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Leanah S. Torio Section 6 Respeto: A Reflection of Our Society

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Leanah S.

Torio

Section 6

Respeto: A reflection of our society

Respeto is an inherently timely and relevant indie film. It shows us the sad truth

about our present-day society, all of its themes circle around poverty-stricken Manila

facing the threat of another authoritarian regime where a drug war has turned the

police into the enemy of the people. In the film, Betchai, a tomboy, was sexually

harassed by a cop, and Doc’s son, a policeman, protected Hendrix’s sister and brother-

in-law (a drug addict and a drug pusher respectively), before killing them on Hendrix’s

birthday. Moreover, the way Hendrix and his friends joked about a girl’s death in their

neighborhood early on the film only shows that death is not anything unusual to them.

They are so used to hearing people they know dying left and right as a result of the

extrajudicial killings.

In addition, the gangsta rap shown in the opening sequence and throughout

seems like a perfect metaphor for how some present-day creators and artists focus on

creating for the mainstream audience instead of engaging with the problems of the real

world. In the club, conflict was manufactured and encouraged, like how artists (and

people) these days create unnecessary drama with each other for publicity rather than

talking about social issues. This is why Doc felt compelled to bring Hendrix and his

friends to see a Balagtasan instead, which is like a FlipTop battle except it is

intellectual, more poetic, makes much more sense, and engages the participants with

real world issues.

Lastly, Hendrix killing Doc’s son in the end only hints that history is bound to

repeat itself. Doc shared his dark past with Hendrix before and told him that killing the

police who shot his son did not bring him any satisfaction, but Hendrix, fueled with
anger and adrenaline, did the exact same thing in the end. The scene showed us that

no matter how much we learn of our history, our hatred will make us more likely

commit the same mistakes in the past. This is what seems to be happening with our

society right now.

Yes, I strongly believe that art is a reflection of our society. Whether we admit it

or not, Respeto is a movie about the harsh reality that all of us are living in. I also

believe that all art is political. Artists are either challenging norms, creating discomfort,

and making a social commentary or have the privilege not to do so. Through the film,

the director and writers created a think-piece with socially relevant issues for its

audience to reflect on. After all, the art that we see today documents what our society is

currently going through. As society expands and grows, art changes to reflect its new

developments. In the 1800’s, we know how Rizal’s Noli Me Tangere and El

Filibusterismo depicted the hardships experienced of the Filipinos in the hands of the

colonial invaders.

As such, just like the sciences, it cannot be denied that art has the power to

revolutionize the world. It reflects our ever-changing culture and has the ability to alter

society’s values. Moreover, art brings meaning into people’s lives and helps preserve the

world’s culture and societies. It is a manifestation of society and a reflection of people’s

intricate identities.

Respeto did not open my eyes to the sour state of our society—it smacked my

face into reality. The movie was charged with political commentary so it was not hard to

miss. Throughout the movie, although briefly, I saw the poverty-stricken areas of

Manila, how the people in those areas live, and what they do to survive. This was their

reality, I kept telling myself, and it was saddening. My heart was moved at how the

people are suffering there, but at the same time, I can’t help but also feel grateful and
blessed for my current situation. See, this is the beauty of art in politics it uses its

creative power to touch people’s hearts and move them to incite social change.

Art can be a scary word. It is entertainment, but it is also arresting. It is a

vehicle for thought and can be a catalyst for rebellion. From Jose Rizal’s infamous Noli

Me Tangere to Juan Luna’s Spolarium, art has played a monumental role in politics by

providing social commentary on the reality of our present-day world. As it is so, art in

politics is something that needs to be more recognized with creators and the consumer

alike—for direct commitment, for artistic activism, and for intervention in the political

reality of our society and economy. It is through art that we come to better understand

our place in history, engage with different ways of thinking, and reflect—that is if we

allow ourselves to.

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