Location via proxy:   [ UP ]  
[Report a bug]   [Manage cookies]                
Scribd Logo
Upload

Welcome to Scribd!

  • 253 views

    How To Use Arpeggios in Jazz Important Skills

    Uploaded by

    J Araujo
    This document provides examples of how to use arpeggios in jazz. It shows C major scale and diatonic 7th chord arpeggios. It then demonstrates arpeggios with passing notes in lines over Cmaj7 and Dm7 chords. Further examples apply arpeggio patterns and chromaticism to lines over G7 and inversions of Cmaj7. The document teaches arpeggio techniques that are important jazz skills.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    How To Use Arpeggios in Jazz Important Skills

    Uploaded by

    J Araujo
    253 views3 pages
    This document provides examples of how to use arpeggios in jazz. It shows C major scale and diatonic 7th chord arpeggios. It then demonstrates arpeggios with passing notes in lines over Cmaj7 and Dm7 chords. Further examples apply arpeggio patterns and chromaticism to lines over G7 and inversions of Cmaj7. The document teaches arpeggio techniques that are important jazz skills.

    Original Description:

    jens larsen

    Original Title

    How to Use Arpeggios in Jazz Important Skills

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF, TXT or read online from Scribd

    Did you find this document useful?

    Is this content inappropriate?

    This document provides examples of how to use arpeggios in jazz. It shows C major scale and diatonic 7th chord arpeggios. It then demonstrates arpeggios with passing notes in lines over Cmaj7 and Dm7 chords. Further examples apply arpeggio patterns and chromaticism to lines over G7 and inversions of Cmaj7. The document teaches arpeggio techniques that are important jazz skills.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    253 views3 pages

    How To Use Arpeggios in Jazz Important Skills

    Uploaded by

    J Araujo
    This document provides examples of how to use arpeggios in jazz. It shows C major scale and diatonic 7th chord arpeggios. It then demonstrates arpeggios with passing notes in lines over Cmaj7 and Dm7 chords. Further examples apply arpeggio patterns and chromaticism to lines over G7 and inversions of Cmaj7. The document teaches arpeggio techniques that are important jazz skills.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 3

    How To Use Arpeggios In Jazz - Important Skills

    www.jenslarsen.nl
    Standard tuning
     = 120
    Example 1 - C major scale
        
         
         
    7 8
    8 10
     7 9 10
    7 9 10
    7 8 10
    8 10

    Example 2 - Diatonic 7th chords in a C major scale


    Cmaj7 Dm7 Em7 Fmaj7 G7 Am7 Bø Cmaj7 Dm7 Em7
             
                

    7 8 7 10
    8 10 8 10 8
     9 7 10 9
    7
    7 10
    9
    9
    7 10
    7 10
    9
    9
    7 10
    10
    9 7 10 9
    7 10 8 7 10 8 10
    8 10

    Example 3 - Cmaj7 line using arpeggio and scale passing notes


    Cmaj7   
        
     
    7 7 (7)
    8 8 10
     10
    7 9

    Example 4 - Cmaj7 line using arpeggio and scale passing notes


    Cmaj7 
         
     

    7
    8 10 8 (8)
     9 7
    10
    9

    Example 5 - Arpeggio Patterns

             
            
               

     7 10 10 7 7 10 7 10 7 10 7 10
    8 8 8 8 8 8
    10 10 10 10 10 10

    1/3
    Example 6 - Dm7 lick using Arpeggio Patterns
    Dm7

        
        
     7 10
    8 10 8 7 (7)
    10 10

    Example 7 - Dm7 lick using arpeggio patterns and diatonic passing notes
    Dm7
        
        

     7 10 7
    8 7 10 8 (8)
    10

    Example 8 - Basic chromatic leading note applied to the G7

        
       

     8 9
    6 7 9 10
    9 10

    Example 9 - G7 line using chromatic passing notes


    G7
         
       

     8 9
    6 7 10 9 6 7
    10

    Example 10 - G7 line using arpeggio patterns and chromaticism


    G7
       
         

     8 9
    7 10 7
    10 8 9
    10

    Example 11 - Inversions of Cmaj7


      
             
               

    7 7 8
    8 8 8
     9 9 10 9 10
    9
    9 10
    9
    10
    9 9
    7 10 7 10 10
    8

    2/3
    Example 11 - Octave displacement exercise 
            
               
           
    7 8 7
    8 8 8
     9 10 9
    9
    9 10 9 10
    9
    10
    9 9
    10 7 7 10 7 10 10
    7 8 8

    Example 12 - Cmaj7 lick using



    Octave displacement
     
       

    8 7
    8 10 8
     9 9 7 (7)

    Example 13 - Cmaj7 inversion with leading notes

            

     9 10 9 8 7
    6 7 10 10

    3/3

    You might also like