The Sibyl of Cumae
The Sibyl of Cumae
The Sibyl of Cumae
Required: Improvisation around this material in response to questions, such as ‘Who are you?’,
‘Why are you here?’, ‘What have you got to do with the underworld?’, ‘Why choose to be in Dark
Arches, of all the places in Leeds to be?’, ‘What do you want?’, ‘Why do you want to die?’, ‘What
was Aeneas like?’, ‘What do we need to watch out for in the Underworld?’, ‘How do we get the
Ferryman to take us across the River Styx, when we are not dead?’ etc.
The Sibyl will be located near the bridge in Dark Arches – Charon (whom she knows well - it may
be helpful to read his source material too for a fuller picture of his character.) will be on the bridge
– and she will interact with passers by as an Underworld Guide (providing maps) and a prophetess
(providing prophecies), if asked, she should devise a way of approaching passers by before the
audition. Those coming from town are exiting the Greek/Roman Underworld, but heading deeper
into the Egyptian Underworld (ultimate destination, Temple Works), whereas those coming from
The Hop/City Inn end are entering the Greek/Roman Underworld.
The Sibyl lived in a cave on the acropolis at Cumae. She was a prophetess of Apollo and, like many
such prophetesses, had been an object of his sexual desire and had used this to gain advantages – in
her case, a long life: this means she is not going to die in the foreseeable future. As Hecate’s
guardian of the Forest of Avernus with its Entrance to the Underworld the Sibyl knows the way into
the Underworld – where she actually longs to go as a shade – and the safe paths through it and back
to the upper world. This means that she was able to act as a guide to Underworld for Aeneas.
She also gives prophecies written on palm leaves to suppliants.
The Temple of Apollo at Cumae, according to Virgil, was built by Daedalus (of Cretan labyrinth
fame) and he decorated the temple with an image of his labyrinth. There is a light maze as part of
Light Night in Dark Arches, near the town end of the bridge. The Golden Bough, passport through the
Underworld for those still living is located with Proserpine [Persephone], at the door of Pluto’s
Palace [aka the Town Hall].
…. [the Sibyl and Aeneas pass the court of Minos, where those who were condemned to die through
false accusations are retried, and the Fields of Mourning, which is the region allocated to suicides,
before going through the region allocated to those who died in battle]….
…the Sibyl, still at Aeneas’ side, addressed him with a curt warning; ‘Night falls, Aeneas; yet we
waste the hours in weeping. It is here that the way splits into two paths; one track, on the right, goes
straight to mighty Pluto’s battlements and by it we will make our journey to Elysium; and the other, to
the left, takes evil men to godless Tartarus, and, with never a pause, exacts their punishment. …. It s
forbidden for any man who is pure in heart to set foot on the threshold of wrong. But when Hecate
gave me authority over the Forest of Avernus, she conducted me through all Hades and explained the
divine punishments to me. Rhadymanthus of Knossos bears rule here, and his rule is most pitiless. He
gives hearing to every work of deceit, and censures each fault. He compels every sinner to
acknowledge each act of atonement which he has incurred in the world above, but whose performance
he has postponed, blissful in imagined concealment, until death when it was too late. Then at once
avenging Tissiphone, armed with her scourge, leaps on the guilty and whips them before her. High
over them her left hand threatens them with hideous snakes, while she calls to her ferocious sisters
[the Furies] to come in their hordes. See, the sacred gates are opening at last. They creak on their
hinges, with horror in the sound. Now you can see what manner of Guardian has her seat in the
entrance court, what awful shape watches the gateway? Inside, more savage still, a monstrous hydra,
with fifth black throats a-gape, has her seat. And finally there is Tartarus, yawning steeply downwards
to the dark twice as far as is our upward view to Olympus in the air of heaven. [she lists transgressors
and their punishments, including Sisyphus rolling his stone and Tantalus, in a banquet hall,
tantalised with food and drink, but kept from it by a Fury] But come now, hasten your walk to fulfil
your chosen duty. Let us move faster. I see the battlements which were forged in the furnaces of the
Cyclopes, and in the archway opposite to us the door at which authority commands us to dedicate our
offering [i.e. the golden bough].’ This said, they kept pace together along the dimly lighted way,
quickly crossed the space between and came near to the door. Swiftly Aeneas gained the entrance,
sprinkled himself with fresh water, and set the branch upright on the threshold before him.
When this was done their duty to the Goddess was fully discharged. And now they arrived in
the Land of Joy, the pleasant green places in the Fortunate Woods, where are the Homes of the Blest.
Here an ampler air clothes the plains with brilliant light, and always they see a sun and stars which are
theirs alone. Of these bright spirits, some were taking exercise at games together on the grass of a
field of play. or wrestling on yellow sand. Others were treading a rhythmic dance and as they danced
they sang. And there too was Orpheus the Thracian seer attired in his trailing gown, who answered
their rhythm on seven intervals of notes, striking out the melody now with fingers and now, over
again, with an ivory quill. Here was Teucer’s ancient dynasty, that family of noble beauty, high-
hearted heroes born in happier years, Ilus, Assaracus and Dardanus, the Founder of Troy. Aeneas
looked in wonder at their arms and chariots resting idle there before him. Their spears stood planted in
the ground; their horses were grazing free around the plain. For the same pleasure in chariots an arms
which they knew in life, and the same old interest in tending glossy horses, remain with them still
after they have been laid to repose in the earth. And, lo, Aeneas saw others to his right and to his left
about the grass, feasting and singing a joyful hymn of praise in their choir; they were in the midst of a
wood of scented bay-trees whence the full-flowing river Eridanus goes rolling through forest-land to
the upper world. Here dwells a band who sustained wounds while fighting for their homelands, others
who while life was theirs were priests without fault, r faithful seers whose speech never brought
Apollo shame; some who had given life an added graciousness by inventions of skill, and some who
had made others remember them by being kind. All of them wore snow-white ribbons encircling their
brows. And they all thronged round and the Sibyl spoke to them and in particular to Museaus, who
was in the centre of a very large gathering, towering by head and shoulders above the rest, and all
looked up to him: ‘Tell us, Souls in Bliss, and especially you, most gentle Poet, in which district is
Anchises, and in which part of it may he be found? For it is to find him that we have come, crossing
the great rivers of Erebus.’
…. [Aeneas meets with Anchises, who explains the workings of the underworld – including a doctrine
of reincarnation after a thousand years – and a cosmology and then shows Aeneas a pageant of future
Roman heroes and tells him details of his own future] ….
There are twin Gates of Sleep, of which one is said to be of horn, allowing an easy exit for shadows
which are true. The other is all of shining white ivory, perfectly made; but the Spirits send visions
which are false in the light of day. And Anchises having said his say now escorted his son and the
Sibyl with him on their way, and let him depart through the Gate of Ivory. …