The document summarizes key aspects of vocal music from the Medieval, Renaissance, and Baroque periods. It describes the monophonic Gregorian chants of the Medieval period and the emergence of polyphonic masses and madrigals in the Renaissance. Major composers highlighted include Palestrina, Morley, Bach, Vivaldi, and Handel. The Baroque period saw more elaborate melodies and dynamic contrast, with new genres like concerto, concerto grosso, and chorale developing.
The document summarizes key aspects of vocal music from the Medieval, Renaissance, and Baroque periods. It describes the monophonic Gregorian chants of the Medieval period and the emergence of polyphonic masses and madrigals in the Renaissance. Major composers highlighted include Palestrina, Morley, Bach, Vivaldi, and Handel. The Baroque period saw more elaborate melodies and dynamic contrast, with new genres like concerto, concerto grosso, and chorale developing.
The document summarizes key aspects of vocal music from the Medieval, Renaissance, and Baroque periods. It describes the monophonic Gregorian chants of the Medieval period and the emergence of polyphonic masses and madrigals in the Renaissance. Major composers highlighted include Palestrina, Morley, Bach, Vivaldi, and Handel. The Baroque period saw more elaborate melodies and dynamic contrast, with new genres like concerto, concerto grosso, and chorale developing.
The document summarizes key aspects of vocal music from the Medieval, Renaissance, and Baroque periods. It describes the monophonic Gregorian chants of the Medieval period and the emergence of polyphonic masses and madrigals in the Renaissance. Major composers highlighted include Palestrina, Morley, Bach, Vivaldi, and Handel. The Baroque period saw more elaborate melodies and dynamic contrast, with new genres like concerto, concerto grosso, and chorale developing.
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UNIT 1: Music of Medieval, VOCAL MUSIC OF THE RENAISAANCE PERIOD
Renaissance, and Baroque Periods 1. Mass is a form of sacred musical
composition that sets texts of the Music of the Medieval Period (700- Eucharistic liturgy into music. 1400) Characteristics of the Mass: The Medieval period is also known as the Polyphonic Middle Ages or Dark Ages that started with the May be sung a capella or with orchestral fall of the Roman Empire. accompaniment Text may be syllabic (one note set to each MONOPHONIC PLAINCHANT was named after syllable), neumatic (a few notes set to one Pope Gregory I, who made this the approved syllable), or melismatic (many notes to music of the Catholic Church. one syllable)
CHARACTERISTICS OF THE GREGORIAN CHANTS: Five Main Sections of Mass:
Monophonic Free meter Kyrie (Lord Have Mercy) Modal Gloria (Glory to God in the Highest) Usually based on Latin liturgy Credo (I Believe in One God Use of Neume notation Sanctus and Benedictus (Holy, holy and Blessed Is He) TROUBADOUR MUSIC Agnus Dei (Lamb of God) Usually monophonic Sometimes with improvised 2. Madrigal A secular vocal polyphonic accompaniment music composition which originated from Tells of chivalry and courtly love Italy. It is written and expressed in a poetic Originated in France text and sung during courtly social Written in the French language gatherings. It is the most important secular form during the Renaissance FAMOUS COMPOSER OF THE MEDIEVAL PERIOD period. Adam de la Halle, France (1237-1288) was CHARACTERISTICS OF THE MADRIGAL: also known as Adam le Bosu (Adam the Hunchback). Adam was destined for the Polyphonic church but he eventually married. He was Sung a capella one of the oldest secular composers. He Through composed was a French-born-trouvere, poet and musician. His musical play, Jeu de Robin et Frequently 3 to 6 voices Marion was considered the earliest *Listen to April is In My Mistress Face surviving secular French play with music. by Thomas Morley La Chanson du roi de Sicile was also hos Famous Composers of the Renaissance Period work. 1. Giovanni Pierluigi da Palestrina, Rome, Music of the Renaissance Period (1400- 1525 February 2, 1594 the greatest 1600) master of Roman Catholic Church music The term Renaissance comes from the during the Renaissance period. Majority of word renaitre which means rebirth, revival, his composition are sacred music. He was and rediscovery. The Renaissance Period is a committed to sacred music and has a keen period of looking back to the Golden Age of interest in satisfying the desires of church Greece and Rome. leaders in the sixteenth century. Lute the prominent instrument of the 2. Thomas Morley, 1557 - 1602 - he was the renaissance era. most famous composer of secular music in Though sacred music was still of great his time. He received his bachelors degree importance, secular music became more in Oxford and became an organist at St. prominent in the renaissance period. This era was Pauls in London. also known as the golden age of a capella choral His Musica Transalpina, a music. collection of Italian madrigals fitted with CHARACTERISTICS OF RENAISSANCE MUSIC: English text, was published in 1588 by Mostly polyphonic Nicholas Yonge. He began publishing his Imitation among the voices is common own collections of madrigals and made Use of word painting in text and music significant contribution to the history of Melodic lines move in a flowing manner music. Melodies are easier to perform because these move along a scale with a few large His works include: leaps Fire, Fire, My Heart Sing and Chant It Fantasie April Is In My Mistress Face 5. Chorale - musical compositions that It Was A Lover and His Lass resemble a harmonized version of hymnal tunes of the Protestant Church during the Music of the Baroque Period (1685- Baroque era. 1750) FAMOUS COMPOSERS OF THE BAROQUE The word Baroque is derived from the PERIOD Portugese word barroco which means pearl of irregular shape. Some of the great composers of 1. Johann Sebastian Bach, Germany, March this time were George Friedrich Handel, Johann 21, 1685 July 28, 1750 He came from a Sebastian Bach, Claudio Monteverdi, and Antonio family of musicians. Bachs beautiful Vivaldi. soprano singing voice helped him to be accepted at a school in Luiiberg. A few CHARACTERISTICS OF BAROQUE MUSIC: years later, his voice changed and Bach focused his attention to playing the violin Melodies sound elaborate and ornamental and harpsichord. Melodies are not easy to sing or His works include: remember Concerto Grosso (Brandenburg Concertos) Primarily contrapuntal textures with some Masses (Mass in B minor) homophony Cantatas (Cantata 208 and 211) Dynamic contrast alteration between Fugues (Fugue in G minor) loud and soft Works for clavichord and harpsichord Music genres operas, oratorios, suites, tocatas, concerto grosso, fugue 2. Antonio Vivaldi, Venice, March 4, 1678 Orchestra consists of strings and continuo July 28, 1741 in Vienna he is also named Harpsichord and organ are the keyboard il Prete Rosso (The Red Priest) because instruments that are commonly used of his red hair, he was an Italian Baroque New forms: composer, Catholic priest and a virtuoso 1. Binary AD violinist. His most famous piece is The 2. Ternary ABC Four Seasons. This composition is a series 3. Ground bass of four violin concerti depicting each of 4. Fugue the seasons, Spring, Summer, Autumn, and Winter. MUSIC GENRES OF BAROQUE MUSIC 3. George Friedrich Handel, Germany, 1. Concerto a form of orchestral music that February 23, 1685 April 14, 1759 in employs a solo instrument accompanied London he was the second son from the by an orchestra. second marriage of a pastor. Despite his 2. Concerto Grosso a form of orchestral fathers opposition, George secretly music during the Baroque Period wherein taught himself to play the harpsichord. the music is between a small group of solo Handel is remembered for his operas and instruments called concertino and the oratorios. whole orchestra called tutti. Handel lost both of his eyesight in 3. Fugue 1753. When he conducted his oratorio, A contrapuntal piece, developed Samson, a few in the audience were mainly by imitative counterpoint unaware that he had lost his eyesight. It is usually written 3 or 4 parts, The Messiah is Handels most with a main theme called famous creation and the very well-known subject Hallelujah chorus is part of handels The entire piece grows mainly Messiah. from a single brief tune of strong The Messiah was written in the musical character apace of twenty four days in London but 4. Oratorio a large scale musical it was in Dublin when The Messiah was composition for orchestra and voices that first performed and became an instant incorporates narratives on religious success. themes. Unlike usual theatrical works, this is usually performed without the use of costumes, scenery, or action.
Examples:
a. Handels Messiah, Samson, Israel,
and Egypt b. Bachs Christmas Oratorio c. Haydns The Creation