The 10 Types of Plot Twists

by Chazda Albright - GreatStorybook.com - http://greatstorybook.com

The 10 Types of Plot Twists

by Chazda Albright -

http://greatstorybook.com/10-types-plot-twists/

This entry is part 7 of 7 in the series PLOT writing

PLOT writing

How to begin a story to hook readers, editors and agents

How to Write Rising Action in Act II
How to Write a Great Ending
Write an Awesome Inciting Incident: 3 things to do
Reverse Chronology: how & why to write backwards
How Many Narrative Threads Make A Story
The 10 Types of Plot Twists

This is about the 10 types of plot twists and how to use them. A comment left on one of my other articles is
the inspiration for this one. A fellow writer wanted to know what the opposite of Eucatastrophe might be.
The short answer: Peripeteia. Both of these are types of plot twists – but they aren’t the only types you
might use. So I thought the best thing to do here would be to list the kinds of plot twists along with their
pros and cons – and examples.

There are 10 different types of plot twists. Some you should use, some – maybe not.
Here’s the lowdown on plot twist options and when you might use them.

How many plot twists make a story? That’s entirely up to you.

If you know exactly what makes a scene strong and how those writing techniques have managed to make
you either laugh out loud or break into tears, you will be able to write really strong material. Not only
that, you’ll know what made it strong.

What I bet no one ever told you that there are exactly ten types of plot twists. So let’s just bang those out.

10 Types of Plot Twisting

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The 10 Types of Plot Twists
by Chazda Albright - GreatStorybook.com - http://greatstorybook.com

Chances are good that you’ve at least toyed with the idea of using a plot twist somewhere in the
manuscript you’re writing right now. The different kinds affect the characters in your story in different
ways.

There are ten plot twist techniques.

Red Herring
Chekhov’s Gun
Flashback
In media res
Reverse Chronology
Non-linear Narrative
Eucatastrophe
Peripeteia (a.k.a. Peripety)
Deus ex machina
Anagnorisis
Poetic Justice
Unreliable Narrator
False Protagonist

Red Herring
In mysteries, this is probably the most common plot twist. It’s when all the clues seem to point to one
character as the guilty party, when in fact they’re innocent – or at least innocent of the crime being
investigated.

The twist comes when the truth is revealed and the red herring is shown to be not guilty.

Chekhov’s Gun
Make use of every detail. That’s what this is about, the whole premise behind Chekhov’s Gun. (For
details on Chekhov’s Gun, go HERE.) The reason this is a type of plot twist is because the significance
of small details is unexpectedly revealed to us later in the story.

You can use this in any kind of story. It will often lend a sense of poignancy.

Flashback
We’re so accustomed to flashbacks today, we hardly think of them as particularly twisty anymore. But
they absolutely are. When we are shown something of the past, it should show us something about the
character that surprises us.

If that doesn’t happen, you need to either scrap or rewrite your flashback. Because a Flashback is a type
of plot twist, any kind of narrative structure that uses flashbacks then also falls into this technique.

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The 10 Types of Plot Twists
by Chazda Albright - GreatStorybook.com - http://greatstorybook.com

That’s why these narrative forms are considered a way of using plot twist:

Reverse Chronology – this is most often written as a series of flashbacks. Regardless, the ending
is always a surprising reveal (it’s the start of what caused everything).
Non-linear Narrative – the twist comes when a flashback reveals important information that was
kept from the reader.
In media res – while this means the story starts in the thick of things, all sorts of important
information is then later revealed in flashbacks.

Eucatastrophe
Tolkien invented this one. (You can read about Eucatastrophe in detail HERE.) This is a special sort of
twist when everything seems to be going terribly, terribly bad – and then, quite unexpectedly, it’s great.

We flip from impending doom to salvation.

You can use this technique in comedies as well as dramas, though it was intended (by Tolkien) for
dramatic effect and meant quite seriously. It is the complete turn-about of a catastrophe.

The trick here is making sure that the protagonist must believe their doom is coming - and even if the
event is relatively small, it must be hugely important to the protagonist.

Peripeteia
Sometimes called a Peripety (stress on the “rip,” puh-RIP-e-tee), this idea dates to the age of Aristotle.
The Greek term Peripeteia literally means, “falling round.” So this is when a story takes a major turn in
the opposite direction.

Some say that this technique is only used in dramas and tragedies, but that really isn’t the case. Aristotle
felt Peripeteia was used best in drama (as in Oedipus, poor schmuck), but not exclusively. So we’re
allowed to use this in any kind of story.

The key to Peripeteia is that it’s a complete flip of a character’s situation – for good or bad. If a nun is
given a winning lottery ticket and becomes a millionaire, that is Peripeteia.

Deus ex machina
You probably know exactly what this is (God out of the machine), but I’ll just compare now how it’s
different from the other options. What makes Deus ex machina so taboo is that it’s usually illogical – it
has no connection to anything else we know or understand from the characters or the story.

With all the other forms of plot twists, there has to be a sense of logic - it’s a rule. Sometimes, writers
either foreshadow or even announce that the plot twist is coming. You don’t ever do this with Deus ex
machina (unless in jest).

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The 10 Types of Plot Twists
by Chazda Albright - GreatStorybook.com - http://greatstorybook.com

Question: In Captain America: Civil War, when Ant Man suddenly becomes huge (instead of tiny), is
that Deus ex machina?

Answer: No. Ant Man has traditionally had that ability, so for fans (like myself), this is a type of
PeRIPety (the very, very modern Peripeteia). It’s awesome and it’s hilarious that this airport battle was
the moment when that particular ability worked completely.

So what would be a Deus ex machina? When the reversal from terrible to wonderful makes zero sense at
all, basically. But it’s always a flip from bad to good. You cannot use this in a drama or tragedy, but you
can use it easily in a comedy, especially if it’s a raucous satire.

Anagnorisis
Anagnorisis (a mouthful of marbles, I know) means “knowing again,” or discovery. What makes
Anagnorisis so different from all the other types of plot twists, is that it’s entirely internal. There is no
physical or external change.

Anagnorisis is when the protagonist has a new understanding of their identity; their understanding of who
they really are is what flips.

IF anything physical or external should also change for the character, then that is another, added plot
twist. We’re allowed. In fact, you could use all 10 types of plot twists in a single story – if you wanted.

Anagnorisis usually comes directly before Peripteia, and in fact that’s when these two types of twists are
most powerful. Aristotle said so, and no one has ever disagreed with that.

Poetic Justice
You might not think of this as a type of plot twist, but it absolutely is. When the villain is killed by his
own death ray, that is not just poetic justice – it’s a type of plot twist. We might expect it and we might
be rooting for it to happen, but that doesn’t make it less twisty.

The drawback of Poetic Justice as a writing technique is that it’s almost cliché. The draw though is that
it’s incredibly satisfying. We love it when the bad guy really gets it. If you’re wondering if this works for
kids, you bet it does. Kids cheer out loud for Poetic Justice.

You use this kind of twist when you want a happy ending, no question. Can you use it in a tragedy? Sure.
It will probably make your tragedy bittersweet.

Unreliable Narrator
When a character tells us the story, they are an Unreliable Narrator because they cannot know everything
(read more about that HERE). But if the Unreliable Narrator is especially devious and has been outright
lying to us (the readers), then that is a type of plot twist device.

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The 10 Types of Plot Twists
by Chazda Albright - GreatStorybook.com - http://greatstorybook.com

NOTE: The Unreliable Narrator does not have to be used as a plot twist, but it often is.

I’m always wary of unreliable narrators exactly because of this – I don’t like distrusting the storyteller. I
want to know they’re being straight-up with me… or at least, not the type who might also poison my tea.

Sometimes in murder mysteries the narrator turns out to be the murderer. Agatha Christie was the first to
try it, and many have followed her example.

This is unquestionably a plot twist. Most of the time though, I find it’s very unsatisfactory. You could use
this to reveal that the masked hero is in fact the narrator, but that could also be very awkward.

Use the Unreliable Narrator as a plot twist with great caution if you use it at all.

False Protagonist
I love the False Protagonist, but you have to be careful with this one. It’s when a certain character is set-
up as the protagonist, and then we realize – oops, they can’t be the real protagonist - because the
character is now dead and there’s much more of the story yet to unfold.

I bet there’s an example of this that LEAPS to mind for you, right now – and if it’s Eddard Stark
from Game of Thrones, you pegged it in one. It’s hands down one of the best False Protagonist
examples… perhaps EVER.

Why it’s good to know this stuff

Stories are not just words, they’re words put to use – the best use, to make people care about characters
that you have made up. Done right, a story sticks with us and maybe even changes how we think about
things.

Written sloppily or weakly, a lame story becomes something we wish we could just forget.

Now you’ve got the inside scoop on twists, what are you going to do with it? Have you used one of these
twists and not realized it? Write below, let me know – or, as ever, send me an email. You know I love
getting those.

Keep creating, no matter what.

This entry is part of the series

PLOT writing
Be sure to check out the other posts:

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by Chazda Albright - GreatStorybook.com - http://greatstorybook.com

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