8-Arc 102

102 FEB/MAR 2018
www.arc-magazine.com
LIGHT
READING
MVRDV’s stunning Tianjin Binhai Library
reaches new heights
RESIDENTIAL LIGHTING • FESTIVALS OF LIGHT FORMERLY

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094
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Pic: Mark Cocksedge
Contents 092 Libraries

We take a closer look at some of the stunning library projects currently
being completed around the world.
FEB/MAR 2018 124 JAC Studios

Following their impressive work on the darc awards / architectural
shortlisted Wadden Sea Centre, we spoke with JAC Studios to discuss its
030 Editorial Comment design philosophy, and the role that lighting plays in its work.
032 Headlines
146 Residential Lighting
034 Eye Opener
Ian Clarke, Associate at dpa lighting consultants examines the special
036 Drawing Board thought process that comes with designing lighting for a residential
042 Spotlight property.
056 Snapshot
058 Briefing 168 Festivals of Light
A closer look at some of the great lighting festivals that have lit up the
060 Dark Source Stories
winter months, from Lumiere to Amsterdam Light Festival.
062 IALD Column
212 Case Studies 233 Light+Building Preview
250 New Products A sneak peek at some of the products that will be on display at the
254 Event Diary upcoming Light+Building 2018 in Frankfurt.
258 Bucket List

252 Product Review
David Morgan casts his eye over the Lif system from Selux: a
comprehensive urban lighting system based on a minimal pole design.
026 www.arc-magazine.com
South Korea_ManCheonha Skywalk
Romania_Bucharest State Circus

WHERE
colour
MEETS
archi
tecture
www.griven.com
Visit us at
18-23 March 2018

Vietnam_Le Hong Phong Bridge
Frankfurt am Main (D)

Hall 5.0 Stand B45
GRIVEN S.r.l. I Castel Goffredo (MN) Italy I Tel. +39.0376.779483 I sales@griven.com

064
Tianjin Binhai Library, China
Created by Dutch architects
MVRDV along with the Tianjin
Urban Planning and Design
Institute, the Tianjin Binhai Library
has attracted worldwide attention
for its stunning design.
Pic: © Ossip van Duivenbode
Projects 078 The Word, UK

In the face of austerity, Desco teamed up with FaulknerBrowns
Architects to create The Word, a stunning new library and social hub for
FEB/MAR 2018 the community of South Shields.
106 Inmaculada Concepción Church, Spain

The Inmaculada Concepción Church has undergone an architectural
and lighting renovation, improving the historic structure and bringing a
spiritual, harmonious atmosphere for worshippers.
114 Canadian Museum of History, Canada

The Canadian Museum of History has a new lighting design scheme
thanks to Lightemotion, who wanted to create a visual narrative telling
the story of Canada while highlighting the building’s architecture.
136 First Direct Access, Heathrow Airport, UK

StudioFractal, alongside architects Pascall & Watson, provided the
lighting design for the First Direct Access, a sophisticated security portal
for first class passengers at Heathrow’s Terminal 5.
148 Residential Lighting case studies

A look at a selection of impressive residential lighting projects, including
work from the likes of Nulty, Light.iQ and Linea Light Group.
EDITORIAL
Read all about it!

Front cover: Tianjin Binhai
As a print and book lover, it
is very satisfying to be able
Photography: Ossip van Duivenbode
Editorial
Publisher / Editor
to publish some spectacular

Paul James
p.james@mondiale.co.uk
Assistant Editor
Matt Waring
library projects in this issue…

m.waring@mondiale.co.uk
Editorial Assistant
Sarah Cullen
s.cullen@mondiale.co.uk
Advertising
International Advertising Manager I grew up living next to a library so spending time there, whether
Jason Pennington
j.pennington@mondiale.co.uk revising for exams or just discovering books, became second nature
International Advertising Sales

to me. Of course, back then there was no such thing as Google and
Andy White even home computers were only just becoming available to all (OK,
andy.w@mondiale.co.uk
I’m showing my age now) so visits to the library were commonplace
Steven Willcox
s.willcox@mondiale.co.uk for conscientious students like me!
A few years ago, well after I had left my home town for a career as
Subscriptions
a journalist, I was sad to discover that the library had closed down
Moses Naeem
m.naeem@mondiale.co.uk (although it recently got rehoused at the town bingo hall!). Without
that library and the love it gave me for reading and writing I may
Production
well have gone on a different career path but here I am writing
David Bell
d.bell@mondiale.co.uk as an editor about some new libraries that have caught our eye as
Mel Robinson architecturally stunning buildings with lighting playing a crucial part
m.robinson@mondiale.co.uk
in their success. Of course, the libraries of today need to diversify
Zoe Willcox to survive (and indeed thrive) and it is the re-imagining of libraries
z.willcox@mondiale.co.uk
as cultural hubs that has led to projects like Tianjin Binhai and The
Chairman Word becoming realised.
Damian Walsh
d.walsh@mondiale.co.uk
And it’s ambitious projects like these that allow light to come to the
fore. The lighting for both these projects, although not a huge part of
Finance Director their budgets, were crucial to their success as architectural icons in
Amanda Giles
a.giles@mondiale.co.uk their own right. In Tianjin, China the flexible cove lighting radiates
throughout the building’s curvaceous cavern around the glowing
Credit Control
auditorium eye. The Word in South Shields, UK flies in the face of
Lynette Levi
l.levi@mondiale.co.uk the government’s austerity programme to create a phenomenally
arc media successful cultural hub with a spectacular lighting centrepiece
Strawberry Studios, Watson Square engineered in a cost effective way. It has been a pleasure to feature
Stockport SK1 3AZ, United Kingdom
T: +44 (0)161 476 8350 these projects and I hope you enjoy them too.
arc@mondiale.co.uk
Printed by Buxton Press * For those of you who are attending Light+Building be sure to pay
us a visit at our stand at 4.1 FOY12. We’ll be distributing thousands of
Annual Subscription rates:
United Kingdom £30.00 copies of this issue as well as our decorative lighting magazine darc
Europe £50.00
ROW £65.00 and the International Lighting Design Survey. See you there!
To subscribe visit www.arc-magazine.com
or call +44 (0)161 476 5580
arc, ISSN
17535875, is published
bi-monthly by Mondiale Publishing,
Strawberry Studios, Watson Square,
Stockport, Cheshire, SK1 3AZ.
Subscription records are maintained

at Strawberry Studios, Watson Square,
Stockport, Cheshire, SK1 3AZ. Paul James
Spatial Ltd is acting as our mailing agent. Editor
PROJECTS
NEWS
Headlines
Messe Frankfurt acquires
Thailand Lighting Fair
(Thailand) – The team behind Light +
Building has expanded its international
portfolio with the acquisition of
Thailand Lighting Fair.
Neri Oxman to be Lightfair

International keynote
(USA) – Neri Oxman of Sony
Corporation and MIT Media Lab will
share her perspective in a fascinating
keynote presentation at Lightfair
International 2018.
Klaasen Lighting Design

partners with Gooee
(Asia) – Klaasen Lighting Design has
entered into a partnership agreement
with Gooee, recognising the need for
Pic Christian Fattinnanzi smart, connecting lighting systems.
A beautiful sun sets behind the
iGuzzini HQ Building in Recanati, Italy.
Philips Lighting recognised
iGuzzini acquires Sistemalux by CDP

(Europe) – Philips Lighting’s work
in managing carbon emissions and
addressing climate-related issues
(Canada) – Following more than 20 years of working together, iGuzzini has acquired Canadian
across its supply chain earned
lighting distributor Sistemalux.
recognition from CDP.
Read more on www.arc-magazine.com
Cooledge launches Boston
Office
(USA) – The opening of new
commercial offices in Boston sees
Cooledge increase its presence
on the American east coast, in
Waltham, Massachusetts, putting the
company closer to the world’s largest
concentration of architectural and
design firms and related decision
makers.
Nulty expands Middle East

team
(Dubai) – Architectural lighting design
consultancy Nulty has expanded
its team in the Middle East with the
appointment of Amy Rossetti as
Associate.
LG Innotek unveils new Flip

Chip LED package
Pic Adam Mørk (South Korea) – The newly developed
Harbin Opera House interior, Lighting Design by
Beijing United Artists Lighting Design. “Advanced Flip Chip LED Package” is
expected to implement stable 220
IALD and LIRC release updated guidelines for

lumens per watt efficacy.
specification integrity SGM hire Frank Hoehn as

Global Sales Manager
(Denmark) – Frank Hoehn joins SGM
as VP of Global Sales, having previously
(USA) – The Guidelines For Specification Integrity offer tips and references to ensure that what is worked as Director of Business
designed is what is built. Development and EMEA Hospitality for
Read more on www.arc-magazine.com Martin / Harman International.
2017
Innovation Award
ARCHITECTURE + PRESENTATION
WINNER
18. – 23 . 3 . 2018
Frankfurt am Main
HALL 4.2 Stand E10
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EYEOPENER
Moving Creates Vortices and Vortices Create

Movement
Melbourne, Australia
As the National Gallery of Victoria (NGV) in Melbourne, Australia contributes to enriching the ocean, carrying nutrients that flow
hosts the NGV Triennial of contemporary art and design, art from rivers inland offshore, creating highly nutritious seawater.
collective teamLab is premiering its interactive digital artwork, “In the ocean, it’s the small islands and complicated terrains that
commissioned by the NGV. To be included in the permanent enrich the water by generating vortices. I find that very interesting.
collection at the NGV, Moving Creates Vortices and Vortices Create Perhaps humans are the same. We make complex motions, and
Movement is an immersive and responsive digital installation as a result it generates an energy like a vortex. And I think it’s that
that comes to life and transforms under the influence of visitors’ energy that makes people move further.”
movement. teamLab’s immersive artwork is intended to allow visitors to see
The Moving Creates Vortices and Vortices Create Movement artwork how the world changes through their actions and their existence,
transforms according to the presence of people. As visitors move allowing them to feel as if there are no boundaries, and that
through the installation, swirling vortices of light are projected everything exists in a continuity.
onto the floor. The faster they move, the stronger the flow of light, The NGV Triennial, a large-scale, gallery wide exhibition of
until they stop and the room falls into darkness. international art, design and architecture featuring the work of
teamLab created the installation to show to visitors how, through more than 100 artists and designers from 32 countries, began
their own movement, seemingly unrelated things can affect the on December 15, 2017 at NGV International and runs till April 15,
world in an uncontrollable way, beyond their intentions. 2018 in Melbourne, Australia.
Toshiyuki Inoko, one of the founders at teamLab, said: “Where I teamLab has been the subject of numerous exhibitions at venues
was born, huge tidal whirlpools called the Naruto Whirlpools are worldwide, and the collective has works in the permanent
always occurring in the ocean. I was interested in the relationship collection of the Art Gallery of New South Wales, Sydney;
between a whirlpool, seafood and people’s lives, which became Art Gallery of South Australia, Adelaide; Asian Art Museum,
our motivation to create Moving Creates Vortices and Vortices Create San Francisco; Asia Society Museum, New York; Borusan
Movement. Contemporary Art Collection, Istanbul; and National Gallery of
“Naruto Whirlpools are visible, but there are many other massive Victoria, Melbourne.
vortices being generated in many other oceans. This phenomenon www.teamlab.art
Pic: teamLab courtesy Ikkan Art Gallery, Martin Browne Contemporary and Pace Gallery
www.arc-magazine.com 035
DRAWING BOARD
Pic: Frida Escobedo, Taller de Arquitectura, Renderings by Atmósfera
Serpentine Pavilion 2018

UK
The Mexican architect Frida Escobedo, marker of time and geographical distance. Serpentine Pavilion, Frida Escobedo said: “My
celebrated for dynamic projects that reactivate British-made materials will be used in the design for the Serpentine Pavilion 2018 is a
urban space, has been commissioned Pavilion’s construction, chosen for their dark meeting of material and historical inspirations
to design the Serpentine Pavilion 2018. colours and textured surfaces. A celosia – a inseparable from the city of London itself and
Harnessing a subtle interplay of light, water traditional breeze wall common to Mexican an idea which has been central to our practice
and geometry, her atmospheric courtyard- architecture – will be composed of a lattice of from the beginning: the expression of time in
based design draws on both the domestic cement roof tiles that diffuse the view out into architecture through inventive use of everyday
architecture of Mexico and British materials the park, transforming it into a vibrant blur of materials and simple forms. For the Serpentine
and history, specifically the Prime Meridian line greens and blues. Two reflecting elements will Pavilion, we have added the materials of light
at London’s Royal Observatory in Greenwich. emphasise the movement of light and shadow and shadow, reflection and refraction, turning
Escobedo is the eighteenth and youngest inside the Pavilion over the course of the day. the building into a timepiece that charts the
architect yet to accept the invitation to design The curved underside of the canopy will be passage of the day.”
a temporary Pavilion on the Serpentine Gallery clad with mirrored panels, and a triangular Serpentine Galleries Artistic Director, Hans
lawn in Kensington Gardens. This pioneering pool cast into the Pavilion floor will trace its Ulrich Obrist and CEO, Yana Peel, added:
commission, which began in 2000 with Zaha boundary directly beneath the edge of the “We are delighted to reveal the designs for
Hadid, has presented the first UK structures roof, along the north axis of the Meridian. As Frida Escobedo’s Serpentine Pavilion, which
of some of the biggest names in international the sun moves across the sky, reflected and promises to be a place both of deep reflection
architecture. refracted by these features, visitors may feel and dynamic encounter. With this bold interior,
Escobedo’s Pavilion will take the form of a heightened awareness of time spent in play, Frida draws history into the present and
an enclosed courtyard, comprised of two improvisation and contemplation over the redefines the meaning of public space. We
rectangular volumes positioned at an angle. summer months. hope visitors of all ages will create their own
While the outer walls will be aligned with the Escobedo’s design enhances the Serpentine experiences in the Pavilion this summer as we
Serpentine Gallery’s eastern façade, the axis Pavilion’s reputation as a space of encounter continue in our aim of bringing the urgency of
of the internal courtyard will align directly to and shared experience, following Francis Kéré’s art and architecture to the widest audiences.”
the north. Internal courtyards are a common acclaimed 2017 Pavilion, a bright and airy www.serpentinegalleries.org
feature of Mexican domestic architecture, structure that was inspired by the tree at the The Serpentine Pavilion 2018 will be open every
while the Pavilion’s pivoted axis refers to the heart of his hometown in Burkina Faso and day from 15 June to 7 October from 10am to
Prime Meridian, which was established in 1851 visited by more than 200,000 people. 6pm, excluding 18/19 June when it will close, re-
at Greenwich and became the global standard Speaking of her designs for the eighteenth opening at 1pm on 20 June.
©2018 Soraa, Inc.
Frankfurt am Main
18 — 23.03.2018
Experience Soraa Arc: Hall 4.1, Stand H50 www.soraa.com

DRAWING BOARD
Fotografiska London
UK
Fotografiska London, London’s largest permanent dedicated companies for product launches, conferences and charity
photography gallery set across 89,000sqft of space in events.
London’s Whitechapel, will open to the public in November Furthermore, Fotografiska London will see an expansion of
2018. the Fotografiska for Life initiative, which seeks to present new
Designed by Swedish architects Guise, the gallery will show perspectives on important world events and people living on
up to seven exhibitions at any one time, all of which are the margins of society. Run in collaboration with charities and
accessible with one entry ticket, Fotografiska London follows media partners, these exhibitions are programmed to raise
the successful model of its current site in Stockholm, which the profile of issues in the world, and materially help their
since opening in 2010 has become one of the city’s top visitor subjects.
attractions. A recent exhibition in Sweden, Refugee Phones, looked at
The gallery will present major solo exhibitions of work by the isolation of child refugees in Europe. Visitors were
the world’s greatest photographers – past exhibitions in encouraged to donate their old mobile phones on entry,
Stockholm include David LaChapelle, Annie Leibovitz, Bill all of which were donated to child refugees so they could
Brandt, Helmut Newton, Sally Mann, Irving Penn and Andres call home. The exhibition has since travelled to the United
Serrano – alongside work by new talent, commissioned Nations, NYC Public Library and US Senate, raising money for
series documenting current affairs, exhibitions drawn from UNHCR’s work with refugees globally.
Fotografiska’s growing collection and a wide range of themed Tommy Rönngren, lead investor and Chairman of
group shows. As each show runs into the next, the result is Fotografiska London, said: “Fotografiska London seeks to
a journey through a unique mix of programming, presenting fully integrate itself into the social, cultural and culinary fabric
different and varied insights into the ever-evolving world of of this great city. We will achieve this goal by becoming the
photography with each visit. best exhibitor of international photography and creating
The space will include two top-level restaurants, offering a world-class space for social interaction. Since opening in
sustainable cuisine, a café open seven days a week and a bar. Stockholm in 2010, millions of visitors have passed through
The Store at Fotografiska London will stock everything from Fotografiska’s doors, standing testament to photography’s
limited-edition coffee-table books to the latest photographic vast and growing popularity. We thoroughly look forward to
gadgets, while Fotografiska’s new retail concept, F Edition, welcoming Londoners and visitors from further afield when
enables a modern generation of art collectors access to we launch in 2018.”
limited editions from the world’s finest photographers. Jan Broman, CEO of Fotografiska International, added:
Fotografiska London will incorporate an Academy staffed by “Photography is an art form that can evoke emotion, inspire
professional photographers and educators, running a series ideas and serve as a vehicle for self-expression. In Stockholm
of classes through the week for amateur photographers we believe we have created the finest space to view and
focused on theory-based and practical training across exhibit photography worldwide, as well as a unique venue for
subjects including creativity, human perception and design. A people to meet, and it is this combination that we think will
large-scale conference venue at the site will offer 360-degree prove innovatory for London when Fotografiska opens next
projection in each venue, an on-site cinema and private year.”
dining, envisioned to become the go-to for the world’s top www.fotografiska.eu
E Uniform wallwashing
Wall offset/luminaire spacing
of up to 1:1.3
Maximum longevity
Lumen maintenance L90/B10 Minimalist ceiling
design
Linear downlights
Efficient visual comfort

Glare-free working
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UGR <19
Individual dimming
Continuously from
1% to 100% Effective zoning
Oval flood 35° x 90°
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Zonal lighting for office workstations
Compar – a high performer for linear

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ERCO has perfected the potential of supe-
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www.erco.com/compar
Light is the fourth dimension of architecture Visit us at

Hall 3, Booth A10+A11
171121_en_cluster_work_mondoarc.indd 1 21.11.17 17:25

DRAWING BOARD
Pic: © HS2 Ltd/Grimshaw Architects
HS2 Stations
UK
Grimshaw Architects and Arup, alongside Wilkinson Birmingham with Liverpool, Newcastle, Glasgow and
Eyre and WSP, have been selected to transform Edinburgh.
London Euston and design new, landmark stations HS2 chief executive Mark Thurston added: “Our new
in Birmingham city centre, Solihull and London’s stations in London and Birmingham will be at the
Old Oak Common for HS2, the new high-speed rail heart of the first phase of the project, increasing
network. capacity, improving journeys and helping to unlock
With plans to open in 2026, this is the largest new opportunities for tens of thousands of new jobs
station building programme in the UK since the and homes around what will be four new landmark
Victorian age. buildings.
Grimshaw will work with WSP’s UK office to create “That’s why I’m delighted to welcome these designers
a station for HS2 services at Birmingham Curzon to the team. We look forward to working with them
Street, while Arup and Wilkinson Eyre will design the to create station designs that showcase world-class
Birmingham Interchange station. architecture, ease of use and value for money that
Meanwhile Grimshaw and Arup have also teamed our communities expect and deserve.”
up to design an interchange at London Euston, with “HS2 is a modern railway fit for Britain’s future,
initial plans for a new entrance and eleven additional improving vital links between some of our country’s
platforms submitted in 2015. biggest cities, driving forward growth and significantly
In the north west of London, Wilkinson Eyre and WSP improving services for passengers with thousands
will create a station at Old Oak Common. more seats on faster trains,” continued Nusrat Ghani,
Sadie Morgan, co-founder of architecture practice HS2 Minister.
drMM and chair of the HS2 Design Panel welcomed “Appointing these leading creative firms ensures that
the appointment of these designers, and believes passengers on our world-class railway will experience
that they will “help deliver iconic stations which set modern and accessible stations. I am confident that
new standards in design and ease of use, providing these firms will deliver these projects with designs
a legacy of great architecture of which Britain can be that are both innovative and in keeping with their
truly proud”. surroundings.”
The stations will form part of the first phase of the www.grimshaw.global
HS2, which will connect central London with the West www.arup.com
Midlands. The first services are expected to be in www.wilkinsoneyre.com
operation by 2026, before a second phase will extend www.wsp.com
this network further into the north, connecting
Icoon Afsluitdijk
Netherlands
Dutch designer and innovator Daan Roosegaarde, in architect Rem Koolhaas, have been fully restored, while
collaboration with Rijskwaterstaat, has paid tribute to small prisms have been installed on their surface.
the legendary 32-kilometre Afsluitdijk causeway in the These prisms reflect the light of passing car headlights,
Netherlands, that separates the Zuiderzee from the illuminating the distinctive contours of the impressive
North Sea with a series of special light installations. structures. If there are no cars on the road, there is no
Gates of Light, Windvogel and Glowing Nature are light on the structures; this way of using light requires
part of Roosegaarde’s Icoon Afsluitdijk, a free-to-view no energy and causes no light pollution. The luminous
installation that contributes towards strengthening the lining on the complex creates a dynamic entrance, as
iconic value of the dike. if the motorist is driving through a science fiction film,
Michèle Blom, Director General of Rijkswaterstaat, said: and is a concrete example of a futuristic and energy
“The Afsluitdijk is a national symbol of our past and neutral landscape, in line with the governmental policy
future relationship with water. The designs of Daan to have all national roads in the Netherlands energy
Roosegaarde emphasise the culturally historic value neutral by 2030.
of the Afsluitdijk as an international business card for For the Windvogel installation, Roosegaarde created
Dutch hydraulic engineering, innovation and Dutch smart kites with specially designed light lines that
design.” had the potential to generate up to 100kw of energy
Through these three designs, Icoon Afsluitdijk exhibits – enough for 200 households. These smart kites are
the power of nature as a source of energy and light, tethered by a line to a ground station, and while aloft,
and exemplifies a futuristic green landscape. they search for the optimal wind, generating power
The first, Gates of Light, is a new, futuristic entrance to just like a dynamo on a bicycle.
the dike, bringing the monumental floodgates of 1932 Roosegaarde designed the kite lines with specially
back to their former glory. The structures, originally developed glass fibres that are strong and light,
designed by Dirk Roosenburg, grandfather of Dutch creating a poetic dance of light emitting lines.
SPOTLIGHT
Windvogel has been tested on the dike as a concrete example of

green energy, and generates a unique image of vertical lines on
the horizontal landscape of the Afsluitdijk.
Roosegaarde’s final installation, Glowing Nature, expresses the
beauty of nature on the Afsluitdijk through a unique encounter
between man, biology and technology.
This interactive, mysterious exhibit features live bioluminescent
algae, one of the oldest microorganisms in the world. Only under
the perfect conditions, and with the right amount of maintenance
and care, do the single cell algae give off a prolonged natural light
when they are touched. The installation is intended to showcase
how we can generate energy and light solutions from nature in
the future.
Daan Roosegaarde said of Icoon Afsluitdijk: “The Afsluitdijk
represents a part of Dutch daring and innovation. It is the
Madonna of our waterworks. By adding a subtle layer of light and
interaction, we enhance the beauty of the dike and form new
links between man and landscape, darkness and light, poetry and
practice.”
Windvogel and Glowing Nature were open until 21 January 2018,
Gates of Light is a free permanent installation along the Afsluitdijk.
www.studioroosegaarde.net
www.icoonafsluitdijk.nl
SPOTLIGHT
Wärmespeicher
Germany
80 Anolis ArcSource 4MC LED fixtures were was that during the hours of darkness, the
specified to illuminate the indicator for a new illumination should not be any brighter
heat storage tank (Wärmespeicher) installed than the surrounding street and ambient
in the Drispenstedt residential district of lighting levels, and therefore not intrusive or
Hildesheim in Lower Saxony, Germany. distracting to residents.
The impressive 17.5-metre high, 4-metre As such, lighting was essential for the
wide structure, which resembles a quirky achievement of this goal. Schiminski had
piece of contemporary sculpture, was specified Anolis for a previous project
designed by pape+pape Architekten from and found the products to be reliable
Kassel. It contains an internal cylindrical and robustly built. He knew the flexible
water feature illuminated by the ArcSources, DMX controllability and super-smooth
which are programmed to indicate how much homogenised colour mixing of the ArcSource
of the energy generated from the nearby 1MC enabled via the multichip LED engine
natural gas-fired combined heat and power would be a perfect solution.
plant (CHP) is currently stored and available However, the main challenge for the
for use. lighting installation was the timeframe. The
The lighting installation was commissioned structure’s perforated exterior membrane
by energy company Energieversorgung was fitted over the quirky, uneven steel
Hildesheim (EVI) and the lighting design was sub-frame only a few days after a team from
imagined and delivered by locally based local specialist, Technik-Werft, completed the
architectural lighting specialist SSP Design, construction of the tower.
with Matthias Schiminski and Henrik Nolte as Due to its resulting interesting shape
the project’s lead engineer and designer. and multiple curved surfaces – evoking
When there is a lot of energy stored up horizontal layers of water – an amount of
and available for use to heat the nearby experimentation was needed to optimise the
homes, the 20,000-litre water feature glows lighting. The goal was to have a dynamic mix
red. When there is less available, the colour between light movement and even coverage;
gradually morphs through to blue. so several different angles were required to
EVI and the city’s planning and development get the fixtures perfectly aligned.
department Gemeinnützige Baugesellschaft The Anolis ArcPower drivers are connected
Hildesheim (gbg) initiated the plan which also to a port on the power generator control
involved the renovation of heating systems in system, so they can receive the correct
1600 homes over two and a half years, at a capacity and thermal data as related to the
cost of around €3million. storage status, which is converted to DMX
The new heat storage system ensures the and then change the colour of the fixtures.
highest levels of flexibility and efficiency by The shifting energy storage levels are an
storing un-needed heat that is generated effect that people can watch in real time and
during the power production process, which this has helped the installation become the
is then available for later use when the local talking point that was envisioned.
demand is higher. www.anolis.eu
Drispenstedt local council was also a partner
in the project, and one of their stipulations
Frankfurt am Main
18.–23.3.2018
Hall 4.2 Stand H71
and Agora C10
KURV-Y Section
NEW
KURV-Y
The new fully diffused and flexible linear LED strip from KKDC.
Surface Mounted and Recessed versions available. www.kkdc.lighting
SPOTLIGHT
The Golden Portals, Carlsberg City

Denmark
The Carlsberg City District in Copenhagen is booming and by the end of
2025 it is expected to house close to 10,000 residents. The skyscraper
Bohr’s Tower is the first building to be finished and ÅF Lighting was
asked to design a lighting solution for the so-called Golden Portals at the
south entrance of Carlsberg City.
The façades of the portals are covered with golden anodised aluminium
cladding consistent with the old Carlsberg brewery area’s existing golden
architectural elements. The cladding is decorated with unique diamond
shaped patterns, which causes optical illusions.
“We wanted to enhance the spectacular architecture and create a
lighting solution with the highest comfort possible. And as a tribute to
the area’s historic reputation the dynamic shimmering light effect is
composed to symbolise a cold sparkling Carlsberg beer,” explains ÅF
Lighting’s Lighting Designer Frederik Borello.
The space-frame that carries the lighting installation is customised to
make them appear more airy and suspended from the ceiling to ensure
that the façades can be fully enjoyed. They complement the patterns of
the façade and are dyed to match the golden colour of the portals.
The dynamic lighting, utilising 364 FOS 33 White 12 fixtures from DTS,
adds an organic and modern character, while the warm white 2700K
LEDs accentuate the golden colours, helping to make the portals appear
pleasant and inviting.
The lighting was designed in close collaboration with the architects
Vilhelm Lauritzen Arkitekter who designed the building.
www.afconsult.com
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SPOTLIGHT
Corridor of Lights
USA
World-renowned lighting consultant Howard M. much nicer environment. In my opinion, this is how
Brandston and artist Dan George have created an you should light a street; focusing on the people,”
important light installation in the City of Syracuse. Brandston added.
The permanent installation, part of the larger Connective “There are many good examples of this around the city.
Corridor project, features SGM’s i-2 White IP66-rated Like Bryant Park in New York City, which used to be an
POI lights, and was initiated to illuminate iconic unsafe place, until we illuminated it. We are hoping the
buildings and public spaces between Columbus Circle same thing will happen here in Syracuse.”
and Armory Square. Focusing on improving the environment year-round,
“The Jefferson Street project is really an investment the designers decided to make the unstable weather
in turning a typical motor-oriented roadway into a conditions an essential part of the installation.
pedestrian-oriented city street. The installation reflects “The volume in the weather is a really strong physical
off people, making it essentially invisible until occupied; element to the installation, because there is always
it takes people to show the light because the people something to be illuminated. Sometimes it rains,
become the light,” explained Brandston. sometimes it snows. Now, when it’s raining, it will look
The installation on Jefferson Street is the signature like it’s raining diamonds, because we have installed
illumination under the larger Connective Corridor several SGM i-2 lights to illuminate all the raindrops,
project, connecting Syracuse University to Downtown snowflakes, or sleet,” explained Brandston about the
Syracuse. installation, which was completed in November of 2017.
“The idea was to separate it from the standard street The Corridor of Light project in Syracuse University’s
lighting, so you could look down the road from Connective Corridor is major part of an extensive
Columbus Circle to Armory Square and create a more transformation that this economic and educational
pleasant walkway,” continued Brandston, explaining hub of central New York has been achieving over the
Armory Square as the cultural and entertainment- last few years. The project focuses on aesthetically
oriented part of the city. improving the city using top-of-the-line energy reducing
“We chose SGM’s i-2 because of its high intensity and LED luminaires, easily upgradable to keep up with new
our ability to control the beam. This installation focuses technologies for optimal savings.
on the people, and with the right colour rendering, www.concerninglight.com
people actually look like humans, not orange distortion. www.dangeorge.nyc
By highlighting people’s emotions, we are creating a
SPOTLIGHT
Guayaquil Moorish Clock Tower

Ecuador
Guayaquil, Ecuador’s Moorish Clock Tower architecture LED products from Acclaim were chosen for the power and opening at
is a timeless beauty, attracting thousands of Lighting. short distances, with the capability to pivot
visitors each year, and it has cemented itself “The new lighting scheme produced a 180-degrees to set the exact angle needed.
as a main tourist attraction, especially at night beautiful and colourful result, obtaining the In addition, two Dyna Drum SO fixtures
with a new, colourful lighting scheme. approval of the client and the happiness of positioned side-by-side were installed in the
Inspired by Moorish architecture, the structure the citizen. The tower is illuminated like never exterior grounds with 15mm tempered glass.
rises up four floors from an octagonal base before,” said Velasco The fixture provides 4,656 lumens at RGBW
to a dome with a height of around 30-metres. Eight Dyna Accent fixtures were chosen and maintains 70-percent of its lumens at
The building is decorated with azulejo, painted based on the design, performance, IP-rating 120,000 hours. Built with an excellent system
ceramic tilework, and is located on the and quality requirements. The high output, of heat dissipation and ideal for façade lighting
Malecon, a popular city boardwalk lined with outdoor-rated flood fixtures with DMX and applications, the built-in lighting does not
historical monuments, museums and gardens. RDM drivers highlight the dome, offering interfere with the landscape or surrounding
In coordination with Mantenimiento Técnico colour-changing capabilities. They provides area. The Dyna Drum SO fixtures brighten the
Especializado (MTE), Salotec Luminoplastia, 1,423 lumens at 4,000K and maintain exterior with colour changing capabilities.
Ecuador’s local architectural lighting company, 70-percent of its lumens at 150,000 hours. The lighting scheme for the Moorish
was in charge of designing and installing a Custom to the application, Dyna Accent Clock Tower is controlled by the ART500,
dynamic lighting system to illuminate the fixtures offer a beam angle of six, 20, 40, 60 a touch panel DMX controller with 1,024
tower at night. Due to the height of the and 10x60-degree spread lens options for DMX channels and 500 preset scenes. The
building and the tall trees surrounding the precise lighting placement without creating controller is designed for RGB and RGBW
structure, the team could not use poles or light pollution. lighting products and features a PWM output
place visible elements in the environment. To light the interiors and clocks, four Dyna which can directly drive 12-24VDC LED
To create an all-encompassing lighting Flood white, eight RGB floor luminaires fixtures. It allows four programmable static
system, Monica Velasco and Miguel Salomón, with adjustable angle and 24 RGBW LED colour presets and a manual speed and
Salotec Luminoplastia designers, needed to luminaries were installed. The quad colour dimmer function, enabling the most effective
find versatile lighting products to illuminate technology, auto switching multi-voltage control system for the tower.
the 30-metre tall tower. The team reviewed power supply and on-board touch sensitive The Moorish Clock Tower brightens the night
numerous products that could provide menu allows for dynamic illumination in the with intricate colour schemes, coordinated for
precise, colour changing capabilities and the tower, while balancing the lighting on the special holidays and occasions. Citizens and
ability for control-driven lighting to enable building’s exterior. The Dyna Flood fixtures tourists alike can enjoy its beauty illuminating
scheduled and intricate lighting schemes. provide 1,176 lumens at 4,000K and maintain through the darkness.
Based on their extensive research, Salotec 70-percent at 50,000 hours with a power www.acclaimlighting.com
Luminoplastia specified high-efficient, consumption of 25-watts. The products
A tribute to Hall 3.1 Stand C61
good design
Stormbell
Design by artec3 Studio
Conceived as the successor to Lamp Lighting’s most iconic

bell fixture. A tribute to good design inspired by a more
rationalist approach. The interaction between different
types of illumination and accessories makes it possible to
create different environments, making this bell fixture an
indispensable element for hospitality and retail applications.
www.lamp.es
SPOTLIGHT
Church of St. Mariä Geburt, Grevenbroich

Germany
The Roman Catholic parish church of St. Mariä the parishioners were concerned was that the Erco
Geburt in Grevenbroich, a small town near solution significantly improved the quality of lighting
Düsseldorf, was built in 1930. The interior surprises inside the church. Whereas before, the decorative
with an unexpected, unusual, spatial form. The long glass pendant luminaires had emitted diffuse, non-
rectangular, single-nave sanctuary is spanned by a directional light, the track-mounted Optec spotlights
low-pointed barrel vault that brings to mind an image now allow for a differentiated and easily variable
of an upside down hull. Deep lunette-type window lighting concept. The solution combines general
reveals accentuate the vault, lending the space a lighting with eye-catching accent light.
rhythmic structure. Optec 24W lens wallwashers in warm white
The interior was recently subjected to refurbishment, achieve uniform vertical illuminance for optimum
implemented by Planwerk a Büro für Architektur, ambient lighting inside the church, creating an
which also led to a fundamental redesign of atmosphere that brings its unique architecture to
the church lighting. The interior was previously life. Supplementary accent lighting is provided by
illuminated by two parallel rows of glass pendant Optec spotlights of the same wattage and colour
luminaires. Replacing the old, plastered-in cabling temperature, with spot and wide flood distributions,
would probably have meant replastering the entire emphasising important areas and objects.
vault. For preservation reasons, but above all to Focus is given to the altar with the ambo, a lectern,
reduce the renovation costs in Grevenbroich, in front, whilst at the same time accenting two
alternative lighting options were sought. The solution chapel statues elevated on ledges either side of the
was found in Erco track spotlights, which offered an chancel. In addition to this, special light scenes were
efficient and technically feasible approach to high- programmed for occasions such as Good Friday or
quality lighting design with maximum flexibility. Easter mass, to underline the significance of these
One of the many advantages for the builders was the holy days. According to reports from Grevenbroich,
fact that a track system did not require new wiring. the response by worshipers is consistently positive.
The U-shaped layout of the track was achieved using In the new light, the space now appears much more
the existing fixtures for the pendant luminaires. friendly and festive than before.
However, the most convincing argument as far as www.erco.com
Loop
A brand of Simon Group
Antoni Arola design for Fluvia
Loop invites you to create

inspiring spaces of shapes and light.
Frankfurt am Main
18-23.3.2018
Hall 1.2/C-50
SPOTLIGHT
Light.ication v2.0
Dubai
Light Middle East 2017 saw the return of Light.ication celebration signals the start of the Holi Festival. Initially,
- an event created by Sakina Dugawalla, Principal white light is used to depict calmness. A white sheet
at Light.Func, that inivtes architecture and design and artefacts dabbed in colour become visible, bathed
students to work with lighting designers on special, in total white. Music progresses and washes of colour
one-off installations. illuminate the booth blue, red, yellow and green,
The second installment of the event featured Nathan merging to the point that you can no longer tell them
Savage Lighting Design, Heba Hani, CD+M Lighting apart.
Design Group and DPA Lighting Consultants working Using different effects, visitors are immersed within a
alongside students from Heriot Watt University Dubai shadow play, rushing lines of light that chase all around
Campus, Manipal University Dubai and American the booth, finally glowing remnants of the festival are
University in Dubai. visible as handprints, pebbles and markings. Music and
The theme of this year’s event was Holi Festival - light are used in tandem, moving from calm, play, flurry
Interpretation of Light. “Following on last year’s Culture of excitement, to aftermath.
of Light theme, the Holi Festival seemed apt for The judges, comprised of Martin Valentine, lighting
what it represents - culture, colour, excitement, fun, expert at Abu Dhabi Municipality and now Global
interaction,” said Dugawalla. Design Director at Ligman; Brendan Keely, Secretary
“The whole idea behind Light.ication is to infuse an at the Society of Light & Lighting; and Simon McNally,
otherwise serious take on lighting design, with fun and Director at McNally Design International, were
mentorship, and to raise awareness for the creativity impressed by how simple the concept was, the
that the lighting design community strives for. I am attention to detail, and very realistic immersion of each
so proud of the students for their hard work, the visitor within their installation that gave the experience
manufacturers for their tenacity and support, and for of being part of the Holi Festival.
the studios who gave back so much to the community In arc 101, we mistakenly accredited DPA and the
and really went the distance.” American University in Dubai as winners. We apologise
The winning entry came from CD+M and Heriot for this error and for any damage this may have caused
Watt University, whose concept was to have visitors to CD+M and the students at Heriot Watt University.
experience the Holi Festival. www.lightme.net
People dressed in white, throwing colour around in www.lightfunc.org
PROLICHT
MAKES A
DIFFERENCE
FRANKFURT A.M. | GERMANY
18–23 MARCH 2018
HALL 3.1 | BOOTH A41 + A46
WWW.PROLICHT.AT/LB18
MANDARIN ORIENTAL NEW YORK

PARTNER: ZANEEN | INTRERIOR ARCHITECT: TIHANY DESIGN
LIGHT PLANNING: FOCUS LIGHTING OF NYC | PHOTO: GEORGE APOSTOLIDIS VISIT USON:
VISIT US ON:
NDYLIGHT
NDYLIGHT is a total lighting design consultancy with
a holistic approach, considering a building’s 24-hour
use and appearance. The company’s designs are highly
integrated into the architectural and interior designs
and push boundaries with regards to the technologies
and energy use.
Centrum Chodov Shopping Centre

Prague, Czech Republic
Due to its status as a landmark of Prague, and a focal shopping centre
for locals and tourists alike, the lighting design for the refurbishment and
expansion of Centrum Chodov required an innovative approach that
complemented the purpose of the building, and the architectural features
throughout the space.
The major feature of the lighting design is the curved lighting installation
that flows throughout the main traffic spaces, providing general illumination
as well as a calming sense that encourages casual yet purposeful
movement through the thoroughfares. The key element of the design was
the smart integration of the luminaires within the architectural features.
The main thoroughfares are lit in exacting detail, with the lighting integrated
into the ceiling features to conceal the fittings as much as possible. This
created a seamless transition between spaces, while keeping the lighting to
a comfortable level throughout. The project featured a tight timeline, as well
as a preference for local light fittings to aid maintenance costs. NDYLIGHT
collaborated with local teams to ensure that suitable light fittings could be
sourced for each lighting effect throughout the mall.
Fenwick New Bond Street

London, UK
NDYLIGHT worked with Fenwick to create a blend in to the shelf design and illuminate the
new ‘look good, feel better’ ground floor for face of the merchandise.
their iconic department store at New Bond A key element was to provide clean ceilings
Street, London. The design intent from Fenwick through the main thoroughfares, with lighting
was to create an experience to escape the concentrated onto each department zone,
hustle and bustle of the retail streets. The leading you to further explore the individual
ground floor lighting design creates clearly displays. The feature handbag shelving
defined areas whilst highlighting the individual incorporates linear LED strips, which will
brands and providing pathways to guide accommodate the frequent rotating of the
shoppers. product. In front of the Handbag display is a
Within the Beauty area, NDYLIGHT were able number of circular, ‘floating’ antique mirror and
to use a designed suspended beauty wheel bronze displays. These displays incorporate
to accentuate the smaller concessions by a coffered ceiling with concealed lighting to
back illuminating each brand signage and help create a floating effect. As part of the
using directional LED downlights to focus refurbishment, NDYLIGHT were able to replace
the illumination to the display cabinets. The the existing fittings with new LED energy
delicate shelving within the Skin Wall area efficient fittings, helping the store reduce their
received discrete, decorative spotlights that energy consumption.
SNAPSHOT
Medibank 720 Bourke Street

The Medibank fit out at 720 Bourke Street environment with multiple meeting spaces
includes a range of architectural and interiors and work settings. The lighting design to this
elements that push it to the leading edge of space is focused around the development
workspace planning. One of the key elements of a feature suspended light form to
as part of this strategy was the Plaza level. provide functional ambient lighting to the
On this level, four collaborating design teams various spaces that visually linked with non
developed separate spaces that link together illuminated feature ceiling elements to create
to form the whole. Each of the spaces a visual layer / pattern above the meeting
provides a different type of space, a different spaces below. In addition to this, localised
usage type and ultimately, a distinct visual pendant lights were used to define separate
and workspace experience. spaces in the open area while articulated arm
The Kerry Phelan Design Office (KPDO) lights allow adjustable lighting to the one-
clubhouse was designed to provide a lounge person settings.
Collins Square Conference Centre

Working with the design team from Carr Design design elements, such as the uplights integrated
and Walker Corporation, NDYLIGHT developed into the wine racks in the private dining area
the lighting systems throughout all the front-of- that accentuate the rare and valuable vintage
house spaces of this new facility. Spread across wines available, thus supporting the exclusivity
two levels, these areas include the reception and and luxury requirements for this project. The
bar area, pre-function space, dining room, flexible use of integrated lighting systems in key areas
meeting rooms, conference room and a range dramatically adds to the occupant experience of
of other meeting spaces. The client required a the spaces. With the dark finishes palette, lighting
lighting solution to create a feeling of quality and is used to accentuate specific design elements
exclusivity. providing drama and focus. This project is a prime
To achieve this, NDYLIGHT used a blend of example of how architectural lighting can add
uniformly spaced lighting elements, rear value to a project, and the benefits of considering
illuminated feature walls and joinery. Directional integration and placement, rather than the
luminaires were used to highlight particular traditional blanket coverage of lighting schemes.
NDYLIGHT
NDYLIGHT is a specialist division of
Australian consulting firm Norman Disney
& Young, a Tetra Tech company with
offices in London, Melbourne, Sydney and
Auckland. They specialise in Architectural
Lighting Design with a team that come
from a wide variety of backgrounds
directly from, or allied with, lighting – such
as industrial design, interior design and
theatre. In the 29 years since its formation
in 1989, they have designed projects from
Abu Dhabi to Uzbekistan; from boutiques
to sports stadiums; from Stonehenge to
high-tech fit-outs, and its award-winning
projects and repeat clients are testimony
of its success over the last 29 years.
www.ndylight.com
BRIEFING
Giovanni Bonazzi
Following the announcement that 3F Filippi had acquired Targetti, arc caught up with Giovanni Bonazzi,
CEO of 3F Filippi to talk about the acquisition, and what it will mean for the two brands going forward.
What is the history of 3F Filippi? How will the 3F Filippi and Targetti brands sit together?
3F Filippi (Fluorescent Fixtures Filippi) was founded in 1952, by my Even if this acquisition has created one of the most important
father, Romano Bonazzi, and his partner Martino Filippi, who died Italian lighting groups, it is important to remember that we never
a few years later due to a traffic accident. The company aimed to thought about merging the two companies. They will continue to
design, produce and sell lighting fixtures equipped with fluorescent move autonomously, in order to keep valuing the approximately 600
technology. The decision to enter this sector was based on the employees who every day contribute to the growth in their concerned
growing demand for high efficiency systems, able to illuminate the sectors. We are extremely satisfied with how the company has been
ever-increasing number of industrial plants that opened their doors managed up to now, and we have found an excellent management
every day in post-war Italy. My father understood the great potential team and a close-knit and motivated team of collaborators.
of the lighting market development in our country and abroad, and That said, we will do everything to ensure that the pluses of one can
continued to run the company along with my mother Mirella until five become, from now on, a competitive advantage for the other. For
years ago, when he left 3F Filippi to me and my sister Cristina. example, I am convinced that the considerable commercial know-
how gained over the years by Targetti in markets such as China, USA,
What is your role at 3F Filippi and how did you get there? United Kingdom, Russia and the United Arab Emirates will also be
I hold the position of Chief Executive Officer, but I have been working useful to 3F Filippi to develop its business in these countries, where it
in the family business for many years. After completing my studies, in has had little presence until today.
fact, I joined 3F Filippi, dedicating myself to commercial activity and
marketing. Over the years, I gradually joined my father in the choice of Will there be any more acquisitions in the future?
strategies to be undertaken. Even if we never say never, I believe that in the next few years we will
be purely concentrated in the growth of current brands, including that
Why did 3F Filippi acquire Targetti? of Duralamp (a subsidiary of Targetti).
In our 66-year history, we have achieved high-level performance in our
reference markets, such as industry, commerce and the tertiary sector, What will you be showing at Light+Building?
and have a consolidated experience in the design and production of Of course Light + Building will see the participation of both brands,
efficient technical lighting systems. Our will to constantly test ourselves each with its own stand. In the case of 3F Filippi, some new versions
led us to take over a historic brand such as Targetti, aiming to expand of our appliances for industry and retail, much better performance
our product range and develop industrial synergies with a move into than the previous ones, will be shown to the visitors. Moreover, the
the field of architectural lighting for indoor and outdoor environments. company will present a world premiere of some new lighting fixtures
Furthermore, the wide range of products allows us to proudly bring dedicated to work spaces, and in particular to the office. These are
‘Made in Italy’ to more than 50 countries, and grow further in markets products that we are planning and developing together with some
with great prospects, such as the USA, United Kingdom and China, important Italian architectural firms.
thanks to the dense sales network and to foreign branches.
How do you see the architectural lighting industry developing in
Was it a straightforward process or was there a lot of negotiation? the future?
It was not a long negotiation (just consider that the IDEA Fund had I believe that a future full of challenges awaits us. The progressive
acquired Targetti less than a year ago). Once we established that affirmation of LED in every sector, for example, will “push” companies
there was no lack of opportunities to grow together on international to complete the adaptation of their devices by equipping them with
markets, we did not find it difficult to close the deal. this type of light source. But the challenge will also be commercial. The
most successful companies in the coming years will be the ones able
What are your plans going forward with the Targetti brand? to offer the best on the market, with a wider range of offers. Leaving
Our aim is to bring the Targetti brand back to the growth levels of aside, at least in part, the world of design-oriented lighting, I think that
a few years ago. It is a difficult challenge, the one we are facing, but the greatest successes will be achieved by those companies, or groups,
we are convinced that, thanks to adequate synergies with 3F Filippi, which will provide any type of lighting solution, setting themselves not
the Florentine company has what it takes to regain the prestige it as a simple products supplier, but as a a real partner that offers high
deserves. added value solutions for the customer.
www.3f-filippi.com
Make your Daily life more Vivid
I t ’s n o t a b o u t a d d i n g o r f a k i n g c o l o r s .
I t i s a b o u t b r i n g i n g o u t t h e s u b t l e b e a u t y.
Standard CITILED
LED Vivid Series
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DARK SOURCE
Dark Source Stories

created by Kerem Asfuroglu
instagram.com/darksourced
Specification Integrity:
Getting from A to Built
John Martin, IALD
Public Policy
Consultant, talks us
through the IALD
and LIRC’s newly
published Guidelines
W
hat is Specification Integrity and why is it
important?
Every designer – in any medium – has been
for Specification there: that moment when you see the final
outcome of a project but don’t recognise
Integrity.
your own work. Something’s happened
along the way and the design has been
changed. If it can happen at the micro level where collaboration
is minimal – say a ruined poster from a copy shop – the risks
of altered design at the scale of the built environment are quite
literally monumental.
Specification Integrity refers to the importance of maintaining
the lighting designer’s original specification – and design intent
– throughout the design-bid-construction process. A perennial
challenge in the process of creating the built environment is how
to ensure that what is designed is what is built.
For designers, defending specifications against assaults is
important. It is generally pretty obvious to designers, but not
always to everyone else, that only by following the specifications
for a job can an installation embody the design intent and achieve
desired impact and results. Those results can range from occupant
comfort to increased retail sales and everything in between;
they depend on building the project as designed. In short: design
matters, and that means specifications matter.
Where do threats to specs come from?

In general, threats to specifications arise for financial reasons.
One or more participants in a project think a less expensive
product will accomplish design intent as well as a product
specified. Financial arguments can take many forms: budget
constraints, “value engineering”, reductions through single-
source “packaging”, or contractor substitutions. Each of these
rationales suggests that different products from those specified
will accomplish the same project goals. The designer knows that
such substitutions usually won’t achieve those goals, and the trick
is to convince everyone else of that fact.
How can a designer ensure Specification Integrity?

The twin keys to ensuring that projects are built as designed are
excellent specifications and strong relationships. “Excellent
specifications” are written clearly and concisely; they are
thorough and based on solid technical and optical data, informed
by the designer’s aesthetic judgement. They are based on a
John Martin, IALD Public Policy Con-
sultant, Senior Design Associate, KGM systematic approach to lighting challenges backed up by data and
Architectural Lighting experience.
IALD
Relationships are equally important in making sure that projects

are built as designed. Lighting designer Kevin Theobald, IALD, says:
“Writing a ‘water-tight’ spec is only helpful if you get everyone on
your side. You must be able to explain to owners, contractors and
others the reasons for your choices, so they see the logic of your
choices and how your design works.”
If a spec is excellent and a designer’s relationships are strong, the
result is credibility. Theobald points out that “‘Because I said so’
will not convince a design team or an owner to rely on you; you must
build relationships and show you know what you are doing.”
Defend the Spec at each step.

Threats to lighting specifications may arise at any point in the project
process. If possible, a lighting designer must remain involved in a
project at all stages of design, bidding, and construction. Theobald
points out: “It is necessary to reinforce your ideas, your credibility
and your expertise with the design and construction teams at every
point. You never know when substitutions will be tried.” Lighting
design practices often work globally, and similar threats go by
different names around the world, but the keys are always the same:
knowledge, involvement, communications and relationships.
IALD resource addresses Specification Integrity.

In late October 2017, the IALD and its manufacturers’ offshoot, the
Lighting Industry Resource Council (LIRC), released the 2017 Pilot
Edition of the Guidelines for Specification Integrity, an update and
reworking of a document first published in 2009.
To make the material as easy to use as possible, the guidelines are
available as an online, downloadable publication with internal
links and references. Moreover, the IALD and the LIRC intend the
materials to evolve and improve over time. The pilot edition is a
starting point for “crowdsourcing” improvements to the document,
as we invite readers to share any additional checklists, examples,
stories, or suggestions from your practice. Share your ideas and
submissions for additions with me by emailing me at john@iald.org.
Adherence to specifications helps both designer and manufacturer—
the former by ensuring that the project is built as designed, and the
latter by ensuring that the products best suited for the project are
incorporated into it. The updated “Spec Integrity” materials help
clarify and publicise the importance of adhering to specified products
in every project.
The Specification Integrity is available online at

http://iald.me/specinteg
Eye Liner
Designed by Dutch architects MVRDV along
with the Tianjin Urban Planning and Design
Institute, Tianjon Binhai Library, nicknamed
‘The Eye’, features illuminated floor-to-ceiling,
terraced bookshelves able to hold 1.2 million
books, and a luminous sphere that serves as
an auditorium with a capacity of 110 people.
PROJECT DETAILS
Tianjin Binhai Library, Tianjin, China
Client: Tianjin Binhai District, China
Architect: MVRDV, Netherlands
Co-Architect: Tianjin Urban Planning and Design Institute, China
Lighting Design: Tianjin Architecture Design Institute, China
All pics © Ossip van Duivenbode
PROJECT
Pic: Justin Ford
BORA
PROJECT
I
Above The Eye is bathed in cool white light t’s not often that a newly opened echo the form of the sphere to create an interior,
creating a contrast with the natural, 4000K
cove lighting of the terraced bookshelves building normally associated with topographical, landscape whose contours reach
and ceiling contours.
dusty, quiet rooms and bland out and wrap around the façade. In this way, the
architecture attracts so much interest stepped bookshelves within are represented
in the international press. Both architectural and on the outside, with each level doubling up as a
popular media have drooled over the extraordinary louvre. The library’s open glass façade opens to
design of the Tianjin Binhai Library in China by the park outside so it is a light, airy and welcoming
Dutch architects MVRDV and local designers space.
Tianjin Urban Planning and Design Institute “The Tianjin Binhai Library interior is almost
(TUPDI). The 33,700sqm cultural hub, part of a cave-like, a continuous bookshelf,” says Winy
larger masterplan to provide a cultural district for Maas, co-founder of MVRDV. “Not being able to
the city, features a luminous spherical auditorium touch the building’s volume we ‘rolled’ the ball
and floor-to-ceiling cascading bookcases not only shaped auditorium demanded by the brief into the
as an education centre, but also social space and building and the building simply made space for
connector from the park into the cultural district. it, as a ‘hug’ between media and knowledge.”
An oval opening punctured through the building is Maria Lopez, MVRDV’s project leader,
propped open by the Eye, a luminous sphere with commented,“The library building can be
an auditorium, which takes the main stage within understood as a zipper that transitions gradually
the atrium and enlarges the perceived space from a normal building to its eye (spherical) core.”
within. The building is lifted upwards creating MVRDV made proposals for the lighting design
cascading floor to ceiling bookshelves that also during the design phase but eventually this task
act as seating and walkways leading to more fell to TUPDI who designed the lighting for the
private reading rooms. Terraced bookshelves atrium and then assigned Tianjin Architecture
Design Institute (TADI) for all other areas with
lighting designer Huayi Jianyuan leading the
project for TADI.
“Lighting was crucial to meet the The terraced bookshelves and ceiling relief are
highlighted by natural white flexible cove lighting
final result. The lighting supports

(provided by Osram 4000k Value Flex G2) that
echoes the form of the sphere creating a luminous
the concept of the interior which

topographical landscape whose contours reach
out and wrap around the façade. In this way, the
stepped bookshelves within are represented
flows as a continuous element on the outside, with each level doubling up as a

louvre.
through space.” By contrast, the Eye is illuminated in cool white

emphasising this remarkable structure within the
building.
Maria Lopez, project leader, MVRDV Maas said: “The Eye is the centre of the library. It
“The angles and curves are meant to
stimulate different uses of the space,
such as reading, walking, meeting and
discussing. Together they form the ‘eye’
of the building: to see and be seen.”
Winy Maas, co-founder of MVRDV
Pic: Vincent Laganier, Light ZOOM Lumiere

“The contours connect the international team of architects including
Bernard Tschumi Architects and Bing Thom
library to the park outside

Architects.
The five-level building also contains
and the public corridor inside,

extensive educational facilities, arrayed
along the edges of the interior and accessible
through the main atrium space.
serving as louvres to protect “We opened the building by creating a

beautiful public space inside; a new urban
the interior against excessive living room is its centre,” added Maas. “The
bookshelves are great spaces to sit and at
sunlight whilst also creating a

the same time allow for access to the upper
floors. The angles and curves are meant to
bright and evenly lit interior.”

stimulate different uses of the space, such
as reading, walking, meeting and discussing.
Together they form the ‘eye’ of the building:
to see and be seen.”
Maria Lopez, project leader, MVRDV
The public program is supported by
subterranean service spaces, book storage,
and a large archive. From the ground floor,
‘hollows out’ the building and creates, out of visitors can easily access reading areas for
bookshelves, an environment to sit, to read, children and the elderly, the auditorium, the
to hang out, to climb and to access, to create main entrance, terraced access to the floors
an organic social space. In its heart is the above and connected to the cultural complex.
auditorium which mirrors the environment, The first and second floors consist primarily
giving a 360-degree panorama of the of reading rooms, books and lounge areas
space inside; a truly reflective and pensive whilst the upper floors also include meeting
environment.” rooms, offices, computer and audio rooms
The futuristic library sits within a sheltered and two rooftop patios.
gallery, topped with cathedral-like vaulted Tianjin Library is part of German architects
arches, which winds its way throughout the GMP’s 120,000sqm masterplan which aims
scheme. MVRDV’s project is surrounded by to accentuate the characteristics of the
four other cultural buildings designed by an surrounding districts. Through its design,
PROJECT
Above Lighting design of the interior

was realised by Huayi Jianyuan of Tianjin
Architecture Design Institute (TADI),
contractors for the project brought on
board by local designers Tianjin Urban
Planning and Design Institute (TUPDI) who
were co-architects with MVDRV.
Overleaf The contoured bookshelves
create a multi-layered interior that add
elements of light and shade to the design.
project
the complex will become a junction point for the

Central Business District, old town, residential
districts, commercial areas and the government
quarter; hoping to compensate for any missing
programme in each. The library’s outer volume
was given in the masterplan so the Eye and its
surrounding semi-public area are an internal
space, like an inverted icon, acting as a central
point and folly in the building.
The library is MVRDV’s most rapid fast-track
project to date. It took just three years from the
first sketch to the opening. Due to the given
completion date site excavation immediately
followed the design phase. The tight construction
schedule forced one essential part of the concept
to be dropped: access to the upper bookshelves
from rooms placed behind the atrium. This change
was made locally and against MVRDV’s advice and
rendered access to the upper shelves currently
impossible. The full vision for the library may be
realised in the future, but until then perforated
aluminium plates printed to represent books on
the upper shelves.
In the Kindle era, the difficulty of getting people
to visit libraries to interact with books is obvious.
LIGHTING SPECIFIED However, since its opening in October 2017, visitor
3km Osram Value Flex G2, figures have gone through (or should that be,
800lm/metre, 4000K, CRI80 undulating through) the roof. MVRDV has created
(the rest of the luminaires are an iconic piece of architecture that will live long in
locally sourced) the memory for as long as books are still enjoyed.
Mean Well power supplies
www.mvrdv.nl
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Light is The Word
In the face of austerity, Desco teamed up with FaulknerBrowns
Architects to create The Word, a stunning new library and social
hub for the community of South Shields.
Pics: Hufton & Crow
PROJECT
PROJECT DETAILS
The Word, South Shields, UK
Client: South Tyneside Council
Lighting Design: Desco, UK
Architects: FaulknerBrowns Architects, UK
PROJECT
I
n the UK, the impact of austerity Because of this, the design and construction team
measures over the past few years has created a shining example of an attractive,
hit certain sectors hard – particularly efficient civic building, encompassing design
public libraries. Cut backs on features that reflect the town’s industrial and
expenditure have led to a raft of library closures manufacturing heritage, enhanced by a
across the country, and for all intents and complementary, bespoke lighting scheme,
purposes, it appeared that the local library was developed by Desco, to attract and engage visitors.
fading from British society. Desco had previously developed a good
So much so that figures recently published by the relationship with FaulknerBrowns, having worked
Chartered Institute of Library and Information on numerous projects together over the years.
Professionals, there has been a 14-percent decline Through this existing relationship, Desco were
in library visitors over the past five years. recommended by the architects to Muse
That is not the case in South Shields though, as Developments to join the team.
thanks to FaulknerBrowns Architects, Muse From this initial recommendation, Desco was
Developments and Desco, a stunning new library involved from the project concept through
building has been constructed. coordination, installation, commissioning and all
Dubbed The Word, the new building is not just the technical aspects of the lighting scheme,
intended to be another run-of-the-mill library, including prototype design and approval.
but an outstanding social hub for the community, Alongside this, they worked with manufacturers
with it’s unique circular structure designed by Hacel and Atelje Lyktan to develop some bespoke
FaulknerBrowns to mimic the fanning pages of an lighting solutions.
open book. James Davison, Senior Design Engineer at Desco,
Located on a prominent gateway site linking South explained how he worked with the architects to
Shields’ riverside area with the town centre, The develop the lighting concept: “FaulknerBrowns’
Word is one of the first projects for the initial concept of an open book with the pages
redevelopment of the area, and as such the scheme fanned out was also the main inspiration for the
Previous page The unique circular
design of The Word was intended needed to be successful to provide a striking new lighting design.
to mimic the fanning pages of an
open book. focal point in the North East town’s marketplace, “The concept matured as the client’s ambitious
Above Inside the building, an
expansive, three-story atrium
in which its community can take great pride, and vision for a more wide-ranging, exciting visitor
dominates the space. from which the wider regeneration will develop. attraction emerged. As the brief and client
If you can draw it, we can produce it
The ateljé Lyktan Studio specialises in bespoke solutions for architectural lighting
The Word Library, design by FaulknerBrowns

6,5 m diameter fitting with 66 independent colour changing light drums
PROJECT
PROJECT
Previous page A bespoke chandelier,

developed by Desco in collaboration
with Atelje Lyktan, acts as the heart of
the building. The chandelier features
tuneable white LEDs that gradually
change colour temperature throughout
the day, simulating the progression of
natural daylight.
Left Large glass walls fill the building
with natural light, while offering views
of the River Tyne and the neighbouring
Grade I listed Old Town Hall: two
enchanting aspects of the building’s
historic context.
“Faulkners had a expectations gradually evolved, so too did the lighting design,
retaining a flexible approach to the design being the key element.
very keen sense of

“Faulkners had a very keen sense of how they wanted the building to
look and the lighting needed to tie into this vision whilst maintaining
how they wanted the

the element of flexibility throughout the building.”
However, while the lighting design needed to be flexible, there also
had to be a sense of uniformity. As the highly sophisticated building
building to look and includes library and exhibition spaces, alongside a number of key
areas allowing interactive exhibitions, storytelling and social spaces,
the lighting needed all co-existing alongside contemplative and study zones, Desco
sought to utilise a singular concept to illuminate all these areas,
to tie into this vision.”

creating a sense of commonality in the space.
Davison explained: “We developed the notion of a linear extrusion
with multiple uses, which could be interchangeable to reflect the
fluid nature of the architecture. These linear ‘spokes’ tied in with
James Davison, Desco
FaulknerBrowns’ concept and the overall ‘language’ of the building.”
The multiple uses of this bespoke linear extrusion meant that Desco
was able to adapt to the changes throughout the building as the areas
and room boundaries ebbed and flowed by modifying the luminaire
components to suit the spaces.
“Within the main luminaire housing there are three main sections,”
Davison elaborated. “High output linear sections to illuminate larger
areas and displays, track mounted spotlights to emphasise
exhibitions and key artwork pieces, and lesser output linear sections
with a more controlled and diffused light for areas where glare
control was paramount – offices and reading areas.
“By interchanging these elements within the confines of the original
‘spoke’ design, we were able to be extremely agile to the client’s
changes.”
This bespoke linear lighting design serves to complement the
The Light.
18. 3. – 23. 3. 2018 | Frankfurt
Hall 2.0, Booth A30/B30, B31
Museo delle Culture (MUDEC), Milan | IT

David Chipperfield Architects
Lighting solution: ARCOS
zumtobel.co.uk
MuseoCulture_236x333en_mondoArc.indd 1 29.01.18 13:43

PROJECT
“I enjoyed the challenge

of creating a lighting
design that responds to
and complements the
architectural concept.”
James Davison, Desco
structure’s circular, ‘fanning pages’ effect, storey atrium. The whole building seems to channel
extending from the building’s centre outwards, to visitors into this fabulous space, and the lighting
align with the architecture. The fluid solution of revolves around this concept. The linear lighting
multiple linear sections within a single extrusion emphasises this, while providing an optical illusion
brings a sense of continuity to the design aesthetic that the entire building is sloping inwards.
while maintaining the desired element of flexibility. At the heart of the development is a bespoke,
Desco collaborated with local manufacturers Hacel 6.5-metre wide LED luminaire, designed by Desco
to create this linear system, as Davison explained: and FaulknerBrowns in collaboration with Atelje
“Hacel were in the midst of developing a linear Lyktan. The chandelier – the largest single fitting
lighting system and we were able to exploit this ever manufactured by Atelje Lyktan, was custom-
process and tailor the luminaire to our needs. made to fit an architectural ceiling recess with the
“We started with the continuous extrusion – this depth of the fitting dictated by the architect’s
needed to come in different lengths to tie in with the vision. The installation is comprised of 84 ‘drums’
architecture. Once this ‘carcass’ was established, mounted to a bespoke frame. As the chandelier is
the individual components could be inserted almost literally bolted to the soffit, all cables were hidden
like piecing together a jigsaw.” within the bespoke mounting frame of the luminaire
The main feature, Davison explained, that installation, with the cabling cast within the
differentiates this system – which later became concrete before the installation design had been
Hacel’s Infinitas – with other linear installations is completed.
the inclusion of the track section. This means that The chandelier was incorporated with tuneable
the spotlights incorporated within the ‘carcass’ white LEDs, allowing for the atmosphere and mood
allow a single extrusion to run for, in some cases, of the building to be altered depending on the time
more than 10-metres, illuminating several areas of day, as Davison explained: “The colour
differently while maintaining a sense of temperature of the fitting is designed to simulate
commonality. daylight; a warm 2700k light in the morning
On entering the building, a halo of LEDs integrated gradually changes to a colour temperature of 6500k
into the soffit of the overhanging upper floors as the sun peaks, then turning back to 2700k tones
illuminates the building’s perimeter at ground level, at sunset.
encouraging the public to engage with the building, “As the colour of the light changes so gradually,
while the glazed triple height atrium floods the most people don’t realise the subtlety of the effect
space with natural light, while providing stunning directly. This gradual change results in the mood of Previous page A large, sweeping
staircase allows access to the centre’s
views of the River Tyne and the neighbouring Grade I the building changing over the course of the day, four floors.
Above By using a bespoke linear
listed Old Town Hall – two enchanting aspects of the with the building awakening with the sun in rich lighting system, developed in
collaboration with Hacel, Desco
building’s historic context. golden tones, achieving its peak effect at midday were able to adapt to the changes
Due to its circular shape, the whole building appears with a very clean natural light, and gradually throughout the building and modify
each luminaire component to suit
to emanate from a central point, the large, three- returning to the early colours, changing and each individual space.
PROJECT
Left The whole structure appears to

emanate from a central point: the large,
three-storey atrium, as the linear lighting
system creates the impression that the
entire building is sloping inwards.
Below The LED solution of linear sections
and adjustable spotlights within a single
extrusion brings continuity to the design
aesthetic, while also maintaining the
element of flexibility.
evolving the atmosphere of the building Davison asserted that Desco has, through its
throughout the day.” experience in the leisure sector, worked on
Desco was also responsible for the external projects of a similar nature in the past,
lighting design, in which they aimed to although he did concede that the approach
enhance and enliven The Word’s context towards this building was quite different to
within the public market square, creating a other projects.
new meeting place and community event “Sometimes a client or architect gives an
space. Peripheral lighting with a mixture of open brief to the lighting design – they’re
Concord uplighters and integrated LEDs not sure exactly what they want but normally
clearly defines routes and complements the have a strong idea of what they don’t! With
architectural form of the building, helping to The Word though, the concept was well
draw visitors in. The Word defines its established and the challenge became one of
landscape, and the external lighting scheme ensuring the brief was met and maintained,”
helps to transform and emphasise the he said.
structure at nighttime. “The other major factor in how this differed
FaulknerBrowns worked hard to ensure that from other buildings is the shape – there
the building, while remarkable in its shape aren’t too many spherical buildings built
and design, still held true to its these days! I enjoyed the challenge of
surroundings, paying homage to South creating a lighting design that responds to
Shields’ industrial heritage with a palette of and complements the architectural concept.”
materials chosen by the architect including However, Davison revealed that, while he
coal, salt, glass, stone and metal. enjoyed creating the lighting design for The
“As such, the colour temperature of the Word, trying to maintain the aesthetic while
luminaires needed to be correctly chosen to having an eye on lighting requirements of
bring out the rich tones in each of these such a firm, restrictive geometric pattern
materials,” said Davison. “All of this occurs was a ‘real issue at times’.
within the confines of dark sky initiatives to “Avoiding over illuminating at ‘peak’ areas,
reduce light pollution, which is something i.e. where the linear extrusions meet, meant
we were very keen to achieve. a lot of work was done on the DALI lighting
“It would have been very easy to bathe the control system,” he said. “We dimmed the
building in light but we have picked out key lines of light as they became closer together,
components to the external façade instead, but not too much so as it would be instantly
allowing the building to be highly engaging. noticeable – we wanted to maintain a sleek,
“The external lighting was also selected and uniform light.
placed to highlight the circular nature of the “It’s a detail that isn’t immediately obvious
building, where traditional façade lighting and possibly passes most by, but it’s
would have made the building appear flat and something that for me, although relatively
lifeless, the shape is highly accentuated by simple, really captures the extremely
the scheme without ever overpowering it.” detailed thought pattern that has been
Despite The Word being an incredibly unique applied to the lighting design.”
building, particularly for a library in the UK, This detailed thought process has led to the
Smithsonian National Portrait Gallery, Washington, DC • Lighting design and photography by Smithsonian staff
Luminaires by Lighting Services Inc. • Light sources: XIM Artist Series, CoB and point sources
Lighting control by Xicato GalaXi™ , Zigbee, Medialon
Building a Successful Coalition

(for Lighting Control)
Xicato GalaXi is a professional quality, fully featured Bluetooth lighting control solution that scales from a small home or shop to a
commercial office building or university campus.
But Xicato understands that complex problems require cooperation. At the Smithsonian, our GalaXi system controlled both Xicato
and non-Xicato light sources in a shared lighting control network with a third-party Zigbee system, all controlled by the Smithsonian’s
Medialon building management system (BMS). Our new Xicato Intelligent Drivers (XID) can provide deep, flicker-free dimming for
virtually any indoor luminaire, and the simple Xicato Intelligent Gateway (XIG) API allows us to work with any 3rd party lighting control
system or BMS.
Despite the apparent complexity of this network, the Xicato GalaXi system and API were so easy to work with that Alex was up and
running within hours.
How can we work with you?
See our multi-vendor GalaXi network at Light+Building Smithsonian

Outdoors, in the Agora (AG.0), Stand A10
Institution
@XicatoInc ™
xicato.com
AD 180206 Smithsonian.indd 1 2/14/18 9:46 AM

PROJECT
creation of a very effective lighting design “Against the backdrop of gloomy figures recently
throughout the new centre, serving both on a published by the Chartered Institute of Library and
functional basis to emphasise the architectural Information Professionals, The Word’s statistics
form of the building, blending into the overall are very welcome news,” added Davison.
concept of the design, and also as a statement One of the most impressive feats of The Word
piece, with the bespoke Atelje Lyktan chandelier though, Davison believes, is that it was completed
dominating the three-storey space without ever not under the big budget that privately-funded
looking out of place. developments are, but the slender means of a local
“Both major applications achieve their goal and authority deep in the midst of austerity measures,
demonstrate the technical capabilities and making the success of the project all the more
expertise available,” said Davison. “Sometimes it is remarkable.
difficult to imagine how a building will look, “All aspects of the design needed to reflect this,
lighting specified especially from 2D plans and even 3D models as the including the lighting package,” he explained.
light interaction within a space may differ in reality. “Our cloth needed to be cut accordingly whilst
Atelje Lyktan Bespoke Lighting
“With The Word however, the vision we wanted to maintaining a high level of design. This was
Solution.
Atelje Lyktan Birdie achieve was clear and the similarities between our achieved by good design, collaboration and
Concord Ascent 50 initial concept sketches and calculations and the innovative thinking; all leading to the
Concord Beacon Muse finished building is striking.” development of an iconic and flagship structure.”
Erco Star Point Since its completion, the impact that The Word has Overall though Davison is delighted that The Word
Fagerhult D63 had on the South Shields community has been can serve as a social hub for the local community,
Fagerhult Notor LED
reflected in its success. Figures revealed that in its providing a beautiful new location for residents to
Fagerhult Pleiad Evo
first two months of operation, this new cultural take pride in and taking that all important first
Fagerhult Pozzo
Hacel Bespoke Solution (Fitting venue has attracted 88,000 visitors, and as further step in the regeneration of the town centre.
that became the Infinitas) evidence of its success to date, 867 new readers “South Tyneside Council’s aspiration for the
Lumiance Lumistrip have joined the library – an increase of nearly scheme was for it to be an icon for South Shields,
Simes Megaring 400-percent compared to the same period at the promoting footfall and tourism back into the town
Simes Minizip old Central Library. Alongside this, there has been centre. The impressive visitor figures and positive
Simes Movit Square
a staggering 750-percent increase in library users feedback serve to demonstrate how The Word and
Simes Nanoled
in the teenage demographic, which Davison puts its intelligent and eye-catching design is already
Simes Rotating LED Tube
Simes Walker down to the “sleek, modern and welcoming design achieving that aspiration and helping to shine a
Trilux Polaron IQ of the building” being a major contributing factor national spotlight on culture and design excellence
Zumtobel Craft in creating appeal for new and future generations in the North West of England.”
Zumtobel Micros of readers to come. www.desco.uk.com
50°06’36.8”N 8°38’53.2”E
18 - 23. 3. 2018 | Hall 3.1 Booth B.61

Frankfurt am Main
Artwork_mondoarc.indd 1 15/02/18 16:00

Book Smart
We take a closer look at some of the other stunning library
projects being completed around the world.
Albion Library
Toronto, Canada
As the urban base for Toronto’s diverse Rexdale neighbourhood, Albion is one
of the city’s busiest public libraries. A responsive design approach by Perkins
+ Will delivers a tailored solution for a unique community in need of a
reimagined social epicentre.
Reminiscent of a walled garden, the dynamic façade gives the illusion of a
front porch trellis – its privacy veil injecting colour into the street.
Intentionally reflecting the vibrant personality of its local community, Albion
Library brings a colourful counter to the suburban streetscape outside.
Inside, the library footprint is divided into a series of open zones, and careful
composition of these spaces creates a rich and varied plan that accommodates
open, cellular and private spaces, ensuring ease of access and diversity of
experience. Courtyards weave nature and natural light deep into the library’s
interior, while bright colours and geometric shapes create a sense of
informality and playfulness in the curated greenspace.
Notched light is featured throughout; carefully placed windows and lighting
fixtures illuminate each area.
Perkins + Will worked closely with electrical consultant Mulvey & Banani to
come up with a lighting design strategy that would complement the design.
www.perkinswill.com
James B. Hunt Library

North Carolina, USA
Working closely with North Carolina State University (NCSU), Snøhetta
set a new benchmark for technologically-sophisticated collaborative
learning spaces with the design of the new Hunt Library.
As libraries move away from introverted spaces lined with shelves to more
vibrant social and collaborative spaces, the Hunt Library serves as a comfortable
living room for students, as well as their intellectual base-camp on campus.
A contemporary structure within a traditional context, the Hunt Library
provides a forward-thinking platform for influencing its surroundings. Both
technical and programmatic innovations are celebrated as part of the learning
experience, providing a versatile and stimulating environment for the user.
Generous open spaces connect all floors of the library, and open stairs
emphasise the interactive and social environment. The building’s
design celebrates the role that physical space plays in the intellectual
stimulation of its users, with the lighting design reflecting this also.
Self-regulated light fixtures are used in the interiors, while ample daylighting
also reduces the artificial light load. With solar panels located on the roof,
and the roof itself built with a high albedo, minimising the heat island
effect of the building, the library employs numerous sustainable measures
and creatively- integrated technologies to achieve a LEED Silver rating.
www.snohetta.com
PROJECT
Stadkammer
Zwolle, Netherlands
Formed out of Zwolle library and arts centre, 18×64-degree optics, and is mounted end-to-
Stadkamer is a new organisation, and a hub end for a continuous wallwash effect at the
for information and advice, education and top of the curtain wall at a height of
development, language, literature, 7.7-metres. Blade’s narrow elliptical beam
performances, art and culture. creates an even light from top to bottom,
It was opened following a 5,900sqm library helped by the reflecting surface on the bottom
extension and renovation of a former city hall of the concrete wall and façade, which reflects
office building. The defining feature of light upwards. The surface and structure of
Stadkamer’s building is a frosted canal plate plates also reflect the light in a diffuse way to
curtain wall façade, which is one of the first create a homogenous lighting effect.
cortex façades in the Netherlands. The façade The translucent façade gives an understated
is lit from within using acdc’s Blade Micro appearance during daylight hours but once
luminaire, creating a striking, even darkness falls, the building takes on an almost
illumination. magical appearance of a glowing box.
For this installation, Blade Micro uses www.acdclighting.co.uk
Tecnológico de Monterrey
Monterrey, Mexico
Sasaki worked with the Tecnológico de this plaza are the upper floors of the library.
Monterrey in Monterrey, Mexico to By placing the library above this open space,
transform its original 1969 library building views and connections are created across the
into a more relevant and collaborative campus, and the plaza itself is shaded by the
academic hub. The new library, situated on library above. Comprising four floors of
the site of the previous library, embodies the program elements, the library transitions
academic mission of the Tecnológico de from technology-rich collaborative study
Monterrey, a place where students, faculty, spaces at its base to quiet, contemplative
staff, and the region’s industry leaders come study at the top. A central staircase extends
together to access information, study, from the plaza level to the rooftop,
collaborate, and be inspired. culminating in dramatic views of Cerro de la
The ground floor of the library contains a Silla, the iconic mountain that overlooks the
dramatic new student plaza bracketed by a campus.
cafe, an auditorium, a gallery, and a www.sasaki.com
makerspace lab. Dramatically perched above
The Library and Learning Centre

Vienna, Austria
The Library and Learning Centre, designed by Zaha functions together. The lighting reinforces the
Hadid Architects with lighting design by Arup, is intertwined nature of the building through the use
located in the heart of the University of Economics of curved, linear luminaries; and by illuminating
& Business (WU Wien) campus in Vienna, Austria. the walls of the core structural elements with cove
Arup’s lighting designers created the conceptual lighting.
and detailed lighting for the internal public spaces, The circulation spaces that receive a large amount
library, offices, study areas and the exterior of the of natural light are illuminated in a cool, white
building. light, while the library and administration spaces
The lighting was influenced by the architecture – are lit with warm white sources. The source of
two separate intertwined structures within one knowledge and education is therefore a warm heart
space. These two buildings hold the library and of the building that draws visitors and users into
administration offices and are connected by glazed the space.
‘canyons’ that act as a glue to hold the two www.arup.com
“Peer review usually consists of the influential members of
your field reviewing your work and deciding whether it is
important and unique…. This dynamic reinforces the cliché
of academics: learning more and more about less and less.
It causes a hyper-specialisation where people in different
areas have a very difficult time collaborating–or even
communicating–with people in different fields.”
- Whiplash: How to Survive Our Faster Future
PROFILE
Renowned Finnish
designer, innovator, artist
and entrepreneur, Tapio
Rosenius is on a quest
to explore and question
major topics within the
lighting industry.
G
rowing up close to the Arctic Circle, Tapio
Rosenius has experienced and learned a very
alternative perspective and interpretation of
light compared to many of us. With extreme
variations in hours of daylight during the
year and near enough none during the winter,
Rosenius developed a strong fascination with
how natural light is a constant, malleable force, which would in turn
heavily influence his creative work as a lighting designer.
With multiple aspirations as a youngster, Rosenius swayed between
wanting to dominate the world as the biggest rock star to becoming
a diving instructor or arthouse filmmaker. Heavily influenced by
French cinematographer Sacha Vierny for his narrative driven and
beautifully abstract lighting interventions, as a student, Rosenius
pursued Photography and Film, and then moved on to study light as
an expressive medium at art school in Tampere, Finland, before he
eventually settled into the architectural lighting industry. Whilst
living in London in early 2000’s, he completed a Master of Science
in Light and Lighting at the UCL Bartlett.
His first role in the industry came about through an interesting
venture whilst still at school: “I started moonlighting for a Finnish
architectural lighting designer around 1996. We used lighting design
as a social integration tool for unemployed middle aged people in
Lapland. We tried to re-train them as ‘nighttime gardeners’ with
skills in ice sculpting and lighting design. Then in 1997, the art
school offered to pay me to go and do an internship somewhere
outside Finland. The condition was that I had to find a job in the
next 24 hours. After a night spent searching for ‘Lightning Design’
companies in AltaVista I found dozens of weather stations, and
amongst them Kevan Shaw Lighting Design from Edinburgh. I think
Kevan might have misspelled the word ‘lighting’ on his front page,
lucky for me! After a rather hilarious job interview over the phone, I
joined Kevan’s team and ended up working for him until 2001.”
Progressing on from this, Rosenius then moved to London to join
Maurice Brill Lighting Design until he left the role as Director in
PROFILE
Pic: Mark Cocksedge
2009 to bravely pursue his own lighting firm in from cultural, hospitality, retail, office,
Madrid. Not only was setting up independently residential, landscape and infrastructure.
a daunting prospect, Rosenius had also reached Rosenius’ intrigue and admiration of natural
a pinnacle life changing point with his wife, light is evidently at the root of the work LDC
who had just found out she was pregnant. produces. The way natural light moves in
London had become an increasingly busy and infinitely different ways and how it relates to
intense urban environment, so together they time, space and context is key to the design
returned to his wife’s home country, Spain, to works produced, and research led, into lighting
begin family life and establish the now well- practices used, both as an art form and for
known firm Lighting Design Collective (LDC). its functionality. In addition to working on
As Director of LDC, he works with light as a lighting schemes with LDC, Rosenius is also
medium for architectural collaborations, digital a product designer. He created the Light over
interventions, product innovation and art, and Time (LoT) luminaire with Artemide in 2017, a
seeks to create tangible connections between series of lighting tools that allows designers to
artificial light, digital futures, biomimetic re-imagine, reveal, reinterpret and modulate
and the human experience. Specialising in spaces with precision optics.
an imaginative and innovative approach to One of the most notable projects to come
architectural lighting, the team really focus out of LDC is the SILO468, located in the
on state-of-the-art lighting schemes for Kruunuvuorenranta district in Helsinki. During
architecture and the built environment, darc room 2017 in London, Rosenius presented
utilising high tech applications, digital content this remarkable project that brings together
and artistic assets. all of his recurring influences of natural light
A few years into the venture, Rosenius and the natural environment together onto
partnered with Jari Vuorinen to establish LDC one industrial canvas. The abandoned 1960’s
Helsinki and then a little later with Kristian oil silo, sixteen metres high and 35 metres in
Krogh to establish LDC London. diameter, was transformed into a captivating
Spread across these three studios, the team light installation. 2,012 holes were perforated
now includes leading designers, software coders in the structure, where existing rust stains
and digital artists who have built a portfolio of already existed, and represent the year 2012, the
world-class projects for numerous international Helsinki World Design Capital year. During the
clients, and covers a wide span of applications day, the sunlight shines through these holes to
Pic: Hannu Iso-oja
create moving patterns that mimic the sun to the way he runs LDC, Rosenius cares
reflections on the surface of the nearby sea. deeply about the lighting design profession,
1,250 LEDs were placed inside the structure perceives problems within it and opens it for
that reflect against a red light background discussion to provoke healthy debate within
at night. Custom made software, controlling a professional audience.
the lights, is used to monitor the outside During PLDC2017 in Paris last year, he
environment and determine the white opened up this topic for discussion,
LEDs internally to match the movement of beginning with the question, “What if
the prevailing winds like a flock of birds, Lighting Design was an ‘open ended’
Pic: Hannu Iso-oja live, ensuring the light sequence will never profession existing at the creative edge of
repeat. the built environment services? What if the
The installation’s aim was to become a current consultancy model is leading the
signifier for the start of a major urban profession towards irrelevance?”
redevelopment for the City of Helsinki, and Providing an interesting look at our lighting
to become a landmark and a marketing draw industry, it is important to keep relevant
on the landscape of the lesser-known district and educated on the position you hold and
it is situated in. In turn, the area, with its what you are working towards in order to
11,00 inhabitants, quickly became referred to effectively manoeuvre your way through the
as the ‘District of Light’. constantly evolving industry.
Rosenius describes himself as a “cross-over” Throughout Rosenius’ lecture, he uses his
designer that is constantly aiming to bridge own experiences with LDC as a case study,
the world of architectural lighting with tracking the development of the Madrid
other creative fields and new technological based studio and how it has adapted and
Pic: Tuomas Uusheimo research. developed into a Dynamic Environments
“The architectural lighting industry drags Group consisting of architectural lighting
behind all of the other lighting fraternities design company spin-offs for digital content
(live, show, film, arts) in everything from and software development, virtual reality
Top Inside panoriamic view of the Silo468 creative software to innovative hardware to services, strategic design services and a
illuminated in a bold red with white LEDs
rippling across the walls to mimic the progressive design processes. I believe that new technology start-up. Rosenius clearly
prevailing winds outside, live.
Middle A close up view of the white LEDs our built environments could be made more states that he is working on the basis of
used for the live illuminations of the
changing environment outside.
inclusive, fascinating, practical, meaningful his own opinions and experiences from the
Bottom An exterior shot of the Silo468, and beautiful for all inhabitants if better industry, including research on programs
showing its close proximity to the sea and
the rugged environment it is situated in. systems, better processes, more creative such as ‘Think in a Tank’ and the EU funded
Next Page Tapio working closely with his
team at Lighting Design Collective. software and more quirky lighting hardware ‘Towards Digital Paradise’. He also draws
was available. So, I try to put my money upon research taken from MIT Media Lab’s
where my mouth is and invest into achieving work with a particular focus on that from
this goal,” Rosenius explained. Joi Ito. Rosenius clearly encourages the
“I try to encourage the studios to operate exploration into the architectural lighting
with an anti-disciplinary design philosophy design industry and critically debates its
where the knowledge, research, aesthetic insular practices. He comments during the
and design is constantly mixed and the PLDC lecture: “We don’t lead the innovation
outcome is highly contextual.” within our own field nor do we inspire
‘The Future is for Antidisciplinary Design’ related fields to follow us. We shy away
is an exploration into the future of the from criticising our peer’s work or the state
lighting industry and the role and value of our profession presumably for the fear
of the lighting designer within that world of ‘spoiling the party’. So what? We all get
today. Taking this theory as an approach along nicely, we are highly inspired by our
PROFILE
Pic: Luis Diaz Diaz
“I see myself as a ‘cross-over’ through the client process. The combination

of services and design output produced by
designer always trying to bridge

Lighting Designers proves consistently identical
as well as the inclusion of the services that
aren’t design packages but instead a basic
the world of architectural set of consultancy tasks. Rosenius explains

further: “When a client compares any given
lighting with other creative lighting design companies, many are like
identical twins where only the close family
fields as well as with new can tell the difference between the two.
The clients have plenty of choice for these
technology research.”
seemingly identical ‘lighting design’ services
since they are offered simultaneously by
numerous lighting designers, engineering
consultancies, luminaire manufacturers, agents
- Tapio Rosenius
and suppliers, other design professions and
even contractors. We need to ask ourselves
craft and there’s a nice community spirit. But what is our value proposition and what is it
this hides an important and worrying trend. that truly differentiates us as a profession? And
For the rest of the built environment industry, most importantly, do we innovate enough?
we, the independent lighting designers, are The current model appears to be bringing the
becoming less relevant, less interesting, and prices down, sometimes to zero, and begs
less necessary by the day.” the question: Is architectural lighting design
A bold claim to make, Rosenius passionately already a commodity?”
pulls this theory apart, discussing it with To explore this idea further, Rosenius
fellow designers alike and poses interesting performed an experiment with LinkedIn
resolutions to the problems. searches to see if different search results
Is it merely an increase in competition in filtered by industry based titles gave a clear
the industry or a lack of compelling value indication for the amount of pure lighting
proposition towards the clients and the designers. The results proved intriguing, as
architects, which is a likely influencer? the addition or subtraction of certain industry
One of the concerns Rosenius has adopted is based titles whittled down to an estimated
PROFILE
“Interdisciplinary work
is when people from
different disciplines
work together. But
anti-disciplinary
is something very
different; it’s about
working in spaces that
simply do not fit into
any existing discipline.”
- Joi Ito, Director MIT Media Lab
Pics: Anantara Hotels & Resorts
10,000 ‘Lighting Designers’ as apposed of budget into their own research and
to the somewhat 700,053 Lighting Design development and support education for
professionals. Whilst this does not highlight Lighting Designers in order to mould them
the Lighting Designers as an insignificant into their preferred format to suit themselves.
proportion, it does suggest the services are Rosenius clarifies: “Whilst there is arguably
being commoditised as a result of an easily nothing particularly wrong with this model of
learned skillset for popular design solutions and knowledge transfer, it does, however, weaken
trends. the position of the Lighting Designer, when
Rosenius moves along to then question it comes to innovation. I would even venture
the limbo like position Lighting Designers further to say it potentially suffocates creativity
Pic: Artemide have found themselves in. “It is clear that and allows complacency to creep in. If the
architectural Lighting Designers exist as Lighting Designer doesn’t need to innovate,
Above The LoT (Light over Time) luminaire a minority group within the much larger they can simply apply ready-made solutions in
Rosenius designed with Artemide.
Top Right Anantara Jabal Al Akhdar lighting design activity. It seems to have a creative way to suit the project. A process that
resort hotel in Oman was notable for its
architectural lighting design for achieving adopted a role as educated (or in some cases goes a little bit like this: Discover – Copy – Paste
the ambience that suited that context
perfectly.
simply enthusiastic) consultants rather – Tweak – Shop for new solutions at a trade
Below Anantara Jabal Al Akhdar resort than innovators. The technical innovation fair – Repeat. Should we as a profession change
hotel spa area has a warm and tranquil
feelings with neutral blue toned accent is driven by the manufacturing industry and focus to remain relevant for years to come?”
uplighting.
their consultants; the conceptual innovation The majority of his theory for this can be drawn
is driven by the ‘outliers’, the artists, VJ’s, from previous lighting projects over the last
architects, academic research organisations and twenty years and the trending creative results
the new technology companies,” he explains. produced by these and the consistent amount of
In order to combat these issues, Rosenius repetitive and predictable processes used.
recommends the industry encourage The future? According to Rosenius, one
investment into the research and development of the best resolutions for these issues is
sectors to avoid this commoditisation and an interdisciplinary approach to running
continue to be relevant professionals. He also a lighting design practice. To achieve this
observes that Lighting Designers are continuing ideal working environment, it is essential
to ride along in their bubble of contentedness to have collaborators from various working
whilst manufacturers throw ample amounts backgrounds contributing to the lighting design
PROFILE
Above Inside a luxury lounge space at the

Tieto HQ in Helsinki. The project uses a lot of
new technology, such as thousands of sensors
and live data visualisation.
Right A corridor area in the Tieto HQ, Helsinki.
Purple colour schemes are used throughout
the space, creating a modern and cool
environment.
Pics: Kuvio
team beyond their own discipline. As an avid promoter of new visualisations and Virtual Reality became higher. In early 2016,
and exciting projects that challenge ‘the norm’, he believes the ReVR developed into their own team to continue to collaborate
intersection of different disciplines creates interesting results with leading architectural firms and Lighting Designers creating
and brings new values to a project. “This approach begins to integrated design processes.
push the company from a standard consultancy model, where Moving towards the Digital Paradise that Rosenius refers to in his
each skillset is active within its own silo, towards a creative research, he explains the movements LDC went through.
design company model. There are fantastically successful design “In late 2013, LDC were invited to join a research consortium
practices that work with the interdisciplinary model such as bidding for EU Horizon2020 funding under a topic of Connected
IDEO, Fjord, Frog and many others. They offer great inspiration Light and Sensing for Smart Spaces. We lost the bid but learnt a
on how lighting design profession could develop and what the lot and got introduced to the futuristic world of new technology
business models could be,” he states. research run by VTT Technical Research Centre of Finland.
When Rosenius originally established Lighting Design Collective, Since then, we have been part of three winning consortiums,
it was being run as a typical lighting design firm, following as he Delphi4LED, DecoChrom and Towards Digital Paradise, most
puts it, “the Anglo-Saxon model of services and deliverables”. receiving funding from the Horizon2020 program. The latter one
With the ever growing demand for more complex concepts, led us to partner up with a group of professionals to create a new
broader skillsets from practitioners and content packages for technology start up, Skandal Technologies, developing systems
media surfaces, LDC evolved into a multi-disciplinary firm. After for Ambient Communications.” Skandal Technologies also uses
six years, UNSTATIC developed as a spin off digital content team new biomimetic and responsive technologies in lighting control
headed by Gorka Cortazar. Think-in-a-Tank was then developed in built environments.
as part of LDC in collaboration with sociologist Dr Marco Bevolo The idea that humans have a substantial ability to process
and has run annually since 2014. ReVR Studio was the next spin ambient and peripheral information that directly affects
off to come out of LDC, when the demand for quality lighting emotions and subconscious contextual understanding without
climar_publ_ARC_path.pdf 1 14/02/2018 17:45:39
CM
MY
CY
CMY
K
PROFILE
“If we could change

ourselves, the tendencies
in the world would
also change. As a man
changes his own nature,
so does the attitude
of the world change
towards him. … We need
not wait to see what
others do.”
- Gandhi, extract from PLDC 2017 Anti-Disciplinary
Pic: Luis Diaz Diaz
the need to activate cognitive thought processes is the bases client. However, this in itself comes with difficulties, as Rosenius
of innovation for Skandal Technologies, which is currently noted, many clients struggle to distinguish between the various
developing its Generation 2.0 system. specialists in the field, and thus a multitude of services are
Rosenius states: “The future of the Lighting Design profession provided with a staggering variation in quality. “The value
is precarious. A shift from a consultancy based business model proposition is often vague, which has led to the drop in fees.
to an anti-disciplinary design company model could foster In many markets, Lighting Design is still a cottage industry
more innovation and gain a new position closer to the edge of trying to find its way,” he observes. “Yet, there is still hope
the larger lighting profession. Investment into research and for young designers about to break into the industry, with
strong promotion of critical debate should be a central goal of countless opportunities to bring new approaches and desire for
practice leaders. Our profession should own the process of visual differentiation from the client’s side.”
narrative for our built environment and lead the conceptual So, what potential does the future hold?
innovation. We should provide application research and inspire Rosenius promotes: “Integration of new design tools in software
related fields such as new technology companies to follow our and hardware will permit designers to develop more complex and
lead. We should design our own tools and set the trends for the integrated schemes into their designs”. As for LDC, their offices
manufacturing industry. are growing across their three sites, and they are working hard to
“The figure of the Lighting Designer has become more known bring their creative message to the forefront of clientele business
and the field has grown, which is great. I haven’t seen a big shift with great success. As an independent entity, ReVR is delivering
in terms of design and creativity, however. Most companies virtual reality packages for multiple platforms in design and
operating in architectural lighting design appear to be very architecture, and London based UNSTATIC provides independent
confortable with figuring out ‘creative solutions’ rather than digital content services with designers in mind. Currently also
behaving as actual design companies. I make a big distinction working as the CEO of Skandal Technologies and as a pioneer
between design and consultancy activities. The latter dominates in using biomimetic lighting control in built environments,
the lighting fields and you can see it in the project outcome very Rosenius continues to develop systems, visions and technologies
clearly”. related to this field whilst coaching new generations of lighting
As a starting point, Rosenius believes it is important to designers through his own design practice mantra.
understand and define what value lighting can bring to the www.ldcol.com
YOU GET TH E PICTURE
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106 www.arc-magazine.com Pics: Jesus Granada
PROJECT
Blessed by the Light

The Inmaculada Concepción Church in Melilla, Spain, has
undergone another architectural and lighting renovation to
improve the historic structure and bring a spiritual, harmonious
atmosphere for the worshippers. Lighting designer Javier Górriz
and Reggiani stepped in to make this possible.
I
n recent years, the Spanish town date back to late Gothic times, with uncertain
of Melilla, situated on the most origins, which archaeologists are still working
northern point of Africa, has had a on in search of further details. Peeling back more
shadow cast over it with struggles across the historic timeline, there is evidence of a
of immigration along the Moroccan border. Renaissance church that overlaps, and finally turns
But casting a light on the historic town is the into a Baroque church that has continuously been
renovation of the Inmaculada Concepción Church. added to and evolved into the church we see today.
Suffering severe damage from an earthquake First and foremost, it is important to identify
of 6.3 in magnitude back in January 2016, it was lighting that will act as a functional balance to
imperative that restorations went underway as the natural light already present throughout
soon as possible to preserve the ancient building. the structure. In order to fulfil its main purpose
PROJECT DETAILS Headed by Javier Górriz from Diseño y Consultoría of housing worship, activities and religious
Inmaculada Concepción Church de Iluminación, the rapid restoration project was functions for the Church community, careful
Melilla, Spain forced to seamlessly blend the lighting design thought was put into designing a lighting
Client: IPCE (Instituto del in with the architectural repairs, ran by Antonio scheme suitable for this environment.
Patrimonio Cultural de España),
Fernández from Chacel 8 Arquitectura, in order Górriz explained the key architectural lighting
Diócesis de Málaga
to stick to the tight deadlines, all with the help of considerations that were at the forefront of
Lighting Design: Diseño y
Consultoría de Iluminación (DCI), Antonio Bravo, a dedicated recovery historian. the decisions made for the design: “We need
Spain The church of Immaculate Conception is a lighting equipment that is as versatile as
Architect Chacel 8 Arquitectura, building of worship and prayer that consists possible, so that the same luminaire can adapt
Spain of multiple tiers of history. The earliest layers and change to the different needs, (possibly
PROJECT
Previous Page Front view of Reggiani

Yori Projectors lighting the main hall
of the church, illuminating the freshly
cleaned stone work.
Left A close up of the spot luminaires
washing the ceiling with bright light to
accentuate the intricate architectural
features unveiled during the
renovations.
Next Page Close up shot of the
beautiful Oris pendant by Lucide
hanging in a side room, creating a
contrast between old and new in a
spiritual setting.
“The lighting design in including different optics, anti-glare louvre, emergency kits,
differing colour temperatures, light intensities and system
this architectural space

controls). The lighting had to be functional, respectful of the
history, emotional, engaging in light and shadow, visually
has been designed from

comfortable and able to capture the whole look of the building.
During the actual renovation process, a series of secrets that were
initially concealed, are revealed and emphasised with light.”
two perspectives to tell Situated in a fortified enclosure in Melilla, it was important for
the designers and architects to work carefully in the delicate
part of the story, one setting. With continuous documentation from beginning to
end, this project was careful to analyse the historical evolution
considering natural light

in order to intelligently integrate the new lighting.
When working with Górriz to formulate a lighting scheme for
and another through

the project, Fernández describes the thought process: “We are
so used to treating light as the element that covers the basic
needs of displacement as something that allows us to complete
artificial light.” a task, but we should also look at it as the resource that lets
us tell a story that transports the visitor to another era that
attracts attention to the elements we want them to focus on.”
José Antonio Fernández , Chacel 8 Arquitectura This impressive turnaround from earthquake destruction to dramatic
reconstruction happened in record time. When discussing the
project with Górriz, he enlightened us to the fact that the lighting
design was realised in a breathtaking three months and overall
completion of the renovation was after a staggering six months. With
this tight timeframe naturally came some challenges and obstacles
to overcome. Notably, one of the hardest hurdles the design team
encountered on numerous occasions was the ever-changing canvas
to work upon. Górriz reflected: “The principal problem was working
alongside the architectural restoration and having to integrate a
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PROJECT
This Page Warm uplighting illuminates the
stone pillars and church nave, creating a warm
and spiritually inviting environment for prayer
and worship. Accent lighting accentuates the
historic architechtural elements with varied
intensities and grazing lighting using a variety
of fittings from Tridonic, Secom, Lluria, Astro
and LineaLight.
Opposite Page Three images demonstrating
the three stages of illumination that can
be controlled and altered depending on
the necessary effects desired for individual
religious events or services.
PROJECT
“The final result was

quite possibly the best,
because with each new
discovery, the lighting
narration had to fit
the new space. I am
currently so in love with
the work that I would
not change a thing.”
Javier Górriz, Diseño y Consultoría de Iluminación
new system of lighting in a space that isn’t speed of the project and the execution of the
prepared for it, (we had issues with grooving work that required a very detailed follow-up
and wiring). Every time that you stripped the and rapid correction at the same time. An
plaster, you discovered a new door, or a new outstanding feature was the collaboration of
space that was sleeping for a long time that a large multidisciplinary team, headed by the
wasn’t exposed, so we had to emphasise that architect, director of the lighting work and even
with light. In summary, we had to ensure down to the smallest contributor of the team.”
full respect for the skin of the building.” Using fittings primarily from Reggiani, the
Structurally, the team had to work around team were able to create this emotive response
issues of channelling pipes for new points to the historic building with great effect.
of light, working in tune with the architects Warm colour temperatures reaching 3000K, lighting specified
in order to make the most of utilising new the LED Yori Surface adjustable projector in
Astro Lugo 0411 Wall Lights
fixtures to their full potential to justify different power versions (10W, 22W and 30W)
Linealight Beret Uplight
their existence. Thus, designing a metallic were used with anti-glare along with recessed
Lluria SIDE 14,4 Angle flexible LED
channel that had a triple function; containing fixtures along with the Yori Channel Arm. system for side lighting
electrical wiring for luminaires and drivers The flexibility of the fittings ensured a user- Lucide Oris Pendant luminaire
without damaging the structure of the church friendly experience and an overall modern versions, Oris
in a longitudinal setting leading to the nave design. It was important to the overall impact Reggiani Yori Channel Arm,
whilst at the same time dividing two stages to not use indiscriminate flood lighting, but Adjustable Projector
of construction and highlighting the two create an atmosphere of peace and welbeing Reggiani Yori Surface Adjustable
Projector (10W/22W/30W)
different eras of architecture in the building. throughout, making it a comfortable and
Reggiani Re Low LED, fixed solid
Differing to previous projects he has worked welcoming space for worshippers.
brass recessed luminaire
on, Górriz reflected on the comparisons: www.d-ci.es Secom Protek Dali Secom Projector
“The main differences are working with the www.chacel8.com Tridonic Ilumarte LED Strip
unknown in the church and the tremendous Tridonic Perfil lineal LED strip
PROJECT DETAILS
Canadian Museum of History, Quebec, Canada
Client: Canadian Museum of History
Lighting Design: Lightemotion, Canada
Exhibition Design: GSM Project, Canada
Architect: Moriyama & Teshima Architects, Canada;
Douglas Cardinal Architects, Canada
PROJECT
Oh, Canada
The Canadian Museum of History has a new lighting design
scheme, thanks to Lightemotion, who wanted to create a
visual narrative telling the story of Canada, while highlighting
the architecture of the building.
Pics: Gordon King
PROJECT
T
he Canadian Museum of History, to gobo projectors from ETC and miniature LED
located in Gatineau, Quebec, is the heads from the likes of iGuzzini and Sistemalux for
most visited museum in Canada, subtly illuminating even the smallest details of the
welcoming more than 1.2 million displays, all equipment used throughout the
visitors each year. museum was carefully studied and adjusted in order
With roots dating back to 1856, it’s one of the to create a unique path of light.
country’s oldest public institutions and a respected Roupinian continued: “Flexibility is important for
centre of museological excellence, sharing its creating the right lighting.” As such, nothing was
expertise in history, archaeology, ethnology and left to chance, with features including
cultural studies both within Canada and abroad. interchangeable lenses, zoom, anti-glare
With roughly 25,000sqm of exhibition space spread accessories, an integrated potentiometer to adjust
across four floors, the lighting design needed to be the lighting level for conservation needs and
just right, in order to showcase the more than ambience, and the option to add colour filters.
200,000 artefacts on display. Because of this, the lighting manufacturers for the
To create a new lighting scheme for the museum, project were chosen with particular care so that a
Montreal-based GSM Project – a group that wide range of choices would be available to ensure
specialises in the design and production of thematic colour consistency.
installations and exhibitions – brought in Beyond the myriad of fixtures required, a project
Lightemotion, who through a combination of such as this comes with its own set of challenges;
museum and architectural lighting, highlighted the the first being the use of LED technology to recreate
work of architect Douglas Cardinal, while the warmth and subtlety of halogen, as LEDs are
showcasing the museum’s history. often too bright for the more subtle needs of a
François Roupinian, President of Lightemotion, said museum, as Roupinian explained: “The use of LED in
that the goal for the new lighting design was: “to a museum with thematic environments is not easy.
create a visual narrative with the lighting that would Manufacturers want to produce very high lumen
take the visitors throughout the different galleries output luminaires but the choice and quality of Previous page Through indirect
that tells the story of Canada. The light should act as optics is not always available. lighting, Lightemotion was able
to make the large, dome-shaped
a magic wand, directing the viewer’s attention to “Also, in a museum we need control of the light and ceiling the centrepiece of the
museum’s ecosystem.
key areas.” spills, and a good quality beam. We do not Above Lightemotion worked
with GSM Project to design a
To accomplish such a feat with a maximum spectrum necessarily need a lot of light output, especially mounting system for the exhibit
of effects, the team at Lightemotion used more than when you illuminate objects at 50 or 100 lux. installations where the lighting
could be positioned within a
40 kinds of light fixtures. From theatrical floodlights “The problem then comes though, that even when minimal track system.
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PROJECT
PROJECT
“The light should act as you have fixture equipment with integral dimmers, when the light is
dimmed on an artefact, the LED lights become greyer.”
a magic wand, directing

Roupinian and his team countered this though by working closely
with different manufacturers, such as ETC, iGuzzini and Sistemalux,
the viewer’s attention

that could produce fixtures with good quality optics that would give
less spill and residual lighting.
“Also, to counter the greyish colour that certain luminaires would
to key areas.” produce through dimming, because of the lux level requirements, we
used filters to correct the tonality of the light,” he explained.
Another important element to take into account was that certain
François Roupinian, President, Lightemotion fragile artefacts are sensitive to heat. When fine-tuning the lighting,
Lightemotion worked closely with the museum’s conservation team
to provide consistent and suitable lighting, carrying out tests that
include thermal models to ensure optimal conservation conditions
for the artefacts.
But one of the biggest challenges, Roupinian explained, was ensuring
a consistent feel throughout the museum: “The one great challenge
was keeping the same design aesthetic, quality and control of the
light in a situation where we had different ceiling heights, different
mounting possibilities and in some areas, we didn’t actually have any
ceiling or lighting positions to hang the fixtures.”
This was evident in the case of the museum’s main, emblematic
dome. Acting as a visual reference point throughout most of the
museum pathway, the dome is an immense structure, but it’s shape
made it impossible to install lighting. However, the team at
Lightemotion employed a special approach: “We wanted to use this
constraint as an advantage,” said Roupinian.
“That’s where we got the idea to use the dome to create light with
indirect lighting. We wanted to make it the centrepiece of the
museum’s ecosystem.”
PROJECT
“Our goal was to

illuminate this beautiful
space architecturally,
but at the same time
design a lighting system
that would serve the
artistic and narrative
purposes of the exhibit.”
François Roupinian, Lightemotion
“So we carefully tested many tonalities to sensibilities in lighting design both in the exhibit Left A custom mounting system,
designed by Lightemotion with
illuminate the dome to create a great ambience, lighting and in the architectural lighting. Both
GSM, allows for ETC’s Source Four
while using indirect lighting within the space,” he have to be in symbiosis, without upstaging each projectors to be positioned within
continued. “We also designed, with GSM, a other. This was a great challenge for us, and we feel a minimal track system.
Above Adjustable spotlights from
mounting system for the exhibit installations very fortunate to have had the opportunity to work iGuzzini and Sistemalux illuminate
where we could have lighting positioned within a with such a great client and talented exhibit individual exhibits, while the use
of LED technology means that it
minimal track system.” designers and architects.”
is possible to have good control
Following these colour tests, the team was able to As such, Roupinian is very pleased with the end and a high quality of lighting
create their desired effect: a timeless tone for a result, and he believes that their work in the throughout the museum.
comfortable atmosphere, where visitors feel as if lighting design could lead to new avenues for LED
they have stepped into the museum’s very own in the world of museum lighting. “This is a new
world. “Our goal was to illuminate this beautiful benchmark for uses of LED systems in museums,
space architecturally, but at the same time design a where it is possible to have good control and a high
lighting system that would serve the artistic and quality of lighting, like we were able to have in the
narrative purposes of the exhibit,” explained past with halogen technology,” he said.
Roupinian. “I am currently working with different
“The light ultimately needs to tell a story. The manufacturers in designing fixtures that would be
visitors shouldn’t have to be aware of the technical more suited for museum lighting. We often use the
feats behind the scenes, the lighting should create same type of fixtures for retail and museum
a complete sensory experience.” lighting, which I don’t think is a long-term
The Canadian Museum of History isn’t the first solution. The industry has to adapt to the needs of
project of this sort that Lightemotion has worked lighting in museums, that is mostly driven by the
on, having built up an extensive portfolio of control of lux levels on artefacts.”
museum projects over its 16-year history from as This work, Roupinian feels, serves to add to the
far afield as China, Italy, New Zealand, Singapore, success of the project: “I honestly feel that we were
and its home nation of Canada. However, able to bring the lighting to its maximum potential lighting specified
Roupinian believes that this time around, it offered with the technologies available when we designed ETC Source Four Mini LED
up a different challenge than usual. the project,” he exclaimed. ETC Source Four with
“It is quite a different museum project compared “We are very happy with the result, and so are our replacement module
Global track Tek 2
to the others that we have done in the past,” he clients. The lighting tells a story and guides the
iGuzzini Palco Medium
explained. “We normally design lighting for spectator throughout the different galleries.
iGuzzini Palco Small
exhibits that are very immersive, and where the “I think the lighting helps to make a connection, Lighting Services Inc. BPL
architecture is not very present, or at least is not keeping the visitors connected to the space and the Series LED
placed in the forefront. artefacts that tell the story of Canada.” Sistemalux Faretto Large
“But in this project, we were able to apply our www.lightemotion.ca Sistemalux Faretto Small
JAC Studios (L-R): Miroslav Mikica Veljic, Peter Bullough, Olga Sigthorsdottir,
Anders Laustsen, Susanne Eeg and Johan Carlsson
Pic: Stephen Dupont
INTERVIEW
JAC of all Trades

Following their impressive work
on the Wadden Sea Centre, arc’s
Matt Waring caught up with
Danish architects JAC Studios to
discuss its design philosophy,
and the role that light plays in
its work.
S
candinavia is a region well regarded for its
approach to design, and not just in the world
of flat-packed furniture; with its sparse,
minimalist aesthetic complementing the
vastness of the landscape. In the architectural
sphere, JAC Studios has brought this approach
to its work, designing exhibition spaces and
residential projects that exist in harmony with their surroundings.
Founded by Johan Carlsson in 2009, JAC Studios was established, in
his words, “as a response to find a balance between, or a framework
from where to explore spatial interventions and storytelling from
both a practical and propositional perspective”.
After opening an art space, working with performance and
exhibitions in the international art scene and working within the
field of ‘temporary interventions’ for eight years, Carlsson was
invited to design an exhibition about the Danish situationist artist
Asger Jorn, something that he believes was a ‘generator’ for him
setting up his own studio.
Now, JAC Studios is an architecture and design practice that explores
“both the practical and the theoretical, aiming for results that are
innovative, high quality and socially relevant.”
This is realised by utilising a philosophy that looks at the wider
contextual setting surrounding each project, regardless of scale.
This was evident in their work on the darc awards / architectural
shortlisted Wadden Sea Centre, and can be seen across the studio’s
portfolio too.
“JAC Studios believe in contextual interventions, where the narrative
or the thematic story is communicated through a one-off design,
composed of investigations in movement, the specific room, the
scenic setting, light, sound and furniture,” Carlsson explained.
“Projects should address the social, spatial and sustainable issues
Interview
Danish Wars at the Royal Danish Armoury Museum Pic: Karina Tengberg
“Clever manipulation of
and are developed physically and conceptually in parallel. This approach
focuses on a deep understanding of how things are made with emphasis
light can create moods

on hand-craft and production.”
Because each project must interact with their wider contextual setting,
it’s hard for Carlsson to define what JAC Studios’ ‘signature style’ is.
that form the essential Instead, he said, they “always aim to focus on spatial experiences, an
approach where the performative aspect of body and space creates the
experience when dynamics”.

Since its inception, JAC Studios, comprised of a team of architects,
visiting a gallery.”
designers and artists, has developed a more specific focus on interior
architecture, and predominantly exhibition design, working on
internationally renowned projects such as the Yumin Art Nouveau
Johan Carlsson, JAC Studios Collection in South Korea, and House of Sweden in Washington D.C.,
as well as UNESCO world heritage sites such as the Icefjord Centre in
Greenland, and the aforementioned Wadden Sea Centre in Denmark.
Alongside this, the studio has developed a focus on private sector work,
completing a series of small-scale residential projects, such as the
widely published Sturlasgade apartment in Copenhagen.
The core aspect to developing each project, Carlsson explained, is
rooted in context, relationship to the site, history, user preferences and
ambitions. “This is coupled with respect and sensitivity for the existing,
valued ethics and aesthetics,” he said.
However, the studio is selective when it comes to what projects they
take on and bid for, as Carlsson elaborated: “Our preference always
begins with context and content: in the case of exhibitions, this is
often the artefact or object linked to a specific theme. We favour a no-
nonsense exhibition, where the artefact is the main actor.
“We believe that the combination of scenography and architecture
provide a base for alternative thinking, which results in communicative
spaces evaluated by storytelling, aesthetics, materiality, sustainability
and user participation.”
The Wadden Sea Centre Pic: James Medcraft
INTERVIEW
“We believe that architecture

should work as a social and
communicative stage.”
Johan Carlsson
interview
Pic: Jeongyoun Hong
Far Left An installation for

Copenhagen Ceramics, created
for Milan Design Week 2016.
Above The Peak Gallery at the
Yumin Art Nouveau Collection,
South Korea.
Left The Digital Ornithology
sequence, developed with Jason
Bruges Studio for the Wadden
Sea Centre, Denmark.
Pic: Peter Bullough Pic: James Medcraft
Throughout the design and implementation studio.

process, JAC Studios place a great deal of care and This quest for a constant dialogue, and the studio’s
attention on maintaining good relations with the self-proclaimed ambition to ‘embrace the sphere
client. Stating that the client is always “an integral between architecture and art’, has seen JAC bring
aspect on the work”, Carlsson explained that in collaborators “in the form of writers, scientists,
they always focus on “developing a good working filmmakers and artists that help add a depth and
relationship through hands-on workshops that integrity” to each project. By working with these
help to establish a collaborative approach within collaborators, JAC believe that they can find the
the team”. “balance between the rational and the poetic” in
Alongside its work in the practice of architecture, their work.
design and realisation, JAC Studios believe in the Such collaboration was none more evident than
importance of sharing knowledge and information, in the Wadden Sea Centre project. As JAC Studios
and they achieve this through their Residency and acted as a general contractor on the project, as well
Salon programmes. “We believe that architecture as the lead designers, they were able to gather a
plays a major role in contributing to debates and team with unique specialties and skills that formed
dialogue, and that architecture should work as a the design approach and exhibition aesthetic.
social and communicative stage,” said Carlsson. As such, they teamed up with fellow Danes and
As such, the studio is comprised of two key lighting designers fortheloveoflight, while also
aspects: one, as Carlsson explained, is “rooted working with Jason Bruges Studio and No Parking
in the practice of architecture, design and to create a serene exhibition space that matches
realisation”, while the second is “focused in JAC’s primary ambition and sits in perfect
sharing knowledge through the staging of events, harmony with the surrounding landscape.
‘salons’ and gatherings that address a critical “Good design should relate but not necessarily
approach to the wider field of architecture”. JAC mimic, copy or respond seamlessly with
also, through its Residency programme, invite landscape,” said Carlsson. “There should be a
other practitioners from diverse practices into the critical response that is formed through analysis
Mondo_FebMar18.indd 1 12/02/2018 11:23
INTERVIEW
Danish Wars at the Royal Danish Armoury Museum Pic: Karina Tengberg
Pic: Karina Tengberg
and perception of each unique landscape and architectural setting.

“The landscape in the Wadden Sea is truly exceptional and was a core
inspiration throughout the project. The site is in constant motion in
the area, tides and migratory birds follow their own rhythms and we
felt the exhibition should respond to this.”
It wasn’t the first time that JAC worked with fortheloveoflight – the
two practices share a studio space, and as such, Carlsson revealed
that he and Nikolaj Birkelund, founder of fortheloveoflight, work
closely together on the majority of projects that they have in the
studio.
JAC and fortheloveoflight also created a bespoke light fixture
together for the Wadden Sea Centre. Working alongside Mike Stoane
Lighting, they designed and developed the BBx.70 ‘Birdbeamer’
fittings.
“We developed the BBx.70 from concept and design to realisation
through a series of physical 1:1 mock-ups and testing both in the
studio and on-site,” said Carlsson. “With the excellent help of Mike
Stoane, we were able to produce bespoke fittings that offered a
uniqueness and high quality to the lighting units and interfaces.”
Further to this, JAC has developed modular furniture for the House
of Sweden, crafting a thin wooden structure with integrated lights
but no cords. “To reach this, a low voltage system was developed and
implemented into the magnetics that keep the modules together,”
explained Carlsson.
This all ties into Carlsson’s belief that, in order to create an effective
exhibition space, teaming up with lighting designers should be a top
Pic: Yoonsung Choi
priority. “When developing design aspects such as display cases it is
INTERVIEW
“Lighting is and will

always be one of the core
instruments in spatial
design, the rapid pace
of innovations within
lighting opens up for new
ways of how to integrate Pic: Anna Linderstam
the light, but also what

functions the light can
perform in a space.”
Johan Carlsson
Pic: Jeongyoun Hong
essential to work closely with a lighting designer the core instruments in spatial design, the rapid Far left top JAC Studios’ residential
work for a project in Sturlasgade,
to form the project approach, materiality and pace of innovations within lighting opens up for Copenhagen.
Far left bottom The Lounge
principal dimensioning,” he said. new ways of how to integrate the light, but also exhibition at the Yumin Art
“We often work with priceless and rare objects, so what functions the light can perform in a space,” Nouveau Collection,
South Korea.
a skilled command of lux levels and illumination he said. “Functions that sometimes go beyond Top The Vasa Museum,
Stockholm, Sweden.
is fundamental to our projects as well as creating a providing light, but also control the environment Above The Masterpiece Gallery at
the Yumin Art Nouveau Collection,
suitable environment for the selected objects.” and the performance of the space.” South Korea.
This need for skilled expertise in lighting means Because of this, and Carlsson’s experience of
that Carlsson understands the importance of developing lighting fixtures, he explained that
working with lighting designers, as he believes lighting “will take an even more prominent role in
that “lighting design is one of the most essential the practice”.
aspects in our projects, particularly within “It is exciting to develop bespoke systems that
exhibitions”. utilise the latest technology with mock-ups and
“Clever manipulation of light can create moods rigorous tests in-house, further challenging the
that form the essential experience when visiting meeting between technology, craft and innovative
a gallery,” he said. “As such, natural and artificial solutions. That said, we strongly believe in
light should complement each other and work specialists and we will continue to collaborate with
together to form an overall theme and aesthetic. lighting designers.”
“When we generate a project, we set up a team All of this means that for JAC Studios, the future
from the very beginning, which includes a lighting looks bright, and Carlsson agrees, adding that he
designer. Since many of our designs are developed hopes to use the studio’s experiences to continue
and custom-made, it is a must that all aspects that developing, and push on to new frontiers.
would affect the design or the way the design is “We hope that the future will allow us to continue
seen are with us through the full process.” exploring and to create designs and experiences
Carlsson’s close working relationship with that make us reflect, question the ordinary and
Birkelund at fortheloveoflight has given him a create new conditions.”
strong understanding of just how light can impact www.jacstudios.dk
on a space: “Lighting is and will always be one of
First Class
The new First Wing at Heathrow’s Terminal 5 provides a serene,
luxurious setting for first class passengers to be screened
away from the hustle and bustle of the main terminal building.
StudioFractal, alongside architects Pascall & Watson, provided the
lighting design for this sophisticated security portal.
Pics: James Newton
PROJECT
PROJECT DETAILS
First Direct Access,
Heathrow Airport, London, UK
Client: Heathrow Airports Limited
Lighting Design: StudioFractal, UK
Architect: Pascall & Watson, UK
Contractor: MACE, UK
PROJECT
W
hen traveling first class, it is MACE and collaborations with Pascall & Watson.”
reasonable for one to expect a certain Alongside MACE and Pascall & Watson,
element of luxury – a high-end level StudioFractal worked meticulously to develop
of sophistication that sets the designs within the challenging project deadlines,
experience apart from standard class. with a brief to create a security portal that fit
Such an experience is exemplified in the new First seamlessly within the high quality framework of
Wing at Heathrow’s Terminal 5. Now open for the existing Terminal 5 concourse, while also
business, it enables esteemed passengers to creating a high-class, premium experience for the
proceed from landside to the First Class Lounges in First Class British Airways passengers. The scope
under five minutes. for this design included all lighting components,
Lighting designer practice StudioFractal was along with the development of a feature wall.
invited to join the design team, working alongside The definitive solution for the feature wall includes
architects Pascall & Watson and contractor MACE sections of slanting perforated metal, with back
to create an atmospheric, luxury security portal, and front lighting, in this case LED Linear’s
befitting a first class experience. VarioLED Flex. Rhythms of timber sit between each
It’s not the first time that StudioFractal has panel, illuminated from the edges with warm white
worked at Heathrow Airport; indeed, Ian Payne, light, emphasising the rich tones of the wood. A
Design Director at StudioFractal and lead designer specification of warm lighting was implemented in
on the project, boasts of a “long and industrious pursuance of enhancing the rich and luxuriant
affiliation” with Heathrow Airports Limited, materials palette.
having brought many of their major undertakings StudioFractal took Heathrow’s initial client
to fruition, including the multi-award winning T2 aspirations and explored materials, texture,
terminal. pattern, movement, tone and integrated lighting
“It has been a real delight collaborating with solutions to give the space levels of quality and
numerous innovative partners, from architects to tone more akin to a luxury hotel lobby than that of
artists,” he said. “It’s that long-standing an airport.
relationship that led us to the appointment by This aesthetic wasn’t easy to achieve, according to
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PROJECT
PROJECT
Previous page The new lighting scheme from

StudioFractal creates a warm, welcoming
environment for passengers.
Left and below Recessed lighting from LED
Linear adds a soft glow to fixtures throughout
the portal, enhancing the rich palette that both
StudioFractal and Pascall & Watson sought.
“To maintain a premium Payne. “Airport security zones are inherently functional spaces
where lighting must fulfil security objectives and facilitate the
feel it was important to

observation of passengers and luggage.
“To move away from a clinical environment and into a sophisticated
integrate the lighting

ambience we developed a strong ‘material and texture palette’
alongside Pascall & Watson, to ensure materials would respond well
to a variety of lighting techniques.
within the architectural “To maintain a premium feel it was important to integrate the
lighting within the architectural framework, we developed a number
framework.” of simple lighting details to allow key materials to be illuminated

from concealed lighting sources.”
Elsewhere, low-level illumination achieves a more intimate
Ian Payne, StudioFractal ambiance, in direct contrast to the high level treatments utilised
throughout the rest of the terminal. This was perfected by clever
integration of the lighting into the furniture and cladding details,
and by developing sculptural wall-mounted elements that express
the same material palette used throughout the space. This was partly
due to the constraints of working within the terminal building’s
existing framework as lighting needed to be coordinated amongst
existing structural beams and proposed perimeter balustrades.
However, StudioFractal was able to develop a curved LED luminaire
head with lighting from Kemps Architectural Lighting, mounted to
the feature wall and to custom-made poles on the perimeter of the
security zone. This served to provide the ambient lighting levels that
they were looking for.
All luminaires and feature wall components required stringent DFT
Aviation Security in Airport Development (ASIAD) compliance, and
were specified through the airport’s second tier lighting suppliers.
However, as Payne explained: “StudioFractal worked with Heathrow
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PROJECT
“A successful design
is not just about
how an environment
presents itself
but how you feel
amongst it.”
Ian Payne, StudioFractal
to ensure the challenges of designing within an clearly defined concept and strategy from the Left StudioFractal developed a curved
LED luminaire head, with lighting from
aviation environment did not encroach on the offset, with the client and the design team,” he Kemps Architectural Lighting, that was
mounted to custom-made poles on
sophistication of the finished first class portal.” said. “Though we’re obviously very proud of the the perimeter of the security zone.
As such, the lighting designers explored a number project, we always measure our success in terms of Above The feature wall includes
sections of slanting perforated metal
of solutions in order to ensure that they achieved feedback and we’ve had exceptional responses with front and back lighting from LED
Linear’s VarioLED Flex. This illuminates
the right balance of form over function, safety over from users of the new area, the Heathrow client the edges with a warm white light,
emphasising the rich tones of the
client experience – a constant challenge in an and the design team.” wood cladding.
environment like this. Some such feedback came from Nitesh Naidoo,
However, throughout its portfolio, StudioFractal Project Director at Pascall & Watson, who said:
has an extensive aviation experience, having “StudioFractal has been a valued, skilful and
worked on airports both in the UK and abroad, effective collaborator on the T5 BA First Wing
developing projects for the likes of Gatwick, project. Their input during the design phases has
Stansted, Dublin, Abu Dhabi, Vienna, Gabon, helped us realise a groundbreaking addition to the
Riyadh and Indira Ghandi International Airport. luxury facilities provided at Heathrow Airport.
The firm’s work on Heathrow’s Terminal 2A even “The StudioFractal team has been instrumental in
saw them claim Public Project of the Year at the the design and realisation of the feature lighting
Lighting Design Awards in 2015. concept for the premium search facility.”
This experience and prior knowledge no doubt But while there has been plenty of praise for the
served StudioFractal well throughout the new design of the new facility, Payne believes that for a
project at Heathrow. “Aviation projects naturally project to be a true success, it needs to stir
lean heavily towards highly engineered solutions, emotions in its visitors.
safety, sustainability and longevity, focusing on “A successful design is not just about how an
defining character and wayfinding,” said Payne. environment presents itself but how you feel
“Whilst those things factored heavily in the First amongst it,” he said. “The union of light and
Direct Access, we had the added complexities of materials sets a sophisticated tone for the first
designing a luxury environment displaying warmth class route, your focus is drawn to the human level,
and elegance amongst the bright, expansive not to the vast space in which it sits.
Terminal 5.” “The contrast between cool and warm lighting
Despite these complexities though, StudioFractal, adds to the experience of moving from a busy light
alongside Pascall & Watson, have created a warm, terminal into the serene luxury zone. Through
relaxing, luxurious space for first class passengers. connecting small visual details to the main
And Payne believes that the collaboration between terminal the First Wing sits comfortably within it,
the client, Pascall & Watson, and StudioFractal, yet it offers its own superlative experience.” lighting specified
immensely helped in reaching such a successful www.studiofractal.co.uk Kemps bespoke LED lanterns
outcome. “It’s of upmost importance to develop a LED Linear VarioLED Flex
No Place Light Home
Ian Clarke, Associate
D
at dpa lighting
esigning the lighting for a home is a great
privilege, responsibility and opportunity.
When developed in a sensitive way with a level
consultants, takes
of understanding for the client’s needs and
likes the lighting of a residential property can
really touch people, totally changing how they
a closer look at the

experience and enjoy their own home.
It is very important that you listen to your client whenever you have
opportunity to meet with them. Learn as much as you can about what
special thought
they expect, how they think the lighting should work and help them,
their aspirations and ideas are important and should strongly lead
how a scheme is developed. We are designing for people in their own
process that comes private homes and it is critical that we know how best to deliver a
scheme to meet their needs.
The most successful lighting schemes are born out of good
with designing relationships where you get to know the homeowners’ ambitions for
their home, how they use the spaces, what they like and how they
lighting for a
entertain or relax. It really helps to understand as much as possible as
it is often the smaller details which people really connect to. Gaining
this knowledge about the home or particular interests of the owners
residential property.
all provides information which can feed into the development and
design of your lighting proposals. It is vital to explore all possible
opportunities to make each scheme unique and special.
Most modern homes are hard working spaces and as such they must
satisfy many functions. The lighting must therefore work hard in
response to these varied requirements. Bright, fresh and functional is
often the desired approach by day with an appropriate level of light where
it is needed to support the available daylight within the home. Achieving
this through a handful of lighting techniques will create an interesting
and multi layered scheme. It is discovering the best ways to engage with
and enliven these spaces with lighting which makes the difference.
Homes are also personal and private spaces where, as always, lighting
can support and enhance this through selective measures and
therefore plays a role in reflecting the character of those who live
there. A special chair, a fabulous architectural feature within the home
or a simple group of family photos can be as personal and beautiful an
object as is required which, when illuminated gently offers a relevance
and quality unique to that space alone. Artwork lighting provides
brightness to the vertical which is extremely valuable as a lighting
technique while also adding character through the very personal
nature of the artwork itself, selected and loved by the owner.
The lighting design for homes needs to be about heart and soul.
Everything about designing for residential projects is personal. For
most of us, home should be welcoming, comforting and safe. Carefully
considered lighting can enhance these feelings during the evening.
We can encourage conversation, make guests feel comfortable and put
people at ease through good lighting.
Using a selection of decorative floor or table lamps around a seating
group or lounge area is a well proven way of building a comfortable
atmosphere when combined with high quality lamps, a lovely warm
colour temperature and well coordinated dimming. Suspended
pendant lighting over dining tables puts light just where it is needed
and offers opportunity for further expression of style and taste
through the type of light selected.
With the advances in LED technology over recent years, we can now
implement lighting in new ways. The development of miniature
lighting equipment has opened opportunity for integration within
architectural or furniture details for example, where the light
source can be totally concealed thus eliminating the risk of glare
Ian Clarke, Associate at
dpa lighting consultants and avoiding the introduction of visual clutter within the space. The
Residential lighting
Pics: Matt Livey
dpa lighting was appointed to develop the lighting to this beautiful home and landscape within a greenbelt location in Oxfordshire. With architecture by Waind Gohil & Potter and landscaping by
Angus Thompson Design, the strong modern scheme led to an appropriately considered and carefully coordinated series of lighting proposals. Lighting was integrated within joinery details, positioned
discreetly and selected with minimal visual intrusion as a priority. This approach allowed the interior volumes and architectural rhythm to be exposed in the evenings. It was very important to ensure a
softness was brought to the home through decorative lighting at low level and gentle highlights to artworks, making this a very comfortable environment for the family. Lighting to the landscape includes
decorative wall lanterns around the property, with spike-mounted luminaires along routes and providing highlight to key planting elements. The nature of the lighting to the exterior was purposefully low
key and respectful of the rural position whilst gently leading out to amazing lakeside views.
technical improvements in colour rendering and optical control allow evening and present the home in a way far removed from its everyday
the use of the latest equipment in the home to dramatic effect whilst function. The ability for light to transform a space offering variety
providing good usable light. and an element of theatre or drama is as relevant in our homes as in
We are all extremely familiar with our own homes and can navigate any project and arguably more sensitive due to our wholly personal
safely at night time with very little or no light at all through attachment to our homes.
familiarity. We therefore, require very little in the way of additional With many homes and extensions often being designed with large
lighting to get around, but recognising this allows opportunity to focus expanses of glazing at ground level, the lighting of exterior spaces has
efforts on enhancements to the architecture and interiors. Through never been so important. When a home is fortunate enough to benefit
these lighting interventions we can create safe passage for the from a lovely garden or other interesting outdoor spaces, I would
occupants through interesting and diverse lighting opportunities. A encourage the introduction of lighting the outdoors.
well placed artwork with a soft brush of light may illuminate a landing When it comes to gardens and landscapes, I believe a little light goes
or route perfectly well. Focal points can be used to guide you along a long way. If the local lighting competition is low, such as a typical
your path in a distinctive way. rural area where the sky gets truly dark, then only a very delicate touch
It is not just the colour temperature which helps a space feel inviting of light to the landscape is needed depending on the scale. Garden
but also the balance of lighting within the space. Along with a well lighting is often used to create a backdrop to a terrace or dining area,
considered and varied lighting scheme this balance can be achieved and similar to the interior, I believe careful selection of a handful of
using a lighting control system to allow dimming via an appropriately key points of focus works well.
scaled architectural lighting control system. Whilst there are many Light used to pick out a specimen tree, coloured foliage or water
benefits to the use of a system like this it is important that the lighting feature provides interest and movement as well as extending the
control is absolutely instinctive to use. view into the outside. Good quality, robust product is key to reducing
The most tech-savvy household is likely to still become frustrated maintenance and avoiding trouble when considering lighting outside.
when a system is confusing or counter-intuitive. However, the As with all projects, a good design team working together with a
latest development of mobile apps from a number of lighting control common goal makes the whole process so much easier. Architectural
manufacturers provides a really great level of interactivity. With and landscaping teams help to structure the bones and skeleton of
access to individual scenes, channels and elements within an overall the project and, of course, an early introduction to the project allows
scheme the client can continue to refine and tailor the lighting the infrastructure and coordination of the lighting elements to be
conditions to their own taste and preference as they live with the seamlessly knitted into the fabric of the building.
scheme. This advance in control and promotion of user interaction As lighting designers today we have all the necessary tools available
also provides opportunity to refine and revise the lighting control as to us to create stunning homes with a generous warmth and quality
the interiors change or client preferences alter. that we all react to positively. All we need to do is tailor our solutions
Architectural elements of interest are great tools when it comes as closely to the aspiration and dreams of the family as possible.
to providing visual structure in a space, defining the character and The results should be special, well crafted and bespoke but most
rhythm of the building. When sensitively picked up with light these importantly, as this is all about people, create a very happy client.
can reveal an interior volume in a completely different way during the www.dpalighting.com
Take Shelter
A large renovation project set out to transform an area of abandoned military
land, known as the Bungenäs, on the northern tip of Gotland in the Baltic Sea.
Here, we get an insight into what life looks like underground.
N
estled away in the cold wilderness of building. The plan for the renovation was to develop
Sweden is Bungenäs on a peninsula in upon the existing structure to include a spa area,
the far north-east side of the island, bedrooms, a dining area and entertainment space. In
Gotland. During the winter months, addition, new architectural elements were integrated
this part of the world experiences little daylight. A to make room for additional living spaces spread over
barren landscape, this part of Sweden is home to a a further two levels that emerged partially or fully
small, freethinking, population that has banned any above ground. A further two buildings were added to
motor vehicles past the old military checkpoint fence. include additional bedrooms, a kitchen and a garage.
Previously, it was an abandoned limestone quarry The entirely custom-made design (aside from the
that was once a strategically located and prized piece toilets), demanded a huge amount of attention to
of land for the military. Over time, this land was detail through textures and colours. The materials
deserted and left derelict. used for the structure simply consisted of concrete,
An ambitious development team decided to undertake wood and steel all combined with a colour palette of
this mammoth project in 2007 to transform the area grey, orange, silver and black.
into luxury high-end residential plots. Specifically, For the lighting scheme, the brief was to create
this particular bunker turned out to be the most something ‘cold and welcoming’; a somewhat
challenging but also most successful project for the unconventional desire for a residential space. In
architectural firm Skälsö Arkitekter. keeping with the unique past of the building, lighting
The unconventional foundations for this build lay designer James Anderson with his lighting design
upon a bed of earth where the three-storey structure firm, Fluidic Design, were brought in to re-create
was dug into. Pointing east (toward the enemy), is the atmosphere of a military bunker using light
a large turret, mounted on the top of the sunken sparingly, for both utility and elegance. Furthermore,
Pics: James Anderson
he wanted to create a feeling of luxury and stark natural and comfortable soon after the initial
beauty throughout the residence. A custom impact because, at the end of the day, it is still a
woolen chandelier and custom wall light designs functioning home. This fine balance was achieved
throughout the building came from Fluidic Design, through the flawless lighting design and its
whilst other manufacturers were used for a variety fixtures by Mike Stoane Lighting that moulded
of functional installations, such as downlights by seamlessly into Skälsö Arkitekter’s concept.
TAL and Soraa. Accent lighting was brought in by iLED to create
With function and beauty coming hand in contrasting light and shadow effects and linears Opposite page Inside the bunker, the
by Rigbag and Lumino. Architect Erik Gardell stark and cold sitting room features a
hand, it was important for the designer to be
bright tube light stretching down the
specific with their fixtures and their functions. described the initial aim and results achieved by length of the room, illuminating the
stylish leather seats.
Throughout the house, the lighting is controllable Skälsö Arkitekter: “We didn’t want easily gained This page A combination of interior
and exterior shots that give a true
through dimming, while each room has its own elegance. We didn’t want to use luxury products insight into this building and its
composition with pre-programmed levels at the of the kind you find in a first class hotel. Tactility surroundings. The cement blockade
landscape is carried through to the
touch of a button. has been important. The materials used are inside, continuing with the straight
lines and grey colour scheme. The
Fluidic Design encountered multiple challenges unexpected; it’s supposed to be rough and sensual kitchen presents the only warm tones
with natural wood cabinets, which
throughout the duration of this project, for at the same time.” act as a juxtaposition to the cold
example lighting a three-storey staircase with Anderson has now retired Fluidic Design to stainless steel elements and light
fixtures. The glass floor panels bring
one single luminaire. The majority of the kitchen join Tengbom as part of the new Studio Ljus a high intensity of light to the room,
illuminating the feature cement walls
illumination came through a large glass floor that Team where he continues to pursue sustainable and reflects on the stainless steel wall.
Inground linears by Lumenpulse and
gave the room that ‘wow’ factor that was requested architectural lighting. pathway lights by Lucifer create a
by the client. www.fluidiclighting.com dramatic landscape, whilst Orluna
provided inground projectors to add
It was also important for the space to feel to the effect.
Residential Lighting
Mes que un Casa

DesignPlusLight has brought a sense of luxury to a contemporary home in the hills
of Barcelona thanks to a soft, subtle new lighting scheme.
D
esignPlusLight (DPL) collaborated with a ceiling cove light that provides a perimeter halo. Floor
interior designers Carden & Cunietti recessed uplights illuminate the partition screens to
to design the lighting scheme for a create a sense of rhythm and also lift the impression of
contemporary, four-storey home in the the space by providing a lit soffit.
hills of Barcelona. As such, the eye is then drawn up to the double height
The house, developed by local architect Joan Guibernau, space with the use of a customised fibre-optic light art
features a cantilevered metal staircase, running piece designed by Sharon Marston, mounted on the
from the basement to the third floor. A custom Bocci fireplace wall. Strands of light create a playful display
pendant was designed to cascade circular balls of light that slowly sparkles and shimmers against black glass
across the three floors, and DPL detailed a customised panels. A high level slot creates a soft halo wash of
suspension plate that allows the pendant to span across light to the sheer curtains, and helps to connect the two
the top floor skylight. Detailed so that the fixing plate ceiling heights by using the same lighting effect.
was suspended above the ceiling line, it makes for a Square plaster-in downlights create a contemporary
discrete installation, while still allowing sufficient feel in the master dressing room and complement the
daylight to filter down during the day. recto-linear skylight. The latter is softly illuminated
The result is a shimmering and delicate lighting effect, at night to provide a subtle glow within the ceiling.
cascading down the stairwell. This provides a general Elsewhere, mini LED spotlights detailed into the vertical
light level on the staircase, however DPL positioned frame of the handbag shelving provide a glamorous
square floor washers into the side wall to illuminate the focal point within the horsehair cabinetry, creating the
cantilevered treads and provide a further layer of light overall impression of a luxurious fitting room.
to the staircase. A perimeter ceiling slot provides a soft halo to the sheer
DPL also designed surface box downlights, as there curtain in the bathroom. The linear lighting effect is
was no ceiling void within the concrete soffits in which continued at the basin with a halo-lit mirror, providing
to recess traditional downlights. A shadow gap was a diffuse lighting effect. Floor wash lights create pools
detailed into the base of the surface box so as to reduce of light in the shower room and WC, and act as a night-
the impression of the fitting on the ceiling, which light when using the bathroom in the evening, giving
added to the contemporary feel of the space. the space a spa-like quality.
“If you can’t recess downlights into the ceiling A secondary stair is lit with step-lights that play with
because it may be listed or there is no void space, then the form of the asymmetric block-like treads.
I think surface spotlights have an honest appearance, The kitchen has a lower ceiling height, so to create
especially in a contemporary space,” explained Sanjit a sense of depth, storage shelving is illuminated,
Bahra, Founder of DPL. creating lit niches. Surface mounted spotlights within
Elsewhere, the open plan living areas comprise a lower the skylight light the central island, while linear
ceiling over the music library and dining area, with a striplights under the island and on the perimeter work
double height space over much of the reception. surfaces provide a soft halo of light.
A sense of intimacy was created in the dining room with www.designpluslight.com
Pic: Matteo Piazza
residential Lighting
Pic: Marco Campanini
Pic: Marco Campanini Pic: Matteo Piazza
Eco-friendly Modernism
A modern residential complex in the highly desired suburb of Fidenza, Italy,
has broken all barriers of sustainability and eco-friendly design.
S
ituated in the upmarket Italian programmed with various illumination modes
suburb, Fidenza, the House on the in order to cooperate with the energy efficiency
Park is an apartment block that brings standards, including evening, utility and night and
all modern technology and design day passage schemes. Cree LED strips and an array
to fruition. The original and expressive design of L&L Bright fixtures were put in place to light the
has incorporated a huge range of eco-friendly entrance atrium, whilst a smaller light source was
attributes throughout the building, thus becoming used to light the main columns, specifically a 3W
Opposite Page External shot of the
the first to obtain certification from the Active in-ground mini spot with +/- 15-degrees for glare- appartment block. Tree lined streets are
complimented with the exterior lighting.
House Italia, Passive House Institute Italia and the free scenographic lighting. The central columns This Page Left Outside loggias with
Multi Comfort by Saint Gobain, whose guidelines were placed as a reference of leaning tree trunks dimmed in-ground spots and illuminated
shrubbery. The L&L Bright and Spot
examine the energy performance aspects but also in the wind and treated in a certain way to act as fixtures create a modern and warm sense
to the external walkways and create a
the quality of the building’s environmental impact, a metaphor for ‘friendly nature’ as the central safe environment for residents to move
around the building.
the sustainable building materials and the health running theme of the building and its source of Top Right Internal stairway presenting the
and comfort levels of the living environments for energy. Soft, diffused and indirect lighting is used contrasting light line using the Cree LED
strip lights that draws the eye through and
residents. for the central stairway that opens up the heart of upwards.
Bottom Right External entrance atrium
Architectural Lighting Designer Rada Markovic had the building, drawing the eye up with a continuous lit with accent spots on the columns,
stairway and ceiling LED lines by Luce &
the task of lighting this edifice’s three different line of light. 4W and 14W LED strips by Cree that Light and Cree. Designed with DIALux
sections of varying sizes and heights for the are sustainable, extra thin, flexible, powerful and software programming, the lighting can
be adapted and altered according to the
client, Montanari Costuzioni s.r.l. The façade was easily adaptable, are used on each of the edges. needs of the spaces and natural light.
residential Lighting
Top Buck Lighting’s linear strip LED lights

underline the garden beds in the outside
walkways, creating a non-intrusive floor
lighting solution, giving the outdoor space
a modern feel.
Middle Buck Lighting Slim Line LEDs light
the underground garage spaces with bold,
clean lines. Providing bright functional
lighting, the LEDs also add a modern,
artistic take on the typical underground
carpark lighting.
Bottom An ariel view of the outside space
and surrounding gardens for the block of
flats. L&L Bright and Spot fixtures are used
throughout the outside space, creating a
chic and somewhat majestic feel to the
environment, allowing the varied plants to
cast bold shadows across the white walls.
Pics: Marco Campanini
Markovic’s lines of light also create a visual contrast and a

dynamic interaction between the light during the day and
night.
Surrounding pedestrian areas and garden features are
illuminated with in-ground light sources using L&L Bright
and Spot fittings, whilst pathways and communal spaces are
lit with Buck Lighting’s Slim Line fixtures. The public access
to internal parking areas are lit with L&L’s Bright 5.9D
fittings and are controlled using motion sensors, allowing
five minutes of light per activation.
Depending on the time of day and the season, each of
the external light fittings are synced to individual modes
and are adjusted accordingly with the Dali sensors. For
example, the Night passage settings reduce to 50% with
some remaining on for security purposes, whereas the
Day passage adjusts depending on the amount of daylight,
especially during the darker winter months. The Dali
sensors will dim the various strip lights to achieve the
pre-set intensity, thus in-keeping with the electrical
consumption targets.
Giovanni del Boca and Alessandra Amoretti, Architects and
Co-owners of Studio DelBoca + Partners, which worked on
the project alongside Milano-Parma and Studio Architetti’s
Simona e Giovanni Rossi, commented: “House on the Park
is a structure with a contemporary design located in a prime
area of the town. The project combines sustainability,
energy efficiency and technological innovation within a
highly flexible and efficient layout of the spaces and traffic
flows designed to safeguard the fundamental aspects of
the urban surroundings: the view and the greenery. It is
the result of a concerned mutli-disciplinary approach and
the potent but not overpowering architectural design is
based on a qualitative approach truly capable of improving
man’s habitat, and the well-being and quality of life of its
residents.”
www.radamarkovic.com
OVO 18 UN
3.5 °
Ultra Narrow Beam

Up to 59lux at 80m
Strada Mirabella 10 ∙ 46040 Cavriana (MN) ∙ Italy

T +39 0376 771513 ∙ F +39 0376 772235
nexoluce.com
RESIDENTIAL LIGHTING
Modern Elegance
Italian architect Francesco DiNisio has transformed a historic building in
the centre of Vicenza, creating a home that beautifully blends modern and
vintage elements, with the help of some lighting from Linea Light Group.
F
rom the refurbishment of a Branch, Vedette, Ribbon and Baton fittings. anodised aluminium casing and neoprene
historic building in the elegant The Branch is a perfect combination of cables, the wall light has been designed for
centre of Vicenza, Italy pops up modernity and elegance, taking shape in the outdoor lighting of hotels, private homes
a delightful home that features, a luminaire characterised by minimalist and for urban lighting.
in the limited space afforded by the ancient design. Branch is a fissure in space, a tapered The Ribbon LED strip is made up of 60
structure, several masterfully designed evanescent line caught in a play of light and carefully selected and tested LEDs per metre,
rooms furnished with a refined style that shadows that disappears and reappears in mounted on a flexible circuit with adhesive
blends modern solutions and vintage all its glory. The fixture houses a topLED backing. The Ribbon Basic model is suitable
elements. source with CRI 90 concealed in the slightly for any kind of application and can be folded
The flat was a loft conversion, with the recessed casing. or cut into 6-LED units without damaging
original beams left exposed and turned A square wall light with a minimalist the rest of the module.
into a feature. This is enhanced by Linea modern design, the Vedette allows the Finally, the Baton is a lacquered aluminium
Light Group’s Pound projectors, installed creation of evocative light patterns with cylindrical suspension, available in
along the crossbeams and directed toward astonishing visual effects. The powerLED different diameter, length and finishes.
the ceiling to create indirect lighting of the source with four power levels ensures Ideal as a single lighting point for creating
rooms. Among the many antique paintings reduced consumption and a very warm sophisticated and refined atmospheres, it
and exquisite furnishings are the decorative light. Vedette_Q is characterised by highly can also be installed in compositions defined
Heli wall lamps and the modern and refined versatile light management: the optics by different dimensions, finish or height.
Branch suspension luminaire that envelops angle allows control of the light beam A special integrated lens provides lighting
the dining table in soft lighting. width, creating several aesthetic effects control, while visual comfort is guaranteed
Throughout the residence, Linea Light and meeting the most diverse needs. With by a set back LED source.
provided a range of luminaires, including the a resin-potted driver integrated in the www.linealight.com
Six Levels of Luxury

Nulty+ has brought its luxurious, stylish lighting design to Notting
Hill, transforming a six-storey townhouse into a stunning new home.
A
Notting Hill townhouse has been its movement and fluidity, opal low-level LED
completely transformed into a luminaires from Brick in the Wall were installed
luxurious, spectacular new residence along the sides, while diffused LED lighting was
thanks in part to a new lighting integrated into the joinery, giving off a soft,
design from Nulty. warm light along the staircase.
With five floors and a basement complete with Elsewhere, the subterranean swimming pool,
a swimming pool to consider – all bursting with gym and cinema ooze tranquillity, with the
architectural details – this was no mean feat for minimalist architectural lighting provided by
the London-based lighting designers, but early DAL and Ikon Design continuing throughout
collaboration and a great deal of passion paid off the nature-inspired space, defining quality
to produce stunning results. materials. A datum line of illumination around
The lighting scheme works in harmony with the pool washes down into the water and extends
the stylish and contemporary architecture, and across the double-height space at the rear,
crisp, clean lines of the interior, yet it creates a creating the perfect sense of serenity.
‘homely’ feel for the owners. The task of creating a lighting scheme around the
Illumination effects were concealed where unique architecture of a West London townhouse,
possible, while statement pieces were used to from the basement pool, right up to the attic, was
create an ambience – for example, three Raimond something that really appealed to Daniel Gray,
lamps by Moooi hang elegantly above the dining Senior Lighting Designer at Nulty, and the effort
room table, giving a ‘soft glow of a starry night’. from the lighting designers has helped to create a
A standout design feature in the property is stunning property, across all six floors.
the ‘curved’ staircase – in order to emphasise www.nultylighting.co.uk
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High-end residential lighting designers Light.iQ, in collaboration with Rigby
and Rigby architects, created a cool, modern, luxurious living space for one
London Mews property.
L
ight is so often misunderstood and London, one particular project stands out for
taken for granted, it is only when it Rigby and Rigby and Light.IQ, as Weir explained:
is reduced to nothing more than a “A client purchased a Knightsbridge Mews and
shadow or evaporates completely that required a cooler, more contemporary scheme.
we realise its power and hold over us.” So says The interior designers introduced black glass,
Light.iQ founder and Creative Director, Rebecca dark details and sumptuous finishes. It was easy
Weir, of her firm’s mission to provide inspirational to add lighting to this wonderfully sexy ambience.
and innovative lighting solutions. However, the challenge included ensuring there
Light.iQ works in close collaboration with was plenty of light for more functional tasks such
architects, interior designers and private clients as cleaning!”
worldwide, and they pride themselves on their Of particular note was the car-stacking garage
long-standing relationships. One such partnership that ended as a piece of art, viewed through
is with Rigby and Rigby, an international super- panoramic glass in the basement. With an enviable
prime specialist developer of residential and car collection, the lighting through this moveable
commercial spaces. Both companies have seen a mechanism required the impact of a gallery. With
substantial shift in the requirements of high net close collaboration from all teams, the end result,
worth clients who have been engaging much more utilising Radiant Lighting’s Flex System 40, was
with the lighting design process in recent years. breathless.
With more than 20 collaborations to date in “As the car descended, translucent curtains
opened to reveal the sparkling engine,” explained explained. “Flexibility and personalisation is key Previous page This property’s car
stacking garage was transformed
Weir. “With several light settings in place the to the optimisation of these effects, we understand
into a piece of art. Viewed
luxurious collectors’ item could be viewed in that one solution will not fit everyone and ease of through panoramic glass in the
multiple ways. The challenge as is so often the use is key. basement, the lighting through
this moveable mechanism,
case was to ensure we could conceal all the lights “The challenge we often find is designing in the provided by Radiant Lighting, had
amongst the moveable parts.” detail whilst ensuring maintenance can be easily the impact of a gallery.
Above In the bedroom and
“Clients today are often incredibly well briefed carried out when required – there is no such thing
bathroom, Light.iQ utilised
before starting their projects, often knowing what as ‘forever’ with any light as we know!” fretwork and joinery detailing to
they don’t want whilst not always being sure of Within residential schemes lighting is so often offset the Applelec Light Sheet
lighting panels to maximum
what they do,” continued Weir. “We are looking decorative, defined by the shape of a wall sconce effect.
to provide that missing link, that seamless part of or pendant. However, Weir feels that the greatest
the equation that pulls all factors of the creative schemes are often more ethereal, where the
process together.” An example of this can be found subtlety of the light dances and changes to the
in the beautiful bedroom and bathroom, with pattern of the day.
stunning fretwork and joinery detailing setting “Light should not be static,” she said. “Great
off the Applelec light panels to maximum effect. lighting design will rarely be discussed because
Elsewhere, Rinia LED tape from Lucerna Lighting it becomes part of the personality of the client,
provides a subtle, seamless light throughout the the house, or the time of day and is thus invisible;
property. only there to reinforce the character of the space.
“Much has been written about the effects of Hopefully we have achieved that.”
Circadian based lighting, however, here we looked www.lightiq.com
not to jump on the marketing bandwagon but
to provide a solution that would take the client
from bright early morning starts to more subtle,
mood enhancing ambient light for evening,” Weir
Social Behaviour
London-based lighting designers at Light Follows Behaviour
have continued their inclusive, socially driven approach to design
with the recent exterior renovation of the Shadwell Estate,
located in East London.
A
s a practice, Light Follows The use of low glare light fittings reduces
Behaviour is committed to the light spill to the residents’ windows,
exterior residential projects and does not contribute to the brightening
needing lighting intervention of the night sky. Elements such as accent
as a way of improving the wellbeing of lighting on façades, integrated bench
local residents, and the renovation of the lighting from LED Linear, path lighting from
Shadwell Estate is another example of this. Erco and moon lighting to trees, courtesy of
It is also the first example of a social housing Erco, Bega and iGuzzini, add to the overall
project lit to higher standards, setting out pleasant ambiance of the residents’ exterior
to push boundaries in public realm lighting, environment.
and especially in social housing. The project serves to show that good
The lighting scheme was developed as part of lighting can make drastic positive changes
a multidisciplinary design team, in response to residents’ perception, regardless of their
to residents’ comments. The project social status.
represents the beautiful integration of Light Follows Behaviour commented: “We
lighting with the architecture, landscaping find that our proposed lighting schemes not
and exterior amenities, such as benches, only demonstrate good lighting in technical
storage and a children’s playground. and design terms, but also result in great
The project represents a well-lit exterior satisfaction and pride to the local built
environment that is not only pleasing to environment.”
the residents, but also appreciated by those www.lightfollowsbehaviour.com
passing by.
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Das gute Licht.

For better architecture.
BEGA_Decke_AZ_MONDOARC_02_18_236x333_ISOv2_GB.indd 1 17.01.18 17:21

Pics: Tom De Gay
In and Out
Astro Lighting’s Porto Plus range helps to bring a modern new
aesthetic to the recent renovation of an Edwardian town house
in London, that blurs the borders between outside and in.
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n collaboration with Mulroy wood throughout the house. In the kitchen,
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studio Manea Kella recently oak dining table and bench that sit under the
helped add an extension to a skylight, while a smaller version of the table
family home in north London. is used as a coffee table in the ground-floor
London-based Manea Kelly was briefed by living room.
the client to maintain the period character To add a contemporary touch, Manea Kella
of the front façade of the end-of-terrace chose Astro’s Porto Plus range of lights for
Edwardian home whilst the interior would be the kitchen, dining area and exterior of the
modern. One of the side walls of the house house.
was removed and replaced with a stock brick A contemporary wall luminaire perfect for
cavity wall and joined to the rest of the house any exterior space, the Porto Plus is IP44-
by a sliver of glazing. Directly outside this rated and available either with a dual or
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greenery to the kitchen space. matte painted silver or matte black.
Grey tiles underlaid with underfloor heating Director of Manea Kella, Adrian Manea,
continue this theme, merging the kitchen said: “We found the design of Astro’s Porto
space with the similar tones of the outdoor Plus lights to complement our minimalist
concrete patio, which steps down into intervention. The lights were selected due to
the similarly grey-tiled terrace. For the them being elegant, compact yet striking due
furnishings, Manea Kelly referenced the to the contrast created against the exposed
original Edwardian oak staircase that leads brick and grey rendered walls.”
up to the first floor, continuing the use of the www.astrolighting.com
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Holistic House
The blueprint of Ori House features the clean, chic and eco-friendly
designs from Ekkis and Studio McLeod, utilising daylighting design
from Cundall.
E
kkist and Studio McLeod have come about attention to detail. It involves a holistic
together to create this collaborative approach to the design process, bringing
architectural blueprint called The Ori together striking, sculptural aesthetics, strong
House. environmental values and a focus on how
With health and wellbeing at the forefront of occupants will feel and interact within our
design for Ekkist’s architecture, six core principles buildings. It is about designing for comfort,
are essential for the design process including; beauty, resilience and, very importantly, our
light, air, water, biosphere, atmosphere and health and wellbeing.”
adaptability and longevity. These principles RIBA award winning architects Studio McLeod
are based on the Passivhaus principles (that worked closely with Ekkist to form a design
ensure good levels of insulation, solar and heat encompassing daylighting into the heart of the
sources, airtightness and air quality) and the project. Using guidance from WELL Building
WELL Building Standard, as well as designed with Standard and the daylight strategy by Cundall,
BREEAM in mind. Ekkist aimed to incorporate positivity into the
It presents a highly adaptable design that can living environment, focusing on elements of
be created to suit a range of different sites with improving the occupant’s circadian rhythm
options to extend and form bespoke alterations. function.
Olga Turner, Director and Co-Founder of Ekkist It was important for the team to incorporate a
explained: “For us, architecture for wellbeing is large range of British-made products and use
Residential Lighting
Pics: Ekkist CGI’s
British brands throughout the project, for aimed at being flexible depending on the Previous Page Open kitchen and
dining space featuring the black
example Astro’s track lighting, which were client’s desires, these light fittings are geometric linear light fixtures that are
adaptable for each individual design
both designed and engineered in the UK. interchangeable and alternative options are preference.
The importance of daylight in this design, provided to align the lighting with the joists This Page Left An external view of
the kitchen/diner space, highlighting
demanded particular attention to the room if a different design is desired. the triple headed pendant hanging
over the breakfast bar and the black
orientations, to allow maximum daylight Clayworks clay plaster provides a highly geometric linear fixture creeping over
into the living space.
to enter through large windows. The open reflective surface for natural light to be Top Right Natural light is prominant in
plan layout with three metre high ceilings bounced back into the rooms. This eco- the open plan living and kitchen areas
with walls of glass open to the exterior
also further maximises the opportunity for friendly method of wall coverage using clay of the property.
Bottom Right External shot of the
natural light to fill the space. plaster instead of conventional plaster and building surrounded by endless
greenery, a key factor the design team
A striking geometric lighting rail is featured paint not only adds more light but also saves wanted to incorporate for the health
in the main living areas, providing a modern over one tonne of carbon dioxide. and wellbeing of the residents.
answer to task lighting as well a bespoke- Jonathan Baker, Director and Co-Founder of
designed sculptural light to illuminate the Ekkist, commented: “It is about curating all
dining. the pieces of the puzzle, which contribute to
Working closely with Lucid Environments, our understanding of health and wellbeing
the architectural team produced numerous through architecture, and coming up with
visualisations of the project to see different solutions for how they can be delivered
lighting necessities throughout the day and in buildings, without compromising on
at different points of the year, to ensure aesthetics or sustainability.”
the lighting installed would work with www.ekkist.co
maximum impact. www.studiomcleod.com
As it is still a working design that is www.cundall.com
Pics: Matthew Andrews unless stated otherwise Eye Love London by The Coca Cola London Eye
North South F
or most festival organisers, one huge, national event
is quite enough workload throughout the year. But
for arts charity Artichoke, organisers of the Lumiere
Divine
festivals, one was not enough. Lumiere Durham and
Lumiere London took place within two months of each other and
represented a scintillating feat of creativity and hard work.
The first Lumiere light festival took place in Durham in 2009.
Originally planned as a one off, with the support of Durham
The Lumiere festivals in Durham and London, County Council and other sponsors, Artichoke has brought the
event back to the North East every other year since. In 2013,
organised by Artichoke, took place in November Lumiere Derry~Londonderry was the finale to the first UK City of
2017 and January 2018 respectively, attracting Culture celebrations and in January 2016, Lumiere London came to
the capital for the first time attracting over 1 million visitors to the
more than 1.75 million visitors between them. city.
LUMIERE LONDON
The second edition of Lumiere London, commissioned by the
Aether by Architecture Social Club Mayor of London, transformed the capital over four nights, as its
with Max Cooper (London) streets, buildings and public spaces were illuminated by more
than 50 artworks by UK and international artists from fourteen
different countries.
More than 1.5 million people visited the festival over four nights,
with visitors traversing the pedestrianised city centre and taking in
sites across six city destinations: London’s West End, King’s Cross,
Mayfair, Fitzrovia, Westminster & Victoria, and South Bank &
Waterloo.
More than 80 technicians and crew took part in the technical
install and build of this vast event, while almost 1,000 stewards
and volunteers managed visitors over the four nights, ensuring
that everyone had a comfortable and enjoyable experience.
Festival
The Wave by Vertigo (London)
Know Thyself by Finola Finn (Durham)
For The Birds was a meditative and immersive

journey through Durham University Botanic Garden
with over 20 light and sound installations.
Impulse by Lateral Office & CS Design (London)
Frequencies by Kari Kola (Durham)
Festival
Lampounette by TILT (London)
Origin of the World by Miguel Chevalier (London)

Pic: Nicolas Gaudelet
Illumaphonium by Michael Davis

featured in London and Durham.
Pic: Oliver Rudkin
The Mayor of London, Sadiq Khan, said: “Lumiere London Gardens.

has been one of the brightest and most exciting festivals A firm festival favourite was The Light of the Spirit Chapter 2
ever to hit the streets of the capital. With more than 50 by French artist Patrice Warrener, who returned to London
artworks across the city, this was an incredible opportunity to add to his digital painting of Westminster Abbey’s
to see our city’s iconic architecture and streets in a intricately carved North and West doors, in bright and
completely new way.” luminous colour. In Seven Dials, people were delighted by
Helen Marriage, Artichoke CEO and Lumiere Artistic the return of Aquarium, a traditional red London telephone
Director, added: “Our aim at Artichoke is to create box filled with tropical fish.
extraordinary moments that disrupt the everyday and reach As well as lifting spirits and bringing joy to the darkest days
the widest possible audience. We’re very proud to have done of winter, Lumiere London encouraged artists to use light as
exactly this through Lumiere London 2018 and I’m a medium to address topical global issues. Dutch artist Daan
enormously grateful to everyone who has played a part in Roosegaarde flooded Granary Square to create an underwater
enabling this festival to take place”. world lit with blue LED lights.
Lumiere London receives major support from London & His Waterlicht installation responded to the climate change
Partners, London’s West End, King’s Cross and Bloomberg crisis, showing viewers what it would be like if sea level
Philanthropies with additional support provided by a host of continue to rise. Meanwhile in St James’s Churchyard artist
partners and funders including Grosvenor Britain & Ireland, Alaa Minawi played tribute to Syrian refugees with My Light
Wellcome, The Fitzrovia Partnership and the Victoria, South is Your Light and Tony Heaton explored subtle questions of
Bank and Waterloo BIDs, as well as Cain International, disability with Raspberry Ripple on the Southbank Centre.
Marriott and Universal Music. Interactive installations proved a crowd favourite,
Despite taking place over some of the coldest nights of the encouraging children and adults to play on the streets of
year, enthusiastic festival-goers were undeterred by the London. Visitors laughed and beamed with pleasure as they
wintry weather and thronged the streets of London. Artists took turns riding Impulse, a series of illuminated seesaws by
from around the world adorned iconic London landmarks Lateral Office that lined South Molton Street. In Grosvenor
with work made from light; Child Hood by Collectif Coin Square, visitors became musicians as they made the musical
filled Trafalgar Square with a canopy of 256 luminous sculpture Illumaphonium chime. On South Bank, The Wave
spheres; Ulf Langheinrich animated the National Theatre by Vertigo, an 80-metre-long path of 40 glowing sound
flytower with his abstract projection OSC-L, while The gates responded sonically and visually to visitors, while at
Lantern Company with Jo Pocock created Nightlife, an oasis Westminster Cathedral the public cycled on stationary
with woodland creatures inhabiting Leicester Square bicycles to light The Rose, a colourful work made from
THE ILLUMINATION OF
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IP2849_MSC-FINAL-SinglePage-FINAL.indd 1 2/03/2016 9:52 AM

Waterlicht by Daan Roosegaarde (London)
thousands of recycled plastic bottles. romantic soundtrack. In Piccadilly Circus,

Miguel Chevalier’s Origin of the World Bubble Voyage’s specially created soundtrack took
2018 delighted visitors at Oxford Circus, who viewers on a journey as they watched the hands
watched changing shapes project onto the giant of the Hotel Café Royal clock speed through
sphere suspended across the world-famous time, created by duo Camille Gross and Leslie
junction. Grosvenor Square was transformed by Epsztein.
Aleksandra Stratimirovic’s Northern Lights, an There were moments of contemplation too, with
artwork inspired by the experience of viewing works such as Entre les Rangs, a field of 15,000
the aurora borealis, while in Chinatown viewers flower-like reflectors by artist Rami Bebawi;
watched Flamingo Flyway, created by Lantern Droplets, a sonic installation by Ulf Pedersen in
Company with Jo Pocock. King’s Boulevard in Fitzroy Place; and the mesmerising Harmonic
King’s Cross was lined with TILT’s giant desk Portal, a soothing display of changing colour on
CONTROL NO CONTROL by Daniel Iregui (London) lamps in a surreal nod to the area’s business St James’s Church by Chris Plant.
Pic: Oliver Rudkin economy, while at St Martin-in-the-Fields, Ron Londoners also provided the inspiration and
Haselden’s neon ladder, Echelle, adorned the content for some of the artworks. For Asalto
steeple and was visible from as far away as London, Spanish artist Daniel Canogar filmed
Parliament Square and the South Bank. 220 local people so that they appeared to be
Many of the works were accompanied by sound. climbing the 20-storey Westminster City Hall
In Fitzrovia, Cosmoscope was an ambitious on Victoria Street. Light on Their Feet: Footfalls
sound and light installation supported by for Rambert was created by artist David Ward
Wellcome, which explored our place in the who photographed the soles of the Rambert
universe. The piece, created by Simeon Nelson dancers’ feet and projected images that faded in
and featuring an impressive soundscape by Rob and out of visibility on the Rambert building.
Goodman and Nick Rodwell, was the With an expanded festival footprint, which for
culmination of two years of research, used the first time took in sites on both the north and
12,000 LED lights and involved the participation south side of the River Thames and a host of
of 700 primary school pupils from 25 schools community outreach initiatives, the 2018
across the country. festival truly did transform the whole city,
At King’s Cross, Architecture Social Club fused making this extraordinary cultural event that
light, music, and performance in their benefited all Londoners.
electrifying installation Aether, while Artichoke worked with partners in the outer
breakdancers performed in front of Philippe London boroughs of Greenwich, Lambeth,
Morvan’s DOT. In the Royal Academy of the Sutton, Croydon, Redbridge and Waltham Forest
Arts’ Courtyard, Rhys Coren’s Matisse-inspired to engage communities in the creation of new
paper-cut figures in Love Motion danced to a artworks. More than 500 community
Festival
What Matters by Shuster & Moseley (Durham)
participants helped to create artwork, Bottle 29 spectacular artworks and installations and White Line by Adam Frelin, a deceptively
Festoon, by repurposing 6,000 plastic bottles created an illuminated trail right across the simple installation that elegantly retraced a
into glowing chandeliers. Local community city. former bridge over the River Wear.
members were also at the heart of The Iconic Durham landmarks were amongst the This year’s programme had a strong
Umbrella Project, a glowing and meditative sites transformed by art, including the international element once again, with
performance piece that was choreographed city’s historic Cathedral which Spanish artist artists from around the world, including the
after a series of community workshops and Pablo Valbuena turned into a vast United States and Canada, Spain, Holland,
performed across various locations synchronised artwork of sound and light. The Sweden, Finland, as well as the UK. More
throughout Piccadilly, Victoria, Mayfair and beautiful Miners’ Hall at Redhills was than half of the installations were outside of
Fitzrovia during the festival. brought to life by an exciting 3D video- the main ticketed area of the central
Laura Citron, Chief Executive Officer of mapped piece by Shared Space & Light, Peninsula.
London and Partners, said: “Seeing featuring real-life stories from the workers In his first UK commission, Spanish artist,
Londoners and international visitors alike in the police, fire and health services. Pablo Valbuena transformed the interior and
exploring London’s streets, buildings and Top visitor favourites included the exterior of Durham’s world famous Cathedral
neighbourhoods as they were brought to life mesmerising Frequencies by Finnish artist with Methods. Inspired by the tradition of
with colour, light and music was fantastic. Kari Kola, which stretched along the English change-ringing, which dates back to
The scale of Lumiere London showed Riverside under the Cathedral up to Durham the 17th century, live bell ringing triggered
London’s ability – and appeal - to host Castle. lights in time to the sequence. Led by
world-class events and cultural activities Another firm favourite was For The Birds in Durham Cathedral’s Bell Major, Christopher
that are free and accessible for all.” Durham University’s Botanic Garden, Crabtree, 60 bell ringers from the North East
an enchanting collection of more than twenty and beyond performed live for six hours each
LUMIERE DURHAM light and sound installations inspired by night of the festival.
Around 240,000 people visited the fifth birdlife. Local people have participated in the festival
edition of Lumiere Durham, many of whom The programme included something for throughout. Volunteers from the Chester-le-
explored the outer reaches of the footprint everyone. Families enjoyed the interactive Street Area Action Partnership joined others
to discover some of the most popular installations at Walkergate, Prince Bishops in helping to plant a field of over 15,000
artworks such as What Matters, Cosmic Shopping Centre and Millennium Place, illuminated stems for Rami Bebawi’s Entre
Architecture, and For The Birds. Lumiere where hundreds tweeted their ‘love’ for les Rangs in the Cathedral Cloister. More
Durham is commissioned by Durham County Lumiere in response to Aidan Moesby’s than 70 local public-service workers, from
Council with additional support from Arts periodic table of emotions: Sagacity. At firefighters and refuse workers to teachers
Council England, Durham University and a Milburngate, the vast kinetic fire installation, and police officers, were filmed for The
host of further funders and supporters. Fire Tornado by Ivo Schoofs drew enthusiastic Common Good, at the Miners’ Hall at
Since its inception in 2009, Lumiere has crowds, whilst others contemplated quieter, Redhills. British artist Hannah Fox collected
transformed Durham City into a nocturnal art more serene works, such as Drawn in Light at the digital data of 66 local volunteers aged 5
gallery every two years. For the 2017 edition, Elvet Bridge, What Matters at St Oswald’s, to 78, video mapping their facial expressions
Festival
Our Moon by Hannah Fox (Durham)
Cosmic Architecture by Nina Dunn /

John Del’ Nero (Durham)
Methods by Pablo Valbuena (Durham)
to create Our Moon, a moon face that watched over the city To coincide with the festival, Artichoke hosted a one-day
from the walls of Durham Castle, ageing with each festival conference at Durham’s Gala Theatre, in association with
night. Durham County Council and supported by the European
The BRILLIANT commission showcased the talent of five Commission. On Friday 17th November, audiences heard
local artists, including Aidan Moesby, Chris Plant and Amy from a range of visionary and renowned speakers including
Welch, who took patterns within Durham Cathedral for her artists, producers, academics and thinkers, who shared their
inspiration. Emma Boyes’ creation at Durham railway experiences, expertise and opinions on the role of culture in
station drew on the heritage of the North East while Finola our changing world.
Finn suspended a throbbing red heart inside The Count’s Helen Marriage commented: “I think this has been my
House exploring ideas of the self. favourite Lumiere festival so far. Part of the joy of
Supported by Wellcome, Cosmoscope was the culmination of programming this festival is thinking about ways to keep it
two years of research by a team of artists and scientists, led fresh and new each time, and I think we really have achieved
by Simeon Nelson and including academics from Durham that.”
University’s Institute for Computational Cosmology. The full Councillor Simon Henig - Leader of Durham County Council
process involved 700 primary school pupils from 25 schools – said: “Lumiere has once again offered us the chance to
across the county who participated in workshops designed to showcase our beautiful city, our unique history and heritage
get them thinking about science. The ambitious sound and and our wonderful people on a world stage.
light sculpture used over 12,000 LEDs and an impressive “I am also delighted that, as always, the public have shown
soundscape, to explore our place in the universe. their huge affection for this event by turning out in the tens
Also responding to scientific questions in relation to the of thousands to enjoy the 29 artworks that have illuminated
universe, Cosmic Architecture delighted crowds at the Ogden Durham City in new and exciting ways.
Centre for Fundamental Physics at Durham University’s “Together the five editions of Lumiere have seen more than
Science site, eliciting rounds of applause after each show. 800,000 people counted through the peninsula entry points
Projected onto the building, the video mapped sound and alone and I anticipate that the £21 million in economic
light work presented a mesmerising illustration of the benefits delivered by the first four festivals will rise
marriage between the contemporary architecture and significantly once we evaluate the 2017 edition.”
the expert level of scientific research that takes place on a www.lumiere-festival.com
daily basis inside the building.
Arc-Magazine-Ad_18-L+B-MARCO_OP copy.pdf 1 30/1/18 5:05 pm
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Riverside
Delights
For its sixth edition, Amsterdam Light Festival
welcomed 36 artists from thirteen countries to
create Existential works of art throughout the
historical city centre.
Whole Hole by Vendel and de Wolf

Pics: Janus van den Eijnden
Festival
Eye to Eye by Driton Selmani City Gazing by VOUW
T
he sixth edition of Amsterdam whether it is something that lies beneath the
Light Festival, held from 30 surface.
November to 21 January, saw 36 Elsewhere, Kosovar artist Driton Selmani was
artworks designed exclusively for inspired by the nazar amulet for the artwork
the festival illuminate the Dutch city centre. Eye to Eye. This amulet was designed to
Artists from all over the world submitted protect Amsterdam, its inhabitants and
installations, including famous Chinese artist visitors from all forces of evil.
and activist Ai Weiwei, and Brit Cecil Balmond, Dutch contributions to the water exposition
based on the central theme of Existential, and included Whole Hole by Paul Vendel and
visitors could walk, cycle or take a boat ride Sandra de Wolf and ORIGIN by
along the festival’s two exhibition sites, both VENIVIDIMULTIPLEX. Visitors who entered Existential: a collection of individuals by AlexP
on land and on the canals. Whole Hole during a boat tour were pulled into
The water exhibition consisted of 21 artworks a kind of wormhole, traveling to another place
on and around the canals in the historic centre in space or a parallel universe.
of Amsterdam. Ai Weiwei’s installation, The ORIGIN artwork was inspired by the origin
entitled thinline, was a 6.5-kilometre long of light and featured many light rays that
line that ran through the city of Amsterdam, spread out above your head in a circular form,
representing a border. With this, he posed the referencing a cosmic pop from which light is
question of who is allowed to cross a border, formed.
who decides this and how vulnerable a border For the first time, the Amsterdam Light
actually is. Festival land exhibition took place on
With her installation Infinita, Cecil Balmond Marineterrein Amsterdam, within walking
questioned whether the essence of our distance from Central Station, and featured
Infinita by Balmond Studio
existence is what we can see, touch and feel, or fifteen installations.
Festival
thinline by Ai Weiwei
One such installation saw Japanese artist crossed the river IJ for the World Masters of
Yasuhiro Chida create Brocken 6A, taking Projection Mapping (overleaf), where video
inspiration from a natural light phenomenon projections were showcased on the façade of
that occurs when then sun is positioned EYE Filmmuseum.
directly behind you, breaking and scattering “We have a very good feeling about the sixth
the light rays. edition of Amsterdam Light Festival,” said
Also part of the land exhibition was AlexP’s Lennart Booij, artistic director of the event.
installation Existential: a collection of “I am delighted that we succeeded in our
individuals. This artwork consisted of 576 ambition to take the festival to a higher
LED lights hanging from a circular frame. artistic level. The careful consideration of
Each individual light marked a spot of the the artworks, the land exhibition on
ground; together these spots formed a circle Marineterrein and the World Masters of
MYTH by Ben Zamora of light. This circle wasn’t static though, as Projection Mapping all contribute to the
the welcome and unpredictable factor of realisation of this ambition.”
wind kept it in motion. Following on from the success of Amsterdam
Throughout the festival, Marineterrein Light Festival, organisers are already looking
Amsterdam served as a meeting point for ahead to the seventh instalment of the
visitors, locals and artists, while the event. The upcoming festival will revolve
exhibition also included an additional daily around the creative interpretations of the
side programme, consisting of readings main theme: The Medium is the Message,
about light art, public interactive and has received more than 600 submissions
performances by artists, talks with the from artists around the world.
participating artists about the creation of www.amsterdamlightfestival.com
their work, and special tours along the
artworks on Marineterrein.
Brocken 6A by Yasuhiro Chida
Also for the first time this year, the festival
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festival
The winning entry,

Florian and Michael Quistrebert (FR), Stripes 5
Master
Blaster
Data-based dialogues for algorithmic landscapes
by Geert Mul (NL)
Paul James, editor-in-chief of arc, was among

the judges for the first ever World Masters of
Projection Mapping held in Amsterdam during
Integrated Systems Europe 2018.
Alida Dors & Manuel Rodrigues (NL), Close Up
F
lorian and Michael Quistrebert were announced as the
winners of the first edition of the World Masters of
Projection Mapping at the Awards Ceremony at
Integrated Systems Europe 2018. World Masters of
Projection Mapping is a joint venture initiative from Amsterdam
Light Festival, Integrated Systems Europe and RAI Amsterdam.
The announcement came after a three-week period, during which
some of the world’s leading video artists projected their artworks
onto Amsterdam’s multifaceted EYE Filmmuseum.
The specific award for the Quistrebert brothers’ Stripes 5 recognises
The Best Use of Location and Technology.
In total, five artists were chosen to show their artworks on the
building. The challenge for them was both creative and technical.
Eder Santos (BR), Call Waiting
The other participating finalists were: Geert Mul (NL), Databased
dialogues for algorithmic landscapes; TelcoSystems & Spatial Media
Laboratories (NL), TESTFILM #4; Alida Dors & Manuel Rodrigues
(NL), Close Up; and Eder Santos (BR), Call Waiting.
The selection of the finalists was carried out through close
collaboration between EYE Filmmuseum and Amsterdam Light
Festival. The International Jury who judged the finalists on 8
February comprised: Lennart Booij - Artistic Director of Amsterdam
Light Festival (Jury Chair); Jaap Guldemond - Director of Exhibitions
EYE Filmmuseum; Marente Bloemheuvel- Associate Curator of EYE
Filmmuseum; Jozef Hey - Founder and Owner of BeamSystems; Giny
Vos - Artist; Paul James - Editor in Chief, arc magazine; and Hartmut
Kulessa - Panasonic Europe.
TESTFILM #4 by TelcoSystems & Spatial Media
Lennart Booij commented on the winning entry: “The jury was very Laboratories (NL)
complimentary about the composition and the use of the building in
this display, including its underside. The artwork also answers the
question presented by the challenges of projecting onto a large
surface. Creatively, it is graphically very strong and reflects on art
disciplines such as ‘op art’ (optical art) and early abstract cinema.”
The theme of the first edition, ‘Bridging the Gap’, encouraged the
creation of connections, both physically in the city as well as between
people and cultures. The theme also illustrates the combination of
the three disciplines of art highlighted in this project: light art, video
art, and cinematography.
www.amsterdamlightfestival.com
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Pics: Nunzio Prenna
Halo by Venividmultiplex and Fosfor Design
Bright Lights, L
ight graffiti, interactive light bubbles and flora light
drawings left the winter evenings aglow at Canary Wharf
as its annual, award winning Winter Lights festival
Big City
returned on 16th January 2018 for a fourth consecutive
year. The spectacle showcased more than 30 works from some of the
most innovative artists across the globe working in light art today.
Now a firm fixture on the London arts scene and free to the public,
Winter Lights, winner at the 2017 darc the 2018 incarnation once again drew upon state-of-the-art
light technology to deliver spectacular artworks, installations
awards / architectural returned for a and experiences to Canary Wharf, many of them interactive or
fourth year in January, illuminating Canary responsive. The exhibition featured never-before-seen pieces and
several UK firsts. New commissions this year included Dazzling
Wharf with a series of beautiful light art Dodecahedron by UK artist Amberlights, a beautiful 3D installation
installations. that people can enter and enjoy the total rainbow spectrum of colour.
Additional new works include Halo by Dutch artists
Venividimultiplex. The artists have created a giant halo, which
was suspended above the fountain in Cabot Square. The ‘Halo’
is the artists’ representation of the sun, our greatest source of
light, which shapes the conditions for life on our planet and
emphasises the sacred being and bringing people together.
Keith Watson, Curator of Winter Lights, Canary Wharf Group,
commented: “Since its inception the Winter Lights festival has
really gathered pace and each year we strive to uncover new and
Festival
On Your Wavelength by Marcus Lyall
The Cube by Ottotto
Intrude by Amanda Parer
Dazzling Dodecahedron by Amberlights
Apparatus Florius by Tom Dekyvere
Festival
Sonic Light Bubble by Eness
Helios by dpa Lighting Consultants,

LED Linear & Architainment Lighting
Abstract by Collectif Coin
Reflecting Holons by Michiel Martens & Jetske Visser
exciting works to dazzle our visitors. The exhibition remains Westferry Circus with a work that stands for togetherness,
London’s only annual Light Art exhibition and after happiness and joyfulness but also for danger, friction and
winning Best Creative Lighting Event at the darc awards tension. The artwork aimed to illustrate the togetherness
/ architectural 2017, we’re proud to be bringing more and collaboration in contrast with nature and technology.
commissions and never-before-seen pieces to the UK. Meanwhile, returning for a second year was Marcus Lyall’s
“The calibre of artists this year is once again popular On Your Wavelength. Originally commissioned by
outstanding and features some of the best minds and Canary Wharf Group in 2017, the piece featured a mind-
creators in the field. Interaction and immersion are powered light and sound installation of more than 20,000
again key features of this year’s exhibition and are LEDs which were controlled by a participant via an EEG
what differentiates us from other festivals of this headset. As their thought patterns changed, the light tunnel
kind. For us, it’s important that the pieces aren’t just fitted with the LEDs created intricate light patterns.
spectacles to be admired from afar, but works of light As well as outdoor pieces, a series of specially curated
art which people can engage with and experience.” indoor section of works featured throughout Crossrail
Mark Evers, Chief Customer Officer at Transport for Place and Crossrail Place Roof Garden. These included
London added: “We’re delighted to support this event Reflecting Holons by Dutch artists Martens & Visser,
by hosting Sonic Light Bubble. Canary Wharf is one of which explore the ephemeral magic of light and
the capital’s busiest stations and with the launch of the movement using moving objects creating the illusion
Elizabeth Line in December 2018 the area will become that they are water drops, and Helios, the 2017 darc
even more accessible to people across London.” awards / architectural winning installation created by dpa
Additional standout works included Apparatus Florius lighting consultants, LED Linear and Architainment.
from Belgian artist Tom Dekyvere. His piece transformed www.canarywharf.com
Festival
To the Moon G
hent Light Festival appears in the city to help brighten
the dark months. This year it was running between
the end of January and the beginning of February 2018
and back
for five days, one day longer than previous years.
An updated light route has been modified from previous
editions in order to incorporate a full programme of sculptures,
projections and installations, produced by local, national and
Coming around for its fourth edition, the international artists that will shine against the city’s backdrop.
As a platform for emerging artists, this festival boasts an
Ghent Light Festival beautifully illuminates incredible 37 varied installations at individually designated
the dark streets of the Belgium city, and this certain areas along the trail. Not only do the installations
illuminate the dark nights in mid winter, the new route also
year was no exception. puts a spotlight on the Historical Centre and the Arts Quarter.
Attracting an impressive 640,000 people to the festival in 2015,
numbers were expected to match if not exceed these figures
during this year’s event. Not only do the installations bring an
attractive artistic element to the city, they are also importantly
lighting up local historic sites and monuments throughout the
city, educating those many international visitors each year round
Festival
1 2
Pics: Stad Gent
through its historical charm after nightfall. beautifully colourful collection of illuminated
With such an array of artists from different kilner jars, 448 to be exact, neatly stacked
cultural backgrounds featuring their work in rows. Each jar contained a miniature
at this festival, it is interesting to see such a tableau with a unique character, ranging
variety of works produced for the same venue from a laughing baby to a pink elephant,
and how there is an overwhelming amount of a dancing man and a giraffe. On occasion,
alternative adaptions to the same festival brief. pictures of the general public are invented at
An impressive installation in terms of scale, is random and displayed in the Supercube.
the Time Paradox by Limelight from Budapest, An interesting installation, Pattern 5.0, Live
who produced a large scale 3D projection Sessies, by Milosh Luczynski from France, 5
mapping artwork piece of a time travel journey illuminates the walls of the power plant with
across the city of Ghent. A historic, futuristic light and sound via a live DJ session. A five hour
and modern three-dimensional journey was improvisation of audio clips, video mapping
projected on the façade of the St Pietersplein and electronic music compositions by Patrick
building, taking the audience on a journey Vidal and A Man Called Adam creates a spectacle
exploring architecture, music and storytelling, for the well loved suburban park in the city.
exploring the paradox of time travelling. An interactive audiovisual piece was brought to the
Alternatively, Graffiti Lights from Belgium festival from Matthieu Tercieux from Lyon, called
(described as an arty nerd or a nerdy artist) You are Here…Somewhere Else. Portraying a world
produced a rebellious addition to the light at the audience’s feet; snowy landscapes, world
trail. Using homemade LED strips and other maps, city plans and starry skies are projected 6
illuminated materials, the artist wanders the on screens immediately in front of the spectator
street taking photos and sometimes interacts and responds to the real time movements of
with street art using long exposures to create those observing. The project initially gained
liquid light tracks. Using locations in the city ground through a children-orientated artistic
where graffiti is forbidden, Graffiti Lights workshop previously completed in Ghent.
created these temporary light art installations. A futuristic design blending romance and
A nature inspired piece of artwork came efficiency, Habitat comes from Jerke Mulder
from Ivo Schoofs, a Dutch lighting artist and Bouke Groen in the Netherlands. This
Left Page Museum of the moon. The
and his team. A sixteen foot tall fire floating habitat sculpture is supposed to seven metre diameter spherical moon
globe floats above spectators who
tornado towers above audiences, creating a create a confrontation between Ghent’s look upon it in awe.
This Page 1. Pattern 5.0, Live Sessies.
powerful rotating swirl of light and heat. historic architecture and a contemporary Colourful projections of light flood the
A mystical piece from Luke Jerram from office environment using fluorescent local power stations and silos in a well
like residential suburb.
the UK is called the Museum of the moon. A lighting. Blending the inside and outside 2. Time Paradox. Large projections fill
the walls of the St Pieterslpein.
seven metre in diameter complete replication seamlessly, a strange environment is 3. You are here...Somewhere Else.
of the moon floats angelically over the created through romance and efficiency. An interactive installation with
audiovisual qualitites
audience’s head in Kalandeberg, imposing a With lots more emerging talented lighting 4. Large Fire Tornado. A sixteen foot
tall tornado of fire spirals infront of
shroud of mystery over the spectators that designers over the next few years, the audiences creating a hot light source.
5. Supercube, The Incredible
has inspired musicians, painters, scientists proceeding light festival in Ghent is set Collection. 488 illuminated kilner jars
and historical and spiritual stories alike for to be just as exciting and full of intriguing containing minature characters in
various colours.
centuries. Jerram’s illuminated sphere brings and engaging lighting installations. 6. Graffitilights. LED strips and other
light sources used to create flowing
us closer to the moon than ever before. www.lichtfestival.stad.gent light art in deserted areas of the city
where graffiti is normally banned.
Stephane Masson from Toulouse produced a
The Light Tunnel by Mathew Rosenblatt Pics: Toronto Light Festival
Toronto
Night Life
The second annual Toronto Light Festival
has brought a playful sense of adventure to
the Canadian city’s Distillery Historic District,
bringing some much-needed warmth in the
winter months.
Hyperspace Bypass Construction Zone by HYBYCOZO
Festival
T
he second annual Toronto Light Festival, the city’s
largest light art festival, opened in The Distillery Moonburn by Stichting Barstow
Historic District in mid-January. Free to the

public, the festival spanned across thirteen acres,
starting at sundown, transforming the historic neighbourhood
into one of the biggest open-air galleries in North America.
Throughout the district, visitors are taken on a visual journey
and imaginative adventure, designed to entertain and inspire.
Held during the coldest time of the year, the festival aims to
draw visitors out of their traditional winter indoor habitats,
and bring positivity to the city at a time that it needs it most.
“We don’t think of ourselves as a fancy schmancy art festival,”
said Mathew Rosenblatt, Creator and Executive Director of the
Festival, and artistic exhibitor. “This is an accessible festival
for everyone to enjoy. We’re simply trying to make winter not
suck so much by putting some shiny, pretty objects on display
to make people smile.”
Featuring almost 30 light art installations from local and
international artists, one of the signature pieces showcased at Gummy Bear Pyramid by Dicapria
the festival is Talking Heads from Hungarian artist Viktor

Vicsek, comprised of two spectacular heads that react to each
other through their 4,000 individually controlled LEDs.
Alongside this, thanks to the sponsorship of Green P, is Heavy
Meta, a 30-foot fire-breathing metal dragon from Canadian
group Heavy Meta Collective.
Elsewhere, American artist Dicapria created an impressive,
14-foot tall pyramid made entirely out of ‘gummy’ bears.
Initially premiered at Burning Man festival in 2017, the Gummy
Bear Pyramid features more than 200,000 hand casted bears,
made out of custom moulds using urethane plastic, and dyed to
radiate a rainbow prism of translucent hues. The structure,
constructed out of metal with custom dual-paned acrylic boxes
that encase the mosaic of bears, is illuminated with LED lights
at night, while the translucency of the acrylic allows the sun to
illuminate the bears during the day.
Rosenblatt himself also created an installation for the event – a Heavy Meta by Heavy Meta Collective
100-foot long tunnel illuminated with no less than a trillion

lights, named simply The Light Tunnel.
In partnership with Lyft, the festival introduced a weekly “You
Are The Art” contest. On Saturday evenings during the festival,
visitors were invited to dress in a creative, fun, winter-themed
costume. Participants entered the contest by posting a picture
of their costume using the hashtag
#tlfcostume on Instagram – one top prize valued at $400 CAD,
and five secondary prizes valued at $100 CAD were awarded
each week.
The Toronto Light Festival once again partnered with the Yonge
Street Mission (YSM) to raise funds to help people rise out of
poverty. Through this initiative, rides taken to and from The
Distillery Historic District with Lyft resulted in a donation to
YSM. As well, proceeds from the sale of love locks and onsite
dollars collected from guests will be donated to YSM.
The Guardians of Time by Manfred Kielnhofer
www.torontolightfest.com
AD-[EN]-236x333h mm.pdf 1 2017/8/30 14:55:56
CM
MY
CY
CMY
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Festival
Pics: Dan Paton Radcliffe Observatory by Hoare Lea Museum of the History of Science by Iain Macrae from Wila Lighting
Natural History Museum and Pitt River Museum by Projection Studio Ashmolean Museum by Lux Populi
English Heritage I
n the third event of its kind, designed to showcase
the talents of Society of Light and Lighting (SLL)
members and the lighting community, teams
of lighting designers lit six of the most famous
historical buildings on the University of Oxford campus.
The Society of Light and Lighting transformed Each site had a dedicated team of lighting designers
made of up SLL members, from organisations at
Oxford landmarks for the third Night of the forefront of the lighting industry.
Heritage Light. This year, NoHL took place alongside the Oxford Curiosity
Carnival. The Curiosity Carnival gives members of the public a
chance to find out what research is all about, meet researchers,
ask questions and discover how research affects and changes our
lives. Oxford’s Curiosity Carnival 2017 joined hundreds of other
European cities in celebration European Researcher’s Night.
The concept involved teams of volunteer lighting designers
lending their technical and artistic skills to demonstrate the
creative and technical possibilities in the field of lighting.
Buildings being given the light treatment included the Ashmolean
Museum, Radcliffe Camera, and the Museum of the History of Science
– buildings that are not ordinarily lit. The result demonstrated
the impact of lighting on architecture, transforming the shadowy
presence of these buildings in into assertive, vibrant icons.
Night of Heritage Light was founded in 2015 to showcase the
talents of the Society’s membership and the lighting community
and to celebrate the UNESCO International Year of Light 2015.
The first event of its kind saw teams of lighting designers
Festival
Bodleian Library designed by Owen from North Kidlington primary school
shining a ‘new light’ on nine UNESCO “The Night of Heritage Light has become
World Heritage sites across the UK. a fixture in the Society’s calendar as a
In order to continue the legacy of NoHL and the celebration of what our work is all about, the
International Year of Light 2015, the Society art and science of light, and this year’s was
held a second Night of Heritage Light in York on one of the most exciting we’ve seen so far.
Radcliffe Camera by dpa lighting consultants
24 October 2016, focusing on two historical sites “We showed a new side to some of the
within the city centre, St. Leonard’s Hospital UK’s most iconic buildings on the Oxford
and the Multi-Angular Tower, both situated in University campus, allowing the public to
the Museum Gardens. NOHL II was held in the see them in a new way, and really showing
run up to the annual light festival, Illuminating off the power of light to change how we
York, during which the Society ran an event see the world around us. We also saw some
with local schools called Pockets of Light. top lighting designers showing off their
The second Pockets of Light took place best work, which I hope showed people
alongside NoHL and the Oxford Curiosity what our profession is all about.”
Carnival, as SLL President Richard Caple, The event prominently featured local lighting
Regional Lighting Representative Sonia companies and designers including dpa
Pepperell and SLL Secretary Brendan Keely lighting consultants, Hoare Lea and LuxPopuli,
delivered lighting workshops to City of Oxford as well as design themes focused around
College, St Gregory the Great secondary the history and function of the buildings
school and North Kidlington primary school, that were featured. Combining their love of
challenging the students to come up with light and art, design teams showcased the
their own lighting designs for the quad of practical applications of lighting and how
the Bodleian Library. With a winning design it can improve and enhance architecture.
selected from each school, they were then www.cibse.org/society-of-light-and-lighting
brought to life by a team of lighting experts.
Richard Caple, President of the SLL, said:
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Where Do We
Go From Here?
Using a creative blend of lighting and robotics, Jason Bruges
Studio’s latest installation wowed audiences in December
last year, as part of Hull UK City of Culture 2017.
J
ason Bruges Studio’s latest kinetic this installation to reflect both Hull’s past, as well as
installation, Where Do We Go From the transformation it is undergoing to become a leading
Here?, opened in Hull at the beginning centre for both culture and, through green energy,
of December, and is the last major art technological innovation.
commission of the year for Hull UK City of Culture 2017. “Art has an important role to play as a cultural catalyst
The striking multi-site installation in Hull’s Old Town and agent of change. In a world that is increasingly
features specially designed structures, some reaching digital and where the role of robotics is more prominent
more than six metres high. Plinths carry more than in our daily lives, I’m interested in exploring the ways
20 large re-purposed industrial robot arms fitted with in which we can use this technology to enhance our
light sources, mirrors, prisms and directional speakers. public spaces.”
With the night-time sky and the city’s architecture Through the interaction between light, architecture and
as a backdrop, the robots rise, swoop, curl, spin and the viewer, Where Do We Go From Here? harks back
reach out, accompanied by specially commissioned to Hull’s heritage as a leading centre for navigation
soundscapes, producing a new choreography of in Europe, guiding people through the city’s streets,
movement, light and sound. As they throw, reflect and and encouraging them to rediscover their urban
exchange light, the viewer may detect personalities environment. Bruges continued: “The robots act as
amongst the machines. ‘beacons’, giving people a way to navigate through the
Where Do We Go From Here? takes the viewer to four streets. It’s very much like walking round an urban art
different locations, illuminating the familiar, but gallery; you can walk through in any order, you can take
also overlooked corners of Hull’s night-time streets, as long as you like, stay as long as you like, come on
creating a new urban journey of discovery. different days.”
Bruges explained: “I’m interested in how art With Where Do We Go From Here? Hull 2017 wants to
and technology combine to generate spectacle, start a conversation, about their city and its future,
entertainment and equally stimulate learning and new about society, art, culture and technology. There are
ideas. Digital interventions can invigorate our public opportunities to join in around Hull’s Old Town, as
spaces and shape how we behave within them. I wanted well as online, while local artists have been invited to
Festival
produce creative responses to the work and to Hull’s been an important public space in Hull’s Old Town and
City of Culture year. has recently been extensively redeveloped, enhancing
Martin Green, Director of Hull UK City of Culture it as a key destination in the heart of the city.
2017, commented: “A key element of Hull’s year as The nine robots here, forming the installation An
UK City of Culture has been the use of technology, to Inquisitive Acquaintance, present a choreographed
tell stories and to show the city in new ways. In Where performance composed of light and sound, which is
Do We Go From Here? Jason Bruges has produced a focused at the audience. It is a playful encounter that
striking artwork across four locations in the historic encourages the viewer to explore the relationship
heart of the Old Town. Each has its own atmosphere, between the light and sound, the square’s reflecting
sometimes playful, sometimes ethereal, sometimes pools and the architecture around it.
contemplative. As we approach the end of this In the garden setting of the Streetlife Museum, five
incredible year, it takes us into 2018 and as we look robots awaken from their old factory mode to perform
ahead to the future, asks a key question for our times, together and demonstrate intelligence in the third
one we hope will get people thinking.” installation, Collaboration. The robots pass light
Where Do We Go From Here? ran daily from 1 December beams between each other and form large moving
to 7 January 2018 across four sites in Hull’s Old Town: objects in space.
Beverley Gate, Trinity Square, the gardens at Streetlife The final installation, Conversation, is hidden behind
Museum and Wilberforce House. the walls of the enclosed garden at the entrance to
The first location, Beverley Gate, was home to The Wilberforce House, where a curious conversation
Gatekeepers. Marking the historic entrance to Hull’s between a robot and Wilberforce plays out. Peeking
Old Town, the six ‘gatekeeper’ robots were designed to through the gate, or catching glimpses of the robot
draw visitors in with light signals close to the waters of revealing itself above the wall, the audience can
Princes Quay that are also visible from Queen Victoria observe the gestural animation that is created through
Square and Whitefriargate. This installation was light and shadow. At a site of historical significance,
designed specifically for this location, because of its to Hull and the nation, this reflective piece asks the
historical significance. question: Where do we go from here?
Taking inspiration from navigation beacons and Where Do We Go from Here? helped kick off Substance,
maritime signalling devices, the robots are a modern a series of events, installations and provocations that
interpretation of them, which communicate and act as took place in the first week of December celebrating
an entrance to the other installations around the Old and reflecting on Hull and the North as a cultural
Town. powerhouse for the nation.
The second location, Trinity Square, has historically www.jasonbruges.com
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Festival
Pics: Don Slater
Smart Lighting
Using modern lighting solutions and cultural localised influences, the
Nighttime Design team have put together an innovative and engaging
solution to urban illumination.
B
ased in the dark streets of Columbia, increase the economy of evening trading through
a research project was developed retail and social offerings and just as importantly,
to look at the innovative ways to it will increase the feeling of safety for the local
improve street lighting and the community and in turn, reduce the crime rates of
overall nighttime experience in Getseman í, a the spaces.
UNESCO world-heritage district in Cartagena. This Don Slater from LSE observes the impact this
collaborative team was built up of Arup, the urban project will have: “Good Nighttime Design is a
lighting leader Leni Schwendinger, Co-Director of knowledgeable response to the needs and the life of
the Configuring Light research group at the London a particular space, based on real social knowledge,
School of Economics Don Slater, Universidad Jorge a spatial knowledge and a technical knowledge as
Tadeo Lozano and Despacio local mobility research well.”
partners, iGuzzini as the technical partner, Findeter Working in partnership with Arup, they developed
the Development Bank and Citelum with the site a project framework and conducted a night tour,
engineering and installation. NightSeeing, along with the hands-on community
As a critical response to the experience on the workshop. This in turn led to the creation of the
streets after dark, changing the environments will sustainability appraisal tool called SPeAR, and is
have a ripple effect on residents and businesses used for the application to night-time lighting
alike. Extended walking hours will have a positive design.
impact on social interactions after sundown, will In order to build bridges and reduce friction
Festival
Previous Page Full street view: a

successful prototype-pilot. The
atmosphere is typified by
highly accurate colour-rendering, an
average lighting level which meets
requirements, the nighttime,
streetscape character is defined by
lightning and lanterns, and accented
by sparkle.
Left The universal lanterns were
fabricated by iGuzzini, technical project
partner, and then localised by the
neighborhood community. This one has
been designed by a workshop attendee
to feature the Mariamulata bird, an
important symbol of Caribbean identity.
Below Getsemani - a UNESCO
world-heritage district in Cartagena
(Colombia):
Citizen portrait.
Bottom Architect students from
Universidad Jorge Tadeo Lozano
demonstrate sketch lantern on site.
between tourists, residents and commercial included local politicians, artists, designers,
activity, the lighting design aimed to accentuate cultural organisations and local residents.
the district’s distinct character, blending old and During the community based workshop session
new together in a symbolic and physical way. in July 2016, ideas and sketches of 3D lanterns
One of the focal points the project based their were explored and developed to demonstrate
inspiration around, was the idea of whether how a modern and plain idea can be transformed
better lighting would in turn create a better by cultural influences, values and symbols. With
community. In this particular area the team this brought the interest of local residents and
worked on, the community struggles with social commercial actors together alike, accentuating
upheaval and discord where stakeholders have the character of Getsemaní through the modern
conflicting interests. In order to explore this lantern prototypes.
theme further, the Nighttime Design team A pop-up pilot prototype installation followed
concentrated on local solutions. As a result, the on from the workshop in a commercial street
site-specific workshops and social/technical setting. High on the agenda of discussion was
research led to the development of a universal historical preservation, infrastructure, heritage,
LED lantern, specifically customised to the local tourism, mobility and visual effect.
streets of Cartagena. Working in partnership with Plane Site, the
The two main aims the design team were project’s findings were captured on video, which
working towards achieving were based around was then produced into a short documentary
formulating a concept and methodology from illustrating the process, workshop and resulting
sustainable research and development in the prototype pilot.
area. Secondly, it was important to improve As a result, the team works hard towards
the communal connections and stimulate local ensuring Nighttime Design as an emerging
stakeholders’ interest through the use of private discipline in universal city planning.
property for public lighting. These stakeholders www.arup.com
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Festival
Duet at Kew Gardens
English Country B
righton-based studio ITHACA created a
series of outdoor light installations last
winter, featuring more than 250,000
Gardens
individual lights. Held across five UK
sites, including Kew Gardens, Blenheim Palace and
Birmingham Botanical Gardens, these installations
were commissioned by Culture Creative.
Designed on and around the lake crossing and
Taking to five sites across the UK, ITHACA created islands, two voices sing out across the water as the
bridge, islands and even the lake waters light up
a series of beautiful light installations last winter. in response in ITHACA’s Duet, an innovative light
and sound installation that showcases the iconic
curved bridge crossing the five-acre lake at the Royal
Botanic Gardens in Kew, London. The 70-metre
crossing features 990 bronze uprights on granite
sleepers and follows a distinctive ‘S’ curve.
The installation, shown from 21 November to 1
January, had to highlight the bridge, maximise water
reflections, be aesthetically pleasing from all angles
of approach and allow large groups of people to cross
without obstruction. While designing and installing,
ITHACA had to remain mindful of the garden’s daytime
aesthetic and vistas, as well as ensuring that its fixings
didn’t damage the metal uprights on the bridge.
Duet presented an animated light bridge of custom-
made, linear fixtures, with more than 26,000 individually
controlled RGB LEDs. With the fixtures positioned
pointing away from the audience, the perspective
was that of the ethereal, highlighting the illuminated
bronze reflections. Special care was taken animating
Festival
Sea of Light at Birmingham Botanical Gardens
Sea of Light at Birmingham Botanical Gardens Sea of Light at Blenheim Palace
the flowing patterns of colour, showcasing “With Duet our aim was to create an Birmingham Botanical Gardens from 29
the different perspectives offered by installation that really celebrated the November to 1 January, where 8,160 lights
the architectural curve of the bridge. unique natural and built environment arranged on the garden lawns synchronised
On the lake islands, Elation Fuze Par of the lake and the bridge at Kew. with 1,200 metres of addressable LED
Z120 units were selected to highlight “Our work is often driven heavily by strip covering the framework of the listed
trees and shrubs, complemented by 360 concept as well as pure aesthetics and in Victorian aviary to create a magical display.
small, custom-made and individually- this case we wanted to create the feeling Andrew Rae, Lighting Designer at ITHACA,
controlled RGB light spheres, arranged of two illuminated voices singing out said: “Our creative vision for Christmas at
around the lower branches and bushes at to each other across the water, and in Blenheim and Birmingham was to create
the water’s edge. The underwater lighting turn the water and central environment an animated audio-visual light installation
linking the bridge and islands combined coming alive with light, while keeping the that both complemented and accentuated
submersible RGB Par fixtures and 60 surroundings extremely clean and natural. the natural and unique landscapes and
kilometres of 0.75mm side-glow fibre “The response was hugely positive, architecture of both locations respectively.
optic light strands, designed to float like with around 300,000 visitors, “The use of pixel-mapping technology
trailing plants and held in place with a some fantastic feedback and many gave us the ultimate flexibility and creative
system of fishing weights and floats. requests for the soundtrack.” freedom required to achieve this vision
The whole experience was accompanied Elsewhere, ITHACA created an installation whilst also retaining that all important
by ITHACA’s own music composition at Blenheim Palace, Oxfordshire, entitled Christmas theme. With Christmas in mind,
and sound design, bringing together the Sea of Light, which ran from 24 November we set out to ensure the installation was
distinctive areas into one immersive to 1 January. Here, ITHACA created a pixel- very accessible, in other words; light hearted
audio-visual experience. A deliberately mapped field of more than 8,000 50mm and family friendly for maximum impact.
cinematic soundtrack helped to create a spheres, using a bespoke Art-Net system “We’re very happy with the outcome,
magical atmosphere within the natural to seamlessly link the hillside display with especially considering the sheer scale of
outdoors setting, utilising the designers’ two 20-metre high ‘singing’ trees, which both installations, covering approximately
own twenty-two speaker surround setup. were dressed with 500-metre spirals of 2,000-2,500sqm at each site.”
Chris Evans-Roberts, Founder and ITHACA’s own addressable LED strip. www.ithaca.studio
Creative Director, ITHACA, said: ITHACA also took the Sea of Light to the
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Light Art
The third edition of the LewesLight Festival has proven to be
another success, bringing together light, poetry and performance.
The focus of this year’s event covers the history of the town
through commerce, trade and industry. Festival Director Graham
Festenstein tells us more about this year’s event.
L
ast October, LewesLight returned for its third year,
celebrating light, history and culture throughout the
quaint streets of the East Sussex town of Lewes.
As a festival that brings together not just lighting
installations but also poetry, performance and music, it provides
an eclectic mix that catered for all spectators.
For the festival, Lewes was transformed with installations
inspired by the historic context of the town, which contributes to
a narrative about the town and its people.
Last year’s efforts saw the demographic of the event shift,
with many young families out on the streets, enjoying the
installations and atmosphere. Graham Festenstein, the Founder
and Artistic Director of the festival, explains: “We can deliver
much more by way of story telling, to engage a wider audience,
particularly younger people, in a stimulating and exciting way.
Lewes is compact and walkable, and lends itself to a sometimes
dramatic and sometimes contemplative illuminated trail.”
Not only does the festival bring the town obvious benefits
through tourism, it is also highly beneficial to the local younger
generations. As Festenstein explains: “Over 50 current students
from Sussex Downs College took part this year as well as ex-
students starting out on their careers. They were joined by
undergraduates from the University of Brighton, and students
from Northbrook College, Worthing and Plumpton College.”
Festival
Opposite Page Top Left Church of St Thomas a Becket

- Designed by architectural lighting designer Karen
van Creveld, coloured lighting references ideas of
rememberance and provision for those outcast by society,
the modern-day equivalent of medieval lepers. Lighting
includes backlighting of the stained glass windows,
projections onto the external walls and candle light at
ground level. Yellow lighting and candle light is used to
represent the yellow symbols the lepers were branded with
on their clothing, along with the sticks with bells on they
were obliged to carry. The installation is paired with the
sound of ringing bells and a poem by John Agard.
Top Right Broom to Brunch - Touching on the British cultural
past of growing fresh produce, this installation illuminates
a lush market garden with an abundance of fresh flowers.
This installation sees the collaborative work of Ellie Coombs
from Nulty, who grew up close to Lewes, and of Claire
Hamill, of Isometrix.
Bottom Through the Window - Inspired by Peter Messer’s
painting Wonderland, this projection at Lewes House,
produced by Peter ‘Art’ Lewry and Jack Beccegato, takes the
artist’s work out of the gallery, to display it in an entirely
different and wholly appropriate setting.
This Page Top Studio Fractal combined light, UV, video
projection, colour, craft and sound for an installation at
North Court and Malcom Rose’s workshop, which takes
inspiration from Rose’s harpsichord workshop. Fading
in and out is the sound of Elizabethan Keyboard music
by James Johnstone, on a copy by Malcolm Rose of the
Harpsichord by Lodewyk Theewes 1579. UV activating tape
frames the architectural elements, whilst sound waves can
be seen through the glass of the building.
Bottom A Matter of Exchange - London-based artist and
designer Jack Wates produced an animated light installation
at the heart of the Market Tower that would characterise
it as a place of exchange. The animation of light intensity
is symbolic of the exchanges of money, resources and
conversation in the marketplace.
The theme for the 2017 festival was Trade, Industry and Commerce,
with installations inspired by the town, encompassing and
celebrating stories from history including the iron works and
foundries, the river, the railway, harpsichord making, resident art
and jewellery collectors, the market garden and the English civil
war.
Local historians led guided walks across the more than 20 different
installations that took over the town, and while each site hosted a
specially commissioned illumination, some were enhanced further
with performances from acclaimed poet John Agard, Ruth Kerr,
composer, singer and director of the Lewes women’s Chamber
Choir and the Paddock Singers.
This festival provided designers with a platform to develop their
personal profiles, highlight their practices and demonstrate the
importance of lighting in a public space, showing how it can be used
as a promotional tool to advertise the town and encourage tourism,
bringing business to local establishments; all of which forms the
foundations for lighting strategies in many developed towns or
cities.
The festival featured work from the likes of Jack Wates, Guyan
Porter, Chris Beasley of Integrated Light, Susan lake Lighting
Design, Ellie Combs of Nulty with Claire Hamill, Ruth Maskell,
Karen van Creveld and Studio Fractal, alongside a number of
student and community contributors.
Alongside the numerous lighting installations and artistic
performances, the event also ran a short program of talks from
notable lighting designers. Colin Ball delivered a lecture titled
‘Archetypes of Night’, which delves into aspects of current physics
transforming our relationship with the night sky as powerfully as
modern lighting is removing it.
The event was, as always, entirely dependant on the support it
receives from the Town and District Councils, local sponsors and
industry supporters such as Architainment, Commercial Lighting
Systems and Meyer, iGuzzini, LED Linear, Light Projects and Rosco.
www.leweslight.co.uk
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Festival
Making Waves
Each winter, Lightwaves comes to MediaCityUK in Salford Quays
with a handful of light installations from varied collaborations to
brighten the water’s edges during the cold, dark months.
T
he annual event Lightwaves returned to a new poem, which she delivered on the opening
the shores of Salford Quays again this night of the event.
last winter, brightening the dark months The HYDROZOME, by Tom Dekyvere, is a pattern
in and around MediaCityUK. Known as of illuminated rope meshed together in a web of
the biggest digital light festival in the UK, the event creativity, bringing to life the (dis) connections made
showcases and eclectic mix of digital art installations between people, as a physical reflection of today’s
in public spaces for ten days in early December. society and how we are all interwoven. The artwork
Each year brings with it new and exclusive artworks also posed an interactive element. A microphone was
alongside emerging talents and workshops from placed under the River Irwell to capture the sounds
local, national and international artists. This year saw underneath the surface, translating them from
twelve light experiences span across Salford Quays soundwaves into lightwaves.
that are free to the public, between the plaza and the Exploring the boundaries between nature and
Lowry Theatre. technology throughout his installation, Dekyvere
Jackie Kay, renowned Scottish poet and Chancellor illustrated the togetherness and collaboration
for the University of Salford, produced a large scale, through the metaphoric symbols of sound and vision.
commissioned neon word sign in collaboration with DUET is the third installation that made its debut in
Soup Collective and specifically for Quays Culture. The Salford Quays. Quays Culture teamed up with Invisible
neon sign titled I Forgot stretched fifteen metres wide Flock again after their successful collaboration in
and provided an interactive platform for audiences co-commissioning the DUET-app. As part of a social
to engage. The full installation reveals the words experiment, users of the app were anonymously
‘I Forgot To Say’, with the ‘To Say’ element only connected with other participants across the world. In
illuminated when a message is left that is inspired by this particular instance, the app anonymously paired
thoughts that epitomise a moment in 2017. A phone people from Greater Manchester and India and invited
number was left alongside the installation where them to exchange details about their daily lives by
passers-by could call from their mobile and leave answering one question a day. These connections
their ‘I Forgot To Say’ message, and thus intensify and were then presented as public artwork through the
change the colour of the ‘To Say’ section of the piece. capturing of glimpses of the evolving relationships
In accompaniment to this installation, Kay also wrote showing the differences and similarities of the
Festival
thousands of conversations. solo participants. The interactive workshop allows Previous page ‘I Forgot To
Say’ neon word signage
In partnership with Light Night Leeds, Quays participants to create digital art through light graffiti, shows the colour and intesity
difference when a participant
Culture has brought the SHINE programme back to which could then be downloaded and taken away with sends in their ‘To Say’
the Quays for a second time, presenting emerging them. message via the telephone
line.
artists through four new pieces of artwork. Brink Lightwaves continued to run between the eighth Left Neon green webbed
rope inter-twines the map
Dance Company and Howl Creative produced the and seventeenth December 2017, with visitors of emotions as a physical
representation of today’s
first piece in a collaborative installation of live dance being able to view the eight artworks as part of the society.
performance and projection of digital and physical humansbeingdigital exhibition in the Lowry galleries. Top Inside the dome that
mimics the audience’s
worlds. Jennifer Taylor, Programme Manager at Quays breathing through a digital
sensor, that is then projected
Symbiosis is the second immersive and interactive Culture commented: “Lightwaves 2017 was a great into LED lights, filling the
dome space in colour.
piece produced by Kira Zhigalina. It visualises human success and we were delighted by the audience Bottom The scene of
breathing inside a digital dome, where sensors detect response. This time, we were able present two the Pirate Tableau from
Blackpool Illuminations lines
audiences breathing patterns and convert them large-scale new commissions following on from one the shoreline of the Quays
and brightens the pathway
digitally into LEDs. the year previously. We also increased the number between the Lowry Theatre
and MediaCityUK.
Storyteller #2 by Naifei Wu is the third installation of new SHINE commissions from three to four – a
made up of encoded robots that interacted with programme that supports emerging artists in the
audiences and told local stories of people from early stages of their careers. The digital complexity
Salford. of many of the artworks combined with the outdoor
Part video game, part musical instrument, Will Hurt wintery conditions is not without it’s challenges for
produced the fourth edition to the SHINE programme. both us and the artists, but ultimately that’s what
Abstract Playground AP4 allowed audiences to makes the work so exciting. We’ve continued to
reconfigure an iconic building from the Salford Quays work closely with our Light Up The North partners,
skyline and manipulate geometric designs to create strengthening those partnerships with continued
their own digital version of the physical form. support from funders and collaborators. This year,
Once again, Blackpool Illuminations paired up with we were thrilled to be listed in The Observer’s Top 5
Quays Culture to showcase a curated exhibition of UK Winter Light Festivals. This coming year, we’re
Blackpool Illuminations’ much-loved light collection. delighted to be working with an international partner
This included popular characters, such as Pirate in Montreal – producers of Quartier Des Spectacles
Tableu, who was located along the water’s edge – to jointly commission a major new artwork. We
and Sooty and Sweep and Star Trek faces along the also continue to be excited by contributing to the
footpath leading into the heart of the Blue Peter development of artists and artworks in the public
Garden in Media City. realm, and see Salford Quays as a natural home for
Return by popular demand from last year’s successful this type of experimentation that connects audiences
Light Graffiti Workshop, Sarah Wakeford brought to the very best in immersive contemporary art.”
a creative session for all ages, whether in groups or www.quaysculture.com
CASE STUDY
Oriental Treasures
A new temple complex has recently been opened in the traditional
pilgrimage location of Nanjing in China. The central hall, with a priceless
relic of the Buddha Shakyamuni, radiates in light from Erco.
egends saying that at one time HKG, together with lighting designers from ATL
L
Buddhas met together on the Niushou Lighting design ensured that the light supports the
Mountain in Eastern China. Over the meditative atmosphere of the space. They specified
centuries many Buddhist buildings warm white light with 3000K that brilliantly
were constructed here, including recently a palace emphasises the warm colour tones of the artworks,
whose main attraction is a piece of skull bone that while strong accents guide the attention of visitors
believers worship as a relic of Buddha Shakyamuni. to the Buddha representations.
As a consequence the palace was named after the The light is aligned precisely onto the target planes
characteristic elevation on the back of the head to avoid glare for observers despite the glossy
of Buddhas that represents wisdom, known in surfaces. The luminaires installed on the high
Sanskrit as ‘Usnisa’. ceilings not only provide high lumen output, but
The Usnisa Palace, with its two domes, can be are also controllable via DALI and largely free of
seen from afar; approximately 220-metres long, maintenance. Furthermore, the light sources are
160-metres wide and 90-metres high, with three as far as possible concealed from view and lend the
storeys above ground and six storeys below. The impression that the space illuminates from within.
Thousand Buddha Hall is situated in the centre of Thanks to their compact and discreet design, the
the complex, with an elliptical base and a dome luminaires are hardly noticed, placing a focus on
above reaching 28-metres high. the light impact itself. Erco Parscan spotlights with
A monumental memorial is situated in the centre, 48W and 5040lm were mainly installed with spot,
surrounded by Buddha representations. The flood and wide flood light distributions. XS floor
complex ornamentation in strong yellow, red and washlights and Nadir recessed floor luminaires
gold tones is akin to the design tradition of the from Erco communicate a feeling of safety and
famous Bao’en Temple, constructed in the 15th security to visitors without detracting from the
century in Nanjing during the Ming Dynasty. The religious character of the representations.
Ten Thousand Buddha Corridor surrounds the The relic is illuminated with Grasshopper
Thousand Buddha Hall, and contains exhibitions projectors and the interior of the memorial
focusing on the Indian and Chinese history with Beamer projectors from Erco. To install the
of Buddhism and the life and relics of Buddha lighting tools to the base of the memorial and
Shakyamuni. The Usnisa relic is located in its own for reasons of space, outdoor luminaires were
room: the Usnisa Worshipping Palace. Here it lies specified. Luminaire families can be ideally
within a memorial that, due to its open structure, combined because of the same high LED quality
enables the relic to be seen from outside. used throughout all Erco product ranges.
The Usnisa Palace is illuminated with Erco LED www.erco.com
lighting tools. Interior designers from Hyee Design
CASE STUDY
Gas and Air

New lighting from CLS partner Fairlight BV has given Gashouder, located in
Amsterdam’s Westergasfabriek factory, a new lease of life, transforming
the former gas holder into a stunning venue for exhibitions and live shows.
T
he Westergasfabriek is a former gas effective light output meant that just 60 fixtures
factory located in Amsterdam’s West proved to be sufficient to illuminate the upper side
district, a beautiful green oasis with of the vast complex.
various striking industrial buildings. In addition to the colour changing Revo fixtures,
At the beginning of the 21st century the site 40 CLS Revo Compact 3000K units were installed
underwent a complete redevelopment and the new as downlight fixtures. The exterior lighting
Westergasfabriek has since been in use as a venue has a calendar-based system for switching the
for cultural and recreational activities. illumination on and off, providing a perfect
CLS partner Fairlight recently installed new experience in all seasons.
lighting in one of the buildings, which is The striking industrial dome, without pillars, on
named after its former function: the Gashouder the inside of the building is illuminated with CLS
(Gasholder). The building is now a frequent venue Ares fixtures. CLS Lina Clip HP fixtures replaced
for exhibitions, large-scale presentations, live the fluorescent tubes that previously illuminated
shows and dance events. the space. The Lina Clip is dual purpose,
On the outside of the building the RGBA version functioning both as effect light and as work light.
of CLS Revo Direct DMX has been installed. The The installation of LED lighting is part of the
Revo RGBA serves as an uplighter to illuminate Westergasfabriek’s large innovation project, which
the building with splendid colours. The Revo is an aims to make the buildings and outside areas more
extremely compact fixture of 17.5 x 10 x 10cm, with environmentally sustainable where possible.
a power consumption of only 20 watts. The high www.cls-led.com
CASE STUDY
Neutral Colours
for Benetton
Megaman’s LEDs were specified for global
fashion brand United Colors of Benetton new
store in Northern Ireland’s town of Ballymena.
T
he manufacturer of high-performance, easy adjustment. 56, one head frame 10.5W Zeki
low energy lighting provided a luminaires were specified and installed in the
solution that was energy efficient, suspended ceiling throughout the store.
low maintenance, maximised the Paul Howie, Director of T&E Howie, lighting
aesthetics of the store and provided a consistent, designer and supplier said: “We recommended the
bright quality of light that enhanced the Zeki luminaires because the combination of its high
appearance of the merchandise. lumen and tilted design meant that it was ideal for
Benetton is known for its vibrant, colourful this project and gave the client lots of flexibility. If
clothes, so the owner of the store required a the client wants to move display stands around the
space that was bright and would entice the retail space all he has to do is move the downlight
customer inside. A former post office in the large and position it to illuminate the clothes. We’ve
town of Ballymena in County Antrim, provided used Megaman products for many projects and we
the necessary 3,000 square feet that could be particularly like their robustness and high quality.
transformed into retail space. Also, the technical backup that Megaman provides
The 1950s two-storey building was stripped out is really supportive.”
and a large glazed panel employed on the front The Zeki luminaire was also a popular choice due to
elevation to draw in daylight. The ground floor its unobtrusive design.
was refurbished to create a modern, light and airy Michael Williams stated: “I like the discreetness
space for the display of Benetton’s women’s and of the Zeki lighting, which is very subtle. The
children’s clothes while the first floor was used as spotlights have been twisted to focus on wall
a store. displays and draw attention to the merchandise. I
Creating a bright interior was key to the overall didn’t want the lighting to take the customer’s eye
concept. It was considered that Megaman’s Zeki away from the clothes. It has been a very successful
multi-head gimbal luminaires together with other project.”
specified products, would meet the challenge of According to Paul Howie, the client had never used
creating an even and bright distribution of light. LEDs before, but was easily convinced due to the
Michael Williams, Director of Williams Creative combination of minimal maintenance, low running
Design Architects, designer of the Benetton store costs, a five-year warranty and the environmental
said: “Given that there are no windows in the benefits of LED technology.
shop apart from the glazed façade, we didn’t want “It was a no brainer for the client to use the
customers to feel as if they were walking into a Megaman Zeki product. He has been so happy with
cavernous space. The Zeki LEDs create a consistent the result that he plans to use the Zeki luminaire
quality of light with no changes in light levels, for background lighting on two further Benetton
which is exactly what we wanted.” stores in Northern Ireland that are currently at
Megaman’s Zeki luminaire was also the first choice concept stage.”
for the Benetton shop due to its modular frame www.megamanuk.com
and multi-directional tilting, which lends itself to
light+building
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Urban Lighting
Zumtobel, alongside Graft Architects, transformed the traditional
Gründerzeit building of Berlin’s Urban Nation Museum into a celebration
of modern art as part of a new, modular design for the museum.
F
açades become screens, a courtyard doubles as formulated by the Graft architecture studio demanded a
a temporary exhibition space, workshops and client-oriented lighting solution to help maximise the
events fuel a creative dialogue: The concept effectiveness of the overall concept. Zumtobel immediately
behind the Urban Nation Museum For Urban impressed by meeting the needs of the architects from Graft
Contemporary Art in Berlin intrigues and excites with its and simultaneously tailoring its offer to fulfil the specific
fusion of diverse art forms and truly unique architecture. requirements of the museum.
Exhibition rooms, a courtyard and an innovative Urban Nation is an initiative from the Berliner Leben
interchangeable façade were created for the modular- foundation (Berlin life), founded in 2013 by the Gewobag
designed museum in line with plans drawn up by Graft housing association. Urban Nation has already worked
architecture studio. with artists from all over the world, and the museum has
A clear prerequisite for the success of the project is the gained increasing prominence by providing a stage for
holistic interplay between architecture, art and light. With urban art that shines on an international scale, acting as a
this careful balance in mind, a differentiated lighting mouthpiece for urban contemporary art and simultaneously
solution from Zumtobel has now been realised throughout making this art form accessible to visitors and residents.
the museum. This was evident at the official opening, when the museum
The Urban Nation Museum presents contemporary urban art hosted a two-day festival to stimulate a public discourse
crafted by a series of national and international artists. The between the city, artists, residents and passers by.
impressive new venue has been shaped by architects from Graft used the reconstruction of the interior to translate
the Graft studio, who pooled their resources to transform the 19th-century architecture into 21st-century design.
a former residential and commercial building from the Suites of rooms, the likes of which can normally be found
Gründerzeit period in the Berlin district of Schöneberg. in fine baroque palaces, create a real sense of space. At the
The result is an all-embracing centre for urban same time, the rooms themselves stretch upwards over
contemporary art and a creative setting for artists, offering two storeys, leading to unexpectedly generous levels of
space for exhibitions, workshops, debates, cross-media spatial perception and offering a vast range of possibilities
work and archiving. The implementation of the plans in terms of artistic expression. A defined route connects all
CASE STUDY
the exhibition areas, helping visitors see and experience the by Graft serves as a creative canvas for artists. When the
fascinating works from various distances. The exhibition exhibition changes, these customised exterior elements
rooms feature Supersystem II mounted horizontally at the become extra exhibits in the museum’s collection. The
side of the route. Standard versions of the Maxi spotlight shifting façade is impressively showcased by vertical
(with DALI control) are combined with a trimless profile, illumination from Blade Max, a flexible linear lighting
delivering the additional flexible lighting solution that was system developed by acdc. Coloured RGBW fittings add a
requested by both the architect and the owner. special character to the window apertures on the fourth
Zumtobel used the lighting solution for the multi-storey floor.
rooms to place a strong focus on the uniform illumination In addition to the actual exhibition, visitors have the
of the walls in the exhibition spaces, while at the same chance to appreciate numerous art installations even before
time including the option to set effective lighting accents. they step inside, as the courtyard of the Urban Nation
This is achieved with the help of the Intro ceiling luminaire Museum doubles as an event venue and presentation space
family. Extensive adjustment options mean that Intro for contemporary sculptures. The harmonious solution
can be adapted to suit the different forms of architecture from Zumtobel offers flexible lighting for the changing
and thereby provide high-quality, tailored and efficient compositions. Floor-recessed Magna luminaires from acdc
light throughout the rooms. Intro liteCarve, a spotlight and Supersystem outdoor Accent, a product from Zumtobel
for vertical surfaces, and Intro M, an LED accent spotlight that incorporates three swivel-mounted LED tubes,
with a high light output, both play a major role here. The combine to create the perfect lighting conditions in the
liteCarve reflector technology developed by Zumtobel courtyard.
facilitates the homogeneous and effective illumination of When it comes to lighting management, the Litecom system
niches and walls, along with a precise and balanced right- from Zumtobel Group Services (ZGS) regulates the complete
angled light distribution, while the reflector itself makes installation and offers simple and flexible lighting control
sure that the light is directed accurately and fully indirectly for the whole Urban Nation building.
onto the vertical exhibition areas. www.zumtobel.com
The modular and partially interchangeable façade developed
219
CASE STUDY
Lighting the Way

Lighting specialist Cardi and Finnish luminaire maker Lival illuminated
Åhléns City department store in Central Stockholm, Sweden, using
Citizen’s CRI>90 3500K B.BBL.
F
ounded in 1945, Lival is a Finnish family the characteristics of the COBs combined with the
business that started out making its Lival luminaires make the bright colours pop and
first products out of the wood gathered give fresh and clean overall impression.
from its own forest. Lival has always Finding the right light, that fits perfectly to the
brought an innovative and brave approach to scene is no walk in the park and after numerous
lighting, beginning in the world of interior design test runs on different COBs, including Ver. 6 CRI>90
with bright lamps and impressive chandeliers – first 3000K B.BBL, 3500K B.BBL and 4000K, Åhléns City
steps that revealed a company already on the hunt chose to use the 3500K B.BBL Citizen COB along with
for cutting-edge ideas. Lival’s Lean DL, Trigger Cylinder, Lean Cylinder and
In 1981, Lival was the first company to introduce Aspect series.
a PL compact fluorescent fixture. Then, in 1994, The 3500K B.BBL is an excellent choice for
Lival introduced ceramic HID technology, before highlighting a wide range of different colours. For
producing its first luminaire with COB LED in 2010, the purpose of Åhléns City, the 4000K version was
a technology that still serves well to this day. Over too cold, while the 3000K B.BBL version was a bit
the years, the company has also become one of the yellowish. As for choosing the right luminaires,
leading chip on board Citizen COB LED luminaire Lival’s experience proved to be helpful. Lean DL,
manufacturers. Trigger Cylinder, Lean Cylinder and Aspect are
Citizen’s latest LED technology gave Åhléns City just the tip of the iceberg in Lival’s eco-system of
department store in central Stockholm a new touch. lighting.
Now toys, clothes and interior design are presented www.lival.com
in a more appealing way thanks to a proper light, as ce.citizen.co.jp
C
CM
MY
CY
CMY
K
Pic:s: Nicolas Cardin
Rediscover the Colour

Linea Light Group has provided lighting for the Medieval and Renaissance
areas of Paris’ Museum of Decorative Arts, bringing colour back to the
artefacts on show.
I
n creating the lighting scheme for the colours of the works, adopting modern lighting
Medieval and Renaissance areas of the technologies in tune with the museum spaces.
Musée des Arts Décoratifs (Museum of Solutions were created that involve the visual
the Decorative Arts), lighting designer experience of the public, while highlighting the
Emmanuel Clair of the Light Cibles studio turned features of each work and the characteristics of the
to Linea Light Group to illuminate the delicate setting. The fascinating challenge was to illuminate
artefacts on display. decorative objects from different dimensions and
Located inside the Louvre’s Palace, the Museum finishings within a space that needs a suitable light
of the Decorative Arts is the sixth most visited for the visitor’s enjoyment.
museum of France and one of the most important The need to adapt to pre-existing structures
in the world. Founded in the nineteenth century, required custom solutions without replacements,
it houses thousands of collectors’ objects and thanks to devices specifically optimised to follow
artworks, offering a complete overview of arts from needs. Solutions aimed to emphasise the spiritual
the Middle Ages to the 21st Century, ranging from value of colours according to the expressive
toys to jewels, ceramics to furniture. The section sensibility of the artist itself, rediscovering the
devoted to the Middle Ages and the Renaissance artistic meaning of the original chromatism.
is full of remarkable altarpieces, everyday objects, The project makes use of Iris T fittings with new
16th-century glass walls, religious paintings and UltraHD diodes that, developed in conjunction
beautiful tapestries. with Cree, are able to retrieve every colour range
The new lighting scheme had to respond to specific with a fidelity reproduction almost equal to
requests of the customer, with the main aim that guaranteed by the natural light source par
of rediscovering and showcasing the authentic excellence: the Sun.
CASE STUDY
The exhibition rooms are fitted with adjustable optics

luminaires that, alongside moulded Vektor fittings,
create a suffused, staged lighting in which the light
beam is focussed only where needed on the artwork,
becoming progressively softer towards the borders
and the frames. As a result, the paintings emerge from
the shaded walls as if lit from within. The large glass
display cases showcasing statuettes and artefacts in
ceramic and glass have had Reika fittings installed.
These linear profiles with asymmetrical optics
illuminate the objects placed on the shelves without
dazzling the viewers, and are dimmed individually to
provide adequate light based to the size of the display.
The decorative glass panes located in front of the
room windows are illuminated by Xenia fittings,
which at sunset replace natural light, illuminating the
stained-glass windows for visitors in the evening.
Old halogen devices have been replaced by LED
technologies, which contribute to reducing
consumptions for a fundamental energy saving
operation.
www.linealight.com
CASE STUDY
Lighting Al Fresco
Gewiss brought its Urban [03] environmentally friendly lighting system to
Milan, illuminating its CityLife district park and offering up high energy savings
in the process.
S
panning an area of 168,000sqm, the This lighting project aimed to provide inhabitants and
CityLife district park is the third largest visitors of the area with a feeling of safety and public
green area in north-western Milan after enjoyment free from fear, promoting park life even
Parco Sempione and Giardini Pubblici. in the evening. In terms of technical requirements,
An international competition to design the district’s guaranteeing high energy savings and reducing
park, launched by the Municipality of Milan and environmental impact were the main goals.
CityLife, was attended by 70 world-class architectural Ferrara Palladino lighting design studio in Milan, in
design studios. The main objective was to transform charge of the project’s implementation, selected the
this space into a prestigious public area for the entire Gewiss Urban [03] LED lighting system, because of
city to enjoy, while keeping a meaningful link with the wide range of fixing accessories and light sources
the territory and the environment. of this product line, that satisfies many different
The park serves as a symbolic element representing a lighting requirements for public and green spaces.
sense of connection, deeply integrated with the city’s 85 Urban [03] devices were installed along all
history. Safe and accessible to all, it is also a space pedestrian pathways, both in the outdoor area
that respects the environment and is in tune with the reserved to CityLife housing and in the public park.
surroundings. Characterised by a simple, pure design, the Urban [03]
The project, carried out by London-based architects lighting blends seamlessly into the architecture of
Gustafson Porter, gave birth to a microcosm around the park, enhancing its aesthetic appeal. The system,
the “Tre Torri” (three towers) area of CityLife which is equipped with a bi-power device to regulate
district. Between the mountains and the plains, the luminous flux during the darkest hours, enables
the park reproduces the key features of Milan energy savings of 50-percent. It also complies with
landscape and surroundings, while fully meeting all requirements in terms of power and resistance to
all customer’s requirements, including lighting. overvoltage surges, with an IP66 degree of protection.
Indeed, the architectural design initiative called for Furthermore, the LED light sources have a lifespan
the development of a lighting project able to meet a of more than 50,000 hours, with a 3500K (CRI> 85)
number of fundamental needs of this venture, in line colour temperature.
with the sustainable philosophy of CityLife district. www.gewiss.com
MicroManage Designs with Tokistar's
M CRO SERIES
Sleek and discreet

lighting solutions
fit in the palm
of your hand
Visit us at
light+building Anaheim, CA, USA
www.tokistar.com
Frankfurt, Germany
Hall 4.2 / Stand K15
2018 March 18-23 TOKISTAR ® Tokyo, Japan
www.toki.co.jp
MondoArc22.indd 1 2/8/18 2:14 PM

CASE STUDY
Paris Mon Amour

Building on the know-how acquired over the years in the field of
lighting works of art, Targetti was selected to light the 27 side
chapels in the majestic Notre-Dame Cathedral in Paris.
A
s part of a project to renovate fixtures along the vertical track and a flexible
the internal lighting in the optical system – ranging from spot to very
historic Notre-Dame Cathedral wide flood optics and the possibility to dim
in Paris, which started back in individual fixtures according to needs. The
2011 as part of events to celebrate its 850 high quality LED lamps the Ledò projectors
years, Targetti, in collaboration with lighting are fitted with have excellent colour
designer Armand Zadikian, has developed a rendering and protect the paintings from the
lighting scheme to illuminate the cathedral’s risks of photo-damage.
27 side chapels. This is familiar territory for “I was familiar with the Targetti range and
Targetti, given that 20 years ago they lit up after careful selection I chose the product
the external doors of the iconic landmark. that met the project needs. We needed a
With an aim to enhance and preserve the sober and discreet product that could blend
historical and artistic heritage on display into the architecture of the cathedral without
inside the Cathedral, the side chapels are compromising the historical setting,” added
now fitted with new lighting designed by Zadikian.
Targetti and selected by Armand Zadikian to 100 works of art were lit using the LED
welcome the millions of visitors that cross technology in the 96 projectors that were
its threshold, while ensuring excellent levels installed. Maximum power was chosen for all
of lighting and luminance ratios for the LED lamps and the lumen output for every
television cameras that transmit mass every single chapel was set personally by Zadikian.
week from the cathedral. “In addition to having excellent colour
“The original lighting that was installed rendering and clean, precise beams, the main
years ago was no longer suitable for current advantage of Ledò is the possibility to dim
expectations and needs,” explained the light intensity. Seeing as all the chapels
Zadikian. “The use of out-dated and are different thanks to the Targetti optics, I
miscellaneous materials, together with a was able to adjust the emission depending on
lack of light made it difficult to see the works the works of art to be lit, taking into account
on display and the lighting was too low for the size, colour and finishes,” he said.
the television cameras to transmit services Lighting the chapels inside the Notre-
regularly inside the cathedral.” Dame Cathedral is the beginning of a new
Targetti LED Ledò adjustable projectors were partnership between Targetti and Zadikian,
chosen to light the works of art inside the who was also involved in developing the
chapels. The type of installation is the same lighting systems in the Paris churches of
for every chapel and consists of vertical Saint-Germain-des-Prés and Notre-Dame-
tracks equipped with black projectors with de-Lorette during restoration work on both
an elegant and discreet matte finish. The of them.
result is a highly versatile installation that www.targetti.com
makes it possible to vary the position of the
Fitted LED design solutions – for interior and exterior
for business houses and private residences, façades, parcs,

gardens, museums, public spaces, churches, shopping malls,
showrooms, film and television studios, hotels …
above/below: LED-LUC – magnetic MiniSpot
SQUARE S|M
WHEN TECHNIQUE MEETS ART
by TTC Timmler Technology
TTC Timmler Technology GmbH

Christian-Schäfer-Str. 8
D-53881 Flamersheim
T +49 2255 921 200

E info@ado-lights.com
(+34) 93 630 28 00
www.ado-lights.com
info@grupo-mci.com Come and visit us www.led-luc.com
grupo-mci.com HALL 4.1 BOOTH G11 www.ttc-technology.eu
CASE STUDY
Touch of Glamox
Two of the largest cruise ships in the Color Line fleet have been given a
vibrant, colourful boost, thanks to the installation of LED strip lighting from
Glamox, that help to create a warm and inviting atmosphere for passengers.
G
lamox has helped to add a touch In addition, changing to the AL45 also lengths, colours and light intensity, allowing
of colour and glamour to two represents an environmentally-friendly (i.e. decorative illumination of various shapes
Color Line cruise ships, Color reduced energy consumption) upgrade to across a wide range of marine applications.
Fantasy and Color Magic, by LED lighting. AL45 is flexible, providing made-to-measure
supplying AL45 LED strip lighting, which is “We chose the AL45 LED strips because they LED strips for harsh applications.
installed in the upper deck railings. The two have a high IP class, which implies that they In its clear version, AL45 LED strips make
cruise ships are the largest of their kind in are well suited for the waters and climate impressive lighting scenarios possible. It can
the world and operate a route between Oslo, that we operate in,” said superintendent be fitted quickly and easily with individual
Norway and Kiel in Germany. Per Gunnar Strand at Color Line. According mounting options and is designed for
Color Line recently completed an upgrade to Strand, aesthetic qualities were also impressive lighting scenes for decorative
of the two ships, which included the important when choosing a new lighting purposes and ambient lighting.
installation of more than 1,150-metres of product. The coloured version of AL45 offers a wide
AL45 LED strips from Glamox in the upper AL45 LED strips from Glamox are specially selection of colours to suit the application,
deck railings of the two vessels. The new designed and approved for use in marine giving flexibility in design, which is essential
LED strips provide a continuous line of light applications. Protected to IP68 means the in creating lighting scenarios for several
under the railings of the promenade deck, lighting is suitable for both indoor and areas onboard a vessel – for both indoor and
creating a warm, inviting and exclusive outdoor use. AL45 LED strips can be used as outdoor applications. AL45 LED strips can be
atmosphere for passengers. When viewing lighting for ship canopy rails, step lighting, installed into ceilings, walls, floors, steps,
the ships from a distance, it is clear that this shop lighting or for decorative colour shops and canopy rails.
decorative and effective light adds a little lighting indoors and outdoors. www.glamox.com
extra touch of luxury to the ships’ design. AL45 LED strips are available in different
CASE STUDY
Cause for celebration

L&L Luce&Light is leading the new outdoor lighting project for the
Vittoriale degli Italiani, allowing visitors to enjoy the architectural
elements of the footpaths both by day and by night.
L
&L Luce&Light has been involved with a 60mm pitch and 12x40-degree elliptical
in a new trail of external lighting optics, was integrated into the existing stone
around the hillside estate of the walls that line the walks, at approximately
Vittoriale degli Italiani, erected 30cm from the ground. Neva’s ground-
by Gabriele d’Annunzio – one of Italy’s most skimming light picks out the pathway very
famous poets – in Gardone Riviera on Lake atmospherically.
Garda. Meanwhile, the same fixture in a different
This new stretch of external lighting, version, with a 120mm pitch and 45-degree
inaugurated in the summer with a celebration optics, placed at the base of the arch, together
entitled Un Immenso Desiderio di Festa (a line with the Pivot 1.6 projector, lights the intrados
taken from one of d’Annunzio’s own poems), and picks out the profile of the archways.
allows visitors to enjoy the architectural Spot 1.6 and 4.1 outdoor projectors are
elements and some of the footpaths in the responsible for lighting the significant
poet’s estate not only by day but also by night. architectural elements along the path. The
This large lighting project concentrates on former gives a theatrical prominence to the
the walk that leads from the Prioria (priory), sculpture of a female figure standing in a
d’Annunzio’s home and museum, to the MAS small shrine, through a play of backlighting
(Museo d’Annunzio Segreto, a museum filled between the statue and the semi-circular
with d’Annunzio’s personal effects) and the background of the niche. The latter is used
Puglia cruiser, the evocative relic from the to light the avenue that cuts through the
Great War. olive trees, thanks to the devices’ ingenious
Made possible thanks to an agreement positioning beneath the benches lining the
between the Regione Lombardia e Fondazione way, from which they generate a light that
Il Vittoriale degli Italiani, the initiative skims the ground.
enhances the estate’s architectural splendours Finally, the Siri 1.0 projector lights the
while fully respecting its original character. A imposing entrance to the Vittoriale and the
significant number of L&L LED projectors and visitors’ entrance that leads to the ticket
linear profiles have been installed. office.
The wall-mounted Neva 1.0 linear profile, www.lucelight.com
value
engineering
LED selection
to meet
efficacy & CRI
1000+ lumens targets
custom optic
The Manufacturer’s Choice

We manufacture LED solutions for OEMs. We throw in design, testing and knowledge
as part of our complete manufacturing service - so you walk away with exactly what
you want. Consider custom optics, heatsinks and even electronics - we’ll help
manufacture the ideal solution for your application.
Custom LED Solutions, at surprisingly good value.

+44 (0)1229 580000
www.forge.co.uk
See us there. Hall 4.2 Stand B90
sales@forge.co.uk
Full Page L+B Preview.indd 1 13/12/2017 15:44:05

LEADING THE WAY TO
A CONNECTED FUTURE
CHICAGO, IL USA
McCormick Place
PRE-CONFERENCE
May 6 – 7, 2018
TRADE SHOW & CONFERENCE

May 8 – 10, 2018
LIGHTFAIR.COM
PHOTO CREDITS
© SCOTT FRANCES/OTTO & COURTESY BARNEYS NEW YORK
PRODUCTS
The Big One

Light+Building 2018 is just around the corner. The show is always a
hotbed for new product launches, so we take a look at just some of the
products that will be on show at the Messe Frankfurt this time around.
arc / darc
Hall 4.1
Foyer/Walkway
Stand FOY12
The last time that Light+Building came to Frankfurt while the industry prepares to present intelligent
in 2016, a record-breaking 216,000 visitors from and networked solutions and future-oriented
160 countries graced the Messe Frankfurt, eager technologies alongside current design trends,
to check out the latest and greatest from the which not only increase economic efficiency of
lighting world. This year’s instalment is no different, buildings, but also the comfort, safety and security
with 2,600 exhibitors all showing off their latest of the users.
products and innovations. With that in mind, we’ve Alongside this, Light+Building 2018 will feature
put together this comprehensive preview looking at an extensive programme of events, from expert
just some of the product launches to help you beat lectures with best-practice examples, special
the crowds in Germany. exhibitions and panel discussions to competitions
More importantly though, is the arc stand, and guided tours, there are plenty of opportunities
partnering with our sister publication darc, we will to gather information, hold discussions and make
be located on the busy foyer walkway outside hall new contacts.
4.1, where you’ll be able to pick up extra copies of Off the trade show floor, the Intersec Forum on
the magazine, along with our newly released ILDS connected security technology will take place
2018, and share your latest news with a member of from 19 to 23 March, while the biannual Luminale
the team. festival of light and culture will once again take
With a new motto of ‘Connected – Secure – place across Frankfurt, providing some light relief
Convenient’, this year’s show will take a closer look away from the exhibition ground
at the key issues of ‘smartification of everyday www.light-building.messefrankfurt.com
life’ and ‘aesthetics and well-being in harmony’,
PRODUCTS
5
4
2
1
Dyna Drum HO Brite 2 panels
Acclaim Lighting 4 OLEDWorks
Acclaim Lighting will launch the second generation Dyna Drum HO. Light affects our mood, improves our well-being and enables us
With a new chipset and optic system designed from the ground up, to experience and achieve more. But OLED light does even more.
this high power floodlight now features higher energy efficiency, As OLED light emits no hazardous blue light, it’s the healthiest
and features class leading output in both white and quad colour light available. Therefore, OLEDWorks invests in your health by
LED versions. In fact, the white version reaches more than one developing state of the art OLED lighting. This is proven by the wide
million centre candela, while reducing power consumption by 20 spectra of OLEDs, and OLEDWorks Brite 2 panels are, according to
percent. the IEC photobiological safety standard, exempt from any risk of
Hall 4.0 K10 • www.acclaimlighting.com hazards for the human skin and eye.
Hall 4.1 G62 • www.oledworks.com
Archiline
2 Linea Light Group
Linea Light Group will present Archiline, the new family featuring HD
a wide range of linear lighting fixtures with multiple configuration 5 3F Filippi
options that fit every lighting requirement. They can be installed A new suspended product by the Milan-based studio Park Associati,
with recessed mounting with steel or aluminium flange or without designed for offices, this device is made of aluminium and may
flange or in the wall version. The features that make this family provide direct, indirect and direct/indirect 4000k lighting. The
of products unique and extremely versatile are its wide range of lighting fixture is available with opal or microprismatic diffusers.
optics (Narrow Spot, Spot, Medium Flood, Flood, Wall Washer and The head cap’s diffuser is customisable and allows to instinctively
Elliptic 20x50-degrees), different lengths and power packs, and the distinguish the working activities within the same open space. 3F
choice between monochrome versions (warm white and natural HD is available also in the recessed and semi-recessed versions and
white) and multi-colour RGBW. will be on sale by summer 2018.
Hall 3.1 E91 • www.linealight.com Hall 3.1 D60 • www.3f-filippi.com
Skim downlights KURV-Y

3 Erco 6 KKDC
Specifically for the needs of today’s dynamic worlds of work, a new, KURV-Y is the new IP67, fully diffused flexible LED lighting strip
unique class of lighting tools has been developed in the form of from KKDC. With full end to end homogenous diffusion, KURV-Y
Skim downlights for track – as flexible as spotlights and as simple is designed to be recessed into curved architectural details and
and efficient as downlights. Using the tried-and-trusted LED lens surface mounted via clips or extruded aluminium channel. Suitable
optics from the Skim range, they feature high levels of visual comfort for interior or exterior applications KURV-Y is available in 2300K,
optimised according to the application and enable the lighting to be 2700K or 3200K warm white colour hues with 90CRI. 11.3W/m
adapted at any time to changing office structures or layouts. powered by remote 24V DC PSUs and dimmable via compatible
Hall 3.0 A10-11 • www.erco.com sub-controllers.
Hall 4.2 H71 • www.kkdc.lighting
Natural & Healthy Light
• Improves the light experience for human health benefits

• Closely matches the spectrum of natural sunlight
• Harmonizes light output with natural circadian rhythms
• Minimizes negative effects of conventional LED light sources
Visit seoulsemicon.com to learn

more about SunLike Series LEDs.
PRODUCTS
Hance
1 Lamp Lighting
The Hance from Lamp Lighting is an indoor spotlight model for 2
accent lighting, available with luminous packages of approximately
500-2000lm for 48V powered and 1000-4000lm for 220v powered,
with warm and neutral colour temperature and Super Spot, Spot
and Medium Flood optics. Its unique body is made of lacquered
aluminium injection, with finishes in texture white and black.
Hall 3.1 C61 • www.lamp.es
Void
2 Astro Lighting
Discreet and minimal in design, Void offers a comprehensive variety
of trimless downlights that blend into its surroundings, while
producing glare-free illumination. The option of different light beam
angles ensures light is directed exactly where it is needed, while a
‘twist and lock’ mechanism makes for ease of installation. Both LED
and GU10 variants are available within the range, which are all IP65
and fire-rated. Covering a wide range of lighting requirements, Void
offers a selection of different colour temperatures, sizes, colour
rendering and bezel choices.
Hall 5.1 C90, Hall 1.1 H01 • www.astrolighting.com
DRX5
3 RCL 3
Measuring just 145mm in diameter, DRX5 enables you to pin spot
or flood throughout a project with one cohesive aesthetic. The 4
four-degree beam is the most precise in the market, perfect for pin
spotting from high ceilings, whilst the ground-breaking DRX zoom
light engine adds an extra dimension of flexibility. Each light has
motorised 360-degree pan and 35-degree tilt controllable by a wide
range of protocols, including RCL’s latest wireless control system,
building on the award winning iDirect.
5
Hall 4.2 A44 • www.rclighting.com
Odeon Flood
4 Claypaky
The Claypaky Odeon Flood family is a range of compact, lightweight,
stylish, easy-to-install floodlights for architectural use (IP65,
IK09) available with various optical units (15, 25 and 35-degrees)
and aesthetic finishes. They feature high-power multi-chip LED
technology, which ensures excellent colour mixing and perfect
DMX/RDM dimming. The Odeon floodlight enhances historic and
artistic monuments, public and private buildings, architectural
structures, and parks, trees and gardens, as well as businesses such
as shops, shopping centres, restaurants, hotels, cinemas, gyms and 6
leisure centres.
Hall 8.0 F98 • www.claypaky.it
6
Cardan Evolution
5
Tetriss W+RGB Zumtobel
Meteor Lighting The turnable and tiltable Cardan evolution luminaire from
Tetriss W+RGB offers flexible lighting with modular design, Zumtobel fuses outstanding flexibility with a timelessly simple
advanced bracket system, and various mounting options. It can design, enabling both sizes of this recessed downlight (M and L)
be configured with any combination of white and RGB modules on to blend harmoniously into a wide variety of architectural settings.
one fixture. RGB and white light are usually controlled separately, An extensive range of accessories adds even further creative scope
resulting in control complications and increased system cost as two by fulfilling a wide range of precise accent-lighting tasks. In this
separate sets are needed. With Tetriss W+RGB, one system is able way, Cardan evolution stands out as a multifunctional lighting tool
to control both RGB and white light. It is suited for applications in characterised by excellent colour rendering and a choice of light
convention centers, sports arenas, theaters, and worship spaces. distributions.
Hall 4.2 J11 • www.meteor-lighting.com Hall 2.0 A30, B30, B31 • www.zumtobel.com
‘a new flexible line’
Flexi-Light-Optic Available in Top
Bends in X & Y axis Vew, Side View
for curved wall grazing & various sizes
Flexi-Line-White
Flexi-Line-Media
Flexi-Line-RGBW
Available in white colour temperatures, RGBW, Tuneable White & Dynamic Media RGB.
Using our proprietary “colour-lock” technology.
MADE IN THE UK
Compatible with our FLO iOS Wi-Fi controlled App vexica.com
PRODUCTS
Io Atto
1 Arkoslight 3 Precision Lighting
Io, designed by Arkoslight’s Head of Design, Rubén Saldaña, is an LIT award winner Atto is the smallest architectural spotlight in the
LED spotlight miniaturised in a fixture that is so small that it fits on market. So tiny in fact, that one of the designs is smaller than a
the palm of your hand. Designed for accent lighting applications, one Euro coin and another fits inside a toy plastic egg. Flexible
its small dimensions mean it can be fitted in display cabinets, shop and lockable, the spotlight delivers clean light distribution from
windows and small places without generating an invasive presence exceptionally discreet modular designs. Supplying 105lm with
on the scene. Io has been awarded with the Good Design Award, just 1W, Atto is available with a wide range of optics, finishes and
ADCV Award, Delta Award Silver and IF Design Award. mounting options, allowing selection by aesthetic, beam distribution
Hall 3.1 C91 • www.arkoslight.com and colour temperature, to suit any type of display.
Hall 4.2 A44 • www.precisionlighting.co.uk
Dynamic COBs
2 Luminus Yori Evo Ghostrack
Luminus Dynamic COBs are ideal for human centric lighting 4 Reggiani
applications where warm-dimming or CCT-tunable spots with high The new Yori Evo Ghostrack range works on standard three-circuit
centre beam candlepower are required. With options from 6500K to track, Ghostrack three-circuit track and 48V tracks. New invisible
1800K and CRIs of 90, 92, and 95 minimum, Luminus Dynamic COBs adapter and a patented invisible driver that is up to 35W, which can
offer the industry’s widest range of choices. The warm-dimming work with up to four standard projectors or 15 mini spots. It features
line is an easy-to-use single channel COB, which is specified and Precision lenses and TIR for very narrow, narrow and medium
tested hot (85-degrees Celsius) and uniquely offers either a linear beams with high candela values up to 64.000cd and Performance
dimming curve from 3000K to 1800K or a ‘halogen-like’ dimming reflectors in 99.9% pure aluminum for narrow, medium and wide
curve. beams, with efficacy values up to 118 lm/W.
Hall 4.0 B30 • www.luminus.com Hall 3.0 E81 • www.reggiani.net
5
Zedge Pro
Targetti
1 Zedge Pro is the new floor washer lighting fixture designed by
Targetti in collaboration with Gensler. With larger dimensions
2 (200mmx200mm) it maintains its perfect proportions and sloping
design of the smaller version with particular attention to every
aesthetic and functional detail. A professional tool ideal for lighting
pedestrian walkways or large horizontal areas, Zedge Pro is
equipped with a special optical system that allows for maximum
flexibility of use for specific design requirements of architects,
designers and lighting designers.
Hall 3.1 A51 • www.targetti.com
6
Focus
Unilamp
Focus is a completely new family of outdoor spot lights engineered
from scratch. The shapes and overall small dimensions make
it possible to install Focus in most professional and residential
lighting applications. High quality optics provide accurate beam
control and offer a wide selection of light distributions. Focus
can be customised with accessories such as filters, honeycombs,
shields and various mounting solutions for poles and surfaces. The
minimised amount of needed tools and usage of quick connectors
simplifies the installation.
Hall 5.0 C80 • www.unilamp.co.th
AGORA
OUTDOOR
AREA
PRODUCTS
CAS 140D Moto-Palla In&Out

1 Instrument Systems 4 Forma Lighting
Visitors to the Instrument Systems stand will be able to experience Moto-Palla In&Out, part of the Motolux collection, is available in
advanced measuring stations for spectroradiometric and three sizes. The fixtures can be tilted 90-degrees out and ten degrees
photometric measurement tasks: The new stray light corrected inside the ceiling through the revolutionary Motolux remote control
CAS 140D is the first high-end array spectrometer that can or Casambi smart-phone app. The series is equipped with Xicato or
reliably assess the blue light hazard from light sources within the Soraa modules, super narrow beam (four degrees) and Tuneable
prescribed limiting values. Accredited light measurement solutions White/DimToWarm versions. Moto-Palla 70 with a ceiling cut of
for colorimetric quantities with unique measurement accuracy 130mm and a height of 145mm discretely fits in low ceiling voids.
and future-proof service are also shown, e.g. the CAS 140D in Hall 4.2 E10 • www.formalighting.com
combination with the ISP 2000 integrating sphere.
Hall 4.1 K89 • www.instrumentsystems.com Orao
5 Cariboni
GoboLED 7-Pro
2
Orao offers solutions with LED technology for lighting façades,
Griven streets, walkways and urban spaces. The innovative optical systems
Packed with multiple effects and patterns, GoboLED 7-Pro designed for the Orao line guarantee visual comfort, safety and
offers broad creative design integration for permanent exterior enhanced quality of space. The Orao system includes different
installations. Fitted with one high power LED, this image projector installation methods and a tilting system for meeting the specific
delivers a bright and accurate rendition of graphic designs or logos functional and architectural requirements of any environment.
in outdoor and indoor locations. Rotosymmetrical, symmetrical, asymmetrical and street optics are
Hall 5.0 B45 • www.griven.com available, as well as solutions for pedestrian crossings and wet road
surfaces.
Venus True Color
3
Hall 3.1 B61 • www.caribonigroup.com
LED Linear
6
Venus True Color is an LED luminaire using a new polyurethane Bitpop
encapsulation technology offering an IP67 ingress protection L&L Luce&Light
combined with optimum rendition of the LED spectrum, avoiding Bitpop is a recessed downlight with single or multiple optics that
any CCT shift: True Color. It is available in two variants. Top View can be installed in false ceilings in two ways: flush with the ceiling
variant takes over for 2D bends perpendicular to the luminous or recessed. The family is made up of three versions: single optics,
surface. 3D variant extends the boundaries of lighting design by four optics in a line (elements in 1x4), and four optics in a square
providing a perfectly homogenous light line which can be twisted or (elements in 2x2). All three versions feature recessed optics,
bent in 3 dimensions (3D) in order to follow any curves present in designed to guarantee the user’s visual comfort. The optics are
modern architectural concepts. available with different beams: 17, 30, and 42-degrees, 17x45-
Hall 4.2 J61 • www.led-linear.com degrees; white light with CCT 2700K, 3000K and 4000K.
Hall 3.1 D25 • www.lucelight.it
5 6
PRODUCTS
Cosmo FX
1 ES-System
Cosmo FX is a series of versatile and easily maintained luminaires 2
with an increased resistance to adverse environmental conditions.
Because they have been optimised for use with LED technology,
their parameters exceed those achieved by similar competitive
products, despite their compact size and low weight. In addition,
the original design of the housing is emphasised by optional colour
versions. The use of different optical systems provides high quality
lighting. Cosmo FX is the perfect solution for numerous lighting
applications: from residential interiors to offices, schools and
industrial facilities.
Hall 3.1 E15 • www.essystem.pl
Bow
2 Grupo MCI
Bow is a stylish and versatile luminaire designed to highlight the
outer edge of windows and arches. It creates an amazing uniform 3
monocolour, smart white and RGBW line of light to enhance
architectural façades. The sophisticated inner mechanism allows
you to easily adjust both the beam angle and the luminaire’s tilt
without breaking its pure shape.
Hall 4.1 G11 • www.grupo-mci.org
Ikar
3 LED Luks
Characterised with a ring light, Ikar is a fascinating alternative to
conventionally shaped downlights. The completely adjustable head 4
can be freely rotated through 360-degrees (track version) as well
as in ±90-degree direction for an optimum adaptation of light on
different objects. The downlight family offers different mounting
options (track, ceiling, recessed) and colour temperatures (2700-
5000K). Being available in two sizes (65, 127mm) and in different
beam angle versions, Ikar is the ultimate downlight solution for a
wide range of applications.
Hall 4.2 A02 • www.ledluks.com
4
Hydrotwist IP65
PUK
Hydrotwist is PUK’s brand new project in collaboration with 6
Paolovilla Design: a swivel Floodlight whose head can be oriented
and fixed in endless positions. You can choose a different shape for 5
the head but the result is always the same: target the light beam in
a strategic way. Hydrotwist is not only a piece of design but it’s also
a high-performance light. Thanks to its Special Optics with ‘invisa-
light’ technology, this becomes practically a glare-free floodlight.
Hall 4.2 E50 • www.puk.it
5
Centura
Radiant Lighting
Centura is a flexible LED linear lighting system, designed to make
Oreo
6
complex designs simple. An innovative design offers the flexibility
to follow curved surfaces, encircle columns and domes, and to Roxo Lighting
make irregular shaped pendants. Available in uplight and downlight The Oreo range, with its minimalist 35mm aluminium profile
versions, surface mounted or suspended, and with a lumen output as well as the elegant and clearly defined contours, allows new
of up to 5,000 lumens per metre, Centura is ideal for a range of lighting concepts, contemporary visual effects and unique creative
application areas including architectural, hospitality, leisure and solutions for your space. Equipped with the latest LED technology,
retail. Centura offers complete flexibility, adjustability onsite and a the Oreo range is available in suspended horizontal, angled and
choice of colour options ensuring there is a solution for any lighting even vertical positions that you can combine with sixteen colours
challenges. and inside or outside light distribution.
Hall 4.2 A16 • www.radiantlights.co.uk Hall 4.2 H21 • www.roxolighting.com
2018 NEW
LIGHTING COLLECTION
PRESENTATION HOSTED
IN THE PRESTIGIOUS
ZEFFIRELLI MUSEUM
22ND MARCH 2018
F L O R E N C E , I T A LY
info@uozulighting.it
www.uozulighting.it
PRODUCTS
3
1
2 4
Gabriella Bilton Air

1 LEDiL 4 Bilton
Gabriella is an RGB and tunable white colour mixing lens family from The new Bilton LED module series Bilton Air is a highly flexible
LEDiL. Its unique surface design provides excellent colour uniformity silicone tube and, in addition to protection class IP67, guarantees
and comes with a black holder and an optional installation tape. A top light quality, an effective heat dissipation and is resistant to
10-degree spot beam will be followed by medium and wide beams external influences (UV, salt, chlorine, etc.). The LED strip light can
in 45mm and 35mm diameters. be shaped flexibly and is available in three different light colours.
Hall 4.0 B21 • www.ledil.com Agora B10 • www.biltongroup.com
Glassiled UNI
2 5
Marco
AGC Glass Megaman
AGC Glass Europe presents Glassiled: when LED inspires Glass. Marco is the latest low energy lighting solution from Megaman – a
On top of its Glassiled Sign (embedded monochrome LED) and versatile, compact LED track light that allows 330-degree rotation
Glassiled Motion (embedded individually addressable RGB and ±90-degree tilt angle. The LED’s hybrid reflector technology
LED), AGC introduces Glassiled UNI, its new product with LED and range of optical accessories including; spread and rectangular
(monochrome or RGB) that enlightens your façade uniformly, lens, honeycomb louvres, barn doors and coloured filters, allow for
offering fantastic aesthetics to your building. complete control over light distribution. At the same time, Marco
Hall 4.1 J10 • www.agc-glass.eu will minimise light spill and reduce glare, making it ideal for retail
or gallery projects. Ingenium ZB compatible, Marco allows users to
L-UGR
3
have wireless control of their lighting and integrate it with existing
Lamp83 ZigBee systems.
The combination of high performance, low glare and modern Hall 4.0 G03, Hall 4.1 H70 • www.megamanuk.com
design, the L-UGR series is ready to answer all your needs in terms
6
of general lighting. L-UGR has two different recessed body options Fusion
at 140x140mm and 190x190mm. Homogenous and low glare DesignLED
illumination thanks to 60-degree diffuser and reflector combination The lighting industry has been looking for diffuse area lighting
and 109lm/W efficiency. Optionally, L-UGR can also be produced products with the function of OLED giving low glare, high uniformity
with the highest level of optical technology, with a low level of and scalability, but at lower cost, increased reliability and better
glare effect (UGR<19) that can be used in the office environment performance. DesignLED’s Fusion OLED-alternative product is
according to the European Union norms. mechanically flexible, 3mm in thickness and without a bezel. The
Hall 3.1 B18 • www.lamp83.com product consists of DesignLED’s patent protected inorganic LED/
light-guide technology. The product is 150mmx150mm size, with
an efficacy of >100 lumen per watt and a surface luminance of over
20,000 Cd/m2.
Hall 5.0 C30 • www.designled.com
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PRODUCTS
1 2
Diffuse LED strips

1 liniLED
liniLED Diffuse LED strips are rated with the highest protection
available. DEKRA tested and approved the luminaires to be IP68+
submersible and IP69K. They can be used in water more than
50-metres deep, while being protected against ingress of dust and
close range, high pressure and extreme temperature spray downs
at the same time. The liniLED Diffuse range is available in Top and
Side emitting LED strips and comes standard with IP68+/IP69K 3
Mirror Welded Connectors.
Hall 4.1 E61 • www.liniled.com
SmaCT range
2 Sagitario
The SmaCT range is a set of multi-functional digital controllers,
even for OEM applications, designed to provide full control and
data tracking of the light fixtures installed in a project, in terms 5
4
of voltage, current, working temperature, light output and smart
performance. Between the main specs, these devices can support
the standard common protocols (DALI, DMX, 0/1-10V) as well as a
proprietary Sagitario protocol; include digital and analog ports and
NTC sensor; allow scenes programming thanks to the featured
clock and calendar and can be totally managed remotely.
Hall 3.0 B11 • www.sagitariolighting.com
Terra Plus
3 Studio Due
The Terra Plus family of In-Ground LED lighting has been designed 6
for architectural and landscape applications. These powerful
fixtures are suitable for the illumination of buildings, sculptures,
5
pedestrian areas and gardens. The new range offers has optimised C95-W
beam control and delivers exceptional lighting performance. All of Glamox
the Terra family are easy to install, they are compact in size and The new square addition to the popular C95 family is finally here.
conform to standard building regulations. Available in RGBW, Glamox C95-W is an elegant wall-mounted luminaire, in two neat
Monochromatic, and Tuneable white, the Terra Plus family features sizes. The family is characterised by a clean, minimalistic design
very high lumen output, and motorised tilt adjustment of -2 to and fully illuminated surfaces. The edge lit technology allows for a
10-degrees. slim profile and sleek design. Glamox C95-W is also available with
Hall 4.1 C39 • www.studiodue.com integrated emergency lighting. C95-W is one of the many products
we will present at Light + Building.
4
SIO3 Junior Lenses Hall 3.0 C51 • www.glamox.com
Khatod
6
Free form lenses, for COB LEDs, nine to 23mm LES, eight beam Module range
angles. Made of Ultra-Clear Silicone (LSR). Excellent transparency, Tryka
high optical clarity, long term durability. No need for extra The 2018 family of Tryka Modules encompasses a full range of
protection. Engineered for Street/High-Bay/Area Lighting, Outdoor/ power options from 3W through to 48W, delivering a CRI >90 and
Indoor, SIO3 Junior Lenses are in great demand in horticulture, efficacy of up to 100lm/W, this series of luminaires provides a
greenhouses and urban vertical farming applications. The lenses suitable power/performance package to meet virtually any external
allow immediate switching from conventional lighting to SSL, and and internal application. Designed and manufactured in the UK, all
can be easily installed in existing fixtures. Temperature resistant use powerful Cree XP-E2 LEDs coupled with high efficiency Ledil
from –40-degrees Celsius to 200-degrees Celsius, they are UV- lenses. This is combined with three or four channel customisable
resistant, with a non-yellowing effect, and designed to comply with LED population, enabling Single Colour, RGB, RGBW, RGBA,
IP65 and IK10 ratings. Tuneable White or bespoke colour arrays.
Hall 4.1 F39 • www.khatod.com Hall 4.1 E73 • www.tryka.com
GLASSILED UNI
Light up your facade uniformly
with LED-embedded glass
WHEN LED INSPIRES GLASS

Play with an infinite range of colour tones
and variations on your facade glazing!
Scan to watch the video.
Visit us @ Light + Building Hall 4.1 – Stand J10

AGC Glass Europe – sales.glassiled@eu.agc.com - www.agc-yourglass.com
PRODUCTS
Devina MCPET
1 Fagerhult 4 Furukawa
Devina combines a timeless design with scope for customisation to A lightweight reflector with unrivalled levels of diffuse and overall
provide an exterior lighting solution, which not only illuminates but reflectivity, the MCPET is perfect for low glare, indirect lighting
also creates an identity in public spaces. The perfectly symmetrical solutions. This lightweight reflector is easier to process and more
cylinder was developed according to the most enduring of design rigid without backing. Custom created in either sheets, cut, folded
principles, the Golden Ratio. Each Devina has a distinct visual or formed to customer requirements, this fitting provides complete
language, which speaks through the carefully curated composition surface homogeneity with more than 100% diffuse and overall
of materials. Choose between the pre-defined styles or create your reflectivity compared to BaSO4.
own expression with different textures or colours. Hall 4.0 F31 • www.furukawa.co.jp
Hall 3.0 D91, D95 • www.fagerhult.com
Esalite
Lunata 5 Gewiss
2 LTS The Esalite features Italian-design, modularity and robustness
The discreet and elegant Lunata can be used as a ceiling, wall or mould into a new, originally-shaped range of functional high-bays
pendant luminaire. It’s available in five different sizes and comes and architectural floodlights for green areas and general outdoor
with the option of ceiling lighting, light effect ring or tunable white lighting. Assuring high performances from 3000 up to 48000lm
light. You can also choose from different luminaire colours and outputs, Esalite guarantees high degrees of protection and impact
colour temperatures. The luminaire can therefore be individualised resistance, especially for industrial applications. Equipped with
according to personal taste and tailored to suit the most diverse built-in DALI control system, high-quality LED source and optics,
requirements and spatial conditions. this Gewiss product range perfectly matches specific needs and
Hall 3.0 D91, D95 • www.lts-light.eu expectations of end-users and lighting designers.
Hall 5.0 C70, Hall 8.0 A30, Hall 9.2 D34 • www.gewiss.com
Accessory Package Optics
3 Tridonic DIALux mobile app
The Tridonic portfolio has been expanded to include a complete 6 DIAL
accessory package of lenses with various beam characteristics. The new DIALux mobile app makes it possible to design and plan
The lenses are suitable for all DC LLE 24mm modules and are easy lighting directly on site in interior spaces. In the latest version of the
to mount. For the three-row LLE 55mm modules, the company DIALux evo 8.0 lighting design software there are yet again many
also provides the corresponding optics enabling various light new features, which will simplify the designer’s work and speed up
distributions for applications in offices and shops. This accessory the workflow.
package supports luminaire manufacturers in developing Hall 3.0 A80, Hall 9.1 D66, Galleria.1 B21 • www.dial.de
luminaires in a quicker and more cost-optimised way. Thanks to
the high-quality PMMA materials used in the manufacture of the
lenses, they achieve optical efficiency of up to 95 percent.
Palais Livingston • www.tridonic.com
4 6
Mondo Feb 2017 full page.indd 1 05/02/2018 18:26:20
PRODUCTS
Best of the Rest 2

A look at some new product releases from those
not able to make it to Light+Building 2018.
3
Synthesis
1 Acolyte 4
The Synthesis LED Linear is a modular based LED fixture that is easy
as ABC to configure. Choose your beam angle and tailor this fixture
to your space and lighting needs in minutes. Multiple direct and
indirect beam angles range from ten to 120 degrees. Symmetrical
and asymmetrical lenses make the Synthesis LED Linear extremely
versatile. It’s also efficient and delivers up to 116 lumens per watt.
Square and rounded profiles are available with a combined power
and support cable. The Synthesis LED Linear is available in black,
silver, white and gold standard finishes. Custom powder coat and
anodised finishes available upon request.
www.acolyteled.com
Caliber Wall
2 unonovesette
Caliber Wall is an extremely efficient compact LED wall-light
recessed wall or in-ground drive-over, designed with an angled 5
perspective of 30 degrees for optical excellence and engineered for 6
complete resilience. Caliber Wall features the unonovesette Smart
Shield system, complete with an integrated constant current driver,
which allows the luminaire to be powered in parallel with a 12Vdc
up to 24Vdc constant voltage power supply.
www.unonovesette.it
5
LED Lightline
ADO Lights
Aspen
3
The LED Lightline provides luminous lines when darkness falls.
Hacel Sometimes an eye-catcher, at other times showing the way, it
Designed and manufactured in the UK by Hacel, the new stylish and accentuates entrance areas or emphasises architectural contours.
sculpted Aspen range of prismatic LED pendants offers excellent Lightlines can be integrated in façades and floor spaces – they are
light distribution and performance. The range is available in a choice always an optical highlight. Ideal for public spaces, façades and
of lumen outputs delivering up to 8386 lumens with efficacies up entrance areas, it is available in straight or curved versions. It is
to 135lm/W. Hosting a classic design with perfect proportions, the safe to walk or drive in for vehicles with air-filled tires, and can
Aspen is a versatile solution for a range of applications. be implemented in variable applications from user-friendly small
www.hacel.co.uk applications to building automatism systems.
www.ado-lights.com
4
iP Stealth
illumination Physics
6
Wall Director
The Stealth direct view luminaire was created to be almost invisible KIM Lighting
in daylight against a dark façade, where a diffused LED tube would The new Wall Director from KIM Lighting is the first wall pack
have looked discordant. The neutrally filtered clear prismatic LED with a -5 to +10-degree lockable tilt adjustment. The lower
lens and black body and internal surfaces mean that ‘iP Stealth’ housing rotates against the mounting arm housing, providing
disappears when not illuminated. The clear lens increases the light precise adjustments without significantly changing aesthetics. The
output compared to a diffused lens so the energy used can be standard clear lens provides up to 17,000 delivered lumens at an
reduced. The unique section shape is customisable to mimic the efficacy range of 95 to 145lm/W, immediately establishing the Wall
form of the building. Director a spec-grade, market leader for performance and output.
www.illuminationphysics.com www.hubbell.com/kimlighting
Always Light
David Morgan casts
his eye over the Lif
system from Selux:
a comprehensive
urban lighting
system based on a
S
elux Lighting, originally known as Semperlux,
Latin for ‘always light’, was started by
minimal pole design.

Hermann Bansbach in Berlin in 1948, when the
city still lay in ruins with hardly any electricity
– or light.
Hermann Bansbach brought light into this dark
time by brightening the Berliners’ buildings
with his simple, affordable battery charger. The Selux brand name
replaced Semperlux in the 1980s and a craftman’s shop in Berlin
turned into a global company with 553 employees in Europe, North
America, and Australia. Today the company generates more than 80%
of its revenues outside Germany.
Selux has produced exterior amenity and street lighting since the
1960s and has lit major cities around the world. The Lif system is one
of the latest amenity lighting ranges to be added to the Selux range
and was launched at Light+Building in 2016. Lif is a comprehensive
urban lighting system based on a minimal 180mm diameter pole
design. As many elements of the system as possible are designed to
fit within this diameter. These include a variety of LED luminaires,
CCTV cameras, Wi-Fi hotspot and loudspeaker modules, and this
provides an integrated and elegant appearance that could reduce the
visual clutter of many city centres. The only elements that extend
beyond the pole diameter are signage, phone charging points,
emergency phones and information points.
The LED lighting elements of the Lif system include pole top
luminaires for general lighting, façade lighting arrays, directional
projectors and diffuse rings of light available in various colours. The
luminaires and other system elements can be stacked on top of each
other to provide the precise combination of outputs and distributions
required for the particular location in an urban space.
The lighting and other modules are mounted in cylindrical housings
available in four different heights, which can be independently
rotated to aim the light output from the projectors and façade
lighting in the correct direction. The smallest housing is 250mm
high and large enough for the twin projector module with the largest
housing being 1.5 metres to accommodate up to three façade lighting
arrays.
Within each LED luminaire type there are multiple options. The façade
lighting luminaires are available in horizontal or vertical beam types
with ten distributions and two colour temperature options of 3,000k
and 4,000k. The design detail and construction of the 500mm long
façade lighting luminaires is particularly well executed. Twelve high
power LEDs with TIR optics are aimed sideways towards individual
David Morgan Associates, a London-
based international design consultancy scoop shaped faceted reflectors that direct the light into the correct
specialising in luminaire design and
development and is also MD of Radiant
beam pattern and direction for the various distributions. For each
Architectural Lighting. distribution type the reflectors are positioned and aimed in different
Email: david@dmadesign.co.uk
Web: www.dmadesign.co.uk configurations. The front glass is bonded to the die-cast enclosure
DAVID MORGAN
with an attractive screen-printed pattern to hide the bond line. The Lif system is a very well engineered and elegant system that
The post top lighting element is also beautifully detailed with can be configured in multiple ways to meet almost any city centre
individual sub-assemblies including an LED ring, heat sink, moulded amenity lighting task.
prismatic lens and highly engineered facetted, vacuum metalised, It is understood that the design and development was all undertaken
moulded reflector. Two or four sub-assemblies comprise each post top in house over an eighteen-month period by the Selux design and
element with either symmetrical or asymmetric distributions. engineering team.
The twin spot projectors incorporate hybrid optics that combine a The visual logic of the system’s design is minimal and the detailing
facetted-moulded lens with a metalised reflector coating to produce is clean and very well executed with high-quality components.
a narrow beam distribution from a shallow component. Two beam My only concern about the design is that the projectors and façade
angles are available and can be combined in the same twin projector lighting luminaire are all sealed for life and would not be able to
module. The front glasses are again bonded to the die-cast heat sink be maintained on site at the end of their life or in case of any LED
housing. failures. However, bonding the glass directly to the casting does
The final luminaire type is the diffuser ring. This can be provided give a very effective seal and it may be that these luminaires can be
in any fixed colour for zoning or as part of a wayfinding scheme. reworked in the Selux factories if necessary.
These can be located either at the top of the pole under the top cap This new system is an interesting, elegant and practical addition to
or between any of the other elements in the stack. Dimming for all the Selux amenity lighting range.
luminaires is via DALI. www.selux.com
PROJECTS
EXPO DIARY
Event Diary
Industry events where you’ll find arc in the months ahead
EXPO LIGHTING AMERICA INTERLUMI IALD ENLIGHTEN AMERICAS

27 February - 1 March 11-13 July 11-13 October
Mexico City, Mexico Panama City, Panama Seattle, USA
www.expolightingamerica.com www.inter-lumi.com www.iald.org
LIGHT + BUILDING DARC AWARDS / ARCHITECTURAL PLDC

18-23 March 13 September 25-27 October
Frankfurt, Germany London, UK Singapore
www.light-building.messefrankfurt.com www.darcawards.com/architectural www.pld-c.com
LIGHTFAIR INTERNATIONAL DARC ROOM HONG KONG INTL LIGHTING FAIR

6-10 May 19-20 September 27-30 October
Chicago, USA London, UK Hong Kong, China
www.lightfair.com www.darcroom.com www.hktdc.com/fair/hklightingfairae-en
DARC AWARDS / DECORATIVE LIGHT MIDDLE EAST IALD ENLIGHTEN EUROPE

31 May 23-25 September 7-9 November
London, UK Dubai, UAE Barcelona, Spain
www.darcawards.com/decorative www.lightme.net www.iald.org
GILE TRENDS IN LIGHTING ILLUMINOTRONICA

9-12 June 25-27 September 29 November - 1 December
Guangzhou, China Bregenz, Austria Bologna, Italy
www.guangzhou-international-lighting- www.trends.lighting www.illuminotronica.it
exhibition.hk.messefrankfurt.com
LED Pixel Mapping –
Refined And Redefined.
The leading
international
magazine for
lighting in
architecture
Subscribers benefit from:

- Reviews of the most exciting projects in the world
- In-depth profiles of leading figures from the lighting design
and architecture profession
- Special features on stand-out products and collaborations
- Coverage of international exhibitions and conferences
- Bonus subscription to International Lighting Design Survey
www.arc-magazine.com/subscribe/
ADVERTISERS INDEX
3F-filippi..................................................................... 1 Glamox.................................................................... 47 MBN......................................................................... 20
Acclaim.................................................................. 189 Griven...................................................................... 27 Meteor................................................................... 205
Acolyte................................................................... 105 Grupo MCI............................................................. 227 Molto Luce.............................................................. 15
ADO Lights............................................................ 227 Grupo Prilux......................................................... 221 Neonlite................................................................. 175
AGC........................................................................ 247 Guangzhou International Lighting Exhibition............ 186 Nexo Luce............................................................. 155
Alto..................................................................... 27, 31 GVA........................................................................ 211 Nicolaudie............................................................... 13
Anolis...................................................................... 8-9 Hacel....................................................................... 4-5 Nordic Light.......................................................... 101
Applelec................................................................. 201 Heper..................................................................... 259 OLEDWorks........................................................... 217
Arkos........................................................................ 41 Huda........................................................................ 23 P.U.K...................................................................... 179
Artemide................................................................. 97 IALD....................................................................... 198 Panzeri.................................................................. 121
Astro...................................................................... 165 illumination Physics............................................. 171 Prolicht.................................................................... 55
Atelje Lyktan........................................................... 81 Imperial................................................................. 195 Recolight............................................................... 202
Barrisol.................................................................... 77 Instrument Systems............................................. 217 Reggiani................................................................. 109
Bega....................................................................... 163 InterLumi.............................................................. 192 Remote Controlled Lighting................................ 131
Bilton..................................................................... 239 Isometrix............................................................... 257 Rise........................................................................ 229
Bridgelux................................................................... 3 Khatod..................................................................... 24 Rising Dragon Technology.................................... 14
Cariboni................................................................... 91 KKDC........................................................................ 45 Roxo....................................................................... 213
Chromateq............................................................ 215 Koizumi................................................................. 241 Sagitario.................................................................... 2
Citizen Electronics.................................................. 59 L&L Luce&Light...................................................... 10 Seoul Semiconductor.......................................... 235
Clay Paky................................................................. 17 Lamp 83................................................................ 185 Soraa....................................................................... 37
Climar.................................................................... 103 Lamp Lighting......................................................... 51 Stanley................................................................... 127
CLS........................................................................... 12 LED Linear............................................................. 260 StrongLED............................................................... 18
darc awards........................................................... 6-7 LED Luks................................................................ 208 Studio Due............................................................ 251
David Morgan Associates.................................... 249 Ledia........................................................................ 22 Teknolight............................................................... 66
Dial......................................................................... 215 LediL........................................................................ 19 Tokistar................................................................. 225
dpa lighting........................................................... 257 Lightfair International......................................... 232 Triolight................................................................. 245
Electron................................................................. 255 Lightgraphix.......................................................... 139 Tryka...................................................................... 117
Erco.......................................................................... 39 Ligman..................................................................... 49 Unilamp................................................................... 11
ES-Systems............................................................ 143 Linea Light Group................................................ 157 Unonovestte......................................................... 251
Fluvia....................................................................... 53 Lival.......................................................................... 25 Uozo Lighting........................................................ 243
Forge Europa........................................................ 231 Luminus.................................................................. 21 Vexica.................................................................... 237
Forma...................................................................... 33 Luxonic.................................................................. 159 Wibre..................................................................... 181
Fuhua Electronic ................................................... 16 Madrix................................................................... 255 Xicato....................................................................... 89
Furukawa.............................................................. 229 MBLD..................................................................... 257 Zumtobel................................................................. 85
ADVERTISING ENQUIRIES SHOULD BE MADE TO JASON PENNINGTON.

TEL: +44 (0) 161 476 8350 EMAIL: J.PENNINGTON@MONDIALE.CO.UK
arc (ISSN No: 2516-1504, USPS No: TBC) is published bi-monthly by Mondiale Publishing Ltd, and distributed in the USA by Asendia USA Inc., 701 Ashland Ave, Folcroft
PA. 19032. Periodicals postage paid at Philedelphia, PA and additional mailing offices. POSTMASTER: send address charges to arc, 701 Ashland Ave, Folcroft PA 19032
dpa lighting consultants has the following positions for suitably talented candidates
Senior Lighting Designer - London and Dubai Studio
We require a creative and technically knowledgeable Senior Lighting Designer with fully rounded lighting design experience and skills to join our London and Dubai
teams. Excellent written and spoken English is essential. We would expect candidates to have a wide portfolio of work including hospitality projects (interior and
exterior).
IT skills must include Microsoft Office, AutoCAD, InDesign, Photoshop, DIALux and are a requirement for this post. Knowledge of BIM/Revit would be beneficial but
not essential.
Duties and responsibilities would include, but not limited to, working within a team environment to produce concept and detailed design packages, including AutoCAD
plans and design details, specifications and schedules, build mock-ups, prepare sketch design proposals and liaise with architects, interior designers, and equipment
suppliers. Attend design and site meetings in the UK and overseas. Supervise the work of lighting designers within the studio and contribute creatively and technically
to projects including research where appropriate.
Only applicants with professional independent lighting design experience will be considered. The candidate must be able to present a portfolio of work that
demonstrates both creative/technical knowledge and skills associated to lighting design. Salary: £32,500.00 - £44,000.00 / per annum depending on experience.
Remuneration will be commensurate with experience and includes bonus opportunities. The Dubai position enjoys a tax free environment subject to personal
taxation circumstances.
For further details about dpa, please refer to our website: www.dpalighting.com. Closing date for applications: 30th March 2018.
Lighting Designer - Oxfordshire Studio

We are currently looking for a Designer to join our Oxfordshire Studio. The role will involve being part of a design team and providing support in the production of
concept presentations, layout drawings and details, specifications etc. with the opportunity to progress within the Practice.
Applicants should have excellent AutoCAD and Photoshop skills. An understanding of InDesign, Visualisation programmes and other lighting related packages such as
DIALux, and BIM/Revit would also be advantageous but not essential. Excellent written and spoken English is essential.
Please note that our Oxfordshire Studio is in the rural hamlet of Clifton, therefore candidates would need a car to travel to the office as there is no public transport
available. Remuneration will be commensurate with experience and includes bonus opportunities.
For further details about dpa, please refer to our website: www.dpalighting.com. Closing date for applications: 30th March 2018.
Please e-mail your application letter and CV along with a portfolio of examples of completed projects where you have had a significant contribution,
to Elizabeth Grundy eg@dpalighting.com. Please clearly state on your covering email which studio you are applying for.
JUNIOR LIGHTING DESIGNER

ASSISTANT LIGHTING DESIGNER & Based in Central London, we are an award winning architectural
INTERMEDIATE LIGHTING DESIGNER lighting design consultancy and are seeking a creative and enthusiastic
individual to join our talented and experienced team. Our global
portfolio includes all sectors of lighting design including Hospitality,
MBLD are expanding the London Studio, and as part of this
expansion we are looking for a number of new creative designers to Food & Beverage, Retail, Residential, Exterior, Commercial, one-off
join the team on projects locally and globally. Events and Exhibitions.
The diversity and range of projects is extensive. You will be working Dealing with projects from conception to completion, you will learn
with highly experienced designers, and a company that has been through working alongside Senior experienced lighting designers on
pioneering design for over 30 years. complex projects. This is an exciting opportunity that offers real
career development for candidates with some experience in lighting
MBLD has a track record of innovation, excellence, and quality. or lighting related fields.
You will be working on many hospitality and corporate
collaborations all from the MBLD new Studio base in Candidates should be proficient in; AutoCAD, Adobe and Microsoft
Shoreditch. Office and should be able to demonstrate excellent visualisation skills
including hand sketching (2D and 3D) and Photoshop renderings. A
We need an Assistant Designer and an Intermediate Designer with willingness to learn, pro-activeness and good communication skills
degree qualifications. Salary is depending on ability and experience. are essential.
Please send your cover letter, cv and portfolio to: International travel will be required with a competitive salary, plus
bonus, and generous benefit package are offered.
Jill Farrow
jill@mbld.co.uk To join our dynamic multi-national team please send your CV and
35-47 Bethnal Green Road work samples to: ltg@isometrix.co.uk or 8 Glasshouse Yard,
London
London, EC1A 4JN, UK
E1 6LA
T: +44 (0) 20 7729 5633
www.isometrix.co.uk
W: www.mbld.co.uk
THE BACK PAGE BUCKET LIST
#02 ÅF Lighting Curated by
“Live hard, die old, leave a beautiful corpse.”

Kai Piippo
What:
Experience the extremes of arctic light.
Where:
The small Swedish village of Abisko, 200km north of the
Arctic circle, has become a hotspot for experiencing natural
light phenomena like the polar day (midnight sun), the polar
night and the northern lights of World Records.
How:
Between the end of May and mid-July, the sun never sets
- a phenomenon called the polar day. In December, on
the other hand, the sun stays under the horizon for three
consecutive weeks with only two gloomy hours of light
during the day. This is called the polar night.
Why:
In Abisko, everything is pushed to the extreme. In summer,
you get so much energy from the sunlight that every cell
in your body tells you to stay awake. You tend to sleep no
more than four hours a day. In winter, it’s the opposite.
With no daylight, your body needs at least ten hours of sleep.
To personally experience how incredibly dependent on light
our bodies are to function properly is life changing and really
brings home the true importance of light.
258 www.arc-magazine.com www.afconsult.com/lighting

VarioLED™ Flex VENUS True Color
Dot free encapsulated 3D bendable LED design light
• Optimum rendition of the LED spectrum (no color shift) – True Color
• 3D bendable with a bending radius of 15 cm (5.9")
• Optimal fixture to fixture overlap – no light gap
• Flexibility combined with high durability: IP67 protected against water,
salt water and UV radiation by an opal polyurethane encapsulation
Incheon International Airport, South Korea.

Lighting design: ALTO Lighting, South Korea
Customer: ALTO Lighting & ALTEK Technologies, South Korea
Come and be amazed!
www.led-linear.com

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102 FEB/MAR 2018

RESIDENTIAL LIGHTING • FESTIVALS OF LIGHT FORMERLY

3f-filippi.it 3F Filippi – Targetti Grou

up. Together to go further targetti.com

3F Filippi - HALL3.1 / D60 TARGETTI - HALL3.1 / A51

DIM-TO-WARM TUNABLE WHITE TUNABLE WHITE

LES range 9-15mm 9-13mm 280-560mm

CCT range 1800-3000K 2700-5000K 2700-5000K

Lumen output range 421-3300 1300-2600 1676-3352

SEE US AT HALL 6.2 STAND C21

Powered and controlled remotely by the ArcPowerTM 384 Rackmount,

18. – 23. March 2018

Hall 3.1 Stand D25

L&L_Arc_02-03 2018.indd 1 30/01/18 12:53

TRIGGA MINILOON BELA

MASERATI SHOP MUNICH TRIGGA CHARM

March 18th – 23rd

Wels / Vienna / Graz

Arc 02_2018.indd 1 14.02.18 09:37

Odeon_MondoArch_2018_236x333_EN.indd 1 09/01/18 16:20

LIGHT THAT IS RIGHT

BLACK IS BEAUTIFUL With the PROLED PLASTIC COVERS BLACK

UNIFORM • EFFICIENT • EASY TO IMPLEMENT

Luminus introduces CCT adjustable

• Warm Dimming COBs

RESTAURANT RETAIL OFFICE RESIDENTIAL

MEDICAL ENTERTAINMENT AEROSPACE 3D PRINTING PROJECTION

Key Solutions In The Horticulture Revolution

The Newest Family of Silicone Lenses

• Designed for COB LEDs with

• Beam angles: Type I, II, III, V,

• Made of LSR, Liquid Silicone Rubber

Come see Us at LIGHT+BUILDING 2018

100% Made in Khatod, Italy

GA-016 Standard & DALI

GAC-616 Dali GA-016 Standard

LIGHTING THE WAY – FOR MORE THAN 70 YEARS

Focus on innovation and energy efficiency

Pic: Mark Cocksedge

Contents 092 Libraries

FEB/MAR 2018 124 JAC Studios

258 Bucket List

Romania_Bucharest State Circus

18-23 March 2018

Frankfurt am Main (D)

GRIVEN S.r.l. I Castel Goffredo (MN) Italy I Tel. +39.0376.779483 I sales@griven.com

Pic: © Ossip van Duivenbode

Projects 078 The Word, UK

FEB/MAR 2018 the community of South Shields.

106 Inmaculada Concepción Church, Spain

114 Canadian Museum of History, Canada

136 First Direct Access, Heathrow Airport, UK

148 Residential Lighting case studies

Read all about it!

to publish some spectacular

library projects in this issue…

International Advertising Sales

Subscription records are maintained

Neri Oxman to be Lightfair

• Warm Dimming COBs