LDK8000

Users Guide
3922 496 30571 March 2007 v2.0
LDK 8000
HDTV multi-standard, multi-format camera system
LDK 8000 Users Guide
ii
Declaration of Conformity
We, Grass Valley Nederland B.V., Kapittelweg 10, 4827 HG Breda, The Netherlands, declare
under our sole responsibility that this product is in compliance with the following standards:
- EN60065 : Safety
- EN55103-1: EMC (Emission)
- EN55103-2: EMC (Immunity)
following the provisions of:
a. the Safety Directives 73/23//EEC and 93/68/EEC
b. the EMC Directives 89/336/EEC and 93/68/EEC
FCC Class A Statement

This product generates, uses, and can radiate radio frequency energy and if not installed and
used in accordance with the instructions, may cause interference to radio communications.
It has been tested and found to comply with the limits for a class A digital device pursuant to
part 15 of the FCC rules, which are designed to provide reasonable protection against such
interference when operated in a commercial environment.
Operation of this product in a residential area is likely to cause interference in which case the
user at his own expense will be required to take whatever measures may be required to correct
the interference.
Copyright
Copyright Grass Valley Nederland B.V. 2007. Copying of this document and giving it to others,
and the use or communication of the contents thereof, are forbidden without express authority.
Offenders are liable to the payment of damages. All rights are reserved in the event of the grant
of a patent or the registration of a utility model or design. Liable to technical alterations in the
course of further development.
Trademarks
Grass Valley and Infinity are trademarks of Grass Valley, Inc. All other tradenames referenced are
service marks, trademarks, or registered trademarks of their respective companies.
Website
Visit the Grass Valley public website to download the latest users guide updates and additional
information about your broadcast product:
http://www.thomsongrassvalley.com
Table of contents
Chapter 1 Introduction
1.1
1.2
1.3
Technology. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
1.1.1 HD sensors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
1.1.2 Digital processing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
1.1.3 Film-like characteristics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
1.1.4 Focus assist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
1.1.5 Different versions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
1.1.6 Acquisition formats . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
1.1.7 Advanced TriaxHD features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
1.1.8 SuperXPander . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Accessories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
1-1
1-1
1-1
1-2
1-2
1-2
1-2
1-3
1-3
1-3
1-5
Chapter 2 Installation
2.1
2.2
2.3
2.4
2.5
2.6
2.7
2.8
2.9
Packing/unpacking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2-1
Transport case . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2-2
Mounting a lens . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2-3
2-inch viewfinder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2-4
2.4.1 Mounting viewfinder and microphone holder . . . . . . . . . . . . . . . . . . . . . . . . . 2-4
2.4.2 Positioning the viewfinder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2-5
Viewfinder accessories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2-6
2.5.1 Wide angle eyepiece . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2-6
2.5.2 Left eye adapter. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2-6
Mounting a microphone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2-7
Tripod adapter plate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2-8
Adjusting the shoulder pad. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2-9
Attaching an adapter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2-10
Chapter 3 Configurations
3.1
3.2
3.3
3.4
3.5
TriaxHD mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Multiple TriaxHD cameras with C2IP network. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Camera with TriaxHD adapter and SuperXpander . . . . . . . . . . . . . . . . . . . . . . . . .
Local mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Triax cable lengths . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
3-1
3-2
3-3
3-4
3-5
Chapter 4 Location of controls

4.1
4.2
4.3
Camera head controls and connectors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4-1

TriaxHD adapter controls and connectors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4-4
Viewfinder controls and indicators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4-6
ii
Chapter 5 Operating instructions

5.1
5.2
5.3
5.4
5.5
5.6
5.7
5.8
5.9
5.10
5.11
5.12
Using the camera. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-1

5.1.1 Switching on the power. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-1
5.1.2 Controlling the camera. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-1
System Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-2
5.2.1 Entering the System menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-2
5.2.2 Finding your way . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-3
5.2.3 Leaving the System Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-4
5.2.4 Making changes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-4
5.2.5 Undoing changes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-4
Assigning functions to buttons. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-5
Video acquisition modes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-6
5.4.1 Standard camera version . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-6
5.4.2 Worldcam version . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-7
Viewfinder preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-8
5.5.1 Viewfinder picture quality . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-8
5.5.2 Video level indication . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-8
5.5.3 Tally indicators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-8
5.5.4 Viewfinder markers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-9
5.5.5 Focussing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-9
Lens preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-10
5.6.1 Lens type . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-10
5.6.2 Auto iris . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-10
5.6.3 Extended Iris . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-10
5.6.4 Lens indicators. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-10
Video preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-11
5.7.1 Standard settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-11
5.7.2 Test signal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-12
5.7.3 Gain selection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-13
5.7.4 Optical filter selection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-13
5.7.5 Colour temperature selection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-14
5.7.6 Exposure time . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-18
5.7.7 Shooting screens . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-19
5.7.8 Black stretch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-20
5.7.9 Auto skin contour. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-20
Controls on the TriaxHD adapter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-22
5.8.1 Powering the camera. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-22
5.8.2 Selecting monitoring signals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-23
5.8.3 Using audio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-24
5.8.4 Intercom. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-25
5.8.5 Communication . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-26
Managing files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-27
5.9.1 Scene files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-27
5.9.2 Operator files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-27
5.9.3 Standard files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-28
5.9.4 Customer standard files. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-28
User levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-28
5.10.1 Selecting the user level . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-28
Access and Security. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-29
5.11.1 Camera cards . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-29
5.11.2 Access control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-30
5.11.3 Camera card slot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-30
Smart-Touch option . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-31
iii
Chapter 6 Menu structure and contents

6.1
6.2
6.3
Menu structure. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-1

6.1.1 Top menu structure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-1
6.1.2 Viewfinder menu structure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-2
6.1.3 Lens menu structure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-3
6.1.4 Video menu structure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-4
6.1.5 Install menu structure (HDriax) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-5
6.1.6 File menu structure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-6
6.1.7 Security menu structure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-7
Menu contents . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-8
6.2.1 Viewfinder menu contents . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-8
6.2.2 Lens menu contents . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-10
6.2.3 Video menu contents. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-11
6.2.4 Install menu contents . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-14
6.2.5 Files menu contents . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-17
6.2.6 Security menu contents. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-18
6.2.7 Diagnostics menu contents . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-19
Where to find a function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-20
Chapter 7 Connectors
7.1
7.2
Camera connectors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
7.1.1 Viewfinder connector. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
7.1.2 HDMI connector . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
7.1.3 Lens connector . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
7.1.4 Audio microphone connector. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
7.1.5 RS232 serial connector . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Connectors on the TriaxHD adapter. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
7.2.1 Triax connector . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
7.2.2 Viewfinder / External video output connector . . . . . . . . . . . . . . . . . . . . . . . . .
7.2.3 HD - SDI (B) connector . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
7.2.4 HD - SDI (A) connector . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
7.2.5 Audio microphone 1 connector . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
7.2.6 Audio microphone 2 connector . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
7.2.7 Intercom headset connector . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
7.2.8 DC power input socket . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
7.2.9 DC power and tally output socket . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
7.2.10 Script light power supply socket . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
7.2.11 Teleprompter output / Reference input connector . . . . . . . . . . . . . . . . . . . . .
7.2.12 Tracker communications connector. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
7.2.13 Auxiliary connector . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
7-1
7-2
7-2
7-3
7-3
7-3
7-4
7-5
7-5
7-5
7-5
7-6
7-6
7-6
7-7
7-7
7-7
7-8
7-8
7-9
Chapter 8 Specifications
8.1
8.2
Specifications for LDK 8000 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8-1

Specifications for LDK 5860 TriaxHD adapter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8-2
8.2.1 Dimensions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8-3
iv
End-of-life product recycling

Grass Valleys innovation and excellence in product design also extends to the programs
weve established to manage the recycling of our products. Grass Valley has developed a
comprehensive end-of-life product take back program for recycle or disposal of end-of-life
products. Our program meets the requirements of the European Unions WEEE Directive and
in the United States from the Environmental Protection Agency, individual state or local
agencies.
Grass Valleys end-of-life product take back program assures proper disposal by use of Best
Available Technology. This program accepts any Grass Valley branded equipment. Upon
request, a Certificate of Recycling or a Certificate of Destruction, depending on the ultimate
disposition of the product, can be sent to the requester.
Grass Valley will be responsible for all costs associated with recycling and disposal, including
freight, however you are responsible for the removal of the equipment from your facility and
packing the equipment ready for pickup.
For further information on the Grass Valley product take back system please contact Grass
Valley at + 800 80 80 20 20 or +33 1 48 25 20 20 from most other countries. In the US and
Canada please call 800-547-8949 or 530-478-4148. Ask to be connected to the EH&S
Department. In addition, information concerning the program can be found at:
www.thomsongrassvalley.com/environment
Important information
Read these instructions carefully and retain them for future reference.
During installation and operation of this equipment, local building safety and fire protection
standards must be observed.
Before connecting the equipment to the power supply of the installation, verify the proper
functioning of the protective earth lead.
Whenever it is likely that safe operation is impaired, the apparatus must be made inoperative
and secured against any unintended operation. The appropriate servicing authority must then
be informed. For example, safety is likely to be impaired if the apparatus fails to perform the
intended function or shows visible damage.
Any changes or modifications not expressly approved in this manual could void your authority
to operate this equipment.
Cautions and Warnings

Read and comply with the warning and caution notices that appear in the manual.
Warnings indicate danger that requires correct procedures or practices to prevent death
or injury to personnel.
Cautions indicate procedures or practices that should be followed to prevent damage or

destruction to equipment or property.
vi
Warnings
To prevent fire or shock hazard, do not expose the unit to rain or moisture. If the unit is in a
wet or damp environment, a rain cover must be used to protect it for personal safety reasons
(EN60065). The rain cover supplied with the unit protects it according to safety specification
EN60529 up to level IPX2 (spraying water).
To avoid electrical shock, do not remove covers or panels. Refer servicing to qualified
personnel only.
In case of an emergency ensure that the power is disconnected.
Use only fuses of the type and rating specified.
Connect the product only to a power source with the specified voltage rating.
The Base Station must always be connected to protective earth. Do not interrupt the
protection conductor inside or outside the unit. Do not disconnect the protective earth
terminal. Intentional interruption is prohibited and is likely to make the unit dangerous.
To prevent risk of overheating, ventilate the units correctly.
For safety reasons the Base Station must be mounted in a 19-inch rack which has safety
covers according to IEC65. When two Base Stations are mounted above each other, the
minimum distance between them must be 50mm or the rack must be force-air cooled.
vii
Triax cable systems

Only connect a Triax cable from the same LDK camera family to the unit.
Do not allow system earth currents to exceed 1.5A in the outer shield of the Triax cable or
0.2A in other cable shields.
To avoid excessive earth currents in a Triax system, galvanically separate the power earth
connection of equipment connected to the camera from the camera earth.
It is strictly prohibited to short circuit the inner and outer shields of a Triax cable used to
connect a camera to a base station.
Galvanic separation
Because of the nature of Triax systems, with long distances between camera and Base
Station, the risk of earth currents flowing is greater. These earth currents can result in damage
to the equipment.
For example, a monitor connected directly to the CVBS output of the camera is powered
locally. The earthing point of the monitors power supply can be at a different potential with
respect to the earthing point of the Base Station. If the power earth of the monitor is also the
video earth, then this earth potential is transferred to the camera via the shield of the BNC
connector. The difference in earth potential between the camera and the Base Station results
in an earth current in the Triax system.
To prevent earth currents from flowing in the Triax system, we recommend galvanic
separation of earthed equipment connected to the camera. This separation can be achieved by
using an isolation transformer between the local power outlet and the equipment connected to
the camera. Alternatively, use equipment that has a double insulation and therefore does not
require an earth connection.
viii
Base Station earthing

The rear of the unit has two separate screw terminals for protective earth
earth
(VE). These are normally connected by a metal strap.
(PE) and video
VE
Metal strap
PE
The protective earth terminal is internally connected to the protective earth conductor of the
power cable. In normal circumstances the connection between the protective earth and the
video earth should not be broken. If required, the central earth connection wire of the studio
can be connected to terminal PE in accordance with VDE regulation 0800/part2.
Only if the studio (or OB van) is equipped with separate protective and video earth systems
may the metal strap be removed. Under these circumstances the video earth terminal must be
connected to the central functional earth potential (video earth) of the studio. This earth
potential should have functional protective and noiseless earth (FPE) qualities as stated in the
VDE regulation 0800/part2. A low impedance interconnection of both earth conductors must
be provided at the central studio earthing point.
ix
Precautions
To ensure continual high performance from the camera take the following precautions into
consideration:
Avoid very damp places. If the environment is wet or damp a rain cover must be used to
protect the unit.
Do not subject the unit to severe shocks or vibration.
Do not expose the camera to extremes of temperature.
Do not leave the unit in direct sunlight or close to heating appliances for extended periods.
Do not allow sunlight to shine into the viewfinder.
Do not allow LASER beams to shine into the lens as this could damage the CCD sensors.
Avoid extreme highlights as these can cause various kinds of optical reflections.
Be careful when connecting and disconnecting triax cables.

Do not mix triax units from different types of camera systems (HD with SD, RGB triax
with digital triax).
Make connections swiftly and firmly to avoid false error messages.
Mains lead wiring for UK users

The wires in the mains lead are coloured in accordance with the following code:
GREEN and YELLOW- EARTH
BLUE- NEUTRAL
BROWN- LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the
coloured markings identifying the terminals in your plug proceed as follows:
The wire coloured GREEN AND YELLOW must be connected to the terminal on the plug
marked with the letter E or by the safety earth symbol
or coloured GREEN or GREEN
AND YELLOW.
The wire coloured BROWN must be connected to the terminal marked with the letter L or
coloured RED.
The wire coloured BLUE must be connected to the terminal marked with the letter N or
coloured BLACK.
Ensure that your equipment is connected correctly - if you are in any doubt consult a qualified
electrician.
LDK 8000 Users Guide | Introduction
1-1
Chapter 1
Introduction
1.1
Technology
The LDK 8000 is a high definition multi-standard, multi-format digital camera head using
three 2/3-inch HD-DPM+ sensors. The camera head can be combined with the TriaxHD
adapter for a flexible camera that is equally at home in the studio or out on location.
1.1.1 HD sensors
The camera head uses HD-DPM+ CCD sensors which offer superior performance and
ultimate flexibility. Native wide screen pictures in the high-definition formats 1080i, 1080p
(WorldCam) and 720p are produced at the touch of a button. This unique native multi-format
capability is realized with innovative 9.2 million pixel 2/3" CCD sensors. These allow vertically
grouping of different numbers of pixels on the sensors themselves. There is no need for HDTV
format conversion during digital signal processing which would lead to quality degradation.
These sensors have a high dynamic range and high linear sensitivity across all camera lens
apertures. They are based on Frame Transfer technology, which ensures that there is neither
lag nor smear.
1.1.2 Digital processing

The advanced digital processing of the camera is based on 14-bit A/D converters and more
than 22-bit internal processing. All major camera functions are processed in the digital
domain, including knee, gamma, contour, matrix and colour correction.
The intelligent continuous automatics facility provides automatic control of black levels and
black shading. Each sensor provides black reference signals that are used to monitor
temperature changes. This means that continuous automatic correction is applied without
operator intervention.
The digital contour processing uses full amplitude video RGB signals via an extended dynamic
range contour circuit. Colorimetry is selected by means of a variable 6-point digital matrix or
via preset matrices. Digital gamma circuits provide a wide range of standardised gamma
curves and enable soft contrast in black scenes to be enhanced, together with hard contrast
and saturated colour in bright scenes. The matrix and gamma sequence is software
programmable for precise colour matching.
v2.0
1-2
1.1.3 Film-like characteristics

The pivoting knee circuit adapts both the knee point and the compression ratio according to
the highlight content of the picture to emulate the softly limiting S-shaped transfer
characteristics of film. Digital True Colour Knee circuitry maintains the correct hue for
compressed highlights, reproducing colours faithfully, even overexposed skin tones.
Digital contrast circuitry provides a black stretch function for more detail in black areas and a
black press function for improving the contrast impression by simulating the S-curve of film.
1.1.4 Focus assist

With HDTV, focusing is even more critical than before. The LDK 8000 has special patented
focusing aids. A unique viewfinder zoom function enlarges the viewfinder image instantly
with a simple press-button action, thus providing improved means for focusing. A patented
crawler circuitry adds motion in the viewfinder to objects in sharp focus.
1.1.5 Different versions

The LDK 8000 camera head is available in two versions - Standard and Worldcam.
The Standard version supports 1080i/720p HD formats in 50, and 59.94 Hz, and
simultaneously provides high-quality SDTV outputs in either 50 Hz or 59.94 Hz.
The Worldcam version provides, in addition to the Standard version formats, digital
cinematography formats in 1080p and 720p, which give an impression of motion comparable
to film cameras running at identical speeds.
The Worldcam also provides convenient built-in frame-rate conversions for easy connection to
existing HD peripherals, offering possibilities for cost-effective monitoring and recording
combined with the motion portrayal of film cameras. The 1080p format at 23.98 Hz, for
example, can be converted using 3:2 pull-down to 1080i at 59.94 Hz right inside the camera.
1.1.6 Acquisition formats

The following acquisition formats are available:
Standard version
1080i at 59.94 Hz
1080i at 50 Hz
720p at 59.94 Hz
720p at 50Hz
Worldcam version
1080i at 59.94 Hz
1080i at 50 Hz
1080p at 23.98 Hz
1080p at 24 Hz
1080p at 25 Hz
v2.0
1-3
1080p at 29.97 Hz
720p at 59.94 Hz
720p at 50 Hz
720p at 23.98 Hz
720p at 25 Hz
720p at 29.97 Hz
1.1.7 Advanced TriaxHD features

TriaxHD, which is a further development of the Emmy Award winning triax transmission
system, makes the camera compatible with industry standard triax cables. This allows the
reuse of existing, reliable and valuable cable inventories.
TriaxHD allows video transmission and remote control of cameras up to a distance of 3300 ft
(1000 meters) and beyond, using industry standard 14mm triax cables. It is based on 30MHz
full-bandwidth 4:2:2 transmission (Y/Cr/Cb components).
The double side band modulation technique used in combination with Y/Cr/Cb transmission
ensures linearity, resolution and an optimal signal-to-noise ratio over the maximum cable
length. Bandwidth efficient channel combining and equalization techniques minimize crosstalk and interference. Teleprompter and viewfinder signals maintain high performance with
relatively long cable lengths.
The communication facilities provide for two-wire or four-wire high quality intercom signals.
Full camera control is provided via a C2IP Ethernet-based control network.
The TriaxHD adapter is equipped with a rotary triax connector which provides freedom of
movement during portable use of the camera and protects the connector from being
damaged in near-floor conditions.
TriaxHD Base Station

The TriaxHD Base Station, as well as providing high definition outputs, optionally offers
simultaneous high-end SDTV outputs. This facilitates a gradual and managed transition from
SDTV to HDTV.
1.1.8 SuperXPander
The Triax SuperXpander large lens adapter together with the optional 7-inch HD high
resolution viewfinder turns the portable triax camera into a full-featured studio camera for
studio and EFP situations.
1.2
v2.0
Features
Ultimate flexibility with HD-DPM+ CCD sensors, offering native switchability between
the interlaced 1080i and true progressive 1080p high definition digital cinematography
formats.
The CCDs have 9.2 million pixels, with 1920 (H) x 4320 (V) effective picture elements.
Frame Transfer technology ensures no smear.
v2.0
1-4
14-bit A-to-D and more than 22-bit digital processing with unique software programmable
video path.
Superior all digital highlight handling with a wide dynamic range.
Unique circuitry for pivoting knee and True Colour Knee.
Variable gain control and variable colour temperature.
Wide range of presets and variable 6-point digital matrix assure accurate colour matching.
Fluorescent light matrix.
Digital gamma with unique standard preset values and highest accuracy.
Digital contour with an extensive range of parameters.
Advanced contour correction includes two automatic skin settings.
Intelligent Continuous Automatics black levels, black shading and video levels - no set-up
time required.
Digital contrast with standard black stretch and black press.
International standard 2/3-inch lens interface.
Optical servo-controlled four-position neutral density filter wheel.
Optical servo-controlled effect filter wheel with soft focus, four-point star and six-point
star filters.
Electronic colour filter can be used for creating a special look (warm/cold) of a scene, or
for a smooth colour temperature control around the white balance setting.
Smart card for personal settings and security.
Owner card for setting user levels, and for copying and storing control settings.
Protected, easy-to-operate controls and switches with read-out of all settings.
Viewfinder status read-out of primary camera functions.
Clean scan feature allows capture of computer and other monitor pictures.
1.3
v2.0
1-5
Accessories
Xpander
LDK 4489
SuperXpander
LDK 4488
7 viewfinder support
LDK 6517
HD/HS Triax Repeater
LDK 4800
2 viewfinder HDTV
LDK 5302/60
5 viewfinder HDTV
LDK 5305/01
7 viewfinder HDTV High Brightness
LDK 4020/20
Wide Angle adapter for 2" VF
LDK 5390/00
Left eye adapter for 2 VF
LDK 5390/10
Sunhood for 5" VF
LDK 6992/02
Raincover for camera with 5"VF
LDK 5021/05
Tripod plate
LDK 5031/10
Headset dynamic XLR-5 double muff
LDK 8111/37
Headset dynamic XLR-5 single muff
LDK 8111/51
Scriptboard with light
LDK 6985/21
Transport/flightcase
LDK 5020
Carrying bag
LDK 5020/01
AC power supply 100 W
LDK 5901/00
v2.0
1-6
LDK 8000 Users Guide | Installation
2-1
Chapter 2
Installation
2.1
Packing/unpacking
Inspect the shipping container for evidence of damage immediately after receipt. If the
shipping container or cushioning material is damaged, it should be kept until the contents of
the shipment have been checked for completeness and the units have been checked
mechanically and electrically.
The shipping container should be placed upright and opened from the top. Remove the
cushioning material and lift out the contents. The contents of the shipment should be checked
against the packing list. If the contents are incomplete, if there is mechanical damage or
defect, or if the units do not perform correctly when unpacked, notify your Grass Valley
Nederland B.V. sales or service centre within eight days. If the shipping container shows signs
of damage or stress, notify the carrier as well.
If a unit is being returned to Grass Valley Nederland B.V. for servicing, try to use the containers
and materials of the original packaging. Attach a tag indicating the type of service required,
return address, model number, full serial number and the return number which will be supplied
by your Grass Valley Nederland B.V. service centre.
If the original packing can no longer be used, the following general instructions should be used
for repacking with commercially available materials:
v2.0
1.
Wrap unit in heavy paper or plastic.
2.
Use strong shipping container.
3.
Use a layer of shock-absorbing material around all sides of the unit to provide firm
cushioning and prevent movement inside container.
4.
Seal shipping container securely.
5.
Mark shipping container FRAGILE to ensure careful handling.
2.2
2-2
Transport case
It is important to protect your camera against damage when transporting it. To do this, a
transport case (LDK 5020/00) is optionally available for the camera, lens, viewfinder and some
accessories.
Figure 2-1. Transport case
documentation
packing inserts
top light
tripod plate
power supply
additional supplies
The camera is packed in the transport case as shown in the figure above. This ensures that the
camera is not damaged during transport. Turn the 2-inch viewfinder downwards so that it does
not protrude above the top of the camera. Several foam packing inserts are provided to enable
different configurations of the camera to be packed securely. These inserts are used to
support the rear of the camera. Make sure you use the correct foam insert for your particular
configuration.
v2.0
2.3
2-3
Mounting a lens
To attach a lens to the camera head proceed as follows:
1.
Ensure that the lens locking ring (1) is in the unlocked position - turned counterclockwise.
2.
Remove the dust protection cap (2).
3.
Slot the lens into the lens mount (3).
4.
Turn the lens locking ring (1) clockwise to lock the lens in place.
5.
Connect the lens cable to the lens connector (4) at the right side of the camera.
6.
Place the lens cable into the bottom clip at the front of the camera and clip (5) located at
the side.
Figure 2-2. Lens mounting
Caution
Do not attach a lens weighing more than 5 kg to the camera without a support.
When a new lens is fitted to the camera it may be necessary to carry out some adjustments to
optimize its use, for example, back focus or shading. For more information about these
adjustments refer to the lens manufacturers documentation.
v2.0
Note
Always mount the dust protection cap when the lens is not connected to the camera.
2.4
2-4
2-inch viewfinder
2.4.1 Mounting viewfinder and microphone holder

To mount the viewfinder LDK 5302/60 proceed as follows:
1.
Loosen locking ring (1) of viewfinder support bracket (2) at the front of the camera handle.
(As seen from the rear of the camera, turning the locking ring counterclockwise moves it
towards the handle.)
2.
Slide the viewfinder onto the viewfinder support bracket.
3.
Tighten the locking ring (1) by turning it clockwise (as seen from rear) so that the
viewfinder is mounted securely to the support.
4.
Connect the viewfinder cable to the viewfinder connector socket (6) at the top right of the
camera.
5.
Slide the microphone holder (4) onto the viewfinder and secure with the knurled screw
(5).
Caution
Always fit the microphone holder as it functions as a safety stop for the viewfinder.
6.
To improve the comfort of the skin contact when using the viewfinder, fit the eye piece
cover (3) to the rubber eyepiece. Spare eye piece covers (3922 405 00461) are available at
your Grass Valley representative.
Figure 2-3. Viewfinder mounting

3
v2.0
2-5
2.4.2 Positioning the viewfinder

The horizontal position of the viewfinder can be adjusted as follows to suit your requirements:
1.
Loosen the locking ring (1). (As seen from the rear of the camera, turning the locking ring
counterclockwise moves it towards the handle.)
2.
Slide the viewfinder horizontally along the rail to the desired position.
3.
Tighten the locking ring (1) by turning clockwise.
The dioptre hood and eyepiece of the viewfinder can be rotated vertically.
The viewfinder can be positioned backwards and forwards along the camera axis. Loosen the
support bracket round bar retaining lever (2) and slide the round bar (3) forwards or backwards.
When the desired position is reached tighten the support bracket round bar retaining lever (2)
again.
To use the viewfinder at a distance press the button (4) below or above the eyepiece tube and
swing it free of the associated clip (5). The display can now be seen from further away.
Figure 2-4. Viewfinder positioning
v2.0
2.5
2-6
Viewfinder accessories
2.5.1 Wide angle eyepiece

If you regularly use the viewfinder at a distance, for example, when you use the camera in the
hand-held position, it is recommended that you fit the optionally available wide angle eyepiece
(LDK 5390/00). To fit the wide angle eyepiece proceed as follows:
1.
Hold the eyepiece (1) securely.
2.
Press the button (2) below the eyepiece tube and swing it free of the button clip (3).
3.
Press the button (4) above the eyepiece tube and remove the eyepiece.
4.
Fit the wide angle eyepiece (1) to the two clips (3) ensuring that they both click into place.
Figure 2-5. Viewfinder wide angle eyepiece
2.5.2 Left eye adapter

A left eye adapter is optionally available (LDK 5390/10) to allow the viewfinder to be used with
the left eye. Before mounting the viewfinder onto the camera, attach the left eye adapter (1) to
the viewfinder and secure it using the screw (2). Do not forget to mount the microphone
support bracket (3) at the end of the left eye adapter.
Figure 2-6. Viewfinder left eye adapter
1
v2.0
2.6
2-7
Mounting a microphone
To attach the optional microphone (AJ-MC700) to the camera proceed as follows:
1.
Open the microphone holder by unscrewing the knurled screw (2) of the microphone
support bracket (1) on the viewfinder and open.
2.
Slide the microphone into the split tube until the microphone shoulder reaches the mark
(5) in the tube.
3.
Place the tube with the microphone into the holder with the split facing upwards. Mount
the microphone as straight as possible.
4.
Ensure that the rubber supports at the back and front of the holder fit into the rims (6)
around the tube.
5.
Close the holder and tighten the knurled screw at the top. Dont allow the wind hood to
touch the holder (7) as this reduces the damping effect.
6.
Connect the microphone cable to the MIC audio connector (3) on the right side of the
camera. To avoid mechanical pick-up, do not let the microphone cable touch the holder.
7.
Place the microphone cable into the top clip at the front of the camera and into clip (4) at
the side of the camera. (Pull and twist clip to open it.)
Other microphones with a diameter of 21mm can also be used, however, ensure that the
sensitivity of the input that match that type of microphone are correctly selected in the camera
INSTALL menu. When a longer microphone is used, it is not necessary to place it in the split
tube. Phantom power is always present on the front microphone socket.
Figure 2-7. Microphone mounting
1
5
2
6
3
4
v2.0
2.7
2-8
Tripod adapter plate

To mount the camera on a tripod, the tripod plate LDK 5031/10 must first be attached to the
tripod. Follow the tripod manufacturers instructions to mount the wedge plate supplied with
the tripod and the tripod adapter plate firmly onto the tripod. Attach the camera to the tripod
adapter plate as follows:
1.
Slide the camera horizontally along the tripod adapter plate from back to front ensuring
that the front of the camera engages the V-slot (1) at the front of the tripod adapter plate,
and that the slot on the bottom of the camera engages the stud (2) at the rear of the tripod
adapter plate.
2.
Firmly push the camera forward until it clicks into place.
3.
When the camera is mounted firmly, the locking lever (5) swings around fully to the rear
of the plate. If the lever does not travel the full distance, you should manually lock it into
place.
Caution
Failure to attach the camera to the tripod adapter plate in the correct manner could result in an
unsecured camera. Ensure that the rear stud (2) is engaged and that the camera clicks into
place.
Figure 2-8. Tripod adapter plate
Remove the camera from the tripod as follows:
v2.0
1.
Open the locking lever (5) to free the rear stud (2).
2.
Press and hold the red locking lever (3) against the release handle (4).
3.
Ensure that you have a firm hold of the camera.
4.
Pull the release handle (4) forward.
5.
Move the camera backwards and up.
2.8
2-9
Adjusting the shoulder pad

To change the position the shoulder pad press and hold lever (1). The shoulder pad can now be
moved backwards and forwards along the axis of the camera. Adjust the shoulder pad when all
units have been mounted to get the best balanced shoulder position.
Figure 2-9. Shoulder pad
v2.0
2.9
2-10
Attaching an adapter
The camera head is a multi-role camera head that can be used with various adapters.
Caution
Be extremely careful with the connectors between the camera head and the adapter. Do not
allow the guide pins to damage the pins of the connector. Follow these steps in the order
given. Tightening or loosening the screws in the wrong order could result in mechanical
damage to the camera.
To attach an adapter to the camera proceed as follow:
1.
Fit the guide pin at the top rear of the camera head and the guide pins on either side of
the camera connector into the corresponding slots (1 and 2) of the adapter.
2.
First, tighten the two horizontal screws (3) on the top of camera.
3.
Next, tighten the two horizontal screws (4) at the front of the camera.
4.
Lastly, tighten the vertical screw (5) in the handle of the camera.
To detach an adapter from the camera head follow the steps for attaching it in the reverse
order.
Figure 2-10. Attaching an adapter
5
v2.0
LDK 8000 Users Guide | Configurations
3-1
Chapter 3
Configurations
3.1
TriaxHD mode
A camera head with the LDK 5860 TriaxHD adapter is connected to an LDK 4502 HD Base
Station using a Triax cable. The maximum length of cable that can be used without significant
degradation of the video signal is 1,200m (4,000 ft.) for a 14mm Triax cable.
The power supply is applied to the Base Station and via the Triax cable to the camera. An OCP
400 operational control panel can be connected directly to the Base Station using a cross-over
Ethernet cable.
Figure 3-1. Camera in TriaxHD mode

Camera head + Triax adapter
Camera
operator
headphone
TP
in
External
video in
Power
in
Cross over Ethernet cable

Camera Base Station
Base Station
Teleprompter
Tracker
headphone
Audio
out
Video
out
OCP 400
v2.0
3.2
3-2
Multiple TriaxHD cameras with C2IP network

The Base Stations are each connected to a network hub or router via an Ethernet cable
(straight through, not cross-over). The OCP 400 operational control panels and, if required the
MCP 400 Master Control Panel, are also connected to the Ethernet network via a hub or
router.
Figure 3-2. Multiple HD cameras with C2IP network control
Triax adapter
Base Station
Camera Base Station
Ethernet cable
Camera Base Station
Triax cable
Hub or switch
Camera Base Station
Camera head
Hub or switch
Ethernet cable
MCP 400
v2.0
3.3
3-3
Camera with TriaxHD adapter and SuperXpander

A camera head with the LDK 5860 TriaxHD adapter can be mounted in the LDK 4488
SuperXpander. This enables large box lenses to be used with the camera. A 7-inch HDTV
viewfinder LDK 4020/20 can be mounted on the SuperXpander.
The camera with the TriaxHD adapter connects to the SuperXpander via a flying lead. The
power supply for the camera is supplied via this lead. The SuperXpander is connected to an
LDK 4502 HD Base Station using a Triax cable. This configuration can be powered either:
from the Base Station via the triax cable, or
locally with the mains power supply connected directly to the SuperXpander.
The maximum length of triax cable that can be used without significant degradation of the
video signal is 1,200m (4,000 ft.) for a 14mm Triax cable when the configuation is powered
locally.
To control the configuration an OCP 400 operational control panel can be connected directly to
the Base Station using a cross-over Ethernet cable. The Base Station is powered by a mains
power supply.
Figure 3-3. Camera with SuperXpander and TriaxHD adapter

Camera head + Triax adapter + SuperXpander
TP
in
External
video in
Power
in
Camera Base Station
Cross over
Ethernet cable
Base Station
Audio
out
Video
out
OCP 400
v2.0
3.4
3-4
Local mode
A camera head with the LDK 5860 TriaxHD adapter can be used in the local mode. The DC
power supply is applied to the adapter. An OCP 400 operational control panel can be
connected directly to the camera using the RS232 connection. A reference signal can be
applied to genlock the camera.
The HD SDI (B) connector carries the HD SDI viewfinder signal. The HD SDI (A) connector
carries the HD SDI camera signal.
Figure 3-4. Camera in local mode
Camera head +
Triax adapter
Reference
in
Video out
RS232
connection
DC power
in
OCP 400
v2.0
3.5
3-5
Triax cable lengths

The approximate maximum cable lengths between a Base Station and a camera are given in
the table below. The signal degrades gradually when these lengths are exceeded. Reduce
these lengths by 20% when a teleprompter signal is sent to the camera.
The maximum length is given for cables of the highest quality. The quality of some cables and
the interconnections can adversely affect this maximum length.
Table 3-1. Triax cable length guide
v2.0
Cable diameter
Maximum length
8mm / 0.32 inch
500 m / 1,600 ft.
11mm / 0.43 inch
700 m / 2,300 ft.
14mm / 0.55 inch
1,200 m / 4,000 ft.
Note
The maximum cable length for 8mm Triax is adversely influenced by the power consumption
of the camera.
v2.0
3-6
LDK 8000 Users Guide | Location of controls
4-1
Chapter 4
Location of controls
4.1
Camera head controls and connectors
Figure 4-1. Camera connector location
Viewfinder
connector
Lens
connector
v2.0
HDMI
connector
Microphone
connector
RS232
connector
4-2
Figure 4-2. Camera head controls - front-left
Clear
Star 4P
1 Clear
ND1/4
B 2
6
ND1/1
C 3
Star 6P
1/64
4 ND
us D
Soft Foc
SW1
SW 2
Std.
File
Assignable buttons
Off
Black Str.
Col. Temp.
Bars
we
Po
+
-
Off
Gain
+
-
Gain switch
Standard file button

Black stretch switch
Colour temperature
switch
Power switch
Colour bars switch
v2.0
4-3
Figure 4-3. Camera head controls
Zoom control
Tally indicator
Tally indicator
A
Clear
Star 4P
Star 6P
1 Clear
1/4
2 ND
6
ND1/1
C 3
1/64
4 ND
us D
Soft Foc
Camera card slot
Assignable
record button
White balance
switch
V-shift
switch
V
VRT start shift
Exp.
Time
Audio Level
Audio volume
control
v2.0
Exposure
time switch
Clean scan
button
White Clean
Bal. scan
Select
Menu
select button
Menu rotary
control
4.2
4-4
TriaxHD adapter controls and connectors
Figure 4-4. TriaxHD adapter controls
Intercom routing switch
Prod
Headset production
vol. control selection
Front
Eng
Off
Prod
Rear
Progr
VF
Viewfinder display
signal selection
Loc
Ext1
Mix
Ext2
Ext
Audio microphone
switches
Front
Rear
Mic.
Line
Eng
Call
Headset volume
controls
Mic 1
Call button
Line
Mic.
Ext. SD
Video output
selection switch
Ext.
HD
VF
+48V
Mic 2
VF
Microphone phantom
power switches
+48V
HD-SDI (B)/VF
HD-SDI (A)
Power on indicator
Power on
12V
1.5A max.
Script Light
11-17V
5A
Breaker
v2.0
Circuit breaker button
4-5
Prod
Figure 4-5. TriaxHD adapter connector location
Front
Eng
Off
Prod
Rear
Progr
VF
Loc
Ext1
Mix
Ext2
Ext
Eng
Call
Triax connector
Front
Rear
Mic.
Line
Mic 1
Microphone 1
connector
Line
Mic.
Ext. SD
Ext.
HD
VF
+48V
Mic 2
Viewfinder out
connector
VF
Microphone 2
connector
+48V
HD-SDI (B)/VF
HD-SDI (B) connector
Intercom headphone
connector
HD-SDI (A)
HD-SDI (A) connector
Power on
12V
1.5A max.
Script Light
11-17V
5A
Breaker
Power out
connector
Reference in / teleprompter out

connector
v2.0
Script light
connector
Power in
connector
Auxiliary
connector
Tracker
connector
4.3
4-6
Viewfinder controls and indicators

Figure 4-1. Viewfinder controls
Tally
switch
Zebra
switch
Tally
Zebra
Crisp
Option
switch
Option
Contr.
Bright.
Dioptre ring
Crispening
control
Contrast
control
Brightness
control
Figure 4-2. Viewfinder markers and indicators

Gain indicators
++
Top indicators
REC
TAPE
BATT
ND/RE
FOC+
Zoom indication
Iris indicator
Cadre marker
Zebra pattern
Centre marker
Safe area
Message box
3.2
4.7
5.6
7.5
FL
Colour temp.
v2.0
AW1
AW2
Non-standard
LDK 8000 Users Guide | Operating instructions
5-1
Chapter 5
Operating instructions
5.1
Using the camera

Attach lens, viewfinder, microphone and any other accessories to the camera. Attach the triax
cable or supply the adapter with power.
5.1.1 Switching on the power
1.
On the Base Station set the master power switch to the on position (I). The green power
light lights.
2.
Set the camera Power switch of the camera to the on position
3.
Allow a few moments for the camera to perform a self-test and for the system to
establish communications.
Note
To switch the camera to stand-by, set the Power switch of the camera to the
position.
5.1.2 Controlling the camera

There are several ways of controlling the camera:
v2.0
Using an OCP connected to the Base Station.
Using the switches on the camera itself.
Using the menu system to select functions.
Note
If you cannot access some camera functions or you wish to restrict access, refer to
Section 5.11 on page 29.
5.2
5-2
System Menu
The camera is operated via the viewfinder text display and the control system menu switches.
The systems menu is viewed in the viewfinder and navigated by means of the Rotary control
and the Select button which are both located at the front of the camera.
Figure 5-1. Menu control buttons
V
VTR start shift
Exp.
Time
White Clean
Bal. scan
Select
Audio Level
Menu
select button
Menu rotary
control
The functions of the camera are grouped into menus and sub-menus. There are seven
different menus that are listed in the main menu as follows:
VF
>>
Lens
>>
Video
>>
Install
>>
Files
>>
Security
>>
Diagnostics
>>
Each of these menus gives you access to a particular group of functions. Spend some time
using the controls and menus to discover the various functions. You will quickly learn to
operate the camera intuitively.
Note
Some of the menu items may not appear if the user level is not set to 3.
5.2.1 Entering the System menu

Press the Select button after the camera is switched on, the message Menu off appears in the
viewfinder. Press the Select button again while this text is showing, the MAIN menu appears
in the viewfinder.
v2.0
5-3
Figure 5-2. Main menu
Menu off
VF
Lens
Video
Install
exec
MENU: MAIN
Files
Security
Diagnostics
Service
The MAIN menu screen shows five items. The name of the menu is shown below these. Four
more items are hidden but become visible when you scroll down using the Rotary control. A
cursor shows your position in the menu. The Rotary control moves the cursor up and down.
5.2.2 Finding your way

Use the Rotary control to move the cursor through the menu items. If a double arrow (>>) is
visible, then pressing the Select button brings you one level lower in the menu system. Only
five items are visible in each menu. Scroll up or down to see any additional items. When you
first enter a menu (other than the MAIN menu) the cursor is positioned next to the first item.
The TOP and PREVIOUS entries are not immediately visible but are located above the first
item. Use the Rotary control to scroll up to them.
Select TOP to bring you back to the MAIN menu.
Select PREVIOUS to go back to the menu that you were in before the current one.
The LENS menu, for example, shows the items displayed when you first enter the menu. The
other items are available by scrolling up or down with the Rotary control.
Figure 5-3. Lens menu
TOP
PREVIOUS
Lens type
Auto Iris
Peak/Average
Auto iris setp.
Mom. iris setp.
MENU: LENS
Extended Iris
v2.0
Std
On
65
35
50
5-4
5.2.3 Leaving the System Menu

If you are deep within the menu structure, the recommended way of leaving the System menu
is:
1.
If necessary move the cursor to the left column with the Select button.
2.
Scroll upwards with the Rotary control until the cursor points to TOP (this is the MAIN
menu).
3.
Press the Select button. The cursor now points to the MENU OFF item of the MAIN
menu.
4.
Press the Select button to leave the System menu.
If you do not use the menu it disappears after a few seconds. (This delay can be programmed
in the VF menu.) However, when you press the Select button again you enter the System
menu at the last position of the cursor and not at the top of MAIN menu. To prevent confusion
the next time you enter the System menu, it is advisable to leave the menu by returning to the
MAIN menu (TOP) and selecting MENU OFF.
5.2.4 Making changes

To find out where you have to go to change a function, consult the appendix to discover under
which menu group or sub-group the function you want to change is located. If the cursor
points to an item (and there are no double arrows to indicate a sub-menu) then the item
pointed to has a value. The value can be:
a toggle value (only two values)
a list value (more than two values)
an analogue value (variable from 00 to 99)
unavailable (---).
If the value is unavailable it cannot be changed. This is indicated by three dashes (---). This can
occur, for example, when a function is switched off. The analogue values associated with that
function are then unavailable.
If there are only two values associated with the function, then pressing the Select button
toggles between these two values. If a value is displayed next to a function that is one of
several possible values, then pressing the Select button places the cursor in a list menu
indicating the value currently selected. Use the Rotary control to point to a new value. Press
the Select button to return the cursor to the function list.
If an analogue value is displayed next to a function name, then pressing the Select button
places the cursor in front of the value and the Rotary control is used to change the analogue
value. Press the Select button to return the cursor to the function list.
5.2.5 Undoing changes

If you make changes to the video settings in the Systems menu and you decide not to keep
them, use the Std. button at the side of the camera to recall a standard set of values for the
video parameters.
v2.0
5.3
5-5
Assigning functions to buttons

The camera head has three assignable buttons, two on the side panel (SW1) and (SW2), and
one on the lower front panel (VTR start). The operation of the zoom control button and the VTR
button on the lens can also be assigned. The function and behaviour (momentary or
alternating) of these buttons are set in the INSTALL/BUTTONS menu.
Figure 5-4. Assignable buttons
SW1
button
SW1
VTR Cam.
button
SW2
button
SW 2
Std.
Recall
V
VTR start shift
er
w
Po
Audio Level
Switch
Assignments for Triax operation
SW1
Prod. intercom
Eng. intercom
Zoom
Switch on external signal 1
SW2
Prod. intercom
Eng. intercom
Zoom
VTR Cam.
Prod. intercom
Eng. intercom
Zoom
VTR lens
Prod. intercom
Eng. intercom
v2.0
Exp.
Time
White Clean
Bal. scan
Select
Switch
5-6
Assignments for Triax operation

Zoom
Zoom switch
Momentary
Alternating (latched)
5.4
Video acquisition modes

In the INSTALL menu choose the video mode you wish to use for acquisition. The table below
shows the output signals available for each mode.
5.4.1 Standard camera version

Acquisition format
(sensor)
HDTV
output (B.S.)
SDTV
output (B.S.)
Camera HD-SDI
output
Viewfinder
indication
1080i at 59.94 Hz
1080i59.94
525i59.94 (NTSC)
A: 1080i59.94
B: VF signal (1080i59.94)
1080i59
1080i at 50 Hz
1080i50
626i50 (PAL)
A: 1080i50
B: VF signal (1080i50)
1080i50
720p at 59.94 Hz
720p59.94
525i59.94 (NTSC)
A: 720p59.94
B: VF signal (720p59.94)
720p59
720p at 50 Hz
720p50
626i50 (PAL)
A: 720p50
B: VF signal (720p50)
720p50
v2.0
5-7
5.4.2 Worldcam version

Acquisition
format (sensor)
HDTV
output (B.S.)
SDTV
output (B.S.)
Camera SDI
output
Viewfinder
indication
1080i at 59.94 Hz
1080i59.94
525i59.94 (NTSC)
A: 1080i59.94
B: VF signal
1080i59
1080i at 50 Hz
1080i50
626i50 (PAL)
A: 1080i50
B: VF signal
1080i50
1080p at 23.98 Hz
1080psf47.95
colour bar
A: 1080psf47.95
B: VF signal
1080psf23
1080psf59.94
525i59.94 (NTSC)
A: 1080psf59.94
B: VF signal
1080i59-23
1080p at 24 Hz
1080psf48
colour bar
A: 1080psf48
B: VF signal
1080psf24
1080p at 25 Hz
108psf50
626i50 (PAL)
A: 1080psf50
B: VF signal
1080psf25
1080p at 29.97 Hz
1080psf59.94
525i59.94 (NTSC)
A: 1080psf59.94
B: VF signal
1080psf29
720p at 59.94 Hz
720p59.94
525i59.94 (NTSC)
A: 720p59.94
B: VF signal
720p59
720p at 50 Hz
720p50
626i50 (PAL)
A: 720p50
B: VF signal
720p50
720p at 23.98 Hz
720p59.94
525i59.94 (NTSC)
A: 720p59.94
B: VF signal
720p59-23
720p at 25 Hz
720p50
626i50 (PAL)
A: 720p50
B: VF signal
720p50-25
720p at 29.97 Hz
720p59.94
525i59.94 (NTSC)
A: 720p59.94
B: VF signal
720p59-29
v2.0
5.5
5-8
Viewfinder preferences
Set up the viewfinder according to your own preferences; adjust viewing parameters, select
markers, message boxes and on-screen display times in the VF menu.
Figure 5-5. Viewfinder controls
Tally
switch
Zebra
switch
Tally
Zebra
Crisp
Contr.
Option
switch
Option
Bright.
Dioptre ring
Crispening
control
Contrast
control
Brightness
control
5.5.1 Viewfinder picture quality

Adjust the Brightness and Contrast controls according to your preferences. If you wish, use
the Crispening (peaking) control to adjust the sharpness of the viewfinder picture (reduce
the crispening when the gain is set to +++).
The dioptre of the viewfinder can be adjusted to suit your eyesight by turning the Dioptre ring.
The range of the dioptre is +1 to -3.
5.5.2 Video level indication

Switch on the zebra function so that you are alerted in the viewfinder by a Zebra pattern in
areas where high video levels occur. This diagonal line pattern warns you that the area
affected has risen above a predetermined level of the full scale video exposure value. Go to
the VF menu to set the video levels at which the zebra function works.
5.5.3 Tally indicators

The red Tally indicator at the front of the viewfinder and at the rear of the carrying handle light
to indicate that the camera is on-air. The Tally switch is used to control the Tally indicator at
the front of the viewfinder. When this switch is set to the OFF position, the Tally indicator
does not light when the camera is on-air. The Tally switch does not control the tally indicator
at the rear of the carrying handle.
When the camera is on-air, the REC indicator in the viewfinder lights. When the studio ISO
signal is received, the TAPE indicator lights.
v2.0
5-9
Figure 5-6. Viewfinder markers and indicators

Gain indicators
++
Top indicators
REC
TAPE
BATT
ND/RE
FOC+
Zoom indication
Iris indicator
Cadre marker
Zebra pattern
Centre marker
Safe area
Message box
3.2
4.7
5.6
7.5
FL
AW1
AW2
Non-standard
Colour temp.
5.5.4 Viewfinder markers

Go to the VF menu to select the markers you wish to see in the viewfinder. The following
markers can be set up:
The Safe area marker encloses an area that represents 80% of the whole viewfinder
picture area. This is the minimum area seen on a TV-set.
The Message box displays information messages.The length of time this box remains on
the screen is set by the Info time item of the VF menu.
The Centre cross marks the centre of the picture.
The Cadre marker is a dotted white line or a shaded area that shows the limits of a 4:3
(15:9 or 14:9) picture. Exterior marker shading can also be selected.
5.5.5 Focussing
A focus assist function can be switched on or off in the VF menu. This function adds motion in
the viewfinder to objects in sharp focus. The FOC+ indicator in the viewfinder lights when this
function is on.
The viewfinder zoom function is another feature that helps you focus. This function enlarges
the centre of the viewfinder image. Choose one of the following buttons and the way it
operates (momentary or toggle) to control this function in the INSTALL menu:
The VTR button on the camera,
The VTR button on the lens,
The RET switch on a zoom control when a large lens adapter is used.
When the viewfinder zoom function is in use, many of the viewfinder markers are switched off
to improve the clarity of the display. The FOC+ indicator in the viewfinder flashes when the
viewfinder zoom function is active.
v2.0
5.6
5-10
Lens preferences
When you fit a lens to the camera you may need to adjust the back focus. Refer to the lens
manufacturer's instructions to find out how to do this. The LENS menu allows you to choose
and, if necessary, adjust parameters to suit your lens type and your personal preferences.
5.6.1 Lens type

In the LENS menu select the lens type from two predefined settings; standard (Std) or wide
angle (WA). This gives you the optimum shading settings for either a standard or wide angle
lens. The lens manufacturer is also selected in this menu.
5.6.2 Auto iris

If required switch on the auto iris function in the LENS menu. You can also select the
parameters associated with the auto and the momentary iris in this menu.
5.6.3 Extended Iris

The extended iris function automatically regulates the video signal level by adjusting the iris
opening, the gain level and the exposure time to suit the ambient lighting conditions.
To switch on the extended iris function use the Extended iris button at the left-front side of
the camera. When this button is pressed once, the current value of the automatic extended iris
function is displayed. Press the button twice in quick succession to switch between on and
off.
When extended iris is on, the Non-standard indicator in the viewfinder lights, and gain and
exposure controls are blocked. The parameters for the extended iris function are set in the
LENS menu.
5.6.4 Lens indicators

The ND/RE indicator in the viewfinder lights when a lens range extender is selected.
The Iris indicator in the viewfinder shows the value of the iris opening (when enabled in the
VF menu).
The Zoom indicator in the viewfinder shows the degree to which the lens has been zoomed
in or out if this feature is supported by the lens. It shows 50 if not supported.
v2.0
5.7
5-11
Video preferences
The means used to control the camera depends on your work methods. A remote OCP can be
used and a low user level can be selected to restrict the available camera functions.
Alternatively, video functions can be controlled on the camera itself. The following functions
are available on the camera:
Standard settings
Test signal
Gain selection
Optical filter selection
Colour temperature
Auto-white balance
Exposure time
Black stretch
Auto skin contour
Many other video functions such as contour, black, gain, knee, gamma, matrix and white limit
functions are available in the VIDEO menu.
5.7.1 Standard settings

To ensure that some of the camera functions are not set to unusual values, a standard file has
been defined that contains the default values for most video functions. The table in the
Appendix lists the values that are set when the standard file is recalled.
To recall the standard values for the various video functions, press the green STD button on
the left-front side of the camera and hold it for two seconds. The standard values only take
effect when the camera is not on-air.
The standard file can be selected as either a factory or a customer standard file. Changing the
standard file can only be done in the System security menu if the owner card or the PIN code
is used.
The Non-standard indicator lights when the video settings are not set to their standard value,
for example, when exposure is not set to nominal. It also lights when black stretch or
extended iris is on and if AWC or FL is selected with the colour temperature selector.
v2.0
5-12
Figure 5-7. Video control buttons
Filter wheel
switches
Clear A
1 Clear
Star 4P B
2 ND1/4
Star 6P C
3 ND1/16
Soft Focus D
4 ND1/64
SW1
SW 2
Std.
File
r
we
Po
Off
Black Str.
Col. Temp.
+
-
Off
Gain
Bars
Standard file button

Black stretch switch
Colour temperature
switch
Colour bars switch
Gain switch
5.7.2 Test signal

The left-front side panel of the camera has a Colour bars switch for switching on a colour bar
test signal. The colour bar is the standard test signal that is used to set up and check the
camera before use. When the colour bar is selected the following functions are temporarily set
to Off:
Black stretch
White limiter
Zebra
Safe area (VF)
Cadre (VF)
The lens iris closes automatically when the colour bars are switched on.
v2.0
5-13
5.7.3 Gain selection

Depending on the available light levels it may be necessary to adjust the gain of the camera.
The gain is selected via the Gain switch on the left-front side of the camera.
1.
When this switch is pressed initially, the current value of the gain in dB is displayed in the
viewfinder.
2.
Holding the switch in the up or down position for a very short period selects one of the
five master gain settings: -, 0, +, ++ and +++.
The actual value of the gain in dB is assigned to these symbols in the INSTALL menu.
The Gain indicators in the viewfinder light to indicate the value selected. (The + and
++ indicators light when the gain is +++.)
Symbol
Gain
is always
-6 or -3dB
is always
0dB
can be set to
3, 6 or 9dB
++
can be set to
6, 9 or 12dB
+++
is always
12 dB
Variable gain
The gain switch can also be used to vary the gain continuously between its minimum and
maximum value.
1.
Hold the switch continuously in the up or down position until you see the value in the
viewfinder change in steps of 0.1dB.
2.
Release the switch when you reach the value you want.
3.
Using the switch momentarily again sets the gain to the nearest standard value.
5.7.4 Optical filter selection

A neutral density filter and a special effect filter can be placed in the path of the optical signal
to modify the incoming light. The filters are selected via the Filter switches at the top-front of
the camera. These filters can be used, for example, to control depth of field or exposure levels.
The camera does not need colour optical filters to be able to white balance correctly. The range
of the auto-white balance is so wide (from 2.5K to 20K) that there is never any need to use
colour filters to obtain the correct white. Rotate the switches to move the optical filter wheels.
v2.0
5-14
The outer (bigger) filter switch has four positions:
Position
Filter
Clear
ND 1/4 filter (2 stops)
The inner (smaller) filter switch also has four positions:
Position
Filter
Clear
4-point star
6-point star
Soft focus
The status of the filter wheels is displayed in the viewfinder for a few seconds. The ND/RE
indicator in the viewfinder lights when an ND (Neutral Density) filter is selected.
5.7.5 Colour temperature selection

For true colour reproduction the ambient lighting conditions must be compensated for by
selecting a value for the colour temperature. The standard file setting is 3200K (normally used
for tungsten light). Three other reference colour temperatures are available; 4700K (for
outdoors, clouded conditions), 5600K (for outdoors, clouded conditions) and 7500K (for
outdoors, clear blue skies).
The memory positions (FL, FL50, FL60, AW1 and AW2) are available to store the results of the
auto-white measurement process. The memory positions are filled with measured values
using the automatic white balance switch at the front. The FL positions are recommended for
shooting with fluorescent light.
A continuous automatic white balance position (AWC) is also available. This function
continuously measures the white balance and adjusts accordingly. It can be used when a
constant colour balance is required under changing lighting temperatures (sunsets, indoors/
outdoors use).
In the auto-white positions an electronic colour filter can be adjusted in the VIDEO menu. This
varies the colour balance to obtain warmer or colder colour effects. When an automatic white
balance process is performed, the electronic colour filter is reset to its default value.
v2.0
5-15
Selecting the colour temperature

The up/down Colour temperature switch on the left-front side of the camera allows a choice
between:
Three preset colour temperatures:
3200K (3.2K) - for studio lighting conditions
4700K (4.7K) - for outdoors, clouded conditions
5600K (5.6K) - for outdoors, clouded conditions
7500K (7.5K) - for outdoors, clear blue skies
The memory positions:
FL - memory position for fluorescent light (matrix automatically set to CoolFL)
FL50 - memory position for 50Hz fluorescent light (matrix automatically set to CoolFL and
exposure to 50Hz.)
FL60 - memory position for 60Hz fluorescent light (matrix automatically set to CoolFL and
exposure to 60Hz.)
AW1 - memory position 1
AW2 - memory position 2
An automatic continuous white position:
AWC - continuous measurement (2.5K to 20K)
When the switch is first pressed, the viewfinder displays the current value.
Select a new value by scrolling up or down through the available values.
The Colour temperature indicators in the viewfinder light to show which position is selected.
None of these indicators light when AWC is selected, but the Non-standard indicator lights.
The viewfinder also displays the actual value of a measured colour temperature. The range of
the auto-white balance is from 2.5K to 20K.
Variable colour temperature

The Colour temperature switch on the left-front side of the camera can also be used to vary
the colour temperature continuously between its minimum and maximum value (2.5K to 20K).
v2.0
1.
Hold the switch continuously in the up or down position until you see the value in the
viewfinder change in steps of 10.
2.
Release the switch when you reach the value you want.
3.
Using the switch momentarily again sets the colour temperature to the nearest standard
value.
5-16
Auto-white balance
If the reference colour temperatures do not match your lighting conditions carry out the autowhite procedure as follows:
Figure 5-8. Auto white balance switches
Col. Temp.
Bars
+
-
Off
Gain
SW 2
Std.
File
Off
Black Str.
SW1
V
VTR start shift
Audio Level
Colour temperature selection

switch
Exp.
Time
White Clean
Bal. scan
Select
Auto white balance

switch
1.
Use the Colour temperature switch to select one of the memory positions FL, AW1 or
AW2 in which to store the measured colour temperature value.
2.
Press once on the White balance switch at the front of the camera to start the automatic
white balance procedure. The following appears in the viewfinder:
-
++
REC
TAPE
BATT
ND/RE
AWHITE: window
3.2
7.5
FL
AW1
AW2
Note
If you did not select one of the memory positions FL, AW1 or AW2, the Precondition
failmessage appears in the viewfinder.
3.
v2.0
5.6
Point the camera so that the reference white surface is between the two small white
boxes.
4.
5-17
Press the White balance switch again to start the measurement procedure. A message
indicating that the process is runnning appears.
++
REC
TAPE
BATT
ND/RE
AWHITE: running
3.2
5.6
7.5
FL
AW1
AW2
Note
If there is insufficient light, the Light level too low message appears in the viewfinder.
5.
When the process is completed (within a few seconds) the OK message and the
measured temperature appear in the viewfinder.
-
++
REC
TAPE
BATT
ND/RE
AWHITE: OK 3700K
3.2
5.6
7.5
FL
AW1
AW2
The measured colour temperature is now stored in the selected memory position and can be
recalled as required.
Note
During the auto-white measurement process iris is set to Auto and 90% and the knee is turned
off.
Black balance is not necessary with this camera because of the continuous automatic black
control circuits.
v2.0
5-18
5.7.6 Exposure time

The exposure time values of 1/200, 1/500 and 1/1000 of a second are used to capture fast
moving objects so that these can be played back sharply in slow motion. The value selected
depends on the speed of the moving object.
Figure 5-9. Exposure time controls
V-shift
switch
V
VTR start shift
Clean scan
button
Exp.
Time
White Clean
Bal. scan
Audio Level
Select
Exposure time
switch
Note
Increasing the exposure speed lowers the camera sensitivity proportionally.
Selecting the exposure time

The momentary up/down Exposure time switch gives a choice of exposure time settings. If
an exposure time other than nominal is selected, the Non-standard indicator (!) in the
viewfinder lights.
Value
Function
Shutter blade
Nom.
- nominal setting
rotating
Var. 1
- enables the exposure to be varied
stopped
Var. 2
- enables the exposure to be varied
rotating
1/200
- for fast moving objects
rotating
1/500
rotating
1/1000
rotating
50 Hz
- shooting with 50Hz lighting (adjustable)
rotating
60 Hz
- shooting with 60Hz lighting (adjustable)
rotating
Lighting
The exposure selection also includes lighting control positions which can be used when
shooting with lighting that is operating at a different frequency to the camera. There are two
positions; 50 Hz and 60 Hz. Each of these positions can be varied further in a range from -10 to
v2.0
5-19
+10. To reduce flicker select the frequency closest to the frequency of the lights and then vary
the lighting control in the INSTALL menu to obtain the best result.
5.7.7 Shooting screens

Sometimes when shooting TVs or computer monitors a horizontal bar can be seen across
these screens in the viewfinder. There are two ways of removing the noise bar from the
picture depending on the frame frequency of the display:
For displays with the same frame frequency as the camera, for example TV sets, use the
V-shift facility. V-shift can also be used to remove any colour shifts that might occur when
shooting pictures produced by DLP-type devices.
For displays with a higher frame frequency, for example computer monitors, use the
Clean Scan facility.
Vertical shift (V-shift)

Sometimes when shooting TV screens or monitors with the same display frequency as the
camera, for example TV sets, a horizontal black bar is seen in the viewfinder because the
camera is blanking while the TV is not. The V-shift switch shifts the camera blanking.
The V-shift switch at the front of the camera is spring-loaded with a central rest position.
Holding the switch in the + or - position moves the bar up or down so that it is no longer visible
in the viewfinder. This function is only available when the camera is used in the stand-alone
mode. It is not active when the camera is genlocked or on-air.
When the camera is genlocked, use the V-shift function in the INSTALL menu.
Clean scan
When shooting computer monitors with higher frame frequencies than the camera use the
Clean Scan function as follows to avoid horizontal bars in the picture:
1.
Press the Clean Scan button at the front of the camera for about two seconds to directly
access the variable exposure (clean scan) function. The CLEAN SCAN submenu appears in
the viewfinder.
2.
Use the Rotary control to change the value and so remove the noise bar.
3.
If a more accurate adjustment is required set the CL.SCAN item to EXTENDED. (Set the
mode to NORMAL if a smear effect occurs.)
4.
Set the UNIT item to the prefered read out, Hz or mSec.
When you are finished shooting the monitor press the Clean Scan button for two seconds to
switch off the Clean Scan function. (Exposure time returns to its previous non-variable setting.)
When Clean Scan is on, the Non-standard indicator in the viewfinder lights.
v2.0
Note
Do not shoot highlights in the Clean Scan mode as this may cause a smear effect.
5-20
5.7.8 Black stretch

The black stretch function changes the level of detail in the shadow areas of the picture
without effecting the rest of the picture. Set the Black stretch switch to the On position to
switch on the black stretch function.
The Video menu allows you to adjust the black stretch parameters. Black stretch values above
50 produce more detail in the shadow areas, while values lower that 50 reduce the detail (this
is often referred to as Black Press). The default value is 99.
When black stretch is switched on the Non-standard indicator in the viewfinder lights.
5.7.9 Auto skin contour

Use skin contour to change the contour level in a selected colour range. Decreasing the
contour level of a persons skin colour softens only the skin tones. But not only skin colours can
be selected, for example, decrease the contour level of a soccer field to accentuate the soccer
players or increase the skin contour level to accentuate a rough surface.
Carry out the Auto skin contour procedure as follows:
1.
In the VIDEO\SKIN\SKIn menu, select the memory position skin 1 or 2 (not 1+2).
-
++
REC
TAPE
BATT
ND/RE
1
Off
Off
15
Skin
Auto
View
Skin Level
MORE
MENU: VIDEO
3.2
2.
5.6
7.5
FL
AW1
AW2
Place the cursor in front of the VIDEO\SKIN\AUTO item.

-
++
REC
TAPE
BATT
ND/RE
1
Off
Off
15
Skin
Auto
View
Skin Level
MORE
MENU: VIDEO
3.2
v2.0
5.6
7.5
FL
AW1
AW2
3.
5-21
Press the Select button. The following appears in the viewfinder.

-
++
REC
TAPE
BATT
ND/RE
ASKIN: window
3.2
5.6
7.5
FL
AW1
AW2
4.
Point two small white boxes at the intended surface.
5.
Press the Select button to start the measurement procedure (the iris is set to Auto). The
process running message appears:
-
++
REC
TAPE
BATT
AW1
AW2
ND/RE
ASKIN: running
3.2
5.6
7.5
FL
6.
When the process is completed (within a few seconds) the OK message appears in the
viewfinder.
7.
Adjust the skin contour level with the VIDEO\SKIN\SKIN LEVEL item. Decrease the
value below 50 to soften the selected area. Increase the value above 50 to add extra
contour.
Repeat the steps for the other memory position if required. Both skin contour settings can be
used at the same time. Set the menu item VIDEO\SKIN\VIEW to on to indicate the effected
area.
v2.0
5.8
5-22
Controls on the TriaxHD adapter
Figure 5-1. Rear controls
Intercom routing switch
Prod
Headset production
vol. control selection
Front
Eng
Off
Prod
Rear
Progr
VF
Viewfinder display
signal selection
Loc
Ext1
Mix
Ext2
Ext
Audio microphone
switches
Front
Rear
Mic.
Line
Eng
Call
Headset volume
controls
Mic 1
Call button
Line
Mic.
Ext. SD
Video output
selection switch
Ext.
HD
VF
+48V
Mic 2
VF
Microphone phantom
power switches
+48V
HD-SDI (B)/VF
HD-SDI (A)
Power on indicator
Power on
12V
1.5A max.
Script Light
11-17V
5A
Breaker
Circuit breaker button
5.8.1 Powering the camera

The power supply for the camera and TriaxHD adapter is normally supplied via the Triax cable
from the Base Station. The power on indicator lights when power is supplied and the camera
power switch is set to the on position
.
When power is supplied via the Triax cable, an output power socket supplies +12 Vdc, 1.5A
maximum for powering accessories.
It is also possible to operate the camera without a Triax cable by supplying a +12 Vdc supply to
the DC input socket. The BATT indicator in the viewfinder lights if the camera supply voltage is
less than 11V when using an external supply.
If excessive current flows in the camera or adapter, the circuit breaker trips and shuts off
power to all the units. If this happens check the units for faults and if necessary take corrective
action before pressing the circuit breaker button to reset the power.
v2.0
5-23
5.8.2 Selecting monitoring signals

Viewfinder display signal
The viewfinder can display local or external video signals. Two switches determine the signal
that is displayed in the viewfinder. The selection made with these switches also determines
the VF connector output. Viewfinder display signal switch:
Set to LOC to display the local camera Y signal in the viewfinder.
Set to MIX to display a mix of the local camera Y signal and external signal.
Set the switch to EXT to display the external signal 1 or 2.
The external signal selection switch determines which external signal from the Base Station,
either EXT1 or EXT 2, is displayed in the viewfinder.
Figure 5-10. Viewfinder signal display switches
Front
Eng
Off
Prod
Rear
Ext1
Loc
VF
External signal
selection switch
Viewfinder
display signal
Mix
Ext2
Ext
Output monitoring signal

The monitoring output selection switch determines the signal available at the VF output
connector. The output can be switched between:
VF:
the analog viewfinder signal (Y only),
Ext SD:
the external signal from the base station (SD-format, CVBS). or
Ext HD:
the scaled external signal from the base station (HD-format, Y only).
Figure 5-11. VF output connector signal
Line
Line
Ext. SD
VF
VF
v2.0
Rear
Mic.
Mic.
VF output connector
signal selection
VF output connector
Front
Ext.
HD
5-24
5.8.3 Using audio

Two high quality audio channels are available in the Triax mode. Set the gain levels (-22 to -64
dB) for these channels in the AUDIO section of the INSTALL menu. A high-pass filter for each
channel can also be switched on via this menu.
Audio channel 1
The channel 1 input socket selection switch selects either:
the socket at the front-right of the camera, or
the Mic 1 audio channel 1 connector at the rear of the adapter
as the input for channel 1.

The rear input level switch selects either a line level input or a microphone level input for the
channel 1 rear connector. The line level input sensitivity is 32dB lower than the microphone
input sensitivity.
The switch under the Mic 1 socket selects a phantom power supply (48V) for the rear socket.
Phantom power (48V) is always present on the front-right microphone socket.
Figure 5-12. Audio channel switches
Channel 1 input socket
selection switch
Rear input level selection
switch - channel 1
Front
Rear
Mic.
Line
Mic 1
Audio channel 1
connector
Line
Mic.
Ext. SD
VF
Ch. 2 input level

selection switch
Ext.
HD
+48V
Mic 2
Channel 1
phantom power
switch
Ch. 2 audio connector

Ch. 2 phantom power
switch
+48V
Audio channel 2
The channel 2 rear input level switch selects either a line level input or a microphone level
input for the channel 2 rear connector (Mic 2). The switch under the Mic 2 socket selects a
phantom power supply (48V) for the rear socket.
v2.0
5-25
5.8.4 Intercom
Three intercom channels production (Prod), programme sound (Prog) and engineering (Eng)
are sent from the Base Station to the camera operator's headset. The camera operator's
intercom microphone signal is sent to the Base Station. Routing and volume controls for the
intercom are on the back of the adapter.
Figure 5-13. Intercom controls
Intercom microphone
routing switch
Eng
Front
Off
Prod
Rear
Ext1
Loc
Prod
Production intercom
control selection
Production
volume control
Mix
Ext
Eng
Ext2
Progr
VF
Programme
volume control
Engineering
volume control
Production intercom volume control selection

Use this 2-position switch to control the volume of the production signal in the intercom either
at the front of the camera or at the rear of the adapter.
Intercom microphone routing switch

This 3-position switch routes the camera operator's intercom microphone signal to
engineering (Eng) or production (Prod), or turns it off. The VTR Start button at the front of the
camera, or the VTR button on the lens, can be assigned to send this intercom signal to
production, regardless of the position of this switch.
Intercom headset volume controls
Prod - adjusts the volume of the production signal to the camera headset when selection
switch is in the REAR position.
Prog - adjusts the volume of the programme signal to the camera headset.
Eng - adjusts the volume of the engineering intercom signal to the camera headset.
The INTERCOM section of the INSTALL menu contains various settings for all these channels.
Signals for left and right headset muffs and sidetone levels can be selected. Intercom
microphone amplification levels, phantom power supply and microphone on/off switches are
also available in this menu.
Tracker intercom
A tracker can connect a headset to the side of the adapter to receive the intercom channels
from the Base Station and the camera operator's microphone signal. The tracker's microphone
signal is passed to the camera operator and to the Base Station.
v2.0
5-26
5.8.5 Communication
Call button
Press this momentary button to send a signal to the control panels calling for attention. The
ND/RE indicator in the 1.5-inch viewfinder shows when a call signal is sent or received.
The call button can also be used to playback a voice mail message that has been recorded in
the Base Station. Press once to start playback; press again to stop.
Data channel
The Aux connector on the side of the adapter provides analogue control signals and allows for
the connection of a two-way private data channel between camera and Base Station. In the
INSTALL menu, the tracker microphone and engineering intercom channels can be selected
to carry the private data instead of their normal function.
Tracker tally signal

The tracker connector on the side of the adapter, as well as providing full intercom facilities for
the dolly or crane driver, also carries a tally signal and a +12 Vdc power supply. This allows an
external on-air lamp to be used.
v2.0
5.9
5-27
Managing files
You can have access to 15 different files. This number can be extended by using additional
scene file camera cards. The Files menu is used to recall and store these files. There are two
types of file:
scene files
operator files
A scene file contains values related to the picture performance. The operator file contains
values related to the set-up of the camera (viewfinder, lens and installation parameters). The
tables in the Appendix indicate the functions that are stored in the scene file and those
functions that are stored in an operator file.
5.9.1 Scene files

Four scene files are stored in the camera itself (SCAM1,SCAM2, SCAM3 and SCAM4).
Another four scene files can be stored on the camera card (SCARD1, SCARD2, SCARD3 and
SCARD4). A STANDARD scene file (preselected as either factory or customer defined) is
stored in the camera.
Note
The standard customer scene file is stored via the SECURITY menu, not the FILES menu. The
decision to use the factory defined file or the customer defined file as the standard file is also
made in this menu.
The FILES menu enables the scene files to be stored and recalled using the store and recall
entries of the menu system. If the message NOK is displayed, then the old values are restored.
If the camera is on-air when a scene file is recalled, then the recalled values do not become
active until the camera goes off air.
5.9.2 Operator files

The FILES menu also allows the recall of the operator file stored in the camera (OCAM1) or
one of the two operator files (OCARD1 and OCARD2) stored on the camera card. These files
contain information for setting up the non-video configuration of the camera. A STANDARD
operator files (factory or customer defined) is stored in the camera.
v2.0
Note
The standard customer operator file is stored via the SECURITY menu, not the FILES menu.
The decision to use the factory defined file or the customer defined file as the standard file is
also made in this menu.
5-28
5.9.3 Standard files

The green STD button on the left-front side of the camera recalls the standard scene file. This
file contains standard parameters for the picture performance. A standard operator's file can
be recalled via the FILES menu. This file contains parameters for the set-up of the camera.
5.9.4 Customer standard files

You can define a customer standard file for the standard scene file and for the standard
operator's file. The contents of the customer files for both these standard files is stored via the
SECURITY menu. The selection of a factory defined or a customer defined file for use as a
standard file is also made in this menu. You can only access the functions of the SECURITY
menu with an owner's card or the PIN code of the camera.
5.10
User levels
The user level function in the SECURITY menu restricts access, in varying degrees, to the
operational controls of the camera. You can only access the functions of the SECURITY menu
with an owner's card or the PIN code of the camera.
5.10.1 Selecting the user level

There are four user levels: user0, user1, user2 and user3. The purpose of the user levels is to
restrict the set of functions which can be changed by whoever is using the camera. In this way
a more centralized and uniform control can be achieved and the danger of the camera operator
accidentally changing critical functions while shooting is reduced.
User level 0 is a special protection level which locks most of the operational controls of the
camera. Use this level to ensure that a camera that has been set-up is not tampered with. User
level 0 is not normally used for operational purposes as it is too restrictive for normal
circumstances. The recommended minimum user level is 1. For full control set the level to 3.
When you switch off the power, the access rights that were obtained by the use of the PIN
code are disabled and the camera starts at the assigned user level when switched on again.
Disable camera
The disable camera function is a protection function which prevents unathorised interference
with the camera and provides an additional level of security. Setting disable camera to ON is
similar to using User level 0 to protect the settings of the camera.
v2.0
5.11
5-29
Access and Security
5.11.1 Camera cards

Three camera cards are delivered with each camera. These comprise of two user's cards and
one owner's card.
Figure 5-14. Camera cards
Owner's Card
User's Card
The owner's card has three functions:
As an access control device to the security settings of the camera.
As a storage device for four scene files.
As a storage device for two operator files.
The owner's card is unique to every camera. Owner's card and camera must have the same
serial number. An owners card is linked to the serial number of the camera and cannot be
used as an owners card for another camera.
The user's card has two functions:
As a storage device for four scene files.
As a storage device for two operator files.
Scene files
Both the user's card and the owner's card allow four different scene files to be stored on the
card. The recall and storage of a scene file is carried out via the Files menu of the menu
system. A scene file contains information relating to the video settings.
Operator files
Both the user's card and the owner's card allow two different operator files to be stored on the
card. The recall and storage of a operator file is carried out via the Files menu of the menu
system. An operator file contains information relating to the set-up of general camera
preferences.
v2.0
5-30
5.11.2 Access control

The owners card or the PIN code is used to access special set-up and security features of the
camera. Inserting the owners card into the associated camera always gives direct access to
the Security menu (PIN code is not required). If you select the Security menu without this card
inserted, you must enter the correct PIN code to gain access to this menu.
PIN code
The PIN code of the camera can be viewed and changed in the Security menu. The camera's
PIN code when it leaves the factory is set to 0000. It is strongly advised that this code be
changed by the owner on receipt of the camera. This ensures added protection against
unaurthorised access to the Security menu.
5.11.3 Camera card slot

Insert your camera card into this slot with the chip on the card facing the front of the camera.
Push the card home until it fits snugly. A camera card is not required for normal operation of
the camera.
Figure 5-15. Camera card slot
CAM
ERA
v2.0
CARD
Note
Only use an original camera card. Store the owners card in a safe place.
5.12
5-31
Smart-Touch option
Smart-Touch is an optional software module that gives immediate access to 14 pre-defined
scene files. This library allows you to quickly set up the camera for different shooting
conditions. To choose a particular file proceed as follows:
1.
Press the green STD button for 2 seconds; the viewfinder shows the library of available
shooting conditions.
2.
Select a file by turning the Rotary control at the front of the camera.
3.
Activate the file of your choice by pressing the Select button at the front of the camera.
The new values only take effect when the camera is not on-air. The Smart-Touch files can also
be selected by navigating to the FILES menu using the System Menu. The files of the SmartTouch library are divided into three categories, Lighting, Creative, and Matching, which
complement the standard setting scene file.
The Lighting category provides three different files for various lighting conditions:
Night optimises the transfer characteristic to enhance the visibility of detail in very dark
scenes without the undesirable consequence of excessive noise associated with simply
increasing gain.
Fluorescent establishes matrix and colourmetric parameters to reduce the green tinge
and give a more acceptable picture when the scene is lit with uncorrected fluorescent
lighting.
Extreme contrast uses the full dynamic range of the FT CCD sensor to obtain better
handling of highlights and more detail in the shadows.
The Creative category provides seven files for different effects:
Sports warm colour delivers warm and rich contrasts bringing out team colours.
Sports interview incorporates the dual skin tone control into the sports setting for
interviews.
HI film gives a high contrast film-like look which is ideal for outdoor location production.
HI film + skin is the HI film setting with dual skin tone control incorporated for natural,
flattering close-ups.
LO film gives a low contrast film-like look for studio production.
LO film + skin is the LO film setting with dual skin tone control incorporated for natural,
flattering close-ups.
Sepia creates a sepia tone look for atmosphere-rich production.
The Matching category provides three files for camera matching:
LDK9x + LDK10 for matching to Philips LDK9, LDK10, LDK90 and LDK91 cameras.
DVW xxx for matching to Sony cameras.
HL xxx for matching to Ikegami cameras.
Each of these settings can be personalised and stored on a smart card.
v2.0
v2.0
5-32
LDK 8000 Users Guide | Menu structure and contents
6-1
Chapter 6
Menu structure and contents
6.1
Menu structure
The structure of the main menus and their submenus are shown on the following pages. The
first column shows the user level (0 to 3). You only see menu functions whose user level is
equal to or less than the user level set on your camera. Where appropriate, the default value
of the function in the standard factory file is shown after the function.
6.1.1 Top menu structure

Viewfinder (VF) menu
>>
Lens menu
>>
Video menu
>>
Install menu
>>
Files menu
>>
Security menu
>>
Viewfinder (VF) menu - contains the functions which determine how items in the
viewfinder are displayed.
Lens menu - controls various aspects of the lens.
Video menu - contains those functions which affect the picture quality.
Install menu - contains the functions that are used to set up the general configuration of the
camera. It also contains controls to customize those switches that are directly operated on the
camera.
Files menu - allows values to be stored in scene and operator files, and allows these files to
be recalled as required.
Security menu - used by the camera owner to set user levels and to control access to the
camera, or to store the customer (scene and operator) default files.
Diagnostic menu - provides information on the current status of the camera. No values can
be changed in this menu.
v2.0
6-2
6.1.2 Viewfinder menu structure

2 VF mon
2 VF Contour
>
VF Contour
On
0 Focus assist
Off
Level
50
3 Zebra
>
0 Centre Cross
Off
0 Audio Bar
Off
Zebra
Off
0 Iris Indicator
Off
Zebra mode
Level
0 Focus Indicator
Off
Zebra level (%)
90
0 Zoom Indicator
Off
Zebra contrast
15
0 Box downright
Off
0 Safe area
Off
0 Safe area type
16:9
0 Marker
Off
0 Marker type
4:3
0 Marker style
Dot
0 Marker shading
Shad
0 Indicator White
70
0 Indicator Black
30
0 Display
Time
0 Menu Time
10
0 Info Time
0 Rotary speed
0 EXT AspectRatio
4:3
0 LOC AspectRatio
16:9
v2.0
6-3
6.1.3 Lens menu structure

0
Lens Type
STD
AutoIris
Off
Peak/Average
65
AutoIris Setpoint
35
Mom.Iris Setpoint
35
Manufacturer
Fuji
RE Iris comp.
Off
Extended Iris
>
Min Iris
F16
Autoiris const
>
Max Iris
F2
Min Exp.Time
1/500
Max Gain (dB)
15
Iris gain
v2.0
6-4
6.1.4 Video menu structure

2 Colour Filter
50
2 Contour Level
30
3 Contour
>
3 Level
50
2 Soft Contour
>
3 Source Select
R+G
3 Knee Contour
Off
3 <more>
>
2 Skin
>
2 Black
>
2 Soft Contour
On
2 Gain
>
2 Level
70
2 Knee
Off
3 Knee
>
2 Skin
Off
2 Gamma
Nom
2 Auto
Off
3 Gamma
>
2 View
Off
3 Matrix
Skin
2 Skin Level
50
0 Saturation
50
3 <more>
>
v2.0
3 vert cont
50
3 coarse/fine
3 width1 Red
50
3 width1 Blue
50
2 Dyn Black
3 color1 Red
50
3 Blackstretch
99
3 color1 Blue
50
2 Master
50
3 width2 Red
50
3 <more>
>
3 width2 Blue
50
3 color2 Red
50
3 color2 Blue
50
2 Red
50
2 Green
50
2 Blue
50
3 Red
50
2 Range
3db
3 Green
50
3 Blue
50
3 Master
50
3 Knee
Off
3 Knee Type
3 Slope M
60
3 Point M
50
3 Gamma
Nom
3 Master
76
3 Red
76
3 Green
76
3 Blue
76
6-5
6.1.5 Install menu structure (HDriax)

3 Videomode
2 HD Aspect Ratio
16:9
0 Disable camera
Off
0 IR receiver
Off
0 Tally Handgrip (2)
On
0 OnAir Lamp (7)
On
1 Intercom
>
1 SideTone
50
1 Audio
>
1 Cam.Mic
Sw.
3 Notch
Off
1 Cam.Mic gain
40dB
1 Exposure
>
1 Cam.Mic power
Off
2 Gain preset
>
1 Cam.Production
Both
0 Timing
>
1 Cam.Engeneering
Both
1 Quick Smart Touch
On
1 Cam.Program
Both
0 Private Data
Off
1 Cam.Track
Off
3 Fan operation
>
v2.0
1 Cam.Track level
50
1 Track Mic to
Off
1 Track Mic gain
40dB
1 Track Mic Power
Off
1 Track Source
Side
1 Cam. Mic to
CH1
1 Audio1 Gain
-22dB
1 Audio1 HPF
Off
1 Audio2 Gain
-22dB
1 Audio2 HPF
Off
1 Lighting
1 Clean Scan
>
1 Cl. Scan Mode

1 Value
50/60
2 gain -
-3dB
1 Units
Hz
2 gain +
3dB
2 gain ++
6dB
0 H.Phase
50
0 V-shift
Off
0 V-shift level
3 Head fan
On
3 Adapter fan
On
Norm.
6.1.6 File menu structure

2 Store Scenefile
>
2 file select
1 Recall Scenefile
>
2 store
1 Store Oper.file
>
Recall Oper.file
>
1 file select
Attributes
>
1 recall
2 Standard Files
>
1 file select
1 store
1 file select
1 recall
2 file select
2 file name
2 attribute
2 Standard Settings
(Lighting)
2 Night
2 Fluorescent
2 Extreme Contrast
(Creative)
2 Sport Warm Color
2 Sport Interview
2 HI Film
2 HI Film + Skin
2 LO Film
2 LO Film + Skin
2 Sepia Film
(Matching)
2 LDK9x + LDK10
2 DVW-xxx
2 HL-xxx
2 Standard Settings
v2.0
6-6
6-7
6.1.7 Security menu structure

2 Installed Level
user3
2 Run Hours
>
days ago
0 PIN code
0000
set time
>
Hour
0 Customer Files
>
set date
>
Minute
0 Green Button
>
0
Store Cust.Scene
exec
Year
Store Cust.Oper
exec
Month
Day
v2.0
Standard
Fact
Scene File
On
Operator File
On
6.2
6-8
Menu contents
The number (0,1, 2 or 3) in the LEVEL column indicates the user level at which this item is
visible in the menu; items with numbers higher than the user level that is set on the camera
are not visible in the menu. For example, if user level 2 is set, items marked with a 3 are not
visible.
If an item is not relevant it is not visible in the menu.
The Sc. in the FILE column indicates that the value of this item is stored in the Scene file;
the Op. indicates that the value of this item is stored in the Operator file.
In the VALUES column, the default value of the item is shown in bold.
Note
The items available in the camera menu depend on the version of the software loaded in your
camera. The software version used to reproduce the menu items in this manual may differ
from that of your camera.
6.2.1 Viewfinder menu contents

MENU
VALUES
DESCRIPTION
LEVEL
FILE
VF Mon
Y, R, G, B, -G
Select signal to view in viewfinder.
Op.
VF Contour
On, Off
Turn contours for viewfinder signal on or off.
Op.
Level
0..99 (50)
Set contour level for viewfinder signal.
Op.
On, Off
Adds crawling effect in focused areas in the VF.
VF Contour
Focus Assist
Zebra
Zebra is a diagonal line pattern that warns you

that the area affected has risen above a
predetermined level of the full scale video
exposure value.
Zebra
On, Off
Turn zebra indication on or off.
Zebra mode
Level, Band
Level: zebra indication appears in all

overexposed picture areas.
Band: zebra indication appears between two
specified exposure levels.
Op.
Zebra level (%)
0..99 (90)
Set the exposure level where zebra indication is

on.
Op.
Zebra contrast
0..99 (15)
Set the zebra indication contrast.
Op.
Centre Cross
On, Off
The Centre marker cross marks the centre of

the picture.
Op.
Iris Ind. (SuperXpander)
On, Off
F stop number is displayed in VF
Op.
Focus Ind.
On, Off
Lens focus position indication:

0 = close-up, 99 = infinity
Op.
Zoom Ind.
On, Off
Zoom position indication, if supported by lens: 0

= wide, 99 = tele
Op.
Box Downright
Time, Battery, Tape, FLTR,

Off
Select the type of information you want to see

in the message box.
Op.
v2.0
6-9
MENU
VALUES
DESCRIPTION
Safe area
On, Off
The safe area indicates an area that represents

80% of the whole viewfinder picture area.
Op.
Safe area type
16:9, 15:9, 14:9, 4:3
Set the aspect ratio of the safe area marker.
Op.
Marker
On, Off
Turn on to show the used area limits.
Op.
Marker type
15:9, 14:9, 4:3
Set the aspect ratio of the used area marker.
Op.
Marker style
Dot, Shad, Both
Set the style of the used area marker.
Op.
Marker shading
Shad, Black
Set the shading of the used area marker.
Op.
Ind. White
0..99 (70)
Adjust the contrast of the characters.
Op.
Ind. Black
0..99 (30)
Adjust the black shading of the characters; 0 =

black, 99 = no shading.
Op.
Display
On, Time (reset on power

up)
Select the menu display to be on all the time or

to disappear after a set time.
Op.
Menu Time
0..10 (10)
Set the length of time the menu is displayed

when set to Time.
Op.
Info Time
0..20 (5)
Set the length of time that pop-up messages

are displayed.
Op.
Rotary speed
0..10 (5)
Adjust the sensitivity of the rotary control

wheel.
Op.
EXT AspectRatio
4:3, 16:9
Aspect ratio converter for external video

displayed in VF.
LOC AspectRatio
4:3, 16:9
Aspect ratio when the SD 5-inch viewfinder is

used (only with modification).
v2.0
LEVEL
FILE
6-10
6.2.2 Lens menu contents

MENU
VALUES
DESCRIPTION
Lens Type
STD, WA
Select a standard (STD) or wide angle (WA) type

lens (affects white shading compensation).
AutoIris
On, Off
Turns On / Off Auto Iris
Peak/Average
0..99 (65)
Auto iris setting, balance between peak and

average video level values.
Sc.
Auto Iris Setpoint
0..99 (35)
Auto Iris exposure level setting
Sc.
Mom. Iris Setpoint
0..99 (35)
Exposure setting in the central area. Exposed to

70% at setting = 50.
Sc.
Manufacturer
Ang, Fuj, Ang, Can, Other
Select the manufacturer of the lens (Angenieux,

Canon, Fujinon or other) to compensate for
differences in iris servo feedback.
RE Iris comp.
On, Off
Turn on to compensate for iris loss when the

lens Range Extender is turned on.
Extended Iris
LEVEL
FILE
Op.
Automatically regulates the video level by

adjusting the iris opening, the gain level and the
exposure time to suit the ambient lighting
conditions.
Min Iris
F5.6, F8, F11, F16
Set the minimum iris value to be used with the

extended iris function.
Op.
Max Iris
F1.4, F2.0, F2.8, F4.0, F5.6
Set the maximum iris value to be used with the

extended iris function.
Op.
Min Exp. Time
1/100..1/500
Set the minimum exposure time to be used

with the extended iris function.
Op.
Max Gain (dB)
0..15 dB
Set the maximum gain value to be used with

the extended iris function.
Op.
5..10
Set sensitivity of auto iris: 5 = slow response,

10 = fast response
AutoIris const
Iris gain
v2.0
6-11
6.2.3 Video menu contents

MENU
VALUES
DESCRIPTION
LEVEL
FILE
Colour Filter
0..99 (50)
This electronic colour filter varies the colour

balance to obtain warmer or colder effects for
the auto-white memory positions. It resets to
50 when the next automatic white balance
process is carried out.
Sc.
Contour Level
0..99 (30)
Set contour enhancement level.
Sc.
Level
0..99 (50)
Set contour enhancement level.
Sc.
Source select
Y, R, G, R+G
Select source to be used for contour

generation: Y before knee, R, G, or average of
R+G.
Sc.
vert cont
0..99 (50)
Adjust the level of vertical component in the

contour signal.
Sc.
coarse/fine
0..99 (5)
Adjust the coarseness of the contours (0 is very

fine).
Sc.
Soft Contour
Off, On
Set to On to reduce the amount of contour

added for large transitions.
Sc.
Level
0..99 (70)
Adjust the upper limit level of contour

enhancement for soft contours.
Sc.
Off, 1, 2, 3, 4
Select a level of contour enhancement for the

compressed signal above the knee (4 is high
level of enhancement).
Sc.
Contour
Soft Contour
Knee Contour
Skin
Use skin contour to change the contour level

within a selected colour range.
Skin
Off, 1, 2, 1+2
Turns on skin contour and selects the memory

position.
Sc.
Auto
Off, On
Select to take a sample of the skin colour.
View
Off, On
Set to on to indicate the selected area.
Skin Level
0..99 (15)
Decrease the skin contour level below 50 to

soften the selected area. Increase the value
above 50 to add extra contour.
Sc.
width1 Red
0..99 (50)
Manual correction of skin gate (red saturation)

for memory position 1.
The higher the number, the broader the range.
Sc.
width1 Blue
0..99 (50)
Manual correction of skin gate (blue saturation)

Sc.
color1 Red
0..99 (50)
Manual correction of skin gate (red color) for

memory position 1.
Sc.
color1 Blue
0..99 (50)
Manual correction of skin gate (blue color) for

memory position 1.
Sc.
width2 Red
0..99 (50)
Manual correction of skin gate (red saturation)

Sc.
width2 Blue
0..99 (50)
Manual correction of skin gate (blue saturation)

Sc.
<more>
v2.0
MENU
6-12
VALUES
DESCRIPTION
LEVEL
FILE
color2 Red
0..99 (50)
Manual correction of skin gate (red color) for

memory position 2.
Sc.
color2 Blue
0..99 (50)
Manual correction of skin gate (blue color) for

memory position 2.
Sc.
Blackstretch
0..99 (99)
Set black stretch level (50 is no stretch, values

below 50 are black press)
Sc.
Master
0..99 (50)
Black level adjustment RGB
Sc.
Black
<more>
Red
0..99 (50)
Black level adjustment R
Sc.
Green
0..99 (50)
Black level adjustment G
Sc.
Blue
0..99 (50)
Black level adjustment B
Sc.
Master
0..99 (50)
Black level adjustment RGB
Sc.
Red
0..99 (50)
Manual red gain control
Sc.
Green
0..99 (50)
Manual green gain control
Sc.
Blue
0..99 (50)
Manual blue gain control
Sc.
Range
3dB, 6dB
Gain control step size
Op.
Off, Auto, Var
Knee Off, Auto, or variable (manual)
Sc.
Gain
Knee
Knee
Knee
Off, Auto, Var
Knee Off, Auto, or variable (manual)
Sc.
Knee Type
Y, NAM
Signal used for knee. (NAM: luminance of

highest RGB component)
Sc.
Slope M
0..99 (60)
Adjusts the knee slope angle in manual mode
Sc.
Point M
0..99 (50)
Adjusts the knee slope point in manual mode
Sc.
Nom, Low, Pre
Select Normal, Low (linearised on each selected

curve) or Pre (manual curve).
Sc.
Gamma
Nom, Low, Pre
Select Normal, Low (linearised on each selected

curve) or Pre (manual curve).
Sc.
Master
0..99 (76)
Adjust the RGB gamma curves manually.
Sc.
Red
0..99 (76)
Adjust the red gamma curve manually.
Sc.
Green
0..99 (76)
Adjust the green gamma curve manually.
Sc.
Blue
0..99 (76)
Adjust the blue gamma curve manually.
Sc.
Matrix
EBU, Skin, B/W, RAI, BBC,

1:1, CoolFL
EBU: True colour matrix.

SKIN: Optimised for skin tone reproduction.
B/W: Monochrome picture
RAI: SONY cameras impression.
BBC: BBC optimisation.
1:1: Matrix is off.
COOLFL: Optimised for mixed fluorescent and
incandescent lighting.
Sc.
Saturation
0..99 (50)
Adjust saturation
Sc.
Gamma
Gamma
v2.0
6-13
6.2.4 Install menu contents

MENU
VALUES
DESCRIPTION
LEVEL
FILE
Video mode
Available modes (1080i59)
Select a video acquisition mode (Available

modes depend on the camera version. See
Section 5.4 on page 6).
HD Aspect Ratio
16:9, Wide
Select the aspect ratio.
IR receiver
Off, On
Enable or disable the remote control IR receiver

on the camera.
Tally Hand grip (2)
On, Switch
Set to On so that the tally light at the rear of the

hand grip follows the tally signal; set to Switch
to allow it to be switched off with the switch on
the 2 viewfinder.
On-air Lamp (7)
Off, On
Set to On so that the tally light at the front of

the 7 viewfinder follows the tally signal; set to
Off if you never want it to light.
Op.
SideTone
0..99 (50)
Set the level of the sidetone in the camera

operators headphones.
Op.
Cam.Mic
Off, On, Switch
Set to Switch to allow the intercom routing

switch on the adapter to route the intercom
microphone signal.
Op.
Cam.Mic gain
0dB, 40dB
Set gain of camera operators intercom

microphone to 0dB or 40dB.
Op.
Cam.Mic power
Off, On
+48V phantom power to camera operators

intercom microphone.
Op.
Cam.Production
Off, Left, Right, Both
Select the camera operators ear muff for the

production intercom.
Op.
Cam.Engeneering

engineering intercom.
Op.
Cam.Program

program audio.
Op.
Cam.Track

tracker intercom.
Op.
Cam.Track level
0..99 (50)
Set the level of the tracker signal in the camera

operators headphones
Op.
Track Mic to
Off, Cam, Eng, Prod, All
Select the tracker microphone routing.
Op.
Track Mic gain
0dB, 40dB
Set gain of trackers microphone to 0dB or 40dB
Op.
Track Mic Power
On, Off
+48V phantom power to trackers microphone
Op.
Track Source
Side, Eng
Select engineering intercom or trackers

microphone sidetone for trackers headphone.
Op.
Cam. Mic to
CH1, CH2
Op.
Op.
Op.
Op.
Intercom
Audio
Audio1 Gain
v2.0
-22dB, -28dB, -34dB,

-40dB, -46dB, -52dB,
-58dB, -64dB
+6db, 0dB, -6dB, -12dB, 18dB, -24dB, -30dB, -34dB
Set gain of Audio 1 channel for mic. input.

Set gain of Audio 1 channel for line input.
MENU
VALUES
DESCRIPTION
Audio1 HPF
On, Off
Turn Audio1 high-pass filter on to reduce 50Hz.

hum or low freqency noise.
Audio2 Gain
-22dB, -28dB, -34dB,

-40dB, -46dB, -52dB,
-58dB, -64dB
+6db, 0dB, -6dB, -12dB, 18dB, -24dB, -30dB, -34dB
Set gain of Audio 2 channel for mic. input.
On, Off
6-14
LEVEL
FILE
Op.
Turn Audio 2 high-pass filter on to reduce 50Hz.

hum or low freqency noise.
Op.
On, Off
Turn CVBS notch filter on or off.
Op.
-10 . . . +10 (0)
Select correction in 50 / 60Hz mode to

synchronise with lighting frequency.
Sc.
Cl. Scan Mode
Normal, Extended
In normal mode the shutter blade is running (no

smear).
In extended mode shutter is not running (more
accurate CLS but possible vertical smear).
Value
50.6 103.1Hz (50)

54.7 121.5Hz (60)
Value depends on video mode.
Units
Hz, msec
Select display units for clean scan.
gain -
-6dB, -3dB
Select gain value for - preset position.
Op.
gain +
+3dB, +6dB, +9dB
Select gain value for + preset position.
Op.
gain ++
+6dB, +9dB, +12dB
Select gain value for ++ preset position.
Op.
gain +++
+12dB, +15dB
Select gain value for +++ preset position.
Op.
H.Phase
0..99 (50)
Adjust CVBS H-phase.
Op.
V-shift
Off, On
Set to On to synchronize camera with DLP

projectors or to hide the horizontal bar of CRT
monitors. (Only available for a limited number of
video modes.)
V-shift level
0..99
Variable video delay from 0 to 1 frame.
Quick Smart Touch
On, Off
When On, green STD button opens Smart

Touch menu (if installed).
Private Data
Off, C->B, B->C, B<->C
Select the purpose of the tracker intercom

channel: tracker microphone (Off), or private
data between camera (C) and base station (B).
Head fan
On, Off
Turns the head fan off. Turns itself on after 2

hours or if it gets too hot.
Adapter fan
On, Off
Turns the adapter fan off. Turns itself on after 2

hours or if it gets too hot.
Inter, Zoom, EXT 1, EXT 2
Select the function of the VTR switch on the

lens.
Audio2 HPF
Notch
Set gain of Audio 2 channel for line input.
Exposure
Lighting
Clean Scan
Sc.
Gain preset
Timing
Fan operation
VTR lens
v2.0
6-15
MENU
VALUES
DESCRIPTION
VTR camera
Inter, Zoom, EXT 1, EXT 2
Select the function of the VTR switch on the

camera.
Zoom switch
Mom., Alt.
Select how the zoom switch operates:

momentary or alternating (latched).
v2.0
LEVEL
FILE
6-16
6.2.5 Files menu contents

MENU
VALUES
DESCRIPTION
Store Scene file
LEVEL
2
file select
SCAM 1..4, SCARD 1..4,
Select a memory-stored file (SCAM) or a cardstored file (SCARD).
store
Exec
Select to store the current settings in the

selected file.
Recall Scene file
file select
<available files>
Select a file.
recall
Exec
Select to overwrite the current settings with the

settings in the selected file.
Store Operator file
file select
OCAM 1, OCARD 1..2
Select a file.
store
Exec

selected file.
Recall Operator file
file select
<available files>
Select a file.
recall
Exec
Select to overwrite the current settings with the

settings in the selected file.
file select
<available files>
Select a file.
file name
<file name>
Displays the files name
attribute
R, R/W
R: read only; R/W: read and write
Attributes
Standard Files
Standard Settings
Smart-Touch optional software

Exec
Recalls camera standard settings
Night
Exec
Enhances visibility of dark scenes.
Fluorescent
Exec
Reduces green tinge.
Extreme contrast
Exec
Handling of highlights and details in dark scenes

simultaneously.
Sport Warm Color
Exec
Rich contrast to bring up team colours.
Sport Interview
Exec
Dual skin tone control
Hi Film
Exec
High contrast film-like look.
Hi Film + Skin
Exec
High contrast film-like look + dual skin tone

control for close-ups.
Lo Film
Exec
Low contrast film-like look for studio

production.
Lo Film + Skin
Exec
Low contrast film-like look + dual skin tone

control for close-ups.
Sepia Film
Exec
Sepia tone look.
Lighting
Creative
Matching
LDK9x + LDK10
v2.0
Files for camera matching.

Exec
For older Philips cameras.
FILE
MENU
6-17
VALUES
DESCRIPTION
DVW-xxx
Exec
For Sony camcorders.
HL-xxx
Exec
For Ikegami camcorders.
Exec
Recalls camera standard settings.
Standard Settings
LEVEL
FILE
6.2.6 Security menu contents

MENU
VALUES
DESCRIPTION
Installed Level
user0..user3
Select the user level.
Run Hours
days ago
LEVEL
2
2
<days>
set time
Checks operation time for the set number of

days.
Set the time.
Hour
00..23
Set the value for Hour
Minute
00..59
Set the value for Minute
Set the date.
set date
Year
1900..2100
Set the value for Year
Month
1..12
Set the value for Month
Day
1..31
Set the valie for Day
PIN Code
**** (0000)
Set four-digit PIN code (no confirmation)
Station Name
<name>
Displays the station name
Customer Files
Store Cust. Scene
Exec

customer scene file.
Store Cust. Oper
Exec

customer operator file.
Green Button
Standard
Fact, Cust
Select factory or customer file for green button

recall.
Scene file
On, Off
Select if the file is to be recalled when the

green button is pressed.
Operator file
On, Off
Select if the file is to be recalled when the

green button is pressed.
v2.0
FILE
6-18
6.2.7 Diagnostics menu contents

MENU
VALUES
DESCRIPTION
Adaptor Type
Triax, DVCPRO, ...
Displays value
Sensor Type
IT, ITW, FT, DPM
Displays value
Sensor Voltage
Ok, NotOK
Displays value
Shutter Run
Run, Stop
Displays value
Front Power
Ok, NotOk
Displays value
Camera 12nc
last 4 digits of type no.
Displays value
Camera Status
2 digits
Displays value
Adapter 12nc
last 4 digits of type no.
Displays value
Adapter Status
2 digits
Displays value
PPG Status
0..255
Displays value
DVP Status
0..255
Displays value
Cam. temp
<temp>
Displays value
Head temp C
-55..128
Displays value
Head temp F
-67..262
Displays value
Head fan
Off, Low, Mid, High, Max
Displays value
Adaptor temp C
-55..128
Displays value
Adaptor temp F
-67..262
Displays value
Adaptor fan
Off, Low, Mid, High, Max
Displays value
v2.0
LEVEL
FILE
6.3
6-19
Where to find a function

The following table contains an alphabetical list of the functions and points to their location
in the menu structure.
.
Function
Subfunction
Menu path
select
INSTALL \ HD ASPECT RATIO
external (VF signal)
VIEWFINDER \ EXT ASPECT RATIO
local (5VF)
VIEWFINDER \ LOC ASPECT RATIO
gain
INSTALL \ AUDIO
HP filter
INSTALL \ AUDIO
switch
LENS
peak/average
LENS
setpoint
LENS
iris gain
LENS \ AUTOIRIS CONST
black stretch
VIDEO \ BLACK
dynamic black
VIDEO \ BLACK
level Blue
VIDEO \ BLACK \ MORE
level Green
level Red
master level
VIDEO \ BLACK
matching
FILES \ STANDARD FILES \

MATCHING
A
Aspect Ratio
Audio
Auto Iris
B
Black
C
Camera
Clean scan
v2.0
Function
Colour
6-20
Subfunction
Menu path
mode
INSTALL \ EXPOSURE \ CL. SCAN
units
value
filter
VIDEO \
coarse/fine level
VIDEO \ CONTOUR \ MORE
level
VIDEO \ CONTOUR
source select
VIDEO \ CONTOUR
vertical contour level
VIDEO \ CONTOUR \ MORE
Contour
FILES \ STANDARD FILES
Creative settings
Customer Standard file
store Operator file
SECURITY \ CUSTOMER FILES
store Scene file
SECURITY \ CUSTOMER FILES
D
INSTALL
Disable Camera
E
Exposure time
lighting
INSTALL \ EXPOSURE
LENS \ EXTENDED IRIS
Extended Iris parameters
F
Fan operation
head
INSTALL \ FAN OPERATION
adapter
INSTALL \ FAN OPERATION

FILES
File Attributes
Focus assist
switch
VF
level blue
VIDEO \ GAIN
G
Gain
v2.0
Function
Gamma
Green Button
6-21
Subfunction
Menu path
level green
VIDEO \ GAIN
level range
VIDEO \ GAIN
level red
VIDEO \ GAIN
presets
INSTALL \ GAIN PRESET
select
VIDEO
select
VIDEO \ GAMMA
level blue
VIDEO \ GAMMA
level green
VIDEO \ GAMMA
level master
VIDEO \ GAMMA
level red
VIDEO \ GAMMA
file recall
SECURITY \ GREEN BUTTON
I
SECURITY
Installed User Level

Intercom
cameraman
INSTALL \ INTERCOM
tracker
INSTALL \ INTERCOM
INSTALL
IR receiver switch
K
Knee
contour switch
VIDEO \ KNEE CONTOUR
master point
VIDEO \ KNEE
master slope
VIDEO \ KNEE
switch
VIDEO
type
VIDEO \ KNEE
RE iris compensation
LENS
L
Lens
v2.0
Function
6-22
Subfunction
Menu path
manufacturer
LENS
type
LENS
Lighting conditions
M
Marker
shading
VF
style
VF
switch
VF
type
VF
Matrix
select
VIDEO
Momentary iris
setpoint
LENS
N
INSTALL
Notch
O
On-air lamp
switch
INSTALL
recall
FILES \ RECALL OPER. FILE
store
FILES \ OPER. FILE
Operator file
P
PIN code
SECURITY
Private data
INSTALL
Quick Smart Touch
INSTALL \ QUICK SMART TOUCH
Recall Scene file
FILES
Recall Oper. file
FILES
Run Hours settings
SECURITY
v2.0
Function
Subfunction
6-23
Menu path
Rotary speed
VF
Saturation
VIDEO
Scene file recall switch
FILES \ RECALL SCENEFILE
Scene file store switch
FILES \ STORE SCENEFILE
Skin Contour
auto
VIDEO \ SKIN
level
VIDEO \ SKIN
paramaters (width, color)
VIDEO \ SKIN \ MORE
select
VIDEO \ SKIN
view
VIDEO \ SKIN
level
VIDEO \ SOFT CONTOUR
switch
VIDEO \ SOFT CONTOUR
Soft Contour
Standard files
FILES
Standard Settings
Store Scene file
FILES
Store oper. file
FILES
Tally Light switch
INSTALL
Timing
H. phase
INSTALL \ TIMING
V-shift
INSTALL \ TIMING
V-shift level
INSTALL \ TIMING
U
User level select
v2.0
SECURITY \ INSTALLED LEVEL
Function
6-24
Subfunction
Menu path
Audio Bar switch
VF
Contour level
VF \ VF CONTOUR
Contour switch
VF \ VF CONTOUR
Centre cross switch
VF
Focus ind. switch
VF
Iris indicator switch
VF
Info time
VF
Menu time
VF
Rotary speed
VF
Safe area switch
VF
Text display time
VF
Zebra parameters
VF \ ZEBRA
Zoom ind. switch
VF
VF
INSTALL
Video mode
Z
Zebra
Zoom
v2.0
Contrast
VF \ ZEBRA
level
VF \ ZEBRA
mode
VF \ ZEBRA
switch
VF \ ZEBRA
indicator
VF
LDK 8000 Users Guide | Connectors
7-1
Chapter 7
Connectors
7.1
Camera connectors
Figure 7-1. Camera connector location
Viewfinder
connector
Lens
connector
v2.0
HDMI
connector
Microphone
connector
RS232
connector
7-2
7.1.1 Viewfinder connector

Figure 7-1. Camera viewfinder connector
10
11
12
13
14
15
16
17
18
19
20
20-pole female; panel view

Panel part number (X14): 5322 214 12544
Cable part number (male): 5322 320 12159
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
-80V
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
TDMS Data 2+
n.c.
GND
INTN-D
vf ext video
n.c.
vf video ret
SDA-D
SCL-D
vf ext video ret
11.
12.
13.
14.
15.
16.
17.
18.
19.
20.
GND
11.
12.
13.
14.
15.
16.
17.
18.
19.
TDMS Clock shield
vf video
Pb vf ret
Pr vf ret
GND
+batt
+batt
Pb vf
Pr vf
shield
7.1.2 HDMI connector

Figure 7-2. HDMI - VF connector
HDMI type A (19-pole)
v2.0
TDMS Data 2 Shield

TDMS Data 2 TDMS Data 1+
TDMS Data 1 Shield
TDMS Data 1TDMS Data 0+
TDMS Data 0 shield
TDMS Data 0TDMS Clock+
TDMS clock VF-video (CEC)

+ 12 V (switched)
SCL
SDA
Ground
+5V power
Hot Plug Detect
7-3
7.1.3 Lens connector

Figure 7-3. Camera lens connector
9
8
10
12
11
3
4
1.
2.
3.
4.
5.
6.
7.
IrisControl
8.
9.
10.
11.
12.
+ batt
* not standard on lens
Ext. Video On/Off

VTR Trigger Switch
-batt
Momentary Iris
Lens Servo
Range Extender
Zoom Follow
Focus follow*
Spare
Iris Follow
Hirose 12-pole female; panel view

Cable part number (male): 5322 265 41208
7.1.4 Audio microphone connector

Figure 7-4. Audio microphone connector
1. Audio Screen
2. Audio In
3. Audio Return
Microphone impedance >200 ohm

3
Sensitivity range: -70 to -28 dBm

Signal at pin 2 of audio input is in phase with signal at
pin 2 of audio output.
XLR 3-pole female; panel view

7.1.5 RS232 serial connector

Figure 7-5. RS232 serial connector
2
6
3
7
4
8
5
9
SubD 9-pin male; panel view (X12)
v2.0
1.
2.
3.
4.
5.
SPARE
RS-RXD
RS-TXD
RS-DTR
RS-DGND
6.
7.
8.
9.
RS-DSR
RS-RTS
RS-CTS
+12V
7.2
7-4
Connectors on the TriaxHD adapter
Prod
Figure 7-2. TriaxHD adapter connector location
Front
Eng
Off
Prod
Rear
Progr
VF
Loc
Ext1
Mix
Ext2
Ext
Eng
Call
Triax connector
Front
Rear
Mic.
Line
Mic 1
Microphone 1
connector
Line
Mic.
Ext. SD
Ext.
HD
VF
+48V
Mic 2
Viewfinder out
connector
VF
Microphone 2
connector
+48V
HD-SDI (B)/VF
HD-SDI (B) connector
Intercom headphone
connector
HD-SDI (A)
HD-SDI (A) connector
Power on
12V
1.5A max.
Script Light
11-17V
5A
Breaker
Power out
connector
Reference in / teleprompter out

connector
v2.0
Script light
connector
Power in
connector
Auxiliary
connector
Tracker
connector
7-5
7.2.1 Triax connector

Figure 7-6. Triax connector
1. Centre pin: Power and signals
2. Inner shield: Return
3. Outer shield: Camera housing GND
Various types of triax connector are available.

Outer shield
Centre pin
Inner shield
Panel view (X100)
7.2.2 Viewfinder / External video output connector

Figure 7-7. Analogue video output connector
This socket provides an analogue1.0 Vpp output

viewfinder signal or an external video signal from the
Base Station.
BNC connector: panel view (X107)
A switch selects either the VF signal (Y-only), an SD

external signal (CVBS) or a scaled HD external signal
(Y-only).
7.2.3 HD - SDI (B) connector

Figure 7-8. HD - SDI (B) connector
This socket provides the HD-SDI output viewfinder

signal or the external video signal from the Base Station.
1080p50/60 mode
This socket is used as part of the dual link connection to
carry a 4:2:2 signal stream according to SMPTE 372M.
7.2.4 HD - SDI (A) connector

Figure 7-9. HD - SDI (A) connector
This socket is used to output the camera HD-SDI video

signal according to SMPTE 292M.
1080p50/60 mode
This socket is used as part of the dual link connection to
carry a 4:2:2 signal stream according to SMPTE 372M.
v2.0
7-6
7.2.5 Audio microphone 1 connector

Figure 7-10. Audio microphone 1 connector
1. Audio Screen
2. Audio In
3. Audio Return
Microphone impedance > 200 ohm

Phantom power +48V switchable
Sensitivity range microphone: -64 to -22 dBu
Sensitivity range line: +10 to +42 dBu
XLR 3-pole female; panel view (X102)
7.2.6 Audio microphone 2 connector

Figure 7-11. Audio microphone 2 connector
1. Audio Screen
2. Audio In
3. Audio Return
Microphone impedance >200 ohm

Phantom power +48V switchable
Sensitivity range microphone: -64 to -22 dBu
Sensitivity range line: +10 to +42 dBu
7.2.7 Intercom headset connector

Figure 7-12. XLR intercom headset connector
1
2
3
4
5
1.
2.
3.
4.
5.
Microphone return
Microphone
Telephone return
Telephone left
Telephone right
Microphone level: -64 dBu / -24 dBu switchable

Microphone impedance: >600 Ohm
Output level: +6 dBu nominal
Output impedance: <50 Ohm
v2.0
7-7
7.2.8 DC power input socket

Caution
The input voltage must not exceed +17 Vdc.
Figure 7-13. DC power input connector

1.
2.
3.
4.
1
2
Ground
Ground (internally bridged to pin 1)
+11.5 Vdc . . . +17 Vdc (internally bridged to pin 4)
+11.5 Vdc . . . +17 Vdc
This socket accepts a DC voltage of 15V nominal.
XLR 4-pin male: panel view (X101)
7.2.9 DC power and tally output socket

Figure 7-14. DC power and tally output connector
Hirose 4-pole female: panel view
1.
2.
3.
4.
Ground
On air
No connection
+12 Vdc (max. 18W)
Shield of cable directly to the connector housing.

The socket provides access to an internal tally switch.
When the camera is on-air, the contact of the internal
relay is closed.
7.2.10 Script light power supply socket

Figure 7-15. Script light power supply output connector
1
2
3
Fischer 3-pole female: panel view (X111)
v2.0
1. +12 Vdc (maximum dissipation 3W)

2. Power return
3. Shield
7-8
7.2.11 Teleprompter output / Reference input connector

Figure 7-16. Teleprompter / Reference connector
Teleprompter - Triax mode

This socket supplies the 1Vpp teleprompter signal applied to
the Base Station.
Reference Input - Local mode
This connector is used to genlock the camera to a 0.6 Vpp HD

tri-level reference input signal.
7.2.12 Tracker communications connector

Figure 7-17. Tracker communications connector
1.
2.
3.
10
9
4.
11
3 2
8
5.
1
4
7
6.
5
6
7.
8.
9.
Fischer 11-pole female; panel view
10.
Panel part number (X108): 3922 040 02463 11.
On-air signal return

Tracker microphone return
Tracker microphone input
Production tracker
Sidetone/engineering tracker
Intercom return
Program sound tracker
Cameraman microphone
Tally control tracker (Cmos level, R out = 1k)
+12V; I max. = 100mA
+12V return
Microphone level: -64dBu/-24dBu switchable

Microphone impedance: >600 ohm
Intercom output level: nom. 0 dBu , max +6 dBu
Intercom output impedance: <200 ohm
v2.0
7-9
7.2.13 Auxiliary connector

Figure 7-18. Auxiliary connector
1.
2.
3.
10
9
4.
11
3 2
8
5.
1
4
7
6.
5
6
7.
8.
9.
Fischer 11-pole female; panel view
10.
Panel part number (X109): 3922 040 02512 11.
+5VL
0VL
AN0
AN1
Spare
On-air n.c.
Private Data Camera to Base Station
Ground
Private Data Base Station to Camera
Ground
Shield
Private data input signals:

0 <0.8 Volt; 1 >2.4 Volt
max. level: +/-12 Volt
input impedance: >100 kOhm
baud rate: 2400 bits/s nom; 4800 bits/s max.
Private data output signals:
C-MOS levels 5V
output impedance: <1 kOhm.
Analogue outputs (AN0 and AN1):
output level: 0 - 5 Volt
output impedance: 100 Ohm
v2.0
v2.0
7-10
LDK 8000 Users Guide | Specifications
8-1
Chapter 8
Specifications
8.1
v2.0
Specifications for LDK 8000

Item
Value
Power requirements
supplied via adapter or local power
Power consumption
60 W (camera head + TriaxHD adapter + viewfinder)
Operating temperatures
-20 to +45C (-4 to +113F)
Storage temperatures
-20 to +60C (-4 to +140F)
Weight (approx.)
5.0 kg (11 lbs) incl. 2-inch VF and TriaxHD adapter
Pick-up device
3 x 2/3-inch HD-DPM+ CCDs

1080i/720p or 1080p/1080i/720p switchable
Picture elements
9.2 million pixels 1920 (H) x 4320 (V) effective
Digital quantization
14-bit A to D
Digital signal processing
74.25 MHz or 148.5 MHz, better than 22-bit accuracy
Sensitivity
2000 lux (186 ft cd) at F8.0 (typical, 1080i50 mode), reflectance

90%
Minimum illumination
Approx. 12 lux at F 1.4 and +12 dB gain
Exposure control
Down to 1/1000
Clean scanning
50.6 to 125 Hz (at 50 Hz)

61 to 150 Hz (at 59.94 Hz.)
Smear
no vertical smear
Optical system
F1.4 prism system
Optical filters
Clear, 1/4 ND, 1/16 ND, 1/64 ND

clear, 4-point star, 6-point star, soft focus
Modulation depth
55% at 27 MHz (typical, 720p mode)
S/N ratio
56 dB in Y (typical)
Registration
<25 ns (0.05% max.) in all zones, without lens
Dynamic range
>400%
Gain
-6dB to +15dB in 3dB steps or continuously variable
Colour matrices
6 standard, 2 variable
Colour temperature
4 standard, 2 memories and continuously variable
8.2
v2.0
8-2
Item
Value
White balance range
2500 - 20,000 K
Highlight compression
Pivoting knee; Digital True Colour Knee
Digital contrast
Black stretch and black press
Contour enhancement
Full amplitude RGB, extended dynamic range circuit
Skin tone memories
Viewfinder option types
(Model LDK 5302 2-inch) resolution >600 TV lines (centre)

Specifications for LDK 5860 TriaxHD adapter

Item
Value
Power requirements
Triax powered or 12 Vdc
Operating temperatures
-20 to +45C (-4 to +113F)
Storage temperatures
-20 to +60C (-4 to +140F)
Weight (approx.)
2.3 kg
Dimensions (mm)
220 (L) x 120 (W) x 205 (H) without handgrip
Triax in/out
Swivel connector; Fischer, ARD, Lemo or Trilock
Triax cable length
1,200m (4,000ft.) max. with 14mm cable
Video out
2x HD-SDI (SMPTE 292M)

(1080p50/60 mode: Dual link HD-SDI; SMPTE 372M)
Monitor
Analogue 1 Vpp; 75 Ohm; BNC
Teleprompter out or
Reference in (local mode)
1 Vpp; 75 Ohm; BNC

0.6 Vpp HD tri-level reference signal
Tracker
11 pins communication / signalling connector
Auxilary/ Data
11 pins private data
Rear microphone in (2x)
XLR-3, balanced, +48V phantom
Intercom
XLR-5 with channels ENG/PROD/PROG
DC input
12V, XLR-4 male
Scriptlight power output
12V, 0.25A, 3-pin Fischer
DC output
12V, 1.5A, 4-pin Hirose 1.5 Amp.
8.2.1 Dimensions
Figure 8-1. Dimensions
v2.0
8-3
v2.0
8-4

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Users Guide

3922 496 30571 March 2007 v2.0

LDK 8000 Users Guide

FCC Class A Statement

LDK 8000 Users Guide

Chapter 4 Location of controls

Camera head controls and connectors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4-1

LDK 8000 Users Guide

Chapter 5 Operating instructions

Using the camera. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-1

LDK 8000 Users Guide

Chapter 6 Menu structure and contents

Menu structure. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-1

Specifications for LDK 8000 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8-1

LDK 8000 Users Guide

End-of-life product recycling

LDK 8000 Users Guide

Cautions and Warnings

Cautions indicate procedures or practices that should be followed to prevent damage or

LDK 8000 Users Guide

In case of an emergency ensure that the power is disconnected.

Use only fuses of the type and rating specified.

To prevent risk of overheating, ventilate the units correctly.

LDK 8000 Users Guide

Triax cable systems

LDK 8000 Users Guide

Base Station earthing

(PE) and video

LDK 8000 Users Guide

Do not subject the unit to severe shocks or vibration.

Do not expose the camera to extremes of temperature.

Do not allow sunlight to shine into the viewfinder.

Be careful when connecting and disconnecting triax cables.

Mains lead wiring for UK users

LDK 8000 Users Guide

LDK 8000 Users Guide | Introduction

1.1.2 Digital processing

LDK 8000 Users Guide | Introduction

1.1.3 Film-like characteristics

1.1.4 Focus assist

1.1.5 Different versions

1.1.6 Acquisition formats

LDK 8000 Users Guide | Introduction

1.1.7 Advanced TriaxHD features

TriaxHD Base Station

Frame Transfer technology ensures no smear.

LDK 8000 Users Guide | Introduction

Superior all digital highlight handling with a wide dynamic range.

Unique circuitry for pivoting knee and True Colour Knee.

Variable gain control and variable colour temperature.

Fluorescent light matrix.

Digital contour with an extensive range of parameters.

Advanced contour correction includes two automatic skin settings.

Digital contrast with standard black stretch and black press.

International standard 2/3-inch lens interface.

Optical servo-controlled four-position neutral density filter wheel.

Smart card for personal settings and security.

Protected, easy-to-operate controls and switches with read-out of all settings.