Home & Design Trends - New

home & design Volume 2 No 7
` 250 A Times of India publication
bathroom special
R.N.I. MAHENG/2013/50949
contents
8 Design in context
A showcase of an eclectic mix of bathroom spaces and accessories from around the globe
16 MY VIEW
8 An artist whose work architects and designers like to most incorporate in their projects
20 INTERVIEW
Ashiesh Shah discusses his approach to finding beauty in that, which is imperfect and incomplete
22 GUEST COLUMN
Architect Akshat Bhatt writes about architecture that engages the human senses
26 Portfolio
Iwan Baans 52 weeks, 52 Cities visually implies the bond humans share with architecture
36 Interview
Light designer Abhay Wadhwa tells us how light for him is a tool for storytelling
40 ICONIC DESIGN
26 This months choice is The Nightmare by Henry Fuseli
BATHROOM DESIGN
42 MASTER SUITES
Puttin on the Ritz
This master suite epitomises the glamorous era with its use of ornate furnishings 42
Quiet and calm

Italian tiles resembling timber planks contribute to a natural aesthetic in this master bathroom 48
A place by the river

A fireplace and light sconces create a comforting ambience in this master suite 54
64 REMODELLED BATHROOMS
68 Monochrome magic
This remodelled master bathroom juxtaposes glass against steel and black against white 64
Cover This master suite built by Oswald Homes draws references
to the glamorous era with its ornate furnishings and
Lap of luxury
antique-style cast-iron bathtub
(see page 42) This remodelled bathroom recalls a boutique hotel suite with its jewel-like interior 68
72 TEXTURES & COLOURS

Byzantine mood
Glittering swathe of mosaic tiles creates an ethereal sense in this bathroom 72
In full bloom
This bathroom is designed in a monochromatic colour palette that sets it apart 76
Watery embrace
An emphasis on curves and layers gives this powder room a surreal presence 78
Interviews
Ashiesh Shah Abhay Wadhwa

RESIDENTIAL DESIGN
Holding court
Expansive views and open courtyards define this New Delhi villa by DADA & Partners 82
An understated style
This show home reinterprets local southern architectural elements in a contemporary manner 92
Looking through
Keeping the focus on the outdoors, Space Dynamix designs this duplex in a minimalist style 98 82
Maximising options
This residence boasts of open spaces that allow abundant natural light to flow in 106
COMMERCIAL DESIGN
112 PUBLIC SPACES
Tropical disposition
The Cairns Institute connects with the rainforest around, thereby creating a natural santuary 112
Fine-tuned
Sound wave patterns are intelligently weaved into the design of this Mumbai auditorium 122
128 OFFICES
Making an impact 112
This corporate showroom-cum-office is an oasis of green amidst a dusty, industrial setting 128
Fresh perspective
Raising the bar for office design, this office has a spacious feel despite a small footprint 134
138 PORTFOLIO
Feast for the eyes
The interiors of this restaurant reference the bygone Latin American culture 138
144 Properties on the block

TRENDS showcases premium properties on the market
146 THE GALLERY

Frank Gehry First Major Retrospective in Europe, Paris 146
Celebrating Habitat The real, the virtual & the imaginary, New Delhi
Detour at London Design Festival
Public art Bordalo II, Miguel Chevalier, Fill in the potholes project and Jason Decaires Taylor
154 Showcase
Mrigank Sharma (India Sutra)
from the editor
From the15th of last month, we officially opened to receive your entries for
the TRENDS Excellence Awards for Architecture & Design 2014.
www.trendsawards.in, our online gateway to your submissions has an all-
new look; the awards details are all there along with in-depth information
on last years winners and the awards night. Do see.
The design world is one of the most dynamic

entries there is, as thoughts and ideas progress so do
their interpretations. When we looked at our
are open unique TRENDS 3D printed Trophy this year,
for trends
we felt like playing around with it some more.
And said to ourselves, why not. So as we speak,
excellence its very talented designer, Ayaz Basrai of The

Busride Studio, the fountainhead of the trophys
awards for idea, is tinkering with the original design and

reinterpreting it for 2014. Our categories are
arcitecture newer too 24 to be exact which also include
architectural and interior design photography.
& design 2014 What remains unchanged are the fundamentals.
To be fair, transparent and exacting, with the
highest of expectations, in search of good design.
In this months TRENDS, the spotlight is on bath spaces. We have a mini

digest of bath products that are faultless. As well as numerous features
of extraordinary bathrooms from around the world. A must read is Akshat
Bhatts guest column as well as the interviews with designer Ashiesh Shah
and light designer Abhay Wadhwa where they reiterate how architecture
and design is frame of mind.
Enjoy.
Preeti Singh
trends.edit@wwm.co.in More ideas, information and inspiration at Trendsideas.in

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A Worldwide Media Publication
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presents
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& design
2014
jury 2014
Sen Ambrish Sunita Bose Shimul Kapil

Kapadia Arora Kohli Krishnamachari Javeri Gupta
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Lifestyle Partner
Entries open till January 5, 2015

design in context
eclectic
bathroom
spaces &
products
from across
the globe
Kholer, marcel wander x2
Marrakesh from Kohler

(www.kohler.co.in)
Part of the Top Art Collection and named after the ancient capital of Morocco,
Marrakesh is inspired by Moorish architecture and mosaics and stands out for its
intricate and abstract floral patterns. Priced at `2,45,800
8 more projects at trendsideas.com Home & Design Trends Vol 2 No 7 2014

The Bloem Rosso from Bisazza Bagno
(www.bisazzabagno.com)
This washbasin vanity and shelf unit is a
custom-made bathroom fixture. Designed in
bright colours, it has individually shaped mosaic
elements that are used on the wooden base.
Cabinet Quadro from Bisazza Bagno

Strikingly contemporary and modern,
this cabinet comes with a black and
white mosaic floral print as its
background. The shelves are made
from glass.
Hidden from MAKRO

(www.makro.it)
Designed by Giulio Gianturco, Hidden is
a wooden box with a functional make-up
and a Corian washbasin. It is equipped
with integrated stainless steel taps, mirror
with magnifying lens, lowered shelves,
object holder drawer, light and plug.
Home & Design Trends Vol 2 No 7 2014 more projects at trendsideas.com

Axor Starck V from
Hansgrohe
(www.hansgrohe.in)
Designed by Philippe
Starck, this faucet is
characterised by its
simple, clear design
based on the principle of
geometric, purist forms
that add a new dimension
of clarity to the element
of water.
park avenue, marcel wanders, hansgrohe
Nest from Park Avenue

(www.parkavenue.it)
Nest is the first collection of bathroom furniture
i
designed and built around the needs of children, nitaria Bonom
from Idrosa
with the idea to make the monotonous task of Aqua Jewels om )
tariabonomi.c med brass m
ulti-
bathing an enjoyable process. The range consists (www.idrosani ion of sparkling chro l Wanders. The
is a collect Mar ce
of a washbasin, bathtub and console in child- Aqua Jewels designed by specially for B
onomi
room fixtures,
friendly shapes, details and decorations. facetted bath es several pieces designed accessories.
collection incl
ud n, bidet and
so includ es a shower, basi
and al
more projects at trendsideas.com Home & Design Trends Vol 2 No 7 2014

Sensory Sky from
Dornbracht
(www.dornbracht.com)
Rejoice, a part of the
Sensory Sky collection
makes showering a
unique experience
with different types
of rain, fog, light and
fragrance that creates
choreographies, inspired
by weather and moods
of nature.
markus jans
Mr. T from Sooda-e

Design Studio
(www.sooda-e.com)
A traditional toilet roll
holder is transformed
into a little man holding
up a pair of dumbzbells.
Available in red and blue
colours, it is priced at
`2000 (approx.)
Axor LampShower from

Hansgrohe
(www.hansgrohe.in)
SensoWash from Duravit Oki Sato of Nendo fuses light
(www.duravit.in) and water with the new Axor
SensoWash is a toilet seat designed LampShower. According to
by Philippe Starck. The cutting- Sato, this is neither a lamp nor
edge design aims to meet the a shower, it is a hybrid. It has a
need for hygiene, operation along wide-rimmed shower crest with
with functionality. Available in an in-built warm ambient lighting.
three categories, it offers one an It can be mounted on a ceiling or
uncomplicated, sustainable lifestyle against a wall.
Home Trends Vol 3 No 6 2012 with its remote controlled functions. more homes at trendsideas.com 11
Boing from Hfele St. Trop from Duravit
(www.hafeleindia.com) (www.duravit.in)
Boing is a collection of vibrant St. Trop is the newest steam shower
washbasins that is suitable unit designed by Philippe Starck.
for children. Made using Presented as a rectangular piece, it
polyurethane, they are is ideal for corners and comes with
designed at a low height with a hand-held and overhead shower
a shallow base. and steam showers.
Bath from Sicis

(www.sicis.com)
This bath comes shaped
like a shoe with an
exceptionally high heel,
making it light, slim and
sensual. It is embellished
with
an abstract decoration in
gold.
12 more projects at trendsideas.com
presents
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for architecture
& design
2014
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architects
interior designers
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Log on www.trendsawards.in
jury 2014

Kapadia Arora Kohli Krishnamachari Javeri Kadri Gupta
Entries open till January 5, 2015 Lifestyle Partner

spaces we lve
Axor Bouroullec from Hansgrohe

(www.hansgrohe.in)
Put together by Ronan and Erwan Bouroullec, this
collection allows one complete flexibility to design one's
bathrooms. Designed under the motto of Feel free to
park avenue, marcel wanders, leotrippi
compose, the collection includes mixers with new spout

heights, lever/handle versions and a wash table as well.
The Wanders Collection from Bisazza Bagno

The collection features a series of consoles and
mirrors in black or white lacquered resin with
smoked glass top, inspired by Baroque furniture.
The white ceramic sink and the imposing white
fibreglass bathtub reinterprets a classic bar of soap.

Join Screens from BCXSY
(www.bcxsy.com)
A limited edition of screens
designed in Tategu, the
traditional craft of Japanese
wood joinery.
432 Park Avenue,

New York
(432parkavenue.com)
Located in the tallest
towers of New York,
this bathroom suite
stands out for its clean
lines juxtaposed against
uninterrupted dramatic
city views.
Madikwe Hills Private

Game Lodge,
South Africa
(www.madikwe-game
reserve.co.za/madikwe-hills)
What makes this bathroom
special is its outdoor setting.
Situated on a hill in the
Madikwe Game Reserve it
brings across a completely
new bathing experience with
its outdoor showers and tubs
that also allow one to literally
feel one with nature.
- Compiled by Kamna Malik

my view
On: An artist whose work I like to most

incorporate in my projects
Arjun Malik
Malik Architecture, Mumbai
An artist whose name comes to mind is Manish
Naik. His works are conceptually pure and process
driven; yet he is able to cleverly create differentiation
within a homogenous materiality. I have always
described his work as having an ineffable quality of
brutal delicacy, being visually arresting at first glance,
while simultaneously luring you into a labyrinth of
crevices and details.
Monica Chawla
Essentia Environments,
Gurgaon
supraja rao, lona logan, kohelika kohli x2, 123rf.com
Arjun malik x2, Monica chawla x2, puran kumar x2,
Mrinmoy Barua is a young Delhi-

based artist and Ive been in love with
his works for the past seven years now.
He specialises in depicting movement
through still art. It blends well with my
versatile style that ranges from classic to
minimal. I feel his style is not one of the
usual and is a perfect fit for homes and
corporate spaces alike. There are textures,
techniques, bursts of colour, bold mature
strokes, versatility and newness in each
work. He has grown on me so much that I
now proudly own seven of his works that I
see everyday at home and at work.

Puran Kumar
Puran Kumar Architects, Mumbai
Art is one of the most significant aspects of interior design and is
usually integral to the spaces designed by me. It is very difficult for
me to pick one single artist, since our projects showcase the works
of many illustrious and well-known artists, who are all well respected
names in the field. However, if I were to pick one name, it would be
Prabhakar Kolte. He is an abstractionist par excellence whose
simplistic style of using bold strokes along with bright colours is quite
exceptional. There is a sense of calm vibrance and tranquility about the
spaces where the masters works adorn the walls. He is equally deft at
creating the abstract magic with his black and white works as well.
Supraja Rao
Design House, Hyderabad
Sumanto Choudhury is an artist whose work I like. His work has
a lot of colour and many a times it also adds a three dimensional
aspect. This is especially clear in our monochromatic schemes or
dark colour schemes where his work adds a sudden burst of colour.
Kohelika Kohli K2 India, New Delhi

Art is subjective. As an architect and designer, I have a preference
of the type of art I like to hang in a home. But, I think because
art is truly personal, it is not something that I dictate for a client.
Personally, Irena Vezin is a German artist whose abstract artistic
expression I love and admire. I own her work in my personal
collection. Her work is attractive, striking and colourful and can
transform any space.
Home & Design Trends Vol 2 No 7 2014 more projects at trendsideas.com 17

Amit Khanna
Amit Khanna Design
Associates, New Delhi
We generally like to encourage the work
of new artists that respond to the existing
spatial constructs. And one such artist
is Neha Grewal. Her works are in a
multitude of formats. Her canvases are
large scaled, yet have imagery of many
things happening simultaneously. One
would relate her work to Persian miniatures
where time stands still, and the viewer gets
a moment in that time frame, a birds eye
view of the complete bigger picture. Her
Simeen Quraishi earlier works on paper are resplendent
Moriq Interiors, Hyderabad with an illustrative quality, rendered in
pencil, charcoal, acrylic and watercolour
washes. The entire visual comes together
like a smorgasbord of events, happening at
various time frames, but connected in the
form of the theme by an invisible umbilical
cord of experiences and memories.
amit khanna, simeen quraishi, mljohnyml.blogspot.in x2, 123rf.com, prdaroz.com
The artist I would name is Niladri Paul. I simply

love the irony in his work and also admire the way he
intertwines realistic lines with abstractionism. I think
he is fabulous with his selection of colours.
Jeyanthi
Nadesalingam
JR+A, Gurgaon
The ceramic artist, sculptor and potter P Daroz is synonymous in our large-scale
architectural ceramic installations. His work is subliminally beautiful, innovative and always
delightful. Whether hes creating miniature ruins of lost cities, exquisite seabed sculptures or
magnificent wall murals, columns and gateways, his work never ceases to amaze.
- Compiled by Dushyant Shekhawat

presents
excellence
awards
for architecture
& design
2014
aLL
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entRy
architects
interior designers
Photographers
product designers
light designers
graphic designers
jury 2014


interview
Architect Ashiesh Shah

discusses his design
approach to finding
beauty in that, which is
imperfect and incomplete
Why did you choose to venture in the field of interior design
and architecture?
I was always fascinated with design and architecture. Painting is some-
thing that I have done since I can remember. I believe it all started from
there. When I was studying dentistry, I realised quite early that it wasnt
something I felt passionately about. It didnt have any room for freethink-
The Bulb Project
ing and creativity like in architecture or design. I always had the need to
create something and architecture seemed like the right choice. However,
over time I became more interested in design-based practices as well.
What role does art play in architecture and design?

When you really think about it, its hard to imagine a history of art without that of architecture. Major
cultural eras from the Baroque to Art Deco, Art Nouveau and Modernism cannot be conceived
without the history of architecture.
How has stumbling upon the Japanese Wabi Sabi philosophy changed or influenced the
way you approach design?
My practice has evolved over the years and with it my philosophy and aesthetics. What has
remained constant however, is my belief in the aesthetic philosophy of Wabi Sabi, a concept
derived from Buddhist teachings. It is the aesthetic of a beauty that is imperfect and incomplete. Asym-
metry and asperity play a major role in my practice. I appreciate spaces that incorporate natural objects and
processes and I try to maintain this principle in my own practice. Nothing is permanent, nothing is finished
and nothing is perfect. The idea of balance also plays an important role in my design practice. A well-
designed space is a balance between materials, textures, surfaces and colours.
What does good design mean to you?

Like all things, design is also subjective. That being said, well-designed spaces and even products, for that
matter, share an essential characteristic; a balance between aesthetics and functionality.
Ashiesh Shahs home

Ashiesh Shah x7
20 trendsideas.com Home & Design Trends Vol 2 No 6 2014

This image and below: Le Mill, Mumbai
Ashiesh Shahs home
What works are you most proud of and why?

My home. It is an expression of what I do and who I
am. Apart from that, I have worked on some exciting
projects with clients that were keen to experiment.
But when youre designing your own home, there
is this artistic freedom you which you dont when
youre working on someone elses space.
When did you become an active art collector?

I started collecting almost 10 years ago, around the
time I graduated from university. Ive always
enjoyed art and collecting became a great way to
truly keep up with it. I am specifically interested
in collecting South Asian art. Politics, gender
materiality and physicality also play an important
role in my selection.
Yours is a carefully curated art collection. What

about a piece makes you decide to add it to
your collection?
I initially collected Indian Moderns. Having grown up
in Mumbai, I easily related to artists like FN Souza particularly excited about my terracotta bulb project
and the Progressives, but gradually I began col- Nido, Mumbai
with designer Thierry Betancourt. Im really look-
lecting contemporary art, in terms of its concerns. I ing forward to seeing how it evolves. But for more,
felt like they were relevant and ultimately reflected youre just going to have to keep an eye out.
those of my generation. Collecting is not just for
the super wealthy and its definitely not about how
much you spend. Its about what you spend it on. - Compiled by Amanda Peters
Bijoy Jain is an architect you admire. What is it

about his work that you like? Ashiesh Shah is a graduate of the Academy of
I love how he uses organic and natural materials in Architecture, Mumbai and Parsons The New
a contemporary way and balances it with natural School for Design, New York. An award-winning
materials into spaces. architect and interior designer, some of Shahs
projects include Le Mill and Nido in Mumbai. Also
How did your collaboration with Thierry Betan- an acclaimed contemporary art collector, Shah
court come about for The Bulb project? was named one of the 20 people to watch out for
Ive been exploring lighting recently and I am in 2011 by CNN GO.

guest column
Architecture, like any other sensory

engagement is interpretive - we
react as our state of mind dictates,
says Akshat Bhatt
The rooftop extension in Vienna by Coop path that architects started going down from
Himmelblau is the architectural equivalent of the 1970s. A two-sided dialogue addressing
an encore at a concert. This charged piece of parameters like adaptability of architecture,
architecture draws many referential images; a optimisation and humanistic applications was
bird, a fighter aircraft, a curious child peering introduced. The space was ready to react
over a parapet. Architecture, like any other to and interact with the user. Emotional and
sensory engagement is interpretive - we react physical interactions through computation with
as our state of mind dictates. There is an physical counterparts became the new drawing
underlying story, but the emotive reaction to a board for experiments in architecture. Buildings
space is metaphorical. The building is powerful that are alive, react to their surroundings, create
but static. virtual spaces and sense your reactions to adapt
How do people react to form and space? and change embody this new typology, a hybrid
Space and form inspires reactions; we explore discipline where architecture interacts with
and exploit these in our architecture, yet the programming, design and engineering to create
dialogue is one-sided based on the emotions adaptive environments.
of the user. With architecture that is static, For example, the Arab World Institute
the experience is subjective. The interaction in Paris (Jean Nouvel, Paris, France, 1986),
between the user and the architecture is which has been awarded by the Aga Khan
interactive from one end but not responsive. foundation, is best known for its distinctive
Interactive architecture, intelligent element, a glass membrane with a metallic
environments, responsive environments, smart screen made from motor controlled apertures
architecture or soft space is an experimental to modulate light, a supercharged brise soleil.
Facade of Arab World Institute, Paris

123RF x2, Wikipedia

Interior of Arab World Institute, Paris
Interactive
architecture
is a hybrid
discipline where
architecture
interacts with
programming,
design and
engineering to
create adaptive
environments
The mechanism creates geometric motifs and is projects, including set design of U2s POPmart
an active climate control device, like a traditional tour, in which two projects stood out for me.
screen. It animates the interior, the exterior and The first was the Window & the Pavement at
references the cultural heritage of the client. This Selfridges on Oxford Street. The store is located
is intelligent design - its dynamic, tells a story, at a quiet intersection and to activate the building
and leaves a lasting impression. This wasnt the at the street level an intervention was planned
first time that an architect experimented with using the shop window to actively engage the
traditional motifs. J A Stein was well-known passersby with a multilayered and entertaining
for using jaalis in his buildings, but they were image projection for the store. Flickering film
artistic interpretations; staid, they were true to and projecting light lured viewers in, while mirror
the material and the fundamental static dialogue films reflected their image back. The installation
remained. Jean Nouvel pushed the traditional brought together video, consumer products,
motif into the 21st century with a building that unexpected materials and special lighting to
demonstrated that the future could clearly create intriguing and multilayered piece of
reference tradition. temporary architecture. This installation appealed
Around this time, a lot of people were to the technologically handicapped person in
experimenting with architecture that could create me. It covered 31 shop windows, used CCTV
immersive environments or interactive non-static cameras, TV monitors and played videos of shop-
interpretations of conventional typologies. life using slowed down security camera footage
Another example is the Tower of Winds (Toyo with themes such as playing, parking, eating and
Ito, Yokohama, Japan, 1986). The intervention dressing. It was an uncomplicated, voyeuristic,
shows that a simple form can be used to an animated presentation of real happenings.
Blinkenlights, Berlin
create dynamic architecture that is a 12-storey This was created by d-squared, a well respected,
tower made of steel, glass, air and light. This research-based collaborative design practice
elegant, but primitive form changes appearance that existed from 1994-2009. The emotional
in response to wind speed and is a simple platforms at which this intervention conversed
light sculpture. The response to climate and with the viewer, and at the various levels
environment lends a dynamic character to the that technology was woven into the idea of
built form where some aspects of it are temporary dialogue with the viewer, created an interaction
but not arbitrary. through design.
When I first saw Architectural Design The second was Jump Cuts (Diller Scofidio
(January - February 1998) titled Consuming & Renfro 1996, San Jose, USA), staged during
Architecture in the library of the School of Habitat 1995 by an interdisciplinary practice that
Studies, it featured a few immersive media combines architecture with fine and performing

arts. They interpret the marquee through new In terms of interaction at a more urban level,
seductive forms using sculptural, electronic Schouwburgplein Square (West8, Rotterdam,
and video elements. The permanent installation The Netherlands, 1996) is designed, with custom
exhibits images and texts onto the street level, furniture, crane-like lights and a hardscape
a great ground for interaction and reaction. pattern that reference the port of Rotterdam.
Recorded and live sequences are shown to This public space is flexible in use and changes
people outside the building, questioning which throughout the day and from season to season.
side presents a greater spectacle. Using simple Four red lamp posts are operated hydraulically
projectors, mirrors and glass at unexpected and extend up to 35 m high. These change
angles, this experiment borders on being positions at programmed times and also can
voyeuristic. An armature installed on the north be altered by people inserting coins into the
facade of the theatre holds LCD panels that coin-operated feature hereby changing the
alternate with transparent surfaces, such that programmed settings. The project gives each
the resultant virtual accessibility of the space is user the power to change the environment that
endlessly called into question by alternating real he is submerged in. Whether to alter aesthetics
view and view transmitted live from inside the or just to interact remains to the users discretion.
building. This project takes the Selfridges project Over the years, technology has made large-
one step further to create an engagement with scale immersive installations easy, but I cant
the viewer at many philosophical level of real and help but feel that theyve flattened out intent and
reel life. experimentation both in terms of experience and
Such interactive architectural projects soon engagement like the ION in Singapore, which
started creating a market for new materials merely projects oceanographic images on the
that could be experimented with, newer floor and ceilings. The problem with product-
By visually technologies that could be used to create newer
environments. At the beginning of the mobile
based interventions is that they leave no space
for individual expression. The overall experience
stimulating WAP revolution, Blinkenlights was presented to is slowly dumbed down, and the result is a
the world. The interactive light installation was contextual, available for mass application,
the viewer, commissioned on September 11, 2001 at Haus compromising the identity of the original
technology des Lehrers in Berlin, Germany, but it was lost
in the political turmoil at the time. In the project,
architectural installation.
Mechanical devices that are available for
often creates an the upper eight floors of the building were dynamic surfaces (Danpalon has a triflector
based privacy screen, Hunter Douglas makes
ambience, which transformed in to a huge display by arranging
144 lamps behind the buildings front windows. louvers and aerofoils) pale in comparison to
might result in a A computer controlled each of the lamps well detailed architectural elements. And they
definitely pale in comparison to some of the ideas
independently to produce a monochrome matrix.
short term visual During night time, a constantly growing number proposed by Kas Oosterhuis in his HyperBody
engagement, of animations could be seen, people could play
arcade classic games on the building using
studio at TuDelft, the most recent of which is the
Robotic Building that proves that architectural
but there is mobile phones and could place love letters on endeavor is limited only by our mind.
the giant screen as well. Documentation and Using technology to achieve interactive
no memorable videos can be found on the Internet and on the environments is one process, but using
dialogue website blinkenlights.net.
Blinkenlights was followed by two more
technology to create bright facades, which cloak
the original intent of the architecture, is not what
installations, Arcade, Paris in 2002 and then one would deem as interactive architecture.
Stereoscope at Toronto in 2008. Each time By visually stimulating the viewer, technology
the level of interactivity, graphic resolution, often creates an ambience, which might result
media were upgraded and refined, the spirit in a short-term visual engagement, but the
remained the same though of simple but large dialogue with the viewer and the architecture
visual elements. What made Blinkenlights are dissolved; there is no memorable dialogue.
special was the simplicity of the output; the Clarity of intent and a hybrid discipline of
most basic elements form simple shapes that architecture with technology, virutuality and
trigger memories. The notion of using nostalgia philosophy constitute interactive architecture,
and imagery but through new technologies, where expression and intent need to be the stars
these projects addressed interaction from the of the process to create a complex dialogue to
humanistic level to a large-scale expression of engage the environment with the user through
private thought. justified means.
Akshat Bhatt graduated with a B. Arch from TVB School of Habitat Studies in 2002. He worked in
London with Penoyre & Prasad before founding his own studio, Architecture Discipline, in New Delhi in
2007. This multi-disciplinary design studio advocates the advancement of regional forms of expression
through contextually charged and contemporary typologies.

HOME & DESIGN TRENDS
HOME & DESIGN Volume 2 No 5

INDIA
VOL 2 NO 5 2014
R.N.I. MAHENG/2013/50949
PORTFOLIO
Iwan Baans 52 Weeks, 52 Cities

visually implies the bond humans
share with architecture
Known for capturing his

subjects in the context of
their social environment;
them being mammoth
architectural structures, has
often led photographer Iwan
Baan to rent a helicopter or
two for the task of shooting
them in their natural
surroundings. His aim is
to not just showcase the
structure, but also highlight
what is happening around,
what people do there and
what kind of role these
subjects play in their lives.
An alumnus of the
Royal Academy of Art in
The Hague, Baan moved to
New York, where he worked
as an apprentice with the
photographer Mark Seelen.
Iwan Baan x8, Delfino Sisto Legnani
1. New York

2. House K Fujimoto - Osaka, Japan

Baan started out as
a documentary photographer
when he serendipitously fell
into the subject of architecture
with architect Rem Koolhaas.
He proposed to document a
project of Koolhaas firm OMA
and the rest, as they say, is
history. Apart from Koolhaas,
Baan has collaborated with
some acclaimed names,
such as Frank Gehry, Toyo
Ito, Steven Holl and Zaha
Hadid. His unconventional
approach to not shoot
structures in isolation has
made him the most sought-
after name in architectural
photography. Baan's busy
schedule has led him to live
out of a suitcase round the
year and this circumstance
became the subject of his
latest exhibition - 52 Weeks,
52 Cities developed for the
contemporary art museum
Marta Herford.
The exhibit showcases the
photographers one-year
journey around the world
capturing outstanding
construction projects as
well as local homes often
in surprising places. Baan
accompanies this with a
commentary on human living
and survival strategies. The 52
images catalogue sites from
Zabaleen Cairo to Allahabad,
India. It also includes his
iconic shot of New York after
Hurricane Sandy.
Serpentine SFA - London, UK

8. Zabaleen Cairo

4. Actelion - Basel, Switzerland
Altamira - Brazilian Amazon
Maaskant - Rotterdam, The Netherlands
As quoted on Dezeen, Baan explains, Most people know my photography from the
commissioned architecture work but there are also a lot of other places that fascinate me, that
show how people are building informally. My work is about looking at all the different aspects
of building and the built environment, from the very well-planned cities to what people build
themselves out of necessity.
- Compiled by Amanda Peters

home & design
Why do Rushda Hakim &

Rishita Das of Design Office
value TRENDS?
TRENDS is a fountainhead of
inspiration. It acts as a push for
designers like us and also encourages
one to expand the creative horizon
and simultaneously serves as a guide
to readers who are looking to do up
their personal spaces. It is one of the
few publications that has successfully
managed to strike a great balance
between Indian and international
content both in terms of features and
products. We have come to expect
tasteful, large-scale and stylish
projects with an extensive source list
from the featured stories. We must
add that our favourite section is Iconic
Design section in the magazine.
Founded by Rushda Hakim and Rishita

Das, Design Office is a Mumbai-based
multidisciplinary design studio. Before
founding the practice, Hakim worked
with prominent architect Pronit
Nath and also was an interior stylist
whereas Das is a product designer as
well as an interior designer. Design
Office is an amalgamation of Das and
Hakims diverse design inspirations.
Their projects include retail stores,
offices and residences. Some of
their recognised projects include
designer Shantanu & Nikhils store in
Hyderabad and Mumbai and the office
of FoxyMoron, one of the countrys
leading social media agencies.

THE LUXURY EDITION

INDIA
VOL 2 NO 6 2014
R.N.I. MAHENG/2013/50949
interview
Light designer
Abhay Wadhwa
tells us how a
light fixture is
not merely a form
of illumination
but a tool of
storytellling
You were initially pursuing architecture. who is still a great friend, told me something very
What mad you suddenly venture into light special once I finished the programme. He said,
design? When you came in, you were all over the place and
As a young boy, I loved to create and had a we straightened you out. Frankly, I dont disagree
knack for making things and that was the prime with that. I was all over the place. They channelised
reason why I enrolled for architecture at the me. From being a crazy kid who was doing eve-
JJ School of Architecture in 1987. While I was rything, they straightened me out and I have no
in college, I was not a very focused student problem in accepting that because he was and still
and was involved in organising college shows is one of the best vision scientists in the world. He
and fests. once said, If you are a good scientist then you need
There was this one particular students to design and if you are a good designer you need
conference of architecture that I was organis- to know how the technical stuff works.
ing, which had musicians coming and playing. You see that realisation, left side, right side of
Just before we were about to begin the man the brain, thats rubbish. I think both sides of the
who was in-charge for the light and music brain have to work with what I do. In architecture
needed some help and I volunteered to help also its not about one side of the brain, the left side
him out to set the stage. So I climbed up on of the brain. If youre really creating architecture,
the catwalk and was setting up the lights and you cant really do it without knowing the techni-
the moment I finished and the lights went on, cal side. So in that its kind of bauhausian, like the
I knew I wanted to venture into light design. Bauhaus School, that you need to know your craft.
In those few seconds I knew this is what I I have always been fascinated by the German and
wanted to do. It was almost like an instant realisa- Japanese system of being apprentices in order to
tion. Now when I look back, I still get goose learn your craft.
bumps because I did not realise I was going to stick
with it for this long but even back then I knew that What parameters do you take into considera-
I loved it. tion while executing your light design?
When I look at a space one of the first few things
What would you call as the turning point in one would take into consideration would be of how
your career? one would approach it, where the poetry lies, where
The turning point would have to be my time at the is the emotional connect and where is the science.
Lighting Research Center at RPI in upstate New Functionality is another important aspect. Also there
York. I moved to it after my time at University of needs to be a connect with the architecture and
Southern California. I had one year at USC and that how to augment the light with it. So after the initial
was fun but this was real, a serious boot camp and I analysis, we start looking at is the focal points of
was working as a research assistant for my stipend a project. Light is not merely an illumination. It is a
Fram Petit, dlf
and I was doing an unfunded thesis that was pub- storytellling and an illustrative medium.
lished in technical papers.
This is what I wanted to do, I wanted to learn How do you help your client in choosing the
light design right down to the last bit, so that I could right light?
really craft it. Mark Rea, the director of my centre It depends on who they are and which part of the

Blue Frog, Mumbai
world they are from. But in general we love to work What are the current trends in lights?
with clients who are involved in projects. Some The whole planet seems to be engulfed in the LED
designers might term that as interference but I trend. Fortunately, unlike other trends in the past,
love that. Light is a facilitated medium and not a fiber optic lighting being one of them, this develop-
dictatorial medium. Frankly, when I dont have feed-
back from clients, thats when I get really worried
ing trend has promise. It is predicted that 70% of
the world wide lighting market will belong to LEDs
There is poetry,
because that means that project will not get to its and its cousins. This trend has been building for but when
maximum utility. There is poetry but when poetry is the past 20 years, since Shuji Nakamura invented
left uninterpreted then its lost. the white LED. As designers, we must see this as a poetry is left
How would you define the current state of light
harbinger of a shift in paradigms, and not just a new
technology to replace the current lamp technol-
uninterpreted
design in India? ogy. It bothers me when LEDs are described as then its lost
I think its a vendor product driven culture. Many a replacement technology - it is much more than
people do presentations on light fixtures but no that, and really prompts us to rethink how we see
one is really initiating a dialogue on space and architectural spaces and the role of the light bulb.
light. There is limited analysis and enquiry into how In New York, I teach a class on What will 2020
it should be. I have so far not been excited by any Bring? and the biggest point that I make is that we
work done by an Indian light designer and I dont are really selling ourselves short if we see the LED
feel very happy to acknowledge it. technology as just the new bulb technology.
DLF Cyber Hub, Gurgaon
Bushwick Gallery
The Golden Temple, Amritsar
The Monsoon Club, USA

architects intent. Through dialogue and sketches,
we reached that magic moment of inspiration,
lighting and thunder, which usually gives you visual
clarity on what the space should look like. Thats all.
The lighting solution is rather simple and arriving on
these simple solutions takes much longer than a
complex and busy solution.
What factors did you take into consideration

while doing Alila Diwa Hotel in Goa?
It was all about contextualising the light to its locale.
We worked very closely with the owners to come
upon the right solution. Darkness and local crafts
and materials were embraced. What we have is a
sincere project of light harmoniously blending with
the architecture, not in your face, but caressing and
urging you to relax and let your hair down, and really
soak in the architecture and the natural beauty.
You have also designed solar-powered LED What projects are you currently working on?
homes and street lamps as part of an NGO At a recent leadership conference for 40under40
project. How did this come about? (I am an alumni from the 40u40 club from 2009), I
We did this even before LEDs and solar were heard many attendees referring to the size of their
considered cool and in fashion. This was in 2002 projects. Though size is important for our work, it
and I had just started my practice in New York. is really about how we were able to innovate and
I had friends in Africa and India and through them create experiences. My current favourite project is a
I started developing a system of lanterns, street sculptural installation in the UN plaza in New York,
lights, bus shelters, which we called the tree of on the abolition of slavery. Working on this project
light and other related products. Some of the ideas gives me goose bumps. Besides this, we are
were realistic and the others, not as much. It was a working in 22 countries and counting- I see myself
great project, as I was working on these products as the lighting nomad. We are also are working
to be developed and built locally by the communi- on master planning projects in Egypt, hotels in
ties- imparting knowledge of sustainable systems Nigeria, youth center in Oman, a city for 100,000
and LEDs. residents in Dhahran, and a 14 million sq ft mall and
two hotels in Central Asia. Size is important, but it
Blue Frog is one of your most popular projects is really how you make lifes better with light that
in Mumbai. How did it come about? drives us.
The lighting for Blue Frog needed an analysis of the
- In conversation with Kamna Malik
AWA, daniel schwartz
Headquartered in New York City, AWA is an international architectural lighting design firm founded by
Abhay Wadhwa. His work involves designing and implementing lighting solutions for infrastructural,
hospitality, commercial and residential projects. His endevour is to light spaces in manner in which
they evoke the senses rather than being a empty areas. Some of his well-known projects are Brigade
Gateway Complex (Bangalore), India Bulls Centre (Mumbai), Peak Tower (Hong Kong), etc. With clients
in over 22 countries, he has also associated with some of the best architectural firms like HOK, Perkins
Eastman, SOM, etc.

presents
excellence
awards
for architecture
& design
2014
aLL
f R
entRy
architects
interior designers
Photographers
product designers
light designers
graphic designers
jury 2014


iconic design: The Nightmare (1781), Henry Fuseli
girl
interrupted
Swiss born artist Henry Fuseli
painted one of the iconic
paintings of the Romantic
Movement, The Nightmare in
1781. When displayed at the
Royal Academy exhibition in
London in 1782, it shocked
visitors with its explicit portrayal
of a dream-state. What you see is
a woman lying on her bed with
her arms stretched out and an
incubus resting on her chest,
which is the mare of nightmare. It
comes from the old English word
mara (evil spirit that tortures
humans as they sleep) and this is
giving her nightmares, which is
represented by the horses head
peeping out from the curtains
with empty eye sockets and
flared nostrils. Through his use of
composition and chiaroscuro, he
paints a picture of vulnerability
and suggests that the woman is
simply dreaming, but the
representations of her dream (the
GETTY
incubus and the horse) fill the

viewer with dread. The painting is
owned and currently on display at
the Detroit Institute of Arts, USA.
bathroom design
master suites
Puttin on the Ritz
Everything about this master suite, from the ornate furnishings to the
antique-style cast-iron bathtub, references a more glamorous era
When you enter a suite in a five-star A tiled floor with a black-and-white Preceding pages: Although this bathroom features
hotel, you close the door on the world chequerboard pattern laid on the diagonal a limited palette of materials, it has plenty of
outside and walk into a private sanctuary. serves to lead the eye directly to the tub, glamour, thanks to the dramatic positioning of an
antique-style clawfoot bathtub on a marble plinth.
That is precisely the feeling created by which is also dramatic in black and white.
this master suite in a new display home The look is not severe, however the
Facing page: All the walls, including the shower
built by Oswald Homes. white marble tiles have grey veining that niche, are lined with Bianco Carrara marble tiles,
At 800 m2, the house itself is grand, helps to soften the look. which provide textural character.
and the master bedroom has similarly With character all important, the
grand proportions it is large enough design team chose to line all the walls with Above: The colours in the master bedroom black,
to boast a seating area. But the pice de Bianco Carrara marble tiles the same gold and silver set the tone for the bathroom
rsistance is the view through wide doors marble that features on the plinth. This beyond. Regency-style wallpaper, a dramatic
to the bathroom featuring a large antique- provides a strong visual continuity and area rug and a wide opening to the bathroom are
style clawfoot tub on a raised plinth. conveys an old-world aesthetic. distinctive features of the suite.

Above: Chandeliers reinforce the glamour in both The Manhattan vanity cabinetry is
rooms. The bathroom also features antique-style similar to the kitchen cabinetry, with
mirrors that reflect the sparkling light. hand-painted recessed panel doors and
fluted mouldings.
Right: Luxuriating in the bathroom is even more
Other special features that enhance the
relaxing with music the suite incorporates a
glamorous look of the suite include gold-
reticulated sound system.
framed mirrors, the chrome clawfoot legs
Story by Colleen Hawkes on the tub and sparkling chandeliers in
Photography by Joel Barbitta, D-Max Photography both the bedroom and bathroom.
Search 45447 at trendsideas.com

presents
excellence
awards
for architecture
& design
2014
aLL
f R
entRy
architects
interior designers
Photographers
product designers
light designers
graphic designers
jury 2014


Quiet and calm
The bathroom is often the only place in a
home where peace and privacy are a given.
Many suites are created to enhance this sense of
escape and respite and none more so than this
restful Japanese-influenced design.
Here, the owners bought the adjoining
This master suite with a meditation room won apartment and combined the two to create this
luxury master suite. The brief to Leonie von
the NKBA Trends Innovative Bathroom award Sturmer was to include a bedroom, ensuite, and
the design is by Leonie von Sturmer separate office, together with a meditation room
with a tea centre and separate lounge area.
The couple wanted the suite to have a
serene mood and follow the seven aesthetic

principles used in traditional Japanese garden concrete, which meant there was no under-floor These pages and following pages:
design, says von Sturmer. These include space to utilise. Italian porcelain tiles resembling
simplicity, asymmetry and understated beauty; The plinth, steps and shower cubicle are all timber planks contribute to a natural
aesthetic in this master bathroom by
together with a sense of nature, tranquillity in porcelain tile with a wood-inspired pattern,
Leonie von Sturmer. At the request
and freedom from habit. The spirit of these combining a natural aesthetic with a practical
of the owners, the space adheres
principles is carried through all spaces in this water-resistant surface. And while the to traditional Japanese principles
expansive, spa-like master suite. bathroom follows age-old design concepts, it of good design. The soaking tub
In keeping with a resort-style sensibility, the also achieves a modern air, evoked in its clean is set within a raised plinth to
bathroom includes a Japanese soaking tub and lines, off-centre marble basins, sculptural accommodate its depth. White
a luxurious steam shower. Von Sturmer set the tapware and curved stair handrail. The bath- Corian vanity tops with natural stone
tub in a raised plinth to accommodate the one room walls are finished in a hand-applied, basins add a touch of luxury.
metre depth required. The plinth was necessary textured plaster which has been highly
because the apartment tower is built entirely of polished. This creates a damp-resistant, almost

Above left: Wolesectem quat. Duip
erci bla faccumm odolore feu faccum
dolore tet, consequatum qui bla
feugait endrerosto con euipit lam
dipis dolor siEx exeriure tin henisit
acillandre elenim vel ulla feu feugiam
quat.
Above right: Conulluptat venit am,

commodolorem del ut wissis nim ipit
ut dip et am do dolesse niscilis nonse
essim dolorpe rostrud ex el dolor
il utatueros nim velit ulla facil dit
utatum iure faci
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luminous surface. which is inlaid in the pale timber floor. Facing page: A black lacquer tea
The bathroom is on one side of the suite, Genuine tatami mats were imported for the cabinet features a mosaic splashback
connecting through to the master bedroom with meditation and tea room, and have been laid in depicting cranes in flight. The dark
the meditation room, office and sitting room a pattern said to bring good fortune. To enhance cabinetry plays off the black marble
prayer table in the meditation area.
beyond. Sliding shoji screens were integral to contemplation, a poem has been etched into the
the design, partitioning the areas to avoid a plaster wall above the black lacquer and marble
Above: With no sub-space available
direct sightline from the bedroom to the office prayer table. in the apartment, the designer had to
or meditation room. Offset elements, singular features, and build up the floor in order to be able
The black-lacquered tea area, at one end natural surfaces have all come together to create to inset the tatami mats.
of the meditation room, has a Bisazza mosaic a serene, inspirational environment.
splashback depicting cranes in flight before the Story by Charles Moxham
rising sun, says von Sturmer. The Northern Photography by Jamie Cobel
Star is set to the north within the tile square,

A place by the river
To complement an idyllic, marshland setting, this master suite appears to have
evolved over time much like cabins in a hunting lodge or fishing camp
A peninsula in the marshlands of the board and batten exterior, and the rustic Vaughan says the starting point for
South Carolina Low Country, with water ambience continues on the interior. the design was a glass-fronted armoire by
on three sides, is an enviable location for a The master suite, for example, has Four Hands, found at the Highpoint Inter-
vacation home. painted butt boards on outside walls, and national Furniture market. Made from
Because the setting is so compelling has been designed with the hunting lodge, reclaimed wood, the armoire has a white
and has a long history, the property fishing camp style in mind. Even the posi- interior, which appealed to Kathy.
owners Rick and Kathy Fairman, wanted tion of the suite in a wing of its own off She also loves the armoires hardware
their vacation home to reflect the local one end of the house is designed to look mechanism, where the bolts open with the
architectural heritage rather than the as though the rooms could have evolved pull of a long rod.
McMansion-style houses popping up over many years. The bathroom, with its The other furniture, including two
elsewhere in the neighborhood. furniture pieces, could have once been a recessed medicine chests copied from old
Interior designer Gregory Vaughan of bedroom, with plumbing brought inside photographs, was custom manufactured
Kelley Designs Inc says the house has a to provide facilities. by John Zoot of Wood Creations.

John was able to translate our ideas Facing page and left: A traditional fireplace adds
with great attention to detailing the a cosy ambience to this master bedroom in a new
medicine cabinets even have dark bronze rustic home beside the water in the South Carolina
Low Country. Traditional painted butt boards on
latches that probably date back to the 30s.
the walls and an old-style ceiling fan convey the
Other hardware and the bronze faucets
look of a traditional fishing camp, and the sense
are also true to the design, and in keeping that the rooms have evolved over many years.
with the look of the clawfoot tub and the
perceived era of the home. Above: Furniture pieces define the master
Vaughan says Kathy loves the idea of bathroom, enhancing the look. The clawfoot tub
items gathering a patina. The hammered is positioned beside the window, so the owners
copper sinks will gradually change color, can enjoy the light and view while bathing. The
as the house itself will change as it settles painted wood vanities feature Persian Pearl granite
in and weathers over time. tops with hammered copper basins.

Architect: Wayne Windham, Wayne Windham
Architect (Bluffton, SC)
Interior designer: Gregory Vaughan,
Kelley Designs, Inc (Hilton Head Island, SC)
Builder: The Stringer Group
Cabinet company: Wood Creations, Inc
Bathtub: Sunrise Specialty from Ferguson
Vanities: Painted, with Persian Pearl granite tops
Basins: Bates & Bates in hammered bronze
from Ferguson
Faucets: Rohl in Mayan Bronze from Ferguson
Shower door: Frameless pebble glass
Bedroom flooring: Oak by Rick Bent Flooring
Tile flooring: AKDO ceramic tiles in Olive Blend and
Medium Brick from Savannah Hardscapes
Wall tiles: Traditions in Tile and Stone ceramic tile in
Bone Crackle Tagina from Savannah Hardscapes
Lighting: The Light Post
Accessories: Rohl from Ferguson
Story by Colleen Hawkes

Photography by Atlantic Archives
Left: Old school-style light sconces and custom

medicine chests copied from old photographs
enhance the sense of a home that has evolved
over time. The vintage feel is also reinforced by
the latch hardware on the chests, and the glass-
fronted armoire, which is made from reclaimed
wood. This piece also features old-style hardware,
with a single pull rod that opens locks at the top
and bottom.
Legend to plan of master suite: 1 foyer,

2 first bedroom, 3 master bathroom, 4 closet,
5 second bedroom.
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home & design

INDIA
VOL 2 NO 7 2014
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R.N.I. MAHENG/2013/50949
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presents
excellence
awards
for architecture
& design
2014
aLL
f R
entRy
architects
interior designers
Photographers
product designers
light designers
graphic designers
jury 2014


remodelled bathrooms
Monochrome magic
Sleek in black and white, glass and steel, this remodelled master bathroom is a
nod to the subtle Art Deco styling evident in the rest of the 80-year-old house
Interior designers are often asked to create bedroom, Handman says. Consequently, the Facing page: The shower occupies
a contemporary interior, but invariably this is existing walls were replaced with very sleek the full width of the bathroom at
with a soft edge. For this bathroom renovation, Mondrian-style glass and steel partitions that one end. This features backpainted
glass walls. The grey veining in the
however, there was no softening required the pay homage to the subtle Deco styling that can
Calacatta Gold vanity top is echoed
owner wanted a slick, sharp, edited look. be seen in the baseboards and mouldings.
by the colour of the paint and tiles.
Designer Shelly Handman says the new We played with different glass opacities
bathroom replaces a Japanese-styled room with within the space the glass beside the hallway Above: This remodeled master
a huge soaking tub that took up most of the is sandblasted to allow plenty of diffuse light bathroom features sandblasted
space. The bathroom was also very enclosed to pass through. To provide more privacy in glass walls that bring light into a
and compartmentalised. the toilet room, these glass walls are laminated, long, formerly dark hallway. The
The new owner wanted a much more open, while the shower walls are clear glass. crisp, pared-back design presents a
flowing space, and it was important to bring Sharp contrast is created between the modern take on the Mondrian style,
light into the long, dark hallway leading to the powdercoated black steel and the crisp, white says designer Shelly Handman.

Architect: Helen Lee, Tao + Lee
Associates (St Louis, MO)
Interior designer: Handman Associates
team (Chicago, IL)
Builder: Higginbotham Bros, Inc
Cabinet company: Classic
Woodworking, Inc
Bathtub: Victoria & Albert
Tub filler: Kohler Purist
Vanity sinks: Lacava Luce
Vanity cabinetry: White lacquered
Vanity countertop: Polished Calacatta
Gold marble from Stone Fabricators Inc
Faucets: Grohe Atrio in polished
chrome
Shower fittings: Newport Brass East
Linear in polished chrome
Plumbing fittings supplier: Crescent
Plumbing Supply
Shower glass door: Troco Custom
Fabricators
Mirror: Custom by Higginbotham Bros,
Inc
Wall tiles: Ann Sacks Lucian glass tile
in Smoke with standard glossy finish;
Ergon Basic wall tile in Super Extra
White Levigato Lucido Rettificato finish
from Ergon Engineered Stone North
American
Floor tiles: Honed marble
Accessories: Newport Brass
East Linear hooks from Studio 41;
Waterworks Resin soap dispenser;
black tray from Barneys New York;
silver vase from The Find; Horn make-
up brush cup and Horn bowl for bath
salt from Handman
Sconces: Artemide Acheo from
Source of Light
Lamps: Nessen Lange from One
Source
Side table: Arteriors Lawson from
Creative Visions in Marketing
Window treatment: Faux wood
shutters from Linda Fluchel Interiors

Photography by Wesley Law
Search 43092 at
trendsideas.com
Above right: Another glass door freestanding oval tub and the vanity cabinetry,
opens to the separate toilet room. which appears to float above the floor.
The ribbon of floating cabinetry To provide an airy look and the illusion
extends through into this room.
of more space I didnt want anything reaching
down to the ground, says Handman. The
Right: The bathroom occupies
a central position beside the
vanity extends like a ribbon right through the
main hallway.
glass wall and into the toilet room.
The designer says the owners preference for
Calacatta marble on the vanity top determined
the grey tile colour the shade matches the vein-
ing in the marble. In the shower and toilet, the
walls feature gray backpainted glass that makes
a glossy contrast to the honed marble floor tiles.

presents
excellence
awards
for architecture
& design
2014
aLL
f R
entRy
architects
interior designers
Photographers
product designers
light designers
graphic designers
jury 2014


Not everything is a perfect fit very plain with no particular Henry gutted both spaces, was inspired by a floral motif
when you move to a new features worth saving, she demolishing the existing soffits that is a reference to the own-
house. And for many people says. The bathroom featured in the bedroom and introduc- ers cultural heritage. This
the time to call in a designer is dark wood finishes, tumbled ing new ceiling mouldings panel is backlit with coloured
before the move, not after. stone and glass blocks. It also in a custom circular pattern. lighting that can be changed,
Thats precisely what had a large tiled tub deck it This motif helped to define the although the preference is
the owner of this home did was simply not inspiring. entire suite. currently for blue.
designer Angelica Henry ASID The owner wanted to I put a false wall behind Henry says she wanted a
was commissioned to under- push the design boundaries, the bed, so we could add a more minimalist, jewel-like
take a whole house remodel, with a suite that was more akin light feature that doubles as look than traditional night-
with a particular emphasis to a luxury designer hotel. He an artwork, she says. This stands. She achieved this with
placed on the master suite. said he just wanted to walk in features dark wood that has floating mirrored shelves on
The existing bedroom was and go wow. been laser cut the pattern both sides of the bed.

Lap of luxury
With its jewel-like interior and artistic design approach, this
remodelled bathroom recalls a boutique hotel suite,
which was just what the owner ordered
The tub deck was replaced I wanted the vanities to Before Facing page: Cantilevered vanities
with a freestanding Eago bath be displayed as artwork, says like works of art appear to float off
its rounded form echoing the Henry. The effect is height- the wall in this remodeled bathroom,
curves of the circular motif. ened by the LED back lighting, designed by Angelica Henry ASID.
The Moooi chandelier has a mirrored
The bath sits beneath another and integrated lighting within
shade, with the mirror becoming
large installation designed the mirror. To keep it simple
invisible when the light is on.
by Henry, which features a and clean-lined, I did not opt
collection of bowls finished in for vanity light fixtures. Above and left: Before the remodel,
gold leaf and mounted in dark The designer also added the bathroom featured old-style
wood frames. painted wall panels with a glass blocks and a tiled tub deck. The
The vanities are also wall custom routed circular pattern, wall, which is in front of a double
mounted on shimmering and warm gold tiles that wrap shower, was filled in and tiled, and a
textural gold linen. the vanity walls and floor. freestanding tub introduced.

Interior designer: Angelica Henry
ASID, Angelica Henry Design
(Scottsdale, AZ)
Builder: McKnight Construction
Bathtub: Eago from Ferguson
Vanity unit: Duravit from Ferguson
Faucets: Graff in polished chrome
Wall behind vanity: Elitis vinyl
wallcovering in Gold Shimmer
Floor and wall tiles: Pravia porcelain in
Ochre from Villagio Tile
Lighting: Moooi shade from
Sun Lighting
Accessories: Waterworks

Photography by Mark Boisclair
Search 42834 at
trendsideas.com
Right: The master bedroom is also

unrecognisable from the original.
To frame the windows, the designer
introduced decorative sheer shades,
with blackout blinds behind. The
ceiling was also changed soffits
were removed and new custom
mouldings added. These feature a
circular pattern a motif repeated
in the bathroom. The artwork
above the bed, designed by Angelica
Henry, is in laser-cut wood in
a floral pattern, backlit with
coloured lighting.
70 trendsideas.com
textures & colours
Byzantine mood
A glittering swathe of mosaic tiles over ceiling and walls creates
an ethereal atmosphere in this spacious master bathroom
Sometimes the impact of a particular design reflected from the thousands of glass mosaics Facing page: A glass shower stall
element can be more dramatic in real life than it further enhances the drama of the bathroom. helps ensure nothing detracts from
appears on the plans. With this scenario, you Designer Steven Gamper says the room the sparkling mosaic surfaces in
this bathroom by designer Steven
may be tempted to throw caution to the winds incorporates other luxurious touches.
Gamper and owner Cedric Brown.
and turn this asset into a central feature. These include a refined, elongated ebony
When owner Cedric Brown set eyes on the vanity with stepped-out elements, signaling the Above: The oversized wall mirrors
barrel ceiling in his master suite he took such position of the freestanding countertop bowls. match the generous scale of the
positive action. Brown says the arch was higher The ebony is repeated on the large wall bathroom and bounce light across
and more arresting than hed expected. mirror frames this makes a connection to simi- the space. The long vanity has a
To optimise its presence I decided to face lar treatments in the adjacent master bedroom, floating aesthetic, in keeping with
the ceiling in bronze mosaic tiles and run these says Gamper. A circle motif also features, in the owners request for a spa-like air.
down the walls as well, making the space seem the window at one end, an antique mirror at the
even more lofty than it actually is. And the light other and on the custom doors.

Architect: John Knight AIA,
John Knight Architecture (Atlanta, GA)
Interior designer: W Cedric Brown
Bathroom designer: Steven Gamper,
CSI Kitchen & Bath Studio
Cabinet company: Leicht USA
Builder: Southland Custom Homes
Cabinetry: Matte ebony, natural
Tub: Jacuzzi from Ferguson Supply
Vanity countertop: Quartz
Basin: Vero Vessel by Duravit
Faucets and shower fittings: Axor by
Hansgrohe
Hot water system: AO Smith from
Ferguson Supply
Shower stall: Any Glass
Floor tiles: Porcelain Brushstrokes with
straight border and weave inset from
Ceramic Technics
Wallcoverings: Ralph Lauren
Mt Rainier from Home Depot
Shower tiles: Porcelain in Brushstroke;
glass accent tiles in Stream
Ceiling and wall tiles: Glass mosaic
tiles in Stream
Lighting: Circa Lighting
Accessories: Z Gallerie
Blinds: Hunter Douglas Shades
Story by Charles Moxham

Photography by John Umberger
Search 42832 at
trendsideas.com
Above: Artworks and dark wood

mirror frames in the master bedroom
tie this area back to the bathroom.
Right: A thin line of mosaic tiles

decorating the bath surround
provides a quiet connection with
the expanse of sparkling glass tile
overhead. Vertical glass strips to
left and right of the circular window
build on the symmetry and height of
the bathroom design.
74 trendsideas.com
In full bloom
A monochromatic colour palette with a difference this bathroom is finished
entirely in shades of black, grey and white, but its the way
these tones are used that sets the suite apart
Above: With its highly decorative All it takes to make a bold with light Calacatta marble tiles Interior designer: Brian Z Allen,
Sicis mosaic tile murals, this new design statement is one key on the floor, shower surround Brian Z Allen Design (San Francisco)
bathroom has a lively, yet classic idea. For this bathroom, its the and tub deck. Tub: Kohler Air Bath
look. A glittering chandelier and Sicis mosaic tiles that lift it out To help the space seem Vanity cabinet: SieMatic
large mirror above the floating vanity Vanity top: Calacatta marble
of the ordinary. larger, the SieMatic vanity
enhance the sense of glamour. Faucets and shower fittings: Kohler
The bathroom, designed by is cantilevered, and the wall
Mosaic tiles: Sicis from DaVinci Marble
Facing page: The spa bath also
Brian Z Allen, features a classic above the vanity is mirrored. Flooring: Calacatta Michelangelo
features a Sicis mosaic mural the
monochromatic color palette This also helps to keep the marble from DaVinci marble
black mosaics are a bold contrast to enlivened by a custom floral bathroom light filled. Paints: Benjamin Moore
the Calacatta marble floor tiles. Sicis mosaic tile pattern on the The centerpiece, however,
shower wall, and another on is the spa bath in front of a
Story by Colleen Hawkes the front of the tub surround. shuttered bay window, which Search 42831 at
Photography by Tim Maloney Dark grey walls contrast reinforces the visual drama. trendsideas.com

77
Watery embrace
An emphasis on curves and layers give this powder room a surreal
presence, yet functionality is optimised at every turn
Above: This bathroom by Elina There are no straight lines in nature so why We replaced the existing tub with a large
Katsioula-Beall of DeWitt Designer design a room thats dedicated to pampering steam shower with an S-shaped enclosure, door
Kitchens accentuates soft lines and the curvaceous human form in a linear style? and soffit, and a concave bench, custom shaped
layering. Next to the curved vanity, a This other-worldly bathroom was created by to Newtons body, says Katsioula-Beall.
storage tower is tucked into the wall,
designer Elina Katsioula-Beall for owner Chris The softened lines continue throughout, and
saving space. Niches are cut into the
Newton, who requested a design celebrating can be seen on the S-shaped vanity which trans-
wall planes, including one for towels
and another to house the wall mirror.
curved lines, with a generous use of bamboo. forms into one of two curved half-walls that
The original bathroom had a galley-style enclose the toilet area. In addition, the vanity
Facing page: Seen here in reflection, layout and was modest in size. To gain valuable mirror meets the marble wall in an organic line,
the niche for the towel warmer has a space, the side walls were pushed back by six top and bottom. This extends into the shower
rippled surface. The rear wall is flat inches, and all shower services, the toilet cistern enclosure. Even the lighting track follows a
only the mirrors shape curves. and a retractable storage tower were set into an snaking line.
adjacent room, says Katsioula-Beall. The designer says that while the generous

Interior designer: Elina Katsioula-Beall,
DeWitt Designer Kitchens
(Pasadena, CA)
Construction: Michael McAlister,
High Road Construction
Vanity: Bamboo vanity by Serrao
Cabinets, glass counter by Ultra Glass
Cabinetry: Bamboo with gray wash
Basin: Frosted vessel sink by Kraus
Faucets: Kraus Waterfall in Satin Nickel
Hot water systems: Steam shower by
Mr Steam
Shower fittings: Shower control, body
sprays and rainhead by Moen
Shower stall: Curved Starphire glass
door and panels by Campbell Glass
Flooring: Carrara mosaic by
Canyon Tile & Stone
Wallcoverings: Bay Matrix Bamboo tile
and Carrara marble by Molise Marble
& Granite
Flooring: Grey porcelain tile from
Canyon Stone & Tile
Toilet: Toto
Lighting: Recessed halogens by Halo;
curved track by WAC; shower fiber
optics by Lighting Design Concepts
Story by Charles Moxham

Photography by Suki Medencevic
These pages: One half-wall morphs use of curves might seem indulgent in a limited effects in Hollywood, and knew how to bring
into the curve of the steam shower space, here everything is set out to maximise the design together in an exciting way, says
enclosure. Vertical strips of mosaic use. For example, the half-wall that arcs around Katsioula-Beall. For example, the glass sink
green glass call to mind bamboo
the toilet makes extra room available on the is lit through the drain with a green LED light,
shoots. The concave shower seat
vanity countertop. and the shower bench has chromatherapy fiber
was custom-made for the owner.
The windows sport the only straight
Besides interwoven flowing forms, layers optics set beneath it.
lines in the design, because housing
add to the rooms sense of mystery. As well as Perhaps the most natural aspect of the space
restrictions meant they couldnt the suspended glass vanity top, there are niches is the use of bamboo, seen on the curved vanity
be altered. cut into the various wall planes, to accommo- front and the end of the pull-out storage tower.
date a floating full-length mirror, a warming
ladder, a towel rack, and toilet rolls.
The builder who created this room for Search 43091 at trendsideas.com
us, Michael McAlister, also works in special

82 more homes at trendsideas.com Home Trends Vol 4 No 1 2013
residential design
Home Trends Vol 4 No 1 2013 more homes at trendsideas.com 83

Holding court
Expansive views and open courtyards define this New Delhi villa
by DADA & Partners
Center Court, the 13,000 sq ft villa designed The building sits on a H-shaped plan. We Preceding pages and facing page:
by Sumit Arora of DADA & Partners is testa- achieved this by placing two volumes parallel The 13,000 sq ft villa in New Delhi
ment to clean design and its ability to elevate a to each other on the plot and then connecting by architect Sumit Arora of DADA &
project. Located in New Delhi on a 2.5 acre plot them with a third volume, perpendicular to the Partners reflects a clean, minimalist
design sensibility, creating an air of
of land, the house is a six bedroom residence rest and perched above them, Arora explains.
transparency with glazed glass.
and has an abundance of recreational space, This configuration gave rise to the creation
both indoors and outdoors. The contemporary of two courtyards, one to the north and one to Above: The glazed glass offers
influence is clearly visible in the design and the south. The house is named after the north- uniterrupted views of the courtyard
showcases a vocabulary, which is sculpted and ern courtyard, which is positioned at the and the reflective pool, as the view
uncluttered, with a strong visual continuity. confluence of the houses three volumes and of the southern courtyard from the
The clients inkling towards contemporary adjacent to the outdoor pool. eastern wing of the house shows.
aesthetics influenced the buildings design, This placement makes it a hub of activity in
adds Arora. the house. The southern courtyard features a

Above right: The dining room
overlooks the central courtyard and
is also visually connected to the
entertainment room.
86 trendsideas.com
drive court for the owners vehicles. These out-
door landscapes exhibit use of granite slabs and
cobbles, reinforcing a minimalist aesthetic.
The eastern wing is a single-storey volume
with high ceilings. This is the more public of the
two wings of the house, containing the entry
foyer, formal living room and dining area with
an adjoining bar. A timber and steel bridge
spans the width of a reflective pool to connect
the outdoor drive court to the entry foyer.
Across the courtyard, the western wing is a
more private space. The bedrooms are situated
here and the upper floor of this wing boasts of
two master suites.
One of the master suites faces west, towards
the manicured lawns, while the other overlooks
the courtyard and pool. The second suite also
has a connecting lounge as well as an extended,
covered terrace. A small gymnasium with
an outdoor landscaped terrace is also part of
this wing.
The dining area and bar stand out for their
floor-to-ceiling glazed windows and sliding
doors, which connect the indoor and outdoor
areas while blurring the boundaries between
them. The expansive dining area has large win-
dows that offer views of both of the houses
courtyards. To the south it overlooks a special
granite stone feature wall rising from the reflec-
tive pool and to the north it has views of the
swimming pool and landscaped lawn. Across
the courtyard from the dining area, the ground
storey of the western volume features the enter-
tainment area. Once again, the use of Left: The floating stairway with the
floor-to-ceiling glazed windows for the enter- glass banister in the focus of the
tainment area creates a sense of transparency house. It offers views of both wings
throughout the house. The projection screen in and courtyards of the house. The
full-length glass windows serve to
the entertainment room can be viewed from the
increase the impact.
northern courtyard and formal dining area
as well.
The central volume serves mainly to link the
two opposite halves of the house. It features a
sculpted white stairway, with floating steps and
a glass railing.
Speaking about the liberal use of glass in
this project, Arora says, With full glazing on
more projects at trendsideas.com 87

both sides, this part of the house offers views tion. The smaller courtyards and voids scattered Facing page: By using skylights, the
of both courtyards. The glazing seen through- throughout the house also serve to facilitate architect created smaller courtyards
out the house is a means to achieve a strong natural ventilation. throughout the house to assist
the passage of natural light and
visual continuity in this project and make the In addition, south-facing water collectors
ventilation through the villa.
most of the expansive views surrounding the heat water for the toilets and kitchens using
property. The interiors have deliberately been solar power. Top & above left: The west wing of
kept minimal to draw attention to the beautiful The understated design remains consistent the house houses the bedrooms and
vistas all around. throughout, with an emphasis on highlighting private spaces. Its also where the
Center Court also displays how sustainability the surrounding views. This project is best lounge is situated.
can be woven into a lavish project such as this summed up by the architect himself, The clean
one. The eponymous courtyard with its outdoor horizontal lines, sculpted rectangular forms, Above: The northern courtyard lies
swimming pool creates a cool microclimate extensive glazing and wide sliding screens com- adjacent to both the dining area and
within the house and enhances natural ventila- bine to create the desired visual delight. the entertainment room.

Above: The swimming pool borders Architect & designer: Sumit Arora; Design & Development Shower: Grohe, Gessi
the northern courtyard and goes Atelier (DADA) Toilet: Duravit, Villeroy & Boch, Kohler
beyond the recreational use while Builder: Ess Aar Infratech Pvt Ltd, Sanskar Homes Bedroom suite: Lines Furniture Company
helping to create a cooler micro- Cladding: Amit Marbles Pvt. Ltd. Bed linen: Maspar
climate within the central courtyard Tiling: Kajaria Ceramics, Somany Tiles Cabinets: Lines Furniture Company
of the villa. Flooring: Amit Marbles, Johnson Tiles Mirrors: Asahi
Paints: ICI Dulux Other bedroom furniture & accessories: Apartment 9,
Story by Dushyant Shekhawat Lighting: Artlite Siemens
Photography by Ranjan Sharma Heating: Citi Cool Corporation, Daikin Landscaping: Parul Mittal; DADA
Furniture: Lines Furniture company Special features: Aura Waterworks
Ventilation: CATA Appliances Ltd., Citi Cool Corporation,
Daikin
Bath: Grohe, Gessi Search 46092 at
Basin: Duravit, Villeroy & Boch trendsideas.com

Know your architect: Sumit Arora, DADA & Partners
DADA & Partners is a
multidisciplinary design firm based in
New Delhi and is helmed by Sumit
Arora, Aditi Arora, Mukul Arora and
Parul Mittal. The firm has also worked
closely with leading US firms like
Sasaki Associates, Boston and Urban
Design Associates, Pittsburgh along
with multiple projects in India. The
firm was recently awarded first place
in a competition to design the new
campus for the School of Planning
and Architecture, New Delhi.
Sumit Arora
This image and left:

Home Office, Gurgaon
Why did you become an architect? For you, which is the best city in terms of Name a structure that you think
Sumit Arora (SA): I couldnt have pursued architecture and why? challenges the boundaries of architecture
anything other than architecture. While I was SA: London for the quality of its buildings. and design
in school, I was asked to make a cardboard They have kept the city at the forefront of SA: The Dynamic tower, a rotating
model of a house and I think it was this world architecture, reinvigorating the urban skyscraper in Dubai wherein each floor
moment that acted like a catalyst, steering landscape in the last decade with buildings rotates independently creating a constantly
me towards my goal. like Norman Fosters Swiss-Re tower to changing shape. The tower boasts of
Renzo Pianos Shard of Glass. sustainable features by meeting its own
Which works of yours are you most power needs through solar panels and
proud of? One iconic architect/designer that inspire wind turbines. This astonishing piece of
SA: The Live-Work Studio in New Delhi you the most and why? building has definitely challenged the limits
has been one of our firms most significant SA: For me it is Norman Foster. I strongly think of architecture.
projects. Essentially modernist in spirit, that he is a designer in the truest sense and
the intrinsic idea was to create a house has mastered the art of merging architecture What according to you is good design?
that would effortlessly integrate the principles and engineering, which accentuates the SA: A well-designed structure should
of modernism with traditional responses to uniqueness in his designs. His structures integrate itself seamlessly into
this particular climate. surely are one of the best. its surroundings.
This image: South Court Villa This image and left: Out House
DADA & Partners x6
An understated style
There couldnt have been a
better site for a luxury multi-
housing development complex
than the one we were pre-
sented for The Blue Waters by
This show home reinterprets local southern architectural Heera, says architect Meghna
Shetty of Mumbai-based firm
elements, such as jaalis, sloping roofs and the extensive SM Studio. Located in
Thiruvananthapuram and
use of wood in a contemporary manner overlooking the Akkulam
Lake, the 2.5 acre contoured
plot on which this independ-
ent 3500 sq ft show home

showcases contemporary rein- public spaces. The public Facing page above: Meghna Shetty
terpretation of traditional spaces that include the living, and Suresh Mistry of Mumbai-
southern architecture. dining, television lounge and based firm SM Studio design a
Shetty along with partner kitchen flow into each other contemporary 3500 sq ft show home
for a luxury multi-housing complex
Suresh Mistry has designed making them interactive, yet
in Thiruvananthapuram.
this home as an extension of an informal demarcation has
the outdoors opting for French been created through sliding This page: An abstract geometrical
windows to capture the views doors and screens. The open- motif that starts from the entrance
around. Borrowing from local ness of the space extends to the door continues on to multiple
influences, sloping roofs define veranda, which maximises the surfaces, including the ceiling
the space with extensive use of view of the lake and landscape. and jaalis bringing together the
wood and jaalis and the clear By leaving the public different spaces.
distinction of private and spaces open, it has allowed for

ample natural light and venti- nology is the use of a product in the public spaces. This was Facing page: Wooden panelling near
lation, says Mistry. Apart called switchable glass in the done to make the eye travel a the veranda merges the indoors with
form using premium materi- bathrooms. The noted quality certain way as well as maintain the outdoors and demarcates the
als, another major component of this product is that when continuity, says Mistry. television lounge from the living
and dining.
of the brief was creating a charged it turns opaque allow- The furniture used in each
house that was technologically ing two people to use the space space is hand-crafted adding
Above left: Locally sourced free
integrated. To do this we simultaneously, yet maintain- to the exclusivity quotient of flowing white lights illuminate
incorporated automated ing ones privacy. the house. As compared to the the dining.
lighting controls, security sys- At the entrance door, the living and family lounge,
tems, entertainment and duo have used an abstract geo- which have splashes of warm Above: The linear shaped kitchen
HVACs controls. metrical motif that spreads to colours, the dining is a stark is functional with the countertops
Shetty adds, Another the side panel and then contin- contrast in a black and metallic in Corian and PU coated shutter
example of integrating tech- ues to the ceiling and screens colour scheme. cabinets for easy maintenance.

This page: To bring a natural The kitchen is defined by A geometric motif, triple- the walls. This is then coupled
element to the space, wood is used its simplicity. It is a functional layered acrylic screen on the with textured wallpaper on
extensively in the bedrooms as custom modular kitchen made ceiling and wooden panelling one side and leather panelling
flooring and cladding on the walls.
with back painted glass to along the wall of the passage above the bed. To finish the
It is coupled with leather panels,
increase brightness, Corian way connects these spaces, but look the television is framed in
a hide carpet and a contemporary
interpretation of a Victorian bed
countertops and cabinets with at the same time demarcates a laser-cut white acrylic jaali.
in the master bedroom, while in
PU coating for heavy duty them from the rest of the With the extensive use of
the guest bedroom it is used in use, explains Shetty. house, adds Mistry. wood in this space, it becomes
combination with floral wallpaper One then moves to the The opulent quotient in the a continuation of the veranda
and a full-length mirror to create an private spaces, which include master bedroom is a culmina- and then the outside, says
opulent sense. the master, guest and chil- tion of multiple materials and Shetty. The outdoor element
drens bedrooms with attached products. For example, wood is brought into the guest room
bathrooms, says Mistry. covers the floors and some of through the use of floral wall-

paper and a large mirror Interior designer: Suresh Mistry, Shower: Hansgrohe Above left: A laser-cut white acrylic
opposite the window. This also Meghana Shetty; SM Studio Hot water systems: GEICO screen frames the television in the
adds volume to the space. Associations: Council of Architecture Toilet: Hansgrohe master bedroom.
The bathrooms are rela- (COA), Indian Institute of Interior Outdoor lighting: Philips
Designers (IIID), Indian Institute of Bed linen: Address Home Above: The guest bathroom is a
tively compact spaces that
Architects (IIA) Mirrors: Asahi three-fixture space consisting of the
measure 50 sq ft each. The shower, basin and toilet. The duo
Tiling: RAK Ceramics
architects create a feature wall Flooring: RAK Ceramics, Graffiti Story by Amanda Peters retains the volume in the compact
for each bathroom with the use Wallcoverings: Arte Photography by Ravindra Kanade space by using full-length mirrors
of canvas tiles, while the Paints: Asian Paints and single toned grey tiles.
wooden flooring adds an aes- Lighting: Philips, Hybec Search 46093 at
thetic element. The norm of the Heating: Daikin trendsideas.com
large windows even extends to Basin: Hansgrohe
this space lighting up the area. Taps: Hansgrohe

Looking
through
With balconies that wrap
around, Space Dynamix
designs this 3500 sq ft
duplex in a minimalist
style keeping the focus
on the outdoors
A spectacular view is hard to come by in a

metropolitan like Mumbai, says Manjunath
Hathwar one of the principal architects of Mum-
bai-based firm Space Dynamix. On the rare
occasion when one is blessed with such an
opportunity, not taking advantage seems almost
criminal. Located on the 10th floor, this 3500
duplex sq ft apartment has balconies wrapped
around each level and has a clear view of a
forest area on one side and the sea on the other.
Hathwar along with his partner Ashutosh
Wad designed this apartment with an outward
orient to maximise on the views.
We thus opted for a limited material and
colour palette to give the space a minimal look,
explains Hathwar. The apartment follows a
straight line design, subtle beige, brown and
white colour scheme and primarily uses three
stones - crema luna, composite beige and traver-
tine to add a sense of whimsy to the space.
Smoked veneer is also used in strategic places to
give it an earthy and homely feeling.
Above: Manjunath Hathwar and The apartment consists of a 10x12 ft entrance
Ashutosh Wad of Space Dynamix foyer that holds access to two bedrooms with
design a 3500 sq ft duplex in Mumbai attached bathrooms on one side, and the stairs
with an outward orient and a
and elevator leading to the upper level on the
monochromatic colour scheme.
other. Beyond this lies the living-cum-dining
and the kitchen. All the spaces have access to
Above right and right: The living,
dining and outdoor deck are
the balcony, except for one of the bedrooms.
designed as a single space. Wood, On the upper level one enters into the family
smoked veneer, travertine, beige lounge and prayer area, while the three bed-
composite and crema luna rooms with attached bathrooms are located
marble form the material palette along the periphery.
for the space. The owners asked for the multiple seating
areas that would flow into one another, says

Above: The brief called for multiple
seating areas to accommodate
the large joint family. Thus, apart
from the living, the architects create
a separate three-seating space
that is accentuated by placing it
on a travertine platform.
trendsideas.com 99
Above: A feature wall is created at
the entrance foyer. It is carved out
of stone in a pattern where each
unit interlocks the next. Soft lighting
is emitted from random points
of intersection to further highlight
the wall.
Right: The dining table and overhead

light fixture are from HORM, Italy.
The base of the table resembles a
carved screen made from ply, which
creates interesting motifs when the
overhead light is switched on.
100 trendsideas.com
Left: A feature wall clad in dull
oxidised metal-like tiles is the only
embellishment in the kitchen due to
its compact size.
Above: Constructed from wood and

travertine marble, the staircase is
designed with gaps between each
step allowing one a glimpse of
the metallic sculpture placed under
the stairway.
Above: On the upper level, the Hathwar. They are a big joint family, thus the as an extension of the living.
study in one of the master suites is living, dining and deck are treated as one space. According to Hathwar, We created an
constructed out of Corian in a fluid We also tucked a separate three seating area in informal seating here with a wooden ledge that
form, which then connects to the
an alcove in the corner, which is highlighted by is coupled with a coffee table and chairs. And to
bed. Glass replaces concrete walls in
placing it on a travertine platform. add a natural element planters surround the
the master suites, adding volume to
The living is designed with a sense of trans- space. This seating is also put on a platform to
the space.
parency where there are pockets that allow one accentuate the look.
to look through the house to the outside. For The dining is kept functional, yet aesthetic
example, the elevator is clad in glass letting one with the table made out of a ply screen-like
have a clear view of the space as they use it. stand with cutouts. A glass sheet rests on this to
Even the stairs have gaps between each step as form the table. The overhead light follows a
well as on the landing allowing one a view of similar pattern thus, creating an interesting play
the entire house. The 40x10 ft deck is designed of light and shadow when used.
On the upper level, the lobby is designed to Top and above: The master suite
be more like a family lounge. To add an aes- is designed in muted tones with
thetic element to the primarily white space, the a slight hint of colour. The basin
counter in the adjoining bathroom
architects custom-made a stone screen with an
is designed as a floating counter.
abstract fluid pattern, which is back-lit.
Apart from the childrens, the rest of the Left: The open shower in the third
bedrooms are treated as master suites with master suite is designed in the
attached open bathrooms, says Hathwar. centre of the room, while the toilet
Bathrooms are not often used spaces and usu- is strategically hidden behind the
ally get cordoned off. Thus, people often end up basin counter.
with smaller bedrooms than intended. We thus,
decided to replace the concrete walls between
the two areas with glass to open up the space.
Above: A splash of colour is However, privacy is still maintained by way of Architect & designer: Manjunath Hathwar, Ashutosh Wad;
introduced in the childrens how the fixtures and utilities are planned. In Space Dynamix
bedroom through the use of addition, when in use blinds can be pulled Cladding: Classic Marble Company
wallpaper, panelling and printed
down in each bathroom. Flooring: Classic Marble Company, Decoreta Plus,
graphic cabinets. Equilibrium
Colour is introduced in the childrens bed-
Wallcoverings: Shreeji Innova, Tapetex, Guy Masureel,
room through the use of wallpaper and
Lentex, Xorel
panelling. An aerial view of the map of Paris Paints: Asian Paints
forms the backdrop to the double bed, while the Lighting: Horm
single bed is framed by rectangular soft panel- Heating: Daikin
ling. Extensive use of mirrors adds volume to Furniture: Sources Unlimited, Minotti, Horm, Erba Italia, BD
the otherwise compact childrens bathroom, Barcelona Design, Poltrona Frau, i4 Mariani, Lange Furniture,
which is primarily clad in onyx. B&B Italia, MDF Italia, Christopher Guy
Windows: Bharat Furnishings
Benchtops: Kalingastone Courtyard: Decoreta Plus, Equilibrium Above left: The childrens bathroom
Oven: Siemens Outdoor lighting: Marsden Lighting Co. Ltd. is clad in onyx called Armani Blue
Stove/Hob: Siemens Special features: Kraftech, Decoreta Plus, Hands Carpets & while mosaic tiles frame the wash
Ventilation: Faber, CATA Appliances Ltd. Rugs, Phoenix Carpets, SG Glass Studio basin counter.
Microwave: Siemens
Refrigerator: Siemens Story by Amanda Peters Above: The shower panel is made
Basin: Vitra, Plavis Design Photography by Ravindra Kanade using semi-precious stone, amethyst,
Taps: Bravat whereas the basin is in granite.
Hot water systems: Jaquar AO Smith
Tiles: Classic Marble Company, Decoreta Plus Search 46094 at trendsideas.com
Toilet: Vitra, Plavis Design
Other bedroom furniture/accessories: Design Artifacts
Haven, Tranceforme
Landscaping: ZTC International Landscape Solutions
Home & Design Trends Vol 2 No 7 2014 more homes at trendsideas.com 105
Maximising options
Building and creating a residence to
the homeowners exact brief is always a
challenge for the architects. Add in a
tricky plot size of 82 x 265 and that chal-
lenge turns up a few notches. This is
Located on a narrow plot, the challenge in designing what occurred when principal designer
Canna Patel of HCPIA took up the
this residence was to create open spaces with project of designing this sprawling
Ahmedabad residence spread over a built
abundant natural light and climatic views area of 6463 sq ft.
When the owners approached us,
they specifically wanted a residence that
was low on maintenance and non-clut-
tered, says Patel. Whilst inspecting the These pages: This Ahmedabad residence designed
site, I realised that the plot on which the by HCPIA spread over 6463 sq ft gets the better
residence stood was narrow and the chal- of its narrow plot. The result is in form of a home
lenge lay in creating views and open that is open, spacious whilst awarding privacy to
its owners. The living room, located on the ground
spaces, she points out.
floor, with its floor-to-ceiling glass facade, offers
So we decided to go with a plan that
extensive views of the backyard and the pool.
blurred the lines between the indoor and
outdoor spaces thus creating an equilib-
rium of architecture volumes versus
interior spaces, effectively flipping the
external space into the interiors,
she explains.
The two-storey house is designed in
Above, above right and right: The dining room is such a way that one experiences different
connected to both the inner courtyard (right) views from all the spaces that are accentu-
and the backyard garden creating a lush and ated due to the play of light. Different
serene environment whilst dinning or entertaining.
courtyards, terraces and balconies ensure
The corridor in the first floor of the residence,
a different view the residence has to offer
which leads to the bedrooms doubles up as a
from different levels and at different times
bookcase gallery.
of the day.
The first step in the process was to
open up the plot size from the rear so that
the owners would have their privacy in all
their public and private spaces as the front
of the house faced the approach road to
their residence. The result is an expansive
courtyard in the rear of the house that Above: The light coming in from the south
encompasses a small garden and a pool, brightens up the corridor and brings in a play
which hugs the small courtyard created of shadows.
for the residence.
Left: The childrens bedroom is a clean space and
The second was in creating spaces that
is functionally designed with a seating area to
incorporated natural light as the site entertain guests as well.
spanned from east to west. In a narrow
plot, the play of lights is essential in open-
ing up the spaces further, so designing
certain areas of the residence according to
the intensity of the light it receives
throughout the day adds an organic ele-
ment to the space.
Above and right: The terrace is located above the When you enter the house, you are
living room and offers a multitude of views of the greeted by a small courtyard, which is lit
house and the city depending on the location. by the light coming in from the south. The
Colourful mosaic pieces form the flooring and add
vestibule following this is painted in a
a bohemian ambience to the place and eclectic
playful shade of yellow and accessorised
furniture pieces complete the look.
with heirloom furniture, Patel adds.
The living room is spacious and ele-
gant in its decor and is connected to the
courtyard through its rear, which leads to
the pool. The dining overlooks the back-
yard garden and is also connected to the
inner courtyard. A long narrow corridor
on the ground floor leads to a staircase
Principal interior designer: Canna Patel; HCPIA
Interior designers: Malaram Mistry, Upasana Vora
Associate architect: Mili Amin
Associate manager: Avdhesh Vishwakarma
Design manager: Mukesh Patel
Senior associate: Sonal Patel
Windows/doors: Bhavna Furniture Agency
Tiling: Nitco
Paints: Asian Paints
Lighting: Philips
Furniture: Bhavna Furniture Agency
Flooring: Nitco
Wallcoverings: Asian Paints
Cabinet and material manufacturer: Bhavna
Furniture Agency
Landscaping: Ashish Teli
Story by Moshita Prajapati

Photography by Sachin Desai
through, which one access the first level of Left: In order to provide the homeowners with
the residence, where the four bedrooms privacy, the rear of the residence was opened up to
are located each accompanied with their make a garden and a pool. Seen here is the north
east facade of the house from the garden.
individual terraces. The master bedroom
is sublime in its accessories and decor
with complimentary peach tones on the
walls. The remaining three bedrooms
follow a similar thought to designing with
intimacy and warmth added through
warm colour tones.
commercial design
public spaces
Tropical disposition
An organic form designed to be covered with plants in time to come,
the Cairns Institute connects with the verdant rainforest around it
The Cairns Institute is a research facility the firm that undertook the design of the facility. Preceding pages and facing
attached to James Cook University in Queensland, Combining private teaching, research and work page:A giant, flowing trellis hugs
areas, the institute had to offer a dynamic, a skin of Corten steel on the
an academic body that aims to become one of the
Cairns Institute, part of James
worlds leading research centres on the tropics. contemporary working environment that would
Cook University in Queensland.
What better way to symbolise this goal than to attract specialists from around the world. The trellis offers the opportunity
create an eco-friendly building that embodies the The building is formed around four main to add plants in the future,
spirit of the host landscape. research groups and a management component. blending the building with the
Requirements included teaching spaces of varying nearby rainforest.
The brief for the Cairns Institute called for three
distinctly different, but related, components, says sizes, including a flexible 200-seat auditorium, as Below right:The framed foyer
bisects the buildings functions
Mark Damant, project architect for Woods Bagot, well as a caf and expansive central foyer.
and floods light into the interior.
114 more Projects at trendsideas.com home & design trends vol 2 no 7 2014
Facing page and below:The The buildings architecture relates to both its relationship. The trellis as an armature allows for
pods are positioned on the side setting and its use. The principle public elements the ability for the building to have a direct,
of the institute near the campus. are two Corten steel-clad concrete pods one con- uncomplicated reference to the rainforest which
Research rooms are on the
taining the auditorium, the other for multifunctional surrounds the building on three sides. It is also
quieter side of the building. An
information wall and cantilevered teaching spaces. Offices and research spaces are intended to assist with sun control and in the future,
glass-walled research spaces separated from these pods by the foyer, which can camouflage the building within the landscape,
are two visual reminders of the be accessed from two sides of the building. once planted.
buildings stock in trade. However, it is the distinctive combination of a In this way, the trellis becomes a place for
Below right:The lecture theatre giant trellis over the Corten metal skin which gives experimentation on the building itself, creating a
is clad in the same rich Corten
the building its immediate wow factor. visual representation of its context.
steel as on the building exterior.
By super-sizing a trellis onto the building form The central foyer has been set up as a space
we were able to create a design that reflects the between functions, much like the interstitial spaces
combination of flora and building as a symbiotic found in living things.
home & design trends vol 2 no 7 2014 more Projects at trendsideas.com 117
Below:Acoustic panels in the
lecture theatre continue a theme
of elements being stronger than
the sum of their individual parts.
One of our central ideas was to create a building helps bring privacy to various elements. The caf is Below:The Institutes dramatic
that anyone passing through could engage with. also accessed off this foyer. facade comes to life at night,
when the contrast between its
We designed a knowledge wall that is an interface The interior finishes are based on the concept of
Corten skin and the oversized
between the workspaces and the foyer. the weaving together of strands where the whole aluminium trellis is accentuated
This wall is a steel-framed grid that can be is more than the sum of the individual parts. by dramatic ground lighting.
occupied and used in many different ways. It fea- Essentially, we wanted the interior volumes to
tures a series of cantilevered and suspended work relate to the research and to be identifiable places
spaces that project into the foyer, offering students rather than simply workspace, Damant says.
and visitors alike the ability to see research in
progress, and knowledge being created.
As well as providing breathing space between
the various functions of the building, the foyer also
Project:The Cairns Institute, James Cook University, Acoustic engineer:Ron Rumble Pty Ltd
Smithfield, Qld DDA consultant:Architecture and Access
Architect:Woods Bagot, with lead architect Mark Damant; Cladding:Teaching and lecture pods are site-cast tilt-up
in collaboration with RPA Architects structural concrete with bespoke Xlerplate steel screen
Interior designers:Woods Bagot, Bronwyn McColl Roofing:Trapezoidal profile Colorbond Steel in Surfmist
Construction, design manager and managing Facade:G James aluminium-framed glazed curtain walling
contractor:Hansen Yuncken in 650-500 series with Eclipse Advantage grey glass
Civil engineer:Flanagan Consulting Group Flooring:Natural finish honed concrete
Mechanical and electrical engineer, energy efficiency Custom joinery:Hoop pine and spotted gum crown-cut
rating consultant:Ashburner Francis veneer, by Woods Bagot
Hydraulic engineer:H2O Consultants Fans Big Ass Fans
Quantity surveyor:Beacon Consulting
Landscaping:Andrew Prowse Landscape Architect Story by Charles Moxham
AV Consultant:B&H Australia Photography by Christopher Frederick Jones
Fine-tuned
This auditorium designed by Planet 3 Studios intelligently weaves sound into its
design by replicating wave patterns on the ceilings and wall
The architecture of an enclosure design Taking into consideration that the venue is Below and facing page
should contribute to the acoustics without por- merely a container where sound takes centrestage, The entrance to the 300-seat
we first drew up plans for the acoustic side of the auditorium designed by Planet
tions getting distorted or missing. This becomes
3 Studios is located in Mumbai
extremely vital when one is designing a venue for architectural work for this project,says Mattoo.
and managed by the VSB Trust.
musical or theatre performances. We did all the acoustic work in-house as this was The auditorium is spread over
Principal architect Kalhan Mattoo of Planet 3 an interesting opportunity for us. 6000 sq ft. The sunken staircase
Studios built and designed this 300-seat auditorium Using a computer programme, wave patterns here offers a view of the multi-
were simulated within the given structural volume level ceiling, whose design
for VSB Trust in Mumbai. Adjoining the existing
has been influenced by sound
management school building on campus, this 6000 to understand its effect as it travelled through. With
wave patterns. The concept and
sq ft hall functions as a stand-alone venue for non- the use of parametric and computational design drawing plans for the venue.
university events complete with its own entry and tools, the firm ran multiple form finding experiments
exit points. and studied the effect of every iteration on the
sound carrying ability of the space. the seats in the auditorium that the sound from Above left Mattoo eschewed
The goal here was to ensure that the spatial the stage would reach even the last rows of seats the service of an acoustics
consultant and instead used a
form along with materiality achieves an even sound in the venue.
software programme to identify
quality in space while keeping the reverberation Honestly, we had gotten pretty much the angle architectural acoustics of the
factor low. This also allowed us to pick the right right in terms of the view angle of the stage; the space. The venue can be used for
materials in order to create and build the space audience would be able to see the performer from musical or theatre purpose along
according to the correct acoustics, he adds. any seat irrespective of the rows and that visual with formal presentations.
There is more to space than just sculpting it out connection is important to set up a engagement
to create the design you have. Creating an intimate with the performer, he continues.
engagement between the performer and audience He further adds, And in terms of basic acous-
is an important aspect of any enclosed venue. tics, you know reverberations, reverberations
Mattoo arranged the location of the stage and factors within test limits, minimising pockets of
Above The LED light pattern dead sound space, high and low end density etc., was on par with the Indian standards for ohmmeter
on the walls of the venue are we took care of those by using acoustic paneling and supermetric aspects of the venue in terms of
designed to mimic sound wave on the wall. They worked as absorption panels for acoustics and sound.
patterns. Using a software
us to sufficiently control the quality of sound. Aesthetically, Mattoo has included sound wave
technology, the intensity of
the lights get brighten and dim Wall cladding was selected using a pre-lam- patterns on the ceiling to echo the nature of the
depending on the cresencedo of inated acoustical board, which have a laminate venue in the form of multiple ceilings made from
the musical performance. finish in the front and ridges and grooves that travel wood. The design sentiment has also been followed
to end of the cavities in these boards. Behind this through in the lighting fixture design on the walls.
base is an acoustic kind of paper. This entire wall is LED lights have been incorporated into the walls
placed on a basic glass. and synced via a software programme to be lit
This entire material set up gave the space quality bright or somber depending on the crescendo of
control over refraction and retraction of sound that the music playing.
Left Acoustically treated
wall cladding has been used
throughout the venue to cut down
on dead noise space and assure
that the sound from the stage
reaches the end of the auditorium
is clear and of high quality.
Location Mumbai, Maharasthra

Client VSB Trust
Architects & designers Kalhan Mattoo, Santha Gour
Mattoo; Planet 3 Studios
Design team Shanky Jain, Dhiraj Narang, Amit Jadav
Contractor Heman Interiors
Story by Moshita Prajapati

Photography by Mrigank Sharma India Sutra
offices
Making an impact
This corporate showroom-cum-office by Chetan Vadesa is an oasis of green
amidst a dusty, industrial setting
Morbi, Gujarat is considered to be one of to Sonceras manufacturing unit, the use of Below A voluminous foyer and
Indias and the worlds busiest ceramic production greenery was also intended to offset the industrial lush greenery greet visitors to the
bleakness of the neighbouring cluster of buildings. 20,000 sq ft corporate house.
hubs. Designer Chetan Vadesa of Chetan Vadesa
Designs created a 20,000 sq ft corporate house for Speaking about this distinguishing feature, Vadesa Facing page The stairs from
the high ceilinged reception lead
the ceramic brand Soncera in this heavily industri- says, I wanted to give a lush, green skin to the
up to a wooden solarium, the
alised town. skeleton of this plan so that it balanced the dead waiting area for guests wishing
Faced with the challenge of making the project production facility land in the neighbouring manu- to access the showroom.
stand out, Vadesa ensured the project sported facturing unit.
plentiful greenery to distract from the dusty envi- The facade of the building consists of a 10 ft
rons of Morbi. As the plot for the office lies adjacent wide entry foyer and an ornamental concrete pillar,
Facing page The double-height achieving Vadesas desired vertical proportions. The first floor display area is accessed by a wide
reception connects to the staff From the foyer, the wide glass doors open into staircase that ascends to a wooden-decked solar-
areas on the ground floor and the the reception area. The reception is a voluminous, ium. This waiting area then leads to the display area
showroom on the first floor.
double-height box. The high ceiling, combined with where the companys wares are showcased. Large
Below Large windows let in
the porous glass boundary between the foyer and glass windows allow in ample amounts of natural
plenty of light into the offices,
creating a cheery atmosphere. reception creates a sense of openness along with a light, and also offer views of the lush, landscaped
welcoming ambience. lawns surrounding the project. Creating these green
The two-storey volume lies perpendicular to the spaces was difficult due to the industrial pollution
reception, and has strategically segregated the in Morbi, but also important to elevate the project
management and staff areas from the display space above the competitions offices.
on separate floors. The ground floor contains the The green landscape gives you a feeling that
offices of the chairman, the directors, the manag- you are in a tropical getaway rather than a manu-
ers and the general staff in addition to a fireproof facturing hub like Morbi, Vadesa adds.
storeroom for archival documents. The kitchen, Besides the green landscaping, the project
pantry, dining room and restrooms are also located showcases a simple, earthy material palette, with
on this floor. prominent use of raw wood, concrete and Kota
These pages Lying adjacent to stone. This office is also the first in Morbi to The project is neatly contained within the square
the companys manufacturing use Kota stone, a natural material, in this hub volume of the structure. Cubics and proportions
facility, the showroom on the of artificial ceramics. The interior has been kept are what thrills me, says Chetan, speaking about
first floor functions as a place to
minimal, and readily available natural materials the offices interiors. The spaces are cleanly organ-
display the wares.
have been used. ised, with storage areas concealed behind sliding
It was this simple palette that converted the veneer panels. Clean, extended sightlines charac-
place to a spiritual, Zen-like working environment, terise the interiors of this office, and verdant green
says Vadesa. lawns its exterior.
The closeness to nature is also manifested The Soncera Corporate House is an impressive
through the sustainable measures adopted in this project that sets a trend for corporate headquarters
projects design. The exterior lights for the facade in Morbi and achieves a contemporary, minimalist
are solar powered and light sensitive. Additionally, design against a highly industrialised backdrop.
the rainwater-harvesting tank for this office is large
enough to meet the annual irrigation needs for the
landscaped lawns.
Location Morbi, Gujarat Paints Asian Paints

Owners Sonam Ceramics Veneers Euro Dcor Pvt. Ltd.
Interior designer Chetan Vadesa; Chetan Vadesa Designs Lighting Cree, Hybec, Philips
Contractor Manojbhai Gajjar Workstations Featherlite
Windows UPVC Furniture HOF Furniture System Pvt. Ltd., Featherlite
Hardware Ozone, Kich Toilets Soncera
Tiling Q-Bo, Sentosa
Plumbing Kohler Story by Dushyant Shekhawat
Electrical Cree, Hybec, Philips Photography by Jignasa Jadwani
FRESH perspective
Despite a relatively small footprint, this real estate developers association office has a
spacious feel, thanks to a design that has also raised the bar for high-end office fit-outs
Space planning is a priority for any office downtown hub for our members, he says. Below and facing page below
design, but it takes on even greater significance All of these considerations needed to come Sleek Nero Marquina marble
when you are working with a tight space that has to together in an area of around 300 m2, Angevaare is paired with dark-stained wood
in the reception area of the office
meet a range of diverse requirements. says. Although the size of the office was doubled
of the Real Estate Developers
Multi-use adaptability helped determine the with this project, we needed to fit a lot in. Association of Singapore
design of the refurbished offices of the Real Estate Not surprisingly, creating a sense of space was (REDAS). The reflective sheen
Developers Association of Singapore (REDAS) essential, starting with the reception area. of the marble and the glass
by designphase dba. It wasnt the only factor, We provided long sightlines in a design that walls help to make the space
seem larger.
however. Design director Joris Angevaare says was inspired by Mies van der Rohes Barcelona
Facing page above The
the association also required an impressive office Pavilion, says Angevaare.
reception leads to a small
interior that would mix corporate aesthetics with an Glass walls are positioned so that guests meeting room and an exhibition
upmarket hospitality venue. arriving in reception can get glimpses of the rooms space that doubles as a seminar
Dr Steven Choo, CEO of REDAS says the beyond. This leads the eye through the office so it room. Concealed doors in the
brief to designphase dba was to create a is perceived as a much larger space. An illuminated front wall of this room open from
the reception area.
prestigious corporate office fit-out that would raised ceiling element in the reception area also
reflect the associations role as the leading profes- gives an impression of height and spaciousness.
sional and representative real estate industry body The reception area is further defined by a custom
in Singapore. mirror film on one long glass wall.
It also needed to serve as a multi-purpose The pattern of high-rise towers on the mirror
Left:The illuminated square film references the associations business, says the space seem larger, says Angevaare.
ceiling echoes the shape of Angevaare. The film layers give the glass a three- Because privacy may be required at times, the
the boardroom, which opens to dimensional effect and convey a sense of positivity small meeting room can be screened with blinds.
a rooftop garden. As with the
or reaching for the sky. There is also a large wood pocket door concealed
reception area, the mix of marble
and wood marries a corporate The design team also maximised a view of a roof within the wall behind reception. This can be pulled
look with the need for a warm garden to draw the eye out beyond the office. This to close off the entire area on the other side.
hospitality venue. REDAS CEO Dr can be seen from a small meeting room, exhibition There are also two large wood doors opening to
Steven Choo says the design has space, boardroom and circulation area and from the boardroom, says Angevaare. We wanted to
delivered on all counts.
the staff office beyond. The glazed walls of the provide a grand gesture for this space. For a similar
Below:White walls give the staff
exhibition space and meeting room also mean staff reason, the corridor leading to the boardroom is
office area a smooth, uncluttered
look. The all-white decor is benefit from daylight exposure. very wide it creates an impressive entry.
relieved by a colourful, flower- The designer says Nero Marquina marble gives To provide flexibility and accommodate social
patterned carpet. the office a high-end corporate look. functions, the tables in the boardroom can be
Legend to plans:1 entry, With many social functions held in the office, it moved and the room reconfigured. Similarly, the
2 exhibition and seminar room, was also important to provide an inviting interior. exhibition space can be reconfigured easily. Power
3 meeting room, 4 boardroom,
For this reason, the lighting is warm, rather than points are positioned in the floor so there is no
5 offices, 6 roof garden.
cold. And there is still a traditional feel to the office, need to run cables across the room.
thanks to the extensive use of dark-stained wood in In the staff work area, a bank of white cabinetry
reception and in the boardroom. forms a clean, uncluttered backdrop. A colourful
In another juxtaposition of the traditional with flower-patterned carpet adds a touch of informality,
the contemporary, a white wall with a textured dot but doesnt detract from the exhibition space on
pattern runs the length of the office, from a small the other side of the glass wall.
meeting room through to an exhibition space that
doubles as a seminar room. Extending this wall
beyond the glass walls was another way to make
Location:Offices of the Real Estate Developers Association Acoustic wallcoverings:Woven Image EchoPanel
of Singapore (REDAS), Singapore Paints:Nippon Paint
Interior designer:designphase dba; design director Joris Lighting:Modular Lighting
Angevaare; senior designer Simin Lin Workstations:Vanguard
Civil engineer:RSP Architects Planners & Engineers Office chairs:Vanguard; Vitra
Mechanical and electrical engineer:Squire Mech Boardroom table:Wilkahn
Quantity surveyor:Davis Langdon and Seah Reception furniture:Bespoke
Fire consultant:Architects 61 Sanitary solutions:Geberit; Toto (W Atelier)
Fit-out company:Taishin Builders Air conditioning:Daikin; Mitsubishi Electric
Hardware:Hfele
Carpet:Contrac-Image Trading; Network Contracts Story by Colleen Hawkes
Lobby flooring:Nero Marquina marble Photography by Fearghal Hendron
portfolio
Feast for the eyes
In this restaurant, custom furniture, furnishings and artworks feature
abundant references to Latin American history and culture
Left:The facade of the Amricas

River Oaks restaurant designed
by Jordan Mozer reflects the
eclectic nature of the interior.
Bronze-relief images depict the
Andes, a two-headed llama from
early Inca ceremonial wedding
vessels; graffiti as seen in
modern-day Rio de Janeiro; and
the chinchilla.
Right:The bar near the entry
looks through to the upper dining
room. Leather cladding on the
wall columns and a curtain in
wool felt are material references
to Texan cowboys and the
gauchos of South America.
From gauchos roaming the pampas to the the same can be said for the decor, says Mozer.
corn, beans and maize that were staple foods for The restaurant is designed to convey the surreal
3000 years, the symbols of Latin American history New World culture of hybrids, a non-linear architec-
and culture are many and diverse. One way to draw tural narrative, like a dream or a poem, that unfolds
these elements together under a single roof is with from the first glimpse of the pre-Columbian graffiti
a decor that evokes the regions most famous on the facade and meanders through every corner
literary style magical realism. of the interior, even into the smallest powder room.
Amricas River Oaks restaurant, created The fine-dining restaurant is on the upper level
by design architect Jordan Mozer and run by of a 1930s shopping centre in Houston. Interiors
Nicaraguan chef Michael Cordua, reflects this comprise a bar, terrace and lounge, together with a
imaginative approach. Both men are aficionados of raised, reconfigurable dining room. The furnishings
the work of the great South American writer Gabriel are loose and many partitions are operable to allow
Garca Mrquez and his favoured genre, magical flexibility and to increase density in the main dining
realism, led the design. room on quiet nights. And almost every element in
The surprising, hybrid decor is appropriate for Amricas River Oaks confounds expectation.
the avant-garde restaurateur. Cordua is noted for The doodles on the bronze-relief facade were
creating South American dishes made exclusively inspired by the Nazca geoglyphs of ancient Peru,
from foodstuffs indigenous to the Americas, but Incan gold figures and the modern-day graffiti of
using culinary techniques from Europe, resulting in Rio de Janeiro, says Mozer. At the bar, theres
radical, contemporary North American dishes. If the another contemporary cultural reference hoodie
menu sets up a dialogue of unexpected tastes, then bar stools with skinny jean legs.
A raised private dining room overlooks the demarcate the lounge the leather is another nod These pages:The lounge and
bar and this can be separated by a moveable felt to gauchos and cowboys, says Mozer. For the dining areas feature sculptural
chairs and partitions by Jordan
partition the same material that is used to make dining room I designed feature hugging love seats
Mozer. The backs and legs of
cowboy hats, says Mozer. It also references the in the colour of chocolate or coffee, both signature the bar stools were inspired by
Incas use of llama wool and cotton fibres to create commodities in Latin America. modern streetwear hoodies and
textiles, weapons, boats and bridges. Advantages A boardroom and another private room overlook skinny jeans.
of using a wool material to create partitions include the dining room every space has myriad features
its sculptural and sound attenuating qualities. that help conjure the spirit of the Americas. Exotic
On the walls, sculptures of maize, beans and cast bronze pitcher plant lamps evoke their living,
popped corn are also made from felt. insect-devouring counterparts. Powder rooms are
Between the bar and the terrace dining area, fitted with sculptural illuminated Soul Window
four steel-framed, leather-covered sculptures mirrors and cast bronze vanity basins.
As with Chef Corduas dishes, each component and produced near the site, or were recycled. This page:In the dining areas
of the restaurants design has been hand-made Nothing was imported or chosen from a catalogue. felt wall sculptures depict popped
corn while wall lamps imitate
from scratch and produced in America. The earthy palette includes regional mahogany,
South American pitcher plants.
Many couture studio furnishings and furniture American ebony and bronze, as well as Chicago The large red Rasta chandelier is
were created for the project, says Mozer. These glass, wool felt burlap, saddle leather and raw in felt and hand-blown glass.
were produced in Chicago and Houston by artists, cotton denim, to name only a few finishes. Facing page:Soul Window
craftspeople and factories in just 11 weeks, the Amricas River Oaks is more than the sum of mirrors and cast bronze vanity
entire process streamlined by rapid prototyping and its diverse custom-designed parts together, they basins await patrons in the
manufacturing techniques. evoke a cultural cornucopia for the diners pleasure. powder rooms.
Materials for the restaurant were chosen for
durability and sustainability to develop patinas,
not maintenance issues. Elements were sourced Search 43445 at trendsideas.com
Location:Amricas River Oaks restaurant, Houston, Texas by Jordan Mozer Studios (lounge), burlap (dining), mosaic
Design architect:Jordan Mozer, Jordan Mozer and glass tile by Architectural Systems (powder rooms)
Associates, design team: Jeffrey W Carloss, Scott Genke, Furniture:All designed by Jordan Mozer Associates with
Peter Ogbac, Manuel Hernandez fabrication by Wood Goods Industries or Delta Furniture,
Architect of record:Jeffrey W Carloss including cast resin bar stools and wing-back chairs, both
Construction company:JE Dunn Construction upholstered in leather
Graphics:Jordan Mozer and Associates Lighting:All custom designed by Jordan Mozer Associates,
Structural engineer:Haynes Whaley Associates including hand-blown glass pendants with hand-sculpted
Mechanical engineer:JEK Engineering wool felt light fixtures, hand-polished, cast bronze Swamp
Code consultant:All Texas Permits Flower table lamps, felt chandeliers, Rasta lamps
Flooring:Teka engineered wood flooring in White Oak Powder room:Bronze sink, resin mirror by Jordan Mozer
(entry), Daltile quarry tile in Sahara Sand (bar), Masland
Contract carpet in Surge 7224, Story by Charles Moxham
Columns:Finished in custom-stained leather Photography by Doug Snower
Wall treatments:Sherwin-Williams paint, leather partitions
View ARTICLE ONLINE at trendsideas.com/go/XXXXX xx
Properties on the block
TRENDS selects premium properties

making the rounds today
Tuscan Estate Signature Meadows

Developer: Kolte-Patil Developers Ltd Architect: RSP Design Consultants (India) natural light and ventilation. Each home
Pvt Ltd, Pune comes equipped with cantilevered private
Location: Pune
Landscaping: WAHO Landscape Design, decks, designer private gardens and
Status of the project: Under construction European modular kitchens. The space also
New Zealand
Area of project: 13 acres houses a clubhouse with a squash room,
Construction: Kolte-Patil Developers Ltd an air-conditioned gymnasium, infinity edge
Residential type: 3 & 4 BHK apartments
Special features: The T-shaped tower swimming pools, basketball and tennis
Residential area: 1970-2500 sq ft is open on three sides allowing for ample courts and a multi-purpose party hall
Pr
i
` 1 ce:
.4
crore
onwards2
144 trendsideas.com Home & Design Trends Vol 2 No 7 2014
:
ice
Pr 5
`4
lakhs
onwards
Maitreya Greens
Developer: Maitreya Realtors & Residential area: 900-5000 sq ft use of eco-friendly materials, rainwater
Constructions Pvt Ltd harvesting, sewage treatment plant, low
Architects and Landscaping: Origin
Location: Nashik Architect, Beijing flow fixtures and faucets, solar water
heating systems, efficient lighting fixtures
Status of the project: Under construction Construction: Skylark Construction and appliances, garbage shafts, vermin
Area of project: 10 acres Pvt Ltd, Thane compost pits, electrical charging points for
Residential Type: 2, 2.5, 3 and 4 BHK Special features: It is an IGBC Re-gold vehicle, low VOC materials and an eco-
apartments certified project with feature, such as friendly landscape design
The gallery: Frank Gehry First Major
Retrospective in Europe, Paris
October 8, 2014 January 26, 2015
Gehry Partners LLP X4, Philippe Migeat Centre Pompidou X2, grant mudford, Don F. Wong, Roland Halbe, Thomas Mayer, Iwan baan
The first
ever in-depth
European
retrospective
exhibition of
Frank Gehrys
works
in Paris
Frederick R. Weisman Art and Teaching Museum
Frank Gehrys name has always been asso-

ciated with architecture that pushes the en-
velope. Since the founding of his practice in
the 60s, his buildings have become iconic
structures that have broken new ground in
terms of design method and usage of ma-
terials. The Centre Pompidou in Paris has
announced an exhibition, which is to be the
first major retrospective of his works to be
held in Europe. The exhibition comes on
the heels of the unveiling of Gehrys lat-
est project, the Fondation Louis Vuitton in
Paris. The retrospective is to be an exceed-
ingly detailed look back at Gehrys role as
an architect and how he shaped the disci-
pline. The curators of the exhibition, Frd-
ric Migayrou and Aurlien Lemonier have
been meticulous in assembling the projects
for the retrospective. There are over 225 Marqus de Riscal hotel
upcoming events
How Things Dont Work: The Saul Steinberg Drawings: The Mackintosh Architecture
Dreamspace of Victor Papanek Architecture Public Space Exhibition
New York, until Dec 15 New York, until Jan 3 Glasgow, until Jan 4
Unseen works of one of sustainable A showcase of the architectural drawings A retrospective reviewing the distinctive,
designs first advocates, architect and sketches of famed New Yorker characteristic British typology of architect
Victor Papanek cartoonist, Saul Steinberg Charles Mackintosh
Nationale-Nederlanden
Building
Jay Pritzker Pavilion
chiat\day agency
DZ Bank Building
Bilbao Guggenheim Museum Biomuseo
drawings and sketches and 67 models on

display, showcasing over 60 of Gehrys major
works. Amongst the works showcased are the
Vitra Design Museum in Germany (1989), the
Guggenheim Museum Bilbao (1997), the Walt
Disney Concert Hall (2003) and the Beekman
Tower in New York (2011). The exhibition is
also showcasing an exhaustive 260-page cat-
alogue filled with Gehrys original illustrations
as well as exclusive interviews. The exhibition
aims to bring forth Gehrys fixation with archi-
tecture as a means of expression, and offers a Cleveland clinic Lou ruvo
peek into a truly special oeuvre. centre for brain health
8 Spruce Street
Peter Shire: Public Work, Lines Lesser Known Architecture Architects as Artists
of Desire Lincolnshire, UK, until Mar 20 London, until Mar 29
Los Angeles, until Jan 31
An examination of the commissioned public Discover an unexplored side of An exhibition displaying the exquisite
projects executed by architect Peter Shire architectural and interior design and drawings of architects from the Renaissance
through his career monuments in the UK to the 20th Century
Review: Celebrating Habitat The Real, The Virtual
& The Imaginary, New Delhi
October 9-November 30, 2014
An immersive exhibition at
NGMA New Delhi celebrates
the works of B V Doshi
doshi's sketches on display at the exhibition
The six decade career of B V Doshi,

arguably Indias most well-known
architect, became the focus of a
recent exhibition that was held at
the National Gallery of Modern Art
(NGMA), New Delhi. Celebrating
Habitat: The Real, The Virtual & The
Imaginary opened in October. This
exhibition was curated by Khushnu
Panthaki Hoof, an architect and
also Doshis granddaughter. The
collection on display consisted of
drawings, models, photographs
and textual depictions. Doshis
works and concepts come to life
amidst the exhibits, offering a
sense of the architects oeuvre
over the years. Some of his
landmark projects showcased at
Celebrating Habitat included the
Indian Institute of Management
in Bangalore, the Kanoria Centre
of Arts in Ahmedabad along with
the Gufa. A walk through of the
exhibition bought in the experience
of visiting Doshis house, walking
down the halls of his office Sangath
NATIONAL GALLERY OF MODERN ART X7
or clambering across the roof of

the Gufa. Speaking about Doshi's
vitality, Hoof says, With every
project, he starts from scratch, as if
he's never done it. And he doesn't
ever go back to anything he's
done before. So every project is an
exploration. Celebrating Habitat
is a great starting point for ones
own exploration of this legendary
architects work.
sangath in Ahmedabad
Fragments of City DISPLAY AT the exhibition
LD Institute of Indology in Ahmedabad Gufa in Ahmedabad

Concept: Detour at London Design Festival
September 1321, 2014
The detour book

was the focus of
this travelling
exhibition
by Gamfratesi
The Detour project, an initiative of the non-profit organisation lettera27 was in London
recently. This travelling exhibition was curated by Raffaela Guidobono and comprised
of a display of personal notebooks of some of the worlds leading designers like Karim
Rashid, Kiki van Eijk, Oki Sato, Rodrigo Almeida, Anothermountainman, BCXSY, Yves
Bhar, Tord Boontje, Fernando & Humberto Campana, GamFratesi, Lyndon Neri &
Rossana Hu, Antonio Marras, Joep van Lieshout and Alfred von Escher. Their musings,
scribblings and sketches fill the pages of the over 250 Moleskine notebooks on display.
In addition to the contents of their pages, the Moleskine notebooks also reflect aspects
of their owners personalities. Each of the books bears the marks of creative tinkering,
By Antonio Marras
moleskine detour x9
by Kiki van Eijk

The Detour book
leading to their transformation from mere

books to art objects. The personalised
notebooks are physical representations
of the often intangible creative process
responsible for so much of a designers
work. In the electronic age, these
notebooks come as a breath of fresh air
and are a delightful contrast from the CAD
renderings and digital worksheets we are
used to seeing. This travelling exhibition by Karim Rashid by Yves Bhar
continues to remain available to the public
online at www.moleskine.com/the-project
by Fernando&&Umberto Campana by Alfred von Escher
Public Art
transformative art that alters

perceptions & neighbourhoods
Owl Eyes
by Bordalo II
Covilh, Portugal; 2014
I am part of a
highly consumerist,
materialistic and greedy
generation. With the
excessive production
of things, especially
technological material,
there is a proportional
increase in the
production of garbage."
And I say "garbage" in
quotes because it is a
very abstract definition.
"One mans garbage
is another's treasure."
An owl is a symbol of
culture and education,
and I have placed it in
the historical center of
Covilh where there
are a lot of abandoned
buildings and ruins.
bordalo II, miguel chevalier x2, fill in the potholes x2, Jason decaires taylor
Magic Carpets
by Miguel Chevalier
Castel del Monte,
Italy; 2014
Magic Carpets is an
installation that unfolds
at nightfall in the
inner courtyard at the
Castel del Monte, the
medieval architectural
masterpiece, that
revisits through
digital art the tradition
of mosaics, which
prefigure the advent
of pixels. Set to music
by Jacopo Baboni
Schilingi this world of
moving colours and
shapes takes us, as in
a giant kaleidoscope,
on an imaginary and
poetic voyage..
Fill in the Potholes
by Fill in the Potholes Project
(www.fillinthepotholes.com)
Mumbai, India; 2014
The Fill in the Potholes Project

began as a satire on the sorry
state of roads in the city, so
as to drive people's attention
towards this grave problem by
filling them with stories, where Ocean Atlas
potholes are the protagonists. by Jason deCaires Taylor With our oceans and coral reefs currently facing
But what initially started as (www.underwatersculpture.com) collapse from numerous threats. The piece
a satire is now moving one Nassau, Bahamas; 2014 symbolises the burden we are currently asking
step closer to actually fill in future generations to carry and the collective
the potholes. The Fill in the responsibility we have to prevent its collapse.
Potholes project is now crowd- Constructed using sustainable pH neutral
funding to gather support and materials it creates an artificial reef for marine life
to spark conversations and to colonise and inhabit, whilst drawing tourists
build this solution together. away from over stressed natural reef areas.
- Compiled by Dushyant Shekhawat

Home & Design Trends Vol 2 No 7 2014
Showcase
LATEST IN DeCOR
& bathroom
ACCESsORIES
Hafeles Caesarstone comes to India
Quartz manufacturer Caesarstone has made its arrival
in India via a partnership with Hafele India Pvt. Ltd. The
durable, non-porous and easy-to-maintain surfaces contain
upto 93% natural quartz, making them a valuable addition
to any interior. Hafele India has added Caesarstone to
its portfolio, further broadening their spectrum. This new
partnership offers Indian consumers to experience the
quality offered by one of the worlds leading brands. For
more information, email customercare@hafeleindia.com or
call +91-18002666667
Hermes scarves find a home

French luxury brand Hermes has created a virtual edifice
to house their popular scarves. La Maison Des Carres,
or lamaisondescarres.com, is a website designed by
illustrator Pierre Marie in collaboration with Bali Barret,
artistic director at Hermes. The site looks like a house and
visitors are free to wander from room to room, browsing
the constantly changing collection of scarves, shawls and
stoles. It serves as a platform as both an online store and
showcase for their scarf collection. For more information,
call +91-22-22717400

Enliven your walls with Elementto Lifestyle
Elementto Lifestyle, the boutique store that offers a spread of interior lifestyle products has announced a new range of wallpapers.
The metallic hues bring a contemporary facet to this range, which has offerings in silver, gold, brass and copper as well as bold
shades of red, purple and green. Curated by Rohit Gupta, the founder of Elementto Lifestyle, these wallpapers add richness to
any space they are used in. For more information, call +91-22-49103000
Kochi-Muziris Biennale 2014 -

Whorled Explorations
Slated to commence on December 12, 2014 and
curated by artist Jitish Kallat, the second edition of
Kochi-Muziris Biennale features 94 artists from 30
countries. Titled Whorled Explorations, the event will
be open to the public until March 29, 2015 and takes
place at multiple venues in the city of Kochi, South
India. Organised by the Kochi Biennale Foundation,
the festival aims to draw on Keralas rich tradition
of public action to create a forum for intelligent and
creative responses to the realities we inhabit.
History Now, a series of talks and seminars
conceived by the Kochi Biennale Foundation will
accompany the central exhibit. In addition, there will
also be a Students Biennale to engage students
from government-run art colleges across India. Other
programmes include, performances, collateral events
and interactive projects for children, along with the
Artists Cinema project. For more information, visit
www.kochimuzirisbiennale.org
Home & Design Trends Vol 2 No 7 2014 more homes at trendsideas.com 155
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What are some of the featured articles in this issue?

What are some of the featured articles in this issue?

What design elements are highlighted in the residential projects?

What design elements are highlighted in the residential projects?

home & design Volume 2 No 7

` 250 A Times of India publication

Quiet and calm

A place by the river

72 TEXTURES & COLOURS

Ashiesh Shah Abhay Wadhwa

144 Properties on the block

146 THE GALLERY

from the editor

The design world is one of the most dynamic

excellence its very talented designer, Ayaz Basrai of The

awards for idea, is tinkering with the original design and

In this months TRENDS, the spotlight is on bath spaces. We have a mini

trends.edit@wwm.co.in More ideas, information and inspiration at Trendsideas.in

Chief Executive Officer Tarun Rai

Chief Community Officer & Editor Preeti Singh

Assistant Editor Kamna Malik

Senior Art Director Suneela Phatak

Brand Publisher Anupama Bhalla

Chief Financial Officer Subramaniam S.

To subscribe online, visit: mags.timesgroup.com/home-trends.html

Sen Ambrish Sunita Bose Shimul Kapil

Entries open till January 5, 2015

Marrakesh from Kohler

8 more projects at trendsideas.com Home & Design Trends Vol 2 No 7 2014

Cabinet Quadro from Bisazza Bagno

Hidden from MAKRO

Home & Design Trends Vol 2 No 7 2014 more projects at trendsideas.com

Nest from Park Avenue

more projects at trendsideas.com Home & Design Trends Vol 2 No 7 2014

Mr. T from Sooda-e

Axor LampShower from

Bath from Sicis

Sen Ambrish Sunita Bose Shimul Kapil

Entries open till January 5, 2015 Lifestyle Partner

Axor Bouroullec from Hansgrohe

compose, the collection includes mixers with new spout

The Wanders Collection from Bisazza Bagno

14 more projects at trendsideas.com Home & Design Trends Vol 2 No 7 2014

432 Park Avenue,

Madikwe Hills Private

- Compiled by Kamna Malik

On: An artist whose work I like to most

Mrinmoy Barua is a young Delhi-

16 more projects at trendsideas.com Home & Design Trends Vol 2 No 7 2014

Kohelika Kohli K2 India, New Delhi

Home & Design Trends Vol 2 No 7 2014 more projects at trendsideas.com 17

The artist I would name is Niladri Paul. I simply

18 more projects at trendsideas.com Home & Design Trends Vol 2 No 7 2014

Sen Ambrish Sunita Bose Shimul Kapil

Entries open till January 5, 2015 Lifestyle Partner

Architect Ashiesh Shah

What role does art play in architecture and design?

What does good design mean to you?

Ashiesh Shahs home