Process Writing
Process Writing
Undoubtfully, writing does not come easy to most of us; it is a task that possesses a great
deal of skills and that could raise the level of stress to the maximum. Though it is not impossible.
Fortunately, there are techniques and training that can help us to overcome the challenges it
has. During the following lesson, we are going to explore some of those techniques and
strategies that can make our writing a much more pleasant endeavour. One of those strategies
is called “process writing” which is not other thing that a series of steps that guide you from the
very beginning to the final submission of your paper, be it a paragraph or an essay.
It is composed of five main elements:
1. Prewriting
2. Drafting
3. Editing
4. Proofreading
5. Publishing
Each one of them complies a purpose and assures you that your final paper will clearly and
understandably reflect your thoughts and ideas to the reader.
Prewriting
It refers to the beginning of a writing project when you are selecting a subject, gathering
information about it, and so on. It implies researching and planning, even when in the middle
of the writing project. If you give prewriting proper attention, you have laid a solid foundation
for all the other steps in the writing process. During this stage you do the following:
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How do I start writing?
BRAINSTORMING: it is a list of words phrases or sentences that you have about a specific topic,
you first write them as they come to your mind. When you are satisfied with all the ideas that
you have generated, you rank them in order of importance from the most important to the least
important or vice versa.
CLUSTERING
This is a graphic organizer that starts with one central word then related words are written
around it in bubbles.
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GENERAL CONCEPTS VS. SPECIFIC CONCEPTS
By using this technique, you consider a broad topic and then narrow it to one of its
specific sections as for example:
General Subject Area: Exercise and Training
Specific Writing Subject: Aerobic Spinning
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Visualization
After you have decided on the experience you will write about, close your eyes, and try to
remember the sensory details of the experience:
Sight: What did you see during this experience? did the people and environment look
like? What things were in the room? People? What did they look like?
Sound: What sounds did you hear? Traffic sounds? birds? music? What were people
saying? Was it silent or noisy?
Smell: What smells did you smell? Smoke? Cooking smells/ Perfume?
Crayons? Sweat?
Taste: What did your mouth taste like? Mint gum? dry with fear?
Touch: What did you feel? Stomach ache? Head ache? Cold or hot?
After you are done imagining all of the senses involved (this should take from 10-15 minutes)
open your eyes, and do some listing or free-writing about the details you remember.
Smells like…
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Cubing
• CUBING is a way of getting six different perspectives (like the six sides of a cube)
on your topic and generating some complex claims and evidence for your paper.
• 1 Description/Definition: Write 4-5 sentences describing your topic. Define the
culture and the time period and the age on which you want to focus. Define and
describe characteristics of your topic.
•
• 2 Association: What memories, thoughts, examples, experiences do you have
with this specific topic? Write 4-5 sentences that focus on a vivid memory or
example. Use sensory details and dialogue. GET CONCRETE!
•
• 3 Comparison: How is (your focus topic) different from or similar to __________?
Compare your focus topic to something else. Write 4-5 sentences comparing
your topic to something related to it.
• 4 Analysis: Why is it this way? Give some reasons or possible causes for the
issue you are discussing. Give some supporting details, evidence. Are there any
controversial debates associated with your topic? What issues are people
concerned with? Write 4-5 sentences answering these questions.
• 5 Application: What are the results or consequences of this situation? How
does this affect individual people and the society they live in? Write 4-5
sentences.
6 Argumentation: What is your opinion about this situation? Do you have any social
criticism or recommendations for what should be done? How should things change? Or
not change? Write 4-5 sentences.
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Drafting / Freewriting
All of your research and planning have led you to this point. Write as much of your first draft as
possible in the first sitting while all of your prewriting is still fresh in your mind. Think of
drafting as the process of connecting all of your ideas that you have collected about your subject.
Refer to your planning notes as your write, but be open to new ideas as they emerge. Keep these
additional points in mind as you write:
Ideas develop all ideas and thoughts you have thought previously and consider new
ideas or directions for your paragraph.
Organization: try to work logically on your drafting.
Voice: speak honestly and naturally so the real you come through in your writing.
Practice:
Write a brief account of your last holyday. Use the techniques we discuss last class about
generating ideas to write. Once you have organized the ideas proceed to write a first draft about
the topic given to you.
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A Guide to Editing and Proofreading by the University of Oxford
Editing and proofreading are often neglected, but they are the crucial final
stages of the writing process. Even the smallest error can result in embarrassing or
even costly outcomes (misspelling a name, transposing digits in a telephone
number, mistakes in a prospectus) so taking time and care to check what you have
written is essential. This document explains the processes of editing and
proofreading, and provides useful tips for doing both effectively.
What is the difference between editing and proofreading?
To many people, editing and proofreading are one and the same thing. There
is, however, a distinct difference between the two.
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you start, ensure that you are in a relaxed mood, with no other conflicting priorities
or concerns to sidetrack your thoughts. Sit at a clear, uncluttered desk, which should
have on it only the things that you need to help you with your task – pen, ruler,
dictionary, thesaurus, grammar/punctuation guide, and your organisation’s style
guide, if one exists.
As with all types of work, take regular breaks, as it is not possible to
concentrate for long periods. Don’t edit or proofread for more than half an hour at a
time without taking a break. Take even just a few moments to give your eyes a rest
from the text.
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Editing
Editing requires focusing on the content of the text. The key goals are to check that
the text:
flows logically
is coherent and consistent
forms a meaningful whole
is clearly expressed
is accurate in the information it provides
has an appropriate tone
is concise
makes its purpose clear
is targeted towards the reader
Some key questions to ask yourself when editing a piece of text are:
Does the opening paragraph provide a clear indication of the purpose of the
text and a broad outline of the content?
Does every part of the text contribute to the key idea in order to form a
meaningful whole?
Does the purpose remain clear throughout the text?
Is every sentence relevant to the purpose of the text, with no digressions?
Is there a sentence (preferably the first) in each paragraph that summarises
the key point of that paragraph?
Are the paragraphs unified, i.e. do they contain only one single idea each?
Has every idea been given sufficient weighting?
Does the text flow logically from one paragraph to the next?
Have transitional words or phrases (such as, for example, ‘however’, ‘thus’,
‘therefore’, ‘as a result’, ‘in this way’, ‘furthermore’, ‘above all’ and ‘moreover’)
been used, but not overused, to help the reader to make connections between
the ideas?
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Are the sentence structure and vocabulary varied, without too much
repetition?
Has the text been worded concisely?
Have irrelevant and unnecessary ‘filler’ words such as ‘actually’ or ‘basically’
been avoided?
Is the text free from colloquialisms, slang, jargon and clichés?
Has evidence been given to back up statements?
Has consistent terminology been used throughout, or if more than one term
has been used to refer to something, is it clear that they are one and the same
thing?
Is a positive and professional tone maintained throughout?
Is the tone appropriate for the reader?
Does the text meet the readers’ needs?
Does the last paragraph neatly and concisely summarise and conclude?
If the answer to all of these questions is ‘yes’, the text is likely to be a well-written
piece that will not require too many changes. Don’t be alarmed, however, if it seems
that a lot of changes are needed – editing a piece of text to ensure that it forms a
coherent and meaningful whole can sometimes involve making major changes or
even rewriting.
After the adjustments from the editing process have been made, the text is ready
for proofreading.
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Proofreading
Proofreading is not merely casting a glance over what you have written: it
requires concentration to disconnect your mind from the content of the text in order
to focus on the language and layout. Errors can be difficult to spot, so it is essential
to read the text word by word to ensure that you don’t miss anything. As it involves
correcting small errors (some of which can, nevertheless, have a major impact), it
does not require major rewriting.
The aim of proofreading is to spot and correct errors in:
spelling
typography
grammar, punctuation and use of language
style and format
anything missed at the editing stage
When proofreading your own work, you are often so familiar with the text that
you see what you think you have written rather than what you actually wrote. For this
reason, you will get the best results by asking someone else to proofread your work.
Find someone to be your ‘proofreading partner’, with whom you can swap and share
proofreading tasks. If this is not possible and you have to proofread your own work,
make sure that you take a break of at least an hour (or ideally 24 hours) after writing
before you start to proofread. This will help to distance you from the text.
One of the most important principles of proofreading someone else’s work is
to never make assumptions. If you are unsure what the writer has intended to write,
query it rather than jump to conclusions and amend it wrongly.
Print off the text and proofread on paper – it is much easier to spot errors on
paper than on-screen. Before you do this, however, it is a good idea to run the spell
check on the computer to catch any obvious errors. Don’t rely on this alone to detect
spelling and typographical errors, though, as it cannot always be completely
accurate. The grammar check is not worth using at all, as a computer cannot cope
with all the complexities of grammar and sentence structure, and often ends up being
more confusing than helpful.
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Use ink that is a different colour from the print so that your corrections stand
out and can be easily spotted. Beware of using red if proofreading for your
colleagues, though, as it may remind them of the dreaded red pen wielded
mercilessly by their teachers back at school!
Read slowly and deliberately using a ruler so that your eyes focus on only one
line at a time. Go through the text several times, each time working on a different
aspect. This will help you to retain your focus and concentration.
1. On the first read, it is a good idea to focus only on reading rather than on
correcting, to get an idea of the overall content and meaning, and to spot
anything missed at the editing stage.
2. Then, on subsequent reads, focus on correcting different types of errors each
time.
3. To spot typographical errors, you may wish to do one read backwards, to
disconnect your mind from the content and focus fully on the text word by
word. This will not help for grammar, punctuation or some spelling errors,
though, which can only be spotted in the context of the sentence.
It is also a good idea to view the whole text from a distance, as some of the errors,
especially those in style and format, are difficult to spot close up.
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Here are some of the most common mistakes with grammar and language use that
you should look out for when proofreading:
tense agreement: mixing past and present tenses throughout a piece of text
subject/verb agreement: using plural verb conjugations with single subjects
(e.g. ‘one in ten people are …’ instead of ‘one in ten people is …’)
pronoun/case agreement: confusing the subject and object of the sentence
(e.g. ‘He sat between Bob and I’ instead of ‘He sat between Bob and me’, or
‘Me and John are working on that project’ instead of ‘John and I are working
on that project’)
confusing similar words, such as the verbs ‘imply’ and ‘infer’, which describe
different angles (‘imply’ is when the speaker/writer suggests something
without explicitly stating it, and ‘infer’ is when the listener/reader logically
deduces something from the information given by the speaker/writer) –
another example is ‘affect’ and ‘effect’ (‘affect’ is normally used as a verb
meaning ‘to make a difference to’, and ‘effect’ is used as both a noun and a
verb – as a noun, it means ‘a change that results from an action or cause’,
and as a verb it means ‘to cause or bring about something’)
misuse of apostrophe before ‘s’ at the end of a word, which is often incorrectly
added before the ‘s’ in plural words, e.g. ‘The report’s are finished’ instead of
‘The reports are finished’ – an apostrophe should only be used before ‘s’ to
indicate possession (genitive case), e.g. ‘The minister’s cat is black’ or ‘My
friend’s desk is tidy’. However, in the case of the pronoun ‘it’, the possessive
form is ‘its’ without an apostrophe. Adding an apostrophe and ‘s’ to ‘it’
indicates the abbreviated form of ‘it is’ or ‘it has’. Look at the difference
between ‘The dog has lost its collar’ (possessive form, i.e. the collar belongs
to the dog) and ‘Look over there – it’s the dog without the collar’ (it is).
Apostrophes follow the added ‘s’ when indicating possession by more than
one person, e.g. Gents’ toilet, the pupils’ classroom.
incorrect conjugation of modal verbs, such as ‘should of’ or ‘would of’ instead
of ‘should have’ or ‘would have’
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words with similar spelling or pronunciation but different meanings, which
cannot always be detected by automatic spelling and grammar checks, such
as ‘they’re/‘their’/‘there’, or ‘where’/‘were’/‘we’re’/‘wear’.
Some other common errors relating to typography, style and format are:
double spaces between characters, especially after a full stop
wrong or missing headings or titles in a table, or captions
misaligned columns or rows in a table
misaligned margins
incorrect text references
inconsistent bullet formatting
incorrect fonts/font sizes
incorrect capitalisation
footnotes or endnotes not matching references
interchanging small words such as: of/off/on, and/an/as, or it/is/if
incorrect use of trademarks
missing numbers in a numbered sequence/list
incorrect dates
inconsistent use of abbreviations
It is a good idea to use standard proofreading marks, as they will enable you
make corrections neatly and concisely. This is especially useful if you are
proofreading for a colleague. For example, if a word/sentence needs several
corrections, score it out and rewrite it completely rather than amending each
individual error. Also, try to keep the original text visible, so that the writer can clearly
see the error and why it needs to be changed.
Finally, never take for granted that anything in a piece of text will be correct – be
sure to check everything. This includes any parts that have originated from
templates, as well as marginal parts of the text such as headers and footers, titles,
subtitles and footnotes.Taken from:
https://www.learning.ox.ac.uk/media/global/wwwadminoxacuk/localsites/oxfordlearninginstitute/documents/pdg/managingyourself/1_guide-to-
editing-and-proofreading.pdf
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