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AZ PUA Bootcamp - All Assignments

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mimicker:EDIT:  I will be posting all the assignments in this one

thread, so scroll down to see your next assignment.  Good luck.
ASSIGNMENT #1 – Getting Rid of Approach AnxietyThis week
we will focus on simply approaching.  You will have to do 36
approaches this week. It does not have to be solid game – you can
approach and then immediately eject if you want.  All we are
trying to do this week is get comfortable approaching, and destroy
all hesitation of approach.  You will be required to do three
different types of approaches:  indirect, neutral, and direct.  You
will do each of these types of openers 12 times.For indirect opener:
I want you to use an opinion opener.  An opinion opener is where
you ask a girl's opinion on something, and have a story behind why
you're asking their opinion on it.  Usually, with an opinion opener
your opening line is "Hey (guys), I need a -female- opinion on
something..." then you immediately into your question.  Or omit
the "female" part if it is a set of guys and girls, and just say "Hey
guys, I need an opinion on something."I want you to make up your
own question and story though.  No "who lies more?", "do girls
think the rockstar david bowie is hot?", Style's two-part kiss
opener, or any other community opinion opener.  Come up with a
story and some type of opinion you could get from it.  You should
ACTUALLY CARE about their opinion too, pick something
you're honestly curious about.  I’m sure you can find one story
from your life (or your friend's life) that you could base an opinion
opener on.  If you want help developing one, post what you got
and we’ll give you feedback on it.  For neutral opener: I want you
to use a complement opener or a situational opener.  A
complement opener is where you go up to a woman, and
complement them on some article of clothing, accessory, make-up,
or whatever.  It isn't a complement on her physical beauty though,
that is more of a direct opener.  A situational opener is where you
comment on something in the environment.  It helps if the
situational comment is funny, but it doesn't have to be.For direct
opener: I want you to use this opener that Desperado described on
Badboy’s forum.  I would suggest trying out this opener after you
have gotten comfortable using the other ones, as you will need to
be somewhat “smooth” for this one;QuoteDirect Opener- turn a
girl to face you- make DEEP EC for a couple of seconds- a gentle
smile...then while looking eye to eye say...- "I think you
look...beautiful...........so beautiful"(delivered slowly and
deliberately using eyebrows and voice to emphasise your words)-
"tell me...what kind of person are you?.......are you friendly?"- and
then starting into deep and wide rapport...It's slow, deliberate,
emotionally intense and very alpha.99% of chicks are going to
experience butterflies in their stomach and a headrush from this
kind of opener. They'll smile, giggle...they'll love it.^---- for the
above, if you want to replace the word beautiful with "adorable" or
"cute" or whatever, go ahead.Anyway, if you suck at these
openers, WHO CARES?  Just get out there, deliver your opener,
and go from there.  Even if you go out, perform these openers 36
times, and get HORRIBLE reactions, you have still succeeded
because you did what you set out to do.Extra Challenge for
Advanced Guys:  If you care to take on an extra challenge this
week, this is your mission:Find a venue in which you have never
approached before and do some of your 36 approaches there. For
example, I have approached in:  clubs, outside of clubs, street,
coffee shops, schools, restaurants, mall.  But I have never
approached in:  convenience stores (7/11 and such), department
stores (like Target), grocery stores, or festivals/carnival etc etc etc.
Another challenge is to find sets that you have never approached
before for whatever reason.  Some examples include:  moving sets,
seated sets, standing sets, sets with both guys and girls,
mom/daughter sets, dad/daughter sets, boyfriend/girlfriend sets,
extra large sets with 7+ people in them, old sets with grandma’s in
them (though I wouldn't recommend going direct on the grandma
sets - unless you're into that sort of thing.)

Mojo:For guys who need some extra inspiration,  I'm going to be

replying to Mimicker's assignments each week with links to posts
that address that week's bootcamp.  Let's get started.Inspiration
State - Seduction Frames (Mojo)  Not to toot my own horn, but
you might find this post useful.  The ideas in the above post were
developed by me over a period of 4 months, during which I was
finally leaving behind the last vestiges of my KJism and approach
anxiety, and moving towards becoming an approach monster.  
Useful Question for Devilhimself (Style) This is a short little post,
that breaks down really well the belief system of an approach
machine.  What I do for fun (Mystery) Approaching women and
playing the game should be FUN.  This post explains how to make
it that way.Moving on to the nitty gritty...IdeasCollection of ASF
Openers (Rocker44) A fun collection of tons of ASF openers.
Mostly opinion openers, plus some other stuff.  Remember that for
the bootcamp you are going to need to come up with and use a
UNIQUE opener.  But these could serve as inspiration.Neutral
Entertaining Openers (SteviePUA) This post breaks down the
structure of indirect situational openers really well.Rooting: The
problem with the Who Lies More Opener (Style) This post
explains a small but crucial distinction to take into consideration
when using indirect openers.Opening Theory (Mojo) This post
explains how to use Juggler's 90/10 rule with your opener to draw
the woman into a conversation.  Also has some considerations
about false time constraints to think about.

mimicker:ASSIGNMENT #2 – Surface AttractionThis week we

will concentrate on building surface or temporary attraction.  For a
better explanation of this, I’m going to quote Woodhaven in one of
his posts:Quote from: "Woodhaven"Attraction is highly coupled to
validation. It is an automatic emotional response which symbolizes
chasing. Attraction is felt physically in the body as a force
propelling you to that which you are attracted. The very act of
chasing something makes you more attracted to it. Actions which
resemble chasing also create attraction. Metaphorically speaking, if
you move toward someone, you feel attracted to them, and they
feel validated. Conversely, If you move away from them, they feel
attracted to you, while you feel validated.Attraction is created by
the multitudes of techniques and methods that arestudied here on
mASF. Negs, hoops, push-pull, c+f, dominant frames...etc.
Anything that removes a person's validation in a fun and playful
way creates attraction toward you. The fun and playfulness is there
because that is what sucks them into and assists them in accepting
the dominant or imaginary frame you have created with the
technique. Remember that all of the attraction caused by verbal
techniques is just surface attraction. It is temporary and superficial.
People have a tendency to resist attraction. They are aware of the
irrational emotional response created by attraction and attempt to
shut it off as quickly as possible. Surface attraction created by
mASF techniques is easily dissipated when a girl removes herself
from the stimulus. Surface attraction is anything which does not
give physical pleasure, however it is what leads to the deeper
pleasure based attraction.This week we’ll work on C&F, Busting,
Mini Cold-reads, and the Elastic Snapband Effect.  (Thus this
assignment we'll be using indirect game and opinion openers - sry
to any of the direct guys.)Here is your assignment:Go out and use
an opinion opener that has a strong RESPONSE BIAS. What I
mean by this is that when you run the opener on a group, you get
some people saying "hell no" and some people saying "fuck yeah."
The archetype of this kind of opener is Who Lies More. Some
other good examples are David Bowie, Dental Floss, Jealous GF.
Using this sort of an opener will give you reactions to play off of.
Once you've run the opening question, but before you go into the
post-opener story, play off of the target's response with some sort
of CF push-pull.You can agree with the target:-I can hang with you
-You are my new best friend-we're going to get along, I can tell
alreadyOr you can disagree with the target:-Oh man, this one is
trouble-We are not going to get along-I have to watch out for this
one (to group) Don't leave me alone with herEither way, just so
long as you are playing off the target's reaction to start up the
flirting/sexual communication.  Then tell your post opener story,
and pursue the threads from that. However, before the invisible
threads from the story start to die out, stack into any one of a
couple things:-Busting on MannerismsFor examples:
http://arizonapua.com/phpBB2/viewtopic.php?t=1253-A Mini-cold
ReadFor examples: http://arizonapua.com/phpBB2/viewtopic.php?
t=205-A C&F roleplayFor examples:
http://arizonapua.com/phpBB2/viewtopic.php?t=1249-Elastic
Snapband StuffFor examples:
http://arizonapua.com/phpBB2/viewtopic.php?t=448Do each of the
above, two times (so a total of eight sets for the week).

mimicker:ASSIGNMENT #3 - Playful KinoThis week we will be

focusing on playful kino.  What is playful kino?  It's touching
women in a fun, playful way  (er, sry I couldn't think of a better
definition, if you got a better one let me know).  Examples of
playful kino include:  tickling a girl, poking her, playfully hitting
her, smacking her on the ass after she makes some C&F remark,
thumb wrestling, playing "hot hands",  snapping her bra, wrestling,
and more.  Don't HURT the girls though... that's for later in the
bedroom! ;)Your first mission this week will be do to playful kino
openers, ala project mayhem by TD.  Here's the post that describes
that:Quote from: "TylerDurden"We will go up to all attractive HBs
on SIGHT, and rather than chatting them, we will go KINO
IMMEDIATELY before uttering so much as one word.We can
probably NOT start touching their arms etc. like STANDARDS
KINO. Rather, we will play like school yard kids, and go up to
HBs and -lightly- hip check them, bop them on the head with
smartie packs in line at the grocery store, pretend to - and lightly -
push our shopping carts into them in the isles etc....We will do this
with a VERY playful look, and they must see you giving them EC
and a PLAYFUL non-threatening
(smile/tilthead/openbodylanguage) look as you physically
approach, IMO, if this is to work (IE: don't run up to a chick from
behind and bodyslam her OK bros)I am not suggesting walking up
to HBs and touching them in immediately sexual ways, unless
anyone is INCLINED which would make for good feedback, albeit
taking the chance of getting arrested/charged.  Props to anyone
willing to do this, although you are perhaps stupid, unless you are
SHARP on reading IOIs, and are getting MAJOR EC/sidelong
glances.  If I get these, I WILL lead by example and be attempting
immediate sexual KINO this week, and it is very likely that it will
happen.  I may even grab the wrists and kiss the next girl who
gives me SERIOUS BLATANT IOIs, though I may lose my balls
to do this, as it is easier to talk about than actually do in a non-bar
sober environment.  This is, however, not recommended for
newbies.---TO RECAP - YOUR MISSION:-Go out-Immediately
go kino on all HBs (try not to let a previously sarged HB see you
doing this to the next HB)-Play like you did on the schoolyard, and
have fun with these girls.-Record their reactions and your EXACT
method of KINO, and POST on this or whatever thread is spawned
from this.In addition to playful kino OPENERS, you will also add
playful kino to your regular approaches.  Add them to when you
are busting on the girl (or wherever else you see fit.)  The format
for this type of thing is usually:-busting-playful kino-bustingFor
more examples of playful kino, here's the post "C&F
Accentuators" by  CraigSD:Quote from: "CraigSD"After seeing
David D's napkin swat, I realized just how many C & F
Accentuators (is that a word?) I use. It's little things like this that
separate the naturals from the wannabe's.Here's a few you can do
to "accentuate" your game:(David D's) Swat her with a napkin or a
straw.Pinch her on her side when you are laughing at her.Grab her
hand, smack it, and say, "The next one's gonna be on your ass, so
watch it!"When you say something sarcastic, instead of smiling to
break the tension, turn and bump her with your butt.Poke her in the
stomach a la Pillsbury dough boy.Put her in a headlock and give
her a "noogie".Bite her neck.Say, "Do you like when guys do
this?" and grab her hair right above her neck.Bump her with your
arm and say, "Watch it punk".At a "high five" moment, make a fist
for her to punch instead.Give her "The Claw" (see the movie "Liar
Liar"). So to recap, use a playful kino opener ala project mayhem
four times, and use playful kino in your usual approaches at least
four times.  This should be a fun assignment, so have some freakin'
fun and smack some ass for me :)

=SkyNet=:where is asigment 4 ? gah ..i finished 3 like 2 weeks

ago ..

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AZ PUA Bootcamp - All Assignments

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mimicker:ASSIGNMENT #4 - ScreeningI believe originally this

week was supposed to be devoted IVD's and storytelling, but I'm
going to move ahead in time a little bit.  We may go back to that
stuff later...Anyway, this week we will move from attraction into
qualifying, and we will start with "screening."  I'm pretty lazy this
week and I'm not an expert on screening, so I'm gonna let Neo-Rio
take over from here...Quote from: "Neo-Rio"First, you need to
know what kind of things you want in a chick before you do
anything. You need to know this as a base-line position when you
screen. Hereare my general traits:-* Looks after herself well (i.e.
looks hot)* Is intelligent (has the ability to learn new things)* Has
hobbies (so she doesn't annoy me)* Has a good job (and therefore
has money)* Is generally satisfied with her life (so I don't have to
be therapist)* Has money (so she doesn't try to manipulate me for
any)* Is good in bed (obvious)Now, here are some good screening
question I got from somewhere. I tacked onsome comments to
show why I would ask those questions:-"Are you the adventurous
type?"(Is she open to sex, one night stands?)"Can you cook?" (Can
she cook for you?)"Do you like to party?"(Is she a social person?
or will she be a wallflower at a party. Can you hangout with her?)
"Where do you shop?" (Is she high maintenance? or does she
survive off bargain bins?)"how much do you like to spend per
week?"(How much money does she get, how rich is she)"Do you
have any hobbies that take up a lot of your time?" (Does she have
something to do when you don't want to fuck her)"Do you worry
about what other people think of you?"(How insecure is she, how
likely she will cling to you when you want to leaveher)"Do you
like going out to restaurants a lot?"(Does she get out and do
things? Or does she stay home and sleep all day)"What's the
longest amount of time you have kept a partner for?"(Is she into
one night stands, or relationships?)"Do you consider yourself a
romantic?"(Is romance the key to her panties? or just dirty
caveman sex)"Do you like animals?"(Is she an animal freak who
lives with nine cats and avoids human beings?)"Do you feel that
you get enough attention from people?"(Does she have high self-
esteem? Can she find other guys easily?)"Do you think you work
hard enough?"(What's her job satisfaction like. Poor job
satisfaction means that she's morelikely to be a golddigger)"Have
you ever fallen in love? Still open for it?"(How naieve/jaded she
is)....and of course, many-many-more (tm)Now, when you hear the
answers, they are either going to fall into one of threecategories.
One being "Things you want to hear", "Things you don't want to
hear", and "Things which are obvious bullshit".A case of the good,
the bad, and the ugly.Pay attention that the manner in which you
respond should be congruent withwhat you are looking for in a
woman and more importantly CONVEY THAT YOU ARE
SIZING HER UP BASED OFF OF IT. This is where push&pull
really work well IMHO.Women fall in love quickly like this
because:-* They do the same kinds of shit-tests to men* It catches
them unprepared to answer correctly* You are prizing yourself*
You are hinting that a relationship is on offer, which is something,
evengold-digging bitches, can't resist having.First, the stuff you
want to hear:-Say you ask her what job she has, and you find out
that she is, say, a chemicalengineer that she does well for herself
financially.Then you would say something like "WOW! A
chemical engineer! You must be prettyintelligent. It's just as well
because I find intelligence particularlyattractive in women"When
women pass tests, they need the encouragement that they have
passed one.Not only that, but they will start BEGINNING TO
ACT the way you suggested withyou from now on. They have set
themselves down a path for their behaviouraround you.... more on
this later.Now, the stuff you DON'T want to hear:-This is
particularly tricky, because you will meet MANY MANY women
which are"damaged" in some way, or are not perfect but you will
want to bonk themanyway.The trick here is to remember your
baseline requirements in a woman and stickto them... and not put
up with problems women have... and NOT GET PUT OFF BY
HER BEAUTY OR WHATEVER.This is ALSO where C&F
behaviour works INCREDIBLY well. C&F works (IMHO) when
you jokingly point out that a woman is failing your screening test.
Note that C&F generally won't work on women with no sense of
humour, and whoare too sensitive... (at least in Japan many women
are like this.) so in thesecases you will need to be more nurturing
to fix the problem.Lots of women seem to be programmed from
birth to attempt to attract ALL men atALL COSTS. Screening
them out of any kind of connection with you for perfectlypractical
and reasonable things will KICK THEM INTO ACTION to fix the
situation, ONLY if you ENCOURAGE them to do so.If you say
something like "No cooking ability? Right! Then it's OVER
betweenus!" without the C&F and exaggeration, then you will
BOMB. A line like this ona chick with no sense of humour will
also bomb, but with a woman with a senseof humour it will be
DAMN FUNNY! Use C&F with care.When C&F is failing, then
you need to have a more nurturing role to fix achick's issues and
get them up to speed. This way is more romantic. (Thismethod
generally works better in Japan, and on women who are generally
toogutless to face reality with any courage).First you need to start
of by focussing on the good things.Note that you CAN'T do "You
are wonderful blah blah blah, BUT you suck atthis". Comes off
less sincere.Instead of using BUT, use AND. Slowly slip in "...and
you would be so much moreperfect for me if you could just do X".
Then you have to show her ways she cango about fixing these
problems.Say she has a crappy job, then you can say "I know you
have a lot of potential,and you could be so perfect for me if you
had a better job. Let me show youhow...."If she is shit testing you,
you can say "Look, you're a great girl, and youwould be so much
better if you just act yourself and stop lying to me likethis. I'm
going to get to know the real you anyway"In one swift move you
are in a position to drop her value, teach her something(build value
in yourself). Tipping control back into your favour.Remember, you
can't fuck her if you fail her on the screen, or if she thinksshe
failed. When you find bad stuff, you HAVE to fix it and move on.
You needto take what you have and work on it. All her problems
can be solved (they haveto be), and you have to sell that to her.
Then she'll be hooked, and you'll bea great guy.Now, what happens
when she tells you bullshit:-First, if she is telling bullshit, obvious
or not, then understand that she isthrowing her power away
already. She is going to have to act congruent withwhat she tells
you, cause otherwise she has to know that she risks losing you.This
actually gives you power to call her out on all sorts of stuff.
Obvious bullshit is screenable, as per above.Also understand that
cock teasers are great in the bullshit department. They'lltell you
everything you want to hear and lie about it. The fun comes when
yougo for the close after 20 minutes of screening a chick....Moving
in for the close after about 20-30 minutes of knowing a chick is
goodpractice. DON'T waste time on one woman when you've
already sized her up, andIF things are going well between both of
you, then you have to take the momentinto your hands.At this
point you can basically start with screening of a sexual nature, and
isolations. You can also blatantly tell her that since you are a good
couple(you forced her to pass your screening) then its natural and
no big deal.Even if she's lied to you at this point, she's going to
think that she'ssomehow seduced you when it's really YOU doing
the seducing.You won't get to fuck EVERY woman you meet
though. Some will be obviousbullshitters. You will catch many bad
things out in screening which should ringalarm bells.you will also
note that screening is not about getting hooked up on one woman.
Screening is about getting hooked up with a select number of
women, and meetinga hell of a lot more.So make up some of your
own questions for screening (or use his) and go out and use them...
good luck.

Mojo:Mimicker is going to be out for a month or so.  Skynet and I

will be taking over the BC assignments until he returns.  Here is
this weeks assignment.Assignment #5 - Storytelling and IVDsThis
week we are going to work on conveying value, through telling
stories, and through interactive demonstrations of higher value
(IVDs).  This is attraction material- and it works to create
attraction that is a bit more "sticky" than the buying-temperature
stuff we have worked on in previous weeks.For the storytelling
component of this assignment, you will need to select two true
stories from your own life to tell.  I suggest you pick one story
about something fun/cool that you did recently, and one story
about an interesting drama/social dynamic that is going on within
your social circle recently. Once you've selected your stories, take
a minute to read this post:Wilder's Story TheoryAnd then run your
stories through the process that Wilder outlines, in order to make
them into semi-polished routines you can take out into the field
with you.  Make sure that it has:-an initial hook, to give people a
reason to listen-little waypoints of humor and drama throughout
the story, to keep people engaged and fascinated-subtle allusions to
the reasons why you're cool-some sort of
conclusion/moral/punchlineFor an example of how this process
was used to tighten up a story, please read these posts:first post
second postthird postTo listen to the final, tight version of this
routine (audio), click this link:Gay Cats Story- mp3Also, as you're
listening, pay attention to Wilder's tonality and pacing.  A large
part of why story telling works is in HOW you tell the story.  So as
you take this stuff out into the field, pay attention not only to the
words, but to how you're saying them as well.Onward.For an
explanation of IVDs and demonstrating value, please read this
post:Instant Interactive Value Demonstrations IVDs typically take
a bit more work to come up with.  So to keep things simple, your
assignment to start off with is to select one of the canned
community IVDs and take that out into the field with you.  As you
use the material in the field, you will learn why it works and will
start to come up with some of your own ideas.The assignment for
the week is eight sets.  Tell your stories 4 times each, and stack in
an IVD in at least four of these sets as well.Tip:One of the sticking
points that I and a lot of other people ran into with learning this
skillset is discomfort in stacking.  You will often see people post "I
don't know how to transition into that story."  To avoid this
sticking point, realize that you don't need transitions.  You can
simply say, out of the blue, "hey, check this out.. I was chatting to
my friend today and..." and go right into your story.  The key to
making this work is simply acting like it is natural.  Assume that it
works, and it will.  If you still have trouble with this, try watching
a few standup comedians on DVD.  You will see that they
sometimes don't have any transition between their routines at all,
and it still flows. Tip:I would recommend NOT selecting the best
friends test as the IVD you use.  It is a good routine, but it is best
suited to use in a twoset, and with girls who are already exhibiting
the behavior that the routine busts on.  Instead, find an IVD that
you can use in all situations, with groups of any size.  When I
started out I used the Cs vs Us many many times, for exactly this
reason.  Sure, you can have the BF test teed up in case you do
sarge a twoset, but make sure you are keeping your options open
and flexible.Tip:Final tip, I promise :)  As you are out practicing
this material, take some time to pay attention to your sequencing
and stacking.  What seems to work best?  Do you want to stack
your flirting/CF stuff around the stories, or does it work better only
as a response to the girl's BS?  When is the best time to insert your
qualifying questions?  Ask yourself this stuff as you are practicing,
and play around with how you sequence the stories with the other
material you've learned.   Doing this sort of thing is how you start
to build yourself a "routine stack," which is a very useful tool for
the student.

Mojo:Assignment #6 - Body LanguageThis week we shift

priorities in bootcamp.  So far, we have covered a range of
attraction "tools," as well as some simple qualifying techniques.
This is all you really need to get basic number closes. In the near
future, we will begin to add some artistry to it.  We will work on
comfort and kino escalation, and building more solid closes
through bridging and venuechanging.  But as of right now, you
have all the tools you need to get somewhere with women.
However, you may not be experiencing the success you want yet.
So for the next several weeks, we are going to focus on tightening
up what we've already learned, as well as tightening up various
levels of subcommunication.  If you've been practicing the tools so
far, and only getting lukewarm responses, it is probably because
some aspect of your subcommunication is flawed.  The things we'll
be working on in the next several weeks are subtle, but they make
a HUGE difference in the kind of responses you get.This week, our
focus is on body language.  We will focus on two aspects:
tightening up our own body langauge to make sure its not
subcommunicating the wrong things, and calibrating to the target
based on her body language.Your Body LanguageTyler Durden
has, IMO, written up the definitive post on body language.  Please
read:TD's 25 point checklistAs you go out this week and run your
sets, pay attention to your BL and see if you are making any of the
mistakes that TD points out in his post.  If you are, correct them,
and see how the responses you are getting change.It might be
helpful to use a checklist with this.  Try:Sheriff's
Subcommunication ChecklistMy suggestion, even though its a bit
dorky, is to print out the above checklist and take it into the field
with you for a week.  After each set, review quickly and check off
the errors you made.  Getting immediate feedback like this, you
will see errors you are making and correct them quickly.One
caveat though.  The above is focused largely on MISTAKES.  It is
hard to figure out what GOOD body language looks like without
having a real world model.  This aspect of the game didn't really
click for me until I met up with JDog.  So if you can, try to meet
up with one of the skilled guys from the lair. If this isn't possible
for you, then you can look for other examples.  Try watching the
movie Ocean's Eleven, and watch Brad Pitt and George Clooney's
BL.  Also, check out some of the videos on www.puamedia.com .
If you can, try to find the .wmv video of CraigSD's appearance on
Elimidate (it used to be on bristollair; I don't know where to find it
now).Her Body Language   The second part of this week's
assignment is learning to calibrate your game to the specific girl,
based on the cues you are getting from her.  Calibration is a skill
that is almost entirely learnt through repeated field experience.
You won't learn it through text, however, you can get ideas to start
off on the right path to learn how to calibrate.The way to start
learning calibration is through IOIs (Indicators of Interest).  By
paying attention to the IOIs the girl is giving you, you will know
exactly what you need to do in that moment to advance the pickup.
Knowing exactly what to do takes field experience, but we can
start with a simple concept from the Mystery Method, as it used to
be taught in the old days.  "Once you have counted three IOIs,
phase shift into the close."So this week, you will start to look for
IOIs, and if you count three of them, you must close the girl.  You
can try a fancy close like venuechanging or kissing, but for now,
asking the girl for a number or email is fine.There are two types of
IOIs, active and passive.  Passive IOIs are the ones the girl gives
off naturally.  Active IOIs are the ones that you elicit by testing for
them.  For a long list of passive IOIs, see:Layguide signs of
interest listI don't try to remember all of this in the field.
Generally, I am looking for only three IOIs:-is she engaged in the
conversation? (ie, she's laughing, leaning in, giving thoughtful,
nonautopilot answers to what I'm saying)-is asking me personal
questions?-is she touching me?If you want to play around with IOI
tests (active IOIs), here are a couple.  These can be fun to play
with.-give her something to hold (a drink, etc), and see if she holds
it or sets it down-lean out, and see if she leans toward you-let the
conversation die off, and see if she tries to reinitiate "sooo.."-offer
her a sip of your drink/a bite of food/gum, etc, and see if she takes
it-run some kino IOI tests  (see the second newsletter)So, the
assignment for the week is 10 sets.  Keep running your material as
you have before (remember to pay attention to your sequencing, to
work out the kinks in your routine stack).  As you are running the
set, count IOIs and once you have three, shift the set to a close.
Once the set is over, take a few minutes to review the
subcommunication checklist and see how you did.  AND POST
YOUR RESULTS IN THE FORUM!!!

Mojo:Assignment #7 - Frame Control This week we are going to

work on building a strong frame.  For a description of what this
means, here is a quote from Swinggcat's Real World Seduction
ebook:QuoteI have already mentioned frames several times. And l
am sure many of you have some idea of what l mean by "frame",
but are seeking a clear definition. A "frame" is a general focus or
direction that provides an overall guidance for thoughts and actions
during an interaction. Put in layman's terms a frame determines the
underlying meaning of behaviours and actions. On the other hand,
a meta-frame determines the overall underlying meaning of the
interaction. So, think of the meta-frame as a giant frame which all
of the other frames fit inside of.Let's look at an example. Imagine a
guy goes up to a girl in a bar and says, "You are so beautifuI" and
the girl rudely responds, "Yea yea...now go buy me a drink". He
responds by saying, "sure, anything you want sweetheart".Now
imagine another guy going up to a girl and chatting her up. After a
few minutes the girl says, "buy me a drink" to which the guy
chuckles and says, "Is that your best pick up line? You struck me
as someone more creative than that".I would put some big money
on the first guy not shagging the girI. However, the second guy has
a pretty good chance.You might be wondering, why this is the
case? Or, what is different about these two examples? Or, what
exactly is going on here?The difference is that in the first example,
by the guy responding to the rude woman's request--for him to buy
her a drink--he is allowing the following frames to be set:1. That
he is a pushover, since he is rewarding her rude behaviour.2. That
he must be the one who is interested in her, not necessarily the
other way around.3. That he is trying to get her to stay and talk
with him.Put in other words, this is how he is allowing the
underlying meanings of his behaviours and actions to be defined.
Unfortunately, the frames he has set both imply and fit inside her
meta-frame: that she is the PRIZE, that he is trying to win her over,
and etc. This meta-frame is unlikely to lead to this guy getting laid.
Some of you might be thinking that this whole talk of frames is
silly because a person cannot really change the underlying
meaning of an interaction; it is just objective reality. But l am here
to tell you that this is bullshit because underlying meanings and
frames are not objective reality. They only exist inside the skulls of
human beings. So, when a woman says something rude to you and
you buy into it being true, you are in her frame. When you say
something to a woman, and she buys into it, she is in your frame.
But none of this is objective reality. It is just what a person accepts
as their subjective reality. Put in other words, frames, meta-frames,
and underlying meanings are not reaI.So let's look at why the
second guy has a much better chance of shagging the girI. The
reason is that he is sticking to his guns and not falling into her
meta-frame: namely, that she is the PRIZE and that if he wants to
talk to her he has to buy her a drink. Instead of doing this, he flips
it around on her and maintains the belief that he is the PRIZE in
the interaction. Now she may or may not fall into his meta-frame.
But even if she doesn't, he is conveying the message that he is
unwilling to buy into her meta-frame.Did you get that? This is very
very important.Having a strong frame is the one thing that's
common to all seduction methods that work, be it direct, MM, SS,
DYD, etc.  A strong frame is a universally attractive trait to
women.  So this week's assignment is an important one to get
down.Through the community you can learn all sorts of little lines
and tricks to control the frame in an interaction.  One of the best
sources for this stuff is actually Swinggcat's Real World Seduction
ebook.  And we've worked on some of this stuff already - a lot of
the CF stuff we did in week two works because it controls the
frame of the interaction.  However, if you really want to get this
down, you have to go beyond just spouting the lines, and start to
internalize the frame into your identity.  The way you do this is
through field experience.  As you go out into the field and attempt
to pick up girls, you are subjecting yourself to social pressure.
With repeated exposure, you become less reactive to this social
pressure, and start to build a strong reality for yourself.  This
strong reality will suck people in, and attract them to you.This is a
learning process everyone must go through, if they are going to get
good.  No one is above it.  However, there are some things that you
can do to accelerate it.  This is what we are going to focus on this
week.Your assignment for the week is to fuck up your sets :)  In
the middle of a set, you are going to say or do something AFC.
Then attempt to recover the set from a PUA frame.  As Style
pointed out, this not only helps you develop a stronger frame, but it
also creates some funny push-pulls.  Some examples:AFC:  I want
to take you out tomorrow..PUA: ...but I'm worried that you might
embarrass me in front of my friends.  Can you tone down the
dorkiness?AFC:  You're really a sweet girl.PUA:  Its too bad
you're mentally so disoriented.AFC: I think I could really fall for
you.PUA:  ...if it weren't for those shoes.  Those have got to go.
Maybe not the best examples, but you get the general idea.  Your
assignment for the week is to go out and do this ten times.  You
can do it multiple times in a single set if you want.  (If you do, be
sure to post a FR, cause I know it will be HILARIOUS). You can
also do it on the phone with a girl you already PUed, or whatever.
Just do it ten times.  Have fun with it, and post your observations
in your BC thread.

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