SamplePaper MUSIC Paper1 E PDF
SamplePaper MUSIC Paper1 E PDF
SamplePaper MUSIC Paper1 E PDF
INSTRUCTIONS
3
(1) Write your Candidate Number in the space provided
on Page 1. 4
1. Four excerpts will be played consecutively two times. Listen to the excerpts and answer the following
questions. Write your answers in the table below.
(a) Name the period which best describes the characteristic of each excerpt. (4 marks)
(b) Name a suitable time signature for Excerpt 1. (1 mark)
(c) Name the musical genre of Excerpt 2. (1 mark)
(d) Name one of the instruments which play the melodic parts in Excerpt 3. (1 mark)
(e) Name the voice type of the performer featured in Excerpt 4. (1 mark)
2. Excerpt 5 will be played four times. An incomplete score of this excerpt is given in the following page.
Listen to the excerpt and answer the following questions.
(b) Complete the score by writing the missing notes of the first violin part from bars 7 to 8 and the
viola part from bars 9 to 10. (6 marks)
(c) Describe one of the compositional devices employed in the cello part from bars 16 to 20.
(2 marks)
Italian Translation
Male voice: Parigi, o cara Paris, my dear,
Noi lasceremo, we shall forsake;
La vita uniti united, our life
Trascorreremo. we shall pass together.
De’ corsi affanni For past anguish,
Compenso avrai, you will be rewarded.
La tua (mia) salute Your (my) health
Rifiorirà. Will flourish again.
Sospiro e luce Breath and light
Tu mi sarai, you will be to me.
Tutto il futuro All the future
Ne arriderà. will smile at us.
Answers written in the margins will not be marked.
(a) Name the two voice types featured in the excerpt. (2 marks)
(b) What is an appropriate genre for this piece? Tick your answer. (1 mark)
(c) Suggest a period for this excerpt. Give one reason to support your answer. (3 marks)
(d) Describe the changes in the melodic lines and the accompaniment when both voices sing
together. (6 marks)
END OF SECTION A
Candidate Number
Question-Answer Book 5
6
About 1 hour 15 minutes
This paper must be answered in English.
7
8
INSTRUCTIONS
5. Excerpts 9 and 10 are pieces performed by Chinese instruments. Each excerpt will be played two times.
Listen to the excerpts and answer the following questions.
Excerpt 9
(a) Identify two playing techniques not employed by the instrument in the excerpt. Tick your
answers. (2 marks)
plucking with the thumb (挑) continuous plucking with one finger (搖指)
(b) On which note of the traditional Chinese scale does the excerpt end? Tick your answer.
(1 mark)
Excerpt 10
6. Excerpt 11 is a piece for modern Chinese orchestra. A skeletal score of the excerpt is provided in the
following page. The excerpt will be played three times. Listen to the music and answer the following
questions.
(a) Add three appropriate dynamic marks from bars 25 to 32 on the skeletal score. (3 marks)
(b) Suggest an appropriate Italian term to mark the tempo of this excerpt. (2 marks)
(c) Among the plucked-string instruments in the excerpt, name one modified or newly designed
instrument developed in the twentieth century. Suggest one reason to explain the rationale for
the modification or new design. (3 marks)
Answers written in the margins will not be marked.
(a) Name the types of nianbai (唸白) and banghuang (梆黃) featured in this excerpt. (2 marks)
(b) On which note of the gongchepu (工尺譜) notation does the excerpt end? Tick your answer.
(1 mark)
he (合) shi (士) shang (上) che (尺)
(c) Name the voice type of the performer featured in the excerpt. (2 marks)
(a) Mark the metrical pattern (ding ban 叮板) played by the large woodblock (卜魚/板) and small
woodblock (沙的/叮) with the symbols ‘X / X’ and ‘、/∟’ respectively in the last three text
lines sung by the second artist. The second line sung by the second artist is marked for
illustration. (5 marks)
First artist: 更 重 斥 責 我 爹 娘
禮 教 人 情 全 不 顧
Second artist: 我 知 道 呀 玉 林 對 你 多 辜 負
惟 是 佢 肯 低 頭 認 錯
X 、 、
Answers written in the margins will not be marked.
若 果 我 說 話 你 都 唔 聽
____________________________________________________________
我 呢 個 婆 婆 亦 都 唔 願 做
___________________________________________________________ X
(b) Suggest the type of hangdang (行當) performed by the first artist in the excerpt. (1 mark)
(c) Name the type of banghuang (梆黃) sung by the second artist in the excerpt. (1 mark)
(d) Describe the relationship between the vocal part and the accompanying ensemble. (3 marks)
(a) Besides the drum set, name one instrument in the excerpt not commonly used in Western
orchestra. (1 mark)
(b) Choose a term which best describes the form of this excerpt. Tick your answer. (1 mark)
Rounded Binary AABA Verse-Chorus Compound Binary
Verse 1 Verse 2
Oh yeah, I’ll tell you something, Yeah, you got that something,
I think you’ll understand, I think you’ll understand,
And I say that something, When I say that something,
I wanna hold your hand, I wanna hold your hand,
I wanna hold your hand, I wanna hold your hand,
I wanna hold your hand. I wanna hold your hand.
(b) Describe any two changes in the rhythm section at the beginning of the chorus section.
(3 marks)
Answers written in the margins will not be marked.
(d) Give an example of a piece of music which shares the similar factor of success given in part (c).
Explain the reasons for its popularity. (You can choose a piece other than a popular song.)
(2 marks)
END OF PAPER
․ The pilot test takes 2.5 hours. 75 minutes is allocated to Part A and Part B respectively. The breaks for
answering the questions are built-in in the listening CD.
․ The following listed the detail of the excerpts played in pilot test and the time allocation for each question.
7. Excerpt 12 Cantonese opera Princess Changping scene Fragrant Death粵劇《 帝女花 .香夭 》詩
白 「六代 繁華 三日散 」至 反線十 字中 板「問 清帝 何以重 女薄 兒郎」
.
Part A: 75 minutes
.
Part B: 75 minutes