Location via proxy:   [ UP ]  
[Report a bug]   [Manage cookies]                
Scribd Logo
Upload

Welcome to Scribd!

  • 84 views

    DCI Requirements For Digital Cinema Packages: DCP Image Format

    Uploaded by

    Sergio Sanjines
    Requerimientos para la elaboración de un DCP

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    DCI Requirements For Digital Cinema Packages: DCP Image Format

    Uploaded by

    Sergio Sanjines
    84 views6 pages
    Requerimientos para la elaboración de un DCP

    Original Title

    DigitalCinemaInititives DCI

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF, TXT or read online from Scribd

    Did you find this document useful?

    Is this content inappropriate?

    Requerimientos para la elaboración de un DCP

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    84 views6 pages

    DCI Requirements For Digital Cinema Packages: DCP Image Format

    Uploaded by

    Sergio Sanjines
    Requerimientos para la elaboración de un DCP

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    You are on page 1of 6

    DCI Requirements for

    Digital Cinema Packages


    DCP Image Format
    The images shall be compressed with JPEG2000 ACTIVE IMAGE ONLY per the DCI specification and shall have
    the following attributes:
    4:4:4 12 bits per sample, X’Y’Z’ color space, DCI-P3 Color gamut Image sizes:
    • 2K scope: 2048 x 858
    • 2K flat: 1998 x 1080
    • 4K scope: 4096 x1716
    • 4K flat: 3996 x 2160

    DCP Audio Format


    The audio files shall have the following attributes:
    • Files must be in reels matching the image file reels
    • The sampling clock rate shall be exactly 48,000.000 Hz or 48 KHz at exactly 24 fps
    • Reference level shall be -20dbfs

    DCP Format
    The DCP files shall be wrapped using the MXF Interop for DCI. The DCP shall consist of the following types of files:
    • Assetmap
    • Vol Index
    • Packing List (PKL)
    • Composition Playlist (CPL)s
    • MXF Wrapped image track file(s)
    • MXF Wrapped audio track file(s)

    The image and audio files shall be in sync.


    Image files shall be wrapped from the JPEG2000 compressed image files or equivalent.
    Audio files shall be wrapped for 5.1 sound with the following channel assignments:
    • Channel 1—Left • Channel 2—Right
    • Channel 3—Center • Channel 4—LFE
    • Channel 5—Left Surround • Channel 6—Right Surround
    If two (2) channels of sound (Stereo— LtRt) are required, a separate CPL shall be used within the same DCP.

    File Naming
    The DCP file name must follow proper digital cinema naming convention.
    Reference http://digitalcinemanamingconvention.com for more info.

    Physical Media for Final DCP


    The files shall be delivered on an external hard drive with an USB2 interface using EXT2 or EXT3 Linux file system.
    Trailers shall be delivered on USB Thumb Drive.

    For more information contact dcinsupport@fotokem.com

    www.fotokem.com © 2012 FotoKem Industries, Inc.


    PLAYBACK

     JPEG2000 2K or 4K movie and preshow file playback at 2K resolution


    o 12 bit 444 (XYZ, RGB) on dual link HD-SDI
     MPEG2 MXF interop movie, pre-show and alternative content file playback
     JPEG2000 4K movie file playback at 4K resolution (option)
     3D — JPEG2000 movies and 48p playback via Dual 10 bit 422 (YPbPr/YCxCz)

    SECURITY

     TI’s CineLink II Strong Link Encryption


     Thomson’s NexGuard Forensic Watermarking
     Philips’ CineFence Forensic Watermarking
     FIPS 140-2 Level 3 Security Certified

    INTERFACE

     Gigabit Ethernet for file transfer


     Gigabit Ethernet for control & subtitling
     RS-422 serial control port
     USB 2.0
     External control of captioning cervices
    o WGBH & PCS (Option)

    STORAGE

     Up to 4TB of RAID5 storage

    AUDIO

     AES/EBU audio16 channels


    o Single DB-25 connector
     Balanced or unbalanced analog audio 8 channels (two options available)
    o Single DB-25 connector internal board
    o External digital audio (DB-25) to analog audio converter in a1RU rack mount
    chassis

    GPIO

     8 optically isolated inputs


     8 open collector outputs

    VIDEO OUTPUT

     Dual link HD-SDI with physical link encryption

    OUTPUT RESOLUTION

     Dual link 2048 x 1080 24p 4:4:4 12 bit


     Two single links 2048 x 1080 24p 4:2:2 10 bit

    POWER

     Dual-Redundant Power Supply


     100–240VAC 50–60Hz (2 x 300W)

    DIMENSIONS

     3U Rack Unit
     19” x 22” x 5.25” inch (48 x 56 x 13cm)
    DCP File Sources Requirements
    Preference sources:

    Resolution: 2048px х 1080px; 2048px x 858px ;1998px x 1080px

    Format: DPX sequence Apple ProRes HQ, TGA, TIFF see file naming and directory convention)

    Color spaces: RGB, R'G'B', XYZ, X'Y'Z'

    Information about the Gamma must be provided in case is different from REC709 Gamma

    2.2

    Other sources (HD):

    Resolution: 1920px x 1080px (preferable), 1280px x 720px

    Other resolutions: 1440px x 1080px, 1280px x 1080px

    Format: TIFF sequence (preferable), TGA, MOV

    Color spaces: RGB, R'G'B', YUV

    HD masters: HDCAM, HDCAM-SR, HDV, AVCHD

    Information about the Gamma must be provided in case is different from REC709 Gamma

    2.2

    The video should be 24 frames.

    Specifications of audio:

    All audio files should be in some non-compressed format - /wav/ with following

    specifications:

    - sampling frequency - 48kHz

    - resolution - 24bit integer

    Files can be mono or 5.1 depending on the content. It is very important music and effects

    tracks /and files/ to be kept stereophonic.

    Undesired sources:

    Resolution: 720px x 576px (SD)

    Format: TIFF sequence (preferable), TGA, AVI, MOV, MPEG

    Color spaces: RGB, R'G'B', YUV


    Digital Cinema Initiatives

    DCI SYSTEM REQUIREMENTS AND SPECIFICATIONS FOR DIGITAL


    CINEMA

    DCI Specification, Version 1.2 with Errata as of 30 August 2012


    Incorporated

    Digital Cinema Initiatives, LLC (DCI) has adopted a revised Version 1.2 of its
    Digital Cinema System Specification with errata as of 30 August 2012
    incorporated.

    The new DCI Specification, Version 1.2 with Errata as of 30 August 2012
    Incorporated, dated 10 October 2012, incorporates the 96 erratum previously
    released for Version 1.2 of the DCI Specification that was dated 7 March 2008.
    With the integration of these errata into the body of the Specification, readers
    will now be able to use the Specification without having to cross-reference to
    these 96 errata.

    Future errata will modify the DCI Specification, Version 1.2 with Errata as of 30
    August 2012 Incorporated.

    Click here for:


    Digital Cinema System Specification Version 1.2 with Errata as of 30 August
    2012 Incorporated, dated 10 October 2012 (PDF)

    Click here for:


    Digital Cinema Object-Based Audio Addendum, dated September 9, 2013 (PDF)

    Click here for:


    DCI Stereoscopic Digital Cinema Addendum, Version 1.0, dated July 11, 2007
    (PDF)

    ERRATA TO DCI DIGITAL CINEMA SYSTEM SPECIFICATION


    VERSION 1.2 WITH ERRATA AS OF 30 AUGUST 2012 INCORPORATED

    Errata items continue to be evaluated and will be posted after agreement by the
    DCI membership that the specific erratum needs to modify the DCI Digital
    Cinema System Specification, Version 1.2 With Errata As Of 30 August 2012
    Incorporated. Suggested Erratum issues may be emailed to
    dci.info@dcimovies.com. Please include "Errata" in the subject line.

    DCI SPECIFICATION ERRATA LISTING -- 21 AUGUST 2013

    Click here for [Errata_1-2_2013-0821.pdf]


    ERRATA TO DCI DIGITAL CINEMA SYSTEM SPECIFICATION
    VERSION 1.2 WITH ERRATA AS OF 30 AUGUST 2012 INCORPORATED
    Spec. 1.2
    with Errata Section(s)
    Erratum Description
    Incorporated Affected
    Page No.

    1 26 Section Section 3.3.3 is replaced in its entirety with the following:


    3.3.3
    3.3.3. Channel Labeling and Channel Routing

    Channel labeling indicates where an audio channel is to be


    reproduced in an auditorium. Channel routing is the process of
    using these labels to direct each audio channel to the Media
    Block output that corresponds to the intended loudspeaker or
    device.

    The playback device is required to perform channel routing.

    The channel labels and schema in SMPTE ST 429-2 "D-Cinema


    Packaging-DCP Operational Constraints" shall be utilized.

    2 100 Section The following sentence is added to the end of item #5 (i.e.,
    9.4.3.5 below "b. Audio - Process..."):

    The SM shall prevent playout of encrypted content for which


    the image and sound integrity pack metadata is not present
    per the requirements of Section 5.3.2.1.

    See more on:


    http://www.dcimovies.com/specification/index.html

    You might also like