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    Estojos de Percussão

    Uploaded by

    alexandre biondi
    This document provides information for a percussion ensemble, including storage options for equipment, staple instruments, method books, audition materials, drum heads, mallets, and other equipment. It discusses tuning timpani, changing drum heads, recommended sticks and mallets for beginning and middle school, and ways to keep all percussionists engaged during rehearsals even when not playing.

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    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Estojos de Percussão

    Uploaded by

    alexandre biondi
    370 views32 pages
    This document provides information for a percussion ensemble, including storage options for equipment, staple instruments, method books, audition materials, drum heads, mallets, and other equipment. It discusses tuning timpani, changing drum heads, recommended sticks and mallets for beginning and middle school, and ways to keep all percussionists engaged during rehearsals even when not playing.

    Original Description:

    Modelo de estojos e armários para instrumentos de percussão

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    This document provides information for a percussion ensemble, including storage options for equipment, staple instruments, method books, audition materials, drum heads, mallets, and other equipment. It discusses tuning timpani, changing drum heads, recommended sticks and mallets for beginning and middle school, and ways to keep all percussionists engaged during rehearsals even when not playing.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    370 views32 pages

    Estojos de Percussão

    Uploaded by

    alexandre biondi
    This document provides information for a percussion ensemble, including storage options for equipment, staple instruments, method books, audition materials, drum heads, mallets, and other equipment. It discusses tuning timpani, changing drum heads, recommended sticks and mallets for beginning and middle school, and ways to keep all percussionists engaged during rehearsals even when not playing.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 32

    ALL THINGS

    PERCUSSION
    CHRIS BOWEN, CLINT LAFLAM, DANIEL GREENWOOD,
    DOUG MOSER AND BRANDON PUTZKE
    STORAGE OPTIONS
    OTHER STORAGE OPTIONS

    EVERYTHING HAS A PLACE…LABEL IT ALL! MAKE YOUR OWN KITCHEN CABINETS,


    LARGE TRASH CANS, 5 GALLON BUCKETS, SHELVING FROM HOME IMPROVEMENTS,
    FOLD UP TABLES,
    SET UPS - LOGISTICS
    STAPLE EQUIPMENT
    TOWELS, TRIANGLE CLIPS, SMALL AUX INSTRUMENTS (TRIANGLES, TAMBS, WOOD
    BLOCKS, CASTANETS, CLAVES, SLEIGH BELLS, FINGER CYMBALS, SHAKERS,
    MARACAS, WHIP, BONGOS, CONGAS, CONCERT TOMS, SUS. CYMBALS, CRASH
    CYMBALS…
    METHOD BOOKS AND ALL STATE LIT
    Snare Methods:

    *A Fresh Approach to the Snare Drum - Mark Wessels


    *Stick Control - George Stone
    *Accents & Rebounds - George Stone

    Mallet Methods:

    *A Fresh Approach to Mallet Percussion - Mark Wessels


    *Instruction Course to Xylophone - George Hamilton Green
    *Modern School for Xylophone, Marimba, Vibraphone - Morris
    Goldenberg

    Timpani Method:

    *Modern Method for Timpani - Saul Goodman


    *Fundamental Method for Timpani - Mitchell Peters
    *The Complete Timpani Method - Alfred Friese & Alexander
    Lepak
    Drum Set Method:

    *A Fresh Approach to Drum Set - Mark Wessels & Stanton


    Moore
    *Alfred's Beginning Drum Set Method - Sandy Feldstein &
    Dave Black

    General/Multi-Purpose Methods:

    *The Drummers Daily Drill - Dennis DeLucia


    *The Packet - Frank Chapple

    All State Audition Materials:

    *Intermediate Snare Drum Studies - Mitchell Peters


    *Portraits in Rhythm - Anthony Cirone
    *Masterworks for Mallets - trans. by Beth Gottlieb
    *Pedal to the Kettle - Kirk Gay
    DRUMS HEADS, EQUIPMENT, MALLETS
    Changing marching heads:
    - Snare at least once a season (stretch to every other season if non
    competitive)
    - Bass at least once a season (stretch to every other season if non
    competitive)
    - Tenors - buy lots of tenor heads and change them when needed! no
    exceptions! tenors need to be tuned high! don't let tenor heads get wet!

    Recommendation for middle school drumline equipment:


    - Yamaha Power Lite or Pearl Competitor Series

    Concert Bass Drum:


    - I prefer a lower pitched batter head with a high pitched resonant head,
    with a black towel triangle-clipped to batter head to control resonance

    Pitches for tuning:


    - Hand out a timpani range chart from Google image search

    Drumset heads for jazz band:


    - I prefer coated heads (Remo Ambassador or equivalent) with a
    Powerstroke 3 coated on the bass drum
    The Percussionists Toolbox (hand out)

    School owned set – performance mallets:


    Bass – legato, staccato, rollers
    Xylo – hard acrylic, med/hard, wood, Becker “Blues”
    Glock/crotale – brass and acrylic
    Marimba/vibe – range of soft to hard, cord or yarn.
    Timpani – general, staccato, ultra staccato
    Sticks – general, sizzle, wire brushes
    Triangle beaters!!!

    Middle school sticks and mallets:


    - Steve Weiss Music Best Seller Stick Pack #1

    Beginning band mallets:


    - Make sure there is an instrument for every student. Only do mallets for
    the first semester - make them understand they must succeed at mallets
    before starting other percussion. Beginning band books are fine for
    starting out. Mark Wessels Fresh Approach to Mallet Percussion is a
    good supplement or class book. Treat percussion as a specialty
    instrument, just like oboe, bassoon, and french horn - only for smart
    kids! Not a dumping ground!
    OTHER STUFF….

    • Timpani tuning, intervals, basic problems/issues


    • What to do with percussionists during a "wind-focused" rehearsal:
    • - Make sure EVERY percussionist is engaged. Double, triple, quadruple mallet parts.
    Double a snare part. If no mallet parts, use the oboe part. Copy a simple snare part on
    tambourine. For MPA - just cut the extra players or have a rotation system.
    • Q &A

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