)

in US$ (Thousands)
No. HS
Description

Export Value
2004-2009
9405209090
9405501900
959
9405109000
855
9405509012
383
9405405000
239
9405509013
221
9405991000
145
9405929000
145
9405509019
110
10
9405509011
106
32
Netherland
Hongkong
Australia
7%
4,870
Australia
1,660
Bali
With Balinese peoples creativity and aesthetics, it is no
wonder that Bali becomes a fertile ground for certain industries. Ceremonial attires lead to a developed garment
and textile industry; statues, offerings, and paintings in-
Major Country of Export Destination

from Bali
in US$ (Thousands)
No. Country Export

Destination
Export Value
2004-2009
tended for the worship of the gods lead to extensive

arts and crafts industry, silver and gold jewelry, and
art galleries, from home based to sophisticated and
modern facilities.
Bali is the showcase for most of Lighting
USA
73
Italy
70
product. As a tourism area, Bali has its own
Australia
63
Netherland
58
strengths to attract more buyers. Many com-
Singapore
56
France
38
Canada
26
UAE
26
Maldives
or retailing networks.
19
11
dising operations of global luxury brands
23
10 Argentina
panies in Bali provide services to merchan-
18
Japan
12 United Kingdom
15
13 Other countries

97
TOTAL
582
Top Ten Category of Lighting Export from East Java (2004-2009)

in US$ (Thousands)
No. HS
Description

Export Value
2004-2009
9405209090
Oth. elect table, desk
9405501900
Oth. non elect. lamps & flighting fittings
1,660
959
9405109000
Oth chandeliers & oth elec ceiling/wall light fitting,exc of apublic spac light
855
9405509012
383
9405405000
239
9405509013
221
9405991000
145
9405929000
145
9405509019
110
10
9405509011
Oil lamps of brass, used for relig rites
106
33
Lighting Category by Harmonize System (HS) Exported from Bali

in US$ (Thousands)
No. HS
Description

Export Value
2004-2009
9405209090
180.037
9405919000
101.006
9405991000
78.558
9405109000
73.981
9405406000
63.242
9405509013
28.562
9405509012
13.794
9405929000
10.801
9405209010
Elect. table of spotlights
10
9405509011
7.574
11
9405405000
6.096
12
9405300000
2.836
13
9405501100
Non elect. lamps&flighting fittings - of brass, for religius rites
2.732
14
9405914000
Glass globes and chimneys for other lamps
1.476
15
9405501900
1.401
16
9405509019
1.376
34
8.535
35
36
Ministry of Trade
Republic of Indonesia
JI. M.I. Ridwan Rais No.5 Main Building - 4th Floor Jakarta 10110 INDONESIA
Phone. [62-21] 385 8171 (hunting) Fax. [62-21] 235 28691
E-mail. mendag@depdag.go.id
Directorate General of International Trade

Cooperation
Secretariat General
JI. M.1. Ridwan Rais No.5 Main Building I, 7th
Floor Jakarta Pusat
Phone. (62-21) - 23522040 ext. 32040
Fax.
(62-21) - 23522050
sesjen@depda990.id
JI. M.1. Rldwan Rais No.5 Main Building, 8th
Inspectorate General
JI. M.1. Ridwan Rais No.5 Building I, 10th Floor
Jakarta Pusat
(62-21) - 384 8662, 3841961 Ext.1226
(62-21) - 384 8662
irjen@depdag.go.id
National Agency for Export Development
Floor, Jakarta 10110 - INDONESIA

Phone (62-21) 23526200, 23528600
Fax
(62-21) 23526210
E-mail. djkpi@depdag.go.id
(NAFED)
JI. M.1. Rldwan Rais No.5 Main Building, 4th
Floor, Jakarta 10110 - INDONESIA
Phone (62-21) 23527240
Fax
Directorate General of Domestic Trade

Jl. M.I. Ridwan Rais No.5 Building I, 6th Floor
Jakarta 10110 - INDONESIA
Phone (62-21) 23524120, 2352 8620
Fax
(62-21) 23524130
E-mail. dirJen-pdn@depdag.go.id
(62-21) 23527250
E-mail.
kabpen@depdag.go.id
Commodity Future Trading Regulatory

Agency (COFTRA)
Gedung Bumi Daya Plaza 4th Floor
JI. Imam Bonjol NO.61
Directorate General of Foreign Trade

JI. M.I. Ridwan Rals No. 5 Main Buildin, 9th Floor
Jakarta 10110 - INDONESIA
Phone (62-21) 23525160
Fax
(62-21) 23525170
E-mail djdaglu@depdag.go.id
Jakarta 10310 -INDONESIA

Phone (62-21) 315 6315
Fax
(62-21) 315 6135
E-mail. kabappebti@depdag.go.id
Website www.bappebti.go.ld
Trade Research and Development Agency
(TREDA)
JI. M.1. Ridwan Rais No. 5 Main Building
4th Floor, Jakarta 10110 - INDONESIA
Phone (62-21)3858171 (hunting)
Facx
(62-21) 23528691
E-mail kabalitbang@depdag.go.id
37
INDONESIAN TRADE ATTACHES

Australia
Indonesian Embassy
8, Darwin Avenue,
Yarralumia, Canberra Australia A.C.T. 2600
T: (61-02) - 62508654
F: (61-02) - 62730757
atdag-aus@depdag.go.id
www.kbri-canberra.org.au
Italy
Indonesian Embassy
Via Campania, 55
Rome Italia 00187
T: (39-06) - 4200911, 42009168
F: (39-06) - 4880280, 42010428
atdag-ita@depdag.go.id
Singapore
Indonesian Embassy
7 Chatsworth Road
Singapore 249761
T: (65) - 67375420, 68395458
F: (65) - 67375037, 67352027
atdag-sgp@depdag.go.id
Belgium
Indonesian Mission to the European Union
Boulevard de la Woluwe 38
Brussels, Belgium 1200
T: (322) - 7790915
F: (322) - 7728190
atdag-blx@depdag.go.id
South Korea
Indonesian Embassy
55, Yoido-dong Young
Deoung po-Ku Seoul Korea Selatan
T: (82-2) - 7835371-2, 7827750
F: (82-2) - 7804280, 7837750
atdag-kor@depdag.go.id
Canada
Indonesian Embassy
55 Parkdale Avenue,
Ottawa, Ontario, Canada 1KY - 1E5
T: (613) - 7241100 ext. 306
F: (613) - 7241105, 7244959
atdag-can@depdag.go.id
commerce@indonesia-ottawa.org
www.indonesia-ottawa.org
Malaysia
Indonesian Embassy
No. 233 Jalan Tun Razak
Kuala Lumpur, Malaysia 50400
T: (60-3) - 21164000, 21164067
F: (60-3) - 21167908, 21448407
atdag-mys@depdag.go.id
www.kbrikl.org.my
Spain
Indonesian Embassy
65, Calle de Agastia
Madrid, Spain 28043
T: (34-91) - 4130294
F: (34-91) - 4157792
atdag-esp@depdag.go.id
Denmark
Indonesian Embassy
Orehoj Alle 1, 2900
Hellerup, Copenhagen, Denmark
T: (45) - 39624422 ext 215
F: (45) - 39624483
atdag-dnk@depdag.go.id
Netherlands
Indonesian Embassy
8, Tobias Asserlaan
The Hague, Netherlands 2517 KC
T: (31-70) - 310 8115
F: (31-70) - 364 3331
atdag-nld@depdag.go.id
Egypt
Indonesian Embassy
13, Aisha EL Temoria St. Garden City
P.O. BOX 1661 Cairo, Egypt
T: (20-2) - 7944698, 7947200/9
F: (20-2) - 7962495
atdag-egy@depdag.go.id
Peoples Republic of China

Indonesian Embassy
Dongzhimenwai Dajie
No. 4 Chaoyang District, Beijing, China 100600
T: (86-1) - 65324748 -65325488-3014
F: (86-1) - 65325368
atdag-chn@depdag.go.id
Switzerland
Indonesian Mission on The United Nations And
Other International Organizations
16, Rue de Saint Jean Geneva Switzerland
1203
T: (41-22) - 3455733
F: (41-22) - 3383397
atdag-che@depdag.go.id
France
Indonesian Embassy
47-49, Rue Cortambert
Paris, France 75116
T: (33-1) - 450302760 ext. 418, 45044872
F: (33-1) - 45045032
atdag-fra@depdag.go.id
Philippines
Indonesian Embassy
185, Salcedo Street
Legaspi Village, Makati City, Metro Manila
T: (63-2) - 8925061-68
F:(63-2) - 8925878, 8674192
atdag-phl@depdag.go.id
Germany
Indonesian Embassy
Lehter Strasse 16-17
D-10557 Berlin, Germany 10557
T: (49-30) - 4780700
F: (49-30) - 47807209
atdag-deu@depdag.go.id
Russia
Indonesian Embassy
Apt. 76, Entr. 3 Korovy val 7
Moscow Russia 117049
T: (7-495) - 2385281
F: (7-495) - 2385281
atdag-rus@depdag.go.id
India
Indonesian Embassy
50-A Chanakyapuri
New Delhi, India 110021
(09-111) - 6114100
(09-111) - 6885460, 6886763
atdag-ind@depdag.go.id
38
Japan
Indonesian Embassy
5-2-9, Higashi Gotanda Shinagawa-ku
Tokyo, Japan 1410022
T: (81-3) - 34414201, 34470596
F: (81-3) - 34471697
atdag-jpn@depdag.go.id
www.indonesian_embassy.or.jp
Saudi Arabia
Indonesian Embassy
Riyadh Diplomatic Quarter P.O. Box 94343
Riyadh, Saudi Arabia 11693
T: (966-1) - 4882800, 4882131 ext 120
F: (966-1) - 4882966
atdag-sau@depdag.go.id
Thailand
Indonesian Embassy
600-602 Pitchburi Road, Rajthevi P.O.Box
1318
Bangkok, Thailand 10400
T: (66-2) - 2551264 ex 123
F: (66-2) - 2551264, 2551267
atdag-tha@depdag.go.id
United Kingdom
Indonesian Embassy
38 Grosvenor Square
London, England W1K2HW
T: (44-20) - 72909613, 74997881
F: (44-20) - 74957022
atdag-gbr@depdag.go.id
United States of America
Indonesian Embassy
2020 Massachusetts Avenue, N.W.
Washington DC, USA 20036
T: (1-202) - 7755350, 7755200 ext 350
F: (1-202) - 7755354, 7755365
atdag-usa@depdag.go.id
www.inatrade-use.org
INDONESIAN TRADE PROMOTION CENTER

ITPC Barcelona
Calle Aribau 250, Ground Fl.
Barcelona, Spain
abuamar98@yahoo.com
itpc-esp@depdag.go.id
ITPC Budapest
1051 Budapest, Bajcsy-Zsilinszky ut.12, IV
Floor, No. 409 Budapest Hongaria
T: (36-1) 3176382
F: (36-1) 2660572
itpc-hun@depdag.go.id
ITPC Busan
103 Korea Express Building 1211-1 Choryang
Dong, Dong-GU Busan, South Korea
T: (82-51) 4411708
F: (82-51) 4411629
ari_satria2000@yahoo.com
ITPC Chennai
Ispahani Center - 2nd Floor 123/124,
Nungambakkan High Road, Chennai
Chennai, India
itpc-ind@depdag.go.id
ITPC Chicago
70 West Erie 3rd FL. Chicago
Chicago, USA
itpc-chicago@depdag.go.id
ITPC Dubai
Arbift Tower4 floor # 403 Baniyas street Deira
PO.Box 41664, Dubai - UAE
T: (971-4) 2278544
F: (971-4) 2278545
itpc-are@depdag.go.id
www.itpcdubai.com
ITPC Hamburg
Multi Buro Servise Glokengisserwall 1720095
Hamburg - Germany
T: (49-40) 33313-333
F: (49-40) 33313-377
inatrade@itpchamburg.de
ITPC Jeddah
Jeddah Intl.Business Center / JIBC 2nd Fl
PO.BOX 6659, Jeddah 21452KSA.
Ruwais District, Jeddah, Saudi Arabia
itpc-sau@depdag.go.id
ITPC Johannesburg
Suite 02/E4, 2nd Floor, Village Walk Sandton
P.O. Box 2146, RSA Johannesburg X9916
T: (27)-118-846-240
F: (27)-118-846-242
itpc-zaf@depdag.go.id
ITPC Lagos
Lagos, Nigeria
itpc-nga@depdag.go.id
ITPC Los Angeles

3457, Wilshire, Blvd, Suit 101
Los Angeles, USA 90010
T: (1-213)-3877041
F: (1-213)-3877047
itpc-usa@depdag.go.id
itpcla@sbcglobal.net
www.itpcla.org
ITPC Lyon
Lyon, France
bambang.purnomo@gmail.com
itpc-fra@depdag.go.id
ITPC Mexico City
Mexico City, Mexico
ikhwan_aman@yahoo.com
itpc-mex@depdag.go.id
ITPC Milan
Via Vittor Pisani, 8 - 6 Piano 20124 Milano, Italy
T: (39-02) 3659 8182
F: (39-02) 3659 8191
itpc-ita@depdag.go.id
www.itpcmilan.com
ITPC Osaka
ITM-4-J-8, Asia and Pasific Trade Center
2-1-10 Nanko Kita, Suminoe-ku Osaka, Japan
T: (81-6) 66155350
F: (81-6) 66155351
itpc-jpn@depdag.go.id
www.itpc.or.jp
ITPC Santiago
Claro Solar Street No. 835, Office 304
Temuco District and City Santiago, Chili
aliakbar_h2000@yahoo.com
ITPC Sao Paulo
Alameda Santos, 1787 - Conj. 111 Cerqueira
Cesar, CEF: 01419.002
Sao Paulo, Brasil
T: (55-11) 32630472 / 35411413
F: (55-11) 32538126
itpc-bra@depdag.go.id
ITPC Shanghai
Xu Hui Distrik, Wend Ding Road
4th Fl, Shanghai RRC
itpc-chn@depdag.go.id
ITPC Sydney
Level 2, 60 Street, NSW 2000
Sydney, Australia
T: (61-2) 92528783
F: (61-2) 92528784
itpc-aus@depdag.go.id
www.itpcsydney.com
ITPC Vancouver
1500 West Georgia, Vancouver
Vancouver, Canada
Olvyandrinita@yahoo.com
itpc-can@depdag.go.id
CONSULATE-GENERALS
United Arab Emirates

Indonesian Consulate General Villa No. 1
Community 322/2A Al Hubaida
P.O. Box 73759 Dubai UAE
T: (971-4) 3985666, 3985103
F: (971-4) 23980804
Hong Kong
Indonesian General Consulate 127-129
Leighton Road, 6-8 Keswick Street
Causeway Bay Hongkong
T: (852) - 28904421 - 28902481
F: (852) - 28950139
kondag-hkg@depdag.go.id
INDONESIAN ECONOMIC
AND TRADE OFFICE
Taiwan
Indonesian Economic and Trade Office to Taipei Twinhead Bld 6F No. 550 Rui Goang Road
eihu District Taipei Taiwan 114
(886-2)-87526170
(886-2)-87423706
kakdei-twn@depdag.go.id
http://kdei-taipei.org
39
Selected Exporter
for Decorative Lamp
AA Art Galery
Tumang Tegalrejo Rt.02 Rw.09 Cepogo, Boyolali,
Central Java
Tel
: 62 812 25 444 111
Website : tembagakuningan.com
Contact Person: Ari Prihatini
Primary materials: metal
Alabaster Lighting
Komplek Istana Kuta Galeria, Blok Valet I No.9, Jl.
Patih Jelantik, Bali-Kuta
Tel
: 62 361 769 007
Fax
: 62 361 769 007
Website : www.alabasterlighting-bali.com
Email : info@alabasterlighting-bali.com,
alabaster60@yahoo.com
Primary materials: stone
Aryasena
Griyan Baru no. 86 Baturan Solo 57171, Central
Java
Tel
: 62 271 710 739, 62 81 126 5720
Fax
: 62 271 711 699
Website : aryasena.com
Primary materials: natural
Asta Kriya
Tumang krajan Rt 05/14, Cepogo, Boyolali 57362,
Jawa Tengah
Tel
: 62 276 323 294, 62 81 567 00496
Fax
: 62 276 323 294
Website : asta-kriya.com
Email : info@asta-kriya.com
Contact Person: Mansur Muhammad
Aura Bali Craft
Jl. Raya Dalung - Abianbase No. 95, Br. Kaja, Ds.
Dalung, Kc. Kuta Utara, Badung, Bali
Tel
: 62 361 864 0323
Fax
: 62 361 439 663
Email : info@aurabalicraft.com
Contact Person: Nyoman Yudiana
Primary materials: glass
Bima Amanta
Jl. Tluki 283 Badran, Kotabarat-Surakarta, Central
Java 57142
Tel
: 62 271 716 869, 62 817 946 6869
Fax
: 62 271 716 869
Contact Person: Ali Sjaifullah
Dijaya Unilight Asia
Jl. By Pass Ngurah Rai No. 888, Tuban, Bali
Tel
: 62 361 701 988
Fax
: 62 361 705 015
Website : www.dualighting.com
Email : customercare@dualighting.com
Harumi Lamp Shades
Contact Person: Harumi Awen
Jl. Bakung No. 58 Kesiman Kertelangu Denpasar,
Bali
Tel
: 62 361 860 6061, 62 878 613 11370
Fax
: 62 361 829 970
Website : www.indonetwork.co.id/HarumiLampShades
Primary materials: fiber/resin
Indraprasta Handycraft
Jl. R. Dewi Sartika No. 14 , Sumber-Cirebon, West
Java 45611
Tel
: 62 231 493 6370, 62 81 324 669 182
Fax
: 62 231 493 6370
Website : indraprasta.viviti.com
Contact Person: R Herman
Primary materials: fiber/metal/natural
InSenso
Jl. Tangkuban Perahu, Br. Padang Sumbu-Kaja,
Denpasar, Bali
Website : insensobali.com
Contact Person: Roberto Tenace
Jakarta Junction
JL Meranti 1 /26, East Jakarta 13950
Tel: 62 21 4800 253
Website : www.jakartajunction.cc.cc
Email : irfan.suleri@gmail.com
Contact Person: Irfan Suleri
40
Joenda Shop
Jl. Ir. H. Juanda 5/12, Malang 65127, East Java
Tel
: 62 878 597 69 007
Email : dendydwi@ymail.com
Contact Person: Dendy Dwi Sukmawan
Primary materials: paper lantern
Jogja Lampion
Pedak Baru, Banguntapan, Bantul, Yogyakarta
55181
Tel
: 62 274 9300 187
Fax
: 62 274 589 266
Email : jogjalampion@yahoo.com
Kampoeng Lampion
Jl. Ir. H. Juanda Jodipan, Malang 65127, East
Java
Tel
: 62 341 998 7211, 62 341 927 6372,

62 819 453 78954, 62 857 360 09736
Website : kampoenglampion.wordpress.com
Contact Person: August Sujianto
Kanthong Art
Jogonalan Lor ,Tirtonirmolo, Kasihan, Bantul,
55181,
Tel
: 62 815 798 3370
Contact Person: Pitoyo
Kemarin Hari Ini
1200 C Jl. Raya Basangkasa, Legian Utara, Kuta,
Bali
Tel
: 62 818 559 861
Fax
: 62 361 730508
Email : gundul@eksadata.com
Contact Person: Parlin
Primary materials: Glass
Kikly Ragil Collection
Jl. Perum Dalung Campuan Asri VI, Blok VI 31,
Denpasar Bali
Website : craft.indo.com/vendor/kiky_ragil_collection.html
Contact Person: Rizky Wihadi
Multi Dewata
Jl. Raya Kerobokan no. 49, Banjar Taman
Kerobokan
Tel
: 62 361 858 6494, 62 361 733 033
Fax
: 62 361 733 033
Contact Person: Astuti
Primary materials: fiber/metal
Lio Collection
Jl. Raya Kerobokan No. 02, Banjar Taman, Kuta,
Bali
Tel
: 62 361 730 255, 62 361 7800 942,
Fax
: 62 361 737 852
Website : www.liocollection.com
Email : info@liocollection.com, contact@liocollection.com
Lunar Cipta Kreasi
Jl. Palagan Tentara Pelajar, KM 10.2 No. 45, Sleman, Yogyakarta 55581
Tel
: 62 274 749 6523, 62 274 865 685
Fax
: 62 274 865 685
Website: www.lunar.co.id
Email : info@lunar.co.id, lunarkreasi@yahoo.
com
Mahayani Studio
Contact Person: Widodo Utomo
Perum.Griya Kencana I/Ve/51-52, Driyorejo,
Surabaya, East Java
Tel
: 62 818 395 544
Website : mahayaniartstudio.blogspot.com
Email : widiwidoutomo@yahoo.com
Mahogany Lamp
Jl. Raya Kerobokan No. 87, Banjar Taman Kerobokan Bali
Tel
: 62 361 744 2994
Fax
: 62 361 725 145
Email : mgk_bali@hotmail.com
Contact Person: Sholihin
Metal Furnicraft
Tumang Gunungsari Rt. 03, Rw. 15, Cepogo,
Boyolali 57362, Jawa Tengah
Tel
: 62 276 32 3355, 62 813 292 25587
Fax
: 62 276 32 3355
Website : www.sbmetalfurnicraft.com
Email : kerajinan_tembaga@yahoo.com
Contact Person: Irfan Rofik
Multi Dimensi Shell Craft

Banjar Paliatan, Tegalalang, Gianyar, Bali
Tel
: 62 231 484 603, 62 811 242 996
Email : j_taguba@yahoo.com
Contact Person: Jaime Taguba
Nayaka Design
Sorogenen, RT 6 RW 28, Ambarketawang, Gamping, Sleman 55294, Yogyakarta
Tel
: 62 815 688 5679, 62 815 6885679
Website : nayakadesign.blogspot.com
Email : subiyanto.aris@gmail.com
Contact Person: Aris Subiyanto
Niel & Dodo Lamp Art
Jl. Tegalalang, Banjar Sapat, Ubud, Bali
Tel
: 62 818 056 80002
Email : niel_dodolamp@yahoo.co.id
Contact Person: Sunarto & Sunarin
Palem Crafts Jogja
Jl. KHA Dahlan No. 8 RT.09 / RW.03 Ngupasan,
Gondomanan Yogyakarta 55122
Tel
: 62 811 254 323, 62 274 545 485,
Fax
: 62 274 54 8080
Website : www.palemcraft.com
Email : palemcraft@idola.net.id
Contact Person: Firda Nurul Aini
Sanja & Co
Jl. Raya Tegalalang, Banjar Sapat, Ubud, Bali
Tel
: 62 361 974 231, 62 813 3844 6546
Email : jtsanja@hotmail.com
Contact Person: I Made Suardika
Timboel
Tirto, Kasongan, Bangunjiwo, Kasihan, Bantul,
Yogyakarta
Tel
: 62 274 646 1426, 62 274 711 2537
Fax
: 62 274 370 542
Website : www.timboel.co.id
Email : timboel@timboel.co.id, timboelcmc@
hotmail.com
Uni Antique Lampu Gentur
Jl.Kp.Gentur Rt.03 Rw 06 Ds jambu Dipa Warung
Kondang, Cianjur 43261, Jawa Barat
Tel
: 62 857 5947 3692, 62 263 272 062
Fax
: 62 263 272 062
Contact Person: Enang Saepudin
Yellocraft
Jl Cijauh No 10 Sindangpanji, Cikijing Majalengka
45466, West Java
Tel
: 62 813 2256 7865, 62 856 5979 1648
Email : yanu_anggie@yahoo.com
Contact Person: Anggi Yanuar
Primary materials: Natural
Wild Heritage
Jl. Bougenvile, Perumahan Roto Kenongo No.
Blok B-2, Bantul, Yogyakarta
Tel
: 62 813 5803 6307
Website : www.wild-heritage.com
Email : victor@wild-heritage.com, victornonhutabarat@gmail.com
Contact Person: Victor Budisantoso
Zen Craft
Ds. Tirto RT 05 Kasongan Bangunjiwo, Bantul
55181, Yogyakarta
Tel
: 62 858 788 65743
Email : zen_craft83@yahoo.com, zencrafts@
ymail.com
Contact Person: Zaenal Maruf
41
42
43
Ministry of Trade Republic of Indonesia

Jl. M.I. Ridwan Rais No. 5. Main Building 4th Floor
Jakarta 10110, Indonesia
Telp. : (62-21) 385 8171
Fax. : (62-21) 235 28691
Web : www.depdag.go.id
44

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Indonesian Decorative Lighting

Handbook of Commodity Profile

Is developed as part of national efforts to create mutual

Trade Research and Development Agency

Indonesian Decorative Lighting

Indonesian Decorative Lighting

Head of Trade Research and Development Agency (TREDA)

Indonesian Decorative Lighting

Mari Elka Pangestu

Indonesian Decorative Lighting

Indonesian Decorative Lighting

LIGHT CREATES MOOD

Indonesian Decorative Lighting

Indonesian Decorative Lighting

Why do we need light? Why do we want light?

Indonesian Decorative Lighting

Indonesian Decorative Lighting

INDONESIAN DECORATIVE LIGHTING

and with the rise of international trade, the world

of creative lighting products in Indonesia. Its earth is rich

can finally have access to Indonesian decorative

with metal ores, stones and minerals. Wood, fibers, shells,

And yet, this wealth of resource does not lead to wasteful

Bamboo can easily be found in Indonesia, and there-

fore one of the most common Indonesian handicrafts is

Indonesian Decorative Lighting

Indonesian Decorative Lighting

Initially the shell width is selected, then cleaned, then

Indonesian Decorative Lighting

Copper and Brass Lamps

Art Glass Lamps

Indonesian Decorative Lighting

glass can be done at the furnace, at the torch or in a kiln.

Indonesian Decorative Lighting

Indonesian Decorative Lighting

People may call it lantern, art lamp or maybe paper

lot of potential art product, which can be developed us-

lamp, but as an interior and exterior decoration lantern

ing local resources. And the result is beautiful, stylish and

is essential to fulfill the intention of romantic and exotic

extraordinary design of paper lanterns.

atmosphere. Tiang Jaler is one of the existing companies

Paper lanterns are common in China and Japan, and

crafted goods with the best material to made high qual-

similarly, in Chinatowns, where they are often hung out-

ity lamps for customers. Tiang Jaler was founded in year

side of businesses to attract attention. In Japan the tradi-

2002 in Bandung, West Java. Bandung is one of the ex-

tional styles include bonbori and chochin and there is a

otic Old City and center of fashion in Indonesia where the

special style of lettering called chochin moji used to write

talented, creative and innovative young people gathered.

on them. Paper lanterns come in various shapes and sizes,

Tiang Jaler is one of the young communities that see a

as well as various methods of construction. The simplest

Indonesian Decorative Lighting

Ceramic & Stone Lantern

Indonesian Decorative Lighting