4TimelineArt of Ancient Greece
4TimelineArt of Ancient Greece
4TimelineArt of Ancient Greece
GEOMETRIC:
Geometric Art is the phase of Greek art where motifs that are mainly use are in the form of geometry
which flourish during 900-700 BC. Firing terracotta vases; casting and cold working bronze; engraving
gems; and working gold were the most common form of art in this time. As time passed the art was
developed in such way that the identity of the figures and different styles can be distinguished.
ARCHAIC:
Archaic Art flourish throughout sixth century B.C. a time when Greek artists made increasingly
naturalistic representations of human figure in two types of freestanding, large scale sculptures
predominated the male kouros (standing nude youth) and female kore (standing draped maiden). They
portrayed their own myths and customs, by forging the foundations of archaic and classical Greek art.
With the two being combined motifs were introduced—palmette and lotus compositions, animal hunts,
and beasts such as griffins ( part bird, part lion), sphinxes (part woman, part winged lion) and sirens( part
woman, part bird).
CLASSICAL:
Classical art flourish during 480-400 BC at this time greek artists attained a manner of representation
that conveys a vitality of life as well as a sense of permanence, clarity and harmony. Bronze being valued
for its tensile strength and lustrous beauty has become the preferred medium for free standing statuary,
although very few bronze originals of the fifth century B.C. survived.
HELLENISTIC:
Hellenistic art is richly diverse in subject matter and in stylistic development. It was created during an
age characterized by a strong sense of history. The death of Alexander the great marks the beginning of
the Hellenistic Period (323 B.C) which manifested the Greek artistic styles of new exotic influences.
Prominent Hellenistic art represents unorthodox subjects, such as grotesques and of more conventional
inhabitants such as children and elderly people.
GANDHARA ART:
Gandhara art was based in Greco-roman norms encapsulating foreign techniques and an alien spirit it
was also known as Graeco-Buddhist School of Art. Materials used were mostly terracotta. I believe the
art’s purpose was to portray high religious entities to have a sense of spiritual connection with the
religion that they practice.
AUGUSTUS OF PRIMAPORTA
The Emperor wears military breastplate while his right arm is outstretched demonstrating a form of
command which shows the idea of power. His breast plate appears to have a message in terms of the
figures shown. People then believe in many gods which perhaps indicates the notion of the gods being
on his side.