Islamic Arches
Islamic Arches
Islamic Arches
The first use of arches in Islamic architecture included rounded arches similar to
those found in Roman and Byzantine architecture, but these quickly developed into
the horseshoe arch. In the horseshoe arch, the half-circle of the arch starts to turn in
on itself before meeting the top of its supporting columns. The hypostyle hall in the
Great Mosque at Cordoba, Spain, is a classic example of this type of arch. The shape
of the horseshoe arch allowed architects to achieve greater height in the arches and
it gave an opportunity for greater visual pattern and rhythm in the design.
Transverse Arch
The use of the transverse arch, in which the arch structurally spans the space
between a pillar and the wall instead of another pillar, allowed architects to use
slimmer pillars instead of thick columns in arcades. This innovation was adopted by
European architects and eventually used in many Gothic cathedrals. Coupled with
the four-centered arch -- a low, slightly pointed arch shape that has a center of
gravity below the crown of the pillars -- transverse arches allowed Islamic architects
to cover large spaces and led to the development of the pointed arch.
Pointed Arch
Many art historians believe the pointed arch originated in Islamic architecture. As
early as The Dome of the Rock, built in 691, one sees arches with a slight point. The
pointed arch had a major architectural advantage in that it centered the load-bearing
thrust of the building on a vertical point, so that more of the building's weight could
be supported on the exterior, usually with the use of buttresses, instead of with walls
and interior columns. This allowed for thinner pillars, higher ceilings, the support of
larger domes and overall gave the building a lighter, more open feel.
Multifoil Arches
Sometimes called the cusped arch, multifoil arches contain arches within arches.
This style of arch was very common in Moorish architecture and some examples can
be found in the Great Mosque in Cordoba, alongside horseshoe arches. The main
provide opportunity for greater visual pattern and rhythm; and indeed the shape of
multifoil arches was completely removed from arches to become a pattern motif on
some buildings. But, like the pointed arch, multifoil arches also centered the thrust of
the weight they carried to a single vertical point, which allowed for all the structural