Music Sequencer

QY300
VOICE LISTS AND MIDI DATA

VS40920 405CRIP 12.2-01A0 Printed in Japan M.D.G., EMI Division  Yamaha Corporation 1994
 Voice List

Program Instrument Program Instrument

Name LCD Layer Name LCD Layer
# Group # Group
1 Acoustic Grand Piano GrandPno 1 65 Soprano Sax SprnoSax 1
2 Bright Acoustic Piano BritePno 1 66 Alto Sax Alto Sax 1
3 Electric Grand Piano E.Grand 2 67 Tenor Sax TenorSax 1
4 Honky-tonk Piano HnkyTonk 2 68 Baritone Sax Bari.Sax 1
Piano Reed
5 Electric Piano 1 E.Piano1 2 69 Oboe Oboe 1
6 Electric Piano 2 E.Piano2 2 70 English Horn Eng.Horn 1
7 Harpsichord Harpsi. 1 71 Bassoon Bassoon 1
8 Clavi Clavi. 1 72 Clarinet Clarinet 1
9 Celesta Celesta 1 73 Piccolo Piccolo 1
10 Glockenspiel Glocken 1 74 Flute Flute 1
11 Music Box MusicBox 2 75 Recorder Recorder 1
12 Chromatic Vibraphone Vibes 1 76 Pan Flute PanFlute 1
Pipe
13 Percussion Marimba Marimba 1 77 Blown Bottle Bottle 2
14 Xylophone Xylophon 1 78 Shakuhachi Shakhchi 2
15 Tubular Bells TubulBel 1 79 Whistle Whistle 1
16 Dulcimer Dulcimer 2 80 Ocarina Ocarina 1
17 Drawbar Organ DrawOrgn 1 81 Lead 1 (square) SquareLd 2
18 Percussive Organ PercOrgn 1 82 Lead 2 (sawtooth) Saw.Lead 2
19 Rock Organ RockOrgn 1 83 Lead 3 (calliope) CaliopLd 2
20 Church Organ ChrchOrg 2 84 Lead 4 (chiff) Chiff Ld 2
Organ Synth Lead
21 Reed Organ ReedOrgn 1 85 Lead 5 (charang) CharanLd 2
22 Accordion Acordion 2 86 Lead 6 (voice) Voice Ld 2
23 Hamonica Harmnica 1 87 Lead 7 (fifths) Fifth Ld 2
24 Tango Accordion TangoAcd 2 88 Lead 8 (bass+lead) Bass &Ld 2
25 Acoustic Guitar (nylon) NylonGtr 1 89 Pad 1 (new age) NewAgePd 2
26 Acoustic Guitar (steel) SteelGtr 1 90 Pad 2 (warm) Warm Pad 2
27 Electric Guitar (jazz) Jazz Gtr 1 91 Pad 3 (polysynth) PolySyPd 2
28 Electric Guitar (clean) CleanGtr 2 92 Pad 4 (choir) ChoirPad 2
Guitar Synth Pad
29 Electric Guitar (muted) Mute.Gtr 1 93 Pad 5 (bowed) BowedPad 2
30 Overdriven Guitar Ovrdrive 1 94 Pad 6 (metallic) MetalPad 2
31 Distortion Guitar Dist.Gtr 1 95 Pad 7 (halo) Halo Pad 2
32 Guitar Harmonics GtrHarmo 1 96 Pad 8 (sweep) SweepPad 2
33 Acoustic Bass Aco.Bass 1 97 FX 1 (rain) Rain 2
34 Electric Bass (finger) FngrBass 1 98 FX 2 (soundtrack) SoundTrk 2
35 Electric Bass (pick) PickBass 1 99 FX 3 (crystal) Crystal 2
36 Fretless Bass Fretless 1 100 FX 4 (atmosphere) Atmosphr 2
Bass Synth Effects
37 Slap Bass 1 SlapBas1 1 101 FX 5 (brightness) Bright 2
38 Slap Bass 2 SlapBas2 1 102 FX 6 (goblins) Goblins 2
39 Synth Bass 1 SynBass1 1 103 FX 7 (echoes) Echoes 2
40 Synth Bass 2 SynBass2 1 104 FX 8 (sci-fi) SF 2
41 Violin Violin 1 105 Sitar Sitar 1
42 Viola Viola 1 106 Banjo Banjo 1
43 Cello Cello 1 107 Shamisen Shamisen 1
44 Contrabass ContraBs 1 108 Koto Koto 1
Strings Ethnic
45 Tremolo Strings Trem.Str 1 109 Kalimba Kalimba 1
46 Pizzicato Strings Pizz.Str 2 110 Bagpipe Bagpipe 2
47 Orchestral Harp Harp 1 111 Fiddle Fiddle 1
48 Timpani Timpani 1 112 Shanai Shanai 1
49 String Ensemble 1 Strings1 1 113 Tinkle Bell TnklBell 2
50 String Ensemble 2 Strings2 1 114 Agogo Agogo 1
51 Synth Strings 1 Syn.Str1 2 115 Steel Drums SteelDrm 2
52 Synth Strings 2 Syn.Str2 2 116 Woodblock WoodBlok 1
Ensemble Percussive
53 Choir Aahs ChoirAah 1 117 Taiko Drum TaikoDrm 1
54 Voice Oohs VoiceOoh 1 118 Melodic Tom MelodTom 1
55 Synth Voice SynVoice 1 119 Synth Drum Syn.Drum 1
56 Orchestra Hit Orch.Hit 1 120 Reverse Cymbal RevCymbl 1
57 Trumpet Trumpet 1 121 Guitar Fret Noise FretNoiz 1
58 Trombone Trombone 1 122 Breath Noise BrthNoiz 1
59 Tuba Tuba 1 123 Seashore Seashore 2
60 Muted Trumpet Mute.Trp 1 124 Bird Tweet Tweet 2
Brass Sound Effects
61 French Horn Fr.Horn 1 125 Telephone Ring Telphone 1
62 Brass Section BrasSect 1 126 Helicopter Helicptr 2
63 Synth Brass 1 SynBras1 2 127 Applause Applause 2
64 Synth Brass 2 SynBras2 2 128 Gunshot Gunshot 1

–2–
 Drum List

pgm# Key Off Alternate 1 9 17 25 26 33 41 49

Note# Note Standard Kit Room Kit Rock Kit Electro Kit Analog Kit Jazz Kit Brush Kit Classic Kit
23 B Click L
24 C Click H
25 C# Brush Tap
26 D O Brush Swirl L
27 D# Brush Slap
28 E O Brush Swirl H Reverse Cymbal Reverse Cymbal
29 F O Snare Roll
30 F# Castanet Hi Q Hi Q
31 G Snare L SD Power M Snare M SD Power H Brush Slap L
32 G# Sticks
33 A Bass Drum L Bass Drum M Bass Drum H Bass Drum M
34 A# Open Rim Shot
35 B Bass Drum M Bass Drum H BD Power BD Analog L
36 C 1 Bass Drum H BD Power BD Gate BD Analog H Gran Casa
37 C# 1 Side Stick Analog Side Stick
38 D 1 Snare M SD Rock SD Power L Analog Snare L Brush Slap
39 D# 1 Hand Clap
40 E 1 Snare H SD Power Rim SD Power H Analog Snare H Brush Tap
41 F 1 Floor Tom L Room Tom 1 Power Tom 1 E Tom 1 Analog Tom 1 Jazz Tom 1 Brush Tom 1 Jazz Tom 1
42 F# 1 1 Closed Hi Hat Analog HH Closed 1
43 G 1 Floor Tom H Room Tom 2 Power Tom 2 E Tom 2 Analog Tom 2 Jazz Tom 2 Brush Tom 2 Jazz Tom 2
44 G# 1 1 Pedal Hi-Hat Analog HH Closed 2
45 A 1 Low Tom Room Tom 3 Power Tom 3 E Tom 3 Analog Tom 3 Jazz Tom 3 Brush Tom 3 Jazz Tom 3
46 A# 1 1 Hi-Hat Open Analog HH Open
47 B 1 Mid Tom L Room Tom 4 Power Tom 4 E Tom 4 Analog Tom 4 Jazz Tom 4 Brush Tom 4 Jazz Tom 4
48 C 2 Mid Tom H Room Tom 5 Power Tom 5 E Tom 5 Analog Tom 5 Jazz Tom 5 Brush Tom 5 Jazz Tom 5
49 C# 2 Crash Cymbal 1 Hand Cym.Open L
50 D 2 High Tom Room Tom 6 Power Tom 6 E Tom 6 Analog Tom 6 Jazz Tom 6 Brush Tom 6 Jazz Tom 6
51 D# 2 Ride Cymbal 1 Hand Cym.Closed L
52 E 2 Chinese Cymbal
53 F 2 Ride Cymbal Cup
54 F# 2 Tambourine
55 G 2 Splash Cymbal
56 G# 2 Cowbell
57 A 2 Crash Cymbal 2 Hand Cym.Open H
58 A# 2 Vibraslap
59 B 2 Ride Cymbal 2 Hand Cym.Closed H
60 C 3 Bongo H
61 C# 3 Bongo L
62 D 3 Conga H Mute Analog Conga H
63 D# 3 Conga H Open Analog Conga M
64 E 3 Conga L Analog Conga L
65 F 3 Timbale H
66 F# 3 Timbale L
67 G 3 High Agogo
68 G# 3 Low Agogo
69 A 3 Cabassa
70 A# 3 Maracas
71 B 3 O Samba Whistle H
72 C 4 O Samba Whistle L
73 C# 4 Guiro Short
74 D 4 O Guiro Long
75 D# 4 Claves
76 E 4 Wood Block H
77 F 4 Wood Block L
78 F# 4 Cuica Mute Scratch Push Scratch Push
79 G 4 Cuica Open Scratch Pull Scratch Pull
80 G# 4 2 Triangle Mute
81 A 4 2 Triangle Open
82 A# 4 Shaker
83 B 4 Jingle Bell
84 C 5 Bell Tree
85 C# 5 Hi Q

: Same as Standard Kit

–3–
 Phrase List

Instrument Category Beat Type Num. Sum of each category Instrument Category Beat Type Num. Sum of each category
8 beat Main 83 Ending 19
Fill Loop 87 Specific 15
Fill Cross 89 General –
Intro 42 3/4 beat Main 11
Ending 43 Fill Loop 7
Guitar chord (GC)
Specific 20 Fill Cross 7
General 86 Intro 3
16 beat Main 50 Ending 4
Fill Loop 50 Specific –
Fill Cross 49 General – 412
Drums (DR) Intro 23 8 beat Main 21
Ending 25 Fill Loop 14
Specific 83 Fill Cross 16
General 35 Intro 6
3/4 beat Main 24 Ending 10
Fill Loop 22 Specific 11
Fill Cross 23 General –
Intro 12 16 beat Main 9
Ending 12 Fill Loop 6
Specific – Fill Cross 4
General 7 865 Guitar riff (GR) Intro 2
8 beat Main 19 Ending 2
Fill Loop 21 Specific 14
Fill Cross 22 General –
Intro 8 3/4 beat Main 1
Ending 12 Fill Loop –
Specific 7 Fill Cross –
General 17 Intro 1
16 beat Main 29 Ending –
Fill Loop 33 Specific –
Fill Cross 29 General – 117
Percussion (PC) Intro 13 8 beat Main 82
Ending 18 Fill Loop 75
Specific 42 Fill Cross 76
General 12 Intro 22
3/4 beat Main 4 Ending 39
Fill Loop 2 Specific 5
Fill Cross 1 General 68
Intro 1 16 beat Main 49
Ending – Fill Loop 47
Specific – Fill Cross 35
General – 290 Kbd chord (KC) Intro 11
8 beat Main 65 Ending 26
Fill Loop 67 Specific 25
Fill Cross 75 General –
Intro 26 3/4 beat Main 28
Ending 36 Fill Loop 21
Specific 3 Fill Cross 22
General 8 Intro 10
16 beat Main 45 Ending 14
Fill Loop 40 Specific –
Fill Cross 45 General – 655
Bass (BA) Intro 19 8 beat Main 12
Ending 27 Fill Loop 12
Specific 47 Fill Cross 16
General 2 Intro 2
3/4 beat Main 19 Ending 9
Fill Loop 19 Specific 6
Fill Cross 16 General –
Intro 11 16 beat Main 19
Ending 12 Fill Loop 17
Specific – Fill Cross 18
General – 582 Kbd Riff (KR) Intro 5
8 beat Main 62 Ending 7
Fill Loop 54 Specific 31
Fill Cross 61 General –
Intro 22 3/4 beat Main 3
Ending 36 Fill Loop 3
Guitar chord (GC) Specific 5 Fill Cross 5
General 7 Intro 4
16 beat Main 30 Ending 3
Fill Loop 30 Specific –
Fill Cross 29 General – 172
Intro 10 Total Phrase 3093

–4–
 ABC Fingering Chart

Chord Type 3-note Chord 4-note Chord 5-note Chord Comments (for C chords)
7( # 5) 3+ # 5+ b 7
1+3+ # 5+ b 7
7( b 5) 1+3+ b 5+ b 7
7( # 9) 3+ b 7+ # 9
1+3+ b 7+ # 9
3+5+ b 7+ # 9
1+3+5+ b 7+ # 9
7( b 9) 1+3+ b 7+ b 9
1+3+5+ b 7+ b 9
7( b 13) 3+5+ b 7+ b 13
1+3+5+ b 7+ b 13
1+3+ b 7+ b 9+ b 13
1+3+ b 7+9+ b 13
1+3+ b 7+ # 9+ b 13
7(13) 1+3+ b 7+13
3+5+ b 7+13
3+ b 7+9+13
1+3+5+ b 7+13
1+3+ b 7+ b 9+13
1+3+ b 7+9+13
7sus4 1+4+ b 7 Fsus4 when lowest note is not C.
1+4+5+ b 7 Gm7(11) when G or B b is the lowest note.
sus4 1+4+5 G7sus4 when G is the lowest note.
m7(11) 1+ b 3+ b 7+11 F7sus4 when F or B b is the lowest note.
1+ b 3+5+ b 7+11
7( # 11) 1+3+ b 7+ # 11 F # 7( # 11) when F # or E is the lowest note.
1+3+5+ b 7+ # 11
add9 1+3+5+9
M 1+3+5
M7(9) 1+3+5+7+9
M7 1+3+7 Amadd9 when E is the lowest note.
1+5+7
1+3+5+7
6(9) 1+3+5+6+9
6 3+5+6
1+3+5+6 Am7 when lowest note is not C.
3+5+9 Em7 when E is the lowest note.
7(9) 1+3+5+ b 7+9
7 1+3+ b 7
1+3+5+ b 7
madd9 1+ b 3+5+9
b 3+5+9 E b Maj7 when E b or D is the lowest note.
m 1+ b 3+5
m7(9) 1+ b 3+5+ b 7+9
m7 1+ b 3+ b 7 A b add9 when E b or B b is the lowest note.
1+ b 3+5+ b 7 E b 6 when E b is the lowest note.
mM7 1+ b 3+7
1+ b 3+5+7
m6 1+ b 3+5+6 F9 when E b is the lowest note, Am7( b 5) when G or A is the lowest note.
1+ b 3+6
dim 1+ b 3+ b 5+6 Only C (root) accepted as lowest note.
m7( b 5) 1+ b 3+ b 5+ b 7 E b m6 when E b is the lowest note. A b 9 when B b is the lowest note.
--- through
aug 1+3+ # 5 Only C (root) accepted as lowest note.

For example: 1: root of the chord

3: 3rd note above the root
5: 5th note above the root

–5–
 MIDI Data Format

Tone Generator (3) TRANSMIT/RECEIVE DATA

(3-1) CHANNEL VOICE MESSAGES
(1) TRANSMIT FLOW (3-1-1) NOTE OFF
SW1 STATUS 1000nnnn (8nH) n = 0 ~ 15 VOICE CHANNEL NUMBER
MIDI NOTE NUMBER 0kkkkkkk k = 0 (C-2) ~ 127 (G8)
NOTE ON/OFF 9nH OUT VELOCITY 0vvvvvvv v: ignored
ACTIVE SENSING FEH Receive-only
(3-1-2) NOTE ON/OFF
SW1 MIDI Transmit Channel
STATUS 1001nnnn (9nH) n = 0 ~ 15 VOICE CHANNEL NUMBER
NOTE NUMBER 0kkkkkkk k = 0 (C-2) ~ 127 (G8)
VELOCITY 0vvvvvvv (v=/ 0) NOTE ON
Output MIDI CH selects the MIDI Transmit Channel. 00000000 (v=0) NOTE OFF
(3-1-3) CONTROL CHANGE
STATUS 1011nnnn (BnH) n = 0 ~ 15 VOICE CHANNEL NUMBER
(2) RECEIVE FLOW CONTROL NUMBER 0ccccccc
CONTROL VALUE 0vvvvvvv
NOTE OFF 8nH MIDI
* CONTROL NUMBER’s are not transmitted.
IN
NOTE ON/OFF 9nH * Received CONTROL NUMBER’s are as follows.
c = 0 BANK SEL MSB: v = 0:GM select, 127:RHYTHM select *2
c = 32 BANK SEL LSB: Always ignored
BANK SEL MSB BnH, 00H
c = 1 MODULATION: v = 0 - 127 *2
BANK SEL LSB BnH, 20H c = 6 DATA ENTRY MSB: v = 0 - 127 *1
MODULATION BnH, 01H c = 38 DATA ENTRY LSB: v = 0 - 127 *1
DATA ENTRY MSB BnH, 06H c = 7 MASTER VOLUME: v = 0 - 127
DATA ENTRY LSB BnH, 26H c = 10 PANPOT: v = 0 - 127
MASTER VOLUME BnH, 07H c = 11 EXPRESSION: v = 0 - 127
PANPOT BnH, 0AH c = 64 SUSTAIN SWITCH: v = 0 ~ 63 : OFF, 64 ~ 127 : ON *2
c = 66 SOSTENUTO: v = 0 ~ 63 : OFF, 64 ~ 127 : ON *2
EXPRESSION BnH, 0BH c = 84 PORTAMENT CONTROL:v = 0 - 127 *2
HOLD 1 BnH, 40H c = 91 EFFECT SEND LEVEL 1: v = 0 - 127
SOSTENUTO BnH, 42H c = 96 DATA ENTRY INC: v = 127 *1
PORTAMENT CONTROL BnH, 54H c = 97 DATA ENTRY DEC: v = 127 *1
EFFECT SEND LEVEL 1 BnH, 5BH *1 Used only when setting parameter designated by RPN.
DATA ENTRY INC BnH, 60H *2 Not effective for rhythm voice.
DATA ENTRY DEC BnH, 61H
PITCH BEND SENSITIVITY MODULATION controls vibrato depth.
BnH, 64H, 00H, 65H, 00H, 06H, mmH For both melody and rhythm voices, PANPOT change is relative to the voice’s pre-
FINE TUNING set value.
BnH, 64H, 01H, 65H, 00H, 06H, mmH, 26H, llH
PORTAMENT CONTROL portamento time is fixed at 0.
COARSE TUNING
BnH, 64H, 02H, 65H, 00H, 06H, mmH BANK SELECT MSB v=0 selects GM melody voice, v=127 selects GM rhythm
RPN RESET voice. All other bank selections set the voice OFF.
BnH, 64H, 7FH, 65H, 7FH BANK SELECT LSB is always ignored.
ALL SOUND OFF BnH, 78H, 00H Channel 10 is fixed for rhythm voice; bank select is ineffective.
RESET ALL CONTROLLERS EFFECT SEND LEVEL 1 controls reverb depth.
BnH, 79H, 00H
(3-1-4) PROGRAM CHANGE
ALL NOTE OFF BnH, 7BH
STATUS 1100nnnn (CnH) n = 0 ~ 15 VOICE CHANNEL NUMBER
OMNI MODE OFF BnH, 7CH PROGRAM NUMBER 0ppppppp p = 0 ~ 127
OMNI MODE ON BnH, 7DH
(Receive)
PROGRAM CHANGE CnH If receive channel is other than 10, and BANK SELECT MSB = 00, then
GM melody voice is selected.
PITCH BEND CHANGE EnH
If receive channel is channel 10 and BANK SELECT MSB = 127, then
GM rhythm voice is selected.
F0H 7EH 7FH 09H 01H F7H
Dr1 (Standard Kit): p= 0
(GM MODE ON) Dr2 (Room Kit): p= 8
F0H 7FH 7FH 04H 01H llH mmH F7H Dr3 (Rock Kit): p = 16
(MIDI MASTER VOLUME) Dr4 (Electonic Kit): p = 24
F0H 43H 1nH 27H 30H 00H 00H mmH llH ccH F7H Dr5 (analog Kit): p = 25
(MIDI MASTER TUNING) Dr6 (Jazz Kit): p = 32
Dr7 (Brush Kit): p = 40
Dr8 (Classic Kit): p = 48
ACTIVE SENSING FEH
Values other than those listed above are ignored.
(3-1-5) PITCH BEND CHANGE
STATUS 1110nnnn (EnH) n = 0 ~ 15 VOICE CHANNEL NUMBER
LSB 0vvvvvvv PITCH BEND CHANGE LSB
MSB 0vvvvvvv PITCH BEND CHANGE MSB
Resolution: 14 bits

–6–
 MIDI Data Format

(3-4) SYSTEM REALTIME MESSAGES

MSB
(3-4-1) ACTIVE SENSING
00000000B ( 00H ) Minimum value STATUS 11111110 (FEH)
01000000B ( 40H ) Middle value
01111111B ( 7FH ) Maximum value Transmitted approximately once every 180ms.
Not transmitted while disk read or disk write is in progress.
(3-2) CHANNEL MODE MESSAGES Receipt of this code causes the system to begin sensing. If status or data fail to
arrive within about 500msec, the system clears the MIDI Receive buffer, forces off
(3-2-1) ALL SOUND OFF the current sound and the sustain switch, and resets control values.
STATUS 1011nnnn (BnH) n = 0 ~ 15 VOICE CHANNEL NUMBER
CONTROL NUMBER 01111000 (3-5) SYSTEM EXCLUSIVE MESSAGE
CONTROL VALUE 00000000
Immediately shuts off the sound coming in over the designated channel, and deletes (3-5-1) GENERAL MIDI MODE ON
any channel-message conditions (NOTE ON, HOLD ON, etc.). F0H 7EH 7FH 09H 01H F7H
(3-2-2) RESET ALL CONTROLLERS The controller settings are reset to the following values:
STATUS 1011nnnn (BnH) n = 0 ~ 15 VOICE CHANNEL NUMBER VOLUME 100
CONTROL NUMBER 01111001 PAN Center
CONTROL VALUE 00000000 PROGRAM CHANGE 1 (Grandpno)
Resets controller values as follows. BANK SELECT MSB 0
PITCH BEND CHANGE 0 (center) REVERB DEPTH 4
MODULATION 0 (off) PITCH BEND CHANGE 0 (center)
EXPRESSION 127 (Max) MODULATION 0 (off)
SUSTAIN SWITCH 0 (off) EXPRESSION 127 (Max)
SOSTENUTO SWITCH 0 (off) SUSTAIN SWITCH 0 (off)
RPN Unset condition: internal data does not change SOSTENUTO SWITCH 0 (off)
PORTAMENT CONTROL Reset RPN Unset condition: internal data does not change
PORTAMENT CONTROL Reset
The following data do not change. MIDI MASTER VOLUME 127 (Max)
PITCH BEND SENSITIBITY 02 (2 semitones)
PROGRAM CHANGE, BANK SELECT MSA/LSB, VOLUME,
FINE TUNING 0
PAN. EFFECT SEND LEVEL 1, PITCH BEND SENSITIBITY, FINE TUNING, COARSE TUNING 0
COARSE TUNING
(3-5-2) MIDI MASTER VOLUME
(3-2-3) ALL NOTE OFF
F0H 7FH 7FH 04H 01H llH mmH F7H
All ON notes on the relevant channel go OFF. But if HOLD 1 or Sustenuto is ON,
sound continues until the HOLD 1 or Sustenuto switches OFF. Changes the MASTER VOLUME value to “mm”. (The “ll”value is ignored.)
(3-2-4) OMNI MODE OFF (3-5-3) MIDI MASTER TUNING
Same processing as for ALL NOTES OFF. F0H 43H 1nH 27H 30H 00H 00H mmH llH ccH F7H
(3-2-5) OMNI MODE ON Changes the MASTER TUNE value in accordance with “mm” and “ll”. (“n” and
“cc” values are ignored.)
Same processing as for ALL NOTES OFF. Note that OMNI does not go ON.
T = M*200/256-100
(3-3) REGISTERED PARAMETER NUMBER where
T: Actual tuning value (–99 - +99)
(3-3-1) PITCH BEND SENSITIVITY M: Single byte value, formed by “mm” bits 0 -3 followed by “ll” bits 0 -3.
RPN MSB 00H
RPN LSB 00H
DATA ENTRY MSB mmH mmH = 00H - 18H (0 - 24 semitone)
DATA ENTRY LSB --- don’t care
* Initial value is 2 semitones.
(3-3-2) MASTER FINE TUNE
RPN MSB 00H
RPN LSB 01H
DATA ENTRY MSB mmH
DATA ENTRY LSB llH

(mmH, llH) = (00H, 00H) - (40H, 00H) - (7FH, 7FH)

(-8192*100/8192) - 0 - (+8192*100/8192)
(3-3-3) MASTER COARSE TUNE
RPN MSB 00H
RPN LSB 02H
DATA ENTRY MS mmH
DATA ENTRY LSB --- don’t care
mmH = 28H - 40H - 58H (-24 - 0 - +24 semitone)
(3-3-4) RPN RESET
RPN MSB 7FH
RPN LSB 7FH
DATA ENTRY MSB --- don’t care
DATA ENTRY LSB --- don’t care
RPN number becomes “unset”.
Internal setting does not change.

–7–
 MIDI Data Format

(4) Interrelation of Keyboard Switch, Sequencer

Sequencer, and Tone Generator
KEYBOARD SWITCH (1) TRANSMIT FLOW
Selected Track SW1
NOTE ON/OFF 9nH MIDI
POLYPHONIC KEY PRESSURE AnH
MIDI IN MIDI OUT CONTROL CHANGE BnH
PROGRAM CHANGE CnH
REC
CHANNEL PRESSURE DnH
SEQUENCER PITCH BEND CHANGE EnH
PLAY SW2
TIMING CLOCK F8H
START FAH
CONTINUE FBH
STOP FCH

Receive Channel SONG POSITION POINTER F2H

TONE GENERATOR SONG SELECT F3H

ALL SOUND OFF BnH 78H

RESET ALL CONTROLLERS BnH 79H
LOCAL CONTROL BnH 7AH
The system distinguishes between note data received via MIDI and that generated OMNI MODE OFF BnH 7CH
by the internal sequencer (which includes data from the local keyboard). Hold 1, OMNI MODE ON BnH 7DH
Sustenuto, and other controllers do not make this distinction, however, and affect all MONO MODE ON BnH 7EH
notes from both sources. POLY MODE ON BnH 7FH
ALL SOUND OFF makes no distinction between MIDI and local data; it terminates
all sound over the relevant channel, regardless of source. SYSTEM EXCLUSIVE MESSAGE F0H ..... F7H

An ALL NOTES OFF message received via MIDI terminates only the MIDI-driven
notes on the relevant channel. The sequencer does not record the message. SW 1 MIDI Transmit Channel
Transmit channel settings and transmit ON/OFF can be set for each
track of the channel.

SW 2 MIDI Control
Transmission can be set ON or OFF.

–8–
 MIDI Data Format

(2) RECEIVE FLOW (3) TRANSMIT/RECEIVE DATA

MIDI
NOTE OFF 8nH
IN (3-1) CHANNEL VOICE MESSAGE
SW1 SW4
NOTE ON/OFF 9nH Transmission occurs only during recording or playback. Transmit
POLYPHONIC KEY PRESSURE AnH channel and transmit ON/OFF can be set for each track.
CONTROL CHANGE BnH Reception occurs only during recording. The system always receives
PROGRAM CHANGE CnH over all channels.
CHANNEL PRESSURE DnH For multitrack recording, tracks 0 -15 respectively record MIDI CH 0
PITCH BEND CHANGE EnH -15 data.
SW2 SW3 * During RECORD MODE, recording is normally set to “omni on.”
TIMING CLOCK F8H During multitrack recording, however, “omni” is set “off” and data
is divided according to MIDI channel (CH 0 -15).
START FAH (3-1-1) NOTE OFF
CONTINUE FBH STATUS 1000nnnn (8nH) n = 0~15 TRACK CHANNEL NUMBER
STOP FCH NOTE NUMBER 0kkkkkkk k = 0 (C-2) ~ 127 (G8)
VELOCITY 0vvvvvvv v: ignored
SONG POSITION POINTER F2H
Recording only.
SONG SELECT F3H During playback, converted to 9nH kkH 00H.
SW4
ALL SOUND OFF BnH 78H (3-1-2) NOTE ON/OFF
RESET ALL CONTROLLERS BnH 79H STATUS 1001nnnn (9nH) n = 0~15 TRACK CHANNEL NUMBER
LOCAL CONTROL BnH 7AH NOTE NUMBER 0kkkkkkk k = 0 (C-2) ~ 127 (G8)
VELOCITY 0vvvvvvv (v=/ 0) NOTE ON
OMNI MODE OFF BnH 7CH 00000000 (v=0) NOTE OFF
OMNI MODE ON BnH 7DH
MONO MODE ON BnH 7EH During recording, can set velocity step recording and edit input ON/OFF.
POLY MODE ON BnH 7FH (3-1-3) POLYPHONIC KEY PRESSURE
SW4 STATUS 1010nnnn (AnH) n = 0~15 TRACK CHANNEL NUMBER
SYSTEM EXCLUSIVE MESSAGE F0H ..... F7H NOTE NUMBER 0kkkkkkk k = 0 (C-2) ~ 127 (G8)
VALUE 0vvvvvvv v = 0 - 127
F0H 43H 0nH 0AH 04H 0AH LM__0086QY (3-1-4) CONTROL CHANGE
( QYSEQ DATA ) sum F7H STATUS 1011nnnn (BnH) n = 0~15 TRACK CHANNEL NUMBER
F0H 43H 0nH 7EH 04H 32H LM__0086SQ CONTROL NUMBER 0ccccccc
( SONG DATA ) sum F7H CONTROL VALUE 0vvvvvvv
F0H 43H 0nH 0AH 04H 0AH LM__0018HQ All control-change data can be recorded and replayed.
( HQSEQ DATA ) sum F7H
F0H 43H 0nH 7EH 02H 56H LM__0018SQ Bank Select MSB and LSB are recorded in combination with received Program
( SONG DATA ) sum F7H Change data; you cannot record Bank Select data independently. During playback,
the system transmits Bank Select data followed by the corresponding Program
Change data; it is not possible to transmit unaccompanied Bank Select data.
SW 1 Velocity Filter (3-1-5) PROGRAM CHANGE
STATUS 1100nnnn (CnH) n = 0~15 TRACK CHANNEL NUMBER
Sets velocity step recording and edit input ON/OFF. PROGRAM NUMBER 0ppppppp p = 0 ~ 127
When the system receives Program Change data, it records it in combination with
SW 2 Clock Condition Select the most recently received Bank Select data. If the system has not received any
Bank Select data, it records the Bank Select value as 0 (MSB=0, LSB=0).
Determines whether the system uses the internal clock or the clock During transmission, the system always includes Bank Select data together with
received over MIDI IN. Program Change data.
It is not possible to transmit unaccompanied Program Change data.
SW 3 MIDI Control
Sets reception ON or OFF. (3-1-6) CHANNEL PRESSURE
STATUS 1101nnnn (DnH) n = 0~15 TRACK CHANNEL NUMBER
VALUE 0vvvvvvv v = 0 ~ 127
SW 4 INPUT FILTER (3-1-7) PITCH BEND CHANGE
STATUS 1110nnnn (EnH) n = 0~15 TRACK CHANNEL NUMBER
INPUT FILTER settings determine whether reception is enabled or
LSB 0vvvvvvv PITCH BEND LSB 0 ~ 127
disabled.
MSB 0vvvvvvv PITCH BEND MSB 0 ~ 127

(3-2) CHANNEL MODE MESSAGE

The system can record and replay the following messages.
RESET ALL CONTROLLERS BnH 78H
LOCAL CONTROL BnH 7AH
OMNI MODE OFF BnH 7CH
OMNI MODE ON BnH 7DH
MONO MODE ON BnH 7EH
POLY MODE ON BnH 7FH

–9–
 MIDI Data Format

(3-3) SYSTEM COMMON MESSAGE

The system supports both transmission and reception of these messages. These mes-
sages provide function control data.
They cannot be recorded as sequencer data.
(3-3-1) SONG POSITION POINTER
STATUS 11110010 (F2H)
LSB 0vvvvvvv SONG POSITION LSB
MSB 0vvvvvvv SONG POSITION MSB
Transmitted when song position is changed during SONG PLAY MODE.
Received in SONG PLAY MODE during standby.
(3-3-2) SONG SELECT
STATUS 11110011 (F3H)
SONG NO 0vvvvvvv v=0-9
Transmitted when a song is selected during SONG PLAY MODE.
Received in SONG PLAY MODE during standby.

(3-4) SYSTEM REAL TIME MESSAGE

Cannot be recorded as sequencer data.
(3-4-1) TIMING CLOCK
STATUS 11111000 (F8H)
Determines whether the system uses the internal clock or the clock received over
MIDI IN.
Transmit and Receive can be independently enabled or disabled.
(3-4-2) START
STATUS 11111010 (FAH)
Transmission and reception can be enabled or disabled.
(3-4-3) CONTINUE
STATUS 11111011 (FBH)
Transmission and reception can be enabled or disabled.
(3-4-4) STOP
STATUS 11111100 (FCH)
Transmission and reception can be enabled or disabled.

(3-5) SYSTEM EXCLUSIVE MESSAGE

The system records and replay all system-exclusive messages.
F0 to F7 are recorded using the same timing, regardless of time disparities in data
reception. For replay, interval time is set every 1K bytes.
However, when the initial SONG MODE screen is displayed for the bulk data for 1-
song in the QY20 or QY10, the sequence data is handled locally as bulk data for the
QY300, when in RECORD MODE, it is recorded as data. While replaying, the
sequence data is transmitted via MIDI, but is not handled locally as bulk data for the
QY300.
QY300 receives Tracks 1 to 4 of SEQ data and Chord Tr data from within QY10, 20
1-song bulk data.
If QY300 includes QY10 code track code data, the data are quantized into quarter-
note units for reception.
QY10 11th code is received as 7th Sus4 code.
For information about QY20 and QY10 bulk data. refer to the relevant model's
specifications.

– 10 –
 YAMAHA [ Music Sequencer --- voice part ] Date:24-MAR-1994
Model QY300 MIDI Implementation Chart Version : 1.0
+----------------------------------------------------------------------+
: : Transmitted : Recognized : Remarks :
: Function ... : : : :
:-------------------+----------------+----------------+----------------:
:Basic Default : 1 - 16 : 1 - 16 *1 : memorized :
:Channel Changed : 1 - 16 *2 : x : :
:-------------------+----------------+----------------+----------------:
: Default : 3 : 3 : :
:Mode Messages : x : x : :
: Altered : ************** : x : :
:-------------------+----------------+----------------+----------------:
:Note : 0 - 127 : 0 - 127 *3 : :
:Number : True voice: ************** : 0 - 127 : :
:-------------------+----------------+----------------+----------------:
:Velocity Note ON : o 9nH,v=1-127 : o v=1-127 : :
: Note OFF : x 9nH,v=0 : x : :
:-------------------+----------------+----------------+----------------:
:After Key's : x : x : :
:Touch Ch's : x : x : :
:-------------------+----------------+----------------+----------------:
:Pitch Bender : x : o 0-24 semi *3 :12bit resolution:
:-------------------+----------------+----------------+----------------:
: 0,32 : x : o MSB only *3 :Bank Select :
: 1 : x : o *3 :Modulation Wheel:
: 6,38 : x : o *3 :Data Entry :
: 7 : x : o *3 :Volume :
: Control 10 : x : o *3 :Panpot :
: 11 : x : o *3 :Expression :
: Change 64 : x : o *3 :Hold 1 :
: 66 : x : o *3 :Sostenuto :
: 84 : x : o *3 :Portamento Cont.:
: 91 : x : o *3 :Effect Depth :
: 96,97 : x : o *3 :Data INC,DEC :
: 100,101 : x : o *3 :RPN LSB,MSB :
: 120 : x : o *3 :All Sound Off :
: 121 : x : o *3 :Reset All Cont. :
:-------------------+----------------+----------------+----------------:
:Prog : x : o 0 - 127 *3 : :
:Change : True # : ************** : : :
:-------------------+----------------+----------------+----------------:
:System Exclusive : x : o *3 : :
:-------------------+----------------+----------------+----------------:
:System : Song Pos : x : x : :
: : Song Sel : x : x : :
:Common : Tune : x : x : :
:-------------------+----------------+----------------+----------------:
:System :Clock : x : x : :
:Real Time :Commands: x : x : :
:-------------------+----------------+----------------+----------------:
:Aux :Local ON/OFF : x : x : :
: :All Notes OFF: x : o : :
:Mes- :Active Sense : o : o : :
:sages:Reset : x : x : :
+----------------------------------------------------------------------+
:Notes: *1 = if REC mode,receive all channels. :
: *2 = selected by current track. :
: *3 = receive if input filter switch is off. :
: :
+----------------------------------------------------------------------+
Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO o : Yes
Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO x : No
– 11 –
 YAMAHA [ Music Sequencer --- sequencer part ] Date:24-MAR-1994
Model QY300 MIDI Implementation Chart Version : 1.0
+----------------------------------------------------------------------+
: : Transmitted : Recognized : Remarks :
: Function ... : : : :
:-------------------+----------------+----------------+----------------:
:Basic Default : 1 - 16 : 1 - 16 : memorized :
:Channel Changed : x : x : :
:-------------------+----------------+----------------+----------------:
: Default : x : x : :
:Mode Messages : x : x : :
: Altered : ************** : x : :
:-------------------+----------------+----------------+----------------:
:Note : 0 - 127 : 0 - 127 *2 : :
:Number : True voice: ************** : 0 - 127 : :
:-------------------+----------------+----------------+----------------:
:Velocity Note ON : o 9nH,v=1-127 : o v=1-127 : :
: Note OFF : x 9nH,v=0 : x : :
:-------------------+----------------+----------------+----------------:
:After Key's : o : o *2 : :
:Touch Ch's : o : o *2 : :
:-------------------+----------------+----------------+----------------:
:Pitch Bender : o : o *2 : :
:-------------------+----------------+----------------+----------------:
: 0-121: o : o *2 : :
: : : : :
: : : : :
: Control : : : :
: : : : :
: Change : : : :
: : : : :
: : : : :
: : : : :
: : : : :
: : : : :
: : : : :
:-------------------+----------------+----------------+----------------:
:Prog : o 0 - 127 : o 0 - 127 *2 : :
:Change : True # : ************** : : :
:-------------------+----------------+----------------+----------------:
:System Exclusive : o : o *2 *5 : :
:-------------------+----------------+----------------+----------------:
:System : Song Pos : o *3 : o *3 : :
: : Song Sel : o *3 : o *3 : :
:Common : Tune : x : x : :
:-------------------+----------------+----------------+----------------:
:System :Clock : o *3 : o *4 : :
:Real Time :Commands: o *3 : o *3 : :
:-------------------+----------------+----------------+----------------:
:Aux :Local ON/OFF : o : o *2 : :
: :All Notes OFF: x : x : :
:Mes- :Active Sense : o : x : :
:sages:Reset : x : x : :
+----------------------------------------------------------------------+
:Notes: *1 = receive if velocity parameter is 'ext' in step REC mode. :
: if parameter is not 'ext',velocity is fixed to 1 - 127. :
: *2 = receive if input filter switch is off. :
: *3 = if MIDI control switch is on. :
: *4 = receive clock at MIDI sync mode. :
: *5 = Record Data in Rec, Receive QY10,20 SONG data in Song Top :
+----------------------------------------------------------------------+
Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO o : Yes
Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO x : No
– 12 –
VS40920 405CRIP 12.2-01A0 Printed in Japan M.D.G., EMI Division  Yamaha Corporation 1994