This document appears to be musical notation with annotations noting differences from an original source. It contains mostly symbols and notation that would be difficult for me to interpret. The annotations note 7 locations where the notation differs from the original, such as notes being moved over by one space, chords or notes being omitted, or notes being added or modified to resolve clashes.
This document appears to be musical notation with annotations noting differences from an original source. It contains mostly symbols and notation that would be difficult for me to interpret. The annotations note 7 locations where the notation differs from the original, such as notes being moved over by one space, chords or notes being omitted, or notes being added or modified to resolve clashes.
This document appears to be musical notation with annotations noting differences from an original source. It contains mostly symbols and notation that would be difficult for me to interpret. The annotations note 7 locations where the notation differs from the original, such as notes being moved over by one space, chords or notes being omitted, or notes being added or modified to resolve clashes.
This document appears to be musical notation with annotations noting differences from an original source. It contains mostly symbols and notation that would be difficult for me to interpret. The annotations note 7 locations where the notation differs from the original, such as notes being moved over by one space, chords or notes being omitted, or notes being added or modified to resolve clashes.
ø π ¿ ¿ π ¿ ¿ ¢ ¢ a ¢R d ¢R a ¢R a ¢R d d ¢ dR a a f d ¢ a a d ¢ dR a a ¢ ¢ a d ¢ a d d f d ¢R d d b aR b ë a a ¢ ¢ ¢ a e ¢ a e ¢ ¢ a
¿ π ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ a R a ¢ d a ¢ d f ¶ f f e f eR ¢ eR 5
d d d ¢ aR d ¢R d d a ¢ d a ¢ ¢R a b d i ¶R i d a a ¢ a a ¢R e ¢ a ¢ e ¢ e ¢ a eR ¢ eR e ¶
¿/ π ¿ ¿ ¿ f ¢ d ¢ ¢ 10
aR d a ¢R d ¢R a ¢R d d d dR d bR a ¢ a aR ¢ aR a a ¢R e aR ¢ a ¢R e e ¢R
π π ¿ ¿ ¿ ¿ ¿ ¿ π ¿ d ¢ a ¢ d ¢ ¢ ¢ a ¢ a ¢ 15
d R a d a ¢ dR ¢ dR ¢ d ¢R d ¢ a dR ¢ dR a dR d d a b a d ¢ a a a a ¢ a ¢ e d 1)
¢ aR ¢ aR d ¢R d ¢R a ¢R a f d ¢ a d ¢R d ¢R d R d R a ¢ a a ¢ dR ¢R a d ¢ d f [b] d d a ¢ e ¢ a ¢ a ¢ e a e ¢ 2)
¿ ¿ ¿/ π a a [¢] ¢ ¢ aR 20
a d d d ¢ d ¢ a ¢ d ¢ d d [¢]R d b aR b ò d [d] ë d d f d ¢ a e a a ¢ ó ¢ a a [a] a e a [¢] ¢ 3) 4) 5)
[¿ ] π ^ d d ¢R a a dR f d ¢ a a 25
a a ¢ d ¢ a d ¢ a d d d ¢ aR d ¢R d ¢ a ¢ d R d [b] eR ¢ a d b aR b ¢ a a a ¢ a a e ¢ e ¢ a 6) 7)
1) Dot one note to right in orig.
2) "c" in orig. Clashes with top part. 3) Chord omitted in orig. 4) Note added by editor. 5) "b" in orig. clashes with bass line. 6) "c" in orig. clashes with melody line. 7) Rhythm flag half value in orig. Tres breve et familière introduction (1529), f.14v. Encoded and edited by Sarge Gerbode.
