PX-150/350M/750/850/1200GP AP-250/450/650M MIDI Implementation

PX-150/350M/750/850/1200GP
AP-250/450/650M
MIDI Implementation
CASIO COMPUTER CO., LTD.
Contents
I MIDI Message Overview 5
1 Product Configuration as a MIDI Device 5

1.1 System Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
1.2 Sound Generator Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
1.3 Performance Controller Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
2 Conditions that Disable Message Send and Receive 8
3 Timbre Type Specific Operation 8
II Channel Message 9
4 Channel Message Overview 9

4.1 Send Channel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
4.2 Receive Channel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
4.3 Instrument Velocity Resolution . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
5 Note Off 10
6 Note On 10
7 Polyphonic Key Pressure 11
8 Control Change 11
8.1 Bank Select (00H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
8.2 Modulation (01H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
8.3 Portamento Time (05H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
8.4 Data Entry (06H,26H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
1
8.5 Volume (07H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
8.6 Pan (0AH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
8.7 Expression (0BH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
8.8 General Use Controllers 1 through 8 (10H through 13H, 50H through 53H) . . . . . . . . 13
8.9 Hold1 (40H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
8.10 Portamento Switch (41H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
8.11 Sostenuto (42H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
8.12 Soft (43H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
8.13 Vibrato Rate (4CH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
8.14 Vibrato Depth (4DH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
8.15 Vibrato Delay (4EH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
8.16 Portamento Control (54H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
8.17 High Resolution Velocity Prefix (58H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
8.18 Reverb Send (5BH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
8.19 Chorus Send (5DH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
8.20 NRPN (62H,63H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
8.21 RPN (64H,65H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
9 Mode Message 20
9.1 All Sound Off (78H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
9.2 Reset All Controllers (79H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
9.3 All Notes Off (7BH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
9.4 Omni Off (7CH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
9.5 Omni On (7DH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
9.6 Mono (7EH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
9.7 Poly (7FH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
10 Program Change 22
10.1 About Timbre Type . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
10.2 DSP Assignments during Tone Selection . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
11 Channel Aftertouch 24
12 Pitch Bend Change 24
III System Message 25
13 Active Sensing 25
2
14 System Exclusive Message 25
14.1 Universal Realtime System Exclusive Message . . . . . . . . . . . . . . . . . . . . . . . . 25
14.2 Instrument-Specific System Exclusive Messages . . . . . . . . . . . . . . . . . . . . . . . . 29
IV Instrument-Specific System Exclusive Messages 30
15 Format 30
15.1 Message Classifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
15.2 Basic Message Structure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
15.3 Field Formats . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
16 Parameter Transfer 34
16.1 Two-way Communication . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
16.2 One-way Communication . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
V Parameter List 36
17 System Parameters 36
17.1 System Information Parameter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
18 Setup Parameter 36
18.1 MIDI Parameter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
19 Patch Parameters 37
19.1 Master Tune Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
19.2 Master Mixer Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
19.3 System Chorus Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
19.4 System Reverb Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
19.5 Brilliance Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
19.6 Part Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
20 Tone Parameters 39
20.1 Basic Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
20.2 LFO Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
20.3 DSP Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
21 Music Library Parameters 41
VI DSP Parameter List 42
3
22 Tone with DSP List 42
22.1 PX-150,PX-750,PX-850,AP-250,AP-450 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
22.2 PX-1200GP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
22.3 PX-350M, AP-650M . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
23 DSP Algorithm ID Tables 43

23.1 DSP Algorithm List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
24 DSP Parameter Set Types 44

24.1 Tremolo/Auto Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
24.2 EQ 3Band . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
24.3 Compressor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
24.4 Limiter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
24.5 Early Reflection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
24.6 Rotary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
24.7 Drive Rotary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
24.8 Enhancer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
24.9 Compressor Enhancer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
VII Setting Values and Send/ Receive Values 46
25 Setting Value Tables 46

25.1 Off/On Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
25.2 Damper Pedal Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
25.3 Slow/Fast Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
25.4 Rotate/Brake Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
25.5 –64 - 0 - +63 Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
25.6 Pan Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
25.7 Master Fine Tuning Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
25.8 Reverb Type Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
25.9 Chorus Type Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
25.10 Equalizer Frequency Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
25.11 Brilliance Gain Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
25.12 DSP Equalizer Gain Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
VIII MIDI Implementation Notation 51
26 Value Notation 51
26.1 Hexadecimal Notation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
26.2 Binary Notation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
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Part I
MIDI Message Overview
1 Product Configuration as a MIDI Device
As a MIDI device, the instrument consists of the System Section, Sound Generator Section, and Per-
formance Controller Section described below. Each of these sections sends and receives specific MIDI
Messages in accordance with its function.
• System Section
– Device settings
– Function status
• Sound Generator Section
– Common
∗ Sound generator common section
∗ System effects
∗ Brilliance adjustment function
∗ Mixer master
– Parts
∗ Sound generator instrument parts
∗ DSP (insertion effects)
∗ Mixer channel
• Performance Controller Section
– Keyboard
– Pedal and other real-time controllers
– Auto play function
– Auto Accompaniment(PX-350M, AP-650M)
1.1 System Section

The System Section consists of a sound generator (sound source), a performance controller part (per-
formance), and functions that are not directly related to Instrument play. In addition to manipulating
Instrument setting parameters, this section is also used to exchange information.
1.2 Sound Generator Section

The Sound Generator Section consists of a common part that does not depend on the channel and a part
that is specific to each channel. Mainly it receives performance information and performs operations.
1.2.1 Sound generator common section

The common section consists of sound generator setting blocks that do not depend on the sound generator
part, such as system effects, mixer master control, etc. These can be controlled by system exclusive
messages that are basically exclusive to this particular Instrument, but several parameters also can be
controlled by general universal system exclusive messages.
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1.2.2 Parts
The settings of the sound generator parts can be changed using Instrument-specific system exclusive
messages. This Instrument consists of 32 parts. Of these, channel messages can be used to perform
note on operations and to change settings of only the B Group (B01 through B16). The relationships
between the channel message receive channel and part number are fixed, as shown in ”1.2.3 Part
Assignments(PX-150,PX-750,PX-850,PX-1200GP, AP-250,AP-450)” and ”1.2.4 Part Assignments(PX-
350M, AP-650M)”.
1.2.3 Part Assignments(PX-150,PX-750,PX-850,PX-1200GP, AP-250,AP-450)

Part Number Part Name MIDI Receive Ch MIDI Send Ch Assigned Function Description
00 A01 - 01(Note1) Keyboard Upper1(main)/(Right-
side keyboard in the
Duet Mode)
01 A02 - 02 Keyboard Upper2(Layer)
02 A03 - 03 Keyboard Lower1(Split)/(Left-
Duet Mode)
03 A04 - - -
04 A05 - 05 Recorder Play Track1 main
05 A06 - 06 Recorder Play Track1 layer
06 A07 - 07 Recorder Play Track1 split
07 A08 - - Metronome/Count
08 A09 - -
09 A10 - -
10 A11 - -
11 A12 - -
12 A13 - -
13 A14 - -
14 A15 - 04 Recorder Play Track2
15 A16 - – - -
16 B01 01 - MIDI/Song Play Ch.01
18 B03 03 - MIDI/Song Play Ch.03 (Left hand
track)
19 B04 04 - MIDI/Song Play Ch.04 (Right hand
track)
Note1 : Can be changed by the Keyboard Channel setting.
6
1.2.4 Part Assignments(PX-350M, AP-650M)
Part Number Part Name MIDI Receive Ch MIDI Send Ch Assigned Function Description
00 A01 - 01 (Note1) Keyboard Upper1(main)/(Right-
Duet Mode)
01 A02 - 02 Keyboard Upper2(Layer)
02 A03 - 03 Keyboard Lower1(Split)/(Left-side
keyboard in the Duet
Mode)
03 A04 - 08 Keyboard Harmonize (DSP not
supported.)
04 A05 - 05 Recorder Play System track main
05 A06 - 06 Recorder Play System track layer
06 A07 - 07 Recorder Play System track split
07 A08 - - Metronome/Count
08 A09 - 09 Accompaniment Percussion (DSP not
supported.)
09 A10 - 10 Accompaniment Drum (DSP not
supported.)
10 A11 - 11 Accompaniment Bass (DSP not
supported.)
11 A12 - 12 Accompaniment Chord 1 (DSP not
supported.)
supported.)
supported.)
supported.)
supported.)
16 B01 - 01 (Note2) Recorder/Song Ch.01
Play/MIDI
Play/MIDI
18 B03 - 03 (Note2) Recorder/Song Ch.03 (Left hand track)
Play/MIDI
19 B04 - 04 (Note2) Recorder/Song Ch.04 (Right hand
Play/MIDI track)
Play/MIDI
Play/MIDI
Play/MIDI
Play/MIDI
Play/MIDI
Play/MIDI
Play/MIDI
Play/MIDI
Play/MIDI
Play/MIDI
Play/MIDI
Play/MIDI
Note1 : Can be changed by the Keyboard Channel setting.
7
Note2 : Sent during recorder play only. When there is no data recorded in the applicable recorder track, the MIDI
information of the functions of parts with the same send channel (A01 through A16) is sent.
1.3 Performance Controller Section

The Performance Controller Section consists of keyboard, pedal and other real-time controllers, as well
as blocks that generate auto accompaniment, auto performance, and other performance information.
These messages are transmitted to the sound generator in accordance with operations, while they are
also being sent out as MIDI messages. The channel number of the sent message is in accordance with
Instrument ’s part number.
1.3.1 Auto Accompaniment and Auto Performance MIDI Send

This document what operation is sent by a message in the case of each message type. However, since
there are so many messages sent by an auto accompaniment operation when auto performance and
Accomp MIDI Out is turned on(PX-350M, AP-650M), those messages are not covered here.
2 Conditions that Disable Message Send and Receive

The main conditions when MIDI message send and receive are disabled by the Instrument are those
described below.
• During storage of registration data(PX-350M, AP-650M)

• While storage is selected as the USB device mode(PX-850,PX-1200GP, AP-450,PX-350M, AP-
650M)
3 Timbre Type Specific Operation

The operation that is performed for a received message depends on the current Timbre Type setting (see
“ 10.1 About Timbre Type ”), which is the operation mode of each sound generator part. Applicable
information is provided in the explanations for each message.
8
Part II
Channel Message
4 Channel Message Overview
4.1 Send Channel
For information about the MIDI channels of the channel messages that are sent when this Instrument is
played, see“1.2.3 Part Assignments(PX-150,PX-750,PX-850,PX-1200GP, AP-250,AP-450)”and“1.2.4
Part Assignments(PX-350M, AP-650M) ”. Note, however, that the MIDI channel of the performance
information that corresponds to the keyboard main part can be changed by the Keyboard Channel
setting value.
4.2 Receive Channel

For information about the MIDI channel numbers of channel messages received by each part, see“ 1.2.3
Part Assignments(PX-150,PX-750,PX-850,PX-1200GP, AP-250,AP-450)”and“1.2.4 Part Assignments(PX-
350M, AP-650M) ”. The MIDI channel number of a channel message that changes DSP settings also
coincides with the MIDI channel of the part using the DSP. A channel message is not received by a part
that is turned off by the Part Enable Parameter value explained under “ 19.6 Part Parameter ”.
4.3 Instrument Velocity Resolution

The upper seven bits of the 14-bit resolution correspond to the Note On/Off message, while the lower
seven bits correspond to the High Resolution Velocity Prefix message. (Note1)
Note On/Off High Resolution Velocity Prefix

Upper 7 bits Lower 7 bits
14bits
The initial default value for the lower 7 bits is 00H. Receipt of a High Resolution Prefix message
causes the lower seven bits to be set, but note on/off is not performed.
Receipt of a Note On/Off message causes the upper seven bits to be set with note on/off performed
with 14-bit resolution Velocity.
The High Resolution Velocity Prefix message corresponds the message immediately following the Note
On/Off message, and the lower seven bits are cleared to 00H immediately following note on/off by the
Note On/Off message. 7-bit resolution note on/off using only the Note On/Off message also continues
to be supported.
For details about each message, see ”5 Note Off”, ”6 Note On”, and ”8.17 High Resolution Velocity
Prefix”.
Note1 : The PX-150,PX-750, AP-250, and PX-350M do not support Note Off Velocity. For these models, Velocity for send
Note Off messages is a fixed value (40H). Velocity for receive Note Off messages is ignored. The High Resolution Velocity Prefix
message is not sent or received for a Note Off message.
9
5 Note Off
Format
Message Format: 8nH kkH vvH

9nH kkH 00H(receive only)
n: MIDI Channel Number
kk: Key Number
vv: velocity
Send Sent when a key is released.(Note1)

The key number changes in accordance with on the Transpose function and Octave Shift function.
Note Off messages is a fixed value (40H). The High Resolution Velocity Prefix message is not sent for a Note Off message.
Receive Receipt stops a note being sounded by a note on message. (Note1)

When a High Resolution Velocity Prefix message is received immediately prior to the Note Off message
and the lower seven bits of the 14-bit Velocity are set, the 14-bit resolution note off of the note being
sounded is performed.
For information about the relationship between the Note On/Off message and High Resolution Ve-
locity Prefix message, see ”4.3 Instrument Velocity Resolution”.
Note off by making the Note On Velocity 00H is identical to note off by the combination of High
Resolution Velocity prefix message 40H and Note Off Message 40H.
Note : This Instrument has a function that assumes connection of an external device that sends Note Off Velocity as a fixed
value. Note Off Velocity 00H is replaced with 40H until a Note Off message with a Velocity value other than 00H is received. This
function is enabled when the Instrument is turned on, and disabled by receipt of a Note Off message with a Velocity value other
than 00H.
Note1 : The PX-150,PX-750, AP-250, and PX-350M do not support Note Off Velocity. Velocity for receive Note Off
messages is ignored. The High Resolution Velocity Prefix message is not received for a Note Off message.
6 Note On
Format
Message Format: 9nH kkH vvH

kk: Key Number
vv: Velocity
Send Sent when a key is pressed. The key number changes in accordance with on the Transpose
function and Octave Shift function.
Receive Receipt sounds a note of the corresponding part.

When a High Resolution Velocity Prefix message is received immediately prior to the Note On message
and the lower seven bits of the 14-bit Velocity are set, the 14-bit resolution note on is performed.
10
7 Polyphonic Key Pressure
Format
Message Format: AnH kkH vvH

kk: Key Number
vv: Pressure Value
Send This message is not sent by this Instrument.
Receive This message is not received by this Instrument.
8 Control Change
Format
Message Format: BnH ccH vvH

cc: Control Number
vv: Value
Send Sent when a pedal or another controller operation is performed, when settings are changed,
when the tone is changed, or when an auto performance, Auto Accompaniment(PX-350M, AP-650M),
or other operation is performed.
Receive Receipt changes the controller and settings that correspond to the control number.
8.1 Bank Select (00H)

Format
Message Format: BnH 00H mmH (MSB)

BnH 20H llH (LSB)
mm: Value
ll: Send:00H, Receive:Ignored
Send Sent when a tone is selected. For information about numbers, see the Tone List in the User ’s
Guide.
Receive Receipt switches the tone bank number stored in Instrument memory. Note, however, that
the tone is not changed until a Program Change message is received.
For details, see “ 10 Program Change ”. For information about numbers, see the Tone List in the
User ’s Guide.
11
8.2 Modulation (01H)
Format
Message Format: BnH 01H vvH

vv: Value
Receive Receipt adds, to the voice being sounded, modulation of a depth specified by the value. In
the case of a tone that already has modulation applied, receipt of this message increases the modulation
depth. The modulation effect differs according to the tone being used.
8.3 Portamento Time (05H)

Format

vv: Value
Receive Receipt changes the time it takes until pitch reaches the target portamento effect pitch.
8.4 Data Entry (06H,26H)

Format
Message Format: BnH 06H vvH (MSB)

BnH 26H vvH (LSB)
vv: Value
Send Sent when there is a change in the parameters assigned to NRPN and RPN. For details about
information assigned to parameters that correspond to NRPN and RPN, see “ 8.20 NRPN ” and “ 8.21
RPN ”.
Receive Receipt changes the parameter assigned to RPN. This Instrument does not have a parameter
that corresponds to NRPN.
8.5 Volume (07H)

Format

vv: Value
12
Send Sent when layer balance is adjusted.
Receive Receipt changes the volume of the corresponding part.
8.6 Pan (0AH)

Format
Message Format: BnH 0AH vvH

vv: Value (Note1)
Note1 : For information about the relationship between setting values and send/receive values, see “ 25.6 Pan Setting
Value Table ” in “ VII Setting Values and Send/Receive Values ”.
Send Sent in the following cases.
• When Accomp MIDI Out is on(PX-350M, AP-650M)

• When Music Library play is stopped
Receive Receipt changes the pan setting of the corresponding part.
8.7 Expression (0BH)

Format
Message Format: BnH 0BH vvH

vv: Value

Receive Receipt changes the Expression value.
8.8 General Use Controllers 1 through 8 (10H through 13H, 50H through
53H)
These messages are used to control DSP operation
Format
13
Message Format: BnH 10H vvH DSP Parameter7[0]
BnH 11H vvH DSP Parameter7[1]
vv: Value
Receive Receipt change the value of Parameter7 [0-7] (7-Bit Parameter) explained under“ 20.3 Tone
Dsp Parameter ”. Any message received that corresponds to the parameter of a number not being used
by the currently selected DSP is ignored.
Received values and parameter setting values The range of the value of each DSP Parameter 7
array element depends on the selected DSP or array number. Unlike manipulation of a DSP parameter
using a System Exclusive Message, a value received by this control change message is always in the range
of 0 to 127, but the range is changed in accordance with the setting range of the applicable parameter
setting. Because of this, it is impossible for a value to be outside of the range. Conversion to the
parameter setting value from the value received with the message can be represented in general terms
by the expression shown below.
„ «
Received Value
Parameter Setting Value = Parameter Minimum Value + (Parameter Maximum Value − Parameter Minimum Value) ∗
127
For details about Parameter 7 of each DSP, see the explanations under “ VI DSP Parameter List ”.
8.9 Hold1 (40H)

Format

vv: Value
• When a pedal that has a sustain (damper) function is operated

Receive Receipt performs an operation equivalent to a sustain (damper) pedal operation.
14
Timbre Type Specific Operation This operation differs in accordance with the Timbre Type (see
“ 10.1 About Timber Type ”) setting.
• Timbre Type: Melody

Sustain off/on control is performed in accordance with the value of the received message. For
information about the relationship between setting values and send/receive values, see the “ 25.1
Off/On Setting Value Table ” in “ VII Setting Values and Send/Receive Values ”.
• Timbre Type: Piano
Continuous control of the following is performed in accordance with the value of the received
message.
– Piano note decay rate
For information about the relationship between setting values and send/receive values, see “ 25.2
Damper Pedal Setting Value Table ” in “ VII Setting Values and Send/Receive Values. ”
• Timbre Type: LM (Linear Morphing) Piano
Continuous control of the following is performed in accordance with the value of the received
message.
– Piano note decay rate
– Resonance characteristics and decay rate of Damper Resonance effect resonance note
see“ 25.2 Damper Pedal Setting Value Table ”in“ VII Setting Values and Send/Receive Values. ”
• Timbre Type: Drum
The received message does not affect sound source operation.
8.10 Portamento Switch (41H)

Format

vv: Value (Note1)
Note1 : For information about the relationship between setting values and send/receive values, see the “ 25.1 Off/On
Setting Value Table ” in “ VII Setting Values and Send/Receive Values ”.
Receive Receipt can be use to switch portamento between enabled (On) and disabled (Off).
8.11 Sostenuto (42H)

Format

vv: Value (Note1)
15
Send Sent when a pedal that has a sostenuto function is operated.
Receive Receipt performs an operation equivalent to a sostenuto pedal operation.
8.12 Soft (43H)

Format

vv: Value (Note1)
Send Sent when a pedal that has a soft function is operated.
Receive Receipt performs an operation equivalent to a soft pedal operation.
8.13 Vibrato Rate (4CH)

Format
Message Format: BnH 4CH vvH

vv: Value (Note1)
Note1 : For information about the relationship between setting values and send/receive values, see “ 25.5 64 - 0 - +63
Setting Value Table ” in “ VII Setting Values and Send/Receive Values ” of this document.
Receive Receipt changes the vibrato rate of the tone that is currently selected by the applicable part.
8.14 Vibrato Depth (4DH)

Format
Message Format: BnH 4DH vvH

vv: Value (Note1)
Note1 : For information about the relationship between setting values and send/receive values, see “ 25.5 64 - 0 - +63
Receive Receipt changes the vibrato auto depth of the tone that is currently selected by the applicable
part.
16
8.15 Vibrato Delay (4EH)
Format
Message Format: BnH 4EH vvH

vv: Value (Note1)
Note1 : For information about the relationship between setting values and send/receive values, see “ 25.5 -64 - 0 - +63
Receive Receipt changes the vibrato auto delay of the tone that is currently selected by the applicable
part.
8.16 Portamento Control (54H)

Format

kk: Source Note Number
Receive Receipt of this message first stores the Source Note Number for the next note. When the
next Note On is received, the portamento effect is applied to the note using this Source Note Number as
the pitch start point and the Note On event key number as the end point. If there already is a note being
sounded by Source Note Number at this time, the new note on is not performed and the portamento
effect is applied to the pitch of the note being sounded. That is to say that legato play is performed.
8.17 High Resolution Velocity Prefix (58H)

Format

vv: Value
Send Sends the lower seven bits of 14-bit Velocity when a key is pressed or released. (Note1)
Receive Receipt is handled, in combination with the following Note On/Off message, as the lower
seven bits of 14-bit Velocity. (Note1)
17
Note Off messages is a fixed value (40H). Velocity for receive Note Off messages is ignored. The High Resolution Velocity Prefix
message is not sent or received for a Note Off message.
8.18 Reverb Send (5BH)

Format
Message Format: BnH 5BH vvH

vv: Value
Send Sent when a GM tone is selected.(PX-350M, AP-650M only)
Receive Receipt changes Reverb Send.
8.19 Chorus Send (5DH)

Format
Message Format: BnH 5DH vvH

vv: Value
Send This message is sent at initialization, when the panel tone selection is changed, and when a
chorus on/off operation is performed.
Receive Receipt changes Chorus Send.
8.20 NRPN (62H,63H)

Format
Message Format: BnH 62H vvH (LSB)

BnH 63H vvH (MSB)
vv: Value
Receive This message is not received by this Instrument.
8.20.1 Assignable Functions to NRPN

This Instrument does not assign any parameters to NRPN.
18
8.21 RPN (64H,65H)
Format
Message Format: BnH 64H vvH (LSB)

BnH 65H vvH (MSB)
vv: Value
The following are the parameters assigned to RPN by this Instrument.
8.21.1 Pitch Bend Sensitivity

Format
Message Format: BnH 64H 00H 65H 00H 06H mmH 26H llH
mm: Value 0 - 24
ll: Send:00H,Receive:Ignored
Send Sent when the pitch bend range is changed.(PX-350M)
Receive Receipt changes Pitch Bend Sensitivity.
8.21.2 Fine Tune

Format
Message Format: BnH 64H 01H 65H 00H 06H mmH 26H llH
mm: Value MSB
ll: Value LSB
Receive Receipt changes Channel Fine Tune.
8.21.3 Coarse Tune

Format
Message Format: BnH 64H 02H 65H 00H 06H mmH 26H 00H
mm: Value
Receive Receipt changes Channel Coarse Tune.
19
8.21.4 Modulation Depth
Format
Message Format: BnH 64H 05H 65H 00H 06H mmH 26H 00H
mm: Value
Send This message is never sent.
Receive Receipt changes the Vibrato Modulation Depth for the tone that is currently selected by the
applicable part.
8.21.5 Null
Format
Message Format: BnH 64H 7FH 65H 7F

Receive Receipt deselects RPN.
9 Mode Message
9.1 All Sound Off (78H)
Format
Message Format: BnH 78H 00H

Send Mainly sent in the following cases.
• When USB memory is accessed(PX-350M, AP-650M)

• When repeat playback of the USER SONG/SONG RECORDER is started(PX-350M, AP-650M)
• When a SONG RECORDER FF, REW or PAUSE process is performed(PX-350M, AP-650M)
Receive Receipt stops all voices that are sounding.
9.2 Reset All Controllers (79H)

Format
Message Format: BnH 79H 00H

20
• When the keyboard channel is changed
• When a recorder function is used

• When another mode is entered from the rhythm mode(PX-350M, AP-650M)
• When the Duet mode is entered or exited

• When the Duet octave shift changed
• When the DEMO mode is entered or exited
• When USB memory is mounted
Receive Receipt initializes each performance controller.
9.3 All Notes Off (7BH)

Format
Message Format: BnH 7BH 00H

• When the keyboard channel is changed

• When a recorder function is used
• When another mode is entered from the rhythm mode(PX-350M, AP-650M)

• When octave shift changed
• When the DEMO mode is entered or exited
Receive Receipt of this message releases the currently sounding voice (same as releasing the keyboard
key).
9.4 Omni Off (7CH)

Format
Message Format: BnH 7CH 00H

key).
21
9.5 Omni On (7DH)
Format
Message Format: BnH 7DH 00H

key).
9.6 Mono (7EH)

Format
Message Format: BnH 7EH 00H

Receive Receipt of this message stops the currently sounding voice.
9.7 Poly (7FH)

Format
Message Format: BnH 7FH 00H

Receive Receipt of this message stops the currently sounding voice.
10 Program Change
Format
Message Format: CnH ppH

n : MIDI Channel Number
pp: Program Number
Send Sent when a tone is selected. For information about numbers, see the Tone List in the User ’s
Guide.
22
Receive Receipt changes the tone. The selected tone is determined by the program value of this
message and the Bank Select message value received prior to this message. For information about
the program number of the actually selected tone, see the Tone List in the User ’s Guide. Also note
that receipt of this message may also change the Timbre Type parameter at the same time. For more
information, see “ 10.1 About Timbre Type ” below.
10.1 About Timbre Type

The tone selected by each part of this Instrument has a “ Timbre Type ” parameter that specifies the
type of sound source for the tone. As explained under “ 20.1Tone Basic Parameters ”, there are four
Timbre Types settings: Melody, LM Piano, Piano, and Drum. The operation for a received channel
message differs according to the Timbre Type.
• Timbre Type: Melody

This Timbre Type is for normal melody tones. The damper pedal performs on/off operations.
• Timbre Type: Piano

This Timbre Type is for piano tones. The decay rate of the voice being sounded is seamlessly altered
in accordance with the damper pedal position. The method for producing sound in response to the
note messages also is different from that of the melody Timbre Type, and operation is optimized
for piano.
• Timbre Type: LM (Linear Morphing) Piano
This Timbre Type is for Linear Morphing piano tones. The decay rate of the voice being sounded
and Damper Resonance effect characteristics are seamlessly altered in accordance with the damper
pedal position. The method for producing sound in response to the note messages also is different
from that of the melody Timbre Type, and operation is optimized for piano.
• Timbre Type: Drum

This Timbre Type is for drum sounds. The method for producing sound is optimized for drums.
The damper pedal and sostenuto pedal do not work for sounds that do not recognize Note Off.
The tuning setting also does not affect this Timbre Type.
10.2 DSP Assignments during Tone Selection

10.2.1 DSP Line Structure
Though the Instrument has four DSP lines that can be used simultaneously, selecting a tone that uses
DSP causes the required number of DSP lines to become reserved so the tone is configured with the
requisite DSP. For information about tones that use DSP, see “ 22 Tone with DSP List ”.
10.2.2 DSP Line Assignment

Selecting multiple tones with DSP at the same time creates the possibility that there will not be enough
DSP lines. In this case, the last selected tone with DSP is given priority. Some DSP line(s) already
being used will be released so they can be assigned to the newly selected tone.
10.2.3 Use of the Same DSP Line by Multiple Parts

When all of the settings below are the same for multiple parts that select tones that use DSP, the same
DSP line is assigned to all of the parts in order to maximize DSP line availability.(Note1)
• Tone Number
• All DSP parameters
23
Note1 : Selecting the algorithms below add Part Volume and Part Pan to the above items.
ID DSP Algorithm
0000 Rotary
0001 Drive Rotary
2002 Compressor
2003 Limitter
After the same DSP line is assigned to different parts as described here, Reverb Send, Chorus Send, and
all DSP parameter settings are common to all parts. Note that changing the settings on any part will
also affect all of the other parts that are sharing the DSP line. To assign the parts to a different DSP
line, you need to change one of the parameters listed above before selecting the tone.
11 Channel Aftertouch
Format
Message Format: DnH vvH

n : MIDI Channel Number
vv: Value
Receive Receipt of this message adds modulation to the voice that is sounding. The modulation effect
differs according to the tone being used.
12 Pitch Bend Change

Format
Message Format: EnH llH mmH

ll: Value LSB
mm: Value MSB
Send Sent when the bend wheel is operated.(PX-350M)
Receive Receipt of this message changes the pitch of the currently sounding voice. Pitch bend change
sensitivity depends on the pitch bend sensitivity configured with RPN.
24
Part III
System Message
13 Active Sensing
Format
Message Format: FEH
Receive Once this message is received, the Active Sensing mode is entered. If no MIDI message is
received for a specified amount of time, voices being sounded by the Instrument ’s sound source are
released, the controller is reset, and the Active Sensing mode is exited.
14 System Exclusive Message

Format
Message Format: F0H....F7H
The Instrument sends and receives standard universal system exclusive messages, and system exclusive
messages that have Instrument-specific formats.
14.1 Universal Realtime System Exclusive Message

Format
Message Format: F0H 7FH....F7H
14.1.1 Master Volume

Format
Message Format: F0H 7FH 7FH 04H 01H llH mmH F7H
ll: Value LSB
mm: Value MSB
Receive Receipt changes the Master Volume parameter. Note that the Master Volume parameter
cannot be changed with an Instrument operation.
25
14.1.2 Master Balance
Format
ll: Value LSB (Note1)
mm: Value MSB (Note1)
Note1 : For information about the relationship between setting values and send/receive values, see “ 25.6 Pan Setting
Value Table ” in “ VII Setting Values and Send/Receive Values ”.
Receive Receipt changes the Master Pan parameter. Note that the Master Pan parameter cannot be
changed with an Instrument operation
14.1.3 Master Fine Tuning

Format
ll: Value LSB (Note1)
mm: Value MSB (Note1)
Note1 : For information about the relationship between setting values and send/receive values, see “ 25.7Master Fine
Tuning Setting Value Table ” in “ VII Setting Values and Send/Receive Values ” of this document.
Send This message is sent when the tuning setting is changed.
Receive Receipt changes the Master Fine Tune8 parameter of Patch.
14.1.4 Master Coarse Tuning

Format
ll: Send:00H, Receive:Ignored
mm: Value MSB
Receive Receipt changes the Patch Master Coarse Tune parameter.
14.1.5 Reverb Parameter

Format
Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H 01H 01H ppH vvH F7H
pp: Parameter
vv: Value
26
Type Format
Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H 01H 01H 00H vvH F7H
vv: Value (Note1)
Note1 : For information about the relationship between setting values and send/receive values, see “ 25.8 Reverb Type
Send This message is sent when the System Reverb Type setting is changed.
Receive Receipt changes the Reverb Type parameter.
Time Format
vv: Value
Receive Receipt changes the Reverb Time parameter.
14.1.6 Chorus Parameter

Format
Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H 01H 02H ppH vvH F7H
pp: Parameter
vv: Value
Type Format
vv: Value (Note1)
Note1 : For information about the relationship between setting values and send/receive values, see “ 25.9Chorus Type
Send
This message is sent when the System Chorus Type setting is changed.
Receive
Receipt changes the System Chorus Type parameter.
Rate Format
vv: Value
27
Receive Receipt changes the System Chorus Rate parameter.
Depth Format
vv: Value
Receive Receipt changes the System Chorus Depth parameter.
Feedback Format
vv: Value
Receive Receipt changes the System Chorus Feedback parameter.
Send To Reverb Format
vv: Value
Receive Receipt changes the Chorus Send To Reverb parameter.
14.1.7 GM System Message

GM System On Format
Message Format: F0H 7EH 7FH 09H 01H F7H
Receive Receipt puts the sound source into a GM sound source mode.
GM System Off Format
28
Receive Receipt returns the sound source to its power on default settings.
GM2 System On Format
Receive Though the Instrument does not support GM2, receipt of the GM2 System On message has
the same result as receipt of the GM System On message.
14.1.8 GS Message
Message Format: F0H 41H ddH 42H 12H 40H 00H 7FH 00H 41H F7H
Note: dd(Device ID)is ignored
Receive Receipt performs the same operation as when the GM System On message is received.
14.2 Instrument-Specific System Exclusive Messages

Format
Message Format: F0H 44H 17H 01H....F7H
Most Instrument parameters and user data, and some operation commands can be controlled using this
message. For more information, see “ IV Instrument-Specific System Exclusive Messages ”.
29
Part IV
Instrument-Specific System Exclusive
Messages
15 Format
This section explains the format of the Instrument-specific System Exclusive Messages. See“ V Parameter
List ” for information about what type of data can actually be sent.
15.1 Message Classifications

Basically, the operation that corresponds to Instrument-specific system exclusive messages is parameter
data transfer. The following operations can be performed from an external device using this parameter
transfer message.
• Modification of an individual Instrument parameter

• Import of an individual Instrument parameter value
In addition to parameters being used as device setting values, some parameters act as commands
when received by the Instrument and as device status information when sent from the Instrument. The
following table shows the parameter category for each type of transfer.
Function Section Parameter Category Description

System System Commands, Instrument status
Setup Instrument basic settings
Sound Generator Patch Sound source common settings (system effects, mastersettings, etc.)
Sound source part settings (tone selection, mixing, tuning, etc.)
Tone Tone parameter, DSP settings
Music Player Music Library User song data
15.2 Basic Message Structure

Since Instrument-specific System Exclusive messages are sent and received on an individual parameter
basis, the Individual Parameter Transfer method is used, and a number of message types are provided
to suit specific operations.
The field in the SysEx message that specifies the message type is the action (act) field. The format
of the “ body ” part of the message depends on the “ act ” value.
The table below shows the body format for each action of Instrument-specific system exclusive mes-
sages. An actual message consists of the items indicated by “ Y ”, from left to right.
30
<- body (Depends on act) ->
SX MAN MOD dev act cat mem pset blk prm idx len data EOX
IPR Y Y Y Y Y Y Y Y Y Y Y Y - Y
IPS Y Y Y Y Y Y Y Y Y Y Y Y Y Y
15.3 Field Formats

15.3.1 SX : System Exclusive message Status
Format: 11110000B (F0H)
This is the System Exclusive Message status byte established by the MIDI standard.
15.3.2 MAN : Manufacturer’s ID

Format: 01000100B (CASIO = 44H)
Indicates this Instrument ’s manufacturer ID.
15.3.3 MOD : Model ID

Format: MSB 00010111B (17H)
LSB 00000001B (01H)
These two successive bytes (MSB, LSB) indicate the PX-150,350M,750,850,1200GP, and AP-250,450,650M
Model ID.
15.3.4 dev : MIDI DeviceID 00H - 7FH

Format: 0dddddddB
The contents of this field in a received message are compared with the Model ’s MIDI Device ID, and
receipt of the incoming message is allowed only when the two IDs match. The default value for this field
is 10H. When a message containing 7FH is received, receipt of the message is always allowed, regardless
of the Instrument ’s ID setting. MIDI Device ID is a Patch Parameter, and it can be changed with a
System Exclusive Message. In this case, the Device ID of the MIDI System Exclusive Message must be
set to 7FH before it is sent.
15.3.5 act : Action

Format: 0aaaaaaaB
This field indicates the operation of the Instrument-specific System Exclusive Message.
aaaaaaaB Action Function

00H IPR Individual Parameter Request
01H IPS Individual Parameter Send
IPR:Individual Parameter Request

Individual Parameter Request Indicates an individual parameter value send request message. When the
Instrument receives this action, it uses an IPS message to return the specified parameter value.
31
IPS:Individual Parameter Send
Individual Parameter Send Indicates an individual parameter value send message. When the Instrument
receives this action, it rewrites the value specified by the data field with the specified parameter value.
15.3.6 cat : Category

Format: 0cccccccB
0cccccccB = Category (7bit)

The category indicates the categories of data handled by the System Exclusive Message. The ID number
(ID) of the category is indicated on the left, while the communication operation (Action) is indicated on
the right.
Category Transfer
ID (c) Parameter Set Individual Parameter
00H System A
01H Setup A
02H Patch A
03H Tone A
21H Music Library F
A...Available (Also including when only some parameters are available.)
F...File Information (Not the data itself. Name, size, and other file information only.)
15.3.7 mem : Memory Area ID

Format: 0mmmmmmmB
Specifies the memory area that is the object of the parameter transfer. The following are defined for
this Instrument. Basically, Instrument-specific System Exclusive messages are valid for user area data
only.
mem Data Type Meaning

0 User area Read/write enabled
1 Preset area Read/write disabled
15.3.8 pset : Parameter Set Number

Format: LSB 0nnnnnnnB
MSB 0mmmmmmmB
This field is a 2-byte (LSB, MSB) value indicating the number of the parameter set (mmmmmmmnnnnnnnB
(Binary)) being transferred.
15.3.9 blk Block Number

This supplementary number specifies which block is the object when there are multiple blocks within
the same parameter set.
Format: 0iiiiiiiB (LSB) 0jjjjjjjB 0kkkkkkkB (MSB)
32
When there are multiple parameters with the same ID inside the same category, as with the mixer
channel volume setting for example, the block number required to specify to which block data belongs is
specified as:kkkkkkkjjjjjjjiiiiiiiB (Binary). When the parameter block has a multi-dimensional
array structure, bit 21 of the block number is divided into prescribed bit fields based on the rules
explained below.
Block Bit Field Division
• Case 1
When an array has three or fewer nesting levels and the number of arrays in each dimension is 128
or less, they are assigned below the three 7-bit fields. Unused regions are filled with zeros.
Example:
parameter[A][B][C]
With a 3-dimensional array parameter that consists of A=8 (3 bits), B=5 (3 bits) and C=10 (4
bits), the block bit fields are allocated as: Block = 0000aaa 000bbb ccccccc (Binary).
• Case 2
When Case 1 conditions are not satisfied, the minimal number of fields required for each number
of arrays is reserved from the lower bit of the block. Unused regions are filled will zeros.
Example 1:
parameter[A][B][C][D]
With a 4-dimensional array parameter that consists of A=3 (2 bits), B=4 (2 bits), C=3 (2 bits)
and D=4 (2 bits) like the one shown above, the block bit fields are allocated as:Block = 0000000
00000a abbccdd (Binary).
Example 2:
parameter[A][B]
With an A=3 (2bit), B=200 (8bit) 2-dimensional array parameter, the block bit fields are allocated
as: Block = 0000000 000aab bbbbbbb (Binary).
15.3.10 prm : Parameter ID

Format: LSB 0pppppppB
MSB 0qqqqqqqB
The Parameter ID indicates the parameter type. (See“ V Parameter List ”.) When transferring indi-
vidual parameters individually (as opposed to bulk transfer), this field is used to identify the parameter
by its parameter ID.
15.3.11 idx : Data Index Number

Format: 0iiiiiiiB
The data index number indicates the first array number of the array where transfer starts.
15.3.12 len : Data Length

Format: 0lllllllB
33
The value of this field specifies the size of the parameter value stored in the data field. Data length
indicates the length of the array being transferred minus 1 when the parameter contains a character
string or other similar array structure.
15.3.13 data : Parameter Data

Format: index0 0dddddddB (0eeeeeeeB) (0fffffffB) (0gggggggB) (0hhhhhhhB)
index1 0dddddddB (0eeeeeeeB) (0fffffffB) (0gggggggB) (0hhhhhhhB)
index2 0dddddddB (0eeeeeeeB) (0fffffffB) (0gggggggB) (0hhhhhhhB)
: :
indexN 0dddddddB (0eeeeeeeB) (0fffffffB) (0gggggggB) (0hhhhhhhB)
Parameter data indicates the parameter value. The data array size is len + 1. For a one data item
structure, the length depends on the data bit width, as shown below.
dddddB + 1 Number of data
1 - 7 1
8 - 14 2
15 - 21 3
22 - 28 4
29 - 32 5
Each block of data is packed from the lowest order byte first. In the case of multiple-byte data, the
lowest weighted bit is the LSB of the first “ data ” block, and the highest weighted bit is the MSB of
the final “ data ” block. The following shows an example of how data would be divided for transfer in
the case of 32-bit data.
7 6 5 4 3 2 1 0
data0: 0 [bit06] [bit05] [bit04] [bit03] [bit02] [bit01] [bit00]
data4: 0 0 0 0 [bit31] [bit30] [bit29] [bit28]
Single Message Size Limit
With the Instrument ’s system exclusive message format, the size of a single message cannot exceed 48
bytes. The data size and the array size, however, can cause a packet to exceed 48 bytes when transferring
a single parameter array. In this case, the IPS and IPR message data length and data index number
values can be modified to enable division of a single parameter value into multiple messages so it can be
sent that way.
15.3.14 EOX : End of System Exclusive Message
Format: 11110111B
This is the End of System Exclusive Message status byte established by the MIDI standard.
16 Parameter Transfer
There are two parameter operations: Individual Parameter Transfer and Individual Parameter Request.
34
A single session is concluded only when this Instrument returns an IPS (Individual Parameter Send)
in response to an IPR (Individual Parameter Request) from an external device, or when an external
device or this Instrument spontaneously sends an IPS. If this Instrument received an IPS, the value of
the applicable parameter is changed.
Depending on the function of a parameter, Individual Parameter Send may be used to issue a com-
mand to the Instrument or Individual Parameter Request may be used to check Instrument status
information.
16.1 Two-way Communication

16.1.1 Example : Data send in response to send request to the Instrument
Data Receiver Data Sender Operation
IPR -----> Send Request
<----- IPS Data Transfer
16.2 One-way Communication

16.2.1 Example : Data send to Instrument from external source
Data Sender Data Receiver Operation
-----> IPS Data Transfer
16.2.2 Example : Data send resulting from Instrument operation

Data Receiver Data Sender Operation
<----- IPS Data Transfer
35
Part V
Parameter List
How to Read the Tables
• Number Base Notation“ Size ”indicates the parameter value bit width as a decimal value. The bit
field position of“ Block ”as a decimal value. Values used in the explanations under“ Description ”
are all decimal values, unless specified otherwise. Values other than those described above are all
hexadecimal.
• R/W field The R/W field indicates whether an IPR (Individual Parameter Request) read operation
or IPS (Individual Parameter Send) write operation is enabled.
17 System Parameters
These parameters make it possible for an external device to check the status of the Instrument and for
an external device to command some operation of the Instrument.
17.1 System Information Parameter

This parameter is a container for system information.
Parameter ID R/W Block Size Array Min-Def-Max Description
Model 0000 R 000000 7 01 00-00-7F 0...PX-150
1...PX-750
2...AP-250
3...PX-850
4...PX-1200GP
5...AP-450
6...PX-350M
7...reserved
8...reserved
9...AP-650M
10...reserved
18 Setup Parameter
Setup Parameters put a device into the setup mode.
18.1 MIDI Parameter

Midi Device Id 0070 R/W 000000 7 01 00-7F-7F 0-127
36
19 Patch Parameters
The main function of patch parameters is to configure the settings of the sound source of a device.
19.1 Master Tune Parameters

These parameters configure the Master Tuning Settings.

Master Fine Tune8 0001 R/W 000000 10 01 0000-0200-03FF -100 - 0 -
+99.8(cent)(1unit=100/512cents)
Master Coarse Tune 0002 R/W ↑ 7 01 00-40-7F -24 - 0 - +24(semitone)
Stretch Tune Enable 0003 R/W ↑ 1 01 00-01-01 0...Disable
1...Enable
19.2 Master Mixer Parameters

These parameters configure the Master settings of the mixer.

Master Volume 0012 R/W 000000 7 01 00-7F-7F 0-127
Master Pan 0013 R/W ↑ 7 01 00-40-7F -64 - 0 - +63
Chorus To Reverb 001D R/W ↑ 7 01 00-00-7F 0-127
Chorus Return 001E R/W ↑ 7 01 00-40-7F 0-127
Reverb Return 0025 R/W ↑ 7 01 00-40-7F 0-127
Dsp Cancel 0028 R/W ↑ 1 01 00-00-01 0...Normal
1...Cancel
19.3 System Chorus Parameters

Cancel 0050 R/W 000000 1 01 00-00-01 0...Normal
1...Cancel
Type 0051 R/W ↑ 7 01 00-02-0F 1-16 (Note1)
Rate 0052 R/W ↑ 7 01 00-03-7F 0-127
Depth 0053 R/W ↑ 7 01 00-13-7F 0-127
Feedback 0054 R/W ↑ 7 01 00-00-7F 0-127
Tone 0055 R/W ↑ 7 01 00-7F-7F 0-127
Note1 : Selects the System Chorus preset type. Receipt of GM/GS Reset selects Chorus3. The value of this type is also
linked to System Chorus parameters, and to the Chorus Send to Reverb and System Chorus Return Level parameters, and its
setting causes these parameters to change to prescribed values. For details about the preset type list, see “ 25.9 Chorus Type
Setting Value Table ”.
37
19.4 System Reverb Parameters
Cancel 0080 R/W 000000 1 01 00-00-01 0...Normal
1...Cancel
Type 0081 R/W ↑ 7 01 00-04-0F 1-16 (Note1)
Feedback 0082 R/W ↑ 7 01 00-40-7F 0-127
Er Level 0083 R/W ↑ 7 01 00-40-7F 0-127
Damp 0084 R/W ↑ 7 01 00-40-7F 0-127
Tone 0085 R/W ↑ 7 01 00-7F-7F 0-127
Note1 : Selects the System Reverb preset type. Receipt of GM/GS Reset selects Hall2. This is the value of this Type is
also linked to each of the System Reverb parameters and to the System Reverb Return Level parameter, and changes them to
prescribed values. For details about the preset type list, see “ 25.8 Reverb Type Setting Value Table ”.
19.5 Brilliance Parameters

Type 00A0 R/W 000000 7 01 00-00-01 0...For Speaker
1...For Phones
Mid6 Gain 00AE R/W ↑ 7 01 00-0C-18 -12 - 0 - +12 (Brilliance) (Note1)
Note1 : Selects Master EQ mid 6 (Brilliance) gain. See “ 25.11 Brilliance Gain Setting Value Table ”.
19.6 Part Parameters

Part Enable 00E0 R/W 20-6: 0 1 01 00-01-01 0...Off
5-0: Part # 1...On
Tone Num 00E1 R/W ↑ 14 01 0000-0000-3FFF 0-16383
Fine Tune 00E2 R/W ↑ 10 01 0000-0200-03FF -100 - 0 -
+99.8(cent)(1unit=100/512cents)
Coarse Tune 00E3 R/W ↑ 7 01 28-40-58 -24 - 0 - +24(semitone)
Scale Tune Enable 00E4 R/W ↑ 1 01 00-00-01 0...Disable
1...Enable
Volume 00E5 R/W ↑ 7 01 00-64-7F 0-127
Acmp Volume 00E6 R/W ↑ 7 01 00-7F-7F 0-127
Pan 00E7 R/W ↑ 7 01 00-40-7F -64 - 0 - +63
Cho Send 00E8 R/W ↑ 7 01 00-00-7F 0-127
Rev Send 00E9 R/W ↑ 7 01 00-28-7F 0-127
Acou Reso Send 00EA R/W ↑ 7 01 00-00-7F 0-127
Bend Range 00EC R/W ↑ 7 01 00-02-18 0-24
38
20 Tone Parameters
20.1 Basic Parameters
Name 0000 R/W 000000 7 10 00-20-7F Ascii Character
Timbre Type 0001 R/W ↑ 4 01 00-00-0F 0...Melody
1...Piano
2...Drum
3...reserved
4...LM Piano
Timbre Num 0002 R/W ↑ 14 01 0000-0000-3FFF 0-16383
Oct Shift 0003 R/W ↑ 3 01 02-04-06 -2 - 0 - +2
Line Select 0004 R/W ↑ 1 01 00-00-01 0...Direct
1...DSP
Level 0005 R/W ↑ 7 01 00-7F-7F 0-127
Touch Sens 0006 R/W ↑ 7 01 00-7F-7F -64 - 0 - +63
Tva Keyoff Touch Tbl 0007 R/W ↑ 7 01 00-02-7F
Tva Rate Keyoff Depth 0008 R/W ↑ 7 01 00-7F-7F -64 - 0 - +63
Tvf Keyoff Touch Tbl 0009 R/W ↑ 7 01 00-02-7F
Tvf Rate Keyoff Depth 000A R/W ↑ 7 01 00-7F-7F -64 - 0 - +63
Kff Keyoff Touch Tbl 000B R/W ↑ 7 01 00-02-7F
Kff Rate Keyoff Depth 000C R/W ↑ 7 01 00-7F-7F -64 - 0 - +63
Sys Fx Send Override 000D R/W ↑ 1 01 00-00-01 0...No (Note1)
1...Yes
Cho Normal Send 000E R/W ↑ 7 01 00-00-7F 0-127
Cho Deep Send 000F R/W ↑ 7 01 00-00-7F 0-127
Rev Send 0010 R/W ↑ 7 01 00-28-7F 0-127
Note1 : When a tone is selected whose Sys Fx Send Override parameter setting is “ Yes ”, the send level setting value to
the System Chorus and System Reverb of the part assigned to this tone is rewritten to the value that is stored by this tone.
39
20.2 LFO Parameters
Vib Wave 0013 R/W 000000 4 01 00-00-0F 0...Sin
1...Tri
2...Saw Up
3...Saw Down
4...Pulse 1:3
5...Pulse 2:2
6...Pulse 3:1
15...Depends on original
Vib Rate 0014 R/W ↑ 7 01 00-40-7F -64 - 0 - +63 (Note1)
Vib Auto Delay 0015 R/W ↑ 7 01 00-40-7F -64 - 0 - +63 (Note1)
Vib Auto Rise 0016 R/W ↑ 7 01 00-40-7F -64 - 0 - +63 (Note1)
Vib Auto Depth 0017 R/W ↑ 7 01 00-40-7F -64 - 0 - +63 (Note1)
Vib Mod Depth 0018 R/W ↑ 7 01 00-40-7F -64 - 0 - +63 (Note1)
Vib After Depth 0019 R/W ↑ 7 01 00-40-7F -64 - 0 - +63 (Note1)
Lfo Wave 001A R/W ↑ 4 01 00-00-0F 0...Sin
1...Tri
2...Saw Up
3...Saw Down
4...Pulse 1:3
5...Pulse 2:2
6...Pulse 3:1
15...Depends on original
Lfo Rate 001B R/W ↑ 7 01 00-40-7F -64 - 0 - +63 (Note1)
Lfo Fil Auto Delay 001C R/W ↑ 7 01 00-40-7F -64 - 0 - +63 (Note1)
Lfo Fil Auto Rise 001D R/W ↑ 7 01 00-40-7F -64 - 0 - +63 (Note1)
Lfo Fil Auto Depth 001E R/W ↑ 7 01 00-40-7F -64 - 0 - +63 (Note1)
Lfo Fil Mod Depth 001F R/W ↑ 7 01 00-40-7F -64 - 0 - +63 (Note1)
Lfo Fil After Depth 0020 R/W ↑ 7 01 00-40-7F -64 - 0 - +63 (Note1)
Lfo Amp Auto Delay 0021 R/W ↑ 7 01 00-40-7F -64 - 0 - +63 (Note1)
Lfo Amp Auto Rise 0022 R/W ↑ 7 01 00-40-7F -64 - 0 - +63 (Note1)
Lfo Amp Auto Depth 0023 R/W ↑ 7 01 00-40-7F -64 - 0 - +63 (Note1)
Lfo Amp Mod Depth 0024 R/W ↑ 7 01 00-40-7F -64 - 0 - +63 (Note1)
Lfo Amp After Depth 0025 R/W ↑ 7 01 00-40-7F -64 - 0 - +63 (Note1)
Note1 : The function of this parameter is to relatively change the original setting value of the tone. The parameter is set to
the maximum value when the maximum is exceeded, and to the minimum when the minimum is exceeded.
20.3 DSP Parameters

Name 0035 R/W 000000 7 10 00-20-7F Ascii Character
Algorithm 0036 R/W ↑ 14 01 0000-0000-3FFF Serial Number
(Note1)
Cho Normal Send 0037 R/W ↑ 7 01 00-00-7F 0-127
Cho Deep Send 0038 R/W ↑ 7 01 00-00-7F 0-127
Rev Send 0039 R/W ↑ 7 01 00-28-7F 0-127
Parameter7 003C R/W ↑ 7 20 00-40-7F 0-127
Parameter16 003D R/W ↑ 32 10 00000000-00000000-FFFFFFFF 0x0000-0xFFFF
Note1 : This value is the DSP algorithm ID, which cannot be changed directly at the user level. Changing the DSP Type
or Tone Number causes the algorithm ID of the original DSP to be copied automatically to this area. See “ 23 DSP Algorithm ID
Tables ”.
40
21 Music Library Parameters
This parameter is a container for Music Library related information.

Name 0000 R 000000 7 0C 20-20-7F Ascii Character
Address 0001 R ↑ 32 01 00000000-00000000-00FFFFFF 0-0xFFFFFFFF
Size 0002 R ↑ 32 01 00000000-00000000-00FFFFFF 0-0xFFFFFFFF
41
Part VI
DSP Parameter List
22 Tone with DSP List
This is a list of tones that use DSP.
22.1 PX-150,PX-750,PX-850,AP-250,AP-450
Tone Number Tone Name Mono/Stereo DSP Algorithm
1 GRAND PIANO CONCERT Stereo-Stereo EQ 3Band
2 GRAND PIANO MODERN Stereo-Stereo EQ 3Band
4 GRAND PIANO MELLOW Stereo-Stereo EQ 3Band
5 GRAND PIANO BRIGHT Stereo-Stereo EQ 3Band
8 60’S E.PIANO Stereo-Stereo Tremolo
9 HARPSICHORD Stereo-Stereo EQ 3Band
10 VIBRAPHONE Stereo-Stereo Tremolo
11 STRINGS 1 Stereo-Stereo EQ 3Band
15 ELEC ORGAN 1 Mix-Stereo Drive Rotary
16 ELEC ORGAN 2 Stereo-Stereo Tremolo
22.2 PX-1200GP
Tone Number Tone Name Mono/Stereo DSP Algorithm
1 GRAND PIANO CONCERT 1 Stereo-Stereo EQ 3Band
2 GRAND PIANO MELLOW 1 Stereo-Stereo EQ 3Band
3 GRAND PIANO BRIGHT 1 Stereo-Stereo EQ 3Band
4 GRAND PIANO CONCERT 2 Stereo-Stereo EQ 3Band
5 GRAND PIANO MELLOW 2 Stereo-Stereo EQ 3Band
6 GRAND PIANO BRIGHT 2 Stereo-Stereo EQ 3Band
7 GRAND PIANO MODERN Stereo-Stereo EQ 3Band
9 GRAND PIANO JAZZ Mix-Stereo Early Reflection
10 GRAND PIANO POP Stereo-Stereo EQ 3Band
13 ELEC. PIANO 3 Stereo-Stereo Tremolo
14 STRINGS Stereo-Stereo EQ 3Band
15 HARPSICHORD Stereo-Stereo EQ 3Band
42
22.3 PX-350M, AP-650M
Tone Name Display Mono/Stereo DSP Algorithm
GRAND PIANO CONCERT GrPnoConcert Stereo-Stereo EQ 3Band
GRAND PIANO STUDIO GrPno Studio Mix-Stereo Early Reflection
GRAND PIANO MODERN GrPno Modern Stereo-Stereo EQ 3Band
GRAND PIANO BRIGHT GrPno Bright Stereo-Stereo EQ 3Band
GRAND PIANO MELLOW GrPno Mellow Stereo-Stereo EQ 3Band
GRAND PIANO DOLCE GrPianoDolce Stereo-Stereo EQ 3Band
DANCE PIANO Dance Piano Stereo-Stereo EQ 3Band
60’S E.PIANO 60’s E.Piano Stereo-Stereo Tremolo
DYNO ELEC.PIANO Dyno E.Piano Stereo-Stereo Auto Pan
VIBRAPHONE Vibraphone Stereo-Stereo Tremolo
CLAVI Clavi Stereo-Stereo Enhancer
WAH CLAVI Wah Clavi Mix-Stereo Rotary
ROCK ORGAN 1 Rock Organ 1 Mix-Stereo Drive Rotary
JAZZ ORGAN Jazz Organ Mix-Stereo Rotary
DRAWBAR ORGAN DrawbarOrgan Mix-Stereo Rotary
ROTARY DRAWBAR RotaryDrwbar Mix-Stereo Rotary
ROTARY ORGAN Rotary Organ Mix-Stereo Rotary
PERC.ORGAN Perc.Organ Mix-Stereo Rotary
70’S ORGAN 70’s Organ Mix-Stereo Rotary
OVERDRIVE ORGAN OverdriveOrg Mix-Stereo Drive Rotary
TREMOLO ORGAN Tremolo Org Stereo-Stereo Tremolo
FULL DRAWBAR Full Drawbar Mix-Stereo Rotary
STRING ENSEMBLE String Ens. Stereo-Stereo EQ 3Band
SYNTH-STRINGS SynthStrings Stereo-Stereo EQ 3Band
NEW AGE New Age Stereo-Stereo EQ 3Band
CHORUS CLEAN GUITAR Cho.CleanGt Stereo-Stereo Enhancer
OVERDRIVE GUITAR Overdrive Gt Stereo-Stereo Enhancer
TRUMPET Trumpet Stereo-Stereo Enhancer
TROMBONE Trombone Stereo-Stereo Enhancer
STEREO BRASS Stereo Brass Mix-Stereo Early Reflection
23 DSP Algorithm ID Tables

The list in this section show the DSP algorithms that are built into the Instrument.
23.1 DSP Algorithm List

ID Algorithm Input Output Parameter Set Type
0000 Rotary Mix Stereo Rotary
0001 Drive Rotary Mix Stereo Drive Rotary
0002 Compressor Enhancer Mix Stereo Compressor
2000 Thru Stereo Stereo -
2001 EQ 3Band Stereo Stereo EQ 3Band
2002 Compressor Stereo Stereo Compressor
2003 Limiter Stereo Stereo Limiter
2004 Enhancer Stereo Stereo Enhancer
2005 Tremolo Stereo Stereo Tremolo/Auto Pan
2006 Auto Pan Stereo Stereo Tremolo/Auto Pan
2007 Early Reflection Mix Stereo Early Reflection
43
24 DSP Parameter Set Types
This section describes the DSP parameter combination patterns of each algorithm specified in the “ Parameter Set Type ”
column of “ 23 DSP Algorithm ID Tables ”.
Note: The characteristics of a DSP are different depending on the tone, even if the same algorithm is used. Because of
this, the same algorithm may not produce the same effect for different tones.
24.1 Tremolo/Auto Pan

Parameter Number Parameter Name Value Notes
Parameter7[00] Rate 00 - 7F
Parameter7[01] Depth 00 - 7F
24.2 EQ 3Band
Parameter7[00] Low Freq 00 - 0F Note1
Parameter7[01] Low Gain 34 - 4C Note2
Parameter7[02] Mid Freq 00 - 0F Note1
Parameter7[03] Mid Gain 34 - 4C Note2
Parameter7[04] High Freq 00 - 0F Note1
Parameter7[05] High Gain 34 - 4C Note2
Note1 : See “ 25.10 Equalizer Frequency Setting Value Table ”.

Note2 : See “ 25.12 DSP Equalizer Gain Setting Value Table ”.
24.3 Compressor
Parameter7[00] Depth 00 - 7F
Parameter7[01] Attack 00 - 7F
Parameter7[02] Release 00 - 7F
24.4 Limiter
Parameter7[00] Limit 00 - 7F
Parameter7[01] Attack 00 - 7F
Parameter7[02] Release 00 - 7F
Parameter7[03] Level 00 - 7F
24.5 Early Reflection

Parameter7[00] Wet Level 00 - 7F
Parameter7[01] Feedback 00 - 7F
Parameter7[02] Tone 00 - 7F
24.6 Rotary
Parameter7[00] Speed 0-1 Note1
Parameter7[01] Brake 0-1 Note2
Parameter7[02] Fall Accel 00 - 7F
Parameter7[03] Rise Accel 00 - 7F
Parameter7[04] Slow Rate 00 - 7F
Parameter7[05] Fast Rate 00 - 7F
44
Note1 : See “ 25.3 Slow/Fast Setting Value Table ”.
Note2 : See “ 25.4 Rotate/Brake Setting Value Table ”.
24.7 Drive Rotary

Parameter7[00] Overdrive Gain 00 - 7F
Parameter7[01] Overdrive Level 00 - 7F
Parameter7[02] Speed 0-1 Note1
Parameter7[03] Brake 0-1 Note2
Parameter7[04] Fall Accel 00 - 7F
Parameter7[05] Rise Accel 00 - 7F
Parameter7[06] Slow Rate 00 - 7F
Parameter7[07] Fast Rate 00 - 7F
Note1 : See “ 25.3 Slow/Fast Setting Value Table ”.

Note2 : See “ 25.4 Rotate/Brake Setting Value Table ”.
24.8 Enhancer
Parameter7[00] Low Freq 00 - 7F
Parameter7[01] Low Gain 00 - 7F
Parameter7[02] Hi Freq 00 - 7F
Parameter7[03] Hi Gain 00 - 7F
24.9 Compressor Enhancer

Parameter7[00] Comp Depth 00 - 7F
Parameter7[01] Comp Attack 00 - 7F
Parameter7[02] Comp Release 00 - 7F
Parameter7[03] Comp Level 00 - 7F
Parameter7[04] Enh Low Freq 00 - 7F
Parameter7[05] Enh Low Gain 00 - 7F
Parameter7[06] Enh Hi Freq 00 - 7F
Parameter7[07] Enh Hi Gain 00 - 7F
45
Part VII
Setting Values and Send/ Receive Values
25 Setting Value Tables
25.1 Off/On Setting Value Table
Transmit Value Receive Value Parameter
00H 00H - 3FH Off
7FH 40H - 7FH On
25.2 Damper Pedal Setting Value Table

PX-850,PX-1200GP, AP-450,AP-650M

00H 00H Off
: : (continuous)
7FH 7FH Full
PX-150,PX-750, AP-250,PX-350M

00H 00H Off
- : (continuous, receive only)
vvH : Half(Note1)
- : (continuous, receive only)
7FH 7FH Full
Note1 :
PX-150,PX-750, AP-250 vvH = 40H
PX-350M vvH = 00H - 7FH
25.3 Slow/Fast Setting Value Table

00H 00H - 3FH Slow
7FH 40H - 7FH Fast
25.4 Rotate/Brake Setting Value Table

00H 00H - 3FH Rotate
7FH 40H - 7FH Brake
46
25.5 –64 - 0 - +63 Setting Value Table
Transmit/Receive Value Parameter
00H –64
01H –63
: :
40H 0
: :
7EH +62
7FH +63
25.6 Pan Setting Value Table

Transmit/Receive Value Parameter
00H Left
: :
40H Center
: :
7FH Right
25.7 Master Fine Tuning Setting Value Table

Transmit Value(LSB, MSB) Receive Value Parameter
(43H, 00H) (00H, 00H) - (5FH, 00H) 415.5 Hz
(65H, 00H) (60H, 00H) - (7FH, 00H) 415.6 Hz
(07H, 01H) (00H, 01H) - (1FH, 01H) 415.7 Hz
(29H, 01H) (20H, 01H) - (3FH, 01H) 415.8 Hz
: : :
(40H, 3FH) (30H, 3FH) - (4FH, 3FH) 439.8 Hz
(60H, 3FH) (50H, 3FH) - (6FH, 3FH) 439.9 Hz
(00H, 40H) (70H, 3FH) - (1FH, 40H) 440.0 Hz
(20H, 40H) (20H, 40H) - (3FH, 40H) 440.1 Hz
(40H, 40H) (40H, 40H) - (5FH, 40H) 440.2 Hz
: : :
(54H, 7EH) (50H, 7EH) - (6FH, 7EH) 465.6 Hz
(73H, 7EH) (70H, 7EH) - (0FH, 7FH) 465.7 Hz
(11H, 7FH) (10H, 7FH) - (2FH, 7FH) 465.8 Hz
(30H, 7FH) (30H, 7FH) - (7FH, 7FH) 465.9 Hz
47
25.8 Reverb Type Setting Value Table
Transmit/Receive Value Parameter Display(PX-350M, AP-650M) PanelNumber(PX-150,PX-
750,PX-850,PX-1200GP,
AP-250,AP-450)
00H Room1 - -
01H Room2 Room 1
02H Room3 - -
03H Hall1 Large Hall 3
04H Hall2 Hall 2(default)
05H Plate1 - -
06H Delay - -
07H Panning Delay - -
08H Plate2 - -
09H Plate3 - -
0AH Large Room1 - -
0BH Large Room2 - -
0CH Stadium1 Stadium 4
0DH Stadium2 - -
0EH Long Delay - -
0FH Long Panning Delay - -
25.9 Chorus Type Setting Value Table

Transmit/Receive Value Parameter Display(PX-350M, PanelNumber(PX-150,PX-
AP-650M) 750,PX-850,PX-1200GP,
AP-250,AP-450)
00H Chorus1 LightChorus 1
01H Chorus2 - -
02H Chorus3 Chorus 2(default)
03H Chorus4 - -
04H Feedback Chorus - -
05H Flanger1 - -
06H Short Delay - -
07H Short Delay FB - -
08H Soft Chorus - -
09H Bright Chorus - -
0AH Deep Chorus Deep Chorus 3
0BH Flanger2 Flanger 4
0CH Flanger3 - -
0DH Flanger4 - -
0EH Short Delay Modulation - -
0FH Short Delay Modulation FB - -
48
25.10 Equalizer Frequency Setting Value Table
Parameter Value Frequency
00H 100Hz
01H 130Hz
02H 160Hz
03H 200Hz
04H 300Hz
05H 400Hz
06H 600Hz
07H 800Hz
08H 1.0KHz
09H 1.3KHz
0AH 1.6KHz
0BH 2.0KHz
0CH 2.5KHz
0DH 3.2KHz
0EH 4.0KHz
0FH 5.0KHz
25.11 Brilliance Gain Setting Value Table

Parameter Value Gain
00H -12
01H -11
02H -10
03H -9
04H -8
05H -7
06H -6
07H -5
08H -4
09H -3
0AH -2
0BH -1
0CH 0
0DH +1
0EH +2
0FH +3
10H +4
11H +5
12H +6
13H +7
14H +8
15H +9
16H +10
17H +11
18H +12
Note: The gain value does not exactly correspond to decibels (dB).
49
25.12 DSP Equalizer Gain Setting Value Table
Parameter Value Gain
34H -12
35H -11
36H -10
37H -9
38H -8
39H -7
3AH -6
3BH -5
3CH -4
3DH -3
3EH -2
3FH -1
40H 0
41H +1
42H +2
43H +3
44H +4
45H +5
46H +6
47H +7
48H +8
49H +9
4AH +10
4BH +11
4CH +12
Note: The gain value does not exactly correspond to decibels (dB).
50
Part VIII
MIDI Implementation Notation
26 Value Notation
26.1 Hexadecimal Notation
MIDI implementation sometimes requires that data be expressed in hexadecimal format. Hexadecimal values are indicated
by the letter“ H ”after the value. The hexadecimal equivalents of decimal values 10 through 15 are expressed as the letters
A through F. The table below shows the hexadecimal equivalents for decimal values 0 through 127, which are often used
in MIDI messages.
Decimal Hexadecimal Decimal Hexadecimal Decimal 1Hexadecimal Decimal Hexadecimal

0 00H 32 20H 64 40H 96 60H
1 01H 33 21H 65 41H 97 61H
2 02H 34 22H 66 42H 98 62H
3 03H 35 23H 67 43H 99 63H
4 04H 36 24H 68 44H 100 64H
5 05H 37 25H 69 45H 101 65H
6 06H 38 26H 70 46H 102 66H
7 07H 39 27H 71 47H 103 67H
8 08H 40 28H 72 48H 104 68H
9 09H 41 29H 73 49H 105 69H
10 0AH 42 2AH 74 4AH 106 6AH
11 0BH 43 2BH 75 4BH 107 6BH
12 0CH 44 2CH 76 4CH 108 6CH
13 0DH 45 2DH 77 4DH 109 6DH
14 0EH 46 2EH 78 4EH 110 6EH
15 0FH 47 2FH 79 4FH 111 6FH
16 10H 48 30H 80 50H 112 70H
17 11H 49 31H 81 51H 113 71H
18 12H 50 32H 82 52H 114 72H
19 13H 51 33H 83 53H 115 73H
20 14H 52 34H 84 54H 116 74H
21 15H 53 35H 85 55H 117 75H
22 16H 54 36H 86 56H 118 76H
23 17H 55 37H 87 57H 119 77H
24 18H 56 38H 88 58H 120 78H
25 19H 57 39H 89 59H 121 79H
26 1AH 58 3AH 90 5AH 122 7AH
27 1BH 59 3BH 91 5BH 123 7BH
28 1CH 60 3CH 92 5CH 124 7CH
29 1DH 61 3DH 93 5DH 125 7DH
30 1EH 62 3EH 94 5EH 126 7EH
31 1FH 63 3FH 95 5FH 127 7FH
26.2 Binary Notation

When a MIDI implementation data value is expressed in binary, the letter “ B ” (for “ binary ”) is affixed at the end of
the value. The table below shows the binary equivalents for the decimal values 0 through 127, which are often used for
settings.
51
Decimal Hexadecimal Binary
0 00H 00000000B
1 01H 00000001B
2 02H 00000010B
3 03H 00000011B
4 04H 00000100B
5 05H 00000101B
6 06H 00000110B
7 07H 00000111B
8 08H 00001000B
9 09H 00001001B
10 0AH 00001010B
11 0BH 00001011B
12 0CH 00001100B
13 0DH 00001101B
14 0EH 00001110B
15 0FH 00001111B
16 10H 00010000B
: :
125 7DH 01111101B
126 7EH 01111110B
127 7FH 01111111B
52

PX-150/350M/750/850/1200GP AP-250/450/650M MIDI Implementation

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I MIDI Message Overview 5

1 Product Conﬁguration as a MIDI Device 5

2 Conditions that Disable Message Send and Receive 8

3 Timbre Type Speciﬁc Operation 8

4 Channel Message Overview 9

7 Polyphonic Key Pressure 11

12 Pitch Bend Change 24

III System Message 25

IV Instrument-Speciﬁc System Exclusive Messages 30

21 Music Library Parameters 41

VI DSP Parameter List 42

23 DSP Algorithm ID Tables 43

24 DSP Parameter Set Types 44

VII Setting Values and Send/ Receive Values 46

25 Setting Value Tables 46

VIII MIDI Implementation Notation 51

1.1 System Section

1.2 Sound Generator Section

1.2.1 Sound generator common section

1.2.3 Part Assignments(PX-150,PX-750,PX-850,PX-1200GP, AP-250,AP-450)

Note1 : Can be changed by the Keyboard Channel setting.

Note1 : Can be changed by the Keyboard Channel setting.

1.3 Performance Controller Section

1.3.1 Auto Accompaniment and Auto Performance MIDI Send

2 Conditions that Disable Message Send and Receive

• During storage of registration data(PX-350M, AP-650M)

3 Timbre Type Speciﬁc Operation

4.2 Receive Channel

4.3 Instrument Velocity Resolution

Note On/Off High Resolution Velocity Prefix

Message Format: 8nH kkH vvH

Send Sent when a key is released.(Note1)

Receive Receipt stops a note being sounded by a note on message. (Note1)

Message Format: 9nH kkH vvH

Receive Receipt sounds a note of the corresponding part.

Message Format: AnH kkH vvH

Send This message is not sent by this Instrument.

Receive This message is not received by this Instrument.

Message Format: BnH ccH vvH

8.1 Bank Select (00H)

Message Format: BnH 00H mmH (MSB)

Message Format: BnH 01H vvH

Send This message is not sent by this Instrument.

8.3 Portamento Time (05H)

Message Format: BnH 05H vvH

Send This message is not sent by this Instrument.

8.4 Data Entry (06H,26H)

Message Format: BnH 06H vvH (MSB)

8.5 Volume (07H)

Message Format: BnH 07H vvH

Receive Receipt changes the volume of the corresponding part.

8.6 Pan (0AH)

Message Format: BnH 0AH vvH

Send Sent in the following cases.

• When Accomp MIDI Out is on(PX-350M, AP-650M)

Receive Receipt changes the pan setting of the corresponding part.

8.7 Expression (0BH)