Cambridge IGCSE: MUSIC 0410/13
Cambridge IGCSE: MUSIC 0410/13
Cambridge IGCSE: MUSIC 0410/13
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MUSIC 0410/13
Paper 1 Listening May/June 2023
INSTRUCTIONS
● Answer all questions in Sections A, B and C.
● Section D: answer all questions on the one Set Work you have studied, in the space provided.
● There will be time for you to look at the questions before you hear each extract of music. You may find it
helpful to make notes on the music as you listen.
● Use a black or dark blue pen.
● Write your name, centre number and candidate number in the boxes at the top of the page.
● Write your answer to each question in the space provided.
● Do not use an erasable pen or correction fluid.
● Do not write on any bar codes.
● You may use an HB pencil for any music.
● The insert contains the scores for Music C1 and your chosen Set Work in Section D.
INFORMATION
● The total mark for this paper is 70.
● The number of marks for each question or part question is shown in brackets [ ].
DC (CJ) 316262/2
© UCLES 2023 [Turn over
2
You will hear two examples of music, selected from the Baroque, Classical or Romantic periods or the
Twentieth Century.
Each extract will be played four times, with a pause between each playing.
Music A1
You will hear an extract for voice and instrument. The words are printed below. Read through
questions 1 to 5.
.......................................................................... [1]
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Music A2
You will hear an extract for instruments. Look at the skeleton score below and read through
questions 6 to 8.
b 2
1 2 3 4 5 6 7
&b b 4 œ nœ œ œ œ œ œ œ œ œ œ
œ œ œ œ œ œ œ œ œ œ
Instrument?
b
8 9 10 11 12 13 14 15 16 17 18 19
&b b œ bœ œ bœ œ
Compare
œ bœ œ
bb
20 21 22 23 24 25 26 27 28 29 30
& bœ œ œ nœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
b ˙ ˙
œ ˙ ˙
Texture? œ Relationship?
b j
31 32 33 34 35 36 37 38
&b b ‰ œ œ œ œ œ ‰ œ œJ œ bœ œ Œ ∑
42 œ
b˙ b˙ œ œ b œ œ bœ œ œ bœ œ œ œ œ œ
39 40 41 43 44 45
b J
&b b ‰ ‰ J
6 (a) Name the instrument that plays the printed melody in bars 02–81.
.......................................................................... [1]
(b) Compare the music in bars 82–161 with bars 02–81, commenting on similarities and differences.
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(b) Which of the following best describes the relationship between the two instruments in bars
29–34?
Contrary motion
Imitation
Inversion
Unison
[1]
Baroque
Classical
Romantic
Twentieth Century
[1]
...................................................................................................................................................
............................................................................................................................................. [1]
You will hear three extracts of music from around the world. Each extract will be played four times, with
a pause between each playing.
Music B1
You will hear an extract for instruments. Look at the skeleton score below and read through
questions 9 to 12.
j j
1 2 3 4
& b 4 œ œ œ™ œ œ œ œ œ j ™ œ ˙ ‰ œ œœ œ ‰
3
œ œ œ œ œ œœ
4
œ™ ˙™
5 6 7 8
&b ˙ œ œ œœ ≈ j œœ j œœ j Œ
œ #œ ™ œ œ œ œ œ œ œ œ œ œ
nœ ™ œ™ Extract
continues...
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11 Describe the similarities and differences when the extract continues (after the printed music).
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Music B2
You will hear an extract for instruments. Read through questions 13 to 14.
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(b) Describe the music played by the first instrument in the introduction (before the entry of the
second instrument).
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You will hear two passages from a piece of Classical Hindustani music separated by a short gap. Read
through questions 15 to 17.
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(b) What is the name of this section in the structure of the piece?
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17 Where was Classical Hindustani music played before the twentieth century?
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BLANK PAGE
You will hear one extract of music. The extract will be played four times, with a pause between each
playing.
Music C1
You will hear an extract for instruments. Look at the skeleton score, which you will find in the separate
insert, and read through questions 18 to 23. Answer the questions in this booklet.
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20 The melody is incomplete in bars 5–6. Fill in the missing notes on the stave below. The rhythm
has been given to help you.
j
/5 œ œ œ œ œ œ™
b œ
6
j 7 œ œ œ œ œ
& b b œJ ‰ J ‰ œ ™ œ œ J ‰ J ‰
[3]
21 The melody heard in bars 1–8 is used in bars 9–16 and 17–24. Complete the table below,
describing the features of the music that have been changed.
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Bars 17–24
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[4]
© UCLES 2023 0410/13/M/J/23
11
March
Minuet
Recitative
Waltz
[1]
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23 This music was written in the Twentieth Century. Describe one feature of the music which reflects
this.
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Set Work
You will hear two extracts. Each extract will be played twice, with a pause between each playing.
Music D1
Look at the skeleton score, which you will find in the separate insert, and read through questions 24 to 27.
24 (a) What part of the movement is heard at the start of the extract?
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(b) What is played by the bass instruments in bars 1–8 and what is its purpose?
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26 How is the music in bars 143–28 different from how it was presented at the start of the movement
(before the recorded extract)?
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Berlin
London
Paris
Vienna
[1]
© UCLES 2023 0410/13/M/J/23
13
Music D2
Look at the skeleton score, which you will find in the separate insert, and read through questions 28 to 31.
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29 On the stave below, write the viola part in the second half of bar 30 in the treble clef.
#
&
[2]
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31 Give the tempo marking of the movement from which this extract is taken.
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You will hear two extracts. Each extract will be played twice, with a pause between each playing.
Music D3
Look at the skeleton score, which you will find in the separate insert, and read through questions 32 to 36.
32 On the stave below, write the viola part in bar 1 in the treble clef.
bb
& b
[2]
33 The theme played by the violas in bars 1–5 is repeated by the first horn in bars 6–11. Identify and
explain the relationship between the keys this theme is played in.
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34 (a) From bar 214–253 the players are instructed to play ‘ben marc.’ (ben marcato). What does
this mean?
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1833
1862
1881
1897
[1]
Music D4
Look at the skeleton score, which you will find in the separate insert, and read through questions 37 to 39.
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(b) What is the relationship of this key to the key of the overture as a whole?
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39 (a) The music in bars 31–33 is similar to a passage heard earlier in the extract. What are the bar
numbers of this earlier passage?
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BLANK PAGE
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