Raag Mala

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rwg mwlw ](1429-19)
raag maalaa.
Raag Maalaa:
rwg eyk sMig pMc brMgn ] (1429-19, mwlw, -)
raag ayk sang panch barangan.
Each Raga has five wives,
sMig Alwpih AwTau ndn ] (1429-19, mwlw, -)
sang alaapeh aath-o nandan.
and eight sons, who emit distinctive notes.
pRQm rwg BYrau vY krhI ] (1429-19, mwlw, -)
paratham raag bhairo vai karhee.
In the first place is Raag Bhairao.
pMc rwgnI sMig aucrhI ] (1430-1, mwlw, -)
panch raagnee sang uchrahee.
It is accompanied by the voices of its five Raaginis:
pRQm BYrvI iblwvlI ] (1430-1, mwlw, -)
paratham bhairvee bilaavalee.
First come Bhairavee, and Bilaavalee;
puMinAwkI gwvih bMglI ] (1430-1, mwlw, -)
punni-aakee gaavahi banglee.
then the songs of Punni-aakee and Bangalee;
puin AslyKI kI BeI bwrI ] (1430-1, mwlw, -)
pun aslaykhee kee bha-ee baaree.
and then Asalaykhee.
ey BYrau kI pwcau nwrI ] (1430-2, mwlw, -)
ay bhairo kee paacha-o naaree.
These are the five consorts of Bhairao.
pMcm hrK idswK sunwvih ] (1430-2, mwlw, -)
pancham harakh disaakh sunaaveh.
The sounds of Pancham, Harakh and Disaakh;
bMgwlm mDu mwDv gwvih ]1] (1430-2, mwlw, -)
bangaalam maDh maaDhav gaavahi. ||1||
the songs of Bangaalam, Madh and Maadhav. ||1||
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llq iblwvl gwvhI ApunI ApunI BWiq ] (1430-3, mwlw, -)
lalat bilaaval gaavhee apunee apunee bhaa
N
t.
Lalat and Bilaaval - each gives out its own melody.
Ast puqR BYrv ky gwvih gwien pwqR ]1] (1430-3, mwlw, -)
asat putar bhairav kay gaavahi gaa-in paatar. ||1||
when these eight sons of Bhairao are sung by accomplished musicians. ||1||
duqIAw mwlkausk Awlwpih ] (1430-4, mwlw, -)
dutee-aa maalka-usak aalaapeh.
In the second family is Maalakausak,
sMig rwgnI pwcau Qwpih ] (1430-4, mwlw, -)
sang raagnee paacha-o thaapeh.
who brings his five Raaginis:
goNfkrI Aru dyvgMDwrI ] (1430-4, mwlw, -)
go
N
dkaree ar dayvganDhaaree.
Gondakaree and Dayv Gandhaaree,
gMDwrI sIhuqI aucwrI ] (1430-5, mwlw, -)
ganDhaaree seehutee uchaaree.
the voices of Gandhaaree and Seehutee,
DnwsrI ey pwcau gweI ] (1430-5, mwlw, -)
Dhanaasree ay paacha-o gaa-ee.
and the fifth song of Dhanaasaree.
mwl rwg kausk sMig lweI ] (1430-5, mwlw, -)
maal raag ka-usak sang laa-ee.
This chain of Maalakausak brings along :
mwrU msqAMg myvwrw ] (1430-6, mwlw, -)
maaroo masatang mayvaaraa.
Maaroo, Masta-ang and Mayvaaraa,
pRblcMf kausk auBwrw ] (1430-6, mwlw, -)
parabalchand ka-usak ubhaaraa.
Prabal, Chandakausak,
KauKt Aau Baurwnd gwey ] (1430-6, mwlw, -)
kha-ukhat a-o bha-uraanad gaa-ay.
Khau, Khat and Bauraanad singing.
Ast mwlkausk sMig lwey ]1] (1430-6, mwlw, -)
asat maalka-usak sang laa-ay. ||1||
These are the eight sons of Maalakausak. ||1||
puin AwieAau ihMfolu pMc nwir sMig Ast suq ] (1430-7, mwlw, -)
pun aa-i-a-o hindol panch naar sang asat sut.
Then comes Hindol with his five wives and eight sons;
auTih qwn klol gwien qwr imlwvhI ]1] (1430-7, mwlw, -)
utheh taan kalol gaa-in taar milaavahee. ||1||
it rises in waves when the sweet-voiced chorus sings. ||1||
qylgI dyvkrI AweI ] (1430-8, mwlw, -)
taylangee dayvkaree aa-ee.
There come Taylangee and Darvakaree;
bsMqI sMdUr suhweI ] (1430-8, mwlw, -)
basantee sandoor suhaa-ee.
Basantee and Sandoor follow;
srs AhIrI lY Bwrjw ] (1430-8, mwlw, -)
saras aheeree lai bhaarjaa.
then Aheeree, the finest of women.
sMig lweI pWcau Awrjw ] (1430-9, mwlw, -)
sang laa-ee paa
N
cha-o aarjaa.
These five wives come together.
surmwnd Bwskr Awey ] (1430-9, mwlw, -)
surmaanand bhaaskar aa-ay.
The sons: Surmaanand and Bhaaskar come,
cMdRibMb mMgln suhwey ] (1430-9, mwlw, -)
chandarbimb manglan suhaa-ay.
Chandrabinb and Mangalan follow.
srsbwn Aau Awih ibnodw ] (1430-9, mwlw, -)
sarasbaan a-o aahi binodaa.
Sarasbaan and Binodaa then come,
gwvih srs bsMq kmodw ] (1430-10, mwlw, -)
gaavahi saras basant kamodaa.
and the thrilling songs of Basant and Kamodaa.
Ast puqR mY khy svwrI ] (1430-10, mwlw, -)
asat putar mai kahay savaaree.
These are the eight sons I have listed.
puin AweI dIpk kI bwrI ]1] (1430-10, mwlw, -)
pun aa-ee deepak kee baaree. ||1||
Then comes the turn of Deepak. ||1||
kCylI ptmMjrI tofI khI Alwip ] (1430-11, mwlw, -)
kachhaylee patmanjree todee kahee alaap.
Kachhaylee, Patamanjaree and Todee are sung;
kwmodI Aau gUjrI sMig dIpk ky Qwip ]1] (1430-11, mwlw, -)
kaamodee a-o goojree sang deepak kay thaap. ||1||
Kaamodee and Goojaree accompany Deepak. ||1||
kwlkw kuMql Aau rwmw ] (1430-11, mwlw, -)
kaalankaa kuntal a-o raamaa.
Kaalankaa, Kuntal and Raamaa,
kmlkusm cMpk ky nwmw ] (1430-12, mwlw, -)
kamalkusam champak kay naamaa.
Kamalakusam and Champak are their names;
gaurw Aau kwnrw klwnw ] (1430-12, mwlw, -)
ga-uraa a-o kaanraa kal-yaanaa.
Gauraa, Kaanaraa and Kaylaanaa;
Ast puqR dIpk ky jwnw ]1] (1430-12, mwlw, -)
asat putar deepak kay jaanaa. ||1||
these are the eight sons of Deepak. ||1||
sB imil isrIrwg vY gwvih ] (1430-13, mwlw, -)
sabh mil sireeraag vai gaavahi.
All join together and sing Siree Raag,
pWcau sMig brMgn lwvih ] (1430-13, mwlw, -)
paa
N
cha-o sang barangan laaveh.
which is accompanied by its five wives.:
bYrwrI krnwtI DrI ] (1430-13, mwlw, -)
bairaaree karnaatee Dharee.
Bairaaree and Karnaatee,
gvrI gwvih AwswvrI ] (1430-14, mwlw, -)
gavree gaaveh aasaavaree.
the songs of Gawree and Aasaavaree;
iqh pwCY isMDvI AlwpI ] (1430-14, mwlw, -)
tih paachhai sinDhvee alaapee.
then follows Sindhavee.
isrIrwg isau pWcau QwpI ]1] (1430-14, mwlw, -)
sireeraag si-o paa
N
cha-o thaapee. ||1||
These are the five wives of Siree Raag. ||1||
swlU swrg swgrw Aaur goNf gMBIr ] (1430-14, mwlw, -)
saaloo saarag saagraa a-or gond gambheer.
Saaloo, Saarang, Saagaraa, Gond and Gambheer
Ast puqR sRIrwg ky guMf kuMB hmIr ]1] (1430-15, mwlw, -)
asat putar sareeraag kay gund kumbh hameer. ||1||
- the eight sons of Siree Raag include Gund, Kumb and Hameer. ||1||
Kstm myG rwg vY gwvih ] (1430-15, mwlw, -)
khastam maygh raag vai gaavahi.
In the sixth place, Maygh Raag is sung,
pWcau sMig brMgn lwvih ] (1430-16, mwlw, -)
paa
N
cha-o sang barangan laaveh.
with its five wives in accompaniment:
soriT goNf mlwrI DunI ] (1430-16, mwlw, -)
sorath gond malaaree Dhunee.
Sorat'h, Gond, and the melody of Malaaree;
puin gwvih Awsw gun gunI ] (1430-16, mwlw, -)
pun gaavahi aasaa gun gunee.
then the harmonies of Aasaa are sung.
aUcY suir sUhau puin kInI ] (1430-17, mwlw, -)
oochai sur sooha-o pun keenee.
And finally comes the high tone Soohau.
myG rwg isau pWcau cInI ]1] (1430-17, mwlw, -)
maygh raag si-o paa
N
cha-o cheenee. ||1||
These are the five with Maygh Raag. ||1||
bYrwDr gjDr kydwrw ] (1430-17, mwlw, -)
bairaaDhar gajDhar kaydaaraa.
Bairaadhar, Gajadhar, Kaydaaraa,
jblIDr nt Aau jlDwrw ] (1430-18, mwlw, -)
jableeDhar nat a-o jalDhaaraa.
Jabaleedhar, Nat and Jaladhaaraa.
puin gwvih sMkr Aau isAwmw ] (1430-18, mwlw, -)
pun gaavahi sankar a-o si-aamaa.
Then come the songs of Shankar and Shi-aamaa.
myG rwg puqRn ky nwmw ]1] (1430-18, mwlw, -)
maygh raag putran kay naamaa. ||1||
These are the names of the sons of Maygh Raag. ||1||
Kst rwg auin gwey sMig rwgnI qIs ] (1430-19, mwlw, -)
khasat raag un gaa-ay sang raagnee tees.
So all together, they sing the six Raagas and the thirty Raaginis,
sBY puqR rwgMn ky ATwrh ds bIs ]1]1] (1430-19, mwlw, -)
sabhai putar raagann kay athaarah das bees. ||1||1||
and all the forty-eight sons of the Raagas. ||1||1||

Raag Mala

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What are the different ragas described along with their wives and sons?

What are some of the ragas mentioned along with their wives?

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