This document contains musical notation for a piece titled "12a. Si vostre cueur" by Pierre Attaingnant. The notation uses symbols like dots, flags, and note placements to represent the rhythm, pitch, and timing of the music. Footnotes provide information on differences between the encoded version and the original source material. The document appears to be sharing or analyzing the musical notation from a 1529 publication.
This document contains musical notation for a piece titled "12a. Si vostre cueur" by Pierre Attaingnant. The notation uses symbols like dots, flags, and note placements to represent the rhythm, pitch, and timing of the music. Footnotes provide information on differences between the encoded version and the original source material. The document appears to be sharing or analyzing the musical notation from a 1529 publication.
This document contains musical notation for a piece titled "12a. Si vostre cueur" by Pierre Attaingnant. The notation uses symbols like dots, flags, and note placements to represent the rhythm, pitch, and timing of the music. Footnotes provide information on differences between the encoded version and the original source material. The document appears to be sharing or analyzing the musical notation from a 1529 publication.
This document contains musical notation for a piece titled "12a. Si vostre cueur" by Pierre Attaingnant. The notation uses symbols like dots, flags, and note placements to represent the rhythm, pitch, and timing of the music. Footnotes provide information on differences between the encoded version and the original source material. The document appears to be sharing or analyzing the musical notation from a 1529 publication.
¿/ π ¿ ¿ ¿ ¿ ¢ aR ¢ aR d R ¢ ¢ ¢ d a d ¢ a a a d ¢R d d b d aR b d b dR bR d d d a dR b a ë a a ¢ aR ¢ a a a ¢ d ¢R d 1)
¿ ¿ ¿ ¿ ¿ ¿ ¢ a aR d d 5
¢ d d d ¢R d ¢R a ¢R d [d] d d a a ¢ R d bR a a b a a a a a ¢R a ¢ a a ¢R a ¢ d a ¢ aR ¢ eR ¢ eR ¢ ¢ ¢ a ¢ e d d 2)
¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¢ aR ¢ e f ¶ fR f e f a f ¢ d a 10
d d R a ¢ ¢ a a a ¢ dR dR ¢ aR a d i a dR b d a a ¢ a a ¢ e e a a [¶] 3) 4)
¿ ¿ ¿ ¿ ¢ aR ¢ aR e R ¢ a d ¢ ¢ a ¢ ¢ ¢ ¢ d 15
d ¢ d a a a R b a a d b aR b a d d b dR a bR a ¢ ¢ a a a ¢R a a ¢ e ¢ a aR ¢ eR eR ¢ d
¿ ¿ ¿¿ ¿ ¿ ¢ ¢ a d ¢ a a ¢ aR 20
d a d ¢ d d d ¢R d ¢R a ¢R d d d a dR b a dR bR a a b a a ¢ a ¢ a ¢ eR ¢ aR a ¢ a ¢ d a d d
π π ¿ ¿ ¿ ¿ ¢ ¢ ¢ a ¢R d ¢R a dR ¢ a ¢ a d ¢ a d a dR ¢ aR d a d a a bR d d b d d bR d d a dR b a a a ¢R a ¢ a ¢ a a eR e ¢ a ¢ d 5) 6)
¿ ¿ ^ a ¢ aR 25
¢ d d d ¢ d ¢R a ¢R d dR bR a a b d ¢ a ¢ a ¢ e a ¢ d a f d
1) First two dots one note to left in orig.
2) "c" in orig. 3) Note one course higher in orig. 4) Dot one note to left in orig. 5) Rhythm flag double value in orig. 6) Dot one note to left in orig. Tres breve et familière introduction (1529), f.15v. Encoded and edited by Sarge Gerbode.
