Chapter-2 Karkhanas, The Artisan and The Techniques of Production: Continuation and Change
Chapter-2 Karkhanas, The Artisan and The Techniques of Production: Continuation and Change
Chapter-2 Karkhanas, The Artisan and The Techniques of Production: Continuation and Change
INTRODUCTION
For understanding the handicrafts technique and its manufactures
during 18 century Northern India we must understand the prevailing
factory system in European context also. We get to know from historical
accounts and Delhi Sultanat period, there existed a large establishment
is capital town, know as Karkhanas which cater household needs of the
royalty as well as it was equally usefiil for providing the goods for war
purposes public use. The glaring example oi Karkhanas we find during
the time of Firoz Shah Tughlaq in which according to one estimate
twenty thousand slaves were working for the establishment and were
involved in production and variety of articles for royal consumption and
for public use, the same kind of establishment continued during the
whole of Mughal period, though, with the certain improvements in the
existing technology from time to time. Till the coming of 18' century
we don't find drastic changes in the technology but we find that the
volume of production greatly increased and some were meant for export
also.
Prior to industrial revolution to England European factory system
find similarity with the Indian Karkhanas system in the greater sense of
organization working condition as well as the tool and technique of
artisan same are concerned. The European factory system master
craftsmen in the factory help by some Journeymen and further assisted
by some apprentice in which young boys employed for learning a
particular trade till their maturity and perfection in that particular art.
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workshop and coppersmith which supplied the court with all kinds of
tools and utensil. Lastly, there were the harness makers, workshop, the
armoury, the ordinance foundry and the library in which manual scripts
were not only collected but specially produced by staff of artists. The
stable and many other offices were also part of the buyutat. In support
of his charge that the policies of Shah Abbas (a Safavid ruler) were
devoid of any entrepreneurial spirit Amin Banani cites the case of the
royal workshops {Buyutat-i-Khasa-yi-Shirfa) of which there were 32 at
the time of Jean Chardin and 33 at the time of compilation of Tnzkirat-
i-Miduk,' about 1726, it is true that many of the royal workshops such as
the kitchen scullery, stables, kennels, etc. were simply what minor sky
called 'domestic departments' some however were run like real state
owned manufacturies'* and in general these workshops gave employment
to some 5000 artisan and craftsmen and contributed to over all
prosperity of the economy.
The Delhi Sultanate period Sultan maintained very big household
staff. Besides his harem, the slaves and other attendants and his
courtiers, the sultan employed most of people to look after the protection
his person his recreation and his domestic attendants is general. To cater
to the needs of these vast household the Sultan maintained various
'Karkhanas' or Royal stores. These Karkhanas had multiple functions
in the political and social life of the rulers of Medieval India. The
Karkhanas looked after the provisioning of the royal stables and
supervision of the royal buildings for which they maintained a whole
army of masons and architects. Finally, they undertook to supply the
menial attendance and the domestic service for the palaces and other
royal buildings. The listing however, is by no means complete. The
Karkhanas were under the charge of distinguished noble who was
assisted by other subordinate superintendents (mustasrrifs) who were
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themselves nobles of rank and were appointed directly by the Sultan,^ all
of them were paid very high salaries, and the charge of a store was
considered quite as remunerative as the governorship of a big town like
Multan.^
Although the literal meaning of Karkhanas is the place where a
'workshop' is generally located for public use, it had a very different
connotation in medieval India. The medieval chroniclers used it to under
workshops of manufacturers, the stores the royal household. The royal
court and the animal stable etc. as most of the articles of luxury needed
by rulers to maintain the splendor and pageantry of the royal court and
household could not be manufactured in the ordinary market, the sultans
were forced to states factories producing luxury articles for them. It
become a major policy decision with the state of the Sultanate. It is
generally believed that the system of Royal Karkhanas was probably
borrowed from Persia'' though its much earlier existence in India could
not be ruled out, A clear and detailed description of the royal
Karkhanas of the sultans of Delhi before Firoz Shah Tugluq is not
available in the contemporary Persian account, but there is no doubt that
such existed prior to Firoz Shah's region and were casually referred to
by Bami.^
Bami refers to these Karkhanas in his account of sultan Balban's
regime. In Delhi the Sultans had their own Karkhanajats in which
thousands of weavers engaged for the manufacture of silk cloth and
others textiles for the royal robe. In these Karkhanajats artistic work in
gold and silver was also done. The private industries not within the
purviews of the Karkhanas specialized in the manufacture of textiles.
Calicoes Printing, Liquors, arms, brasswork, paper, clay work, bricks,
enamel work, embroidery, leatherwork, and shoe making, etc. The
accounts of the contemporary chroniclers as well as foreign travelers
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they needed. These varied from the food served on the monarch's stable
to the pieces of artillery required by the imperial forces. The emperor
gave away thousand of robes of honour to officers and others, and then
it was considered economical to get the cloth manufactured and the
robes tailored directly in the imperial workshops. Precious stones were
cut, pearls pierced, ornaments made in the Karkhanas not only for the
use of the monarch but also for presents. Horses, elephants, camels and
mules were bred and trained for various duties. Animals and birds were
tamed and taught to help the monarch in the hunt. In short all the needs
of the monarch and court were met through these institutions." About
the numbers of Karkhana also the sources vary. In popular parlance
there were 12 treasuries and 36 Karkhanas. The Marathi histories
namely the Sabhasad Bakhar (written in 1694) and the Chitni's Bakhar
of Shivaji (written in 1810), mention only Karkhanas though these two
works do not agree with each other as to their names. The Zawabit-'i-
Alamgiri gives a list of 69 Karkhanas. The Ain separately describes 26
of the Karkhanas and indirectly or briefly refers to 10 other making of
total of 36. Further in the contemporary literature 36 buyutat or the
Karkhanas are mentioned. Abul Fazl mention following in the Ain; ""The
treasuries, the mint the Farrash Khana, illumination and lights, the gurkhana, (the
workshop for making the royal seals), the abdar khana, the kitchen the fruitery, the
perfuming, the wardrobe and the bedding and mattresses. The pilkhana, the stable for
horses, the camel stables, the mule stables, buildings, the library the ansenal. the workshop
of every Karkhana varied in accordance with the needs: for instance the
matbak or kitchen would have chefs and cook where as the library
would employ calligraphists and painters.
Classified list of Karkhana: The Mughal Karkhanas as enumerated in
the Zawabit can be classified into following five groups:
A. Animals: Horse stables (Paga or astabal khana) elephant stables
ipeel-khana) cow pens {gao-khana) camel stables {Shutr-khana)
Mule stables ashtar khana) deer park {Ahu khana) menageries of
tame hunting animals {Shikar khana) hunting Leopards {Chita
khana), aviary for falcons {qush khana)
B. Stores: They were more collection of things manufactured
elsewhere. Royal insignia {qur khana), arsenal {silah khana) Palki
khana, chandal khana or sedan chairs rath khana or carriages,
portable throve or litter {takhi-i-rawan) candlesticks and lamps
{shama and chirag) torches (Mashal) library {kitab khana).
C. Factories and Stores: Carpets {Farash khana) wardrobe or
mattresses, harness, saddles and bridles (zm khana) bedding and
advance tents for the emperor's journey {bistar khana and
pes h khana)
D. Offices or Departments of Administration and Court Life:
Band room {Naqqar khana), artillery {Top khana) including all
classes of fire arms and ammunitions. The Marathas had separate
store for gun powder, called Dani khana, building department
{Imarat khana) records {Daftar khana) Emperor' Chapel {Ja-
namaj khana or tasbih khana) store room for heirless property
{Kotha-i-baitul m 'al) purchase department {Ibtia khana). The
Maratha had a Saundagarikosh to designate this free food kitchen
{hu/gur khana or usually longer khana) school {talim khana).
Which during Firoz Tughlaq's time called ilm khana. A Marathi
21
at any eminence in their art arc those only who are in the service of the king of some
33
powerful iimrah (noble) and who work exclusively for their patron.
districts and sub districts for the period of eiglit to fifteen days per
annum. Similar government stables acquired necessary labour though
forced of leather workers rope makers, saddle makers and so on from
various regions for fifteen days to two months a year. These forced
workers were sometimes paid a small amount of cash or grain.'^"
Administration of Kharkhanas:
The Mughal emperor maintained Kharkhanas of factories of their
own for manufacture of article of different kinds including cotton and
silk. The interest of the Mughal emperors in the workshop can be
assessed from the following observation of Abul Fazl.
"//»• majesty pays much attention to various staff, skilful masters and workmen
have settled in the country to teach people an improved system of manufacture. The imperial
workshops in the towns of Lahore, Agra, Fatehpur, Ahmedabad turnout many master piece
of workmanship and the figures and pattern's knots and variety of fashions which now
i-Saman. The term Mir-i-Saman was not in use under the Akbar. In the
Ain his duties are not mentioned nor his power defined. In the
Alcbamama Abul Fazl however made a reference to Mir-i-Saman but
had not mentioned either his powers or duties."*^ But so far as Dastur-ul-
Amals are concerned, which were mostly drafted or copied in the region
of Auranzeb, the term Khan-i-Saman predominates.'*^ But gradually he
came to be in charge and commonly know as Mir-i-Saman under
Jahangir and Shahjahan and as Khan-i-Saman under Auranzeb and
afterwords, as the chief executive officer of the supply department. The
Mir-i-Saman was placed in charge of the intemal working of the
Karkhanas or buyutat, including factories and stores owned and
managed by the state for its own purposes, not only in the capital but in
eveiy provincial capital as well as in different parts of the empire.
Being the second highest officer in the realm the Khan-i-Saman
stood immediately below the diwan. He has been well described as
really the diwan of expenditure.'*^ He is thus instructed about his work
takeover the cash balance and collected articles in the household
department, which are kept under the seals of the mushrif and tahvildar
satisfy yourself that the stock agree with the records or else call upon
them to make the deficit good.
The staff of every Karkhana varied in accordance with the needs,
for instance the matbak or the kitchen would have chefs and cooks,
where as the library would employ calligraphists and painters. At the
head of every karkhana, however there was a darogha or a
superintendent assisted by clerks and accountants.'*^
Diwan-i-Buyutat: He was another officer of high rank. He was chiefly
responsible for the financial side of the department of karkhanas and
working of the department but not subordinate to the Mir-'i-Saman.
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concerned and put his own seal, on each. Thus he appears to have been
the head of the clerical establishment of the entire department.
Nazlr: The nazir does not seem to have and duties, he assisted the diwan
of the department and helped him to revise and check the account before
submitting them to the central audit office.
Apart from the nobles, the princes and princes also maintained
Karkhanas for providing their own needs. For instance we read in a
latter from Aurangzeb to Shah Jahan that owing to the scarcity of skilled
hands the out put of the imperial Karkhanas of princes Jahanara had
been meager. The work of the artisan employee in Aurangzeb's own
Karkhanas was not admired by the emperor.^' During the Farrukhsyar's
regin, Mir Jumla, the Amirul Umra had full control over the the
exchequer and without his permission not even a single claim could be
had. He was busy arranging for the marriage of the emperor with Ajit
Singh's daughter, Abdullah Khan controlled the affair of diwani,
Bakshigiri and karkhana etc. But due to the presence of Mir Jumla he
did not attend and the nobility.
In the 17''^ century there existed also some private karkhanas.
According to F. Manrique the nobility appointed the labour of skilled,
craftsman in their private workshops for the production of luxury article
for themselves and to be given to the shah and other lords which was a
vital part of the feudal hierarchical ceremonial of interest is also the
information of private workshop given in the chronicle of All
Mohammad Khan, the Mirat-i-Ahmadi describing the organization of
the Kharkhanas founded by Raja Jai Singh in the village of Jai Nagar.
In the 18"^ century special establishment were organized on the
Nawabs orders for the manufacture of Shargaon Juglebaree and
Basetpoore, the largest centres of cotton cloth production in Bengal they
were included in the ntizzur, the yearly offering of the Nawab of Bengal
29
to the ruler of the Mughal Empire. The cloth was Mulboos khas and the
building housing the workshops was known as mulboos khas kottee.^^
The English commercial resident in Dacca (such residual
appeared there in 1787) wrote 'The Incessant Inspector of the daroghas
and their people and the fear of incurring punishments for the any
deviation of the duty expected of them must have effectively differed
the weavers, while manufacturing the cloth from attempting any
improper practices.^'*
In the first half of the 17 century, Patna was famous not only for
the production of raw cotton and manufacture and supply of cotton
clothes of various kinds but also for being an important centre of silk
trade.^^
Further more during the second of the 17"^ century the English
Company sent a few English dyers, weavers, throwsters etc. to Kasim
Bazar in Bengal, who are reported to have trained craftsmen in the
European technique of dyeing some special colours (black blue) which
the latter were unfamiliar with.^*^
The imperial Karkhanas numbered 69 in the Zawabit-i-Almgiri
(fl326) towards the end of the 17^*^ century, indicating the decline in
production under the latter Mughals.^^. These lasted till the eighties of
the 18'^ century. However, the imperial tradition survived in the 18"'
century among some local rulers. Jai Singh II of Jaipur not only settled
weavers there who were expected to out do the Ahmadnagar textiles but
also provided tools of special varieties of wood in Workshop. Again
the Nawabs of Bengal and special establishments {Mulboos Khas
Kootee) in Dacca, sonargaon Jaugalbaree and Basetpoore for production
of first grade Muslins (Mulbooskhas) as yearly Peskash to the Mughal
emperor. The workshops were supervised by the darogha having
uncontrolled authority over all employees the most expert weavers in the
30
province selected. They were registered and had to attend daily for
schedule hours till the completion of the tasks. They thread used was
carefully examined by inspectors and had to conform to the standard
master approved. In the time Siraj-ud-daula half of the wages of the
weavers was deducted as perquisites of the officers and servants. The
Nawab of Oudh and Nizam of Hyderabad also had similar Karkhanas
for supplying their own needs.^^ The 18"^ century witnessed certain
interesting trends in industrial organization thanks to the expansion of
the market by the middle of the century while the artisan system
continued as before, the practice of paying wages to artisan became
widely prevalent, if the 16"^ and 1?"^ centuries were marked by absence
of private workshop century was characterized by the advent of artisan
as capitalist entrepreneur. Traders, including Armenians in Bengal
employed winders (nakads) as wage earners in silk reeleries. Rich
weavers began to emerge in Bengal with their own capital sold their
goods freely. A few carpenters in Bengal and Bihar hired others for
working in their workship.^^ The supply of the court and the feudal elite
with luxury articles, etc. This form was most pronounced in state
workshop (those of the Shah or his courtiers) know as "'Karkhanas''' in
the Mughal empire and also in the workshop belonging to big feudal
lord.
Fr. Antony Monserrate, a missionary inform us that the ruler
''''keeps many workmen always engaged in the manufacture of muskets and swords
for the army".' The karkhana system also included the mint where
craftsmen of more than ten difficult trades minted coins.^"^ The chronicle
of Mirza Nathan. The Bahristan-i-Ghaybi, says that after the ruler of
Bengal, the Mughal Nawab Islam Khan had in 1608 transferred his
capital from Rajmahal to Decca, he organized state ware and
31
Singh in the village of Jai Nagar. He settled artisans in the village that
produced cloth, which he wanted to be superior to the famed Ahmad
Nagar textiles. To achieve this he ordered that the tools for his
Karkhanas be made of special kinds of wood.^' According to John
Taylor these workshops were superintended by a feudal official, the
darogha who "exercised uncontrolled authority over all persons
employed in them the most expert weavers in the provinces were
selected to work here." The names of these artisan were registered and
"they compelled to attend daily at the appointed hours, until the different
task assigned to them were finished.
Inspectors carefully examined the thread that was brought to the
looms and none was permitted to be used until it was compared with the
standard masters and approved of the English commercial resident in
Dacca (such resident appeared there 1787)". The incessant inspection of
the Daroghas and their people and the fear of incurring punishments for
any deviation of the duty expected of them must have effectually
deterred the weavers. While manufacturing the cloths from attempting
any improper practices. The Darogha defrauded the weavers "of a
considerable portion of the wages allowed them by the government."
Thus in the time of Siraj-ud-Daula pay and retained as a perquisite by
the officer and servants of the Mulbooskhas Kootees.'''^
The records of the English commercial residents Indicate that the
state workshop (karkhana) based on the feudal organization of the
labour of weavers continued to function in the 1780's i.e. after the
seizure of Bengal by the English India company.^" An important
features promoting the development and the changes in economic
structure of the crafts in a number of areas in India in the 18"" century.
One directly connected with the development of handicraft production
and commodity money relations, was a certain weakening of feudal
33
coercions and correspondingly the wider recourse to the free hire of the
labor forces/' Thus according to the Mirat-i-Ahmadi by Muhammad
Khan, in the 1660's the administration {Mustassadi) of state
construction project, garden and other Karkhanas reported to Padishah
Aurangzeb that until recently the wages (Ujural) of hired workmen
[Mazdurani] were paid in Phalsa (a small copper coin-Ach). However
since beginning with that year (1667/68. A.Ch) new phalsa were
minted. The workmen refused to accept the new coins because they said
their value was far below that of the former phalsa. The Padishah then
ordered the Diwan of Subah to raise daily wages (Youmie) of the work
men and to pay them 1.5 tanka for every tanka they had received
before. ^^
When construction was carried on at the order of private persons,
the cooperation of the labourers work created a basis for the emergence
of an economic organization of labour of a qualitatively new form. This
applied particularly at the end of the 18"" and the beginning of the 19"^
centuries in Bengal (Dinajpur) to the labour of some rural carpenters,
living in the vicinity of town and producing simple furniture agriculture
implements. The richest of them having a capital of Rs. 40-50 employed
some workmen, similar condition could be observed during that period
in Bihar in the towns of Bhagalpur and Monger, were there were about
70 workshops (karkhana) of carpenter, producing all sorts of furniture,
palanquins, etc. some time the owner of the workshop hired several
workers, supplied them with materials and instruments and himself
worked together with them. In some cases, when the numbers of wage
workers reached a certain figure some time 100. The proprietor not only
gave up manual labour but practically ceased to supei-vise his worker's,
he thus became small capitalist enterprise based on simple capitalist
cooperation. The iron work generally produced forging of different sizes
34
where sold to the state for the manufacture, of arms, to owners of private
workshops for the production of steel, the manufacture of sugar boilers
agriculture implements and artisan's tools and also to peasants and rural
blacksmiths, who manufactured all sorts of arm implements and various
household goods. Some workshops for example, those in Chica-
Baylicaray, produced not forgings but ploughshares. The iron was
smelted from sand and ore. In the first case for several months during
the monsoon period, When the torrents carried down sands from the
rocks special labour collected it along the river banks, washing it the
separated the ore from the sand. In the second case, the ore was mined
on mountain slopes. Crushing the rocks with a pickaxe and grinding it
with their hands, the miners picked from it small bits of ore which they
collected and carried to the foot of the mountain and from there to
workshops.
The duration of the production cycle differed from workshop to
workshop. Here the raw materials were sand which was collected for
three to four months during the rainy season. The smelting lasted
generally eight to nine months, sometimes less, because it stopped when
there was from work to be done where ore was smelted. Work lasted
nine to ten months, sometimes all the year around and was stopped only
in holidays, because of heavy rains, the illness of workers or for similar
reasons. The latter name was probably derived from the group of
community artisan into which blacksmiths were incorporated. He
generally own the instruments of labour in the large- the hammers tongs
and anvil. He took charge of the forging of the metal and in the fire in
furnace. One of the workers held the metal being forged with the tongs,
another in addition to working the bellows, removed the ashes and dress.
There still were patriarchal, primitive features in the division of labour;
the artisans for example carried out several different operations (the
35
collection of sand and work in the forge (The making of charcoal and
work in the smeltery etc.). The emergence of professional workshop
(karkhana) labourers from the peasants and artisans, the separation of
the crafts from agriculture attained a considerable level development.
The hiring of the workmen was generally free and there was no coercion
by other than economic means. They were tied to their employer only by
the money advances they had received from him and were not allowed
to engage in other work until they had repaid their debts.
The remuneration of the wage workers differed from workshop to
workshop. In some workshop wages were paid in cash the sand
collectors received 10 faunas a month the char charcoal burners 8-10 the
smelters, 10-13. The head men of the smelting fiimace" 15: workers in
the forge 6-3 (hammers 9, bellows workers 8). The head workmen of the
forge" 12-20 faunas.^^
An organization of labour in many respects resembling that in the
iron-making capitalist manufactures of Mysore can be encountered at
the end of the 18'^ beginning of 19"^ centuries also in Bihar (district
Shahabad) where iron making was carried on. The proprietors of the
furnaces received advances from urban merchants hired people to
deliver ore and fuel and carry out the smelting. As many a 50 person
serviced a single fiimace , simple cooperation growing into capitalist
manufacturers was typical not only of the various branches of
construction extraction and processing of minerals wealth (iron
diamonds etc.) in which cooperation of labour is a natural features of
production but also of many other branches of the handicrafts in India in
the 16"'-18' centuries. There is evidence to show that such enterprises
existed at the beginning of the 18 century in Gujrat. In the Mirat-i-
Ahmadi Ali Muhammad Khan mention the existence in the first decades
of the 18 century in Gujarat of a "multitude of Karkhanas where wage
36
kilometers there were 100 to 150 small workshops. The product yielded
by them was delivered to central workshop {karkhana), pressing and
drying. The productivity of such a manufacturer was many times higher
than that of the enterprises in Bihar and Bengal.^^
REFERENCES
10. The Rehla of Ibn Batuta (India, Maldive Islands and Ceylon), tr.
With commentary by Mahdi Hussain, Baroda, 1953, p. 151.
11. Afif, Shams-i-Siraj; Tarikh-i-Firoz Shah edited by Maulvi
Wilayat Hussain, Calcutta, 1800, pp.337-339.
12. Ibid., pp.271-72, 337-340.
13. A mahal in the Sarkar of Delhi, The Ain-i-Akbari, Vol.11,
translated Jadunath Sarkar, Calcutta, 1948, p.285.
14. Afif, Shams-i-Siraj; Tarikh-i-Firoz Shahi edited by Maulvi
Wilayat Hussain, Calcutta, 1890, p.340.
15. Ibid.,p.34.
16. Moreland, W.H.; India at the Death of Akbar, London, 1920,
pp. 172-174.
17. Ibid., pp. 186-187.
18. Chaudhari, Tapan Ray and Habib, Irfan; ed. The Cambridge
Economic History of India, Vol.1, pp.286-287.
19. Jahangir, Tuzuk-i-Jahangiri. A Rogers, ed. By H. Bevividge,
Vol.2, London, 1908, 1909, 1914, Vol.1, p.215.
20. Chicherov, A.I.; India Economic Development in 16"^ to 18"'
Centuries, Outline History of Crafts and Trade, Moscow, 1971,
pp.182-185.
21. Ain-i-Akbari,(text),I, p.4.
22. Sarkar, Jadunath; Mughal Administration, Calcutta 1952 pp. 122-
23.
23. Zawabit-i-Alamgiri, M.S. Br. Mu. Or. 1641, p.l5a.
24. Bernier, Francois; Travels in Mogul Empire, A.D. 1656-1668, Ed.
by A. Constable, Oxford, 1934, pp. 128, 292.
25. Zawabit-i-Alamgiri, MS (British Museum, now British Library,
London, or 1941, f 132. For further details see Jadunath Sarkar,
Mughal Administration, Calcutta, 1952, p. 125.
40