Unitplan Identity
Unitplan Identity
Unitplan Identity
Unit Title: The Search for Identity Subject/Course: English Language Arts 9
Grade/s: 9th Instructor: Tuck Northrop
Standards/Goals: The purpose of this unit is to think deeply and critically about personal identity by analyzing
characters in texts and making connections to themselves. This unit introduces students to literary analysis, promotes
creative writing, and fosters interdisciplinary connections and supports structured conversations. At the unit’s
culmination, students will engage in a cross-curricular, Project Based Learning experience focused around identity and
the city. This project will ask students to engage in a theme-based exploration of their relationship to Bridgeport, CT and
present their realizations through visual, digital, and language arts mediums.
Supporting/Repeating Standards:
Reading Literature
● Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as
inferences drawn from the text. (RL1)
● Determine a theme or central idea of a text and analyze in detail its development over the course of the text,
including how it emerges and is shaped and refined by specific details; provide an objective summary of the text
(RL 2).
● Analyze how complex characters (e.g., those with multiple or conflicting motivations) develop over the course of
a text, interact with other characters, and advance the plot or develop the theme. (RL 3).
● Analyze how an author's choices concerning how to structure a text, order events within it (e.g., parallel plots),
and manipulate time (e.g., pacing, flashbacks) create such effects as mystery, tension, or surprise. (RL 5)
● Analyze a particular point of view or cultural experience reflected in a work of literature from outside the United
States, drawing on a wide reading of world literature. (RL 6)
● By the end of grade 9, read and comprehend literature, including stories, dramas, and poems, in the grades
9-10 text complexity band proficiently, with scaffolding as needed at the high end of the range. (RL 10)
Writing
● Write arguments to support claims in an analysis of substantive topics or texts, using valid reasoning and
relevant and sufficient evidence. (W1)
● Establish and maintain a formal style and objective tone while attending to the norms and conventions of the
discipline in which they are writing. (W1D)
● Provide a concluding statement or section that follows from and supports the argument presented. (W1E)
● Produce clear and coherent writing in which the development, organization, and style are appropriate to task,
purpose, and audience. (Grade-specific expectations for writing types are defined in standards 1-3 above.) (W4)
● Develop and strengthen writing as needed by planning, revising, editing, rewriting, or trying a new approach,
focusing on addressing what is most significant for a specific purpose and audience. (Editing for conventions
should demonstrate command of Language standards 1-3 up to and including grades 9-10 here.) (W5)
● Use technology, including the Internet, to produce, publish, and update individual or shared writing products,
taking advantage of technology's capacity to link to other information and to display information flexibly and
dynamically. (W6)
Language
● Demonstrate command of the conventions of Standard English grammar and usage when writing or speaking.
(L 1)
● Use various types of phrases (noun, verb, adjectival, adverbial, participial, prepositional, absolute) and clauses
(independent, dependent; noun, relative, adverbial) to convey specific meanings and add variety and interest to
writing or presentations. (L1B)
● Demonstrate command of the conventions of Standard English capitalization, punctuation, and spelling when
writing. (L 2)
● Use a semicolon (and perhaps a conjunctive adverb) to link two or more closely related independent clauses. (L
2A)
● Use a colon to introduce a list or quotation. (L 2B)
● Acquire and use accurately general academic and domain-specific words and phrases, sufficient for reading,
writing, speaking, and listening at the college and career readiness level; demonstrate independence in
gathering vocabulary knowledge when considering a word or phrase important to comprehension or expression.
(L 6)
High school is a pivotal time in one’s life where they are forming their identities and subject to a great many influences.
These influences can be from one’s peers, families, or overall society. Students are constantly receiving messages
about who they are supposed to be, what they should look like, or how they should act. Growing up in a culturally
diverse neighborhood like Bridgeport, and attending a magnet school, my students are constantly interacting with
people of different backgrounds. When one recognizes and understands his or her own identity, he/she is able to
recognize and appreciate others with a sense of openness. This unit deals with the formation of identity and tackles
important questions such as “What is identity? What defines me? How do I define others? How do others define me? At
Explain any performance tasks you will use (major projects and core task, i.e., common assessments):
Introductory Activity
● Students create a college that represents who they are and where they came from. I will supply magazines
(from my own collection), construction paper, glue, markers and other materials to use for their creations. My
goal in this intro activity is to get the students thinking about what represents them. I want them to recognize
that the things they choose are open to interpretation, much like people are in everyday life. I will also have the
students write a 1-2 page explanation of their collage – why they chose the objects to represent themselves and
how it explains who they are.
Response Journals
● Students will maintain a response journal throughout the unit where he/she will comment on literature read in
class. This journal will have a double entry format with one column for specifically chosen passages and
another for student response. The logs will be checked weekly and the students must have three entries per
piece of literature. The students may respond in the following ways: asking questions, giving personal
responses or evaluations, and/or offering interpretations.
A response Log A response log A response log A response log A response log
receiving an A will receiving a B will receiving a C will receiving a D will receiving a D will
include the following: include the following: include the following include the following: include the following:
How do these assessments measure your students’ progress toward your classes’ big goal(s)?
Context: During our identity unit, we have discussed how who we are as individuals is largely influenced by things beyond our
control. The most obvious example of this is the family we are born into and that family’s historical, social, and economic context.
One’s life experience, every day and long-term goals and struggles, and ideas about oneself are going to be quite different to a
child born into a lower caste family in 20th century India and a child born into an African-American family in 21st century
Connecticut.
For the purpose of this assignment, we should first acknowledge that while we all hail from individual backgrounds, we hold our
current city of residence, Bridgeport, CT, in common. The cities we live in have a profound effect on who we are and how we view
ourselves. It must also be acknowledged that there is no one city, no one Bridgeport, CT or New York City; but a myriad of
individual cities, unique to each person, that when combined and overlaid, form a semblance of a collective city, one that we can
speak about objectively.
Task: Your task is to create a sharable portfolio of visual arts and language arts work that explores your personal relationship to
your city. This portfolio must include certain elements, which are listed below, but the final “product” is up to you, as long as you
are able to share that portfolio with others on our class’ Identity Night. Past portfolios have come in the form of physical books
containing a personal short story, multiple drawings, and a watercolor abstraction, 5-10 minute videos with recorded text, an
annotated photography exhibit and interview with a grandparent, and even a collection of songs and “liner art”. The final
possibilities are endless, but you must include the listed elements.
Theme: Your project should be centered around an identity-related theme that includes you and your city. Examples include:
● Community/Friends/Group Membership/Stereotypes
● Family/Culture/Roots
● The idea of home
● Appearance vs. Reality/Surface vs. Depth
Requirements: Your portfolio must include one item from either the visual arts or digital arts, one item from language Arts, and a
written interpretation.
Checkpoints:
1. Idea – after two days of brainstorming, you must present your initial idea and choice of identity theme. You will complete
a planning sheet and have a one-on-one conference with me.
2. Rough Draft – September 21st
3. Final Draft – September 28th
Grading: Grading will be based on a posted rubric, assignment will count for 100 points. Work may be revised for additional points
up to 1/2 of the points originally taken off.
Comments:
Overall Score:
Day 1: Students will create collage using magazines to represent who they are and where they came from.
Day 2: Students will explain in a 1-2 page essay why they chose the items to represent them and explain how they
represent their individual identity. Students will complete identity questionnaire.
Day 3: Large group discussion about collage making, introduction to unit and expectations. Introduction to final
performance task and rubric review.
Day 4: Quotation deep dive and writing in response journals. Assign homework: list five major events that have had an
effect on who you are today.
Day 5: Distribute copy of “Identity” by Julio Noboa Polanco. Teacher reads aloud, students follow along, Students
answer questions in provided handout and focus on the use of “extended metaphor”. Review expectations for
Response Journals. Students will write in their response journals. Homework: Students will write their own extended
metaphor; they will chose an object to represent their identity and describe themselves as this object throughout the
poem, using at least two poetic devices.
Day 6: Handout the novel choices for Analytical Comparison Essay. Introduce Analytical Comparison Essay. Review
answers to handout from yesterday’s work with “Identity”. HW: Reading choice book for Analytical Comparison essay.
Day 7: Distribute “Everyone Has a Culture - Everyone is Different” handout. Students will individually complete the
questionnaire. Students will have discussions in small groups about their responses to the questionnaire. Then we will
have a large group discussion centered around ‘What is culture? How does it influence the way we see ourselves and
others? HW: Reading choice book for Analytical Comparison essay.
Day 8: Students Read “Fish Cheeks”. Complete writing in response journals. Answer open ended questions. Students
get into small groups and create a reading log response. Large group discussion of the following questions about “Fish
Cheeks” What is the narrator ashamed of? What is she proud of? How can one’s culture simultaneously be a source of
shame and a source of pride? HW: Reading Choice book for Analytical Comparison essay
Day 9: Free write about a time they were embarrassed by their family, similar to the narrator yesterday’s story.
Start reading Alice Walker’s “Everyday Use”, have students read aloud in popcorn method. Teacher facilitated group
discussion. What is the major conflict of the story? Who is it between? What different value influence the character?
What does the quilt represent for each character? HW: Reading Choice book for Analytical Comparison essay
Day 10: Free write about the television shows students watched when they were younger and how it helped them to
develop understandings/conceptions/stereotypes about other cultures or races. Read NY Times Article “Rascal or
Racist? Censoring a Rabbit?” Fishbowl discussion as a whole class. 4 students sit in center and begin discussion. How
are racial and cultural groups portrayed on television, in the past and the present? How does this affect the way that we
think about others and the ways we think about ourselves? HW: Reading Choice book for Analytical Comparison essay
Day 11: Students brainstorm and write down categories that are used to define people at school. Students get into
groups and share their lists, considering how people are affected by being in a social or cultural group? What are the
benefits and drawbacks? Whole class discussion - how can stereotypes be harmful? How can cultural/racial factors
influence social group membership? How can stereotypes affect how people treat one another? Students write about
their own experiences with social group. HW: Reading Choice book for Analytical Comparison essay
Day 12: Focus on the lyrics of “Video” by India Arie. What are the stereotypes discussed in the song? What is the singer
advocating or? Students then read the prologue of Invisible Man by Ralph Ellison and complete a response journal
entry. Homework: interview parent or family member and write about how they got their name, do they like It and what it
means to them.
Day 14: Students write a response journal entry based on their homework from last night. Students can share their
response journal entries. Class discussion on the similarities and differences in families and neighborhoods. How do
they shape our individual identities? Homework: Working on Analytical Comparison Essay
Day 15: Large group discussion of The House on Mango Street. How is Esperanza’s identity connected to the house?
What are the main external influences on Esperanza’s identity formation? Class time to work on Analytical Comparison
Essay.
Day 16: Analytical Comparison Essay Due. In depth introduction to final performance task. Review directions and allow
students to have brainstorming time with teacher, peers and independently.
Day 17: Read the chapter “Negocios” from Junot Diaz’s Drown. Students will read individually and in groups. They will
discuss the obstacles faced by the character Ramon as he travels through the US. Why does he choose to live in the
cities he does? How does each one change him? What impact does location have on achieving success? Students
complete a response journal entry.
Day 18: Students analyze the map of poverty in the US as featured in the article “In Climbing Income Ladder, Location
Matters Most” from the New York Times. Students complete a response journal entry.
Day 19: Students complete planning sheet and conference with teacher explaining to plan their rough draft Final
Performance Task Identity Project. Students complete a response journal entry for the New York Times article.
Day 20: Fishbowl Discussion centered around “Negocios” and In Climbing Income Ladder, Location Matters Most” from
the New York Times
Day 21: Rough Draft of Identity Project due. In class time to finalize work on Identity Projects